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whiterosechrista · 8 months ago

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Famous/Important Women?

I'm trying to make a list of notable women in history (mostly for fun, partially to use against misogynists who think men did everything), and kinda not wanting to just look up a list online.

So; I'd like anyone who sees this post to add to the list. Even if all you can remember is a name and basic details, that's enough (I myself am mostly operating off memory, and then looking up details to fill in the blanks). If possible though, a date of birth/death and what they're most known for would be great, since those are the details I'm focusing on right now.

I'll add all new people/details to a list here on Tumblr so we're all on the same page info-wise.

Edit; pinning this post both so I don't have to scroll millions of miles and so it's easier for people to find (I should probably be pinning my intro post instead but whatever).

List so far:

Enheduanna (𒂗𒃶𒌌𒀭𒈾), Birthdate unknown (c. 23rd century BCE), death date unknown (c. 23rd century BCE). High Priestess of Nanna/Sin (Sumerian Moon God), Daughter of Sargon (Founder of the Akkadian Empire), Earliest Known Named Author in History.

Nitocris (Greek: Νίτωκρις). Birthdate Unknown (c. 22nd century BCE), death date unknown (c. 22nd century BCE). Possible Queen of Egypt; If So, Would Have Been the Last Queen of the Sixth Dynasty of the Old Kingdom (c.2686 – 2181 BC).

Sobekneferu (Neferusobek). Birthdate unknown (mid 18th century BC), death date unknown (mid 18th century BC). Queen of Egypt, the Last Ruler of the Twelfth Dynasty of the Middle Kingdom, Reign Lasted 3 Years, 10 Months, and 24 days, Ending in c. 1802 BC.

Hatshepsut. Born ~1507 BC, died 1458 BC. Queen of Egypt (c. 1479 – 1458 BC), Fifth Pharaoh of the 18th Dynasty of Egypt, Prolific Builder, Reigned in Peace and Prosperity.

Sappho (Modern Greek: Σαπφώ (Sapphṓ), Aeolic Greek: Ψάπφω (Psápphō)). Born c. 630 BC, died c. 570 BC. Ancient Greek Poetess, Famous for Love Poems, Symbol of Lesbian Love, Known as “The Tenth Muse”.

Timarete (Thamyris, Tamaris, Thamar (Greek: Τιμαρέτη)). Birthdate unknown (c. 5th century BC), death date unknown (c. 5th century BC). Ancient Greek Painter; According to Pliny the Elder, She "Scorned the Duties of Women and Practiced Her Father's Art." At the Time of Archelaus I of Macedon She Was Best Known for a Panel Painting of the Goddess Diana That Was Kept at the City of Ephesus.

Helena of Egypt. Birthdate unknown (4th century BC), death date unknown (c. 4th century BC). Painter, Learned From Her Father, Worked in the Period After the Death of Alexander the Great in 323 BC, Painted a Scene of Alexander Defeating the Persian Ruler, Darius III, at the Battle of Issus.

Kalypso. Birthdate unknown (c. 3rd century BC), death date unknown. Supposed Ancient Greek Painter (existence disputed).

Aristaineta. Birthdate unknown (3rd century BCE), death date unknown (3rd century BCE). Aetolian Woman, Dedicated a Large Monument at the Sanctuary of Apollo at Delphi Which Included Her Mother, Father, Son, and Herself, Which Was a Symbol of Social Status Usually Reserved For the Male Head of the Family.

The Vestal Three (Aemilia, Licinia and Marcia). Born in the 2nd century BC, died December, 114 BC (Aemilia), and 113 BC (Licinia and Marcia). Roman Vestal Virgins (Priestesses), Prosecuted For Having Broken the Vow of Chastity in Two Famous Trials Between 115 and 113 BC.

Iaia of Cyzicus (Ιαία της Κυζίκου). Born c. 2nd century BC, died c. 1st century BC. Famous Greek Painter and Ivory Carver, Most of Her Paintings are Said to Have Been of Women. According to Pliny the Elder; "No One Had a Quicker Hand Than She in Painting." Remained Unmarried All Her Life.

Cleopatra (Cleopatra VII Thea Philopator). Born ~69 BC, died August 10, 30 BC. Queen of Egypt (51 – 30 BC), Last Active Ruler of the Ptolemaic Kingdom of Egypt, Only Known Ptolemaic Ruler to Learn the Egyptian Language.

Soseono (소서노) (Yeon Soseono (연소서노)). Born 66/7 BCE, died 6 BCE. Queen Consort of Goguryeo, One of the Three Kingdoms of Korea (37 – 18 BC), Queen dowager of Baekje (Another of the Three Kingdoms) (18 – 6 BC), Founder of Baekje (18 BC).

Heo Hwang-ok (허황옥) (Empress Boju (보주태후)). Born 32 AD, died 189 AD. Legendary Queen of Geumgwan Gaya, Mentioned in Samguk yusa (a 13th-Century Korean Chronicle), Believed to Originally be From India.

Septimia Zenobia (𐡡𐡶𐡦𐡡𐡩, Bat-Zabbai). Born ~240, died ~274. Queen of Palmyra (267 – 272), Queen of Egypt (270 – 272), Empress of Palmyra (272).

Hypatia. Born c. 350–370 AD, died March, 415 AD. Neoplatonist Philosopher, Astronomer, and Mathematician, Prominent Thinker in Alexandria, Taught Philosophy and Astronomy, Beloved by Pagans and Christians Alike.

Seondeok of Silla (선덕여왕) (Kim Deokman (덕만)). Born c. 580 or 610, died 20 February, 647. Queen of Silla, One of the Three Kingdoms of Korea (632 – 647), Silla's Twenty-Seventh Ruler and First Reigning Queen, Known as a Wise and Kind Monarch.

Jindeok of Silla (진덕여왕) (Kim Seungman (김승만)). Birthdate unknown, died 654. Queen of Silla, One of the Three Kingdoms of Korea (647 – 654), Silla’s Twenty-Eighth Ruler and Second Reigning Queen, Greatly Improved Relations With China.

Jinseong of Silla (진성여왕) (Kim Man (김만)). Born c. 865, died 897. Queen of Silla, One of the Three Kingdoms of Korea (887-897), Silla’s Fifty-First Ruler, Third and Last Reigning Queen, Said to be Smart by Nature, But Whose Reign Saw the Weakening of Unified Silla.

Ende (En). Born c. 10th Century AD, died c. 10th Century AD. First Spanish Female Manuscript Illuminator to Have Her Work Documented Through Inscription.

Diemoth (Latinized: Diemudus, Diemut, Diemud, Diemuth, Diemod or Diemudis). Born c. 1060, died c. 30 March, 1130. Recluse at Wessobrunn Abbey in Upper Bavaria, Germany, Worked on 45 Manuscripts From 1075 to 1130.

Lǐ Qīngzhào (李清照) (a.k.a. Yian Jushi (易安居士)). Born 1084, died c.1155. Chinese Poet and Essayist, Defiant Visionary, Known as “The Most Talented Woman In History.”

Gunnborga (a.k.a Gunnborga den Goda (literary: 'Gunnborga the Good')). Born c. 11th century, died c. 11th century. Viking Age Swedish Runemaster, Responsible for the Hälsingland Rune Inscription 21, Known as the Only Confirmed Female Runemaster.

Hildegard of Bingen (German: Hildegard von Bingen, Latin: Hildegardis Bingensis, a.k.a Saint Hildegard/the “Sibyl of the Rhine”). Born c. 1098, died 17 September, 1179. German Benedictine Abbess and Polymath, Active as a Writer, Composer, Philosopher, Mystic, Visionary, and Medical Writer/Practitioner During the High Middle Ages.

Matilda of England (Empress Matilda, Empress Maude, the “Lady of the English”). Born c. 7 February, 1102, died 10 September, 1167. Holy Roman Empress (1114 – 1125), Disputed Queen of England (1141 – 1148).

Guda. Born 12th Century AD, died 12th Century AD. German Nun and Illuminator, One of the First Women to Create a Self-Portrait in a Manuscript.

Herrad of Landsberg (Latin: Herrada Landsbergensis). Born c. 1130, died July 25, 1195. Alsatian Nun and Abbess of Hohenburg Abbey in the Vosges Mountains, Known as the Author of the Pictorial Encyclopedia Hortus Deliciarum (The Garden of Delights) (completed in 1185).

Claricia (Clarica). Born c. 12th Century AD, died c. 13th Century AD. German Laywoman and Illuminator, Noted for Including a Self-Portrait in a South German Psalter of c. 1200.

Jefimija (Јефимија) (Jelena Mrnjavčević (Serbian Cyrillic: Јелена Мрњавчевић)). Born 1349, died 1405. Considered the First Female Serbian Poet. Her Lament for a Dead Son and Encomium of Prince Lazar are Famous in the Canon of Medieval Serbian Literature. Also a Skilled Needlewoman and Engraver.

Christine de Pizan (Cristina da Pizzano). Born September, 1364, died c. 1430. Italian-Born French Poet and Court Writer for King Charles VI of France and Several French Dukes. Considered to be One of the Earliest Feminist Writers; Her Work Includes Novels, Poetry, and Biography, and also Literary, Historical, Philosophical, Political, and Religious Reviews and Analyses.

Joan of Arc (Jeanne d’Arc, Jehanne Darc). Born ~1412, died 30 May, 1431. French Knight, Martyr, and Saint, Burned at the Stake.

Catherine of Bologna (Caterina de' Vigri). Born 8 September, 1413, died 9 March, 1463. Italian Poor Clare, Writer, Teacher, Mystic, Artist, and Saint; The Patron Saint of Artists and Against Temptations.

Elena de Laudo. Born c. 15th Century AD, died c. 15th Century AD. Venetian Glass Artist, Belonged to a Glass Painter Family of Murano, is Noted to Have Painted Blanks Delivered to Her From the Workshop of Salvatore Barovier in 1443–1445.

Maria Ormani (Maria di Ormanno degli Albizzi). Born 1428, died c. 1470. Italian Augustinian Hermit Nun-Scribe and Manuscript Illustrator, Most Notable Work is an Apparent Self-Portrait in a Breviary That She Signed and Dated 1453; the Earliest Dated Self-Portrait by a Woman Artist in Italian Renaissance Art.

Sister Barbara Ragnoni (Suor Barbara Ragnoni). Born 1448, died 1533. Italian Nun and Artist for Whom Only One Work Remains Extant; Her Signed Painting, The Adoration of the Shepherds (c. 1500).

Antonia Uccello. Born 1456, died 1491. Carmelite Nun, Noted as a "Pittoressa" (Painter) on Her Death Certificate; Her Style and Skill Remain a Mystery as None of Her Work is Extant.

Marietta Barovier. Born 15th Century AD, died c. 15th/16th Century AD. Venetian Glass Artist, the Artist Behind a Particular Glass Design from Venetian Murano; the Glass Bead Called Rosette or Chevron Bead, in 1480. In 1487 She Was Noted to Have Been Given the Privilege to Construct a Special Kiln (Sua Fornace Parrula) for Making "Her Beautiful, Unusual and Not Blown Works".

Catherine of Aragon (Katherine, Catharina, Catalina). Born 16 December, 1485, died 7 January, 1536. First Wife of King Henry VIII, Queen Consort of England (1509 – 1533).

Properzia de' Rossi. Born c. 1490, died 1530. Ground-Breaking Female Italian Renaissance Sculptor, One of Only Four Women to Receive a Biography in Giorgio Vasari's Lives of the Artists.

Anne Boleyn. Born c. 1501 or 1507, died 19 May, 1536. Second Wife of King Henry VIII, Queen Consort of England (1533 – 1536), Martyr, Executed on False Charges.

Jane Seymour. Born c. 1508, died 24 October, 1537. Third Wife of King Henry VIII, Queen Consort of England (1536 – 1537), Died of Postnatal Complications.

Levina Teerlinc. Born in the 1510s, died 23 June, 1576. Flemish Renaissance Miniaturist who Served as a Painter to the English Court of Henry VIII, Edward VI, Mary I and Elizabeth I.

Catherine Parr (Kateryn Parr). Born c. August, 1512, died 5 September, 1548. Sixth Wife of King Henry VIII, Queen Consort of England and Ireland (1543 – 1547), First English Woman to Publish an Original Work Under Her Own Name, Widowed, Remarried, Died in Childbirth.

Anne of Cleves (Anna von Kleve). Born 28 June or 22 September, 1515, died 16 July, 1557. Fourth Wife of King Henry VIII, Queen Consort of England (6 January 1540 – 12 July 1540), Marriage Annulled, Outlived All Other Wives.

Mary I of England (Mary Tudor). Born 18 February, 1516, died 17 November, 1558. First Undisputed Regnant Queen of England and Ireland (1553 – 1558), Daughter of Henry VIII and Catherine of Aragon.

Mayken Verhulst (a.k.a. Marie Bessemers). Born 1518, died 1596 or 1599. 16th-Century Flemish Miniature, Tempera and Watercolor Painter and Print Publisher, Actively Engaged in the Workshop of Her Husband, Posthumously Publishing His Works. While Recognized as an Exceptionally Skilled Artist, Little is Known About Her Works or Life as There are Few Surviving Sources.

Catherine Howard (Katheryn Howard). Born c. 1523, died 13 February, 1542. Fifth Wife of King Henry VIII, Queen Consort of England (1540 – 1541), Stripped of Title, Beheaded for ‘Treason’.

Sister Plautilla Nelli (Pulisena Margherita Nelli). Born 1524, died 1588. Self-Taught Nun-Artist, the First Ever Known Female Renaissance Painter of Florence, and the Only Renaissance Woman Known to Have Painted the Last Supper.

Caterina van Hemessen (Catharina van Hemessen). Born 1528, died after 1565. Flemish Renaissance Painter, the Earliest Female Flemish Painter for Whom There is Verifiable Extant Work, Possibly Created the First Self-Portrait of an Artist (of Either Gender) Depicted Seated at an Easel (1548).

Sofonisba Anguissola (a.k.a Sophonisba Angussola or Sophonisba Anguisciola). Born c. 1532, died 16 November, 1625. Italian Renaissance Painter, Born to a Relatively Poor Noble Family, Got a Well-Rounded Education That Included the Fine Arts; Her Apprenticeship With Local Painters Set a Precedent for Women to be Accepted as Students of Art.

Elizabeth I of England (Elizabeth Tudor, the “Virgin Queen”). Born 7 September, 1533, died 24 March, 1603. Regnant Queen of England and Ireland (1558 – 1603), Last Monarch of the House of Tudor, Daughter of Henry VIII and Anne Boleyn.

Lucia Anguissola. Born 1536 or 1538, died c. 1565 – 1568. Italian Mannerist Painter of the Late Renaissance, Younger Sister of Sofonisba, Who She Likely Trained With.

Lady Jane Grey (Lady Jane Dudley (married name)). Born ~1537, died 12 February, 1554. Queen of England for ~9 days (~10 July, 1553 – 19 July, 1553) (disputed), First Cousin Once Removed of Mary I and Elizabeth I.

Mary, Queen of Scots (Mary Stuart). Born 8 December, 1542, died 8 February, 1587. Queen of Scotland (1542 – 1567), Forced Abdication, Imprisonment, Execution.

Diana Scultori (a.k.a Diana Mantuana & Diana Ghisi). Born 1547, died 5 April, 1612. Italian Engraver From Mantua, Italy; One of the Earliest Known Women Printmakers, Making Mostly Reproductive Engravings of Well-Known Paintings/Drawings and Ancient Roman Sculptures.

Lavinia Fontana. Born 24 August, 1552, died 11 August, 1614. Italian Mannerist Painter, Active in Bologna and Rome, Best Known for Her Successful Portraiture, but Also Worked in the Genres of Mythology and Religious Painting, Regarded as the First Female Career Artist in Western Europe.

Barbara Longhi. Born 21 September, 1552, died 23 December, 1638. Italian Painter, Much Admired in Her Lifetime as a Portraitist, Though Most of Her Portraits are Now Lost or Unattributed.

Marietta Robusti. Born 1560, died 1590. Highly Skilled Venetian Painter of the Renaissance Period, the Daughter of Tintoretto (Jacobo Robusti), Sometimes Referred to as Tintoretta.

Elizabeth Báthory (Báthori Erzsébet). Born 7 August, 1560, died 21 August, 1614. Hungarian Countess, Subject of Folklore, Alleged Serial Killer.

Esther Inglis. Born 1571, died 1624. Skilled Artisan and Miniaturist Who Possessed Several Skills in Areas Such as Calligraphy, Writing, and Embroidering; Over the Course of Her Life, She Composed Around Sixty Miniature Books That Display Her Calligraphic Skill With Paintings, Portraits, and Embroidered Covers.

Galizia (Fede Galizia). Born c. 1578, died c. 1630. Italian Painter of Still-Lifes, Portraits, and Religious Pictures, Especially Noted as a Painter of Still-Lifes of Fruit, a Genre in Which She Was One of the Earliest Practitioners in European Art.

Izumo no Okuni (出雲阿国). Born c. 1578, died c. 1613. Actress, Shrine Maiden, Creator of Kabuki Theater (1603 – 1610), Recruited Lower-Class Women For Her Troupe, Primarily Prostitutes.

Clara Peeters. Born c. 1580s/90s, death date unknown. Flemish Still-Life Painter From Antwerp Who Worked in Both the Spanish Netherlands and Dutch Republic. Was the Best-Known Female Flemish Artist of This Era and One of the Few Women Artists Working Professionally in 17th-Century Europe, Despite Restrictions on Women's Access to Artistic Training and Membership in Guilds.

Artemisia Gentileschi (Artemisia Lomi). Born 8 July, 1593, died c. 1656. Italian Baroque Painter, Considered Among the Most Accomplished 17th-Century Artists, Making Professional Work by Age 15. In an Era When Women Had Few Chances to Pursue Artistic Training/Work as Professional Artists, She Was the First Woman to Become a Member of the Accademia di Arte del Disegno and Had an International Clientele. Much of Her Work Features Women From Myths, Allegories, and the Bible, Including Victims, Suicides, and Warriors.

Magdalena van de Passe. Born 1600, died 1638. Dutch Engraver, Member of the Van de Passe Family of Artists From Cologne, Active in the Northern Netherlands. Specialized in Landscapes and Portraits, and Trained the Polymath Anna Maria van Schurman in Engraving, One of the Few Known Early Examples of the Training of One Woman Artist by Another.

Giovanna Garzoni. Born 1600, died 1670. Italian Painter of the Baroque Period; Began Her Career Painting Religious, Mythological, and Allegorical Subjects but Gained Fame For Her Botanical Subjects Painted in Tempera and Watercolor.

Michaelina Wautier (Michaelina Woutiers). Born 1604, died 1689. Baroque Painter From the Southern Netherlands (now Belgium), Noted For the Variety of Subjects and Genres She Worked in, Unusual For Female Artists of the Time, Who Were More Often Restricted to Smaller Paintings, Generally Portraits or Still-Lifes.

Judith Leyster (Judith Jans Leyster (also Leijster)). Born in July, 1609, died February 10, 1660. Dutch Golden Age Painter of Genre Works, Portraits, and Still-Lifes. Her Work Was Highly Regarded by Her Contemporaries, but Largely Forgotten After Her Death. Her Entire Oeuvre Came to be Attributed to Frans Hals or to Her Husband, Jan Miense Molenaer. In 1893, She Was Rediscovered and Scholars Began to Attribute Her Works Correctly.

Louise Moillon. Born 1610, died 1696. French Still-Life Painter in the Baroque Era, Became Known as One of the Best Still-Life Painters of Her Time, Her Work Purchased by King Charles I of England, as Well as French Nobility.

Catharina Peeters. Born 1615, died 1676. Flemish Baroque Painter, Noted For Painting Seascapes.

Katharina Pepijn (Catharina Pepijn). Born in February, 1619, died 12 November, 1688. Flemish Painter Who Was Known For Her History Paintings and Portraits.

Josefa de Óbidos (Josefa de Ayala Figueira). Born c. January, 1630, died 22 July, 1684. Spanish-Born Portuguese Painter. All of Her Work Was Executed in Portugal, Her Father's Native Country, Where She Lived From the Age of Four. Approximately 150 Works of Art Have Been Attributed to Her, Making Her One of the Most Prolific Baroque Artists in Portugal.

Maria van Oosterwijck (Maria van Oosterwyck). Born 20/27 August, 1630, died 1693. Dutch Golden Age Painter, Specializing in Richly-Detailed Flower Paintings and Other Still-Lifes. Despite the Fact That Her Paintings Were Highly Sought Out by Collectors (Including Royalty), She Was Denied Membership in the Painters' Guild Because Women Weren’t Allowed to Join. Stayed Single Throughout Her Life, but Raised Her Orphaned Nephew.

Johanna Vergouwen (Jeanne Vergouwen, Joanna Vergouwen). Born 1630, died 11 March, 1714. Flemish Baroque Painter, Copyist, and Art Dealer.

Mary Beale (née Cradock). Born in late March, 1633, died 8 October, 1699. English Portrait Painter and Writer, Part of a Small Band of Female Professional Artists Working in London. Her Manuscript Observations (1663), on the Materials and Techniques Employed "in Her Painting of Apricots", Though Not Printed, is the Earliest Known Instructional Text in English Written by a Female Painter.

Elisabetta Sirani. Born 8 January, 1638, died 28 August, 1665. Italian Baroque Painter and Printmaker Who Died in Unexplained Circumstances at the Age of 27. She Was One of the First Women Artists in Early Modern Bologna, and Established an Academy for Other Women Artists.

Maria Theresia van Thielen. Born 7 March, 1640, died 11 February, 1706. Flemish Baroque Painter, Known for Several Flower Pieces and Outdoor Still-Lifes Painted in the Style of Her Father, Jan Philip van Thielen.

Anna Maria van Thielen. Born 1641, death date unknown. Flemish Baroque Painter and Nun, Younger Sister of Maria Theresia, Older Sister of Fransisca Catharina.

Maria Borghese (Maria Virginia Teresa Borghese). Born 1642, died 1718. Italian Baroque Artist, Daughter of Art Collector Olimpia Aldobrandini.

Francisca Catharina van Thielen. Born 1645, death date unknown. Flemish Baroque Painter and Nun, Younger Sister of Maria Theresia and Anna Maria.

Maria Sibylla Merian. Born 2 April, 1647, died 13 January, 1717. German Entomologist, Naturalist and Scientific Illustrator, One of the Earliest European Naturalists to Document Observations About Insects Directly.

Élisabeth Sophie Chéron. Born 3 October, 1648, died 3 September, 1711. Remembered Today Primarily as a French Painter, but She Was a Renaissance Woman, Acclaimed in Her Lifetime as a Gifted Poet, Musician, Artist, and Academician.

Luisa Roldán (Luisa Ignacia Roldán, a.k.a La Roldana). Born 8 September, 1652, died 10 January, 1706. Spanish Sculptor of the Baroque Era, the Earliest Woman Sculptor Documented in Spain. Recognized in the Hispanic Society Museum For Being "One of the Few Women Artists to Have Maintained a Studio Outside the Convents in Golden Age Spain".

Rachel Ruysch. Born 3 June, 1664, died 12 October, 1750. Dutch Still-Life Painter From the Northern Netherlands. She Specialized in Flowers, Inventing Her Own Style and Achieving International Fame in Her Lifetime. Due to a Long, Successful Career That Spanned Over Six Decades, She Became the Best-Documented Woman Painter of the Dutch Golden Age.

Anne, Queen of Great Britain. Born 6 February, 1665, died 1 August, 1714. Queen of England, Scotland, and Ireland (1702 – 1707), First Queen of Great Britain and Ireland (1707 – 1714).

Isabel de Cisneros (Isabel de Santiago). Born 1666, died c. 1714. Criollo Colonial Painter Born in the Colony of Quito (Ecuador), Specialized in Oil Paintings of the Childhood of the Virgin and of the Baby Jesus, Adorned With Flowers and Animals.

Rosalba Carriera. Born 12 January, 1673, died 15 April, 1757. Venetian Rococo Painter; In Her Younger Years She Specialized in Portrait Miniatures, Would Later Become Known For Her Pastel Portraits, Helping Popularize the Medium in 18th-Century Europe. She is Remembered as One of the Most Successful Women Artists of Any Era.

Giulia Lama (Giulia Elisabetta Lama). Born 1 October, 1681, died 7/8 October, 1747. Italian Painter, Active in Venice. Her Dark, Tense Style Contrasted With the Dominant Pastel Colors of the Late Baroque Era. She Was One of the First Female Artists to Study the Male Figure Nude.

Anna Dorothea Therbusch (born Anna Dorothea Lisiewski (Polish: Anna Dorota Lisiewska)). Born 23 July, 1721, died 9 November, 1782. Prominent Rococo Painter Born in the Kingdom of Prussia (Modern-Day Poland). About 200 of Her Works Survive, and She Painted at Least Eighty-Five Verified Portraits.

Catherine the Great (Catherine II, Екатерина Алексеевна (Yekaterina Alekseyevna), born Princess Sophie Augusta Frederica von Anhalt-Zerbst). Born 2 May, 1729, died 17 November, 1796. Reigning Empress of Russia (1762 – 1796), Came to Power After Overthrowing Her Husband, Peter III. Under Her Long Reign, Russia Experienced a Renaissance of Culture and Sciences.

Ulrika Pasch (Ulrika "Ulla" Fredrica Pasch). Born 10 July, 1735, died 2 April, 1796. Swedish Rococo Painter and Miniaturist, and a Member of the Royal Swedish Academy of Arts.

Angelica Kauffman (Maria Anna Angelika Kauffmann). Born 30 October, 1741, died 5 November, 1807. Swiss Neoclassical Painter Who Had a Successful Career in London and Rome. Remembered Primarily as a History Painter, She Was a Skilled Portraitist, Landscape and Decoration Painter. She Was, Along With Mary Moser, One of Two Female Painters Among the Founding Members of the Royal Academy in London in 1768.

Mary Moser. Born 27 October, 1744, died 2 May, 1819. English Painter and One of the Most Celebrated Female Artists of 18th-Century Britain. One of Only Two Female Founding Members of the Royal Academy in 1768 (Along With Angelica Kauffman), She Painted Portraits But is Particularly Noted For Her Depictions of Flowers.

Anne Vallayer-Coster. Born 21 December, 1744, died 28 February, 1818. Major 18th-Century French Painter, Best Known For Still-Lifes. She Achieved Fame and Recognition Very Early in Her Career, Being Admitted to the Académie Royale de Peinture et de Sculpture in 1770, at the Age of Twenty-Six. Her Life Was Determinedly Private, Dignified and Hard-Working.

Adélaïde Labille-Guiard (née Labille/a.k.a Adélaïde Labille-Guiard des Vertus). Born 11 April, 1749, died 24 April, 1803. French Miniaturist and Portrait Painter, Was an Advocate for Women to Receive the Same Opportunities as Men to Become Great Painters. She Was One of the First Women to Become a Member of the Royal Academy, and Was the First Female Artist to Receive Permission to Set Up a Studio for Her Students at the Louvre.

Marianne Mozart (Maria Anna Walburga Ignatia Mozart). Born 30 July, 1751, died 29 October, 1829. Musician (c. 1759 – 1769), Music Teacher (1772 – 1829), Sister of Wolfgang Amadeus Mozart.

Élisabeth Vigée Le Brun (Élisabeth Louise Vigée Le Brun, born Élisabeth Louise Vigée, a.k.a. Louise Élisabeth Vigée Le Brun, Madame Le Brun). Born 16 April, 1755, died 30 March, 1842. French Painter Who Mostly Specialized in Portrait Painting, in the Late 18th/Early 19th Centuries, Made a Name For Herself in Ancien Régime Society by Serving as the Portrait Painter to Marie Antoinette, Enjoyed the Patronage of European Aristocrats, Actors, and Writers, and Was Elected to Art Academies in Ten Cities.

Marie Antoinette (Maria Antonia). Born 2 November, 1755, died 16 October, 1793. Last Queen of France (1774 – 1792), Bad Reputation, Executed by Guillotine.

Maria Cosway (Maria Luisa Caterina Cecilia Cosway (née Hadfield)). Born 11 June, 1760, died 5 January, 1838. Italian-English Painter, Musician, and Educator, Worked in England, France, and Later Italy, Cultivating a Large Circle of Friends and Clients. Founded a Girls' School in Paris (Dir. 1803 – 1809). Soon After it Closed, She Founded a Girls' College and School in Lodi, Northern Italy, Which She Directed Until Her Death.

Marguerite Gérard. Born 28 January, 1761, died 18 May, 1837. French Painter and Printmaker Working in the Rococo Style; More Than 300 Genre Paintings, 80 Portraits, and Several Miniatures Have Been Documented to Her.

Marie-Gabrielle Capet. Born 6 September, 1761, died 1 November, 1818. French Neoclassical Painter, Pupil of the French Painter Adélaïde Labille-Guiard in Paris. Excelled as a Portrait Painter; Her Works Include Oil Paintings, Watercolors, and Miniatures.

Anna Rajecka (a.k.a Madame Gault de Saint-Germain). Born c. 1762, died 1832. Polish Portrait Painter and Pastellist, Raised as a Protégée of King Stanisław August Poniatowski of Poland; In 1783, She Was Enrolled at His Expense at the Art School for Women at the Louvre in Paris. Chose to Stay in Paris After Marrying Miniaturist Pierre-Marie Gault de Saint-Germain in 1788. Became the First Polish Woman to Have Her Work Represented at the Salon in 1791.

Marie-Guillemine Benoist (born Marie-Guillemine Laville-Leroux), Born December 18, 1768, died October 8, 1826. French Neoclassical, Historical, and Genre Painter, Student of Élisabeth Vigée Le Brun.

Adèle Romany (born Jeanne Marie Mercier, a.k.a. Adèle Romanée, Adèle de Romance). Born 7 December, 1769, died 6 June, 1846. French Painter Known for Miniatures and Portraits, Especially Those of People Involved in Performing Arts.

Marie-Denise Villers (Marie-Denise "Nisa" Lemoine). Born 1774, died 19 August, 1821. French Painter Who Specialized in Portraits. In 1794, She Married an Architecture Student, Michel-Jean-Maximilien Villers. Her Husband Supported Her Art, During a Time When Many Women Were Forced to Give Up Professional Art Work After Marriage.

Constance Mayer (Marie-Françoise Constance Mayer La Martinière). Born 9 March, 1775, died 26 May, 1821. French Painter of Portraits, Allegorical Subjects, Miniatures and Genre Works. She Had "a Brilliant But Bitter Career."

Jane Austen. Born 16 December, 1775, died 18 July, 1817. English Novelist, Author of Sense and Sensibility (1811), Pride and Prejudice (1813), etc, Known For Her Subtle Criticism of the Nobility of the Time.

Marie Ellenrieder. Born 20 March, 1791, died 5 June, 1863. German Painter Known For Her Portraits and Religious Paintings, Considered to be the Most Important German Woman Artist of Her Time.

Louise-Adéone Drölling (Madame Joubert). Born 29 May, 1797, died 20 March, 1834. French Painter and Draftswoman. Both Her Father and Older Brother Were Celebrated Artists in Their Day; She Herself Was Not a Very Prolific Painter.

Mary Shelley (Mary Wollstonecraft Shelley, née Godwin). Born 30 August, 1797, died 1 February 1851. English Novelist, Author of Frankenstein (1818), Which is Considered One of the Earliest Examples of Science Fiction.

Elizabeth Barrett Browning. Born 6 March, 1806, died 29 June, 1861. Influential Poet, Author of How Do I Love Thee (Sonnet 43, 1845) and Aurora Leigh (1856).

Ada Lovelace (Augusta Ada King, née Byron, Countess of Lovelace). Born 10 December, 1815, died 27 November, 1852. Mathematician, Writer, First to Think of Other Uses for Computing Besides Mathematical Calculations.

Victoria I (Alexandrina Victoria). Born 24 May, 1819, died 22 January, 1901. Queen of England (1837 – 1901), Longest Reign of All Predecessors.

Florence Nightingale. Born May 12, 1820, died August 13, 1910. English Nurse, Pioneer of Modern Nursing, Statistics, and Social Reformation (~1853 – ?).

Rosa Bonheur. Born 16 March, 1822, died 25 May, 1899. French Artist Known Best as a Painter of Animals (Animalière). She Also Made Sculptures in a Realist Style. Was Widely Considered to be the Most Famous Female Painter of the Nineteenth Century. It’s Been Claimed That She Was Openly Lesbian, as She Lived With Her Partner Nathalie Micas For Over 40 Years Until Micas's Death.

Barbara Bodichon. Born 8 April, 1827, died 11 June, 1891. English Educationalist, Artist, and a Leading Mid-19th-Century Feminist and Women's Rights Activist. She Published Her Influential Brief Summary of the Laws of England concerning Women in 1854 and the English Woman's Journal in 1858, and Co-Founded Girton College, Cambridge (1869).

Emily Dickinson (Emily Elizabeth Dickinson). Born December 10, 1830, died May 15, 1886. American Poet, Little-Known During Her Lifetime, Most Works Published Posthumously and Heavily Edited, Later Regarded as One of the Most Important Figures In American Poetry.

Louisa May Alcott. Born November 29, 1832, died March 6, 1888. American Novelist, Short Story Writer, Poet, Author of Little Women (1868), Abolitionist, Feminist, Active in Temperance and Women’s Suffrage Movements.

Elizabeth Jane Gardner (Elizabeth Jane Gardner Bouguereau (married name)). Born October 4, 1837, died January 28, 1922. American Academic and Salon Painter, Born in Exeter, New Hampshire. She Was the First American Woman to Exhibit and Win a Gold Medal at the Paris Salon. Her Works Were Accepted to the Salon More Than Any Other Woman Painter in History, and More Than All But a Few of the Men.

Marie Bracquemond (Marie Anne Caroline Quivoron). Born 1 December, 1840, died 17 January, 1916. French Impressionist Artist, One of Four Notable Women in the Impressionist Movement, Along With Mary Cassatt, Berthe Morisot, and Eva Gonzalès. Studied Drawing as a Child and Began Showing Her Work at the Paris Salon When She Was Still an Adolescent. Never Underwent Formal Art Training, But Received Limited Instruction From Jean-Auguste-Dominique Ingres and Advice From Paul Gauguin, Which Contributed to Her Stylistic Approach.

Berthe Morisot (Berthe Marie Pauline Morisot). Born January 14, 1841, died March 2, 1895. French Painter and a Member of the Circle of Painters in Paris Who Became Known as the Impressionists. Described by Art Critic Gustave Geffroy in 1894 as One of "Les Trois Grandes Dames" (The Three Great Ladies) of Impressionism Alongside Marie Bracquemond and Mary Cassatt.

Emma Sandys (born Mary Ann Emma Sands). Born 25 September, 1841, died 21 November, 1877. British Pre-Raphaelite Painter. Her Works Were Mainly Portraits in Both Oil and Chalk of Children and of Young Women, Often in Period Clothing, Against Backgrounds of Brightly Coloured Flowers.

Maria Zambaco (Marie Terpsithea Cassavetti (Greek: Μαρία Τερψιθέα Κασσαβέτη)). Born 29 April, 1843, died 14 July, 1914. British Sculptor of Greek Descent, Was Also an Artist's Model, Favored by the Pre-Raphaelites.

Kitty Kielland (Kitty Lange Kielland). Born 8 October, 1843, died 1 October, 1914. Norwegian Landscape Painter.

Marie Stillman (Marie Spartali (Greek: Μαρία Σπαρτάλη)). Born 10 March, 1844, died 6 March, 1927. British Member of the Second Generation of the Pre-Raphaelite Brotherhood. Of the Pre-Raphaelites, She Had One of the Longest-Running Careers, Spanning Sixty Years and Producing Over One Hundred and Fifty Works. Though Her Work With the Brotherhood Began as a Favorite Model, She Soon Trained and Became a Respected Painter.

Mary Cassatt (Mary Stevenson Cassatt). Born May 22, 1844, died June 14, 1926. American Painter and Printmaker, Born in Pennsylvania and Lived Much of her Adult Life in France, Where She Befriended Edgar Degas and Exhibited With the Impressionists. Often Created Images of the Social and Private Lives of Women, With Particular Emphasis on the Intimate Bonds Between Mothers and Children. Described by Gustave Geffroy as One of "Les Trois Grandes Dames" (The Three Great Ladies) of Impressionism Alongside Marie Bracquemond and Berthe Morisot.

Elizabeth Thompson (Elizabeth Southerden Thompson, later known as Lady Butler). Born 3 November, 1846, died 2 October, 1933. British Painter Who Specialized in Painting Scenes From British Military Campaigns and Battles, Including the Crimean War and the Napoleonic Wars.

Lilla Cabot Perry (born Lydia Cabot). Born January 13, 1848, died February 28, 1933. American Artist Who Worked in the American Impressionist Style, Rendering Portraits and Landscapes in the Freeform Manner of Her Mentor, Claude Monet. She Was an Early Advocate of the French Impressionist Style and Contributed to its Reception in the United States. Her Early Work Was Shaped by Her Exposure to the Boston School of Artists and Her Travels in Europe and Japan.

Anna Boch (Anna-Rosalie Boch). Born 10 February, 1848, died 25 February, 1936. Belgian Painter, Art Collector, and the Only Female Member of the Artistic Group, Les XX. Part of the Neo-Impressionist Movement.

Anna Bilińska (a.k.a. Anna Bilińska-Bohdanowicz). Born 8 December, 1854, died 8 April, 1893. Polish Painter, Known For Her Portraits. A Representative of Realism, She Spent Most of Her Life in Paris, and is Considered the "First Internationally Known Polish Woman Artist."

Cecilia Beaux (Eliza Cecilia Beaux). Born May 1, 1855, died September 17, 1942. American Artist and the First Woman to Teach Art at the Pennsylvania Academy of the Fine Arts. Known For Her Elegant and Sensitive Portraits of Friends, Relatives, and Gilded Age Patrons, She Painted Many Famous Subjects Including First Lady Edith Roosevelt, Admiral Sir David Beatty and Georges Clemenceau.

Evelyn De Morgan (Mary Evelyn Pickering). Born 30 August, 1855, died 2 May, 1919. English Painter Associated Early in Her Career With the Later Phase of the Pre-Raphaelite Movement, and Working in a Range of Styles Including Aestheticism and Symbolism. Her Paintings Rely on a Range of Metaphors to Express Spiritualist and Feminist Content; Her Later Works Also Dealt With Themes of War From a Pacifist Perspective.

Lucy Bacon (Lucy Angeline Bacon). Born July 30, 1857, died October 17, 1932. Californian Artist Known for Her California Impressionist Oil Paintings of Florals, Landscapes and Still Lifes. Studied in Paris Under the Impressionist Camille Pissarro; The Only Known Californian Artist to Have Studied Under Any of the Great French Impressionists.

Laura Muntz Lyall (Laura Adeline Muntz). Born June 18, 1860, died December 9, 1930. Canadian Impressionist Painter and Art Teacher, Known for Her Sympathetic Portrayal of Women and Children.

Olga Boznańska. Born 15 April, 1865, died 26 October, 1940. Polish Painter and Art Teacher of the Turn of the 20th Century. She Was a Notable Painter in Poland and Europe, and Was Stylistically Associated With French Impressionism, Though She Rejected This Label.

Suzanne Valadon (Marie-Clémentine Valadon). Born 23 September, 1865, died 7 April, 1938. French Painter Who, in 1894, Became the First Woman Painter Admitted to the Société Nationale des Beaux-Arts. Shocked the Artistic World by Painting Male Nudes as well as Less Idealized Images of Women (in Comparison to Those of Her Male Counterparts).

Mademoiselle Abomah (Ella Williams). Born October, 1865, death date unknown (after 1920s). African-American Performer, Giantess Who Grew to Eight Feet Tall.

Anna Connelly. Born September 23, 1868, died ~1969. Inventor of the First Fire Escape (1887), One of the First Women to Patent an Invention Without Help From a Man.

Emma Goldman. Born June 27, 1869, died May 14, 1940. Anarchist Revolutionary, Political Activist, Writer, Played a Pivotal Role in Development of Anarchist Philosophy in North America and Europe In the First Half of the 20th Century.

Ella Ewing, “The Missouri Giantess” (Ella Katherine Ewing). Born March 9, 1872, died January 10, 1913. Giantess, Performer, Considered the World’s Tallest Woman of Her Era.

Helen Keller (Helen Adams Keller). Born June 27, 1880, died June 1, 1968. Blind/Deaf, Disability Rights/etc. Activist (1909 – ?), Author (1903 – ?).

Agatha Christie (Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller)). Born 15 September, 1890, died 12 January, 1976. English Writer, Known For Her 66 Detective Novels and 14 Short Story Collections. Dubbed “The Queen of Crime”.

Amelia Earhart (Amelia Mary Earhart). Born July 24, 1897, died January 5, 1939 (in absentia). First Solo Female Pilot (1932), Women's Rights Activist, Lost at Sea (1937).

Ebony and Ivory (Margaret Patrick and Ruth Eisenburg). Born 1902 (Eisenburg)/1913 (Patrick), died 1996 (Eisenburg)/1994 (Patrick). Elderly Interracial Piano Duo (1983 – 1988), Disabled on Opposite Sides.

Virginia Hall (Virginia Hall Goillot, Codenamed Marie and Diane, Known as “Artemis” and ”The Limping Lady” by the Germans). Born April 6, 1906, died July 8, 1982. WWII-Era Intelligence Agent (1940 – 1945), Considered “The Most Dangerous of All Allied Spies” by the Gestapo, Later Joined the CIA (1947 – 1966), Had Prosthetic Leg.

Li Zhen (李贞) (Li Danmeizi (旦妹子)). Born February, 1908, died March 11, 1990. Revolutionary (1927 – ?), First Female General of the People’s Liberation Army (1955 – ?).

Mother Teresa (Mary Teresa Bojaxhiu (born Anjezë Gonxhe Bojaxhiu)). Born 26 August, 1910, died 5 September, 1997. Albanian-Indian Catholic Nun, Founder of the Missionaries of Charity.

Rosa Parks (Rosa Louise McCauley Parks). Born February 4, 1913, died October 24, 2005. Civil Rights Activist (1943 – ?), Played a Pivotal Role in the Montgomery Bus Boycott (1955), Became Symbol of Resistance to Racial Segregation.

Judy Garland (Frances Ethel Gumm). Born June 10, 1922, died June 22, 1969. Award-Winning Singer/Actress (1924 – 1969), Starred in The Wizard of Oz (1939), A Star Is Born (1954), etc.

Stephanie Kwolek (Stephanie Louise Kwolek). Born July 31, 1923, died June 18, 2014. Award-Winning Chemist, Inventor of Kevlar (1965).

Marilyn Monroe (Norma Jeane Mortenson). Born June 1, 1926, died August 4, 1962. Award-Winning Actress (1945 – 1961), Pop/Sex Icon of Hollywood’s Golden Age, Starred in Gentlemen Prefer Blondes (1953), Some Like It Hot (1959), etc.

Ursula K. Le Guin (Ursula Kroeber Le Guin). Born October 21, 1929, died January 22, 2018. American Novelist, Best Known For Her Works of Speculative Fiction, Author of the Earthsea Series (1964 – 2018), The Left Hand of Darkness (1969), The Dispossessed (1974), etc.

Aretha Franklin (Aretha Louise Franklin). Born March 25, 1942, died August 16, 2018. Award-Winning Gospel/Rock/RnB Singer, Songwriter, Pianist, Civil Rights Activist, Record Producer (1954 – 2017).

Liza Minnelli (Liza May Minelli). Born March 12, 1946, Still Living. Award-Winning Actress, Singer, Dancer, and Choreographer (1961 – present), Daughter of Judy Garland.

Afeni Shakur (Afeni Shakur Davis, Born Alice Faye Williams). Born January 10, 1947, died May 2, 2016. American Political Activist, Member of the Black Panther Party (1968 – 1971), Mother of Tupac Shakur.

Assata Shakur (Assata Olugbala Shakur (Born JoAnne Deborah Byron), A.k.a. Joanne Chesimard). Born July 16, 1947, Still Living. American Political Activist, Convicted of Murder, Former Member of the Black Liberation Army, One of the FBI's "Most Wanted Terrorists", Friend of Afeni Shakur & Mutulu Shakur, Often Described as Their Son Tupac Shakur's "Godmother" or "Step-Aunt", Currently a Fugitive, in Asylum in Cuba.

(P.S. if I got anything wrong, feel free to correct me.)

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elliemarchetti · 6 months ago

Text

The Queen of the Quills - Jily Edition (Part 5)

Posting on Tumblr too because this fic's sister is already there.

Reading The Queen of the Quills - Blackinnon Edition will not be mandatory to understand the developments of James and Lily's story, but some details could be shared, therefore, for anyone wishing to fully enjoy the experience, I will leave this series' masterlist here.

This was @athenasparrow's gift for @jilymicrofics ' Exchange 2024, but if you like it and are willingly to reblog, it would be super appreciated since stories like this require quite some time and effort🥰

Taglist (if anyone wants to be added, please DM me or comment and I'll gladly add you!): @thaisthedreamer

Plot: James Potter, London's most evasive bachelor, an impertinent libertine, has decided to get married. He has also already chosen his wife, the debutante Lily Evans, a self-confident young woman who has not the slightest intention of being seduced by such a man. A Bridgerton inspired Regency AU.

Words: 4093

Mrs. Potter’s musicale proved to be a decidedly musical affair (not, this author assures you, always the norm for musicales). The guest performer was none other than Maria Rosso, an Italian soprano from the all-witch choir known as Spellbound who made their debut in London two years ago and has returned after a brief stint on the Vienna stage. With thick, sable hair and flashing dark eyes, Miss Rosso proved as lovely in form as she did in voice, and more than one, or it would be better to say more than a dozen, of society’s so-called gentleman found it difficult indeed to remove their eyes from her person, even after the performance had concluded.

The Queen of the Quills, May 17, 1813

Lily felt the exact moment he walked in the room. She tried to tell herself it had nothing to do with a heightened awareness of the excruciatingly handsome wizard, she couldn’t imagine that every woman didn’t notice him immediately, and furthermore, he arrived late – not very, but still enough he had to try to be quiet as he slipped into a chair at the front next to Mrs. Evans – still she noticed him before her own mother and sister did, and it rendered her unable to even breathe. He didn’t look her way, but several candles had been snuffed, leaving the room bathed in a dim, romantic glow, so the shadows must’ve obscured her face and the way she tried to keep her eyes on Miss Rosso throughout the performance, even if the woman couldn’t take hers off of Mr. Potter, and for some reasons, it didn’t improve her disposition. She should’ve rejoiced in the fact, it was just another piece of proof he was every bit the licentious rake she’d always known him to be, but she wasn’t feeling smug, or vindicated, she was just heavily, uncomfortably disappointed, so much so she felt herself slump slightly in her chair.

When the performance was done, she couldn’t help but notice how the soprano, after graciously accepting her applause, brazenly approached her suitor and offered him one of those seductive smiles, the sort Lily would never learn to do even if she had a thousand opera singers trying to teach her. There was no mistaking what she meant with that act, and he must’ve realized too, because he threw her a mysterious look and actually tucked an errant lock of her raven hair behind her ear.

Lily shivered in disgust. For Merlin’s beard, the man didn’t even need to chase women, they practically dropped at his feet and whispered sweet nothing in his ears! Maybe she praised him, or maybe she outwardly offered herself, because he leaned down enough to kiss her neck.

“Lily?” hissed her mother, decidedly irritated. “Stop watching Mr. Potter.”

“I wasn’t… well, all right, I was, but did you see him?” she whispered urgently. “He’s shameless.”

She looked back over at him, still flirting with Maria Rosso, no care in the world about who might see.

“I’m sure his behaviour isn’t any of our business,” replied Elizabeth, lips pursed into a tight line. “He has been kind in delivering the invitations to the musicale himself, but I’m certain he wants nothing to do with you after that fiasco in Hyde Park.”

If the situation had been different, Lily would have argued that it wasn't her fault that his dog had pushed her into the water and he jumped in to save her when she was already swimming toward the shore, but she didn't have the energy to argue right now, so she sagged her shoulders and followed her family as they greeted their lovely hostess. Mrs. Potter had fair hair and light eyes, and she was rather petite to have mothered such a large son, so Lily decided her late husband must’ve been a tall man.

“Mrs. Evans,” she said warmly, “what a delight to see you again. I so enjoyed our meeting at the last ball and I must say I’m very glad you decided to accept my invitation.”

“We wouldn’t dream of spending the evening elsewhere,” her mother rejoined. “And may I present you my daughters? The older one is Petunia, and the younger one is Lily.”

“It’s a pleasure to meet you both, and I would like to introduce you to Mr and Mrs. McKinnon’s daughter, Marlene,” she said, motioning to a young lady at her side. For some reason, Lily was convinced she had already met her, but maybe she was just a classmate she had passed a couple of times in the corridors at Hogwarts. After all, Londoners were used to minding their own business there too, and she had no doubt that someone so beautiful and seemingly delicate was constantly surrounded by flocks of other adoring young women. Anyway, Lily smiled warmly at the girl, who looked to be about the same age as her, even though the similarities between them ended here: her blonde hair were a perfectly styled field of lovely golden wheat and her face was angular, a rather sharp contrast with Lily’s roundness.

“Is this your first season?” she asked, already friendly.

Both Lily and Petunia nodded.

“How lucky!” she exclaimed. “I attended a few parties last year and may I say they were a bit… boring? Everything was so new the first time, but by the end of spring I already remembered everyone’s name. This way, I thought I could get an excellent match, but as you may see by yourself, I’m still unmarried.”

As Marlene spoke, Mrs. Evans glanced at her son, who kept flirting madly with the Italian opera singer, and frowned.

Lily felt something very uneasy in her stomach: according to recent issues of The Queen of the Quills, Mrs. Evans was on a mission to get her son married off, and while he didn’t seem the sort of man to bend to his mother’s will, or anyone’s, for the matter, she had a feeling the woman would be able to exert quite a bit of pressure is she so chose. Maybe that was why he was so intent on courting her.

After a few more moments of polite chatter, the Evans left Mrs. Potter to greet the rest of her guests and were soon accosted by Mrs. Bones, who, as the mother of three daughters, two still unmarried, always had a lot to say to Elizabeth – she had long declared herself on a first-name basis with the Evans – although that day her gaze was firmly focused on Lily, who immediately began to assess possible escape routes.

“What a surprise to see you there!” boomed the stout woman, leaving her interlocutor puzzled. “Gossip said you were ill.”

“Don’t worry, it was nothing that serious,” Lily retorted, with a weak smile. How Amelia had managed to become a pleasant person to have around with a family like hers Lily just couldn't explain.

“From what I heard, you contracted it in a rather serious way,” Mrs. Bones added, brows rising a good half inch. It was evident she knew, maybe she was even at the scene, but there was really no need to talk about it at the Potter’s.

“A way of little consequence, as you can see,” Lily countered firmly, although she was finding it difficult not to growl at the meddlesome woman.

Mrs. Bones opened her mouth, a sharp intake of breath telling she was preparing to launch into a lengthy monologue on the topic of the importance of good deportment, or good manners, or good breeding, but her youngest promptly interrupted her, offering to fetch lemonade for everyone.

“Lily, would you be so kind as to help me?” she asked, turning to the one she set out to save. “Unfortunately, I still don’t have enough hands to carry all those glasses.”

Lily tried not to appear too eager to accept, but everyone must’ve noticed their urgency to flee from how quickly they walked away, dodging those present with skill.

“Thank you,” she murmured to her saviour once they reached the lemonade stand and grabbed four glasses, for everyone except Petunia, who said she wasn’t thirsty.

“I know how my mother can be, I’m usually her favourite victim, so since I could avoid you what would’ve sounded like a lecture from an almost stranger, I took advantage of it. I’m sure somehow she would’ve found the opportunity to insert me into the conversation just to define me an impertinent social failure,” replied the other, and although a part of Lily wanted to pity her for that cruel fate – no mother should behave like that with her daughter – another part told her not to do so, because the girl needed an ally, not yet another young lady looking at her like a hopeless cause.

“Can we go back for a glass for ourselves?” asked Amelia as soon as they reunited with their families, and her mother nodded in a matter that told Lily everyone must know her youngest wasn’t her favourite.

“Why don’t we go out for a bit of fresh air? Since we’re together, we don’t need a chaperone,” suggested the redhead, who wanted a little more space to investigate on what the wizarding society really thought of Mr. Potter. Was he a hypocrite? A scoundrel? Or even a liar? Had he by chance deluded women and then abandoned them without any prospect? Did he have bastards? She didn't know why she cared so much, after all he probably believed her a menace to society, or he wouldn’t have acted as he was doing with Miss Rosso, still she needed to know if it was the norm or just a game to get back at her. So she asked, rather forward, as she and her friend sank into a cushioned bench about ten yards from the music room. They remained there for several minutes, more than pleased with the comfortable intimacy of their gossip, until they heard one particular voice rise slightly above the low rumble of the crowd, followed by decidedly musical laughter. After a shared look of realization, they hitched up their skirts by a few inches to save themselves from tripping and ducked into the doorway next to the bench, hoping Mr. Potter and his paramour would walk on by, and they could scoot back into the music room and laugh about their little adventure. As their eyes adjusted to the dimness of the room, they realized they were in some sort of office, with walls lined with books, although not enough to be a library, the place dominated by a massive oak desk with papers laid on top of it in neat piles. Clearly the place was lived, not just for show, and as curiosity got the better of them, they wandered toward the desk, Lily running her fingers along the wooden rim. The air still smelled faintly of ink, and maybe the slightest hint of pipe smoke. All in all, she decided, it was a lovely room, comfortable and practical, a place a person could spend hours in lost in lazy contemplation, but just as she was about to lean back against the desk, savouring the quiet solitude exuding from the place, she heard and awful sound. The doorknob clicked, and with a frantic gasp, Amelia disappeared, leaving her with no other option than dive under the desk, squeezing herself into the empty cube of space and thanking the heavens that it was completely solid rather than the short that rested on four spindly legs. Barely breathing, she listened, cursing herself for not taking Apparition class seriously.

“I had heard this would be the year we would finally see the notorious Mr. Potter fall into the parson’s mousetrap,” came a lilting feminine voice. Lily bit her lip, recognizing the Italian accent.

“And where did you hear that?” came James’ unmistakable voice, followed by another awful click of the doorknob that made Lily shut her eyes in agony. She was trapped in the office with a pair of lovers. Life simply couldn’t get any worse than this, unless she was discovered, though it didn’t make her feel much better about her present predicament.

“It’s all over town,” Maria replied. “Everyone is saying you have decided to settle down and choose a bride.”

There was a silence, but Lily could swear she could hear him shrug: “It’s probably past time.”

“You are breaking my heart, did you know?” she asked, making Lily nearly gag.

“Now, my sweet signorina, we both know that your heart is impervious to any of my machinations,” Mr. Potter murmured, and Lily pictured him as close as they were before, his lips nearly on her skin, because next came a rustling sound, which she took to be Maria pulling coyly away to state she wasn’t inclined for a dalliance.

“I don’t look for marriage, of course, that would be most foolish, but when I next choose a protector, it shall be for, shall we say, the long term,” she added, low and husky.

“I fail to see the problem.”

“Your future wife may not.”

“The only reason to give up one’s mistress is if one happens to love one’s wife,” Mr. Potter chuckled. “And as I don’t intend to choose a wife with whom I might fall in love, I see no reason to deny myself the pleasure of a lovely woman like you.”

Lily tried to imagine the reaction of the couple if she jumped out of her hiding place, screaming like a madwoman, asking what made him think she was the right match if that was his plan from the start. It nearly made her laugh, and at the same time she wanted to cry, because there was no way she could make the entrance she wished to make when she was squatting like a frog with her hands wrapped around her ankles. A few unintelligible sounds distracted her from her fantasies, and she dearly prayed they weren’t a prelude to something considerably more intimate. After a moment, though, Mr. Potter’s voice emerged clearly, asking to the singer if she cared for something to drink. Maria murmured her assent, and James’ forceful stride echoed along the floor, growing closer and closer, until he came into view, his athletic frame displayed to surprising benefit from her vantage point on the floor. If he just kept his face to the window as he poured, she might escape detection, but if he turned so much as halfway she would be as good as dead, for she had no doubt he would kill her. Frankly, she was surprised he hadn’t tried last week at the Serpentine.

“Is everything all right?” Maria called out, when Mr. Potter clinked the tumblers slightly together as he set them down before pouring two fingers of amber liquid into each glass.

“Perfect,” he answered, although he sounded vaguely distracted, like a dog sniffing the air around in search of his prey. Maybe that was why Lily froze and stopped breathing completely, eyes wide and unblinking, as he started to hum slightly to himself and his body slowly began to turn.

Keep walking, she screamed in her head, keep walking to your lover and don’t look back.

But it didn't go that way, and she watched with complete and utter horror as his eyes scanned her starting from her shoes and pinned her where she was.

__________________

James knew quite well why he’d brought Maria Rosso back to his study. Surely no warm-blooded man could be immune to the charm of her lush body and her intoxicating voice, and he knew from experience that her touch was equally potent, but even as he took in that silky sable hair and those full, pouting lips, even as his muscles tightened at the memory of other full, pouting parts of her body, he knew he was using her. He felt no guilt in that regard – she was using him as well, and she would at least be compensated for it, whereas he would be out several jewels, a quarterly allowance, and the rent on a fashionable townhouse in a fashionable part of town – no, if he felt uneasy and frustrated, if he felt like he wanted to put his damned fist though a brick wall, it was because he was using Maria to banish the nightmare that Lily Evans was from his mind. He never wanted to wake up hard and tortured again, knowing she was the cause, he just wanted to drown himself in another woman until the very memory of his recurring dream dissolved and faded into nothingness, because Merlin knew he was never going to act on that particular erotic fantasy because he shouldn’t like her like that. The though of making love to her, and not just bedding her, made him break out in a cold sweat, even as it swirled a ripple of desire right through his gut. Bloody hell, the woman must’ve bewitched him, there could be no other explanation for the dream, and besides, even now he could swear he could smell her. It was that maddening combination of lilies and soap, that beguiling scent that had washed over him while they were in Hyde Park.

“Is everything all right?” Maria called out.

“Perfect,” James said, voice sounding tight to his own ears. He began to hum, something he’d always done to relax, and he turned, even started to take a step forward, because after all Miss Rosso was waiting for him, but the damned scent followed him and his foot hesitated in midair, his step forward proved to be a small one instead of his usual long stride, and he kept turning, his nose instinctively twisting his eyes toward where he knew there couldn’t be lilies until he saw her under his desk, crouching like a frog. It was a wonder he didn’t drop the whiskey as their eyes met, and he saw hers widen with panic and fright.

Good, he thought savagely. What the hell was she doing here? Wasn’t making a scene after he doused himself in the filthy water of the Serpentine to rescue her enough for her bloodthirsty spirit? Did she need to spy on him as well?

“Maria,” he said smoothly, moving forward toward the desk until he was nearly stepping on Lily’s hand. “I have suddenly remembered an urgent matter of business that must be dealt with immediately.”

“This very night?” she asked, quite dubious.

“I’m afraid so. Allow me to walk you to the door,” he said, and although the singer’s eyes were curious, she still took his arm and forgave him for his rudeness for not taking her back to the music room.

“I am a grown woman, I believe I can manage the short distance,” she laughed, a low, sultry sound that should’ve seduced him. “And furthermore, I suspect there isn’t a woman alive who could deny you forgiveness with that smile.”

“You are of a rare kind, Maria Rosso,” he replied, hoping she couldn’t feel how far his head was from this conversation. Not too much physically, since Lily was just a few steps away, but metaphorically…

“But not, apparently, rare enough,” she murmured before floating out, finally giving James the possibility to shut the door with a decisive click, turn the key and pocked it. At the sound, Lily crawled out of her hiding place, leaning on the edge of the desk for support, apparently unable to start the much-needed explanation she had to give about her presence.

“Well?” he asked, breaking the bubble of silence.

“It was an accident!” she exclaimed. “I was sitting in the hall and I heard you coming. I was just trying to avoid you and your lover, to spare the embarrassment to everyone...”

“So you decided to invade my private office?” he asked, suspicious.

“I didn’t know it was your office. I…” she started, but was unable to finish her sentence, probably intimidated by his deliberate proximity. He could swear he was hearing the frantic beating of her heart coming from beneath the bodice.

“I think perhaps you did know this was my office,” he murmured, letting his forefinger trail down the side of her cheek. “Perhaps you didn’t seek to avoid me at all, on the contrary, you desired something else, something more… insane?”

Lily swallowed convulsively, long past the point of trying to maintain her composure.

“What do you say to that?” he asked, his finger sliding along her jawline.

Her lips parted, but she couldn’t have uttered a word if her life had depended on it. He wore no gloves, he removed them during his interrupted tryst with Maria, and the touch of his skin against her was so powerful it seemed to control her body, for she breathed when he paused, stopped when he moved. He had no doubt their hearts were beating in time as his breath kissed her lips, and he smiled, victorious, when she deleted the little distance still separating them. It was evident she was an innocent who wouldn’t know what it was like to have a man so near the heat of his body seeped through her clothes, who wouldn’t recognize the first prickles of desire, nor would she understand that slow, swirling heat in the core of her being, but it was there, he could see it in her face with only one look of his experienced eyes.

James told himself that if she hadn’t kissed him, he would’ve stopped right there, left her bothered and breathless, but he knew he was lying, he knew the moment there had been barely an inch between their faces back in her house and he resisted the pull to give in to her beguiling scent only because the footman might’ve saw them. But right now, there was no chaperone, they were in the privacy of his study, her mother was probably immersed in conversation and the prickles of desire he’d meant to spark within her suddenly ignited him, sending a warm claw of need to the very tips of his toes. Although her kiss had been chaste, and rather desperate, the fingers he’d been trailing along her cheek to torture her suddenly became a hand that cupped the back of her head, and his lips took hers in an explosion of desire, making her gasp against his mouth, something he took advantage of to slide his tongue between them. She was pliant in his arms, so James pressed his suit further by allowing one of his hands to slide down her back and cup the gentle curve of her derriere.

It was madness, he knew he should stop and he damned well shouldn’t have started, but his body was racing with need and he felt so good he had no intention of letting her go. It was like when he was younger, with no care in the world, and his father was still alive, ready to rule the family and gift him with the chance to mess up without consequences a little more, and at the same time he found she possessed something that suited him like no woman ever had before. Something about her was just right, maybe her smell, or maybe the way she felt in his arms, and he knew that if he stripped off all of her clothes and took her there on the carpet on the floor of his study, she would fit underneath him, around him, just right. A low, triumphant growl emerged from James’ mouth as he moved it to her slender neck and further down, in the expanse of skin usually hidden by the bodice he moved slightly, enough to not expose her right away but still more than decency allowed. With ragged and fast breath, he pinned her to his desk, crazed, frantic, leaving small red marks wherever he sucked, regardless of the consequences.

“Do you still hate me?” he asked, and when she slightly shook her head, he cupped one of her breasts, covering it entirely with his hand. Just as he was plotting the best course back to her lips, he heard the perfectly awful sound of Sirius’ voice outside the door.

“James!” he shouted. “I know you’re here and your mother does too. She needs your assistance and asked me to tell you to stop fucking Miss Rosso.”

Miss Evans, blissfully unaware of how close she’d come to having been pleasured utterly senseless, threw a horrified look to the door.

“One of these days,” James muttered, “I’m going to have to kill him.”

#jily #lily evans #james potter #marlene mckinnon #amelia bones #petunia evans #sirius black #regency au #bridgerton au #the queen of the quills

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