msmeechul

[apotelesmaa]

HELLO .WAIT. do you have more thoughts on wxs soul eater au i never considered combining the two even thiugh i am off the walls crazy about the,m

Oh I have. So many thoughts. You asking abt it even made me get up off my ass and draw again. Putting everything under the cut to avoid having a mile long post.

When I first had the idea I really struggled on who was a weapon/meister but after deciding on wanting to pair ruikasa/emunene up I was like tsukasa and emu need to be the meisters bc 1) it fits with them being the founding duo of wxs 2) I really wanted nene to be a gun 3) fitting tsukasa’s goals into the SE universe worked better if he was a meister. I elected to make rui a whip first and then I realized I could fit a bloodborne reference in there and reference becoming potatoes with the cane. I’m not entirely satisfied w the first pass at designs for the universe (not super close to the SE aesthetic, I cannot draw guns, I’m not very good at character design, etc) but i kind of tried to pull inspiration from:

- tsukasa and emu’s happy Phoenix costumes (split colors on tsukasa’s coat, tsukasa’s boots, the corset/bell sleeves/little cape thingie for emu)

- for tsukasa specifically: piano (b&w colors and stupid long coat tails), his second wxs costume

- emu: bc I drew her last and it was getting late I did less searching and more winging it but I did try to combine the style of her wxs costumes (shoes, dress, striped socks) & general darker Lolita (for lack of a better word) fashion.

- nene: her gaming event card (weird energy ball device thing? Which I would imagine functions similar to dtk’s shooting soul wave lengths thru the thompsons)

- rui: his ugly ass coat (fond) he wears as his first wxs costume. Also becoming potatoes cane handle thing. Him being a trick weapon (bloodborne term, essentially a weapon that can switch between two forms) also kind of lines up w him being a tech genius.

Ok done talking abt the designs onto the in universe stuff

- not basing any au story off the soul eater plot bc it didn’t work out very well (too many pjsk characters) (going with the main story wxs plot w a soul eater spin. Kinda. Gonna have to think abt that a bit.) but if I did mafuyu > crona, miku & the kagamines > dtk and the thompsons. Would that make cfm lord death. Emu would fill a similar role to maka with mafuyu in that situation but in general (besides the surface level similarities btwn tsukasa and black star) nene is too different from soul, emu is way too different from maka, and rui is literally NOTHING like tsubaki so I can’t justify just swapping out emunene/tsukasa with soul&maka/black star&tsubaki. No equivalent to that fucking cat in this universe. & the pjsk characters get to wear clothes when they’re in the weird place weapons’s bodies go when they’re transformed.

- idk maybe the regular soul eater plot is happening/will happen/has happened but this is the Japan branch (oceania branch in canon?).

- vocaloids are professors (not the kagamines. Forever babies.) but if there needs to be a lord death equivalent making that miku would be so funny. Also the normal vocaloid personalities and not the WXS ones for conveniences sake. Uhhh first thoughts for M/W would be meister miku, weapon meiko, meister kaito, luka can go either way tbh, kagamines are both weapons but are each other’s meister.

- similar to how rui did shows on his own for a really long time I think he was his own meister for a while (like Justin Law was). He doesn’t have many souls bc dwma in this universe at least pretends to give a fuck abt student safety so they don’t want to send him out alone on anything dangerous (despite his talent) and he can’t resonate soul wave lengths with most ppl bc they don’t get him. He ended up giving up on finding a meister when he was younger bc of this & just worked really hard on his own. He experiences a similar isolation from his peers that dtk did (ppl find him intimidating/envy at his skill/etc).

- equivalent of him transferring in to kamikou (? Spelling) second year is the kamishiros spending ~10 years in America. He’s still childhood friends w nene he just moved away after they drifted apart and then came back. Mizuki probably did something similar just 2 keep the mizuki & rui connection still there.

- tsukasa’s SE universe goal is to be the best meister - he wants to protect & help people (inspired by saki. I’ll get to that) but the equivalent of tsukasa forgetting he wanted to make ppl smile & believing he just wanted fame would be tsukasa believing he wants to be the best meister for fame/power.

- saki’s chronic illness is a result of black blood due to an incident w a kishin egg monster when she was younger. I think she would be a weapon but along with the canon typical chronic illness symptoms (not erasing those) she struggles for a long time w controlling her ability to change in and out of weapon form. Tsukasa & her *could* have been a m/w pair & have compatible soul wave lengths but 1) he’s overprotective and I think he realized he would not be able to fight without being too scared of getting her hurt 2) saki’s illness means she can’t really enroll in the dwma (yet. She gets there eventually.)

- nene was in the not classes before the plot picks up bc she didn’t think she had what it took to be a weapon. In universe equivalent to her forgetting her lines would maybe be freezing when she was supposed to transform during an important test when she was younger? Not baby age like in canon (bc I know the DWMA likes child soldiers but 7ish is a bit much even for them) but old enough to be taking classes & old enough to be put into not classes as a result. Im not reading SE NOT! to understand how those classes work though so thank god she gets out of those classes

- nene *is* a really powerful weapon she just lacks the confidence and struggles to resonate with people (& unlike rui she can’t wield herself)

- on that note emu can resonate with just about anyone but she hasn’t found anyone that felt right yet, and Tsukasa needs someone who can keep up w the intensity of his soul wave length and hasn’t found anyone who can do that yet.

- ^ similar to tsukasa being a piano prodigy or whatever in canon tsukasa *is* a really good meister, he just needs a really good weapon. Bc his peers would need more training to get to that level

- I toyed with making emu dtk adjacent (daughter of death) (bc PXL -> DWMA) but that would be too complicated with her brothers/dad/grandpa so I disregarded it. Maybe I’ll come back to it. I think it would make more sense for emu to come from a long line of really talented meisters so she grew up training for the job and running around the dwma.

- emu approaches tsukasa and is like we should work together!!! We’ll do better on missions and be able to take down harder kishin & maybe witches!! & he’s like sure why not every star needs a sidekick (obnoxious laugh) even though emu could kick his ass without breaking a sweat (in line with canon). & like the angel she is emu is like (ignores his pre main story dickheadedness) wonderhoy!! (Deathhoy?) okie dokie we need to find weapon partners then!! (bodily drags him to class)

- tsukasa sees rui training on his own and is like wow he’s really talented! Fitting for a future star like me! & approaches him to ask if they can pair up. Rui is like on the condition that you can find my friend a partner in your class (wants nene out of the not classes bc he thinks she’s far beyond that skill level). Emu jumps on the idea and is introduced to nene who is placed in the higher level courses to accommodate this partnership. Idc if that can’t happen in SE canon I think the Otoris have a lot of sway and any potential issues w nene being less powerful (not the case but it’s the assumption made abt not students) can be made up by emu’s skill.

- emu is instantly very taken with nene and they resonate well. I know what u are dot jpg. Rui & tsukasa can resonate but struggle to unlock their full potential (similar to soul and maka struggling with using the witch hunter form) bc tsukasa needs to realize what his real motivations are.

- tsukasa assumes nene has a low skill level at first (similar to his issues w nenerobo. God I wish I could think of a way to fit nenerobo in this au. sorry nenerobo) but is proven wrong when emu wields her.

- equivalent to the climax of the wxs main story in this is nene freezing again during an important mission and the group losing an important target -> tsukasa gets mad and yells at her -> rui fights w tsukasa over this and tells him that he’ll never be a good meister if he cares more about fame and power than people.

- tsukasa chats w the death scythe kaito & realizes the Error Of His Ways -> emu is considering dropping out bc she feels that she fucked up all of their futures as weapons/meisters by putting this into motion but tsukasa has the heart to heart with emu and they agree to continue being a team -> emu and nene partner back up -> they approach rui who has gone back to working solo and he refuses to partner back up w tsukasa

- idk what a good equivalent to the lonely alchemist show would be. Tsukasa and rui need to resonate & work together to help emunene because they’re in peril or something? & rui through the resonance realizes that tsukasa is genuine? Some sort of hand wavey plot device is used to resolve everything.

- I think that emu & rui and nene & tsukasa are also able to resonate and they do occasionally switch it up just for funsies. Emu and rui bc they just get along very well and nene & tsukasa argue with each other but can still function as a team.

- I don’t think that rui & nene can resonate because. Put down the pitchforks please. *Because* similar to their dynamic in pjsk despite their bond and their care for each other there’s a lot of baggage that needs to be worked through. Too many things left unsaid. Etc. they could probably achieve resonance later on but there’s not really a need to given that they’re both weapons and both have meisters.

- Rui thinks it’s a great training exercise to fight tsukasa “how do you expect to get better if you don’t try fighting against a weapon without a weapon… I’m just trying to help you… (fake crying)” “I’m already good at fighting without a weapon!! This is never going to be relevant knowledge anyways!!! You just want to fight me because you think it’s fun!!!!!!” “(switching manipulation tactics) Someone who wants to be a star would want to be prepared for any situation no matter how small the chance is of it happening” “hm…that’s true… ok let’s do it!!”

- cut to them in the nurses office. This is a weekly occurrence.

- emu also thinks it’s good practice to use tsukasa as moving target practice but this is less dangerous and more just continuing tsukasa’s never ending torment (he is a willing participant in said torment mind you)

- like in canon emu pulls nene out of her shell and hypes her up constantly which is huge in getting nene to have more confidence in herself and her abilities. It’s also incredibly helpful to have a meister who will never judge her for freezing and will always meet her halfway.

- also like in canon nene is very helpful with reeling emu in. She’s a very helpful voice of reason/impulse control but one that understands that even if emu’s ideas are unconventional they still have merit (even if they need to be refined a little)

- similar to the soul eater main cast having the self preservation skills of very small stupid suicidal animals hell bent on getting themselves injured or killed (Liz excluded), emu and Tsukasa are very prone to charging in to a situation w/out thinking. Tsukasa is more reasonable but unfortunately his weapon parter is not and rui usually cajoles tsukasa into doing stupid shit. Nene is suffering.

- maybe someday I’ll design rui & nene if I ever go back and refine these designs but I’m really lazy.

- not really sure how I would go around incorporating the wxs arcs into the soul eater universe with regards to PXL selling out and stuff. Making peace with the witches maybe? Something will probably come to me eventually.

- unlike atsushi ohkubo I’m not a terminally horny freak so there’s zero weird shit in this au.

- initial thoughts on the other units: minori(w)/haruka(weapon that chooses to be a meister) + airi(m)/shizuku(w), kohane(m)/an(w) + toya(weapon who was trained as a meister before deciding to be a weapon)/akito(m), mafuyu(m)/kanade(weapon… don’t make her exercise) + mizuki(w)/ena(m), leoneed swaps pairs frequently but shiho & izuka are meisters + saki and honami are weapons. Open to debate for most of these I haven’t given them much thought.

[digitaldesignation-art]

Moving Blogs (2022)

So I’ve been thinking of moving this blog over to @digitaldesignation (no -art) sometime early next year.

Idk how obvious it has been, but currently this blog is a side-blog to my personal account that I made forever ago. As it stands this makes it kinda hard to reply to anyone who comments on a post of mine here without mentioning every time that it’s me, just on my main. I’d also like for my likes to show up as coming from digitaldesignation instead of my main in general. Reblogs take care of that, but I’d still rather it came from the one place. Plus of course I’ve done the “oops wrong blog” thing and had to delete and redo a post, so heck yeah I’d like to cut that step out.

One thing I will be doing differently is reblogging more tf oc and transformers art stuff onto my blog. Anyone who’s stuck around on my main account has probably seen me randomly start reblogging pics en-masse, occasionally at 3am XD I love seeing others’ ocs, it legitimately gives me so much serotonin, and I’d like to centralize being able to share cool babs I’ve found (maybe gush abt them a little in the tags) and focus on my own blog stuff in the same space. Since I’ve figured out a tagging system for my characters and (I think) how to create different pages for that stuff, it should be pretty easy to navigate once it’s all set up.

I will post an update when all that is ready, and also when I’ll be moving over for good. For now, feel free to go ahead and follow me @digitaldesignation! I will be starting to move all my oc refs and other art from the last year or so over eventually. This blog will be staying up once I fully switch over, it’ll just be inactive.

TL;DR

I’m moving to @digitaldesignation next year because this blog is a side blog and thus doesn’t do all I need it to! Go follow me there!!!!!

[vapormaison]

2019 Best Press 3/4:  カタカナ・タイトル + Kanji Title by TANUKI

While for many vaporwave vinyl is doubtless equal parts collector’s item and audio source, I don’t want to lose sight of the goal of this blog here: developing a canon of the genre for high fidelity enjoyment. That said, when I come across something remarkable or noteworthy about a particular piece of wax, even if it is not a “purely audiophile” object, I want to make mention of it.

And TANUKI’s カタカナ・タイトル + Kanji Title wax release is not only noteworthy, but contends for hi-fi consideration despite it’s status as a picture disc.

But let’s back up slightly.

Going back to the previous thesis on why we buy records, sometimes you just want to own a vinyl just because. Just because you’re a collector trying to compile a discography on wax — or, better yet, just because you truly love the album art. For me, カタカナ・タイトル + Kanji Title (Double EP) was undoubtedly all of the three “just be-causes”.

A while back, I noticed that the LP was going into its 3rd press, and decided to snap up a copy because I like Tanuki, I like Lum, and because of those other just becauses. Unfortunately the only format available was not the pink vinyl, but the picture disc. As I’m sure is well-known (because audiophiles are very loud about things they dislike), picture-discs are a big no-no in the audiophile community. This is because while a beautiful objet d’art, a serious listening session of a picture disc release will usually produce greater amounts of surface noise than any other type of vinyl. You can, of course, with the right system, neutralize and mitigate this process slightly, but true-blue hi-fi heads pursuing that elusive muse of “pure sound” would never give a picture disc a second look.

I’m not one of those people.

Tangentially, I’ve heard whispers of ghosts of rumors from when I was living in Shenzen, China — that various record suppliers (small batch Makers) are working out manufacturing and material processes that minimize these issues on pic discs to create appealing records that cover all the bases: hi-fi suitability, collector oriented visual esoterica, and price. I should also admit I have no idea where those companies are in terms of R&D and/or producing these. I end up catching a lot of very fast talk from extremely motivated enthusiasts, but Chinese is still as elusive a language to me at times as “pure sound” can be. With that in mind, however, it’s logical to surmise that advances in technology will eventually render the differences between picture discs and traditional black wax undistinguishable. So long as the world isn’t destroyed in some cataclysmic climate disaster (very real possibility), or -- as we are watching evolve now: World War 3. My view is that it’d be pointless to dismiss the format out of hand when there are active attempts to innovate it as we speak.

That all said, I know what to expect when a contemporary, big-label picture disc plays. During my college days, I used to spin wax at the university radio station. One of the previous catalog managers had a fetish for this “collectible” format, and was convinced he was doing the station a favor by purchasing all these vinyls, noting a pre-supposed resale value later. I remember throwing these on the well-worn Technics SP-10 we had as our main turntable, and listening to the occasional scratch, frequent popping, and constant surface noise, that for the uninitiated (bless you), sounds like a sustained “cracking” in your Rice Krispies — or for those born in the analog age, CRTV static.

So when I sat down with the Tanuki picture disc, I had this laundry list of preconceptions and prejudices about the format. I thought that I could listen to a moderately scratchy record once or twice, keep it as more a visual boutique item and then eventually include in an article where I bemoan the poor quality of the genre’s releases.

But then, I actually listened.

And it sounded… well, I won’t get ahead of myself. Here’s the full review:

THE MUSIC

BABYBABYの夢 — is doubtless the reason why many of us have bought the EP from a sonic perspective —especially if the band-camp reviews are indicative of trends. I still maintain that this is the Mariya Takeuchi sample/remix work par excellence. Tanuki hits all the essential notes here, a genuine respect and love for the sound-staging of its original source, Yume No Tsuzuki. I still get echoes of the original arrangement in my system, (ever so slightly) with a bright and dance-infused collection of unique sounds — particularly in that delicious, wide mid-range — that flesh out the track into its own sort of masterpiece.

何がGoin' On — the curatorial and conspiratorial side of my brain tells me that Goin’ On will probably go down as one the under-appreciated vintage bangers of this era of future funk. I can envision hipsters two or three decades from now sussing out a neophyte with pretentious questions about this track’s pitch-shifted sample draws from. It has that sort of vibe that you know hits with a certain subset of electronica fans — rich & vibrant, making the tweeters on your system work out in all the best ways — it’s just great.

がんばれ — Tanuki is at his best when he gets playful with brass samples. I firmly believe that the titans in this genre each have their go-to piece in their best arrangement — like Dan Mason’s creative vocal array, or greyL’s manipulation of micro-samples. For Tanuki, it’s whenever her gets a horn — synthesized or otherwise, into his production workflow.

ファンクOFF — continues Tanuki’s magic act, taking another city pop track more iconic for its soulful electric guitar riff and turning it into the most slap-worthy single on this EP. I prefer it when Japanese pop samples are fundamentally re-imagined, although I can see how the perfectionist tweaking of someone like Yung Bae is more appealing for some. Tanuki is undoubtedly one of the innovators of this genre, and there’s no more solid evidence of that talent than this track.

腕の中でDancin’ — if I ended up hosting a sort of mythical vaporwave grammies or something like that, (I’m available, folks!) I would probably go off on a Ricky Gervais style rant on how artists aren’t in touch with “the people” (read: me) because all we really want are more remixes of Meiko Nakahara songs — who given her impact on City Pop should have way more play in this genre than she does. This one, like most of the Meiko mixes I’ve heard, is a banger with an absolute fire bass riff punctuated throughout.

Radiant Memories — this might be my first certified “hot take” in the publication (they’ll be many more, I imagine) — but as far as I’m concerned this is the superior Plastic Love edit. I’ll just leave my thoughts there, so they can soak in with a portion of the fanbase who split my reddit account on an open fire of downvotes for suggesting that other artists than Macross 82-99 (Praise be upon him!) are allowed to touch this song as well. While Macross’s mix is definitely the more up-temo of the two, and that for some is the very essence of the genre, this slightly down-mixed version is both the perfect conclusion for the EP and ideal antithesis.

THE LISTENING EXPERIENCE

Signal to Raise ratio on the following albums:

カタカナ・タイトル + Kanji Title:  ~61.9db (1 db MoE)

Tron Legacy, Daft Punk:  58.4db

Love Trip, Takako Mamiya, Kitty Records Press: 65.8db

(ratings based on averages 5 minutes of sustained play on the testing unit, the machine actually complied this data on its preset, which is another fascinating part about this sort of vintage press-testing tech). The margin of error is because the machine, according to my mentor Dr. Juuso Ottala formerly of Harman International, informs me it was never meant to give accurate readings of picture discs, and to add about a dB of error margin.

One of the benefits of growing up in New England and, subsequently, New York, is that there are no shortage of heritage professional audio brand HQs in operation around a 200 mile radius from Manhattan to Boston. Off the top of my head, there’s Harman/Kardon, Boston Acoustics, Bose, NuMark, Marantz, and Rane headquarters within an hour’s drive from my two hometowns. Early on in my audiophile quest, I got my hands on some cool vintage gear — vinyl lathe testing equipment that has collected dust in both an old Harman technician’s storage unit, and now my parent’s basement. Over the holiday, I recently brought it out to do some surface noise testing on it to get a rough confirmation of what I was explaining in yesterday’s hi-fi guide. The innards of the machine looks eerily like a plinth-less linear tonearm and plate pair attached to a monitor. After making sure I’m not violating some kind of Harman International trade secret, I’ll post it on instagram.

Wanting to also get a firm idea on just how good my ear-test sounded, I grabbed another picture disc vinyl I had received as a gift a few years ago from my brother — the Tron Legacy OST. While I found the film passably enjoyable, my own preconceptions about pic discs, and a general exhaustion with french house — left me with no discernible desire to spin the thing. I hadn’t even broken the seal on the plastic wrap, so it seemed like as good as a blind test as any. I also grabbed what my ears tell me is a “good”, “heavy” press, a 1982 original dead-stock copy of Takako Mamiya’s Love Trip LP pressed by Kitty Records Japan. I’ve played it maybe a half dozen times since I bought it, so it’s as close to “new” 80s audiophile pop record as you can get. The Japanese are infamously anal about low SNR on their vinyl.

And, well, the results speak for themselves. The sweet spot for most black vinyl records is between 60-70db depending on age, weight, and a host of other frankly uncontrollable factors that aren’t worth getting into detail here, as I’d go on forever. The main takeaway here is that Neoncity’s and Tanuki’s record sat at the low end of the audiophile vinyl reference spectrum. Which in itself is a remarkable achievement for a pic disc. It’s worth taking a look at Tron Legacy, which just barely scratches 8db above a cassette tape, and 7db a Japanese vinyl from 1982.

This is all in an effort to say: damn, this is pretty good.

This also somewhat counters the usual “picture discs sound like shit” narrative that’s prevailed pretty consistently in the audiophile community. Tron Legacy? Yeah, that probably sounds like shit if I could bother to suffer through a listen. But whoever Hong-Kong based Neoncity is using actually makes “good” — if such a qualifier needs to be attached — image-pressed records. And that devotion to audio fidelity should be rewarded.

It might be time for me to re-asses picture discs on the whole, and that mind-expanding moment is something I owe to the fine folks at Neoncity.

[hangonimevolving]

Crafting Days

I’ve been more artsy craftsy in the last few months, at regular intervals, than I’ve been in probably years.  It’s been delightful - again, a silver lining of some otherwise weird and unnerving times.  But, we must relish the sweet things in life, mustn’t we.

Made myself some cloth face masks... repurposed from the optional sleeves that are provided with many salvar kameez sets bought in India!  Yay for staying safe and doing so by repurposing/upcycling!  I also like that these are unique prints of fabric.

This tan, cotton, block-printed one is my “everyday” mask....

(forgive my appearance in this hideous pink paper gown... I was at my allergist’s office for some dreaded allergy testing, and was keeping myself occupied so I didn’t have to think about all the shots I was about to get)

And this bright blue bandhini (tie-dye) and bead-embellished silk one is my “fancy” mask ;)

I’m especially proud of my proprietary design with this blue mask - - I made this one with a filter pocket, as well as a lip gloss/lipstick guard, haha!  I should probably keep my trade secrets to myself, but I can’t help sharing.

I also made a few “ear-savers” for the kids’ masks, because they both kept complaining about how their masks bothered their ears.

In the category of “Crafting: Covid-19 Protective Gear,” I can also share pics of these vinyl decals that I have made for our family’s face shields.  Here are the decals I’ve made for Vev and Dey’s shields - a volcano and a monster truck, respectively:

As for my own shield - I had made a very detailed elephant face one for my first shield and wore it all the time, but alas - I think that my shield has walked off somewhere (read: a visiting child at our house might have accidentally broken it, and thrown it away).  So I ordered myself some new shields, and have been in the process of embellishing them with these decals the last few days.  

Those initiated in the dark arts of die-cut crafting may pick up on the fact that with this recent group of projects, I have finally taken the plunge into the world of MULTI-LAYER VINYL projects.  I have, thus far, not been brave enough to attempt this, but after watching a number of YouTube tutorials, I decided to give it a whirl.  To my delight, its actually not as hard as I thought it would be!  I have definitely had some imperfect turns with some decals, and I doubt I’m destined to be an Etsy store owner - but but most of the time, its not too horrible, at least for projects for my own personal use.  

So!  On to other types of projects.  I made some vinyl decals to dress up these boring collage picture frames that I had prepared with photos of Vev and Dey dopplegangering each other as babies....

And then, I’ve been doing some more greeting cards and paper crafts.  I made a few cards which I seem to have neglected to photograph (dammit), but I’ve also been making these section dividers for the kids’ homeschooling portfolios. Homeschooling portfolios are basically these big-ass binders that you have to prepare for a homeschooling student, which contain all sorts of info from administrative details, to curriculum samples, to samples of the kid’s work, for the ENTIRE year.  The eventual purpose of the portfolio is for review by a designated authority person from the state department of education to ensure that your child has met all requirements satisfactorily for advancement to the next grade level, for if/when you plan to put them back in traditional school.

 Putting the portfolios together is a very involved task - but, to be honest, I’m actually enjoying it a lot.  It’s been a chance to use my educator brain to get all the administrative and curricular details laid out, but also my creative brain to make the portfolio interesting and visually engaging.

So.  Anyway.  Here are a few of the dividers I’ve made to denote the various academic subjects that the kids are studying with me this year!

And here is the cover art for Vev’s portfolio.  I was super proud of myself for searching the internet till I found a free downloadable font that is a replica of the original Pan Am logo font :)

I have to take a pic of Dey’s cover art, as well as the other academic subject dividers I’ve made!  Somehow I’ve not been very fastidious with photographing my work.

A final area of crafting (or at least, creativity) that I can showcase today is recent pancake art.  I don't remember the last creations that I showed on my blog, so forgive me if there are repeats....

I might have shown these before... a brain for Dr. Spouse, and a couple of pancakes made in the image of beloved toys (Dey’s robot, Vev’s “doom buggy” courtesy of the gift shop outside the Haunted Mansion ride in Disneyworld)

Other random, “normal” stuff a kid would ask for (well, at least my kids)....  a football stadium, a racecar, a squid, a whale, a tombstone (Halloween year-round, baby) :

 But they also have me make other weird shapes and scenarios.

~~~~. Okay, I had every intention of putting a few more pictures up in this post. But for some reason, Tumblr is behaving crazy and not allowing me to upload anymore. Dang.  Well - I’ve sat on this post for a few days now, trying to troubleshoot Tumblr, but I think what I’ll do is just hit post, and save some of my weirder, more random pancake art requests for another day.

Alrighty... toodles for now!

[bentchcreates]

Beyond Light and Darkness (Part 1)

This is going to be a two-part blog feature because I want to write about the book as a reviewer, as well as the experiences I had as one of the authors of this wonderful work. Also, fair warning that this is gonna be a long-ass post because I am on a roll. Haha.

Before BLaD

Let’s start from the very beginning, just a brief intro, for context. LOL.

Kath Bute (https://www.wattpad.com/user/kathbute) is actually a group of writers on Wattpad that bonded over the community forums a few years ago, and decided to collaborate and release an anthology of stories we wanted to read.

I was actually the last Kabute to join the first anthology, Beyond Fate and the Stars. I don’t know much about the group before I joined; except that they were working on an anthology based on the 12 Chinese Zodiac (with an assigned emotion) and they were short of one writer to do the Ox. I was very new to Wattpad then and basically just happened to be active in a forum for Filipino Writers, so they asked if I wanted to contribute. And I did. It was one of the first few times people actually asked me to write a new story.

After a few weeks I came up with Seek the Ox, Find Happiness (https://www.wattpad.com/183607408-beyond-fate-and-the-stars-self-published-seek-the) and in the summer of 2016 we had a book! My very first printed book! It wasn’t until MIBF that year that I got to meet my Kabute friends in person for the first time but it didn’t feel weird at all, kindred spirits and all that. (@AlaraChan & @lunatrix)(http://bentchcreates.tumblr.com/post/151133454706/bentch-at-the-37th-manila-international-book-fair )

As originally planned, printing BFatS was solely for us to have a physical book with our names and stories on it, a dry run. And while we might’ve discussed eventually making it available for selling, logistics and other business matters were tougher to figure out once the book is done. (We’re still trying to figure out if this is possible. Hehe.) But we wanted to do it again, and we wanted to do more this time, so we decided to take another shot at a second anthology, with selling the book as part of the plan from the very beginning.

The Stories

We tried our hand at a little bit of indie publishing. We had reviews that helped us with things to improve. We learned a lot from the first take and we had a clearer vision on what we wanted to become of this. The instructions this time was almost similar to the previous one: write whatever genre you want but there will be assigned prompts to follow and a sub theme of light or darkness. Even the interpretation of these themes was free for the author to make his/her own. 

I got “A broken wristwatch, peppermints and a hug that goes too far” and in the ‘light’ subtheme. I had finished an NA romance manuscript by then and I got off easy. Others who got perky prompts and then a ‘dark’ subtheme were a little more challenged! Hah!  

*Artwork by Trix Luna. My story prompts are here. ;)*

It was quite fun to write. And in the weeks that we were planning this second anthology, my inbox were constantly filled with book ideas; as well as funny messages (and abs!) from friends that were miles away from me. We talked about the book, and then about our personal writing projects, and cheered on each other when the writing gets tough. The friendships I’ve made with this book has got to be the best payoff in this journey.

Anyway, we also decided to open the proverbial doors for two more stories – two new bloods so to speak – so in June 2016, we called for short story submissions for the anthology. Four official entries were screened in anonymity (there were 5 stories, but we later found out @RK Sanchez should’ve already been part of Book 1 so she got in) and it was what I would say was the most challenging part of this. As an old Kabute (heh) and judge, I had a hard time choosing only two over four wonderfully written stories. In the end, I had to choose those who have showed the prompts more creatively and whose stories have captured our hearts. We welcomed @Nigel Libranages and @Raine RIllera into the fold. :P

With the stories and authors completed, we set out to editing, and because we didn’t have a professional editor, nor the funds to actually hire one, we did it ourselves. Around 14 pairs of eyes went through all the stories and different people who wrote different genres offered advice and suggestions for the improvement of our stories. It was team-effort every step of the way.

*My review copy with all the original members’ stories after I was done with my first run through. heehee.*

Development Hell

Development hell or development limbo is media industry jargon for a project that remains in development (often moving between different crews, scripts, or studios) without progressing to completion. 

– Wikipedia (https://en.wikipedia.org/wiki/Development_hell)

We were 14 authors whose writing were more passion projects than actual dayjobs so when each of us got a little busy in the real world, the book got lightly shoved in the backburners. Some authors weren’t able to finish their works and to this day, we’re still waiting for them to release them (*wink wink, fellow kabutes!*) Most of us had a lot on our plates, I for one had to uproot and move back in to my parent’s house, and completing a book seemed like a huge task to strike off our To Do list.

I also had fears. Being a writer who could sell his books had been a big dream of mine and when felt like I was so close to grasping it, I feared it wouldn’t be as amazing as I hyped it up to be. I had to process it for a while, to learn more things about the industry, and ultimately, about myself, before I could fully commit to taking the plunge. And when I felt I was almost ready, I did it. I can only speak for myself but knowing I wasn’t doing this on my own, that I had friends with me, achieving our shared goals together, helped quell those fears. I’m still afraid, I have to say, but it’s more manageable now that I’ve got all these lovely people behind me, as I to them.

It took a few more weeks before we got our fire back (some slots had to be refilled with new stories, we had to hold a small face to face meeting to iron out everything) and when we got to see the artworks for the cover and the genre divisions, the excitement was renewed. I almost missed the cover reveal but when we all saw it, we knew that beauty had to be shared to the world.

*BLaD F2F meeting with Bebe Kabute Irina Jean and the secret agents again! heehee!*

*BLaD Cover reveal (art by @RK Sanchez) and this pre-order promo graphic is by @Johanna Lee

At this point, Summer Feels had been launched and I got to be part of the promo team on social media so what I learned from that I pitched in. In no time, we had a solid contract, a promo schedule, a pre-order form, a slot at #FilipinoBookFriday; and a launch date. @Lunatrix and @AlaraChan were sending us updates on what the book would look like, printing schedules and all. I was so excited I have picked clothes to wear on the launch weeks before. Haha!

*#FilipinoBookFriday promo graphic. Hosted by me and @Johanna Lee 

BLaD Book Launch

What we called the book launch was just going to be a small author get together, a meet-up to see each other, collect our books and have a small meal together. I thought about working on an invitation, a graphic I could print out and stick to my journal later, when I found out Trix already made a Programme (so HYPED, I’m telling you!) and we had activities to really set off our baby to a great start.

On November 30th 2017, we met at the CBTL in Trinoma where we rearranged tables on one side of the café as if we got a reservation (We didn’t. They don’t so reservations. Or maybe not for an event as small as ours. hah). We chose that venue because it was sort of a midpoint for where the authors were coming from; Baguio was the farthest point from the North and Laguna in the South (Okay, if we count Australia as the farthest point in the South, then we’re screwed because the midpoint is probably in the middle of an ocean. XD).

We started with a short Kath Bute intro and welcome remarks from Ate Kabute; and then all authors got to introduce ourselves (we introverts get all weird introducing ourselves to people we’ve been talking to for months online!). We got gifts and goodie bags from our artist Kabutes; I even got to do an unrehearsed live-reading of The Time Banker! And then we got to the Q and A part where we got to know more about everyone else.

We also got to sign a ton of the first batch of the print books. Seeing the book for the first time is just totally amazing (the cover is more beautiful in person) and seeing stacks of it together before they are eventually distributed is even better. I took a lot of pictures of the beautiful books and forgot to take pics of the people, haha!

It was such a fun experience, and knowing it had been possible because of this dream we all had, that we were now making into a reality, is priceless. I got to write, I got new friends and now I got a new book! There was hardwork, and I know the others worked harder than I did, but we can all say it is worth it.

What’s Next?

I don’t know how to end this blog. Haha. I rambled on and on about recent history and yada, yada, blah, blah, blah, but now I don’t know what my parting message will be. Classic Bentch! Haha!

I guess I’ll leave you with a link to order our book because now I know you’re itching to get your hands on it: http://bit.ly/BLADBatch2 (Batch 2 is set for printing in January, so delivery dates might be late January-early February)

We’re processing an e-book version for international release so watch out! (Naks, ako yung in-charge dito, so good luck to me. Wahaha) And we’ve discussed the initial phases for Book 3! No further announcements, thank you! Haha!

I think it’s also better to end with a thank you to everyone who has made this possible.

My fellow BLaD authors, thank you for sharing your talents – writing and editing AND artistic skills – especially to Mama and Ate Kabute who started all of this and pushed us to bring our collective best to the world. To my other author friends, who showed support by cheering on us and buying our books!

And to God, because this is your design. Thank you.

 *next part will be my review of BLaD as a reader. It will be biased because, you know, I wrote the preface (not-so-humble-brag!) and is currently in charge of promotions, but it’s a GREAT anthology, 500%!  

[mouldyinlondon]

first post!

after fucking around with the editing of custom themes that was made ever so difficult by the tumblr theme, i think im finally done setting up my blog and its theme! i might try to mess around with the html a bit to insert a pic in the header or smth eventually or change the background, but ive been fighting with this website for like an hour and a half now and i am  t i r e d.

who are u!

i’m camille! im 19, an aries and a white queer cis girl (she/her). i have a boyfriend that i luv very dearly and i’m from québec! my university is in ontario and it’s bilingual, as am i (my first language is french, and yes, i do have the french canadian accent, if you’re wondering). i am double majoring art and art history and i love it a lot! i’d love to specialize myself in english medieval history, especially in the fields of christian iconography and hagiography.

so, what is this blog?

this blog will be used to document my student exchange in london and the trip to the uk i will make preceeding that exchange. i’ll also document a bit of the process of applying for the exchange, bc it is quite a long one indeed!!!! i’ve been working on it since last semester and it honestly took a lot more time than i expected, especially because i have to make a preliminary schedule and some uni websites are especially hard to navigate. i might also talk about the planning that’ll go into the trip my boyfriend and i want to have before my semester.

what am i gonna do?

-travel across the uk with my boyfriend

-then study during the fall semester of 2019 in london in history

what’s the plan?

basically, i have quite a bit of money put aside for the trip and the exchange. i will continue to work this summer (im already pretty much guaranteed to have one, but it’s a haunted walk tour guide job and, although my hourly salary is quite good, i have very few hours; ill have to find another job if the one i have at the moment is only seasonal). then, in early august, my boyfriend and i will leave canada together and travel all across the uk. i have already traveled with him to his homecity (manchester, uk) and it was absolutely lovely! we’ll spend around a month/a month and a half traveling together and i’m pretty sure it’ll go extremely well, as our last trip did. we traveled pretty early on in our relationship, so i feel like after around 2 years and a half of dating, this trip will be even better than the first!

after the trip, my boyfriend will go see his family in manchester and go back home to canada. i, on the other hand, will be staying in europe. the university i will attend for the semester is the queen mary university of london. the semester there starts on september 16th, so idk if there’ll be some introductory activities or when i can start living on campus. i might just travel on my own or go see some family friends in france if i have to wait around. all i know is that it’ll be quite lonely. then, i’ll go back to london and try my best to have a great semester.

obstacles

there are a few obstacles that i’ll have to face to first of all be accepted but also to live there. first, there is the language barrier, which i dont think should be too much of an issue but??? who knows???

my first language is french and the accent in english that im used to is like the most basic, neutral, slightly canadian accent. anyone who deviates from that, i might have a hard time understanding. also, handing in essays in english is a bit scary. ive done it before, as my university is bilingual and i attend french and english classes, but it still makes my work a bit longer to do and my english doesnt have the same quality as my french. it also makes the process longer since i have to write my motivation letter in the language of the university ill be attending (so english) and i have to PROVE that i can speak/understand/write english....i mean i get the incentive but also....anyway, i can just basically show ive had more than a B+ in a class in english and it counts as a proof. good thing 3/5 of my classes were only available in english i guess.

also, my university does exchange programs in a way that you have three choices of university and depending on your gpa and your motivation letter, they give you either your first, second or third choice. my three choices are:

-queen mary university of london

-royal holloway university of london

-reading university

of course, reading was a filler. i would have wanted to put manchester as a choice instead, but the choice wasnt available for my program. i have a pretty high gpa (so far i have 3 A+ and 1 A, waiting for my last grade) and im trying to writing the best motivation letter that i can. ill have to upkeep my gpa to be able to participate in the exchange so fingers crossed???

where are you now in the process?

not many things are left for me to do for the application, and that’s perfect because i have until the 22nd to send in my finished application form (and we are the 9th, and my term has started). there are other things to take care off AFTER the application (like some meetings and obviously doing my schedule and booking my dorm room) but im not there mentally now,,, its a bit discourageing when i know how much work ill have during the term lmao.

so NOW what i have left is:

-receiving my last grade from last semester so i can enter my gpa and a copy of my grades’ summary

-take a picture of myself in front of a white background (lowkey waiting to get a haircut for that)

-i had to prepare schedules for each school with like what classes id be attending. i have to get approved my first school choice by my “department counsellor”. that was very unclear so i basically sent a message to two people + my department so like démerdez-vous lmao. when i get the schedule approved, i’m pretty much gucci!

-also my bf and i have to figure out the whole trip, but we’ll prolly start planning in april, after finals and when we have most of the money we want/know what kind of income we’ll be making this summer

-finally, ill miss everyone, especially my boyfriend...itll feel a bit lonely so i rly wanna keep busy so i dnt get too mopey. i always told myself i wouldnt stop myself from going away even if i had a significant other and i wanna stay true to that but it doesn’t mean it wont hurt...i know we’ll last for very long tho so this is just a few months out of many many more and we can withstand it for sure!

so that was a rly big post!!! had fun writing this and im excited to see what’ll happen! i should know if i’m approved in around march, so i’ll probably not update this blog a lot until then... can’t wait to be able to update it with lotsa good news, hopefully!

-camille

[cotccotc]

🖇 INTERVIEW TAG !

tagged by the marvelous @spookybias & @orphic-chan ( and a couple others i think !! i forget sorry jsjd )

taggin’ anyone who wants to do it !! <3

why did you choose your url ?

my main is @/childofthecycle and the acronym for that is cotc !! but @/cotc was taken so i doubled it haha

any side blogs? if you have any, name them, and why do you have them ?

for starters, this is a side blog !!

then i have @zachsang for western artists, @klausgreeves for tv ( which is my newest one ), @dis-mukes for saturday night live, @lq-hhj for hyunjin pics, @cotc-recs for fic recs, @cotc-games for ask games, @ctrlhyun for aesthetics, and then some nets and url saves !!

having so many blogs just makes it easier for me to organize my thoughts, save things in a neat and useful way, and give me graphic design practice !!! pls don’t joke about / make fun of how many blogs i own. thank u !! <3

how long have you been on tumblr ?

i’ve been on tumblr for a year now !!! in fact, the one year anniversary of this blog was yesterday :DDD

do you have a queue tag ?

yep !! it’s #q be or not q be. it’s a reference to one of hyunjin’s lines in “question” ( which is a reference to hamlet itself )

why did you start your blog in the first place ?

i just wanted a blog where i could rb and post about my interests aside from the aesthetic i post about on my main, and those interests quickly became more kpop related !! i also wanted to post edits, and eventually started writing fics a few months later.

why did you choose your icon ?

i change my icon somewhat frequently just based on other icons i’ve seen and liked. recently i’ve been loving the look of simple line art as an icon, and i love how cute yet edgy this image is !! just like me hehe

why did you choose your header ?

i’ve been playing around with photoshop a lot lately and i wanted to make a header with a cool shape !!! the coloring and design kinda came naturally from there. and i thought adding the lovestay and loverboy doodles would be a cool personal touch :)

how many mutuals do you have ?

i have no clue but i have a lot !! i love all my besties :DD and i’m always down to make new friends !!!

how many followers do you have ?

currently i’m at 1,187 ... which is LITERALLY INSANE thank u thank uuuu <333

how many people do you follow ?

681 !! i follow a lot of skz blogs, but also other kpop blogs, aesthetic blogs, etc. i should probably go through and weed out the inactive ones haha

have you ever made a shitpost ?

ALLLL the time !! lol

how often do you use tumblr every day ?

usually when i’m not busy i’ll be on it pretty much all day !! except recently i’ve been pretty busy with school and some other stuff, so i’m not as active as i used to be.

did you have a fight/argument with another blog once ?

... next question pls

how do you feel about ‘you need to share this post’ ?

it depends, i guess. if the subject of the post pertains to a lesser known topic or has any valuable resources, i’ll be more likely to reblog it. but i HATE posts that guilt trip people into sharing them without providing resources on how to help the situation.

also, i think it’s safe for people to assume my blog is safe for/open to people from all walks of life, so i don’t really feel the need to reblog any “rb if your blog is safe for [blank]” posts. y’all know me. i’ll be ur bestie no matter who u are. <3

do you like tag games ?

short answer: yes !!

long answer: they can be a little stressful sometimes, and i’ve had to try and train my brain to not feel bad if i don’t participate in them, but i do like doing them every once in a while. it also kinda depends on the game. OH and my memory is Shit so tagging people is always tough lmao

do you like ask games ?

yes !!! i like them a lot :) i miss them lmao i should do one soon

do you have a crush on a mutual ?

*cough* @junicai *cough*

[sueclancy]

I can now talk publicly about one of my current projects: I’m doing an illustration, a public art piece and giving a speech for Salmon Creek Journal and Washington State University!  The unveiling of the public artwork, and my speech, will be in October. And the magazine illustration will flow from that. Here’s how it all began:

You know I’m deaf right? Well some time back now at one of my local libraries I gave a drawing demo and signed copies of my book “Dogs by Sue Clancy”.  During the demo, (picture me wearing an apron, ink brush in hand, art materials surrounding me on a table and an ever flowing/ebbing group of people watching and asking me questions) a woman walked confidently up to my table.  To my Deaf ears she said “I’m glad to see you! My name is Amanda Xbmlsnn and I’m the editor for Whelngfm Fumeek Ourmrnal magazine. I’d like to talk to you about fmesryulm tjosun. Are you on social media?”  I replied “Yes, I’m on social media. My cards have my contact info. What did you say…” “Great!” said the lady, grabbing one of every card I had on the table “I’ll contact you!”  Off she went. Someone else asked me a question and the rest of the day flew by with a whooshing sound.

A few hours later when the day was done my sweetie came to help me pack up my art materials to leave the library. “How did your day go?” she asked. “Very good – but, darn my ears, I met an editor from a magazine and I didn’t hear her name or even the name of the magazine!!” I said feeling slightly frustrated. Sweetie, knowing that editors are some of my favorite people on the planet, commiserated with me. Feeling somewhat soothed I sighed “I’ll just have to hope she gets in touch with me.”

We went out for a restorative dinner and relaxed for the rest of the evening.

When I next checked my computer I had an email, a Twitter message, a Facebook message and an Instagram message all from Amanda The Editor of Salmon Creek Journal!

There was a lot of subsequent discussion via messages, but in short, the magazine (Salmon Creek Journal – SCJ) wanted to select one community submission to feature in both a gallery showcase and their 2018 print issue – and my work was what they wanted to be the “one community submission”!  The projects relates to a program called “Dis(covering)ability” – so me being Deaf was a virtue…

We arranged for a face to face meeting at the Washington State University (WSU)campus. I brought my camera and took about 45 photographs for my own use as I created my artwork. I took lots of handwritten notes as Amanda The Editor and several other people talked about the campus, about their project and what artwork they hoped for from me.  (My kind of artwork; my use of elements of a physical place etc. was what they wanted! And they wanted me to come give a speech…) Sweetie came with me to the meeting and took notes too. (After such meetings Sweetie and I compare our notes and many of my hearing gaps are nicely filled in!)

Here are a few of the photos I took during the meeting. Sharp-eyed followers of this blog will probably see a correlation between these pics and my finished artwork – which I’ll post eventually. (I mustn’t get ahead of Amanda The Editor in the posting/promo about this project. So I’ll be following her lead on when to post what…)

Since the students are the focus of the SCJ magazine and of the WSU campus – and the focus of the event “Dis(covering)ability” itself – I focused on creating an artistic design that emphasizes the people yet has a flavor of a specific to WSU place. I also wanted to imply a story in my wordless way of movement, of the discovery of sky’s-the-limit ability.

During our meeting on campus I was told that most of the WSU students first experience of campus is on a tour. They said that the fountain was a regular meeting place for students.  As we walked about campus during the project meeting I saw lots of squirrels chasing each other, and birds flying about. I noticed that many of the buildings had a similar brick/tile pattern. All of these observations – and many more – were recorded in my notes.

Back at my studio I looked through my photos and my notes – and Sweeties notes – and I began drawing thumbnails for an overall design. Then I did research to determine the average-height of the characters to be included in the artwork and designing the overall crowd shape.  (In my last post, here, I wrote my tips for drawing crowds.)

Here are a few photos of me at work:

In this pic I’m consulting one of my “animal encyclopedias” and comparing height of various species and listing/drawing a possible grouping.  (Yes, that’s my dachshund on my lap ‘helping’ me work.)

In the pic below I’m developing some of the characters that I’d settled on in the first photo. I did lots and lots of drawings of characters in order to settle what they’d be wearing, how they’d stand, who they’d be standing next to and what kind of expression they might have on their face.

Days, if not weeks, went by filled with regular work like what is photographed above. My “SCJ/WSU” sketchbook for this project is, by now, almost completely full of notes and sketches.

Here, for fun, is another page of sketches:

As per my arrangement with Amanda The Editor I kept in touch with her and sent almost daily photos of my progress. Some of which she posted on the SCJ social media pages – and others she kept for possible posting later.

So I’ll stop this blog post here for now and see what Amanda The Editor does next. Besides it’s almost time for my supper.  But before I go here is a photo, taken during our on-campus meeting, of Sweetie, Me and Amanda The Editor.

    public art a magazine illustration and a speech I can now talk publicly about one of my current projects: I'm doing an illustration, a public art piece and giving a speech for Salmon Creek Journal and Washington State University!