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whoreviewswho · 6 months ago

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You're Serious? - The Time Warrior, 1973

A fact that is becoming somewhat lost to time is that Jon Pertwee's time on Doctor Who was very popular. This is not to say that the Pertwee era is largely disregarded in 2024 but it does seem readily apparent, as time marches on, that the prevalence of Pertwee as a definitive, monolithic icon for the general public has naturally dwindled. Or, perhaps, dwindled is the wrong word – Pertwee's Doctor has truly been eclipsed by even mightier, entirely totemic icons that came in his wake. David Tennant is THE Doctor and the only other challenger remains the indomitable Tom Baker.

But back when I was a kid, circa 2004/2005, Jon Pertwee's era was definitive. My mum, who grew up in regional Australia, recalled fond memories of watching Pertwee and Katy Manning pal around with the Brigadier. A formative step in my journey as a fan was a visit to Hobbyco in Sydney and begging my mum for the Corgi Doctor Who 40th Anniversary Gift Set of die cast models. Like any number of similar curios that shape fan memories, this particular set cemented what were, to my mind, the most iconic building blocks of the series – the Doctor (a S18 Tom Baker, presumably for painting reasons), the TARDIS (not to scale with the rest of the models), K-9 (with lettering in both sides), the Daleks (a Chase model), Davros (no notes), the Cybermen (Earthshock model that I apparently either never got or immediately lost since I have not memories of owning one) and Bessie (also not to scale), driven by Tom Baker. I vividly recall purchasing the set and the guy at the counter being excited to strike up a conversation. He was obviously a fan and talked fondly about the highlights of the series. What I realised in the years that have flowed on since is that, despite speaking highly of the Fourth Doctor and Sarah Jane, the most vivid of those rosy fan memories, the ones he and many other adults always relayed to me pre-revival, were of UNIT and the Master and the Sea Devils and Bessie* and the Axons and the Sontarans.

Put into perspective, this makes a great deal of sense. Leaving aside my home country's personal context (mid-'70s DW was infamously repeated on the ABC, a fact that was immortalised in DWM #104 when Tasmanian Jamie Hillard complained of the tedium of seasons eleven to fourteen being repeated twice a year, every year for the past five years. He was suitably rinsed by the UK fandom), Jon Pertwee's era was the most popular Doctor Who had ever been. While the show chugged along just fine during Troughton's tenure, it was in dire straits when producer Barry Letts inherited it partway through production of season seven, Pertwee's first, in 1970. It was only off the strength of what made it to screen that the programme was renewed at all. Throughout the four years that followed, Letts and script-editor Terrance Dicks retooled Doctor Who from Derrick Sherwin's vision of a hard-edged, political sci-fi thriller into the more accessible glam-infused comic-book show that raked in as many as ten million viewers a week for the first time since 1965.

But a good thing only lasts so long and, by the time of late 1973, just as Doctor Who was kicking off its eleventh season, it felt like a natural end was coming to what had been an incredibly successful five years. Pertwee’s Doctor Who had became an institution in its own right. Not to get too ahead of myself but there is a strong case to be made that Tom Baker and the Philip Hinchcliffe's era ascent to being the most popular the show ever was in its original run owes as much, if not more, of its success to the goodwill and steadily rising audience of the Pertwee years than it does to its actual quality (and it is of a very high quality). This is entirely hyperbolic but I strongly believe that had anybody else been cast as Pertwee's successor, anything less than the perfect storm we got, the Letts/Dicks/Pertwee run of the show would send out as the cultural peak even today. Bessie and the Brig would be wheeled out by the norms instead of the long scarf and K-9, that you can believe,

As everybody reading this article would know, the earthbound stories of Pertwee's time were notable for a distinct 'family feel', so to speak. Unlike previous eras, and any until 2005, the Third Doctor had an ongoing, regular supporting cast of UNIT personnel and assistants as well as the recurring threat of Roger Delgado's Master. There is a familiarity and comfort to the Third Doctor's run. Over the course of the previous year’s season ten, however, Letts and Dicks decided that the format had well and truly run its course and the Doctor was propelled into space and time full-time once again, leaving behind the UNIT regulars as merely recurring characters. It was during this production cycle that Katy Manning had decided that it was time for her to move on from the show, departing at the end of The Green Death, the last story broadcast that season. The final serial of season ten's production block, however, was actually the first story of season eleven – The Time Warrior.

Throughout the 1973-74 season, a slow (and conscious) dismantling of the Pertwee era begun taking place as well as a distinct sense of a lap of honour for the previous four seasons. In real life, this begins with Manning's departure in 1973 which, while her own instigated decision, was encouraged by Letts for fear his two stars would jump ship at the same time. Letts and Dicks had themselves decided to move on by the time season eleven proper began production which ultimately left Pertwee, self-conscious of his self-proclaimed team breaking up, finally deciding to give up the reigns after the tragic death of Roger Delgado. Onscreen, of course, this plays out somewhat quietly masterful. Malcolm Hulke's Invasion of the Dinosaurs is a conspiracy laden, political thriller such as those of season seven (detractors would call it parody) and saw the departure of now disgraced UNIT captain Mike Yates. Death to the Daleks (the hardest to square this circle, tbf)called back to the season ten’s epic return of the ‘60s Dalek adventure and offered the last gasp of the traditional, Hartnell style adventure serial that still permeated across Pertwee's time. The Monster of Peladon offered a direct sequel to the fan-favourite from season nine with some nice, deliberate telegraphing of the Doctor's oncoming death. And then there's the grand finale, Planet of the Spiders, where the Third Doctor departs the show with his remaining UNIT family under a series of self-referential and, frankly, indulgent circumstances set off by his own cavalier behaviour. Season eleven is a twenty-six episode finale for the Pertwee era that retreads all of the highs and exposes its limitations quite deliberately. With all of this in mind, The Time Warrior, the series opener, is entirely lacking in this sort of farewell mentality stands out as something of a different beast for the year.

For each of their seasons on the job, Letts and Dicks made a conscious effort to open each year with a big event and season eleven was no exception. After an absence of eight years (no, The Time Monster doesn't count), the duo thought that it was time for the return of the historical story. Somebody who disagreed, however, was Robert Holmes. Holmes had been a frequent contributor over Dicks' tenure as script-editor and was less than enthused that his proposal, The Automata, was rejected for him to be reassigned an historical. Dicks suggested an adventure be set in and around a medieval castle (it was filmed between Peckforton Castle and Wessex Castle to stunning results) and Holmes agreed only on the proviso that no famous historical figures were to be featured and that strong science-fiction elements were to still be included. The story that made it to screen has become one of the most renowned and celebrated in the history of the show. Frequently, I see it touted up alongside the all-time greats in the franchise as one of the very best and a real highlight of Jon Pertwee’s time in the show. While I think that The Time Warrior is very good, and there is a lot that I really like about it, this level of high praise has never sat entirely well with me. I don't even really have a lot to say on it. I like it a lot, it is the highlight of season eleven and one of many high points of Pertwee's run, but I have never found it to be an unshakable classic.

Let's not get too in the weeds too soon, though because Robert Holmes was a magnificent writer. Despite his personal disinterest, the man took his brief seriously clearly put in a lot of thought into getting the most out of this particular assignment. There is almost an overabundance of wit and charm and character to The Time Warrior's ensemble. As with most sharply intelligent people, Holmes was also obviously quite cynical and Instead of leaning into something fantastically Arthurian or romantically noble, he opted for a medieval world of pure grime and nastiness. This could be taken as Holmes leaning fully into the historical story's roots as an educational programme, insisting upon the most realistic depiction of the middle ages he could on a BBC budget for a family audience. I find this hard to believe. No, what Holmes was far more likely to do, and did, was recognise that this approach would have worked perfectly well and then take the next step which is basically to take the piss out of it. The Time Warrior is not just a witty script, it is hilariously absurd and over-the-top in every aspect of its conception. Irongron and Bloodaxe are laughably incompetent and self-absorbed but the pair it is in how gleefully squalid and brutal they are that Holmes relishes in. Yes, there is a realism to The Time Warrior in that it is not the Shakespearean or mythic depiction one might have expected from the Hartnell days how but the over-exaggeration of the repulsiveness and savagery of medieval life is what I truly adore. Mind you, this is largely just what's on the surface. Holmes is obviously doing here is writing an exaggerated depiction of middle-aged England that is functionally indistinguishable from England as it was in 1973. Holmes basically invented Blackadder. As great as this is, though, it doesn't always work in its favour. We'll get to Sarah Jane shortly.

A different aspect of this serial that has made it so iconic is its main villain. Determining that a small-scale threat would be easier both for him and for the production team, Holmes’ plot revolves around a single alien menace attempting to find his way home. Allegedly inspired by his recent reading of the On War treatise, Holmes was compelled to create an entirely militaristic villain and what he created was the character of Commander Linx, as performed by Kevin Lindsay. However well Linx is realised in the story, as much praise as anyone needs to be directed to make-up designer Sandra Exelby and costume designer James Acheson for their realisation of him. Linx, and by extension the Sontarans themselves, is a grotesque creature with a troll-like quality. It has not escaped notice for many that the species design is built around an extended gag – that part one cliffhanger. Still, fans continuously fail to appreciate just how goddamn funny Linx is. The characterisation is brilliant and nobody behind the scenes, until Steven Moffat, seems to realise that this is why he works.

Holmes, in no genuinely dramatic way, utilises Linx as a threat. What he is instead, besides a visual joke, is a scathing satire of militaristic ideals. That avenue also lends itself perfectly to the exaggerated depiction of the middle-ages. In his first scene, Linx emerges before the primitive natives, in strange armour with advanced weaponry, and claims that this new land now belongs to the Sontaran Empire as he plants a flag and assumes dominance over the people. It doesn't require much analysis to decipher what's happening here. Throughout the story, Linx, whose lines almost entirely consist of spouting rhetoric, offers to make weapons for the humans he's met, all the while condescending them and caring little for their lives and livelihoods. It's a simple but fantastically clever move; Holmes has taken the opportunity to depict the English, typically at one of their most mythic and noble periods, as a cowardly and cruel race to be easily oppressed and mocked.

The Time Warrior also sees the debut of another mainstay in Doctor Who lore in Sarah Jane Smith. Created by Barry Letts in direct contrast to her predecessor, Sarah Jane was pitched to directly address accusations of sexism that the series had garnered by being an obviously capable, career-driven, feisty and adventure-seeking investigative journalist. Incredibly, the role was cast before Elisabeth Sladen had even auditioned and, if to weren't for an uproar made by Pertwee due to his not being consulted, the part would have gone to April Walker show was paid out of the part when Letts cast Sladen (after he'd arranged for her to meet Pertwee, of course). For perhaps the wrong reasons, Pertwee was entirely correct though. From her first appearance, it is impossible not to be enamoured by Elisabeth Sladen. She just has a natural charm in this role and a captivating quality that makes her so very easy to watch.

As introduced in The Time Warrior, Sladen is certainly strong. She is well-defined, well-performed and plays a major role in the events of the plot. She is also at the core of the serial's biggest stumbling block which can come down to Holmes' poorly pitched snark. It is certainly one of Holmes’ regular tricks to lean heavily into sardony and lampshading things that, he at least considers to be, regressive and absurd ways of thinking. Sometimes this can really serve the story the is telling and the characterisation, it does so elsewhere in this one. Here, however, I think he misses the mark drastically and it comes off very poorly. In making the world of The Time Warrior such an exaggerated and vitriolic comment on contemporary Britain, Sarah has little place to assume control in the narrative and is rather brutally victimised by it.

Sure, Sarah Jane is firmly established as a feminist icon and it is a fine idea to drop her into the wretched sexism and reality of how horrible women were treated in the Middle Ages but emphasis is all wrong and it comes off so mean-spirited to me. In a similar vein, so much of the Doctor’s dialogue is designed to tease her about her strong values. The effect of all of this is likely intended to be endearing, and it is certainly to be funny but it comes off so smug and unnecessary. Sarah's beliefs, and the entire concept of feminism by extension, are singled-out as a futile gesture. Women are put down, they have also been put down and they always will be. This is perfectly in line with Holmes' approach to storytelling and his flavour of social commentary. It is also does not work at all.

Even though the Doctor frequently becomes Holmes' mouthpiece, I must stress that Jon Pertwee is not the problem at all. At this point in his run, the actor is so comfortable and confident in his performance that it would be impossible for him to disappear in it. To be honest, this is really the last time he properly turns up during his run since the season eleven filming Despite his oddly sexist jabs, the Third Doctor is wonderfully charismatic and relaxed in this story. There is a lovely development of his character from the rather pig-headed, irrational and moody character from season seven to the more mischievous tutor role he starts to settle into here. It is a similar progression to the First and Twelfth Doctors though rarely garners the same recognition.

The Time Warrior also has a few structural problems in my opinion, especially in episode three. The penultimate quarter of a Doctor Who serial always seems to be the hardest to write without playing for time, the three act structure is so familiar for a reason, and this one is no exception feeling like it does waste quite a lot of time with the Doctor arsing. Getting out of the castle and going back in and all for no really good reason other than to stretch out the runtime. Obviously, all of the antics are fun. This is a good production and Alan Bromley's only true directorial credit but it still has a bit of a sag, in my opinion. Is The Time Warrior a bad story? Far from it. Nothing as fun and as well made as this could possibly be considered wholly bad in my books. It is flawed, certainly but there is so much here to love. In a season of greatest hits, The Time Warrior stands out like a toad-faced git, chuckling with glee at how clever it is.

Later in the year, and despite the reservations of the BBC Head of serials, Holmes would be offered the position of script-editor for season twelve. He took the offer up and, in hindsight, it makes The Time Warrior somewhat of an intriguing curio. On the one hand, this is the last product of the creative fury that was season ten. On the other, it is a tantalising glimpse into what lies ahead around the corner. The Hinchcliffe era doesn't obviously have much in common with The Time Warrior, it is a lot funnier than a lot of those stories would be, but there is a more subtle stylistic shift to be seen here. This is not a comic-book adventure serial. The action is not explosive and the dialogue is not pulpy and punchy in the same way. The Time Warrior is more literary. Not inherently a better or even more intelligent choice but the distinction is palpable. Underneath the sheen of a gritty historical is a silly story about squalid and mean characters whose lives are miserable and ambitions are low. Even with the Doctor, still under UNIT's employ, there is a clear sense of his ready to move on from this status quo. The wheels of the next era are slowly in motion. Even the title sequence has changed, slowly morphing into its next identity but it's not quite there yet. Instead of looking back on the era that is closing up, The Time Warrior sets its sights firmly on the future.

It's not even close to the best Pertwee story though.

*He did, however, question why the Bessie model featured a S18 Tom in the driver's seat saying that it was "mostly Pertwee" who drove the car. Throughout my childhood, I found it easy to reconcile this though thanks to Tom's appearance in the The Five Doctors photoshoot. It's obvious, really.

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bumblebeeappletree · 3 months ago

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youtube

Costa is at a magical water garden that he has wanted to visit for years.

Austral Watergardens in Cowan, NSW, sits on 7 acres with views of the Muogamarra nature reserve.

Kevin and Lisa Metelik have been managing the mountain paradise for decades.

Kevin’s grandfather bought the land, set up the water gardens in the 1940s and inspired his daughter to follow in his footsteps; Kevin got the gardening bug from her.

Lisa met and married Kevin and got the bug as well.

Some of the original concrete ponds still exists, with plenty of new ones too, all filled with a range of different water plants. Visitors can choose plants from these stock plants and take them home for their own pond or bowl.

The water is kept clean by finding the right balance of shade and sun, plus native fish to keep down mosquitoes without affecting the frog populations.

Kevin says there are two main groups of water lily: Hardy or European and tropicals.

Hardy or European are the style seen in Monet paintings, with red, pink, yellow and white flowers that sit at water level. They flower earlier, from October to April, and blooms range from miniature to large.

Tropical waterlilies hold their flowers above the water line and are usually fragrant; colours include blues, white, yellow, and pink, and they bloom from December to June in the Sydney area (all year in tropical climates) but may not survive winters in colder areas.

Hardy waterlilies have rhizomes while the tropical ones have bulbs.

Lotus are different again; they are large plants, are revered as sacred in many cultures. The leaves sit above the water and flowers form distinctive seed heads.

Other less obvious but equally useful plants include the native Snakeskin vallisneria, which grows underwater and improves water quality as well as providing habitat for fish and frogs.

Border plants such as jointed twig-rush can tolerate quite deep water.

Red-stemmed thalia gives a tropical look to a pond and is a favourite with frogs.

How to build your own water garden:

A water feature will bring frogs, dragonflies and beauty to a garden, creating a mini oasis. Here are some basic steps to get you started.

Consider the size and depth of a water bowl as well as the material – a lightweight fiberglass or polymer resin makes a large vessel easier to handle. Ceramic bowls may need to be sealed.

The minimum depth is 30cm for water plants; deeper is better. Lisa tries to create three levels in a pond:

* a submerged aquatic plant

* a shallow-water creeper group to grow on the edges

* a tall marginal plant for height

Add in water lilies for flowers and floating leaves; if you can fit two plants, choose one hardy and one tropical species for a longer flowering display.

Put river sand or gravel on top of the soil mix in the pot to avoid muddying the water.

Aim to cover about half to two-third of the water surface with plants.

Add native, tadpole-friendly fish to keep mosquitoes at bay

Filmed on Dharug Country in Cowan, NSW

Featured plants:

Waterlily ‘Escarboucle’ (Nymphaea cv.)

Waterlily ‘Marliacea albida’ (Nymphaea cv.)

Waterlily ‘Blue Triumph’ (Nymphaea cv.)

Sacred Lotus (Nelumbo nucifera)

Snakeskin vallisneria (Vallisneria nana)

Jointed twig-rush (Machaerina articulata syn. Baumea articulata )

* Red-stemmed thalia (Thalia geniculata)

Water milfoil (Myriophyllum ‘Dragonfly’)

* Taro (Colocasia esculenta cv.)

Waterlily ‘Colorado’ (Nymphaea cv.)

Waterlily ‘Green Smoke’ (Nymphaea cv.)

Firetail gudgeon (Hypseleotris galii)

* Always check species before planting: they may be environmental weeds in your area.

#gardening australia #solarpunk #australia #garden #gardening #water garden #ponds #pond #water lily #lotus #plants #Youtube

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aardvark-123 · 6 months ago

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~Fallout 4 Companions React to a Pair of Hunter™ Original Red Wellington Boots~

Ada would be delighted to have some high-quality rubber to cut up and use in various projects. A marksman's stock, stealth lining for armour, a generator and some power pylons... Oh, the possibilities!

Cait would be mildly amused. "Well, aren't those cute?" she'd chuckle, and then go and do something else.

Codsworth would be quite chuffed. "By George, is that a genuine pair of Wellingtons, made by the Hunter Boot Company of Edinburgh?!" he'd exclaim. "How splendid to see genuine British craftsmanship still thriving in this day and age! Why, it was nearly impossible to acquire Hunter footwear in the years before the war, thanks to the Chinese government shutting down all their factories..."

"Ah, tres bon! It is most important to 'ave ze protective footwear if zere is contaminated water around," Curie would remark. If she was in her Miss Nanny form, that would be all. In her synth form, on the other hand, she'd ignore them because she's already wearing protective shoes. (Yes, those combat boots included with her Flannel Shirt and Jeans™ are actually chemical-resistant, heat-resistant, suitable for agriculture, industrial work, laboratories, bird-watching and professional kitchens.)

Paladin Danse wouldn't care about the boots at all. Not one bit. However, he'd be very concerned about the Commonwealth gaining access to Vulcanised Rubber. The thought of raiders or civilians learning to heat up naturally-occurring latex until it becomes a firmer, tougher material would keep him awake at night.

Deacon would smile mysteriously and tuck the boots away in his bag. "One step closer to my Wonder Woman costume," he'd declare, already thinking of where to find gold paint and a craft knife.

Dogmeat would use the £135.99 pair of wellies as chew toys unless you stopped him.

Porter Gage would laugh at the wellies. "Looks like something one of the Pack would wear!" he'd guffaw. This belies the fact that Gage would absolutely wear them if they were yellow.

"Look at those stupid things! You wouldn't catch me in anything that garish," Glory would laugh. "But let me know if you find a pair of Chore™ Adjustable Tall Boots by the Original Muck Boot Company, okay? Black or camo, not pink."

Hancock would be mildly amused. "Well, aren't those cute?" he'd chuckle, and then go and do something else.

MacCready would be reminded briefly of the mole costumes they used to have in Little Lamplight, and how, after two hundred years of wear on generations' worth of feet, the boots always leaked. Then his mind would start racing, thinking of all the historians and eccentric collectors he knew, and who would pay the most for a genuine, mint condition pair of pre-war wellingtons. Sydney and Emaline, maybe? Or Sierra? They're red, so he could probably convince her they were Nuka-Cola boots...

Nick would be kinda ticked. "Well, aren't those fancy?" he'd chuckle, and then mosey along to his other business.

Old Longfellow would be quite underwhelmed. "Too short," he'd sigh. "They're better than nothing, but they won't keep the waves out for long."

Piper would be absolutely delighted. "Look at them! They go so well with my coat!" she'd laugh, dancing around with the wellies on her feet. "Nat's going to be so jealous... Wait, but what if this encourages her to wear shiny red boots in a reckless manner?! I-I can't be a bad influence on my little sister! Should I give them to Ellie instead, or...?"

Preston wouldn't really know what to make of the boots. "Er, those are quite nice," he'd say noncommittally. "Not really my colour, though. Er, is there any reason you're showing me these? It's so random... Oh, yes! Speaking of things that are red, we've had reports of a Yao Guai stalking around near Oberland Station..."

"Ah... Thin red buckets!" Strong would declare. "Too fancy compared to normal buckets. Strong can't carry much Milk of Human Kindness in these," he'd add before tossing the boots over his shoulder. They'd land in some unseen location with a crash of breaking glass and the anguished screech of a cat.

Z6-88 wouldn't react. He wouldn't betray the slightest thought or emotion regarding the wellingtons. If, on the other hand, you were wearing them, he'd peer down at your red rubber-clad feet for just long enough to unnerve you, and then speak. "You are aware that the Institute makes its own rubber boots," he'd declare. "Far superior to those antiques. Unless, of course, you enjoy blisters and chafed calves."

#Fallout #Fallout 4 #larks #writing #my writing #Fallout 4 companions #Z6-88 #Piper Wright #Preston Garvey #Strong #Robert MacCready #Paladin Danse #Codsworth #wellies #Oberland Station #vulcanised rubber #characters react to...

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sydney-carton-of-sour-milk · 3 months ago

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The Many Illustrators of A Tale of Two Cities 11: Harry Furniss (2/2)

...& this second half doesn't actually speak for itself...

And we're back with the last 13 of Harry Furniss's 32 illustrations!

1 / 2 || 2 / 2

Unlike the first half of this set, this post actually does have a couple interesting notes on these at the end, but for now, enjoy!

Hope you enjoyed - and as promised, here are the notes!

First Note: Which Came First, the Misquote or the Drawing?

If you're someone with a strong memory for the original text of the novel and have been enjoying reading the captions in this set, you might have come across one of these and been a bit confused. Which one? This one:

most unpromising sure that sounds right, but wait, what...

The actual quote, from Book the Second, Ch. 5 "The Jackal," is this:

"Sydney Carton, idlest and most unpromising of men, was Stryver’s great ally."

...who substituted "tallest" for "idlest"?!

I, for one, am absolutely fascinated by this error. The Victorian Web source names "J. A. Hammerton" as Furniss's editor - is he the one that created the captions? And if so, did he initially misquote it and inadvertently lead Furniss to design Carton this way, or did he misquote it after viewing Furniss's design? Is there any way to ever know???

Unfortunately, I have absolutely no idea how to research something like this, and so, for now, this will simply have to remain a strange (and admittedly pretty funny) mystery...

Second Note: Artists Have Always Used References!

Let's look now at the second-to-last drawing in the series:

There's a certain quality to this one that's a bit different than a lot of the rest, namely in its particular use of that dark and smudgy shading - whereas most of the other illustrations utilizing that seemingly do so to convey energy and intensity and drama and motion, this one is very still and soft. Another noteworthy difference is that unlike any of the other illustrations in this entire series, this one bears an actual fully-written signature (in the lower-right) - all the others use initials!

So what is it that might make this one special? Well, take a look at this link!

This is pure speculation, but based on the uniqueness of this drawing in comparison to the others in the series and its similarities in composition and subject to this famed painting, Calling Out the Last Victims of the Terror at Saint Lazare Prison* on the 7-9 Thermidor 1794 by Charles Louis Müller, it seems possible to me that Furniss used that painting as inspiration and reference! * And yeah, if he did use it as reference, that means that the prison depicted in that drawing isn't even the Conciergerie but rather Saint-Lazare Prison.

Also, if that painting in and of itself feels familiar to you, that's probably because it's very commonly used as a cover for modern editions of A Tale of Two Cities, especially this Penguin Classics one! It all comes back around...

Sadly, that's it for Harry Furniss's illustrations. The next set will be much shorter and coming to you within the week, on Tuesday - and with it, we'll finally be back on schedule for this series. See you then!

& the standard endnote for all posts in this series:

This post is intended to act as the start of a forum on the given illustrator, so if anyone has anything to add - requests to see certain drawings in higher definition (since Tumblr compresses images), corrections to factual errors, sources for better-quality versions of the illustrations, further reading, fun facts, any questions, or just general commentary - simply do so on this post, be it in a comment/tags or the replies!💫

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queer-whatchamacallit · 1 year ago

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I just rewatched 1x02 of The Bear, and took notes to get deeper into these fucked up silly guy’s heads, so here we go!!

Tw: workplace abuse, intentional emeto

The staff at EMP wear white tops, black pants, and a blue apron which Carm continued after his switch to The Beef

With both the “why?” bit and “Do you like working with fucking idiots?” “I’ll do better,” the only accepted response is that a mistake was made and it was their fault

“Do you like working with fucking idiots?” “I’ll do better.” “Say ‘yes Chef’” both serve to paint Carm as a fucking idiot and to show Chef as always deserving his respect

There’s a constant flip flop between absolutely tearing Carm to shreds and making him feel like dirt beneath Chef’s shoe for the problem that occurred and making sure he’s keeping work flowing at a rate and quality that’s acceptable to Chef (which it never will be)

I’m sure you’ve seen the “Chef saying ‘you should be dead’ was off screen so you can’t tell if it was actually Chef or if that was in Carmy’s head,” and I lean more toward the latter. I know it’s plausible (which is really fucked up), but I just like the narrative possibilities for Carm starting to hear Chef’s voice. It sounds different too. It’s whispered, but Chef had to be careful about who heard that one more than everything else, so idk

His eyes are kinda hazy through the whole thing, and when it’s over, he stalls for a second before blinking hard and brushing it off. He still sounds kind of off-kilter after though.

There’s a time skip I never noticed before where one moment, he’s desperately calling hands, and the next, they’re cleaning up after service. Maybe unintentional but maybe slipping in a little of that s1 unreality and showing that Carmy misses time sometimes

Marcus just loves messing with Richie, first his cologne and second “DeVry, we’re serious about success!!” and he’s so real for that

SYDNEY: [mocking laughter] <333

Carm doesn’t actually clean the floors with a toothbrush, he had a rag which feels… weird. His floor-cleaning toothbrush is such a staple in fics

He walks to and from work

On his coffee table, he has an ash tray, a mason jar of water, and some clutter I couldn’t make out

“YOU KILLED MICHAEL” on the order tickets is an interesting one. I’d probably tie this most easily to the train of thought that he wasn’t there, but he could have helped, and if he never left, Michael would still be alive. Maybe he thinks the pressure of having to deal with him as a kid contributed or that his success as a high end chef made Mike feel like shit by comparison, but idk, there’s a lot of ways you could go here

“That’s um… a lot of words.” We have a work day here and reading about managing his business is not fast and exciting and Carmy is a little blood-sniffing shark, if he stops moving, he’ll die. Fr kinda love him for this but am pissed at him for just shoving it back to Syd

“Is my hair on fire?” I had to look up a definition, but Carmy’s starting to wonder if he’s just totally fucked and if The Beef can make it out of this. It’s interesting to see him so unsure of whether he’s going to make it. “Not yet, no, but you need help,” just feels nice. It’s both sugar-coated and completely accurate

I love Ebra for just listening to T rant about how much she hates Syd, and later, he just fuckin rocks it when Syd calls orders out. Ebra’s one of my favs <33

Syd with her journal shows the first signs of her impatience and Richie interrupting her with the inspector I think finally flipped the switch of her just absolutely despising him

Them getting a C and seeing everyone go through the 5 stages of grief is so funny omg

Syd breaking up fights and stubborn idiot-proofing by getting the right caulk was so hot girl of her

“Fak, fix that fuckin sound.” I want to know what made the difference between this and the “I don’t mind it” alarm during the s2 Cicero meeting

“He’s a baby. Don’t get Carmen into trouble, y’know? I was a baby too once, Sydney. Nobody gave a fuck.” This is pretty self explanatory, but… yeah ouch

Carm’s willing to vent to Jimmy about work with the slightest encouragement. Might point to them having a closer relationship, or maybe Carm would vent about work to whoever will listen

“I asked you where you’ve been.” So he hasn’t seen Cicero or his mom since moving back, and I feel like him and Nat had at least texted or called before 1x01 but probably not seen each other, could be wrong on that though. So he just dove headfirst into the restaurant the second he got back to Chicago, and hasn’t even talked to the family he’s been self-isolating from for the past 5 years

I love Carm’s phone password being 11111

Edit: I’m watching this ep yet again, and the flowers on the table in the scene with Pete are the same from his cooking show dream in 1x08!!! Maybe tying in that he feels like his slow breakdown is being seen by everyone he knows, not just those connected just by cooking. Or maybe it’s connecting his conversation with Sugar to how he was also struggling especially hard at the time of the dream, but then, I feel like it would be in Sugar’s kitchen when they’re talking about it. Idk but I love this detail a lot

Sugar doesn’t seem to treat Pete super great :’(. She kinda pushes him away after he hands her the phone, and he instantly assumes that she’s telling him to shut the fuck up. She is the sibling trying hardest to change and be healthier, but she did indeed inherit that Berzatto temper and fast pace to the point of rudeness

Carm’s “Did you hear I apologized? :D” is so funny to me

Carm will vent to Sugar when something happens that’s more in the mental side of things. He wants to be casual about it, doesn’t want to think too hard into how deeply fucked he is, but he needed to talk to someone about almost setting his apartment on fire

Apparently he sleep cooks “sometimes,” and that wasn’t the only time

We know that the breathing difficulties started “sometime in New York maybe?” and I feel like crying out of nowhere is a little more recent, but the nightmares could’ve started at any time, or maybe he was saying New York for all 3, who knows

“I don’t want to bother you.” When considering who to tell what, he does consider his perceived burden on the other person

“I was throwing up every day before work… kinda dug it.” This quote has naturally festered in my brain for the past couple months because it says so much about him. He experiences stress nausea and maybe it became an intentional way of gaining control and consistency in an environment that fought so hard to make him feel faceless and powerless. It shows how far he is willing to go for this. He’ll do whatever it takes, including making himself vomit from anxiety. In his mind, it helps him become a better chef. Could also illustrate his likely connection between perfection and suffering. He kinda dug it. He felt like that self-destruction was necessary for him to excel. I could go on all day

He stayed there because “People loved the food. It felt good.” Here’s his stated motivation. His actual motivation is some messed up combination of that and lot of stuff he talks about in his Al-Anon speech: the excitement of being that good at something for once, just keeping going, hoping that one day, Mikey would acknowledge how good he was at it. People loving the food was confirmation that he was really fucking good at this. More than anything though, he wanted Mike to love the food

When the health inspector reveals that a pack of cigarettes was left by the stove, it doesn’t cross his mind that it was him. He was the CDC at EMP, he wouldn’t make a mistake like that, but he did, and now, this is just reinforcing how fucked everything’s gotten, especially himself. He’s just the type of person who leaves cigarettes by stovetops now

And yeah, that’s 1x02 - Hands all good and done!! Again, I don’t know how far I’ll get with these, but they’re very fun

Edit thanks to Pinterest scrolling: in Carm’s nightmare, the dates on the tickets are set before and after Mike’s death

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otmaaromanovas · 2 years ago

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Hey. I was wondering what your favourite books about OTMA/The Romanovs are? I have read quite a few and I’m looking for new recommendations. I love your posts btw :)

Hiya! Thanks for your question.

As you said you have read quite a few books about the Romanovs and want new recommendations, I'll try and think of some of the less common/more obscure books I've read, which I don't see talked about too much!

Once a Grand Duchess by John van der Kiste and Coryne Hall

Admittedly, this book sometimes reads like a long wikipedia page, but has some very interesting information on Xenia Alexandrovna. If you are interesting in the British royal family and their history, the second half of the book has some great info on Xenia's stay at Frogmore Cottage and Hampton Court

The False Anastasia by Pierre Gilliard and Constantine Savitch

Written half by Gilliard and half by Savitch, it combines some of Pierre Gilliard's memories of Anastasia and the Romanovs with debunking the Anna Anderson myth. Some great work here on Anderson's actual identity. However, I will warn you straight away that if you do get this book in its English translation, the translator Edgar A. Lucidi is VERY antisemitic. Throughout the book, he goes to great pains to try and say that Anastasia survived, and has a whole preface about it, including photos of him posing with a pretender. It's frustrating and insulting, especially when he makes actual notes in the text trying to 'debunk' Gilliard and Savitch's writing. I'm recommending this book purely because of what Pierre Gilliard and Constantine Savitch have written, which is very interesting and revealing. If you can read French (I definitely can't!) it's worth getting the original.

Tutor to the Tsarevich by John C. Trewin and Charles Sydney Gibbes

This book is FANTASTIC and really underrated! It's more of a coffee table format, with plenty of photos, but has some really fantastic information. It has a lot of Gibbes' original writings and reflections, published for the first time I believe. Some great anecdotes about Tobolsk and some rare photos of Gibbes and his life after the Romanovs.

The Romanovs & Mr Gibbes: The Story of the Englishman Who Taught the Children of the Last Tsar by Frances Welsh

This book focusses on the life of Charles Sydney Gibbes, later known as Father Nicholas, who was the English tutor to the children. Although it is definitely not as good as Tutor to the Tsarevich, it provides an interesting picture of Gibbes' life. It's quite short, and focusses a lot more on Gibbes than the Romanovs, but is worth a read if you're interested in the tutors of OTMAA.

A Few Years Before the Catastrophe by Sofia Ivanovna Tyutcheva, translated by George Hawkins

This book is *TINY* so you might be better served getting the online kindle edition rather than actually buying it. Sofia, or 'Savanna' as OTMA called her, was a nanny to the children from 1906-1912, before being dismissed by Alix for disagreements over Rasputin and the raising of the children. As I said, the book itself is very short, but paints an interesting picture especially of Ernst of Hesse and Nicholas' personalities. There are some fun anecdotes about OTMA, but not too many. The reason I recommend this book is because I am currently reading Anna Vyrubova's memoirs and she goes on a four page rant about poor Savanna, saying that she was a traitor and sold out Nicky and Alix. Reading Savanna's recollections almost entirely prove this wrong.

The Camera and the Tsars: The Romanov Family in Photographs by Charlotte Zeepvat

This book is BEAUTIFUL! Anything Charlotte Zeepvat writes is worth buying in my opinion. But this book especially... *chef's kiss*. It has so much detail about the whole of the Romanov family, and is mainly in picture form with detailed captions and text too. The photos are high quality. A great overview of the whole of the Romanov family and its many branches.

The Grand Duchesses: Daughters & Granddaughters of Russia's Last Tsars

This book is comprised of multiple different biographies about Romanov Grand Duchesses and princesses over a span of about 200 years. It is very unique in focussing entirely on the women in the Romanov family. There are a couple of errors in it, but nothing too awful. Great if you want to dive in and learn about some of the Grand Duchesses that came before (and after) OTMA.

‘After that we wrote.’: A Reconsideration of the Lives of Olga, Tatiana, Maria, and Anastasia Nikolaevna Romanova, 1895-1918 by Althea Thompson

The last recommendation isn't a book, but a thesis written for their Master's Degree, and focusses entirely on OTMA. It's fascinating, with plenty of great sources sprinkled in. It looks to re-examine how historians have viewed OTMA and aims to create an accurate picture of their daily lives. It's a long academic read, but has fantastic information. You can read it here.

I hope this was helpful! I probably missed out some great gems, but these are the first ones that come to mind which are less common :)

#q #ask #answered #anon #books #sources #bookblr #book recs #non fiction #Romanovs #russian history

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