#pull it tight

[beanie-bami]

really love that troubleshooting in knitting/crochet is either “do this!” or “don’t worry about it!”

[dumb--pup]

belt buckles make great gags and if you’ve never stretched ur mouth open on one and drooled ur brains away ur missing out

[floccinaucinihilipilificationa]

[sems-diarie]

Getting tag teamed by Shigaraki and Dabi, Dabi holding your legs open for Shigaraki to eat you out, desperate and messy moaning almost louder than you. You taste so good, he’s never leaving and Dabi’s holding you tight to make sure you can’t escape, rasping filthy words in your ear, and when you’re finally too weak to run anymore he reaches a hand down to give your wrecked pussy some smacks whenever Shiggy comes up for air, laughing at the way your body jolts each time, ugh they’re the worst.

they r sick n twisted in having their way w you. dabi holding you still, pinching your nipples between his scarred fingers because his dick leaks when you cry his name. so unsuspecting—what, you didn’t think they’d take advantage of you?

“we’re com-comrades,” you squeak, eyes wet and throat raw. “don’t you wanna help me? dabi? sh-shigaraki? tomura, please.”

ahh but don’t you know that just makes ‘em harder? asking them to ease up—they can’t help but sink their teeth into you all over. maybe then you’ll get the message.

it’s so embarrassing because they have no sense of boundaries. your pussy is on their time. and eventually your body just adjusts, and your pussy leaks anytime they get that sharp pinch in their brow.

[beatlepaul4ever]

Fag or not he’s gorgeous.

8/30/2024

The fag of the day is Paul McCartney!

[neunhofferart]

Had an absolute blast seeing the new Wallace and Gromit with directors Nick Park and Merlin Crossingham today!!

It's always so cool to see stop motion figures like this in person... and I got to pet Gromit ahhhh!!

(Thank you @tio-trile for inviting me along ^^)

[vynnyal]

OK, fair warning to the few people I actually managed to convince to try the game??

Rain world does NOT play like hollow knight, and you'll get your butt kicked if you approach it like that.

It's really hard. Like, really hard. Instead of the game literally giving you abilities in the form of power-ups and damage buffs, the only abilities you gain is from what you learn and your own ingenuity. You're a rat from beginning to end. If you just beef your way through it, it's gonna suck and you're gonna be confused and frustrated all the time. But if you pay attention, take it slow, and learn how the ai works and how everything interacts with each other, you can consistently get through and dominate situations you thought were impossible to do so when you first began. Now get out there, kill some lizards, and bully some old computers!

[starryluminary]

You Matter To Me

Sara Bareilles (ft. Jason Mraz)

╾━━━━━━━━━━━━━━━━━╼

◃◃ II ▹▹

Noah and Cody have a quick chat.

Cody really didn't expect to like Noah as much as he does. He also didn't expect Noah to make him this happy. That's why it hurts when he realizes Noah's better off without him. Without his baggage, without his adversity, without his mess. Man what a mess it is. He wouldn't blame Noah in the least if he thought it was too much to handle and left without looking back.

Fortunately, Cody matters too much to Noah to let him go so easily. Cody couldn't be more grateful. Maybe one day he'll learn to tell him.

[citricjoy]

woe, bunny gallner be upon ye

[presdestigatto]

just saw someone call charles' career 'common successes' the pole to win ratio agenda is too severe because in no way is 26 poles without a championship winning car common at ALL

every time he wins it's after ten thousand trials and tribulations and his wins this year mean so much more to me than if he had a dominant car. i said it last year and i think so doubly now that he impresses me with every race like he is him and i truly think he is the best.

[toobruhlforschool]

Daniel Brühl as Karlito Karl Lagerfeld Becoming Karl Lagerfeld (2024) | "Do You Have a Style?"

[capturedbeauty]

[jb-nonsense]

I was looking through some kiss mod clips and debating on what to do with them and just got distracted by this idle Gale animation.

[sysig]

For Requestober, Req.2

HP!Gaster with Nny clothes, not a specific fit, just that it's Nny's. I always wanted to see that sjsjdj

Day 4 - Perfect fit, barring taste

[tennessoui]

#30 for the ask game!

ahh thank you for sending this :D

[from this prompt list]

30. Your OTP gets to pick out each other’s outfits; what is each wearing?

Anakin whips his head around the moment he hears the doors to the mess open again. But the gleeful anticipation in his chest curdles and then collapses in on itself when he actually sees his master making his way, head held high, towards him.

They'd both lost a wager against their troops through no fault of their own. The simple question, who can knock out more droids: the clones or the Jedi? Do you want to wager on it? had felt like it had an easy answer before the battle. But then at the onset of the charge, Asajj Ventress had been spotted and Obi-Wan's priorities had shifted to capturing the sith acolyte. And then, naturally, Anakin's priorities had shifted to following his master for his own good.

This meant that, altogether, the Jedi destroyed twelve droids. The clones destroyed almost five hundred.

At least, in recognition of their bravery and service to the Republic, Cody and Rex on behalf of the 212th and 501st had allowed a slight change in rules. Anakin was to pick an outfit for Obi-Wan to wear, and Obi-Wan to pick an outfit for Anakin.

Anakin hadn't even been surprised to walk into his quarters and see a replica of Jedi robes, in Obi-Wan's preferred tan and white, laid out on his bed.

He'd been fourteen when he started dressing in darker, nontraditional colors. Browns complemented by blacks complemented, for a period of about a year, by dark reds. He'd sought out difference as a form of self-expression, and he'd known instantly that his master had had his worries about it and what it could signify. If it meant Anakin was turning away from the Jedi or distancing himself in small but meaningful ways.

So of course, given the chance, he'd given Anakin a uniform of almost offensively white and beige attire. Anakin hadn't expected anything less. If Obi-Wan wanted to see him in the typical attire of a Jedi who was he to deny him for one meal? After all, Anakin had requested that the 501st's quartermaster mock up a trooper's shiny uniform for Obi-Wan to wear. He'd spent the last three hours thinking of quips to make, jokes about Obi-Wan's apparent inexperience, about his height in relation to the trooper standard.

And yet when he turns around, all those jokes die in his throat as he sees his master moving across the mess towards him, dressed only in the tight black body suit that troopers wear beneath their armor.

Anakin thinks for a wild moment that he's going to choke on his tongue.

Thank the Force that when Obi-Wan stops in front of him and finally allows his eyes to roam over Anakin's own outfit, he looks, strangely enough, just as affected.

"Oh," Obi-Wan says quietly, eyes filled with some strange emotion that Anakin instinctively shies away from. "They suit you, dear one."

"Master," Anakin replies in a voice that comes out far more strangled than he intended. "Where the kriff are your clothes?"

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2