#punk rap

[mellosakicc]

delilah bon tees

for anon.

base game compatible

m&f - teen thru elder

enabled for random

custom cas thumbnail

download (simfileshare) | download (patreon - free)

[the-chaotic-snek]

Punk is...

Punk is hope for the future

Punk is being angry that corporations are shit

Punk is fighting for what's right

Punk is knowing that we, the people have power over these "Uncontrollable things"

Punk is REFUSING to believe that the world "is"

the way it is

Punk is meaningful, Punk (as a sub-culture) is political

[big-low-t]

Sleaford Mods - Tied Up in Nottz

[brettdeadly]

Park City by JVNEBVG – Review

The following article was featured in Trap Metal Magazine issue #1 

CHECK IT OUT HERE: https://www.trapmetal.net/tmm1-gizmo/

PARK CITY by @jvnebvg kicks off with a creative intro that throws listeners back to the 90s, with a cassette player’s click setting the tone for the gritty ride ahead. This nostalgic touch feels intentional, signaling to the listener that JVNEBVG is an artist who plays with eras and sounds. By the time Track 2: BONESHAKER rolls in, you’re hit with that raw Trap Metal and Punk Rap fusion, a sound that JVNEBVG delivers effortlessly. It’s aggressive but calculated, pushing that rebellious energy, and some subtle Cyberpunk vibes, though the artist’s branding pulls more from the grunge scene. What really stands out is the blend of genres in this project. Track 3 and 4 are reminiscent of breakbeat and rave, taking cues from the likes of The Prodigy and Aphex Twin, but JVNEBVG keeps things rooted in Punk Rap, giving a futuristic edge to the grimey, bass-heavy beats.

The collaboration on Track 4: I’m Not The One with Ak3k is a definite high point. Ak3k’s feature adds a dynamic layer, and if you’re familiar with his work, you’ll find his voice meshes perfectly with JVNEBVG’s rebellious grit. The next shift happens in Track 5, which pulls back into a hip-hop and rap lane with a feature from Beamon. This switch in tempo and vibe is refreshing, proving that JVNEBVG isn’t one-dimensional. He’s fluid, willing to jump genres while still making the track feel like it fits into the overall project. The title track PARK CITY really encapsulates JVNEBVG’s core sound. It’s the pinnacle of Trap Metal and Scream Rap with layers of harsh vocal texture and heavy instrumentation. Here, JVNEBVG’s voice feels like a weapon, cutting through the beat with purpose. The depth and texture in his vocal delivery are undeniable and are a true testament to his versatility as an artist. Even though Trap Metal can often be associated with chaotic screaming, JVNEBVG brings technique and intentionality to every shout and growl, showing he’s more than just noise—he’s creating something visceral.

After the intensity of PARK CITY, the album takes a breath with an interlude, and the mood shifts into a softer space. The next few tracks offer a more intimate side of JVNEBVG, showcasing that he’s not all about aggression. There’s a vulnerability that comes through, a shift in energy that feels natural, not forced. It’s here you see the creative depth—he’s not just one lane. The album wraps up with DISTORTED, a bass-heavy collaboration with ARSX that brings back the raw, darker edge. The final track feels like a perfect bookend to the project, tying off the chaos with a sense of resolution. There’s no filler here—each song is crafted with purpose and intention. What really shines through is the audio engineering. Every beat, every vocal layer, every distorted sound is meticulously placed. This isn’t a DIY basement tape thrown together for shock value. JVNEBVG is producing art—an experience that feels both polished and raw. You can tell he cares about the sonic quality as much as the message, and it shows throughout.

Overall, PARK CITY is a well-balanced project that blends nostalgia with innovation. JVNEBVG is a diverse, creative force, balancing Trap Metal, Punk Rap, and hip-hop with gritty lyricism and deep introspection. The album delivers something for everyone, from aggressive headbangers to deeper, moodier tracks. Each song stands on its own but contributes to the larger narrative, and his collaborations with Ak3k and ARSX elevate the overall vibe. This is more than just an album—it’s a statement. I give PARK CITY a perfect 10/10. Every track is unique, but the overall vibe feels cohesive, making this a standout project in today’s underground scene. If you’re a fan of Trap Metal, Punk Rap, or even a curious listener looking for something with depth and grit, PARK CITY is worth every second. Be sure to check it out!

#trapmetal

#punkrap

#doomtrap

#undergroundrap

#alternative

[weirdlypasta]

Anybody got some music recommendations for songs that sound similar to mindless self indulgence? I do like that style of music but obviously i don't want to support them.

In general you could give me music recommendations if you want. Especially if its alternative, I enjoy finding new songs /genres.

[the-gamling-dog]

there's something beautifully dystopian about my phone interrupting bob vylan to tell me about Domino's New Cookies and then go back to the righteous ire of punk-rap that's fucken done with capitalism and the systemic injustices of malnutrition through junk food

[moth-lace]

Trap Metal (also known as Ragecore, Death Rap, Hardcore Trap, Industrial Trap and Screamo Trap) is a fusion genre of Trap music with characteristics of Heavy Metal and Nu-Metal. These songs mainly use loud distorted 808 patterns, industrial effects, and heavy harsh vocals. Related genres and styles include punk rap, trap metal, screamo rap, and horrorcore.

Trap artists who blend punk and hip hop elements are mainly referred to as Punk Rap. It is a subgenre of rap that has punk and rebellious characteristics. Short, aggressive, and distorted tracks are mainly used in punk rap, with the duration being one to two minutes long. Here are some popular punk rap artists

Deathstep is a subgenre of Brostep, heavily influenced by Metal genres like Death Metal, Deathcore, Metalcore, and even Black Metal. The genre started out as a broad term for various styles of metal-inspired brostep, but has since become more of an established genre. The early deathstep sound contained more obvious metal influences: featuring heavy use of chopped up guitars, vocals such as screams and death growls, and also often included live drums (particularly for drum rolls). These elements were mixed with bass wobbles and half-time beats to create the effect of a "breakdown". Around the mid-2010s during brostep's decline in popularity, deathstep became much more of an established genre. The genre started to contain less obvious influences from metal, but became darker and heavier than it was in its earlier days. The genre contains influence from various forms of Noise and Industrial music, and has also moved further away from the typical brostep sound, focusing less on accessibility. Many deathstep artists incorporate Riddim into their sound, particularly the genre's atonality, use of repetition to create a hypnotic effect, and off-kilter synths. One of the main elements of deathstep is the use of "machine gun" basses. These are heavy, rapid synths with a very short decay, usually in triplets. Another main characteristic is the heavy, atonal, almost white noise-sounding synths. Even though a handful of artists had already experimented with the deathstep sound prior to its release, the genre name was coined by Bratkilla with his album The Deathstep LP in 2011. This album became one of the main inspirations for many artists in the scene and helped shape the sound of the genre.

[hazyaltcare]

A playlist for a Karkat Maryam (Homestuck, bloodswap AU) fictive who was deemed a problem child in the brooding caverns for bad temper and questioning authority, but suddenly deified when they turned into a rainbow drinker upon their execution with music vibes of resentment, anger and confusion.

Tracklist:

The Front Bottoms - Emotional

NOFX - Perfect Government

A Day To Remember - Resentment

Siiickbrain - Problem Child

Icon For Hire - Nerves

sKitz Kraven - Bad Temper

Cemetary Drive - THE TRUTH IS OUTSIDE

The Yardbirds - Dazed And Confused

You can listen to it here.

Mod Haze (🧨Tate)

[onlygotdope]

New music on my website

onlygotdope

x

king trippy

www.onlygotdope.com

Now she swears that we need space

I say give the world instead!

Should have listened to those voices when they were inside my head

* cover art by @onlygotdope

engineered by @onlygotdope

[indigaux]

I’ll be clownin round w y’all in New Brunswick on April Fools Nite‼️✨pull up to get grungey, groovy + rlly fckn goofy ~ ¡ehyuck! ~ I adore the show-house culture of NJ, y’all are some of my faves in the scene 😍 so lemme love you in person you silly faes!🧚🏼❤️ Here! I! Come! 🚗💨

Location: Teacher’s Lownge (show house)

Cover: $10 ($5 if you make music)

For more details click here :)

[ssvbel]

⚠️⚠️Bit of a flash warning

for you⚠️⚠️

Tired of same old same old underground rap not being...underground? Yeah me too.

Anyways I make a bit of music and uh here is the newest song ..DVRK MVTTER..

Somehow typed myself forgetting the titled.

Oh HO!! Look there it is right there

mmmm its purple that means its grape flavor. 𝚃𝚛𝚢 𝚒𝚝. . .

Love ya! Bye!

[nigganyk]

[dyingpharaohs]

DYINGPHARAOHS.COM

[afterhrz-blvk]

Been 2 years too long. Got another one for y’all. Out now, #Ozone, with guest appearances from @itshenrydmusic, @real_essaym, @iamjinjakai and more.

[brettdeadly]

Are you a fan of when rappers go metal and scream, or when bands blend hip-hop elements into their sound? That’s the essence of Trap Metal—a genre that fuses the raw intensity of rock and metal with the rhythmic flow of rap and hip-hop. It’s the perfect blend of two powerful alternative genres, creating something entirely unique.

But there’s a challenge. Every time you search for Trap Metal or Scream Rap, you’re met with the same overplayed artists. That’s where our magazine steps in. We’re here to bring you a fresh selection of underground artists through our Trap Metal Magazine and blog, delivering regular updates on the evolving scene.

I’m excited to announce the release of the very first issue of Trap Metal Magazine, along with the launch of the first-ever mass-produced Trap Metal Trading Card—a collectible for true fans of the genre. Our journey started from nothing, and many of you have been with us since our previous publication, Trap Metal Arsenal, which we took to issue #10 before rebranding. Now, I’m taking everything I’ve learned to push the boundaries of music journalism and collectibles with this new wave.

This has been a long time coming, and it’s just the beginning…

CHECK OUT ISSUE #1 Featuring UG legend GIZMO!

[browngoblin]