#pueblo indian

[upstairsdownstairsandinbetween]

Pueblo Indian Kiva,

Room at the ruins of the Anasazi Pueblo People, Mesa Verde National Park, Colorado.

Stephen Oachs Photography

[todaysdocument]

Cliff Palace, the Ancestral Pueblo cliff dwellings at Mesa Verde, photographed on July 27, 1923. 

Record Group 95: Records of the Forest Service

Series: Photographs Relating to National Forests, Resource Management Practices, Personnel, and Cultural and Economic History

Image description: We can see a couple dozen of the sandstone-and-mortar rooms that make up the Cliff Palace site. The rooms mostly have sharp corners, but a few are round. They are built under an overhanging cliff. 

[thomaswaynewolf]

[yeeclaw]

As much as I enjoyed seeing Laura in Deadpool & Wolverine, one thing has been bothering me since opening night, and I can’t shake it:

Why did Marvel design her a shirt that says “Savage”?

It’s a fictional band t-shirt. I spent hours reverse image searching and browsing album covers and tour posters of bands with related names, album titles, and song titles, and while it’s clearly inspired by real rock bands and tours, it was nevertheless made up. They actively chose to make up a shirt with a derogatory racial term for a group Laura and the actress who plays her is not a part of for her to wear. Someone was paid by Marvel to design it. Why?

Now companies are selling copies of the shirt, so more people will be out in the world wearing a shirt with a term that, whether you want to call it a slur or just a “derogatory racial term,” has a dark, violent history and makes many Native Americans uncomfortable. It is a word that was used to justify cultural genocide within my parent’s lifetime, that has been used as a justification for racist discrimination and hatred within our lifetimes, not just Logan’s lifetime.

Logan had band logos, too. They used Awaken the Dreamers by All Shall Perish. The title track is about fighting for human rights and ending oppression, the design features the Statue of Liberty holding a gun, not a torch, surrounded by the silhouettes of swarming military planes. Now in Deadpool & Wolverine, we’re casually using the word savage, sticking it on a “feral” character with a reputation for violence. It could be powerful if Laura were Native. She escaped from a government run institution systematically abusing and dehumanizing children based on their heritage. Logan cast primarily people of color to play the X23 children. Gabriela Lopez died at the Liberty Motel and Logan died at what was described at “the last stop on the mutant underground to Canada”. They utilized the mutant metaphor very deliberately, and I feel that Deadpool & Wolverine’s choice of costuming for Laura did that a disservice.

(Yes, I’m aware of Savage Wolverine. Its potential as an Easter egg for a racist comic book title doesn’t make it not racist)

[widenerlibrary]

More Native American art, this time from 𝐖𝐚𝐭𝐞𝐫, 𝐖𝐢𝐧𝐝, 𝐁𝐫𝐞𝐚𝐭𝐡 : 𝐒𝐨𝐮𝐭𝐡𝐰𝐞𝐬𝐭 𝐍𝐚𝐭𝐢𝐯𝐞 𝐀𝐫𝐭 𝐢𝐧 𝐭𝐡𝐞 𝐁𝐚𝐫𝐧𝐞𝐬 𝐅𝐨𝐮𝐧𝐝𝐚𝐭𝐢𝐨𝐧 (Philadelphia, 2022). Image 1: Blessings (2016), Debra Yepa-Pappan (Pueblo/Korean), digital print. Image 2: Serape, Navajo (1870-1880) Image 3: Olla (Water Jar), Zuni Pueblo, (c.1920) #nativeamericanheritagemonth #nativeamerican #indian #pueblo #navajo #zunipueblo #library #books #bookstagram #booksofinstagram #librarybooks #librarybook (at Harvard Yard) https://www.instagram.com/p/ClhUdHPOZR2/?igshid=NGJjMDIxMWI=

[importantwomensbirthdays]

Margaret Tafoya

Margaret Tafoya was born in 1904 in Santa Clara Pueblo, New Mexico. Tafoya was regarded as a master of Santa Clara Pueblo pottery making, and was known throughout the world for her ability to make uncommonly large clay vessels by hand. She decorated her work with symbols of survival, such as water serpents, bear claws, and rain clouds. In 1984, Tafoya was honored with a National Endowment for the Arts Heritage Fellowship.

Margaret Tafoya died in 2001 at the age of 96.

[ddelicadezas]

"Quando a última árvore tiver caído. Quando o último rio tiver secado. Quando o último peixe for pescado, vocês vão entender que dinheiro não se come."

"Quem sabe o que planta não teme a colheita!"

[petsincollections]

Taos Pueblo children, ca. 1915(?)

Portrait of Native American (Taos Pueblo) boys by a ladder and adobe walls at Taos Pueblo, New Mexico; they play with a puppy.

Photographs - Western History

Denver Public Library Digital Collections

[godallaswriter]

Santa Fe: Getting to Know The City Different

It has been more than a decade since I lived in Santa Fe. But it’s a city one cannot easily forget. In many ways, it’s a city that I will always miss. I fell in love with Santa Fe the first time I visited, about 1975, and I still cherish the years that I lived and worked there.   Long described by both residents and visitors as “The City Different,” Santa Fe was known by its earliest inhabitants…

[tenth-sentence]

The buildings had been called Kivas after the sacred ceremonial chambers of the Pueblo Indians, whose priests approached them with the greatest awe.

"Brighter than a Thousand Suns: A Personal History of the Atomic Scientists" - Robert Jungk, translated by James Cleugh

[buddhismnow]

Brahma Faring in 21st-Century Mazes, by Sylvia Swain

Brahma Faring in 21st-Century Mazes, by Sylvia Swain http://wp.me/pFy3u-1Jk We all traverse pathways of many different kinds.

We human beings are all farers through life and will traverse pathways of many different kinds — tranquil woodland paths, busy city streets, highways, byways, even soulless, preoccupied motorways. Late and in a traffic jam, one mood can trigger another, taking us into an emotional turmoil of frustration, anxiety, anger, and enter into a different kind of transport which carries us away to…

[todaysdocument]

“In the case now suspected the father stations himself by his little one and substantially says that he will fight to the limit to prevent any interference whatever.”

Letter re. diphtheria outbreak at Santa Clara Day School, 1/26/1903. 

Record Group 75: Records of the Bureau of Indian Affairs

Series: Letters Received from Day School Teacher Clara D. True

Transcription: 

In reply to:

Department of the Interior,

INDIAN SCHOOL SERVICE,

OFFICE OF SUPERINTENDENT.

Santa Clara Pueblo, Espanola, NM

Jan. 26 1902

Mr. C. J Crandall

Supt. U.S. Indian Schools,

Santa Fe, N. Mex.

Dear Sir:

It seems greatly like a confession of weakness to say I am unable to manage the epidemic now existing here, but I cannot further risk my life. I have been in the presence of the disease in every case when I would rather have charged up San Juan hill with the Rough Riders.

In the case now suspected the father stations himself by his little one and substantially says that he will fight to the limit to prevent any interference whatever. The grandmother is an old tigress whose house is a

[page 2]

den of iniquity resorted to by law class Indians and Mexicans.

I must give the Governor and all respectable Indians of both parties here credit for being ashamed of the resistance. The Governor told the patient's father yesterday that it was an outrage to oppose your will in any way when you have been the only friend they ever had.

The Governor is really afraid to tell us to go ahead I think because the people we have to deal with are utterly mean and somebody would be pretty sure to get hurt.

I have done everything I consider my duty. I don't feel it necessary to get a broken skull nor to break one,

[page 3]

which is about the only way out of our difficulty here.

A number of Indians from Santa Clara went to San Ildefonso. Indians from pueblos north of here went taking in Santa Clara en route both ways.

It seems impossible to enforce [underlined] adequate [/underlined] measures though we keep up something that passes for quarentine. The chief difficulty is that food is very scarce now and the people cannot be shut off from going to Espanola to trade pottery, work, and lug their daily apology for good. The infected district is under a rigid quarantine as I can get enforced.

The Doctor is faithful. He

[page 4]

is nearly worn out, however, with Diphtheria everywhere. It appears to be universal in this valley, in the virulent form.

It is more than likely that I have blundered in this case as I am a new hand at this sort of thing. I am ready to take whatever of blame that is due me uncomplainingly as I guess I have bungled someway. If there is anything that I failed to do, it was the result of ignorance. Very respectfully,

Clara D. True

[punk-antisystem]

Lado sur de la plaza principal mirando al oeste. Jemez Pueblo, Nuevo México. Fotógrafo: Carlos Sierra. Fecha: 1915?

[redgoldsparks]

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood. 

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life. 

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!" 

Panel 3: You can read the books again but with GIFs? Why? 

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined. 

Panel 5: "I’ll just read the actual books again, thanks." 

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017) 

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot: 

*One of the greatest dangers facing the modern world is the rise of fascism 

*The government cannot be trusted 

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper? 

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love 

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

[clairity-org]

Bert Geer Phillips, Pueblo Indian Family, c. 1920s, Oil on canvas, 7/20/22 #philbrook by Sharon Mollerus