#prompt: supernatural elements/creatures

[blakbonnet]

For the fic title game… hmmm… maybe I’ll think of a funny one later but I wanna hear what you’d do with “six ways to Sunday”

Pete mentions the six handshake rule to Stede (the idea that all people are six or fewer social connections away from each other) during the crew's regular "cocktails and cattiness" Monday night. Stede, not believing him, asks him to prove this for... Blackbeard.

6 chapters, they meet 6 famous pirates, and it ends with Stede and Ed meeting at the end, shaking hands by Stede's bedside, post the Spanish stabbing, "the gentleman pirate, I presume" scene playing out as the ending.

send me a made-up fic title and i'll tell you what i would write to go with it

[overdressedcarp]

I've been thinking for a while about the optional Magatama dialogue in The Cosmic Turnabout where you can prompt Fulbright about what's bothering him, and for both of the wrong answers, he acts like you got it right, and actively leans into the bit. For example, if you suggest that he's exhausted by life, he agrees and claims he's thinking about quitting his job and going to space. (Honestly, mood.)

(AA 5-4 and 5-5 spoilers below the cut)

It's a good line on its own: funny, and definitely relatable. With 5-5's context, though, it brushes up against a deep-seated desire to disappear, to run away and start over, something the Phantom hasn't been at liberty to do in years. He's shackled to a seven-year-old assignment, strangled by loose ends that he can't tie off. For maybe the first time in his life, he has to wake up every day and live with the effects of his actions, made blisteringly real in the form of the people he hurt.

(Do I think he's walking around harboring deep, profound remorse for UR-1? Not really, no. But the self-protective lie of "my choices don't matter because I'm not really a person" only goes so far when you're clocking into work every day to hang out with the guy who's on death row because of you, who's grieving because of you, and suddenly you're the only person he trusts to hear about the monster that ruined his life, and you planned for this but you didn't plan for this and honestly at that point I'd want to quit my job and throw myself into the vast expanse of space, too.)

Also worth noting, during this entire scene, any time Fulbright goes to answer a question or make an assertion about himself, the tinted glasses go up like a shield. Eyes hidden, hand obscuring the lower half of his face. It's something he does pretty regularly throughout the game, but it's egregious here. My man is on the defensive and he's giving absolutely zero ground.

But the big thing for me is the other "wrong" option, where if you claim that Fulbright is troubled by love, the Phantom's knee-jerk "yes, and," response is to tell a story about a carp named Love who ate a bunch of goldfish because he put them all in the same tank.

In the moment it's supposed to be absurd and comical and one more example of how hapless this guy is, but in retrospect, it's kind of telling that when the Phantom tries to conceptualize love in relation to himself, the first piece of Fulbright-flavored bullshit that comes to mind is about a creature that brings pain and death through mere proximity, not out of malice, but out of nature. As though, subconsciously, he's fixated on the notion of a foreign element that's been dropped into an otherwise peaceful space. A fish that seems like it belongs there until it devours the others.

He really could have said anything—he could have made up a story about a bad breakup, or a really sad movie, or a family member who died. He could have jumped to talking about Blackquill, and how he's concerned for his emotional state given the nature of the current case. But instead, his mind instinctively gravitates to a Love that consumes everything around it: a Love defined by its capacity for violence. There was never a world where the carp could exist alongside the goldfish without hurting them.

And idk. I feel like if he wasn't feeling some kind of way about that, then it wouldn't be bleeding into his Olympic-level improv gymnastics routine to convince Phoenix that he doesn't have any secrets and you can put the supernatural lie detector away now, thanks.

[blackwood4stucky]

echoes of crystal springs | aspen blackwood

series: @burningembersofadyingworld | masterlist

james “bucky” barnes x steve rogers | mcu | 🅼 | complete

tags: stucky dune au, post-modern omegaverse

Brooklynd, the capital city on Vanaheim - 10923 Steve looked at the brunet haired baby boy with pointed ears in the bassinet, the omega he would one day take as his wife. He could just barely hear the adults talking on the other side of the room as they whispered about courtship and marriage. He couldn’t believe the Ljósálfar would travel so far from Álfheim to discuss such topics. He was a mere five year old boy, what did he know of alliances and weddings?

bingo fills + event prompts

@afgomegaversebingo | first love

@angstober | promise

@anyfandomfluffbingo | free space

au challenge | arranged marriage

@augustwritingchallenge:

au-gust 2024 | space travel trick au treat 24 | deal with the devil

@buckybarnesbingo: round 6 | y5: galaxy

@buckybarnesevents: babb 2023 | arranged marriage + space [may]

crossover bingo | omegaverse

@darkacademiabingo | creature feature

@darkspicyevanstan: quadruple challenge mode

dune au + light elf + science fantasy + damocles' sword

@eclipsingbingo: the rising moon | space travel au

@fandombingo:

rpf card | arranged marriage au the little prince bingo | primeval forest the martian bingo | space opera

@fandom-free-bingo

flight | collars world book night edition | brave new world + elf

@ficwip: all ships week | free day

@intotheomegaverse: halloween | free day

@julybreakbingo

jbb 24 | alien planet post july 24 | arranged marriage

@multifandom-flash:

bdsm | ceremonial collar + of sexy corsets here there be monsters bingo | light elf may [hp] | prophecy

nightmare fuel | dream

@sebastianstanbingo | intergalactic au

@secretcrypticevents:

into the wilds bingo | hydra into the wilds flash | dimension travel au + light elf + arranged marriage

@steverogersbingo | b3: bucky barnes

@taintedsoulspromo: danse macabre | creature feature

@through-time-and-space-bingo | supernatural elements au

read: ao3 | sqwa | tumblr

[kaiakaevents]

Crimson Clover Week From February 7th to 14th. [2025]

PROMPTS.

1. Medieval Fantasy / Urban Fantasy*.

2. Legacy / Moon.

3. Flowers / Jewels.

4. Movies [AU] / City Pop*.

5. Immortality / Necromancy.

6. Famous AU / Partners in Crime.

7. Valentine's Day / Bad Luck.

Explanation of [*]

Urban fantasy is a genre that mixes fantasy elements, such as magic or supernatural creatures (vampires, wizards, fairies), with modern or urban settings. Unlike medieval fantasy, where everything happens in an ancient world full of castles, urban fantasy takes place in contemporary cities, such as New York or London. In these types of stories, magic coexists with technology and everyday life, sometimes in a secret or hidden way. A good example of urban fantasy would be Harry Potter when wizards live in London and use magic while others don't notice. City pop is a musical genre that emerged in Japan in the late 1970s and rose to popularity in the 1980s. It is a mix of pop, funk, jazz, disco and soft rock, creating a fresh and relaxed sound, inspired by urban life and the modern lifestyle of that time, especially related to big cities and the idea of ​​enjoying luxury and leisure. Visually, city pop is associated with a retro aesthetic that reflects 80s culture, bright colors, neon lights, sports cars, cityscapes, beaches and fashion from that decade. The images evoke a nostalgic feeling, like eternal summer, in an atmosphere of urban glamour.

RULES.

You can include other couples, but the main focus should always be Akako x Kaito.

Platonic fanworks are welcome.

Don't forget to put the corresponding tags and warnings on your works.

You are free to interpret the instructions as you want, you don't have to take it completely literally.

You can mix all the themes, not do some, do all of them or do just one, it doesn't matter, we accept any contribution for the AkaKai community.

We will be working with the following tags: #CrimsonWeek2025 #CrimsonWeek #AkaKaiWeek and #AkaKaiWeek2025.

You can send a message or write in the comments if you have any doubts or questions! It's always a pleasure to help.

[fiercefauna]

Surface Portal: version 2

“Let it be known that water on the ethereal plane bears neither heft nor lift. It stands as thin as air.” - Quote mostly pulled from Soul Reaver.

It was awhile before I noticed @ironymobile had birbs. I had once considered a connection between the mythical caladrius and Plague Doctors - (Note that caladrius is so obscure a word my spell checker doesn’t recognize it, and Plague Doctors are so well known to my associates here that I just as soon call them PDs.)

Irony’s birbs - “Birbs” being a term of endearment for PDs and related beings I’ve taken to using, is deliberately misspelled and therefore cute.

The following is what I’ve been able to surmise from their “Lore.” Irony may correct me if I get anything wrong here.

These particular birbs have got to be among the safer spirits one may encounter being extremely unlikely to attack unless provoked and invulnerable to pretty much everything except - ironically enough, hand-held physical weapons.

They seem to coalesce out of the spirit and psychic energy rising from mass graves of the ill, and often, the persecuted, being to some extent thought forms albeit solid enough to damage. They seem to want to help people but are very shy. I assume they only approach people at their most vulnerable because they fear us too much otherwise, offering what assistance - often medical, we may require. I feel this may give them the context of vampires or grim reapers; being seen as guilty by association when they are more correlation than cause.

Humans may even over-exploit or persecute the things they love or find useful and thus fear may be a better defense, perhaps better a witch or vampire to be given a wide berth than a caladrius in a gilded cage. Made to practice one’s medical skills only on those who have paid its captors.

Now the fun part - Travel

As hinted at above these do seem to be able to take the smaller flying forms of birds, (ravens, crows, doves, and perhaps, swans, storks or ibis.) but can also walk along the bottoms of water ways as though traveling through thin air. I chose to assume they do this rather than swim due to the folkloric context from irony, but they may swim also. That they may be reluctant to travel as birds nowadays could be due to the “caladrius” being captured and sold to royalty for what are certainly very high prices.

Many coming from plagues and religious wars in the “old world,” they may also not fully understand the mannerisms of modern people and be avoidant for that reason. There is also the matter of their feather clothes being stolen leaving them in the weakened state of needing to either make or grow more.

Unaffected by natural elements and having no need or want of food,(lacking even mouths to conventionally eat with) they seem able walk long distances and have no need of shelter, only requiring air to speak, though without mouths or nostrils it’s uncertain how they do it. Their belongings however may be adversely affected by their environs prompting some interesting solutions.

Imagine not needing food or shelter but needing to find a dry, secure place to put your meager belongings. Especially when traveling through water. (Note that the character pictured above has a sealed clay pot for a water-proof suitcase.) And also - that their white cloak is only visible above the water line. One wonders how much hollow tree and unused attic space has been secretly commandeered as a “stash.” And perhaps the assumption that supernatural beings hoard “treasure.”

Assumptions that these creatures are women, arise when they are discovered apparently “bathing” in waterways, with their feather cloaks. Assumptions they are men often arising when they work as “doctors.” They do however, as abstract concepts given semi-solid form, lack physical gender.

Taking a detour through a forest fire or hiding in a burning building may damage their clothes and creates the possibility of crushing damage from falling trees and debris but there is no fear of the flames themselves or the high temperatures, in fact, the energy being released may be something they could theoretically consume as a kind of food.

[witchermonstermayhem]

October has arrived with new monster Prompts:

"Trick or Treat!" / Ghost / Kaer Morhen

And the Picture Prompt:

source: pixabay

You can create something new or share an old work/post! Fics, gifs, vids, art, everything is welcome if you think it fits the prompts.

Post here on tumblr using the tags #witchermonstermayhem and #octobermonster

You can also tag @witchermonstermayhem so I can easily find and reblog your work.

Combine freely with any other fan event that allows it! (For example with @sicktember or @whumptember)

Can I submit prompts? Yes, please feed my ask-box with prompts that you'd like to see in the months to come!

For more rules, keep reading. Have fun with Witchers and Monsters!

Rules:

Any kind of Witcher fanwork is welcome: art, edits, fanfics, poetry etc. (including crossovers, modern AUs, NSFW, etc.)

Create something new or re-post an older work that fits the prompt.

It can be about the Witcher novels, the games, the show, the comics ...

If you want to post your work on Ao3 (or have already posted it there), you can add it to the Witcher Monster MAYhem collection 2024 (directly in the collection dashboard or by using WitcherMonsterMAYhem2024 as the collection name)

Most importantly: Have fun!

FAQs

Does there have to be a monster in the story/the artwork that is important for the plot/the piece of art? - Yes, definitely! The monster can be purely imaginary though, like in a dream, or maybe people only think there is a monster, but it turns out there is not. It must be a driving force of the plot/central element of the artwork, though.

What is a monster? - "A monster is a type of fictional creature found in horror, fantasy, science fiction, folklore, mythology and religion. Monsters are very often depicted as dangerous and aggressive with a strange, grotesque appearance that causes terror and fear. Monsters usually resemble bizarre, deformed, otherworldly and/or mutated animals or entirely unique creatures of varying sizes, but may also take a human form, such as mutants, ghosts and spirits, zombies or cannibals, among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or moral order of the human world in the process." "Wikipedia - Monster"

Must the monster be evil and scary? - No, not necessarily. There are "good" monsters in the original Witcher books, like Dopplers or even a Higher Vampire. The monster could also just be a mischievous goblin that hides socks. Humour and fluff very welcome!

Must the monster die? - That is totally up to you. There are quite a few examples in the books where Geralt does not kill the monster, even cases where he befriends it.

Is sex with a monster allowed? - Sure, why not? Just tag it accordingly if it is nsfw or any warnings/triggers apply (like non-con etc.).

[akhenvs3000f24]

Unit 05 Blog Post

With an open blog prompt this week encouraging us to discuss what we are thinking about, I can't deny that most of my thoughts are about the fall season, thanksgiving, and Halloween! With that in mind, I would like to discuss the intersection of nature and the supernatural, which feels especially relevant as Halloween (one of my favourite holidays!) approaches :)

I'd like to start off by mentioning how darkness changes our perception of nature. A familiar place you've known your whole life -- like your backyard or a forest trail, can feel unknown or mysterious at night. This concept reminds me a lot of playing tag in the dark with my sister and cousins as a little kid, during which the darkness would play tricks on our senses. At night the woods felt more alive, with every rustling leaf and snap of a twig sending chills down our spines. The power of the unknown in nature can make even the most innocent games feel eerie and exhilarating.

Furthermore, the campfire, a quintessential outdoor experience, frequently becomes a gateway to the world of spooky tales. Why is it that humans gravitate towards telling scary stories outside in nature, when accompanied by friends and only the light of a fire? The atmosphere seems to encourage a feeling of spookiness. The flickering firelight casts shadows on trees, creating ghostly figures, while the crackling wood echoes with the sounds of the forest. This atmosphere makes the perfect setting for storytelling, where nature itself seems to participate in the tales, adding to the eerie ambiance. I find that our tendency as humans to lean into the mystery and unfamiliarity we experience by the campfire endearing and is likely a common experience most people can relate to.

On the topic of storytelling, there are many intriguing natural history myths or urban legends that tie in with fall themes, like the legend of Sleepy Hollow’s Headless Horseman or the lore surrounding the Jersey Devil. These stories often have roots in real landscapes and cultural histories, adding layers of meaning to the natural environment. Furthermore, many Indigenous cultures have rich mythologies involving nature spirits or creatures tied to specific natural landmarks (like forests, rivers, or mountains). It is no coincidence that modern horror media takes inspiration from these stories, like Until Dawn using the Wendigo myth.

These stories and adaptations often tie supernatural elements to natural forces. These tales tap into deep fears about nature's untamable power and our smallness or powerlessness in comparison. I believe the human fascination with the supernatural originates from a fear of the unknown in nature—storms, plagues, wild animals, and much more. Early cultures explained these phenomena in myths and legends, which still resonate with us in modern horror because they tap into primal fears about survival and the natural world.

Next, specifically when thinking about Halloween and horror, I find it interesting (but not surprising!) that most horror movies are set in outdoor environments such as woods, fields, or isolated cabins. The game I mentioned above, Until Dawn, is no exception, as it focuses on a group of adults trying to survive on Blackwood Mountain. One of the most classic horror movies, Friday the 13th, takes place at Camp Crystal Lake (or "Camp Blood"). Some other examples of horror films like The Blair Witch Project or The Ritual use the forest as a character itself, full of unknown threats and primal fears. Nature can be beautiful, but when it turns against us or becomes uncontrollable, it becomes terrifying.

I know a lot of people aren't into horror movies, but they're certainly not the only genre of fall media that incorporates nature as a major aspect of the storytelling. If you haven't seen the Cartoon Network mini-series Over the Garden Wall, it is a fall classic that I honestly can't recommend enough. Over the Garden Wall perfectly blends the calm essence of autumn with the spooky, magical, and supernatural elements of Halloween. This show emphasizes fall being a transitional season, where life starts to decay, and the boundaries between reality and the unknown become thinner. The two protagonists, Wirt and Greg, travel through the woods which act as an ever-present character that uses the changing seasons to symbolize the journey between life and death. It is a show that successfully combines the feelings of whimsy and eerie, reflecting the dual nature of fall. I think it is a great example of a show that uses natural elements to enhance storytelling, and the fleshed out natural aspects truly provide a sense of place as you watch Greg and Wirt travel through "The Unknown".

To conclude, I hope my post for this week has provided some insight into the themes of nature, the supernatural, and human storytelling all within the context and atmosphere of fall and Halloween.

[eddiediazeventcentral]

Prompt Announcement!

The moderation team is pleased to announce the prompts for Eddie Diaz Week 2024!

Feel free to use all three for the day in a single work. If you think you can write the SFW better as NSFW, feel free to do that! If you want to combine this with something like BTHB, feel free!

We want to see your creativity as we celebrate Eddie Diaz!

A text version of the prompts is located under the cut.

Monday

Quote Prompt: “I can, in fact, cook for myself.” SFW Prompt: Sick Eddie/Taken Care Of NSFW Prompt: Giving Up Control/Submissive Eddie

Tuesday

Quote Prompt: "Why me?" SFW Prompt: Whump NSFW Prompt: Tied Up

Wednesday

Quote Prompt: “Yes please” SFW Prompt: Rare Pair NSFW Prompt: BDSM

Thursday

Quote Prompt: “Be gay, Do crime” SFW Prompt: Fake Dating NSFW Prompt: Semi-Public Sex

Friday

Quote Prompt: “What are we?” SFW Prompt: Supernatural Elements/Creatures NSFW Prompt: Alpha/Omega

Saturday

Quote Prompt: “Well that was…” “Yeah” SFW Prompt: Birthday Celebrations NSFW Prompt: Pillow Princess

Sunday

Quote Prompt: “I’m not telling anyone else.” SFW Prompt: Woke Up Married NSFW Prompt: Friends with Benefits

Alternate Prompts

SFW Prompts: Adventures With Chris, Different Job, Self-Acceptance, Unexpected Feelings NSFW Prompts: Praise Kink, Size Queen Eddie, Masturbation, Sex Games

[charlesoberonn]

It's server promotion time!

I have a collaborative worldbuilding Discord server called What Do They Eat.

(art by @gentsma-art)

Each week we vote on a prompt and then make a new original fictional setting based on it. You can vote on next week's prompt right now.

Here are the options:

🤼 Let's make a pro-wrestling league. Personalities larger than life with flashy costumes and punny names will fight in the ring for the cheering crowds' entertainment. Each wrestler will have a dramatic backstory, a complicated web of relationships with other wrestlers, oh, and a unique superpower! 🐧 Warm Antarctica Map Challenge. We'll start with a map of Antarctica without the ice. From there we'll flesh out the terrain, the creatures, the people, the cultures. With the added twist that despite being warm, this continent still has half a year long nights and days. 🐶 Reverse Scooby Gang. In a world of magic and secret supernatural elements and entities, a gang of teens and their animal mascot travel around solving mysteries. Each mystery seems mundane at first, but through investigation and shenanigans, the truth behind it is revealed to be paranormal in nature. ⏳ Let's do our take on the time police trope. But instead of just protecting the timeline from alterations, this time police is established by and accountable to a democratic government of representatives from different eras. The time cops must enforce temporal law while also dealing with issues of corruption and political intrigue. 🐌 Magic animal domestication. In this universe, each animal species has a unique magic power. The magic power humans have is empathic communication, which lets them more easily tame and domesticate other magical species and selectively breed them over generations to increase and focus their magical abilities.

Come join us!

[jasminewalkerauthor]

Deep dives into folklore: Werewolves

Werewolves, often depicted as humans with the ability to transform into wolves or wolf-like creatures during the full moon, have been a recurring theme in literature and mythology for centuries. The concept of the werewolf has evolved significantly over time, reflecting the changing beliefs, fears, and societal norms of different cultures. Today we are exploring the fascinating journey of the werewolf from its ancient origins to its modern-day interpretations in literature and popular culture.

The origins of the werewolf myth can be traced back to the ancient civilizations of Greece and Rome. In Greek mythology, the legend of Lycaon tells the story of a king who was transformed into a wolf as punishment for serving human flesh to the gods. This early representation of lycanthropy, the ability to shape-shift into a wolf, laid the groundwork for future werewolf tales. In Roman literature, the story of Ovid's "Metamorphoses" also features a man named Arcas transformed into a bear by the god Jupiter, an early example of shape-shifting.

During the Middle Ages, the werewolf myth gained prominence in European folklore. In a time when superstitions and fear of the unknown were rampant, the idea of humans transforming into vicious beasts under the influence of the moon became deeply ingrained in the collective psyche. The term "werewolf" itself is of Old English origin, derived from "wer" meaning man and "wulf" meaning wolf. This era saw the emergence of numerous werewolf legends and stories, often used to explain mysterious disappearances or brutal killings. One of the most famous cases was that of Peter Stumpp, a 16th-century German farmer who claimed to have made a pact with the devil and confessed to committing gruesome murders while in wolf form. Such tales served to stoke the fear of the supernatural and the unknown.

As Europe transitioned from the Middle Ages to the Renaissance and Enlightenment periods, the werewolf myth underwent a transformation of its own. The Age of Reason prompted a shift towards skepticism and rationality, and werewolf stories became less prominent. However, they did not disappear entirely. Some writers and scholars explored the psychological aspects of lycanthropy, viewing it as a metaphor for the duality of human nature. This concept laid the groundwork for the exploration of the werewolf's inner struggle in later literature.

The 19th century saw a revival of interest in the supernatural, and werewolves made a comeback in literature. Folklorists and writers like The Brothers Grimm and E.T.A. Hoffmann delved into the darker aspects of folklore, resurrecting old werewolf legends and incorporating them into their stories. One of the most famous literary works featuring a werewolf is "The Wolfman" by Marie de Villeneuve, which introduced elements of tragic transformation and a curse, themes that would continue to be explored in later literature.

In the 20th century, the werewolf evolved into a complex and multifaceted character. With the advent of cinema and the horror genre, werewolves became popular subjects for films like "The Wolf Man" (1941) and "An American Werewolf in London" (1981). These films portrayed the werewolf as a tortured and sympathetic figure, struggling with their monstrous nature.

In contemporary literature and popular culture, the werewolf has continued to evolve. Authors like Anne Rice and Patricia Briggs have explored the psychological and emotional aspects of lycanthropy in their novels, portraying werewolves as individuals with unique abilities and challenges. The popular "Twilight" series by Stephenie Meyer introduced a new generation to the idea of werewolves as members of a close-knit pack, bound by loyalty and a shared destiny.

The werewolf, a creature born of ancient mythology, has undergone a remarkable evolution in literature and popular culture. From its origins in Greek and Roman mythology to its prominent place in medieval European folklore, and its subsequent reimagining in the modern era, the werewolf has adapted to reflect the changing fears, beliefs, and values of society. Today, the werewolf remains a symbol of the eternal struggle between the human and the beast within, a reflection of our ongoing fascination with the supernatural and the mysteries of the human psyche. Its enduring presence in literature and mythology ensures that the legend of the werewolf will continue to evolve and captivate audiences for generations to come.

[klaine-a03-feed]

Hidden Guardian

read it on AO3 at https://ift.tt/hdQVMes by annepi Kurt Hummel thought he was alone on his late-night walk - until the bullies found him. Just when things were getting dangerous, a mysterious creature emerged from the shadows. As Kurt uncovers the truth behind his protector, he discovers that sometimes secrets are hidden in the most unexpected places. Klaintober Prompt Week 2: Hidden Monster Words: 6077, Chapters: 1/1, Language: English Series: Part 2 of Klainetober2024 Fandoms: Glee (TV 2009) Rating: Teen And Up Audiences Warnings: Graphic Depictions Of Violence Categories: M/M Characters: Blaine Anderson, Kurt Hummel, Rick Nelson Relationships: Blaine Anderson/Kurt Hummel Additional Tags: Alternate Universe - High School, Alternate Universe - Supernatural Elements, Light Horror Elements, Bullying, Shapeshifting, aswang, LIght blood and injury

[tonydaddingham]

am i missing something in kinda comparing the entire maggie and nina situation to paris? 'cause there was no need to get them to fall in love. a&c might not be able to make people actually feel it, but they seem to have mind control down pat without much effort (or any moral quandaries). they could have waited for an angel to show up and just faked it- easy, certain way out. it's not like the idea of working together like that is even weird, not after the gabriel miracle.

so. either they missed it, which is plausible, and uhhh, renders this whole ask pointless, or *would* have moral issues with it (also plausible💀), or they're being completely ridiculous again, and would rather plan balls than actually make an effort to get themselves out of Mortal Fucking Peril (not that aziraphale necessarily knows it is). i think it would fit the pattern, honestly- when not having huge blowouts over *problems of their own making* (hey aziraphale kill this kid it'll be fine, aziraphale why won't you ditch earth with me, crowley why won't you come to heaven with me), the ineffables always seem to be constantly, aggressively orbiting eachother, making heart eyes and goofing off (cough end of the resurrectionists "not kind" cough) with 0 regard for safety except for the (very very sadly i can't find the -ennial word for every other century) occasional heart attack, and then just skipping right back down the aisle.

(hope this is coherent, i've been editing things a little too long to tell)

hello @aq-uatic my darling!!!💕

(bby im so sorry!!! i thought i had posted this ages ago and i went rooting around in the drafts to continue something else and realised i hadn't!!! im an idiot sorry!!!)

i think there is some context behind aziraphale's actions in particular with this scene:

we know that aziraphale has a fondness for maggie, that i'd argue goes slightly beyond the fondness he has for humans in general (and even then that's questionable at times), and he seems genuinely put out that he's not in a position to help her - to wiggle his fingers about, and make it happen for her (horrifying implications, aziraphale, but we move). so, whilst aziraphale obviously is prompted into the whole 'lets-make-these-two-humans-fall-in-love-bc-that's-totally-normal-and-okay' by holding the everyday record back in the bookshop, i think there is an element of aziraphale genuinely wanting to help her, and coming up with the ball is his interpretation of an organic way to do that (💀). but it doesn't justify the whole thing one little bit; despite the possibility of that being his intention, it's completely batshit - nina certainly didnt know, let alone consent, to anything, and maggie didn't either; they're not dolls for either of them to play around with.

essentially though, i agree - any logical, coherent, sensible thinking would have probably just helped them arrive at a solution that didn't involve warping reality and bringing a whole room of people under a horrifying amount of hypnosis. but you have two supernatural creatures who, in a fairly major way by the time of 2023 at least, have their sense of existing amongst humanity influenced by not only the clandestine, dramatic nature of their own story, but by their tendencies towards damsel-but-not-wholly-in-distress-ing and anti-hero-at-best-ing respectively. we have to barely scratch the surface to see the intertextuality between these traits of theirs, and where they might stem from stories told in certain books and movies (emma by jane austen, and james bond spring to mind).

they constantly talk in riddles to each other, in code and in double meanings - they may somewhat understand the general sense of what the other is saying, but it's not categorical and leaves too much room for error or misinterpretation (which, ultimately, it does). it's a constant dance circling each other, ebbing and flowing, pulling in and drawing back, but never coming together properly; it's a quadrille vs. a waltz.

it makes sense that they are so used to finding the most roundabout and convoluted ways to do things, and this continues into s2, because not only is it how it tends to go down in fiction, but also because that's literally how they've had to exist - not only so their closeness isn't detected, or so their true natures aren't suspected by their respective head offices, but also by nature of being literal supernatural creatures living amongst humans - sleeper agents, of a kind - and constantly having to exist without detection.

none of this makes it right, of course not - but i actually don't think they see any other way of going about things. they're so good at it, so well practiced, that (as just two examples) they run verbal rings around gabriel/metatron (book) and beelzebub chattering about the great vs. ineffable plans at the airfield, and they dance around the most straightforward solution to the maggie/nina problem. as for themselves and their relationship, they dont speak plainly to each other until the bandstand or final fifteen... and even then, i feel like its aziraphale that is maybe the first to break and speak plainly? idk:

i think it's clear that crowley is the more scared, and therefore the more cautious, in this regard. for all his objections attempting to distance himself as an angel compared to crowley's being a demon, aziraphale feels to me that he is the more inclined to throw caution to the wind. i think its because crowley understands the danger in blowing their cover a little more than aziraphale does - aziraphale on multiple occasions slips in nearly admitting their closeness (1800, end of 1827 as you pointed out, and when meeting with the archangels in heaven in s1) - and is still stuck in the safety that dancing around what should be plainly said affords them. they both - as you wonderfully put it - aggressively orbit each other, and breaking the holding pattern comes a little too late.

so no, i think your drawing the parallel between the Weird-Ass dynamic in 1793, how they handle the maggie/nina storyline, and then how they behave with each other, is very apt! but its, at this time, arguably all that they've known - acting in this way - and breaking the cycle is starting to happen, but won't pay its dividends until s3✨

[decidentia]

And now for something completely different. We’re in the thick of spooky season, and I’d love to get some more horror-based threads on the go! I��ve put together some vague prompts, if any of them tickle your fancy let me know. They can be tweaked as necessary, can involve any combination of characters, etc. I’d also love to hear of any settings / scenes you’ve been itching to explore.

one:

Urban explorers decide to investigate an abandoned asylum with a regrettable history. As they delve into the decaying halls, they awaken the dormant spirits of former patients, unleashing a terror that challenges their sanity. We could have a more Outlast approach, if that’s preferable to the ghostly one.

two:

We’re talking remote forest, we’re talking cults. The threat is not only the people, but the creature they worship, or hope to keep appeased. I’m thinking something vaguely Until Dawn or The Ritual inspired.

three:

Specimen 44 is held in a subterranean containment unit, far beneath a respected albeit remote research facility. It breaches its bonds, and slaughter ensues. Our characters can be among the scientists, security forces, domestic workers, or visitors to the site, etc. A little bit Carrion, a little bit The Thing, a little bit Inside.

four:

In some futuristic, intergalactic setting, our characters are employed as miners. It’s filthy and dangerous work, but generously paid. It takes them across universes, to planets that have been identified to have rich, highly sought-after natural resources. Trouble is, these planets are almost always inhabited in some way. Miners are trained to delve deep into the crust, working in small, specialised units. This includes eradicating any creatures that stand in their way. We could cut the space element and have something more The Descent inspired. Either way, prepare for suffocating, subterranean horror.

five:

One was a monster, one was a monster-hunter, can I make it any more obvious? This is super flexible, can involve any number of settings, and all sorts of supernatural (or paranormal) creatures. Equally it could be a clairvoyant and a spirit. Give me someone who’s tired of being lumbered with all the unresolved bullshit that the spirits land them with. I’m thinking Odd Thomas, I’m thinking The Sixth Sense, I’m thinking of the fanfiction Ghost Story.

[satancopilotsmytardis]

I think having a category for your multi chap fics, and one for your one shots could work. With the one shots tagged with their primary kink. I might also suggest an additional Dead Dove tag as well to be added to your tags. Since something like Feminization covers a number of your fics, but stories like Home Is Where... could get your dead Dove warning as well. Since it's Forced Feminization. Regardless of how you decide, I'll be very excited to peruse your list!

The multi-chap v. one-shots is interesting, but I don't know if that would work well since the fics I get asked most about are my collections like the Smut Prompts/Kinktober prompts which are collections of one-shots

As for fics like Home Is Where..., All Over Me, and Slipping Under, these would receive the primary kink tag of Rape/Non-con rather than anything else since that is the primary element that the fics are based around

Similarly, all of the ABO fics would be tagged with ABO as their primary tag, all of the supernatural creatures would be organized by which creature because those were the kinks the fics were built off of

[witchermonstermayhem]

November is here and so are the new monster Prompts:

"Fuck, it's huge!"/ Squishy / Dream Monster

And the Picture Prompt:

Picture from pixabay

You can create something new or share an old work/post! Fics, gifs, vids, art, everything is welcome if you think it fits the prompts.

Post here on tumblr using the tags #witchermonstermayhem and #novembermonster

You can also tag @witchermonstermayhem so I can easily find and reblog your work.

Combine freely with any other fan event that allows it! (For example with @smubbles-etc or @comfy-vember or bingo cards)

Can I submit prompts? Yes, please feed my ask-box with prompts that you'd like to see in the months to come!

For more rules, keep reading. Have fun with Witchers and Monsters!

(Rules, FAQs etc. under the cut)

Rules:

Any kind of Witcher fanwork is welcome: art, edits, fanfics, poetry etc. (including crossovers, modern AUs, NSFW, etc.)

Create something new or re-post an older work that fits the prompt.

It can be about the Witcher novels, the games, the show, the comics ...

If you want to post your work on Ao3 (or have already posted it there), you can add it to the Witcher Monster MAYhem collection 2024 (directly in the collection dashboard or by using WitcherMonsterMAYhem2024 as the collection name)

Most importantly: Have fun!

FAQs

Does there have to be a monster in the story/the artwork that is important for the plot/the piece of art? - Yes, definitely! The monster can be purely imaginary though, like in a dream, or maybe people only think there is a monster, but it turns out there is not. It must be a driving force of the plot/central element of the artwork, though.

What is a monster? - "A monster is a type of fictional creature found in horror, fantasy, science fiction, folklore, mythology and religion. Monsters are very often depicted as dangerous and aggressive with a strange, grotesque appearance that causes terror and fear. Monsters usually resemble bizarre, deformed, otherworldly and/or mutated animals or entirely unique creatures of varying sizes, but may also take a human form, such as mutants, ghosts and spirits, zombies or cannibals, among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or moral order of the human world in the process." "Wikipedia - Monster"

Must the monster be evil and scary? - No, not necessarily. There are "good" monsters in the original Witcher books, like Dopplers or even a Higher Vampire. The monster could also just be a mischievous goblin that hides socks. Humour and fluff very welcome!

Must the monster die? - That is totally up to you. There are quite a few examples in the books where Geralt does not kill the monster, even cases where he befriends it.

Is sex with a monster allowed? - Sure, why not? Just tag it accordingly if it is nsfw or any warnings/triggers apply (like non-con etc.).

[kptskinkmeme]

KPTS Prompt Fest: Day 2 Masterlist

Thanks for participating in Day 2 of the Kinnporsche Prompt Fest! Here's the fic that was posted yesterday: Trope #1: Magic/Monsters/Supernatural

Phoenix in the Deep Sea (2226 words) by StiftundPapier

Relationship: Porchay/Kim Additional Tags: Urban Fantasy, Mythical Beings & Creatures, Elemental Magic, Enemies to Lovers, Manipulation, Slow Burn, Music, Mystery Summary: All Chay ever wanted was to be able to sing. To follow his idol's footsteps and play for hundreds of people. But he had to be a phoenix without magic, a phoenix who could not sing. So when he comes to a cave that grants wishes, he seizes the chance. For his dreams. For WIK. He just doesn't know what his wish entails. And who - or what - his idol really is.

Trope #2: Body Worship/Praise Kink Popping Buttons (2354 words) by boysbeloving/@boysbeloving

Relationship: Porsche/Kinn Additional Tags: Belly Kink, Body Worship, No Beta, chubby Kinn

Today's tropes are

Time loop/time travel

BDSM (total power exchange, degradation, dom/sub, sadomasochism, CBT, impact play, rope play, etc)

Fake dating/engagement

Looking forward to seeing what you create for Day 3!