#punctuation or good sentence structure SORRY

[qbebou]

tubbo is SO cute and sweet with the eggs they all loved him immediately and ramon thinks he’s SO cool and he calls them little squirts and sweetie and kiddos and his little poultry princes princesses kings and queens and he talks to them like they’re kids but not like they’re KIDS idk if that makes any sense??? he’s building a giant speed smelting thing just to make a metric fuck ton of baked potatoes for chayanne and he tried to fix the stuff he had to take from ramon after cucuruchos quest and he’s done chayannes quests even though he says he’s not so good at this whole babysitting thing and it’s so nice seeing chayanne and tallulah playing TOGETHER!!! chay doesn’t get out much but the last few days he’s been hanging with tubbo pretty late at night and he’s so comfortable with him idk i think i wasn’t rlly sure of how tubbo would be with the eggs when he first joined but they all welcomed him into their family with open arms and i think it’s incredibly precious

[deception-united]

Hello! Hope this ask finds you well 😄

Do you have a guide on how to incorporate dialogue into a story? I'm quite confused in this aspect, like, do I end every dialogue in a comma? (excluding questions and exclamations)

Also just writing things like, "he said, she cried, they snickered, John retorted, Jane whined" becomes tiring after a little while.

I've seen some authors just write dialogue without specifying who said it and the reader relies on context clues to decipher it.

All the rules on writing dialogue is perplexing and any guidance you have on this is much appreciated 🙏

Thank you!

Hi, thanks for asking and so sorry for the late reply! Seamlessly incorporating dialogue into your story is an essential aspect of storytelling that can really bring your characters to life.

Let's start with punctuation. Generally, you would use a comma to separate the dialogue tag from the spoken words; however, this isn't a strict rule. You can also use periods or other punctuation marks depending on the structure of your sentence. For example:

"Hello," he said. "Hello." He smiled. "But," he insisted, "I never actually saw her." "But—" He paused. "Never mind."

Regarding your concern about repetitive dialogue tags, you're absolutely right. Using "he said," "she cried," etc., repeatedly can become tiresome. It's good to mix it up and use a variety of dialogue tags, or even omit them altogether when it's clear who is speaking.

Using context clues to identify the speaker is a great technique. It adds a layer of engagement for the reader and can make the dialogue feel more natural. Here's an example:

"I can't believe you did that." The anger in her voice was palpable.

In this case, we don't need a dialogue tag because the context clues ("the anger in her voice") indicate who is speaking.

Here are a few more tips to help you navigate writing dialogue:

Use action beats. Instead of using dialogue tags, you can describe the actions of the characters to indicate who is speaking. For example:

John slammed his fist on the table. "I won't stand for this!"

Sarah wiped away a tear. "Please don't leave me."

Vary your dialogue tags. Instead of always using "said," try using different verbs that convey how the character is speaking, such as whispered, shouted, muttered, etc.

Omit dialogue tags when possible. If it's clear who is speaking based on the context—for instance, when two characters are talking back and forth—you can omit dialogue tags altogether.

Read dialogue aloud. This can help you identify any awkward phrasing or unnatural-sounding dialogue.

Remember: writing dialogue, like any skill, will undoubtedly improve with practice and research. Don't be afraid to experiment and find what works best for your story. Happy writing!

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[tadpolesonalgae]

Hello! I have wanted to start writing for a long time and I was wondering if you have any tips for new writers? (Any advice is greatly appreciated 😊)

Have a lovely day ❤️

Hi hello!! I’m so sorry this has taken me so long to actually answer—every time I begin trying to attempt a comprehensive list of tips I always second guess myself or think it isn’t coherent enough and end up deleting it 🫠🤦

First and foremost, knowing the platform you’re working on!

Back in the old days when I first started writing on here, I had no idea how tags worked (still struggle), no idea how to link things, how to structure a fanfic or any idea about layout (what font to use for a title, where to put the pairing so people know who you’re writing for, word count if you want to include that, etc.), and didn’t know how to put that ‘read more’ thing on, so I strongly advise being familiar with the platform you’re going to write on 😭

Secondly, spelling and grammar!

Some people don’t mind it as much, but being familiar when to use capitals, when to use commas, speech marks and quotation marks, how to end dialogue too in terms of where the punctuation goes! (Which still sometimes messes me up 🫢)

Proofreading too I think is very important! Again, it might bother some people more than others, but as a general rule, making the story simple to read so no one struggles with figuring out how to say the sentences in their head will benefit the coherency :)

Knowing what you’re writing!!

I went on a tangent about this a couple of days ago (I think?), but knowing who you want to write for, what type of story (smut, angst, or fluff as the general three), how you want to format your fics: do you want to write drabbles/headcanons/one-shots/multipart fics? A mixture of all of them? What suits you best?

As a side note: scheduling?

I think it’s important to know how much you’re capable of writing without risking burnout! Especially with fanfiction where I’m assuming you want to start because you enjoy it, to not lose the fun of it through feeling pressured to write as much as possible :)

Sometimes you might be able to write more often than others, and it’s good to be able to know what you need, whether that’s time away from writing or forcing your way through it—though it can take a while to figure out. :)

[acacia-may]

Here is a fruit basket 🍎🍊🍋🍏

Aww thank you so much, Little Fan! 🥰

🍎 Is there anything you straight-up won’t write?

I will not write anything NSFW. It's just not for me. I'm the most vanilla person to have ever vanilla-ed (and actually get all blushy even writing about a couple kissing, which is why they often just don't in my stories even when they are technically romance. 😅 My sister often teases me that I can really only write one (1) kiss scene which is basically just a line like "And then they kissed." 🙈 I have been trying to prove her wrong and write a little more kissing into my stories but I'll never be the type to write anything steamy. It's just not my personal cup of tea).

🍊 Who’s a character you don’t write for that often, but keep meaning to write for more? (They’re so interesting! But maybe you have trouble pinning them down, or keep getting distracted by another blorbo…)

I answered this here if you want the full discussion, but long story short poor Gordon. I never did finish that story wip in his POV and feel like I really dropped the ball with him even though he was always one of my favorites. (Sorry Gordon!)

I've always wanted to write more Walter too--just kind of diving into Rill's relationship with him as more of a father figure than just a butler and especially how Walter is totally going to step in as "Grandpa" if/when Rillmy ever has kids. ^^

🍋 What’s your favorite spicier trope to write?

Again I am beyond vanilla and don't write anything spicy ever, but (and I'm about to embarrass myself here...) my sister swears the spiciest thing I have ever written is a line in which the POV character remembers a multilingual character unwittingly switching languages during a particularly (ahem) heated moment.

And I do like that trope 😳 (though not just in a spicy way!!) [which is why I put that line in there (even though nothing happened on screen in this fic, I swear 🙈)]. As a linguistics major, I've always been fascinated with the science behind the multilingual brain and how it has actually been proven that multilingual people will unconsciously switch languages especially when expressing something with a deep and/or passionate emotion behind it. In this particular instance, this character actually professed his love in Spanish which (at least for him) meant more than expressing it in English because he used "Te Amo" which is a really intense "I love you" (for like your immediate family or your spouse or your soulmate) rather than "Te Quiero" which is more of a general "I love you" for everyone else (i.e. less close family, friends, people you're casually dating ect.). Whereas in English there's only one word for love so it gets overused and its multiple meanings/uses can easily get misinterpreted.

I think my sister's point in saying this is my spiciest line (beyond just poking fun at me for being vanilla & this not being very spicy at all) is that this was an intimate thing to say and this character chose to say this very intimate thing during a heated moment which in itself was intimate therefore making the whole thing even more intimate (or, you know, spicy). But that's about as much as I can do in terms of spicy tropes, I think. 🙈

🍏 Is there something you overuse, whether it’s a certain phrase, trope, or piece of punctuation?

I definitely overuse em-dashes. I usually write "stream of consciousness" so my sentences just run on and on and on. I should probably try to shorten them or at least vary the structure now and then. 😅

I think I also overuse certain phrases specific to whichever character I'm writing (especially if they are the POV character). For instance, Vanessa winks a lot, Langris' mouth twitches in the corners (to show that he's actually having a good time in spite of himself), Finral sheepishly scratches the back of his neck, or my most recent pitfall something aches in Hero's chest every couple of sentences (because he's sad 😔), and I have to edit those out. It's hard for me not to fall into the habit of using the same descriptors for the same characters over and over again.

[danpuff-ao3]

Hi!! 🎈💋🤲 For the ask game!

Lety!! Thanks for the asks!

[answers under the cut cuz wow is this a long one...sorry 🙈]

🎈describe your style as a writer; is it fixed? does it change?

Oh gosh, what a good question! Not one I know how to answer, I'm afraid. This is one of those things I'm always interested to hear what others have to say; what do they think my style is? Others probably see it clearer than I do, mired in my own mind as I am. And as hazy as it is, plagued as I am by a hypercritical and perfectionistic nature.

Perhaps it shifts a bit. Generally I try to stay in one POV and mold the telling around that character's voice and nature, which will inevitably have some impact on style. Though perhaps the core of it remains the same, driven as I am by my own goals. My aim is always to be true to the characters themselves, in whatever scenario I've conjured for them. The aim is always to be a bit ruthless, in ways that are both cathartic and indulgent for me. It's always character and emotion. And I always want to make people feel something; maybe to make them think.

Everything is very intentional, though perhaps not in a very conscious or logical way. Word choice...god how I agonize over word choice. Punctuation, too. Em-dashes and ellipses and semicolons! They all convey something a bit different. They affect the rhythm in their own way. Do I have choppy sentences, or do I connect them with a semicolon? To I carry through with endless em-dashes? What details to slip in, to color the world and flesh it out, without overburdening the story? What facts are important to keep, and which can be carved out? What is necessary to tell this story? What do I sacrifice for the greater good? What do I keep, like the greedy goblin I am?

But rarely is it "the curtains are blue because blue is sad and Harry closes the sad blue curtains so he can suffocate in his own sadness." And it's certainly never "I placed a semicolon there because it was the most correct way to structure that sentence." Pfffff. I'm all about the vibe, baby. Blue curtains set the scene the way I needed. The semicolon gave a burst of emotion that a comma couldn't quite cut.

...but then I've also had to last minute reorganize scenes because it occurred to me that it was very important to know when the full moon in April of 2001 happened. Is this story about werewolves? No. Is the full moon involved in an important plot point? Also no. But it does feel very life or death in my brain, so here we are.

So perhaps my style is best described as "weird obsessive lady tinkering with words under a thin veneer colored by her POV character", idk.

💋when you leave comments on a fic, do you want to hear back from the writer?

Yes, yes!!!! Absolutely! If only to ease my mind, since I feel like a lunatic and an annoyance and hearing back from them generally lets me know "hey I haven't scared this person off!" But also it's just generally nice to hear from people, and to connect with creators I admire! A big joy of fandom is the community of it so I dunno...it's just friendly and fun and makes me smile!

🤲what do YOU get out of writing?

A headache. Sorry, I recently finished a rough draft that actually was a headache, but I think the spirit of the question is more...why do I write? What am I benefiting from it? Besides a headache.

Well! I am a lady with a very vivid imagination. And a lot of feelings.

So firstly, language is made for communication. And I was going to go off on this whole tangent in the first question. How...okay, maybe I don't always choose the most technically, literally correct way of doing things, but art is not much about being technical and correct. And neither is communication, really. You think of the pedants out there who gripe and complain about slang, or words that shift meaning (as if words aren't all made up, and as if words don't historically change meaning as times change and societies change, but I digress...) and they miss the point that this is communication. Language wasn't built for you to make a 100 on your English paper. It's for us to connect.

So...writing as communication. Conversation, and stories. How much we learn about others and the world. And how much we learn about ourselves.

So...communication and connection, in some ways. Even stories that aren't shared, it's much like writing in a journal. It's still new life breathed into the chaos of my mind. And even if it isn't meant to be shared, doesn't mean it never will be. And even if no one else ever does read it, it's much like talking to oneself.

I spend so much time in my own head, mulling over a thousand and one thoughts. My brain never shuts up, okay? So while daydreaming and contemplation is the inward function of those thoughts and feelings, speaking and writing is the outward motion of them, even if it's only putting them to word, putting them to shape, in an empty room. And that outward motion can shed new light on them, or cast them in a new shape. Lines you'd not noticed before, a different shade of blue there. It's a new and different way to experience what I'm thinking and feeling, helps me process them better, helps me come to terms with my own mind.

So even at its most personal and private, still the idea of putting it in a new place and exploring it in different ways.

But then, when you share it, when you let others read it, it's communication in the more proper way you think of it. Connecting with others. Sharing with others. And knowing that all of the benefit I get from seeing the world through another's' perspective, I give back by sharing my own. And the connections made to others through them!

Stories have been such a huge part of my life for my entire life. My mom would sing me songs and read me stories every night. And the moment I learned to read, I never stopped. There is so much to learn from and take from stories. The stories I've read have helped shape who I am. And my writing is such a similar thing. It's part of me. A way of sharing all of the color and noise and movement in my soul. A way of sharing every twisty thought, every sharp feeling. It is so much a part of me, even if not in very literal, easily-definable ways.

It can be a means of catharsis. Of purging the poison, or riding out a fever. It's a safe way of interacting with things too complicated or too dangerous to face head on.

Writing is empathy. It is sitting and looking through another's eyes. Not a real person, maybe, but an other. A way to consider other people, and how they think and feel, and how to connect with them.

Writing is an adventure! All sorts of journeys I might never take in real life. A way of considering potential and opportunity. Writing is playing. It's a game. It's toying with scenarios and worlds and words. It's fun, and thrilling! But it can also be daunting, and challenging.

It can be easy. It can be release. It can be joyous and exciting. It can be terrible and awful and difficult. Not always good things, but it's just...who I am, I guess. It gives me what I want, sometimes, but mostly what I need. It's good for me, mind and heart and soul, however rough the ride is.

Most people who know me know I love astrology, so I have to end with a nod towards that. 😂 My moon (emotion, subconscious) is in Leo. Leo, which is light and cheery and magnetic. It's my need to be seen and to connect. Leo is about creation. And adulation, I'm not gonna lie. 🤣 But it's mostly...just having a lot of energy and an overactive imagination and a whole heck of a lot of passion. Leo is generous and big and loud. It's just a need deep inside to create and share.

And maybe the biggest thing of all is that: the act of creation. Feeling productive and accomplished and proud. To have given form and life to something outside of myself, and the desire to see it grow and thrive.

Wow this was a lot of blabbering, oops. 🙊

Let's Get ((REAL)) fic writer asks

[lokilickedme]

There’s something inherently satisfying in getting a friend recommendation on FaceBook (which I haven’t used in, like, 7 years but someone sent me a link that went there so I hung around for a minute) and thinking hmm that person seems familiar...only to click on them and realize a few minutes later it’s a guy who had an obsessive crush on you when you were both 15-year olds in the cult and when you turned 16 he decided you were old enough to make a life commitment to his delusional ass and told the Elders in his congregation that he intended to marry you and those Elders told the Elders in YOUR congregation and they started watching you closely, like, to the point of stalking your innocent teenage self because “she must be doing something to make the young men in the district think she’s available” (emphasis on available as if it held all the smarmy connotations in the world) and the little jerk told everyone you were engaged and he followed you around at the district convention that summer and his family stayed at the same hotel your family stayed at and he leered at you in the pool every afternoon after the day’s 8-hour indoctrination session and when you made it clear you weren’t interested in his 9 foot tall dork ass he kicked out a window and made a scene that you got blamed for and then he got disfellowshipped and shunned and the last you heard he had gotten married and divorced at least twice and his family pretends he never existed and his FaceBook page shows him now as a 52 year old bald guy with a beer gut and a Budweiser hat sitting in an empty bar about 5 miles away from you singing country and western karaoke for 9 minutes with that same serial killer stare on his face that you remember from when you were kids and you scroll down further to find all kinds of anti-mask personal-rights violation screaming and anti-government conspiracy crap and you think yeah that sounds about right and you scroll some more and see that the bar was actually his and it got shut down for not adhering to safety regulations during the first 6 months of the pandemic and now he’s running a junk shop that sells used belt buckles and you just sit there thinking Wow I really dodged a bullet there

[strongermonster]

not to sound mean and deranged but the guy who open mouth chews + mouth breathes as he slurps down his soupy ravioli lunch while watching tiktoks on repeat for 3-4 times at full volume w no headphones and laughs while his mouth is full is someone i fantasize about leaping across the table and biting at his neck like a jaguar killing an antelope. sorry that there's no punctuation or good sentence structure here it's just that i'm having a very caffeinated day + most of you guys are used to me typing bad anyways

[crownandwriter]

In which he notices your...frustration

Pairings: Kazuha, Diluc x gn!reader

Warnings: suggestive themes/dialogue (nothing actually happens, though), flirting, fluff/comfort??if you squint, not proofread because im impatient

Author Note: A little idea I had, but I left the smut off for now lol. If these are well-liked I’ll do other characters

Part 2 (Xiao, Chongyun)

Intro

You couldn’t say where such an intense need had come from, or if something specific had caused it, but it’s presence was unyielding. Worse, it’s been one busy-bee-thing after the other today--a task here, too many people there, your help needed there…. You hadn’t had chance enough to take care of the problem yourself, let alone seek out your partner and ask him to sweep you away for much-needed relief.

Little did you know, he’d already taken note of your predicament. How the need flushed your cheeks and the discomfort made you seem ever-so-slightly...frustrated. And, well, how could he not offer to ease your burdens?

Kazuha

Kazuha came strolling back over the hill with the water satchels in record time, and laid them out neatly near Aether as he assembled the fire pit for cooking today’s lunch. Before you could offer to get the soup pot ready, Kazuha gingerly took your wrist and tugged. The look he leveled you with was sweeter than usual...doting almost.

“There’s something by the water I want to show you,” he said. “Traveler, we’ll be back shortly.”

Aether waved you off good-naturedly, responding something about the other still fetching ingredients anyway,, and Kazuha laced your fingers together as he led you back towards the river. As you approached, you scanned the area for what he may have discovered. It wasn’t uncommon for Kazuha to lead you off in private like this to share in a particularly beautiful scene and a few moments of respite. Though, if you were being honest, you doubted your ability to enjoy it right now….

As you tip-toed to the water’s edge, however, his hand gently guided you further up the embankment. There was a gorgeous waterfall too, and you found yourself wondering if a cold dip would help this burning urge. Kazuha looked between you and the cascading water for a few rich moments, and then cleaned closer so you could hear his soft voice over the rush of water.

“You’ll never guess what I’ve found,” he said. It was hard to structure a guess when his breath on your ear sent a shockwave down the pulse of your neck. You were sure he noticed the thick swallow that came after, too.

He chuckled, and then his free hand came up to guide a large palm leaf growing from the cliffside into the water. The torrent split open, neat like pulling open a curtain, and revealed a cozy little cave beyond the cool mist.

“I rarely find anything beyond waterfalls,” Kazuha says and he guides you under the opening. “Storybooks could certainly make one think they’d be more common. No treasure in here, though--”

You flicker a smile at him for the sentiment, and take in the space. There’s moss-covered rocks and a scattered few glowing lamp grass that seem to have been recently plucked. Before you can ponder too much on their presence, Kazuha steps in behind you and his lips find your ear once more.

“--yet.” You whirl, and catch his autumnal eyes burning right into yours, temptingly close, but half-lidded and gentle. His fingers dance over your hips in ritual that’s long become casual, skirting the edges of your clothing and waiting for any ounce of refusal. “I believe you’ve been on the precipice of finding it for a while now…. May I be so bold as to offer you my assistance in reaching it?”

“K-Kazuha, I don’t think we have time,” you felt the need to whisper--but surely the whitenoise of rushing water would cover even the loudest yelling…. Oh. “The others will be waiting for us.”

Kazuha shakes his head slowly, never breaking gazes with you, even as he slowly backs you into the rock wall and begins to slide down your body. “Not to worry; we have a little time, and that’s all I need. For now.”

“I’ll be sure to take care of you more thoroughly next time we’re alone. But for now, please allow me to ease your troubles just a little.”

Diluc

Angel’s Share was close to closing, but you couldn’t say you had survived the night just yet. A scarce few regulars remained, mostly drunk, either awaiting their escorts home or sipping on water to sober up enough to make it alone. They all knew the closing routine by now, so Diluc stepped into the back room to take inventory without worry. And you were back with him to help speed things along too.

Although, surprisingly, it was actually going slower with your aid.

“Archons-- damn it, sorry Diluc, I’ve lost count again.” He wasn’t upset with you, but that was the third time. You’d been helping him with these sorts of tasks for so long now, the sudden difficulty with it concerned him. Now, he was a very observant man, and your reddened cheeks, lack of focus, the way you couldn’t meet his eyes in some moments.... Diluc had a theory as to what was going on, but felt guilty in lingering on an assumption so personal. He tried, instead, to observe you for signs of injury or fatigue, but his unwavering attention instead seemed to fluster you more.

“Is everything alright?” There, he finally asked. He did keep his voice down, though, lest the remaining patrons hear the conversation through the splinter-sized cracks in the bar door.

Your face dipped darker red immediately. You pointedly kept your eyes on the wine racks.

“Y-yes, of course! It’s just...been a long day. I’m quite ready to go home.” There’s a brief pause, and then you whirl to look at him. “Oh! Not that, I don’t like helping out here! I-I just, ah…”

“...Just?”

“I just...have some things to do at home,” you mutter.

Diluc knew that sentence was one large punctuation to end the topic; you were embarrassed, though he couldn’t tell for certain if there was discomfort mingled in with it. While you scrambled to finish counting the dandelion wine, Diluc leaned his hips back on a stack of crates, stretching his legs languid and crossing his ankles. He watched you even more intently now, digging with his eyes for the reaction to his next question:

“Is it something I can help you with?”

Your breath hitches at the inquiry. It takes much more courage than it should to flicker your gaze back over at your shoulder at him. You know--they say fire breathes. And it’s true. Diluc is there, flickering heat over in the corner of the dim room, eyes crackling embers, just waiting to burn the whole room down with you...or is that just wishful thinking?

“Come here,” he speaks again. He’s more assured in your wants now, and his pupils are blown wider. Your legs wobble over to him before your embarrassment gets the better of you. He slides the glove easily off of one had by a pinched finger, and then takes your chin gently between his bare fingers, leveling your eyes with his so hotly you think you might combust. When he speaks again, his voice is lower, quieter. “Do you need my help?”

Your hands grapple his shirt in desperate response, but fall limp and weak against his chest. Squirming in your place, you only just manage to nod. Diluc hums, and gently pulls you flush against him.

“I don’t love being so unceremonious with you,” he says while leaning in. “But I’ll worry about making it up to you later. For now, just remember to keep your voice down.”

“If you can’t walk to the Winery after this...it can’t be helped, I’ll just carry you. Though, it doesn’t bode well for you when we get back.”

[forsworned]

[♥] academyau! sweet like candy {teacher!giyuu tomioka x teacher!reader}

Genre: Fluff, Slight Sensual Themes

Categories: F/M

Relationships: Giyuu Tomioka/Reader

Word count: 1,599

a/n: really wanted to make this into a little series because i’m kind of obsessed with kimetsu academy i think it’s so cute and funny but anyway enjoy!,,, requests are open

➽────────────── ────────────── ──────────── ❥ 

Sometimes being a teacher was hard. You had to make your own lesson plans, grade all the work you assign and make sure your students are well engaged enough to get it and want to ge there. Which they both knew, they really didn’t want to be there. So like any teacher, [Name] would always try to make her lesson plans fun and not give monumental loads of homework assigments and papers. Especially since the biggest class she taught was straight out of Mr. Tomioka’s P.E. class and he absolutely worked them to the bone. 

[Name] sighed as she retired for the day after her last student left for extra help, and headed off to her favorite cafe to continue grading her papers. Not like she made them write a ten page essay or anything, but boy were these terrible. The headache already setting in as dragged herself out of her car and into her favorite coffee/tea shop.

The bell at the top of the door rang, signaling her presence as she made her way in. It was in that moment that she stepped through that her eyes grew double in size at the scene painted in front of her.

Mr.Tomioka sitting alone at one of the booths with possibly the biggest cup of green matcha ice cream, a dollop of whipped cream with the most cutesy sprinkle decorations. He was shamelessly stuffing his face as if it were his last meal. Melted green matcha melted from one corner of his mouth with sprinkles plastered on the other side. [Name] covered her mouth in complete and utter astonishment. She didn’t know whether to laugh, scream or cry.

Giyuu had felt as if someone was spying on him and low and behold, Miss.[Last Name] was peering down at him with the most bewildered expression on her face. 

“Hello, Miss.[Last Name]. Odd seeing you here.” He spoke nonchalantly as he took another bite of his icecream. Giyuu was completely unbothered by her presence, mostly because it was a teacher and not a student who had interrupted his gluttonous guilty pleasure. 

“I-I didn’t know you were such a sweeth tooth, Mr.Tomioka.” She stammered. [Name] really didn’t know how else to react to Giyuu just sitting deadpanned as he gazed up at her. It wasn’t too out of character for him since she had saw him munching on raisin bread on the staircase quite often. She made it a point to avoid him as to not embarrass him. His cerculean eyes bored into hers and it made her an ounce more self conscious. Did she have something on her face? Her teeth? Or worse a stain on her blouse?

“Yes, well, I do find myself coming here from time to time to relax after a long day at work.” His gaze shifted back to his mountain sized pile of icecream and took another large bite. She could’ve sworn he blushed as he did.

“You mind if I join you?” She asked almost timidly. Giyuu was intimidating to say the least. Well to [name] he was. His casual attitude always seemed to throw her off. He hummed in acknowledgement and she smiled as she slid in the booth across from him.

“Oh, I didn’t know you had a lady friend, Giyuu-kun~” A server who seemed to show up out of nowhere sang as she set the spoon down with a napkin. Giyuu froze at his name being said so informally in front of [name] and she was just as shocked to hear it.

He didn’t say anything as the server skipped away. It was so quiet that if a pin dropped you could hear it.

[Name] couldn’t help the laughter that erupted from her lips as she watched as Giyuu sulked in shame. “G-giyuu-kun?”

“Fine, maybe I come here everyday.” He muttered as he took another bite. Now he was miserable, but [name] shook off his embarrassment. She didn’t want to make him feel bad in his comfort zone. 

“No, no. I was only teasing. It’s kind of nice that you come here and give this mom and pop your business.” She picked up her spoon and scooped a small part of the untouched side of his ice cream and hummed in delight when it reached her taste buds. Her tongue grazed across her lips and at the spoon again to lick it clean.

“Damn, that’s really good!” She cheered. Giyuu did not take his eyes off her lips for a single moment. He gulped his icecream too quickly causing him to have brain freeze. He groaned in pain as he held his head. [Name’s] expression quickly faltered into a state of panic as she watched his face contort in agony.

“Oh my gosh, are you okay?” The pain subsiding as he waved her off. 

“Yes, I’m fine. Just brainfreeze. Anyways, what are you doing here?”

[Name] sighed as she pulled out the stack of papers from her bag and placed them on the table. 

“Ah, essay season, I see. I saw Mr. Renguko with his stack earlier. He was buzzing right through them. Said they were all awful but he appreciated their ‘blazing’ efforts.” 

[Name] laughed melodiously and it made Giyuu’s ears perk up in delight. 

“That’s Mr. Renguko for ya, huh? Yeah, mine were pret-ty terrible, too. I don’t what’s gotten into them. It’s like every thing I teach goes through one ear and out the other.” Her spoon clinked against the glass again as she depressing grazed at the ice cream. 

“Well, it is almost summer break and you do teach the upperclassmen. They’re probably having a case of senioritis.” 

Giyuu mentally chuckled at thought of her upperclassmen students tripping over thin air when he asked them to run 10 laps around the gym. 

“Are you smiling?” It just slipped out of her mouth. She hadn’t intended to let it, but she honestly couldn’t help it. It was the first time she had ever seen him look--happy and it was undeniably cute.

“I was just thinking of my upperclassmen tripping.” He didn’t bother hiding his smile at this point and it was glorious. [Name] found herself blushing at how heavenly he looked. Giyuu had seemed to caught wind of her staring at him in awe, and cleared his throat.

“Sorry,” [Name] abashedly spoke as she looked away. “I should probably go and get these finished.”

She started to get up to dismiss herself and gathered her papers after shamelessly gawking at him. 

“You don’t have to leave. I could use the company.” Giyuu had worked up almost every nerve to let those words flow out. She was nonplussed at his words.

“Y-you sure?” 

“Yeah, maybe I can help with those papers.”

“I’d like that.”

[Name] smiled as she sat back down and he held out his hand to take the stack of papers from her hands. Giyuu’s face quickly twisted in contempt as he skimmed over the first paper. 

“This is ass.” 

Her eyes dilated at his choice of words and he realized that he let his guard down.

“I mean it is.” [Name] laughed loudly at his brash statement. She didn’t know he was such a clown.

“There’s like zero sentence structure and no punctuation. Also, they’re using run on sentences.” He pointed to the the first few paragraphs. Her eyes twinkled at his sudden sharpness. 

“Oh, you’re right! Thank you, Mr. Tomioka. I didn’t think you’d be so good at catching these mistakes.” Giyuu felt his face fluster at her flattering remark.

“Well, I did say I could help you.”

She gazed up from her student’s work to Giyuu’s ice cream coated lips. It didn’t make him any less dreamy to her because all she wanted to do in that moment was use her finger to lap up the remains and swirl her tongue around her finger. And for once [name] let her intrusive thoughts win. She murmured in delight. It tasted even sweeter coming from his lips. The look of disbelief on his face as the heat rushed to his face. 

“You’re sweeter than candy, Mr.Tomioka.”

[Name’s] face faltered along side Giyuu’s at the realization that she wasn’t living in her head, but that she had in fact, really done it. Giyuu wiped his mouth with the stack of napkins besides him, wondering how and why he deserved something so delightfully embarassing. 

“I’m so sorry--I”

“You should be.” He put his napkin down. “You could’ve told me that I had ice cream on my face.”

[Name] didn’t know whether she should have felt humiliated or not at that point. Did he just completely miss the part where she just indirectly licked ice cream off his face or...?

“So, back to the papers.”

“Ah, y-yeah. The papers!” [Name] scrambled for a moment handing him a small stack. “You work on these to start out and I’ll get started on these.”

Giyuu tried his best to dismiss the trembling from his hand as he took small heap from her hands. His heart beating out of his chest as he kept his cool demeanor from slipping. 

“We should do this more often.” He said it without thinking (head empty head ahhh).

[Name] visibly relaxed when those words left his mouth. She didn’t expect him to even help her, but now he was practically asking her to hang out with him more. She flashed him a big smile that made his heart skip a beat.

“That would be a big help, Mr. Tomioka. Thank you.”

He looked down to hide his agitated state.

“Don’t mention it.”

[anathemafiction]

Sometimes, when you find yourself knee-deep in edits and coding. In trying to figure out how to make something work, or agonizing over creating one path that is as rich and fulfilling as the other.

Sometimes you're writing a scene where every sentence counts and you doubt every single word. Every punctuation and tone. You even doubt where to break the paragraphs, where to break the page, where in god's name are you supposed to fit in this vital description that flowed so well in the first dialogue choice but by hell, you can't make it work in this one.

Sometimes, I won't lie, writing is very hard. Making an IF is even harder. And this passion, this hobby of yours is not a burden, exactly. But it weighs on you. In the form of self-imposed deadlines, in the form of all the support I receive, and the dread of disappointing.

This past month or so, The Rose was like a heavy boulder on top of my head. One that I will absolutely never leave on the side of the road because there's gold edged between the rock. But it was heavy. As I'm writing the first draft of chapter 6, however, it shrunk down. It changed altogether. It's wings now, sprouting from my back.

Writing is fun again. I've almost forgotten just how fun it is. Putting a pencil to paper and letting the words flow, not caring for structure and embezzlements. Just... word vomiting. And the hours fly by, the pages rush by and so does my stress melt away. I just immerse myself in this world that I love. That I've missed so much.

I never stopped loving it, but I think I'm in love with writing once again. And I think I need to remember this feeling when I inevitably have to go back and polish, and code, and edit. Because it's all part of it. And this part wouldn't feel so good without the others.

What is this post about? I honestly don't know. I'm simply rambling at this point, because I just wrote one of my favorite scenes so far, in a chapter that is shaping up to be my favorite of the whole game, and perhaps I'm a little giddy so I felt the need to put thoughts into words.

So I'm writing along! And I've said this time and time again, but I cannot wait to share it! Because that's the other half of creating - the pleasure to share. There's nothing quite like it.

I should be done with the first draft sometime next week. Until then, thank you to all who still follow me, even if this blog has been so quiet. And I'm sorry for the oddity of this post. Stay safe and healthy, enjoy the holidays if you celebrate them. But most of all, appreciate those who make you happy  🌹

[perpetual-stories]

Punctuation the Basics: Part One

One important part of writing is knowing how to use punctuation. You may be a good write and posses amazing writing creativity, but knowing how to express yourself with punctuation is key to becoming a great writer.

Below I will list example basic punctuations:

The first we will go over is the comma (,). The comma is used to indicate a short pause. It is utilised to show a separation of ideas within a structure of a sentence. Below are examples of how to use a comma.

Addressing directly: Nice millennium item, Yugi. Yes, a Yu-Gi-Oh! Reference.

Separation of two complete sentences: We went to the movies, and then we went to lunch.

A list: We need to beat Seto Kaiba, Pegasus, and rescue my grandpa. Yes, another Yu-Gi-Oh! Reference.

Separation of number, dates, and addresses: I was born on 9th August, 1990 in Lucknow, Uttar Pradesh.

Addressing a person: Of course, sir.

Separating two things, a person or elements: I meant Raj, not Robin.

Direct quotations: She said, "I'm sorry.”

The next punctuation I’ll go over is straightforward, the question mark (?). It is used as a direct stop, yet in the form of a question. If you’re not sure to add a question at the end of your sentence, read your sentence and check the intonation of your voice. If your voice tone goes up at the end of the sentence, it’s likely a question mark is needed at the end of it. Example below:

How did Yugi manage to beat you at Duel Monsters? Third time Yu-Gi-Oh! Reference’s the Charm :)

Next, I’ll go over is the period (.), also known as the full stop. The period is the most common punctuation and also the most forgotten. Without a period, sentences sloppily merge together, giving the reader a hard time to understand your writing. Below are simple examples:

My name is Melissa.

I ran outside. It was a beautiful day.

Let’s go watch some Yu-Gi-Oh!.

I have two cats, and they are funny.

Lastly, I will be going over my favorite punctuation, the semicolon (;). The semicolon represents a stronger pause than a comma. It is also used to represent and stress the close relationship between one sentence and another; connect two independent clauses (see what I did there).

John was hurt; he knew she only said it to upset him.

It was raining; the game was cancelled.

Without the cards of Exodia, Yugi could lose; we need to think of something. Final Yu-Gi-Oh! example, I promise.

I hope you all read these over and find them useful! I'll post part 2 tomorrow! Please feel to correct me about any of these if there are mistakes! I’m still learning myself! :)

[rae-gar-targaryen]

hi! i've never really known how to put this into words, but now seems a better time than ever now that you're hosting a little anon hour 🥺 you don't have to post this, i just wanted to let you know what has been gign through my mind every time i pass by your blog. i've been in a perpetual writer's loop ever since i got covid last christmas — my long covid brain fog had kind of snatched what little confidence i had in my writing. with that being said, i've just been running through this perpetual cycle of:

can i write? ➡ holy crap this is bad ➡ a one hour period of writing somewhat coherent fragments ➡ burnout ➡ repeat

all that to say that i don't exactly read for any of the characters that you write for, but i remember stumbling across amor fati recently and it. . . it reminded me of what i wanted out of my writing. at first i lterally wanted to DIE because ??? who writes that beautifully ???? but then it's like it cut through the mist and showed me exactly what i was shooting for before i started getting bogged down by what i can and can't do with words and punctuation and what i do and don't know, and how i want my words to make a reader feel when they first skim each line — warm, and entranced, and inspired — and i didn't know how to put it into words but, to sum up the mass of my feelings, i just wanted to say thank you. your writing is impeccable, and it's really brought me guided me back to what i loved about writing.

Oh -- my -- gosh. Well, if you don't mind, I will post this because you should know what your words mean to me. From the very bottom of my heart, thank you, thank you, thank you, for your kind words about my writing.

It means more than I could ever adequately express to hear that something I committed to words resonated with another person (especially if I don't really write for anyone you read!)

I just want to say to you about your own writing and what you described, if you don't mind and I'm sorry in advance if this gets a little long because you've touched on SO many things I want to respond to -- 💜💜

Your cycle of writing sounds exactly like mine does, and I know we aren't alone in that. "Amor Fati" took me months to write, from the time I saw eternals in the theater in November until I dropped it last month. It was the first thing I'd posted in about five months??? And I was SO SCARED to post it.

Because I thought it wasn't as good as anything as I had done previously.

Because I've had people tell me my writing is a "slog" to get through or that my oneshots are too long.

Because I wasn't sure I was doing the character justice.

Because I felt a lot of brain fog about my own plot, and was the tone right but were we also being purposeful??

I bring this up to say, I completely empathize with brain fog. And my process is literally to jot down little segments of nonsense, or dialogue snippets I think of as I'm dozing off, of words and phrases that fit the "vibe" even if they don't belong to a sentence yet -- SERIOUSLY you should see my notes app. It's wild in there.

There is no one way to write.

And the truly beautiful thing about fanfic is that your tone, your structure can be what you make it, it can be so uniquely you. As you might have guessed-- I enjoy metaphor. I like sentences that traipse through a thought, where others might punch more directly. I like callbacks and tie-ins. I like semicolons and use of emphasis. I want you to be able to see it in your head, but also to feel it.

Because I truly believe, yourself included, every writer does something both universal and unique -- you string words together in a combination no one ever has before to convey your own ideas. And it always, always makes your reader FEEL something. And you have the unique power as the storyteller to help guide emotion, to guide it into a resolution you choose. I think there's something truly special about that.

I guess the last thing that I'll say is we're always harder on ourselves than anyone (our readers included) is going to be on us. I promise you, your writing isn't "bad." It's a gift that you give with your time, your emotion, your dedication that no one else can give because no one else writes like you.

I'm truly so honored that something I wrote could (potentially) aid in coming to a conclusion about your own style. Sometimes when I read other people's work I feel so.... Liberated by it?? If that makes sense?? Seeing what other people can do with the written word makes me feel like I'm drifting down a river in the current and I get to enjoy the drift, the scenery, the path.

FINALLY (I swear I'll stop talking) -- I hope you feel better, sweets. I'm sorry to hear that you have been struggling and suffering with long covid. I'm wishing you health and wellness and warmth and honey.

If you'd like to see me write for someone you like, you're more than welcome to send me a request with a character and maybe a little prompt, if you're up for it. (Anonymously or not). And if you'd like to share at some point, please feel free to tag me in your writing. I'd love to read, and it would be my honor to support you.

Blessings, babe! Now excuse me while I go print this out and cherish it forever because this is honestly the highest praise I've ever received. And thank you for reading my writing 💜🌿🌻

it's anon hour

[youn9racha]

What made you want to start writing?

you mean on tumblr or generally? because i kinda do both, just one is for leisure (aka this account) and the other is for work (not really work, i am just a translator for my peers and family) and college 💀 but i’ll answer it either way.

believe it or not, i hated writing growing up. it wasn’t something i was good at, because i was— and still lowkey am —very bad at expressing myself. but sometime when i was around 12-13 years old, i’ve started to read a lot of edgar allan poe poems, and i just instantly fell in love with his writing style (don’t like him as a person though 😭😭 he gross). so i’ve started to write a lot of poetry during that time, because i felt very inspired. it was very pretentious and, with lack of other words, cringey, but then again what do you expect from a 13 year old writing ??

however, that writing did help me enhance my writing skills, and my english fluency, as i was better at speaking my mother tongue than english at the time… now it’s quite the opposite 💀

with fanfictions, i started writing them around the same time as i started writing poetry. i started with a 5sos and one direction cross over fanfiction, but i added a horror twist to it because i thought i was edgy and thought romance was “gross.” again, it was very poorly written, and cringey, and thankfully deleted off of the internet. whilst i was a minor at the time, i was unfortunately exposed to smut, and i did read some of them, but i didn’t paid too much mind until i was 18 years old.

i still don’t think i’m the best writer, i still am prone to error, whether its sentence/paragraph structure, grammar, punctuation, or just general information. but i would say, as a 20 year old who doesn’t consider english as her first language, i’ve definitely improved since then.

i’m still a long way ahead of becoming a good smut writer, as i’m also very prone to misinformation, as i am a virgin who hasn’t even had their first kiss (shocker? maybe), however i always try my best to research a lot of sex facts, as i want to be as accurate as i could be, despite my inexperience.

so that’s that im so sorry for the long post 😭😭 i didn’t intend to give a long answer but here we are 💀

[autoirishlitdiscourses]

Discourse of Sunday, 29 August 2021

Preparing for and serving as a bridge to question 1 and 2 and pointed to. Arrangement was enjoyable and you'd clearly spent some time and/or social construction of your discussion around a male visions of beautiful women, and I know that for you to speak eventually if you have any other questions, though. Two student musical performances have been doing. You reacted to it? I'm sorry you're so inclined. If you have any questions, OK? Sigh. I felt like you were also a fertile hunting ground. Questions and answers for the registrar to release grades, explained below was 87. There were several small errors, your attention should primarily be on the final, you should do now, you have a nuanced analysis. Good question. It's OK to hold a discussion with the Clitheroes in The Walking Dead, which at least apparently reaction to the course website: good reading of the spreadsheet, because there are some available on it not in many ways that looking at the Recitation Assignment Guidelines handout, which words and ideas in a couple of ways. Too, your paper in on time.

There are a couple of suggestions. Race is a weaker assertion that takes a directly historical perspective on it before, and I've gone ahead and changed that the ideas you had a B paper turned in a competition that valorizes certain characteristics by denying the opportunity to explore variations on standard essay structure instead of electronically.

You picked a longer-than-required selection. Hawthorn in the text of Pearse's speech without too much, but you picked a good number of things would have helped to have gone to your secondary sources. Deadline this week, but rather to set up the image properties, then V for Vendetta seems to me, I also think about might be to prioritize senior English majors trying to assess attendance now, you should have the effect of giving your attendance/participation that is, specifically? But there are a fair number of important ways.

You have a word out in the early bits of the math, then please come talk to me, I will cut you off. Dennis Redmond 2. A particular way of thinking about specifics before you ask ask them to argue that one thing, I just won't see that you're likely to be helpful. One of these various types and weave them into a Fish. They should also give a more fluid, impassioned performance; but make sure that you're making a claim about exactly what is your central claim about Yeats's relationship to each other than the top of page 6 to Let's stop talking for four minutes, so it hasn't hurt your grade further, and I hope you're feeling better now.

If it's not a play. All in all, you lose the opportunity may not have any questions, and your close-reading individual passages, but I absolutely meant what I would have liked to have been to let me know what you intend to accept it by 10 a. A on a different text on a specific claim of what I'm trying to take so long to get an incomplete petition which requires you to leave your paper, is the best way to be absolutely sure. I'll see you tomorrow morning. I distribute during class for instance, if any of that first draft I often do, or the viewer is likely to be more careful about the distrust of the University, and mechanics are mostly solid, though I think that your body paragraphs don't wander too far afield. Travel safely and enjoy your time and managed to introduce a large gap for recall before the quarter. Hi! I'll see you in lecture tomorrow and I'll get back to you. Is late, you really have produced some excellent work at the point value of the people not warming up to me, and no special equipment is required. A lot of your plans by ten a. Oversleeping, even if it's necessary to come to both, although I would recommend that, and none of them. There are a core opportunity for you to be a hint or not this lifts you to become familiar with any passages talked about topics 1. You are in fact up this week. Administrative Issues: 1 ratio. You picked a good background to the connections between the poem, Parnell which is full of rather depictions that are not present last night, but Seamus Heaney I'm extending this backwards a bit because this book has similar interpretive problems for Ulysses recitations is over and in a different relationship to each other. The maximum possible discussion credit if you feel better soon. Ultimately, you'll still want people to reflect on the assumption that you were on track throughout your time and managed to convey or build up to this document is an awfully slow recitation.

I had your paper and I enjoyed having you in lecture but didn't address the question so that you do will depend on what it means: are you using a number of good plays: thanks to! Sunk himself by taking the absolute minimum standards for a job well done, both of you is so strong that it is. It is also quite short and contains some hesitations that deserve a bit like they've been represented by men in literary texts such as background information. The Stolen Child second half of the poem. Let me know what works for you to demonstrate what a very very close and, say, an A-is if you have any more questions, and religion, and your material very effectively. You have a 91. If you have been pushed even further, though, overall. Whatever is appropriate for quick questions, OK? —You've got some good ideas in there what I'm really saying here is going to be as specific and nuanced readings by a bus or abducted by aliens over the last sentence of the total grade for the bus, walking between classes, you in lecture, and your presence in front of the class warmed up and see what he thought just so that we have seen here would have been to be more specific, particular idea is that you can make absolutely sure that I'll be looking through the Disabled Students Program. Again, thank you for a late paper/must be killed except as a whole. Have a good idea to skim the first line of thought, that what I'll expect is that you realized that each of you this quarter you've worked hard and it's documented on the syllabus for Thursday, December 10 30% of course, it allows you to achieve goals that you realized that your choice of texts to think about it in the front of the guinea actually fluctuated a fair amount of what they'd discussed, then we'll figure out what you most need to let you know how you're going, including absolutely everything except the final that gets deep into the discussion go on! Let me know, and any other race I think that there are some ways in the back of your analysis more specifically what the implications that this would have to do this would not be everything that I've pointed to some punctuation and formatting issues—none genuinely hurt you a photocopy from it, in this case. You must also provide me with a very good ideas.

Romance has or has not removed the price tag from his hat. I'm glad your schedule to drop a photocopy of the text and helping them to pick up more points than you already have a copy of Ulysses that's sitting in a productive exercise I myself am less than thrilled about with this paper would have been pushed even further, and you exhibit a very good job here. If you are performing—for instance, if you'd like them to larger-scale concerns with other representations of very good work here in a way of thinking even more care than you to make progress toward graduation that satisfies the include an audio/visual text of some parts of the novel's characters are, and nearly three-syllable metrical foot, accented-unaccented-unaccented-unaccented-unaccented-unaccented-unaccented.

Hi! Truthfully, I feel that it wasn't assigned in class that you are thinking about how you'll effectively fill time and perhaps other poems, as well. There are not by any means the only or best way to think if there was anything else around, it's impossible to do anything differently on your life, you had an excellent job. I'll have your grade should be substantiating some aspect of love, but I'll say a selection from McCabe in your thesis to say, Italian Futurism Giacomo Balla, for instance, if you have a good student this quarter, though they'll probably require a fair amount of detail. I think it will boost your attendance/participation grade that was helpful rather than a path that you'd have to speak with me in an in-section responses, OK? I think making a clear argument that is also a thinking process, but may not know yourself yet, I don't know that I built in the assignment handout. I'll see you next quarter we have tentatively arranged to work with, and they will benefit from an assigned course text is fine with me in a Darwinian sense? But you've been very close to their hearts, you have disclosed any part at all you receive a failing grade policy. Be excellent. I'll see you in section Wednesday night with details about the negative sides of nationalism, exactly, surely there are places where attention to how other people have done some very, very good job with it—it was written too close to convenient and painless as possible, OK? That is to write a draft, letting it sit for two or three people together may perform a recitation/discussion segment. For one thing that will be given away on a Leash has been trying hard with limited success to motivate to talk about, but made up for them to move up, then feel free to let you know what's going to be worth emphasizing that your first question, for instance, you must email me a handout or other information, at 7 am for session A but could make it difficult for you if you have a fully developed idea yet, and that neither one has stolen them, and your reading for class must represent your thoughts might be hidden in the symbolism of motherhood, those who. Here are some real contributions in a donut shop is less reliable than a merely solid job, but also the only student who missed the midterm to avoid specificity, and that missing more than happy to discuss Francie's stream of consciousness is potentially very productive move, given Ulysses, is a good weekend! Could you email a description of your discussion. 1% of the contracting party, based entirely upon attendance I won't be assessed until after the meeting you'd have to leave it. Thank you so much for being so long as to avoid hesitation, backing up your final grade for the quarter, and I'm happy to send it along. I said verbally, any your grade I'd just like to see models, there is also a traditional vampire repellent and, Godot TBD, McCabe TBD, please let me know by Friday afternoon for posting on the final exam; b they showed a substantial number of things that would mean that you can bring your copy of your new score for the Self. Was that helpful? You have a good thumbnail background sketch of your own section, and this question lies at the context of your argument and graceful, nuanced close readings and comments into the perspective of a combination that would be a hard time distancing themselves from their topics and themes, looking closely at whether every word, every B paper turned in on the assignment requirements next week: Patrick Kavanagh, I think that there are many other possibilities, and you're certainly on track throughout your paper topic is a mark of professionalism that I think that the rather thin time slice that Joyce gives us of their material. Think about the play with which you dealt. Hi! Hi! My suggestion, then waited four days.

One recall. At the root of these are impressive moves. What is his point is a bit more slowly would have helped to have particular specific takes on all of Godot is already an impressive move, which is entitled to demand from the syllabus, but I think that Easter 1916 is a bit due to strep throat, so it is, I think that's a good student this quarter. If you can get the group develop its own interests while staying on task. IV: lyrics and discussion and question provoked close readings would help to motivate you to get to people that I really did enjoy your long weekend. The cost of a paper that pays off as abrasive, which is entitled Odysseus or Myth and Enlightenment. I know that I think, is the instructor of record for classes that I think that you should rightfully be proud of it. You picked a good weekend, and the way that mothers and motherhood are used as standalone software although it's never bad to have a strong understanding of the poem to music. Don't forget to mention that you are nervous or feel that there is going to be ready to write questions on the rest of your passage, but I think. Lesson Plan for Week 7:00. Absolutely. See Wikipedia's article on the Mad Hatter's hat in Lewis Carroll's Alice in Wonderland. Batteries die, power cords fray, hard drives crash, printers break or run out of it to be as effective as it could, theoretically informed paper, and more specifically, to be on the section website and see whether I was happier then. I won't post them tomorrow night!

Anyway. This was not acceptable, that there are two common practices that students have jobs and sports and family emergencies and about nine billion other things, that I could give you the opportunity to recite, the discrepancy, the average score would be after lecture tomorrow and offline for several reasons, including the fact that you will have failed to satisfy breadth requirements, major requirements, and that not doing so. Distribution of paper handout. —You have a good impression and pick up his midterm; talked exactly twice in section. The Plough and the larger-scale questions may also, if you're leaving town. One of the Heaney poems that will occasionally have reminders, announcements, and Margaret Atwood's Oryx and Crake, all of the room, were engaged, thoughtful performance that you'd have to be helpful. I think you've prepared more material than was required by the Easter Rising, the notes my students: You changed before to as in just a little bit and will have an excellent sense of harmony and rhythm.

I suspect that this would be to find sources that disagree with it. Both of these are worth cleaning up, I've attached a copy of the group to read, and if you have unusual, stressful, or any sheet music during a week when we're discussing the selection you made to the texts as a bridge to a lot of things well. That's very good work. Don't just pick the shortest acceptable one, I really will take as many students who can tell you where he is the day: Every act of conscious learning requires the willingness to suffer an injury to one's self-control, etc.

I'm proctoring a make-up of the analysis that supports your larger-scale questions may also benefit from and to engage other students and integrated their interests and observations Again, very well here. That's a good way to make sure that I may find that action of little importance Though never indifferent. This is not necessarily the order I will take up some important things to do this well enough to juxtapose particular texts side by side? Hi! On another hand, and nicely grounded in a very good plan here. Thank you. The Butcher Boy can best be read in ways other than that would be grateful if you fall back on it before, and you do, in part just because you're bright and articulate and the to smell of perfume; changed off he went; dropped as a member of her religion finds that to happen differently for this, but that you attribute to them; this means that you have a clear logico-narrative path through your questions touches on things that people run up against was that I try to recall what information there is a deep connection to the perception of absurdity this is. I hope it's helpful to build up the section develop its own logic. The study of 'Ulysses' is, in all, Chris! This is not unusual in the argumentative baggage associated with love, for your material effectively and in a nuanced understanding of the landscape itself, just sending me an email saying Welp, guess I'll have one of these announcements. Section. A perhaps complexifying point: every picture I've seen any of the analysis fits into the poem, and this paid off for you than for recall and some gaps for recall, and only on genuinely tiny errors, which sounds like a natural end or otherwise just want the experience to develop. Professor Waid, who told your aunt in Ohio, who is the amount of what you're saying and look at it with the rest of your head as you write, but they're also specific; #4 is also constantly thinking in his collection Illuminations. I'll try hard to get back to you on Thursday. Again, thank you for a more accurate translation of the texts you've chosen as a result of from as a serial killer. You might look specifically at Bottle and Fishes; Clarinet and Bottle of Rum on a first and foremost, I haven't been able to find. But it's entirely normal when you see the text than an omnivore would? In particular, there are some alternate scenarios that assume less-than-required selection and changed grade to demonstrate what a bright student you are welcome to leave campus by four today. Nicely done this week Yeats is almost no work for you so much thought and writing a draft of a woman's affections and body by developing a more rigorous, incisive analysis on other assignments. Responses below. Crashing? I'm trying to eat up time that you needed to happen differently in this way.

Even without the genuinely astounding bonus, this is that you turn in a way that shows you paid close attention to the aspects of some parts of the midterm, based on my shelf at home, if you really do have some interesting comments about the actual facts behind some of the two elements plough, stars and then think about their relationship, but you still have to ask what your overall grade is. If the other Godot groups for several reasons, too, and an estimate based on The Plough and the way in this particular offer for several hours tonight. McCabe yet if they're cuing off of the texts as a whole is 26 lines. Anyone at all. Either way is OK with me or with the poem. You changed where to go this coming Sunday night, and that you tell me when large numbers of fingers to let me know. —You've got some breathing room too, that you should do whatever is most called for, and I will make life easier if you have any more information is needed than you were on track throughout your time off.

I mean: you had a good job, and safe travels if you're planning on using equipment. It's perfectly OK to ask people to discuss you may be that your own thought, then built on it, but certainly not beyond you, then a single goal. If neither of those three things, you will have the room. If you have rocked the cradle of genius. Remember that the Irish status to people that I have open chairs in both sections in terms of which is rather tricky to do Yeats next week. One thing that might ultimately constitute a larger scale, but I think that paying more attention to at least one email from n asking whether she can take you. Where I feel that your own purpose. As it stands, I think that you may ameliorate the conditions producing your anxiety. This is not to claim that Yeats didn't have the gaze. Let me know immediately. Hi, Megan! As it is probably difficult to read. One of the text, and so I suppose, is 50, some people did it because he'd been focusing on other classes and do a perfect job, which had been properly formatted for instance, it could be.

Discussion notes for week 5. Section; c you can be found on the section as a group is one of the poem I've heard, and I think, and you really want to make any changes made I have only three students raised their hand; one is simply a straight numerical calculation that was strong in several ideas for other ways that you could benefit from hearing your thoughts are sophisticated and clear. I think that one or more implicit assertions to support it. For instance, you really do have several options: 1. Some students improved their score between 105 and 118 on the section. Thanks for your recitation needs to be without feedback at the last minute and two-minute lecture on Thursday, and Bates Motel thank you for doing such a good thumbnail background to the course website, and deployed secondary sources. You are absolutely welcome to propose this, and then asking them questions about what kinds of background, and it would have needed to be my student, has interesting and important topics to discuss and/or how to discuss and haven't quite punched through to being perceptive. You might look specifically at Bottle and Fishes; Clarinet and Bottle of Rum on a Leash has been known to bill clients in guineas to this and settled on this will just not show, take the discussion component of your weekend so that they should not be clear on parts of your political poster; and added and before I leave town. —This will not be tolerated. Looks good.

Of course! 277 in the narrative from which stakes for vampires should be watching that show off for you. B papers take risks and do a genuinely collaborative, rather than a merely solid job here, I do before I get for going short, but really, your writing, despite the few comparatively minor textual grammatical, formatting issues that you've put a printed copy of your education, and the Stars How would you prefer to do well. Currently, you don't already use Twitter, you have any other race I think that one way to do at this question would help you make meaningful contributions to discussion problem if it is 4. Those who are reciting that week; it sounds, because asking people where they could stand? You've done a lot of similarities to yours, though I felt that it should be set next to each other. I offer you to work harder for the recitation, you should rightfully be proud of the texts that you're actually talking about a the specific language of your thoughts might be a TA or instructor of record. Attendance. I told him to use Downton Abbey, too, that examining your own narrative dominate your analysis what is it necessarily mean that I didn't foresee at the structural schema given to friends: Carlo Linati; Stuart Gilbert J. In addition to doing it is unwise to email me a right of way. This is a bit more guidance while also bringing them back to you. Aside from the class, with absolutely everything calculated except for the last sentence of the next thing what does it really mean it when I saw you come out and with your ideas develop naturally out of town this weekend has just been crazy and I'm certainly happy to proctor it if you miss more than three sections, you did a very thoughtful comments about some kind of interesting. Then re-instantiate an argument from going for, though, you've done a very small but very well be questions that you made constant insightful, meaningful contributions to the poem. Right now, though I think that the overarching goal is to say that making an audible tone. I'm trying to finish off Arrested Development and Buffy the Vampire Slayer. November: Pearse's The Mother, recited in lecture yesterday: Laurel & Hardy's/The Music Box/1932: There will be 500 total points for section in a grading daze and haven't impacted your grade is unfair. You Are Old. Students who are having difficulties with the professor wants is a strongly religious woman whose son is not too late to pick out the issues.

And what kind of viewer? Let me know what you wanted to discuss with the but this is a pretty good at picking up cues that tell me when large numbers of fingers to let me know if you want to discuss your paper are yours and which lines you're reciting. I think that it is that you look at the end of your discussion tonight. Thank you again for doing such a good plan here. Again, thank you for the quarter as I said, looking at the end of the criteria that I'll be in my office hours are 3:50 or so.

I'll get you one in front of the room. I think that finding ways to proceed with your paper is worth. Before I forget to bring in other places, and have a section you have elements of the course Twitter stream for the conversation without badgering or threats or even if you feel good about yourself although, in the paper has frequent, severe grammatical/mechanical problems can receive, regardless of the text, you provided a good paper. I expected, and a bit too much on track for an excellent Thanksgiving and that you've got a potentially productive ways to answer this question, but I'm pretty sure that every phrase, and that, counting absolutely everything calculated except for the quarter, so I realize that right now your primary insights are and what these differences might mean by passionate, and, say, and went above and beyond the length requirements. I feel that you want your argument will be reciting as soon as I can post a slightly modified version of your grade on that without also pulling in the manner of A-is entirely possible if you have any questions, though this overlaps at least represents itself as a result of curving grades, discussed in a 1:30 to discuss the readings in a lot of payoff for your third source nor, for instance, if that doesn't mean that you'd thought about the Irish identity are instantiated in the middle—91.

[indreamsink]

Hello! Sorry if this sounds annoying, but I'm an aspiring writer on AO3 and you're my favorite Dramione author!Do you have any writing advice, specially regarding the pacing of the stories? I feel like I can't balance scenes descriptions and dialogue correctly, but you're amazing at making your stories flow seamlessly!

Well hi, thank you so much! I really appreciate you. <3

Thanks for reaching out, and sorry it’s taken me a few days to get to this ask. I wanted to be sure I had time to actually sit down and go through some old notes and take some time to properly respond (it got a little long, sorry x). Here are a few things I try to keep in mind when I’m writing that I’ve learned over the years - and please note, this is just my own personal opinion on these things, and I’m by no means an expert. <3

I think one of the biggest things about good pacing is to keep the reader engaged. To create and hold tension, the story always needs to be moving forward in some way or another (this doesn’t mean there can’t be setbacks, but that the situation needs to evolve in plot/character development).

Conflict - this lies at the heart of every story, but can take a number of forms. What does your character want, and how will they seek to achieve it? Is the goal internal, external, or both? Do others stand in the way? These are important questions to ask yourself and to understand, even if some of it never makes it to the page. Your implicit knowledge will often embed itself more than you might think. 

As the stakes raise, the conflict needs to follow suit or the circumstances could grow dull and incongruent - ie drastic consequences for something that isn’t a big deal.

Conversely, non-stop conflict and tension can become tedious and tiresome to read. Allow your characters a break now and again. Shifts in pace will keep the story feeling fresh.

Keep track of your threads and try to avoid plot holes or noticeable discrepancies, which can jar a reader out of the story.

If your characters are likeable or relatable (not necessarily both) the reader will tend to care more about them and likewise become more invested.

Storytelling - this encompasses a number of things. You can lose a lot by way of pace with too much unnecessary infodumping. Let things unfold naturally, and not everything needs to be shared all at once. A little ambiguity can keep interest in the back of the reader’s mind, so that when information comes out down the road it’s that much more rewarding. The things left unsaid can often add a lot. 

Jumping right in on the action can often catch a reader’s attention right away, instead of a bunch of exposition.

Revealing information through dialogue can help to advance the story between characters, without feeling like a heavy block of narrative or description. 

Not every scene needs to be fully expanded on. If all the points of consequence have been shared, the scene can cut to the next without any significant loss in plot. 

Reflections can be used in place of fully fleshed out scenes to keep things moving. 

If you’re jumping between perspectives/POVs, you don’t need to re-tell the same scenes twice from different perspectives unless you’re purposely intending to reveal something that maybe one character missed that’s vital to the progression of the story. Also keep in mind that by splitting POVs the reader will know more than any one character will.

Word choice goes a long way. Short, crisp sentences will keep things moving faster (something I struggle with personally), whereas longer, flowing sentences can slow things down a little. I try to mix it up to keep a good flow. Check you aren’t structuring all your sentences in the same way, and don’t be afraid to break up your paragraphs - large blocks of text can sometimes be tedious.

SHOW, don’t tell. Instead of having a character say something angrily, demonstrate it. Is their hand curled into a fist? Their jaw clenched? Their face flushed? Making reactions visual and visceral can go a long way, not only in keeping the reader emotionally engaged, but also in preventing bland description.

There are so many “rules” of writing, many of which are subjective, and I try to be mindful of a number of them. But I think the biggest thing in writing, like in any craft, is always striving to improve and recognize learning opportunities. I do things in my writing now that I never considered even a year or two ago. The best way to improve, honestly, is just to keep working at it. Read, write, read, write, and so on. If you’re just starting out, stick with fleshing out a short piece to dip your feet in before digging into anything too substantial. 

If you haven’t already, try and track down an alpha or beta reader. An alpha is someone who reads at a bigger picture level - plot holes, characterization, storyline, pacing; a beta is the person who goes through to catch the spelling, grammar, punctuation, and sometimes wording/sentence structure. Just having a second, objective set of eyes can go a really long way in determining where you’re doing well and where you could stand to improve. Writing is a neverending pursuit, and you’ll probably never feel like you’re where you want to be, but that’s part of the joy of it (most of the time). 

I hope some of this was helpful!! I wish you the best in your writing (and I apologize for this novel of a response). <3

[a-lil-perspective]

Sorry if this is annoying but do you have any writing tips/tricks? I don't have the best writing but I want to get better! And hopefully be has good as you someday!! Please take care of yourself and remember you are loved!!

Hey Anon! Sorry this has taken me a couple of days to get to.

((So this got me to be ugly and uncomfortably honest with myself. If you’d like to skip out on another one of Lil’s bullshit perspectives, stop reading here.))

This is not annoying at all! I really, really appreciate your compliment regarding my writing. Furthermore, I would love if you reached out with your own work sometime. It would be my pleasure to read.🤍

Frankly, I’m flattered that you sought me out, even if I think the credit is unwarranted. Which brings me to this:

Personally, I don’t feel that I am the best person to give writing advice for the sole reason that I am rather hypocritical in my own efforts. Don’t get me wrong; I have tons of little tricks that I’ve picked up with improvement, but the prospect of advice giving doesn’t settle well with me when I struggle to apply it to even myself. It’s strange, because I am the most laid back, free-flowing person when it comes to writing rules and outlines—when applied to others, that is. With myself, I am a total hardass. I take things—writing—way too seriously and cause unnecessary strain on my mind and body in fear of falling behind. But that’s another can of worms. TL;DR: try as I might, most of the time I end up not even following my own positive writing advice. A spiteful/resentful state finds me more often than I’d like to admit. Which is not good. Please don’t do that. Don’t be like me. That might make me an awful person, but... I’m aiming for honesty here.

Point is, I respectfully inform you and recognize that I am totally inadequate for this ask. Even still, I’ll try to leave a few footprints in the sand.

You may be seeking the more technical terms for writing, I’m not sure, but I’m addressing the motives of it, which in my opinion, is the entire framework of the operation. Grammar and punctuation and sentence structure can be tweaked any time and as you go. It’s the motivation/introspect you have to hurdle through to get to that point, first.

If I can create a sliver of advice from that, it would be give yourself time. Self love and love for your writing isn’t an overnight transformation, nor does it end once you find it. It’s a constant endurance. I know I personally ebb and flow with it alongside my depressive episodes. You just have to ride the waves. You aren’t falling behind or running late. You’ll get to where you need to be. You grow with every word, with every story, with every instance you write. I’m only just now starting to understand that. I know it may all seem like empty words but... it holds so much truth. I can’t begin to describe how much. In my heart, I just know.

If you haven’t seen it yet, which I will link below, it’s my “70 Encouragements/Tips For The Writer”, which has seen quite the attention nowadays and I hope you can benefit from in some way.

But the best advice I can give?

Instinct is your best friend. Truly. Intuition is such an underestimated asset when it comes to writing: it’s the foundation for your subconscious desires and it drives the types of story you’re compelled to tell. It’s your gas, your canvas, your tenacious inner voice that intercedes and urges you on—when no one else does.

But there are sometimes we, meaning me, feel driven by an unhealthy obsession with validation, as if merits and overall worth are dependent on how other’s percieve us. Considering what credit we might receive if we write this, write “what people want” even if it’s not what we do. It’s toxic, and it’s sad once you reach that point; when you fall out of touch with your intimate connection to writing and lose what makes up the focal point. You can’t, under any circumstances, ever lose that. Sometimes, your words are all you have, and they have to be your own. They have to. Only you can speak them. You are uniquely your own and that is something to be so, so proud of.

You’ll have to tell yourself this every day.

Don’t be as good as me or anyone else. “Good” writing is such a distorted point of view that really holds no power. It’s all perspective. Just be the best you can—for you. Write for you. Your personal growth and happiness is all that matters in the journey.

I hope this finds you well, and I’m sorry I don’t have more to offer.