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apotelesmaa · 9 months ago

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HELLO .WAIT. do you have more thoughts on wxs soul eater au i never considered combining the two even thiugh i am off the walls crazy about the,m

Oh I have. So many thoughts. You asking abt it even made me get up off my ass and draw again. Putting everything under the cut to avoid having a mile long post.

When I first had the idea I really struggled on who was a weapon/meister but after deciding on wanting to pair ruikasa/emunene up I was like tsukasa and emu need to be the meisters bc 1) it fits with them being the founding duo of wxs 2) I really wanted nene to be a gun 3) fitting tsukasa’s goals into the SE universe worked better if he was a meister. I elected to make rui a whip first and then I realized I could fit a bloodborne reference in there and reference becoming potatoes with the cane. I’m not entirely satisfied w the first pass at designs for the universe (not super close to the SE aesthetic, I cannot draw guns, I’m not very good at character design, etc) but i kind of tried to pull inspiration from:

- tsukasa and emu’s happy Phoenix costumes (split colors on tsukasa’s coat, tsukasa’s boots, the corset/bell sleeves/little cape thingie for emu)

- for tsukasa specifically: piano (b&w colors and stupid long coat tails), his second wxs costume

- emu: bc I drew her last and it was getting late I did less searching and more winging it but I did try to combine the style of her wxs costumes (shoes, dress, striped socks) & general darker Lolita (for lack of a better word) fashion.

- nene: her gaming event card (weird energy ball device thing? Which I would imagine functions similar to dtk’s shooting soul wave lengths thru the thompsons)

- rui: his ugly ass coat (fond) he wears as his first wxs costume. Also becoming potatoes cane handle thing. Him being a trick weapon (bloodborne term, essentially a weapon that can switch between two forms) also kind of lines up w him being a tech genius.

Ok done talking abt the designs onto the in universe stuff

- not basing any au story off the soul eater plot bc it didn’t work out very well (too many pjsk characters) (going with the main story wxs plot w a soul eater spin. Kinda. Gonna have to think abt that a bit.) but if I did mafuyu > crona, miku & the kagamines > dtk and the thompsons. Would that make cfm lord death. Emu would fill a similar role to maka with mafuyu in that situation but in general (besides the surface level similarities btwn tsukasa and black star) nene is too different from soul, emu is way too different from maka, and rui is literally NOTHING like tsubaki so I can’t justify just swapping out emunene/tsukasa with soul&maka/black star&tsubaki. No equivalent to that fucking cat in this universe. & the pjsk characters get to wear clothes when they’re in the weird place weapons’s bodies go when they’re transformed.

- idk maybe the regular soul eater plot is happening/will happen/has happened but this is the Japan branch (oceania branch in canon?).

- vocaloids are professors (not the kagamines. Forever babies.) but if there needs to be a lord death equivalent making that miku would be so funny. Also the normal vocaloid personalities and not the WXS ones for conveniences sake. Uhhh first thoughts for M/W would be meister miku, weapon meiko, meister kaito, luka can go either way tbh, kagamines are both weapons but are each other’s meister.

- similar to how rui did shows on his own for a really long time I think he was his own meister for a while (like Justin Law was). He doesn’t have many souls bc dwma in this universe at least pretends to give a fuck abt student safety so they don’t want to send him out alone on anything dangerous (despite his talent) and he can’t resonate soul wave lengths with most ppl bc they don’t get him. He ended up giving up on finding a meister when he was younger bc of this & just worked really hard on his own. He experiences a similar isolation from his peers that dtk did (ppl find him intimidating/envy at his skill/etc).

- equivalent of him transferring in to kamikou (? Spelling) second year is the kamishiros spending ~10 years in America. He’s still childhood friends w nene he just moved away after they drifted apart and then came back. Mizuki probably did something similar just 2 keep the mizuki & rui connection still there.

- tsukasa’s SE universe goal is to be the best meister - he wants to protect & help people (inspired by saki. I’ll get to that) but the equivalent of tsukasa forgetting he wanted to make ppl smile & believing he just wanted fame would be tsukasa believing he wants to be the best meister for fame/power.

- saki’s chronic illness is a result of black blood due to an incident w a kishin egg monster when she was younger. I think she would be a weapon but along with the canon typical chronic illness symptoms (not erasing those) she struggles for a long time w controlling her ability to change in and out of weapon form. Tsukasa & her *could* have been a m/w pair & have compatible soul wave lengths but 1) he’s overprotective and I think he realized he would not be able to fight without being too scared of getting her hurt 2) saki’s illness means she can’t really enroll in the dwma (yet. She gets there eventually.)

- nene was in the not classes before the plot picks up bc she didn’t think she had what it took to be a weapon. In universe equivalent to her forgetting her lines would maybe be freezing when she was supposed to transform during an important test when she was younger? Not baby age like in canon (bc I know the DWMA likes child soldiers but 7ish is a bit much even for them) but old enough to be taking classes & old enough to be put into not classes as a result. Im not reading SE NOT! to understand how those classes work though so thank god she gets out of those classes

- nene *is* a really powerful weapon she just lacks the confidence and struggles to resonate with people (& unlike rui she can’t wield herself)

- on that note emu can resonate with just about anyone but she hasn’t found anyone that felt right yet, and Tsukasa needs someone who can keep up w the intensity of his soul wave length and hasn’t found anyone who can do that yet.

- ^ similar to tsukasa being a piano prodigy or whatever in canon tsukasa *is* a really good meister, he just needs a really good weapon. Bc his peers would need more training to get to that level

- I toyed with making emu dtk adjacent (daughter of death) (bc PXL -> DWMA) but that would be too complicated with her brothers/dad/grandpa so I disregarded it. Maybe I’ll come back to it. I think it would make more sense for emu to come from a long line of really talented meisters so she grew up training for the job and running around the dwma.

- emu approaches tsukasa and is like we should work together!!! We’ll do better on missions and be able to take down harder kishin & maybe witches!! & he’s like sure why not every star needs a sidekick (obnoxious laugh) even though emu could kick his ass without breaking a sweat (in line with canon). & like the angel she is emu is like (ignores his pre main story dickheadedness) wonderhoy!! (Deathhoy?) okie dokie we need to find weapon partners then!! (bodily drags him to class)

- tsukasa sees rui training on his own and is like wow he’s really talented! Fitting for a future star like me! & approaches him to ask if they can pair up. Rui is like on the condition that you can find my friend a partner in your class (wants nene out of the not classes bc he thinks she’s far beyond that skill level). Emu jumps on the idea and is introduced to nene who is placed in the higher level courses to accommodate this partnership. Idc if that can’t happen in SE canon I think the Otoris have a lot of sway and any potential issues w nene being less powerful (not the case but it’s the assumption made abt not students) can be made up by emu’s skill.

- emu is instantly very taken with nene and they resonate well. I know what u are dot jpg. Rui & tsukasa can resonate but struggle to unlock their full potential (similar to soul and maka struggling with using the witch hunter form) bc tsukasa needs to realize what his real motivations are.

- tsukasa assumes nene has a low skill level at first (similar to his issues w nenerobo. God I wish I could think of a way to fit nenerobo in this au. sorry nenerobo) but is proven wrong when emu wields her.

- equivalent to the climax of the wxs main story in this is nene freezing again during an important mission and the group losing an important target -> tsukasa gets mad and yells at her -> rui fights w tsukasa over this and tells him that he’ll never be a good meister if he cares more about fame and power than people.

- tsukasa chats w the death scythe kaito & realizes the Error Of His Ways -> emu is considering dropping out bc she feels that she fucked up all of their futures as weapons/meisters by putting this into motion but tsukasa has the heart to heart with emu and they agree to continue being a team -> emu and nene partner back up -> they approach rui who has gone back to working solo and he refuses to partner back up w tsukasa

- idk what a good equivalent to the lonely alchemist show would be. Tsukasa and rui need to resonate & work together to help emunene because they’re in peril or something? & rui through the resonance realizes that tsukasa is genuine? Some sort of hand wavey plot device is used to resolve everything.

- I think that emu & rui and nene & tsukasa are also able to resonate and they do occasionally switch it up just for funsies. Emu and rui bc they just get along very well and nene & tsukasa argue with each other but can still function as a team.

- I don’t think that rui & nene can resonate because. Put down the pitchforks please. *Because* similar to their dynamic in pjsk despite their bond and their care for each other there’s a lot of baggage that needs to be worked through. Too many things left unsaid. Etc. they could probably achieve resonance later on but there’s not really a need to given that they’re both weapons and both have meisters.

- Rui thinks it’s a great training exercise to fight tsukasa “how do you expect to get better if you don’t try fighting against a weapon without a weapon… I’m just trying to help you… (fake crying)” “I’m already good at fighting without a weapon!! This is never going to be relevant knowledge anyways!!! You just want to fight me because you think it’s fun!!!!!!” “(switching manipulation tactics) Someone who wants to be a star would want to be prepared for any situation no matter how small the chance is of it happening” “hm…that’s true… ok let’s do it!!”

- cut to them in the nurses office. This is a weekly occurrence.

- emu also thinks it’s good practice to use tsukasa as moving target practice but this is less dangerous and more just continuing tsukasa’s never ending torment (he is a willing participant in said torment mind you)

- like in canon emu pulls nene out of her shell and hypes her up constantly which is huge in getting nene to have more confidence in herself and her abilities. It’s also incredibly helpful to have a meister who will never judge her for freezing and will always meet her halfway.

- also like in canon nene is very helpful with reeling emu in. She’s a very helpful voice of reason/impulse control but one that understands that even if emu’s ideas are unconventional they still have merit (even if they need to be refined a little)

- similar to the soul eater main cast having the self preservation skills of very small stupid suicidal animals hell bent on getting themselves injured or killed (Liz excluded), emu and Tsukasa are very prone to charging in to a situation w/out thinking. Tsukasa is more reasonable but unfortunately his weapon parter is not and rui usually cajoles tsukasa into doing stupid shit. Nene is suffering.

- maybe someday I’ll design rui & nene if I ever go back and refine these designs but I’m really lazy.

- not really sure how I would go around incorporating the wxs arcs into the soul eater universe with regards to PXL selling out and stuff. Making peace with the witches maybe? Something will probably come to me eventually.

- unlike atsushi ohkubo I’m not a terminally horny freak so there’s zero weird shit in this au.

- initial thoughts on the other units: minori(w)/haruka(weapon that chooses to be a meister) + airi(m)/shizuku(w), kohane(m)/an(w) + toya(weapon who was trained as a meister before deciding to be a weapon)/akito(m), mafuyu(m)/kanade(weapon�� don’t make her exercise) + mizuki(w)/ena(m), leoneed swaps pairs frequently but shiho & izuka are meisters + saki and honami are weapons. Open to debate for most of these I haven’t given them much thought.

#asks #soul eater #project sekai #queueing this to not post at 4 am.#I’ll post the pics on their own on the art blog eventually. probably.

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daily-hanamura · 1 year ago

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If Rise is a proxy for the game trying to give Yu a thinly veiled "default romance", then her parallels with Yosuke and the way they interact with Yu make for a fascinating comparison

(aka follow me down this weird delusional rabbit hole. Strap in because this is going to be a long and very weird one.)

1. Similar patterns of flirting

Unlike Rise, Yosuke is of course a lot less intentional and a lot more oblivious to what he's actually doing, but his behaviour is actually very similar to Rise's in some ways.

For example, the both of them find an in with Yu through "being shown around" Inaba.

(actually there's a scene with naoto's first day at the school, where a few girls are trying to flirt with naoto using the same lines of showing him around, so that's fun.)

There's a difference in context here - Yosuke is playing that senpai-adjacent role for Yu, whereas Rise is asking Yu to play it for her (even though Inaba is Rise's hometown, and when you take her to souzai daigaku she says she's always wanted to go there).

But this difference is also important because...

Yosuke's type is someone he can look after. (Btw, this is an extremely common male response in Asia - that men like dating someone they can look after. Remember this because it'll come up again later.)

I think throughout the course of the game Yosuke is very much consistently someone that likes taking care of people - quite obviously he looks after Teddie, but he's also always looking out for Kanji and everyone else, actually.

But there's something that changes slightly between him and Yu - as their relationship develops, Yosuke becomes more willing to be the one being looked after, but by Yu especially! This is something that is picked up on by others in the group, such as when Kanji says that Yu tends to spoil Yosuke, or when Chie tells Yu that Yosuke is going to come begging him soon.

Neither Kanji nor Chie talk about how Yosuke asked them for help - because Yosuke, for the most part, is pretty resistant towards asking people for help... unless it's Yu. Yu is the exception in this regard, because where most people see Yosuke as being reliable, they also know that if Yosuke has issues, it's Yu that he turns to. And he does! In front of Yu, Yosuke lets himself be vulnerable, both in more serious settings but also in casual ones. Look at how Yosuke playfully ask Yu to "save him/them" (from Yukiko, Rise and Chie's cooking). It's a little dramatic. It's a little whiny. And it's all part of that role!

But this is exactly the kind of role that Rise is playing as well.

In Japanese culture, there is the concept of 甘え (amae), which is closely related to the (perhaps more commonly known) Chinese notion of 撒娇 (sājiāo). It's hard to explain this in English because it's not really a concept that exists in Western contexts in the same way, but I think it's important because Persona is ultimately a Japanese game, and so the cultural norms and contexts that inform the relationships there are important. It's been talked about in more detail by people smarter than me (see: Takeo Doi, 1971) but the tldr is that it refers to a kind of childishness employed as a means to seek indulgence from a loved one - it's a little bit affirmation, it's a little bit flirtation, but really, the point is looking for someone to care for them. And it works the same way for the other person as well - to indulge is to love! (Remember Yosuke's response of wanting someone he can look after? Yeah.)

When Rise drawls out the word "senpai" and whines a little, that's one example of her playing up that role so Yu would pamper her (actually I don't play in dub, so I'm not sure if she does this in EN too). But we see this with Ai as well, when Ai tells Yu to carry her shopping or buy her coffee. Ai is of course perfectly capable of doing both things, but the point is to have someone like you so much they do things for you.

Compare this to the way the others ask Yu for help - there's hesitation, and it's framed in a "if you have time, could you..." sort of manner and is markedly less playful. I think to some extent it's also their personalities, but that's kind of the point here.

I think it's important to caveat at this point that this "submissive" role during amae isn't, like, a fixed role that they assign themselves into in their relationship - critically, it's temporal, contextual and momentary. Yosuke and Rise are only playing up their childishness so they can get attention from Yu in that moment, but it in no way speaks to how they expect their relationship to function, because it's just brief instances of flirtation. For both Rise and Yosuke, their relationship with Yu is still primarily defined by their equalness and what they can do for Yu as well. It also goes both ways - Yu is also welcome to do the same with Rise and Yosuke! It's also very much a purposeful demonstration of vulnerability, because if you've read the signs wrongly, then it may not be perceived as flirting, just general annoyingness. Which is why...

I think they're both particularly sensitive about accidentally being a bother to Yu, and the way the both of them speak has these layers of boldness and shyness interspersed and folded into each other.

To put it another way, you can think of this indulgence as an extension of the love language of acts of service - and amae is essentially a way of pretending to be helpless to encourage that act of service. (this is an extremely dumbed down definition stripped of nuance)

The point here as Rise flirts with Yu in this manner... I think so does Yosuke, even if he's not totally conscious of it.

2. The shared fear of loneliness

Both Yosuke and Rise express this same fear - Yosuke's shadow reveals his fear of being alone so he actively surrounds himself with as many people as he can, while Rise reveals in her slink that she was a shy, lonely child and became an idol because she thought it would help her connect with people and make more friends. There's this powerful desire of acceptance on their part that forced them towards behaviour that they felt would make them desirable and liked - Yosuke makes jokes and buys food for his friends and tries to be a dependable big-brother type, and his shadow says he's only like that because he's terrified of being alone, while Rise's idol image is about being bright and enthusiastic and bubbly, but her vulnerable moments reveal her to be withdrawn and she says it was all an act.

I think there's a really interesting parallel here, because they both learn that it doesn't really work the way they hoped - the relationships that they had previously formed can be superficial (Yosuke talks about this point with Marie and Yu on the rooftop, while Rise learns that people only see Risette but not her), or temporary and easily forsaken (Yosuke doesn't really have anyone calling him back after his move, while Rise talks about how quickly people moved on from her).

Critically though, it's also in how they are resolved, and in both cases, Yu is the catalyst that helps them understand that not only is that desire normal and understandable, but that both that desire and their responses to it are all part of them. Yosuke's and Rise's cheerfulness and care are not any less meaningful just because of where that sentiment came from. There's no real Yosuke or real Rise, and while this is also a theme for the rest of the IT, I think it's with Yosuke and Rise especially that this particular thread of a fake self created to be accepted and help them make friends is especially pronounced.

(for Kanji, his violent, abrasive self was created to hide away and push people further away, while Naoto wasn't seeking acceptance amongst peers, but their individual ideal of whom they should be).

The distinction here is meaningful insofar as it then speaks to how Yosuke and Rise subsequently perceive Yu in relation to themselves and the rest of the team. For both of them, Yu was the first person where they actually felt Seen with, and in Rise's case, it's what sparked her attraction to him, with her starting to flirt aggressively with Yu after her rescue. I think that in Yosuke's case it's very much the same thing as well, which is how we have Yosuke calling Yu his 相棒 (aibou) shortly after the fight with Yosuke's shadow. I can't place exactly when Yosuke starts doing so, because it can be as early as Marie's slink rank 1 if you did it right after, but in their conversations after the fight at the liquor store, I think the foundation is already there.

In English, 相棒 is translated as partner, which I guess is a fair translation that is captured by the sentiment of "partners in crime". It's a term that is also used in, say, buddy cop pairs (like Reno and Rude in FF7. It's also how Adachi refers to himself, as Dojima's aibou), but it's intended to capture that essence of someone that you trust above and beyond everyone else. Working on a case and your boss and colleagues say no? Doesn't matter, you aibou's got your back. It's the person that you share this absolute connection with, that knows you like you know them, maybe even knows you more than you know yourself.

But imo there's a bit of nuance that is lost, because there's also the weight of exclusivity inherent in the term - you can have a lot of friends, but only one aibou. It's one of the highest, most intense and exclusive relationship that you can have with someone... platonically.

Kick that platonic label off and we find that Yosuke and Rise are the only two that end up attached to Yu with that same, absolute intent, and hold this similar wish for some exclusive relationship with Yu. By helping them understand their loneliness and what the intimacy of being seen means, Yu has triggered the same reaction in both Yosuke and Rise - just coloured slightly differently, romantic for Rise and platonic for Yosuke. But Yosuke's route wasn't even intended to be necessarily platonic so

3. They're the two that ask Yu about his type the most

I think that with a heteronormative lens, it's easy to interpret Rise's question as one coming from romantic interest and flirtations, while Yosuke's questions are coming from patterns of locker room talk, but fuck that, I think they're both testing the waters of romantic interest and looking to see what Yu would say.

Of course, if Yu takes that one opportunity he has to say Yosuke is his type, Yosuke gets flustered and his hair-trigger nohomo reaction kicks in... but then he goes into a thing where he talks about how yeah, he'd make a pretty good boyfriend! He likes Yu's answer here, he even has the little flower animation of happiness!

In contrast, if Yu picked Kanji, the conversation derails into a thing about Kanji's manliness. Furthermore, considering that Yosuke's romance route was cut but all of the previous conversations and interactions remained, there's no reason not to think that Yosuke wasn't responding positively to Yu's affirmations, even if he didn't necessarily understand what they meant at that time.

In the same way, if Yu responds positively or goes along with Rise's questions, Rise is also noticeably happy about it.

Because at the end of the day, they're not actually asking because they want to know what it is - they're asking because they want to hear Yu say that they are Yu's type. And I think Yosuke is guilty of this, even though he hadn't realised it yet.

#p4 #p4g #persona 4 #persona 4 golden #hanamura yosuke #yosuke hanamura #debated posting this one because im not even sure if im making sense to myself anymore but if you see my vision i am here to shake your hand #going in with a proper post today because my headcanon is not only very weird but also very very long #he's good with his queue

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