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#psych music
poetic-song-quotes · 4 months
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Old lungs for the breath of the young. We'll go now, remember — that you are strong.
— From Soft Eyes Under Classroom Glow by Monarch Atolla
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I'm kicking off the weekend with a trippy little number from my youth.
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poorly-drawn-mdzs · 10 months
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The musical episode.
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Cashlin live at Desperate Annie’s 3/20/23
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yelena-bellova · 5 months
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Dear Taylor Swift,
Mental illness is not an aesthetic.
Sincerely,
The Genuinely Tortured Poets Department
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cvmcicle · 15 days
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need Hera religiously, im just saying if Zeus doesn't want her i'd be happy to
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kosmikowboj · 4 months
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you know now knowing that as kids shawn played bassoon and gus played clarinet it’s truly criminal there was never an episode involving a local symphony orchestra. like, one of the principal musicians dies—call it the principal flutist—and foul play is suspected, so shawn convinces the chief to let them go undercover. gus is still using his old clarinet, but henry got rid of shawn’s bassoon like ten years ago so shawn makes the department rent him a really nice one. lassiter’s huge qualm this episode is that he thinks shawn and gus are making a mockery of the beauty that is classical music. shawn actually feels very strongly about the case because one of the pieces they’re performing has a majestic bassoon solo that he was supposed to play in the eighth grade until he got stiffed for first chair. gus and jules are the only ones being normal.
lassie and jules end up arresting the second chair flute player because it seems like a jealousy case, but shawn isn’t convinced. he goes down the rabbit hole and uncovers this crazy romance subplot about how the principal bassoonist and the principal flutist were sleeping together, but then the flutist slept with someone else in the orchestra—call it a percussionist (they’re always doing that)—and so he killed her. shawn claims he learned this through the instruments speaking to him. the high stakes moment of the episode is when the bassoonist tries to kill the percussionist, but our fave crew end up saving the day.
the episode ends with shawn and gus playing in the concert and shawn doing the bassoon solo since the principal was arrested for murder. biggest plot twist of all is that he actually sounds pretty good.
another random note is that lassie has it out for the second chair flute because he used to play oboe when he was younger and got relentlessly bullied by the flutes. shawn finds this out and forces bonding between the two of them by sharing his bassoon trauma. lassie does not seem to care. because the percussionist gets injured in the scuffle near the end of the episode, shawn convinces the orchestra director to let lassie play the triangle in the concert. later on in the series, there’s a throwaway line about how shawn can’t get ice cream with gus after a case because he’s busy. there’s a honk outside the psych office and shawn jogs out, gets in lassie’s car, and they go to community orchestra together.
oh also the henry subplot of the episode is that he and the director of the orchestra go way back for some reason and that’s the only reason that shawn and gus are allowed to go undercover. shawn is pissed at henry for getting rid of his bassoon and henry tries to turn it into a lesson about responsibility that is immediately undermined by the department renting one for him.
do you see my vision
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headspace-hotel · 1 year
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"New (old) perspectives on self-injurious and aggressive biting" published in Journal of Applied Behavior Analysis / Nine Inch Nails- The Hand that Feeds
I was troubled to see a trend of claiming that Autistic people who do not support Applied Behavior Analysis (ABA) are a group of "low-support-needs" autistics who are monopolizing the conversation and taking resources away from autistics with higher support needs—I think it is misunderstanding.
Individual positive or negative experiences with ABA are irrelevant here—the fundamental core of the therapy is behaviorism, the idea that an autistic person can be "treated" by rewarding "desirable" behaviors and punishing "undesirable" behaviors, and that an increase in desirable behaviors and decrease in undesirable behaviors constitutes successful treatment
In researching I found that ABA practitioners have published statements condemning conversion therapy. They refer to an unfortunate historical association between ABA and conversion therapy, but it is not association—ABA literally is conversion therapy; the creator of it used it to try to "cure" little boys that were too feminine.
ABA is considered "medically necessary" treatment for autism and the only "proven" treatment, in that it is proven to create decrease in "undesirable" behaviors and increase in "desirable" behaviors.
Undesirable behaviors for an autistic person might include things like stimming and talking about their interests, desirable behaviors might include eye contact, using verbal speech, playing with toys in the "right" way.
The BCBA behavior analyst code of ethics does not prohibit "aversive" methods (e.g. electric shock) to punish undesirable behaviors
The code of ethics only discusses the consent of the "client," not the person receiving the treatment
Many people will say "my child's ABA therapist would never make them repress harmless stims, give up their interests, use electric shocks...They understand the value of neurodiversity and emphasize the consent of the child..."
But consider...if nothing binds or requires an ABA therapist to treat stimming as important, nor restrains them from using abusive techniques, nor requires them to consider the consent of a person being treated, what protects vulnerable people other than luck? The ABA therapist still has an innately unethical level of power over a child being "treated."
Furthermore, consider: can a therapy built on the goal of controlling the behavior of a person who cannot meaningfully consent to it, especially without hard limits or protections on the kinds of behavior that can be coerced or controlled, ever be ethical?
I found many articles that discuss teaching "compliance" in autistic children, treating "compliance" as a reasonable goal to strive for without qualification...
The abstract of the above article struck me with a spark of inspiration. Biting is an undesirable behavior to be controlled, understandably so, since most would feel that violence should not be allowed. But I was suddenly reminded of the song "The Hand that Feeds" by Nine Inch Nails, which is a play on the saying "Don't bite the hand that feeds you," meaning don't lash out against someone that is kind to you.
But doesn't "the hand that feeds you" implicitly have power over you through being able to give or withhold food? In this case, kindness can be a form of coercion. Thus "biting the hand that feeds" is used in the song as a metaphor for autonomy and resisting coercive power. The speaker asks the audience if they have the courage to test the benevolence of their oppressors, or if they will remain compliant and unquestioning even though they know deep down that it isn't right.
Likewise the article blunders into something unintentionally poetic when it recognizes that biting is an innately possible behavior in response to "aversive" stimuli or the "removal of reinforcers." Reinforcers and aversives in ABA are discussed as tools used by the therapist—the presentation of a preferred food would be a reinforcer, for instance (and is often used as such in ABA).
The journal article considers biting as a behavioral problem, even though the possibility that someone may bite can never be eliminated. Contrastingly, "The Hand that Feeds" highlights the coercive power behind the ability to control your behavior, even when that control appears benevolent and positive, and argues that "biting the hand that feeds you" is not only a possibility but a moral imperative.
Consider: In what circumstances would you bite someone? To defend your own body? To defend your life? Are there circumstances in which biting would be the reasonable and the right action to take?
What authority decides which behaviors are desirable or undesirable, and rewards or punishes compliance or resistance? Who is an authority—your therapist? Your teacher? Your caregiver? Any adult? Any person with the power to reward or punish?
In what circumstances might compliance be demanded of you? In what circumstances would it be justifiable not to comply? What authority decides which circumstances are justifiable?
Can you imagine a circumstance where it might be important for a child to not comply with the demands of an adult? For a citizen to not comply with the demands of a government? Which authorities demand compliance in a right and just manner, and which demand compliance to things that are evil and wrong? Which authority has the power to differentiate the two? Should you trust them? Will you bite the hand that feeds you?/Will you stay down on your knees?
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mismess · 6 months
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AAAANNND DIP !
What 10 years does to a mf
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chroniclesofnadia111 · 3 months
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I think I know how I feel 💫
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starfish-spencer · 5 months
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"I've Heard it Both Ways" is just the "I Don't Dance" of the Psych franchise I hope this makes sense
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poetic-song-quotes · 4 months
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I wouldn't change her, trade or ditch I love her just the way she is All of her flaws and frizz Don't care what anybody says about her
— From City Club by the Growlers
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noahselack · 23 days
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Psych Stickers!! I finally finished these up, This show shaped who I am as a person and it has a criminally low amount of merch so I'm here to change that pick one up here at my etsy if you want! https://www.etsy.com/shop/SelackStickers
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thespiritssaidso · 1 month
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I wonder if the people making posts about psychology and psychedelic music on the #psych tag ever actually go scrolling through it
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destinyandcoins · 8 months
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mr joey batey and ms madeleine hyland PLEASE im begging you, release new music. please. i haven't experienced a real emotion in eight months and the world out there is grim, we need you
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corvidclub · 4 months
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the parallel between Lestat marking all the tenor's flat notes and Armand writing all his aggressive director notes for Claudia on the 500th performance... the performing community of Paris better thank their lucky stars everyday that lesmand didn't become a real couple because there would be no survivors
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