#prophet simms

[gold-onthe-inside]

it is criminal that we didn't get a single scene of the suspect behaviour team playing laser tag. you just know the whole team would gang-up on mick

[moltage]

Mick Rawson / Jonathan "Prophet" Simms

[Criminal Minds: Suspect Behavior]

[the-mad-closet]

Micphet A-Z please

Done deal!

~~

A - Aftercare

Prophet was in prison for going on six years, so sex is still very intense for him, especially since he's extremely new to the BSDM scene. Mick always makes sure to provide a lot of aftercare. And, of course, once he's back to himself, Prophet reciprocates. (Dom aftercare is IMPORTANT)

~

B - Body part

Mick's a slut, he loves Prophet's cock, up his ass, in his hands, wherever. On himself, he likes his ass and wrists

Prophet likes Mick's eyes. Kind of has to be explained the question? Once he understands, Prophet will tell you that his favorite part of Mick's body is his hands and his hips.

~

C - Cum

They both love it. Prophet likes it in him, Mick likes it in his mouth

~

D - Dirty secret

Prophet sometimes wears a harness to work under his clothes. Mick likes wearing plugs

~

E - Experience

Prophet's experience is limited almost entirely to the female sex. Mick has experience with both male and female lovers - and a lot of it

~

F - Favorite position

Prophet likes being on his back because it's the most comfortable for his old man body. Mick likes to 69 it

~

G - Goofy

Mick can be a little silly sometimes, but the games are off the moment they're in the bedroom. For Prophet, whose father was an absolute DICK, love is perceptional. If Mick starts joking in bed, Prophet's going to think Mick thinks love is a game. Prophet is also deadly serious in the bedroom

~

H - Hair

Prophet is well groomed, it's a habit from prison. Mick is not, he trims up only when necessary

~

I - Intimacy

Above all, in their relationship, Prophet and Mick are madly in love, and it shows in the bedroom, even when they're kinky with it

~

J - Jack off

Mick will masturbate as often as he can, but Prophet isn't allowed to touch himself without Mick's permission, so Mick usually ends up doing it for him

~

K - Kink

Prophet's into wax play, breath play, and sometimes pet play when the mood strikes

Mick likes seeing his subs blindfolded so they have to rely on him for guidance

~

L - Location

Anywhere. These two can't keep their hands off each other for a second. Anywhere they're together and it's big enough to hide them - that's their favorite place

~

M - Motivation

Mick does this thing with his tongue that really gets Prophet going, no matter where he puts his mouth on Prophet's body. On the other hand, Prophet done up nice in a suit (or maid outfit) is everything to Mick

~

N - No

Prophet can't do handcuffs or orange jumpsuits. Mick doesn't like the cold or being forced to hold a position for a long time.

~

O - Oral

Both love giving and receiving, but there's a reason Mick's favorite position is the 69 position lol

~

P - Pace

Pacing can change multiple times in a night, hard and fast, short and sweet, short and fast, sweet and hard, it all just depends on what they're feeling.

~

Q - Quickie

Prophet actually lives of quickies for a good while when he got out of prison. He hadn't been touched in several years and his wife left him while he was in prison. Mick provides said quickies and lives for them still

~

R - Risk

Those boys are risky, for sure. They've done it in broom closets, over the desk, in the living room, in bathrooms, and once or twice while over at a friend's house. If they're out of sight, they're getting down and dirty

~

S - Stamina

Prophet's done for quick, but he can go multiple rounds, Mick can also go multiple rounds. It's not uncommon for them to have sex five times a day (usually only once or twice via penetration, though)

~

T - Toys

Mick has this thing about giving Prophet pleasure himself and Prophet doesn't like how fake and plastic most toys feels, so they have exactly one vibrator, a cock ring, and a cage

~

U - Unfair

Prophet is a huge tease. That's actually how they got together. Prophet teased Mick until Mick finally got the hints he was trying to lay out. Mick is also a huge tease and very much likes to rile Prophet up before they go at it

~

V - Volume

Mick isn't a sounds kinda person, he talks a lot though. Prophet had to work up to being a loud mouth, but once he's there, he never came back

~

W - Wild card

Prophet likes it when Mick walks in and just takes him after a day where they've been apart

~

X - X-ray

Mick is long and thick, Prophet is shorter, but also thick.

~

Y - Yearning

Prophet's sex drive is high, but not long, Mick's sex drive is long, but not high. Together, they make a perfect pair!

~

Z - Zzz

I know it's expected that Prophet would fall asleep first because he's the old man and he's sleepy a lot, but it's Mick that falls asleep first. Prophet's always got too much energy after sex to sleep, so he goes and works it out on the punching back and Mick enjoys the show until he falls asleep.

~~

@quburt

[madhare0512]

sorry this is soo random but the prophet brainrot took over and. can u believe how soft this guy is. he's soo.. gentle....... soft-spoken... nd nice........ i wonder what it took for him to be this kind.... oahghhb i just wanna hug him. why is he SO DAMN soft Mad. 😭😭😭😭😭 (i say abt a 40+ yr old ex convict. LMAOO) leaving this here bc ur one of the two ppl left who like him and. and I love n miss ur portrayal of him :) <3

TONES!! BITCH (/AFF) WHERE HAVE YOU BEEN???

Nah, kidding, but the hyperfixation will come back around at some point, I think?? Rn it's Batim and Mag7 so I'm hopeful. BUT!

~~~

No, but listen. The people with the most trauma are the kindest people. And people who grow up in loud households learn to be non-confrontational and soft. They're so nice and so kind and so loving. Prophet?? Displays all the signs of growing up in some form of abusive home. See my headcanons for why he murdered that asshole, you know? Lol

~~~

@constantones

[shadowlessdeath]

[life-and-love-in-a-myst]

Sneak peak for a chapter in progress for my CM original story.

Sam 'I'm allergic to the office' Cooper, aka Coop to friends, called Hotch about a case that Coop's team were working on. It turns out the case is connected to one that Hotch's lovely wife was involved in a few years before.

Coop and Hotch call in a few favours from friends at the DOJ and US Attorney's Office to get certain files unsealed and cases reopened.

It could also have something to do with a conversation that Coop had with Mrs H's past.

There were few days where Kez regretted being the boss of her own unit. And this was one of those days. However, it also gave her the excuse to get out of the office to meet an old friend. Someone she knew personally, and that Hotch also knew – the one and only Sam Cooper. He was still with the Bureau, still had his team of fellow profilers, including Agent Jonathan ‘Prophet’ Simms. 

She walked over to the picnic table where Sam was sitting. “Still see that you’re just as allergic to offices as ever, Coop,” she said as she sat on the opposite side of the table. Sam just looked at her, smiled and shook his head. “Just as quick with the one-liners, Winnie,” Sam retorted.

Very few people dared to call her ‘Winnie’, and unless they truly wanted to suffer, they didn’t. Though there only two people within the entire Bureau who dared to call her that horrid nickname – Jack Garrett and Sam Cooper - and could get away with it.

“So, why ask me to meet you here?” Kez said, looking around the park. “Not your normal thing.”

“Easier to see if anyone is watching, though the team are nearby,” Sam answered. He pushed the styrofoam box towards her. “Got you something for lunch, from our favourite Mexican place.”

“You sure know how to treat a lady,” Kez said laughing. “You didn’t ask me to meet you here for a friendly chat over lunch. So, what’s going on?”

Sam looked at her. “Could never get one over on you,” he said. He placed a flash drive on the table next to her drink. “All the files are on there. Cruz got a call from the Director and asked that me and my team look into a case a few weeks ago. At first, it didn’t look like much, but then we came across something.”

There was a pause. “Something that links back to a case you were involved in – Francis Michael Milberg.”

[cultur-vulture]

Scent of a woman

This film is less a story about a blind man and more a scorching manifesto on how to live blindfolded—by choice, by despair, or by the sheer audacity of refusing to see a world that’s lost its luster. At its core, it’s a duet between two souls: one charred to ash, the other still damp behind the ears. Together, they compose a fugue of fury, folly, and fleeting tenderness, set to the rhythm of a tango and the ticking clock of morality.

Frank (Al Pacino), a retired Army lieutenant colonel blinded by his own grenade, doesn’t navigate the world through scent; he weaponizes it. His “nose” is a lie detector, a divining rod for hypocrisy, and a bullhorn for his contempt. When he sniffs a room, he’s not inhaling perfume; he’s smelling fear, pretense, and the sour musk of wasted potential. The film’s title, then, is irony in a bottle: Frank’s world is odorless, but his soul reeks of bourbon, regret, and the gunpowder of a life half-lived.

Charlie Simms

Enter Charlie (Chris O’Donnell), a scholarship student at a posh New England prep school. Charlie is the human equivalent of a vanilla-scented candle—inoffensive, earnest, and ignorable. His weekend gig babysitting Frank is supposed to fund a flight home for Thanksgiving, but instead, it becomes a descent into Frank’s personal inferno. Charlie isn’t a hero; he’s a hostage. A hostage to Frank’s suicidal whims, his midnight drives in a borrowed Ferrari, his belligerent charm, and his insistence on dragging Charlie through a gauntlet of luxury hotels, fine dining, and existential hazing.

Their dynamic isn’t “Odd Couple”; it’s “Odder Couple”. Frank is Lear on a bender, Charlie his Fool—except the Fool is the only one wearing a moral compass. Charlie’s quiet resolve to not abandon Frank, even as the colonel hurls insults and lit matches into the gasoline of his own life, becomes the film’s quiet heartbeat. Their relationship isn’t about growth; it’s about excavation. Frank digs through Charlie’s naivety to find the spine beneath, while Charlie unearths the man beneath Frank’s landmine of self-loathing.

The film’s iconic tango scene isn’t just a moment—it’s a thesis. In a swanky New York hotel ballroom, Frank, blind and brash, leads a stranger (Gabrielle Anwar) in a dance that’s equal parts seduction and suicide note. The tango, Frank explains, is life distilled: “No mistakes. Not like life. Simple. That’s what makes the tango so great. If you get tangled up, you just tango on.” It’s a lie, of course. The tango is all mistakes—improvised, sweaty, human—but Frank sells it with the conviction of a man who’s spent decades perfecting the art of the bluff.

Pacino’s performance here is a masterclass in controlled chaos. His body is a pendulum swinging between menace and grace, his voice a gravelly purr that dares the world to underestimate him. The scene isn’t romantic; it’s a last stand. Frank isn’t dancing with a woman; he’s dancing with the ghost of his former self—the one who could see, who could love, who hadn’t yet become a “rube,” as he spits, “a cripple”

The Speech

Let’s address the elephant in the room: Pacino’s Oscar-winning monologue. After a weekend of chaos, the film crescendos in a prep school auditorium, where Charlie faces expulsion for refusing to snitch on classmates involved in a prank. Frank, who’s spent the film gaslighting the universe, strides in like a wrathful prophet to defend him. What follows isn’t a speech; it’s an exorcism.

Pacino doesn’t deliver lines—he detonates them. His voice cracks like thunder as he eviscerates the school’s board for their moral myopia: “You’re building a rat ship here, a vessel for seagoing snitches!” It’s over-the-top, operatic, and utterly magnificent. Frank’s tirade isn’t just about Charlie; it’s a howl against every institution that confuses compliance for character, loyalty for weakness. By the end, you’re not sure whether to applaud or take cover.

The Real Scent: Integrity, or the $3 Cologne That Outlasts the Night

The genius of Scent of a Woman is its refusal to sugarcoat Frank. He’s not a lovable curmudgeon; he’s a grenade with the pin pulled. His mentorship of Charlie isn’t warm—it’s abrasive, a steel wool scrub to the soul. Yet, in his own toxic way, Frank teaches Charlie the cost of integrity. Charlie’s choice to stay silent, to honor his word even as his future crumbles, isn’t noble—it’s nonsensical. And that’s the point.

The Verdict: A Film That Stinks (In the Best Way)

Scent of a Woman is a messy, magnificent paradox. It’s a ’90s studio film that feels like a ’70s character study. A story about blindness that sees humanity in widescreen. A Pacino performance so big it should come with a warning label. Yes, it’s sentimental. Yes, it’s self-indulgent. But like Frank’s tango, it owns its flaws and dances anyway.

In a world obsessed with redemption arcs, this film offers something rarer: a redemption detour. Frank doesn’t change; he simply passes the torch of his fury to Charlie, trusting the kid to burn brighter, cleaner. The scent of a woman? Forget it. The real fragrance here is the stench of authenticity—sweat, whiskey, and the sweet decay of a man who’d rather explode than fade.

[gwen-de-rolo]

imagine prophet and mick and benoit blanc and philip if you will

[corikane]

Criminal Minds: Wasted Effort

Criminal Minds: Wasted Effort

Criminal Minds: Suspect Behavior (2011) created by Edward Allen Bernero, Chris Mundy I’m catching up on some shows I always wanted to watch while waiting for the next episode of What If…? and dove into this one. Criminal Minds (2005-2020) is one of my comfort shows, I always kind of rewatch it, but I never really got into its less successful spin-offs. This one just landed on Disney+ so I…

[byneddiedingo]

Darling (John Schlesinger, 1965)

Cast: Julie Christie, Dirk Bogarde, Laurence Harvey, José Luis de Vilallonga. Roland Curram. Screenplay: Frederic Raphael. Cinematography: Kenneth Higgins. Art direction: Ray Simm. Film editing: Jim Clark. Costume design: Julie Harris. Music: John Dankworth.  When Darling was first released, the marriage of its protagonist, Diana Scott, to a minor European royal was taken to be a sly reference to the marriage of Grace Kelly and Prince Rainier of Monaco. Today, it looks a lot more like a strikingly prophetic vision of the future awaiting Diana Spencer, then only 4 years old, who would find that marrying a prince entails not only a lot of unwelcome attention but also a good deal of boredom. Boredom is the keynote of Darling, as well as its undoing. There were filmmakers like Federico Fellini, Michelangelo Antonioni, and Alain Resnais who could portray the existential ennui of the glamorous upper classes without boring their audiences as well, but John Schlesinger wasn't one of them. Julie Christie gives her considerable all as Diana Scott, a pretty young model whose lack of inner substance is her undoing, and she won an Oscar for her pains. But her performance isn't enough to save the film from tedium. As written by Frederic Raphael, who also won an Oscar, there's not enough to Diana to keep us interested in her fate. Instead, the filmmakers fall back on thudding irony, like Diana's being hyped as "The Happiness Girl" when we know that she's cruelly unhappy. The blame falls on the media exploiters, of course, the producers and journalists and ad-men who could hardly care less about the person they're exploiting. But they're an easy target, and for the blame to land we need to feel that there's more to Diana than meets the eye, that she's a victim of something more than her own aimlessness. Unfortunately, we never get a sense that there's unexplored potential to the character.

[gold-onthe-inside]

sorry, but just imagine the iconic cm elevator scene but between mick and prophet. prophet getting freaked out by small spaces, feeling the walls cave in on him. mick joking around until he realises prophet's having a panic attack. and mick, who's always the class clown, always keeping things light, using that same humour to calm prophet down.

[moltage]

THEY WANT ME DEAD

[the-mad-closet]

hear me out hear me the FUCK out. may i present the deadly combo of touch starved AND sensitive to touch Prophet. him breaking under the slightest attention from mick... all it takes is one touch from him to get Prophet in the space. WHAT DO WE THINK

Listen, I'm saying yes for a million reasons, but not the least of which because FUCK YES

Prophet spent six years in prison, where they aren't big on physical touch unless in a fight, of COURSE he's touch starved. But touch SNESITIVE?? Oh, Mick has so much fun with him.

@constantones

[madhare0512]

HEY HEY SO

you don't have to but...may I request some relationship headcanons for prophet? What he's like in one? I love a man way older than me SO MUCH and ykw I have no shame

Hello! Yes, of course!

1.) Very loving. He knows how it feels to be lonely, and he wants to make sure his partner never feels like that.

2.) He's constantly checking on his partner if they're out of sight.

3.) He brings you gifts from every town he goes to.

4.) If he misses a date, he's so sad, but he always makes it up to his partner.

5.) If he has to reschedule, it's only because he can't find a way to get to the engagement he and his partner agreed on.

Thank you! @rae-and-mezo

[ao3feed-themagnusarchives]

A Night Off

by reluctantOracle

Jon takes Daisy up on the offer for drinks after work, and they both end up finding out more about each other than they realised

Words: 2351, Chapters: 1/1, Language: English

Fandoms: The Magnus Archives (Podcast)

Rating: General Audiences

Warnings: No Archive Warnings Apply

Categories: Gen

Characters: Jonathan "Prophet" Simms, Alice "Daisy" Tonner

Additional Tags: Asexual Character, Trans Character

source https://archiveofourown.org/works/24527029

[galexiaxo]

Libby canons updated

—night in white stain/devil in the mirror- Libby is an angel. Her main goal was to defeat satan/ @prophet-of-the-wild-ones or make him less evil. She was once in a relationship with Satan/Andy but now is with Roman @roman-wilkes . She also had ~sexual relations~ with @deviant-of-the-wild-ones but that ultimately was ended by Andy. Her main goal is now in the very back burner and she pretty much wiped them out of her memory. Very much a shit show.

-this is not a dream- andy and Libby broke up and now she’s dating @lily-mayflower-kjrp. Her baby with @deviant-of-the-wild-ones is chilling in @adrik-ivanov’s lab and shits weird. Really weird but everyone’s happy in this one.

-Wreched and Divine- Shes droid who was once Juliet Simms personal pornodroid and now is filled with such an intense hate for everything is pathetic. She sells everything she has to get enough batteries to stay charged.