#prompt wednesday

[evgar]

decided to redraw and improve this silly thing i did two years ago

here's the two compared like damn the colors on the first what was that 😭

[ikiprian]

Tim swears Phantom could’ve been a Titan. Maybe he should be, at this point. They have enough in common to justify it.

“Jeez,” Phantom groans. Abruptly, he drops the levitation and hits the roof without sound. He stretches out on his back like a cat, sore muscles straining in a way Red Robin deeply relates to. “Fighting the living sucks. At least with ghosts I can swing as hard as I need. Already dead means they get back up! But mortals? Way too squishy.”

Red Robin huffs in agreement. “Yeah,” he says. After a moment��s consideration, he lies down, too.“It’s a hundred times harder than people realize. Batman’s always going on about perfect control in training. About how to have it, you gotta be twice as skilled as the other guy. Even without your super-strength, I worry sometimes.”

“How do you do it?” Phantom asks. In a move only achievable to those without bones, or perhaps Dick Grayson, he twists himself over. Gloved hands cup his cheeks. His legs kick back and forth, like they’re gossiping at a slumber party. “I mean. You said you train, so obviously there’s the physical ‘how.’ But how do you keep your emotions nonlethal? How do you keep yourself in check, make sure you’re pulling back?”

“I mean,” says Red Robin. “Murder is illegal, so.”

Phantom sighs. “Yeah. Maybe it’s easier for you.”

… Hm. Maybe Red Robin should redo Phantom’s risk assessment.

Before he can raise too high an eyebrow (though even moving that muscle smarts, ow), Phantom elaborates.

“Ecto-based entities have trouble with their emotions,” he explains. “It’s easy to get lost in an Obsession, or a big feeling like grief. The rest of the world… it bleeds away. Helps to have another emotional anchor to keep it at bay. I use fear.”

“Fear?” Red Robin glanced over.

“Sometimes sheer stubbornness,” Phantom admits. “But a lot of it is fear.”

With a considering frown, he drops his head atop his arms. Exhaustion, regret, reluctance play out on his face. For someone the Bats know next to nothing about, Phantom’s body language is an open book.

“I saw, like, an alternate future version of myself once where I become evil and try to take over the world? So now I gotta be good to keep that from happening. The fear of that future keeps the pressure on me. Makes me focus up. Y’know?”

Tim sits up. “Seriously?”

Phantom nods. “Uh-huh. Kinda bizarre, I know—”

“What the hell,” says Tim. Three consecutive days together and a concussion must loosen his lips, because holy shit, no way. “Dude! Me too!”

“Huh? Seriously?” says Phantom.

“Yeah! I totally saw myself turn evil. Like, Batman but with guns. Guns Batman. I had to fight him and everything. He tried to kill my friends and erase my memory to make sure I couldn’t un-invent him by going back to change the past?”

“Oh my god.”

“What?”

“Oh my god, me too!”

happy wips wednesday!

[hayatheauthor]

Creating Fear in Your Characters: A Writers Guide

Creating authentic emotions is vital for immersive storytelling, which is why I decided to make this series on how to write different emotions. After exploring rage, and sadness it's now time to delve into fear!

Fear is a powerful emotion that can manifest in various ways, from subtle apprehension to paralyzing terror. Here's a guide on how to write fear effectively, covering different aspects of your characters' behavior and reactions.

Facial Expressions

Fear often manifests first in facial expressions, conveying the initial shock or unease. Describe these expressions to immerse readers in your character's emotional state:

Widened Eyes and Dilated Pupils: Show the eyes widening in response to a sudden threat, with dilated pupils indicating heightened alertness.

Tense Jaw and Clenched Teeth: Mention the clenching of jaw muscles or teeth, signaling internalized stress or anxiety.

Furrowed Brow and Raised Eyebrows: Describe the furrowing of the forehead and raised eyebrows, revealing worry or confusion.

Quivering Lips or Lip Biting: Note subtle lip movements like quivering or biting, reflecting nervousness or fear.

Frozen or Stiff Facial Muscles: Highlight moments of fear-induced immobility, where facial muscles become tense and rigid.

Body Language and Gestures

Fear can also be expressed through body language and gestures, showcasing your character's instinctual responses to danger or threat:

Backing Away or Recoiling: Describe your character instinctively moving backward or recoiling from the source of fear, signaling a desire to retreat.

Raised Shoulders and Tensed Posture: Show how fear causes the shoulders to rise and the body to tense up, indicating readiness for fight or flight.

Trembling Hands or Shaking Limbs: Mention the trembling of hands or shaking of limbs, reflecting nervousness or anxiety.

Covering Vulnerable Areas: Describe your character instinctively covering vulnerable areas like their neck or torso, symbolizing a protective gesture.

Fidgeting or Restlessness: Note any fidgeting or restlessness, such as tapping feet or wringing hands, as signs of inner turmoil and fear.

Vocal Cues and Dialogue

Fear can alter vocal cues and dialogue, affecting how your character speaks and communicates their emotions:

Quavering Voice or Shaky Speech: Describe the voice quivering or becoming shaky, indicating nervousness or fear.

Rapid Breathing and Gasping: Mention rapid breathing or gasping for air, showcasing the physical impact of fear on the respiratory system.

Stammering or Hesitant Speech: Note any stammering or hesitant speech patterns, reflecting the character's struggle to articulate their thoughts coherently.

Sudden Silence or Lack of Verbal Response: Show moments of sudden silence or the inability to respond verbally, highlighting the overwhelming nature of fear.

Repetitive Phrases or Vocalizations: Describe repetitive phrases or vocalizations, such as muttering prayers or chanting reassurances, as coping mechanisms in fearful situations.

Reactions and Physical Responses

Fear triggers various physical responses in your characters, showcasing the body's instinctual reactions to perceived threats:

Increased Heart Rate and Sweating: Mention the character's heart rate increasing and sweating profusely, reflecting heightened physiological arousal.

Dilated Pupils and Heightened Senses: Describe dilated pupils and heightened sensory perception, as the character's senses become more attuned to potential dangers.

Muscle Tension and Rigidity: Note muscle tension and rigidity, as the body prepares for action or defense in response to fear.

Nausea or Stomach Churning: Show how fear can lead to feelings of nausea or stomach churning, as the body's stress response impacts digestive functions.

Fight, Flight, or Freeze Response: Highlight the character's instinctual response to fear, whether it's a readiness to fight, a desire to flee, or a state of frozen immobility.

Types of Fear and Emotional Depth

Different types of fear can evoke varying emotional responses in your characters, adding depth to their portrayal and the narrative:

Startle Fear: Describe the sudden, reflexive fear triggered by unexpected events or loud noises, leading to a quick, intense reaction.

Apprehensive Fear: Show the lingering sense of unease or dread that accompanies anticipated threats or impending danger, heightening tension over time.

Terror: Depict the overwhelming, paralyzing fear that arises from extreme danger or horrifying experiences, impacting the character's ability to think or act rationally.

Phobias: Explore specific phobias that trigger irrational and intense fear responses, shaping how your character navigates their environment and interactions.

Trauma-Induced Fear: Address fear resulting from past traumas or experiences, influencing the character's behavior and emotional resilience in present situations.

Verbs and Adjectives for Writing Fear

Here's a list of verbs and adjectives to help you convey fear effectively in your writing:

Verbs: tremble, cower, gasp, quiver, shrink, freeze, recoil, sweat, pant, gulp, shudder

Adjectives: terrified, anxious, alarmed, horrified, shaken, jittery, panicked, petrified

[ministarfruit]

day 2: please be gentle ♡

(femslashfeb prompt list)

[swedenis-h]

ITS DINLUKE WEEK!!1!

This an old au idea I had with my friend keylime about Luke and Leia going to ✨political parties✨ to gain allies for the New Republic! Of course dinluke shenanigans occur, we can’t have politics and daddy issues the WHOLE time 🙄✋

June 11th prompt: The Senate Deals with DinLuke Shenanigans (@dinlukeweek)

[tlmtwelve]

On Wednesdays, they wear pink.

@summer-of-bad-batch's Post Credit Prompt: Pink

[rachelsfav-queer]

Favorite AU

Enid: Hi, I’m Enid! Enid Sinclair! What’s your name?

Wednesday: …

Enid: *unfazed* Do you like playing hide n seek? It’s my favorite game. Except, I don’t like playing it with my brothers, cause they get really rough playing it and they’re all lots bigger than me.

Wednesday: …

Enid: *still unfazed* You look like you’re fun to play hide n seek with! Here, I’ll count first since you’re shy. *covers her eyes* One! Two! Three…

Wednesday: … *walks off and hides*

*Two Minutes Later*

Enid: I FOUND YOU!

Wednesday: *scowling* How’d you find me? My hiding spot was perfect.

Enid: *gasps* You CAN talk! Your voice sounds so pretty!

Wednesday: *scowling, but blushing* You didn’t answer my question.

Enid: *giggles* I’m a werewolf, silly! I sniffed you out!

Wednesday: … Intriguing… it’s my turn now. You hide.

Enid: OKAY! MAKE SURE TO COUNT TO TWENTY!

The girls continue to play hide n seek for hours, neither getting bored as they both find better and better hiding spots. Wednesday, for the very first time in her young life, finds fun and excitement in something other than the pain of others. Enid’s happy and excited to find someone who actually wants to be her friend and isn’t scared off when learning she’s a werewolf.

(Day 7, Prompt 7 of Wenclair-Tober. WENCLAIR CHILDHOOD AU!! I can never get enough of this AU, it’s so sweet and adorable. This is also set before Nero’s death btw, so Wednesday isn’t closed off to her emotions at this point. I might make a bonus to this one, I just love it so much!)

[tsukiyo-7]

Hearts will dream again Lungs will breathe in Wash away the sins It's where it begins Feet won't fail you now Arms won't let you down Wash away the sins It's where it begins

[evidenceof]

@haguenauisforlovers: Day 1 -> Prompt: Unspoken

JOE LIEBGOTT and DAVID WEBSTER EP 9 The Last Patrol | Band of Brothers

[ivetried27nameswhataboutthis1]

Weems: For our new anti-terror-safety class, you will defuse a fake bomb as a partner exercise. You have to be in sync on this.

Wednesday: Why would anyone want to defuse a bomb?

Enid: Focus, Wednesday. I think I got this. On the count of three, we will each cut our grey wires. One, two-

Wednesday: Wait, wait, wait. Grey wire? I only have green, red and yellow.

Enid: That’s weird. I have light grey, medium grey and dark grey.

Wednesday: Enid, are you colour blind?

Enid: Oh, yeah. I forgot about that.

Wednesday: Is that the reason you are dressed like that?

Enid: What do you mean? We are dressed the same.

Wednesday: Enid, my dear, my heart, my soul, my love. Don’t you ever say such a mean thing to me ever again. That was totally uncalled for.

[preseriesdean]

You two have the most unhealthy, tangled-up, crazy thing I’ve ever seen.

for @wincestwednesdays week three: reputation

[trashcakery]

This was after the hug, Fadel’s tears, the slow dance, the I have fallen for you, the kiss. Fadel had made up his mind. He would take what he could get—Style’s smell, the shape of his mouth, the taste of his skin—one last time. He knew it was over, could feel it seething between his lungs, the anger a quiet whir in the back of his head. He looked into Style’s eyes for a moment after they broke apart, and he thought of collapsing the facade, of grabbing his shoulders and shaking a confession out of those beautiful, lying lips. But Style simply looked back, smiling, unwavering, clueless. Did you really think I would not find out?

They were to spend the night in Fadel’s room. Style was tired. He went quiet at times in the night—a part of him Fadel was sure no one else knew. It was as if he gave out his spark in constant bouts, leaving little to himself in the final hours of the day. The loudest people can be the loneliest, Fadel thought, fleetingly.

“Fadel,” Style whispered. He was sitting on the foot of Fadel’s bed, the smile, though tired, reaching his eyes. His hair was wet. He had just showered, and was in grey sweats and a black band tshirt that Fadel swore wasn’t cropped a few weeks back. Style raised both arms up, asking for a hug, asking Fadel to kill the space between them. “Why are you so far?”

Fadel didn’t say anything. He watched Style; the droplets lining his neck, one by one, pooling in the milky collarbones; those wild pretty brows that were surprisingly relaxed, not challenging him like they always did. He looked so good, so harmless. Fadel wanted to jump out of his own fucking skin. He walked, measured, towards him. Style’s shoulders perked up, a light in his face. He wrapped his arms around Fadel’s neck when Fadel bowed to let him, and they held each other’s eyes. Fadel stayed there. Say it. Say something. His mind was a jumble. Why won’t you say anything? But Style sat there, expectant. Fadel tightened his brows and quickly, like reflex, grabbed Style’s jaw. Maybe he’d scare a confession out of him, he thought. Maybe that’ll get him to explain himself, to swear to Fadel that Bison was wrong and that he didn’t betray him, that he wasn’t lying when he said he loved and wanted him. Fadel’s fingers left white prints where they pushed the skin. But Style stayed as he was, trusting. Fadel searched his face, searched for a silver of a clue, but found none. It pissed him off. Why was Style’s guard down? Why was he so fucking calm? Why wasn’t he afraid, still smiling, still ready to give his body, down to the bone, to Fadel? Fadel dug his nails into the skin, knuckles white, and Style titled his head ever so slightly to kiss the part of Fadel’s hand he could reach. “I miss you,” he said. “I was so worried that your shop was closed. I thought I was going insane.”

Fadel didn’t understand this. He didn’t know how to react. He was angry. He wanted him. He wanted him so much. He wanted to say goodbye. He didn’t want to kill him. He didn’t want to let go. He didn’t want this to end.

“Why?” He said, a breath.

It was Style’s turn to frown. He looked confused. “What?”

Fadel snapped out of it. Immediately. His fingers relaxed around Style’s jaw. He took a breath, grounded himself. “Nothing.” An exhale. “Come here.”

The kiss was slow, deep. Fadel couldn’t close his eyes. He kissed him, watched when he could. It felt wrong, but he needed to do this, one final time.

Style slipped out of his shirt. It came off beautifully, his hair crowned with a shimmer. He looked up in quiet excitement at Fadel, who was standing now, taking his own shirt and pants off.

Style pushed himself to lie on the bed then wrapped his arms around Fadel’s back as Fadel climbed over him. They looked at each other. It was never like this between them. Fadel was suddenly aware of it all. Of the sounds their bodies were making against his sheets. Of the difference between them, in size and mannerism, the pace of their breaths, how Style’s gentle thrill was getting the better of him, how Fadel’s limbs were stiffening up in response, his trust in Style completely shattered.

Style raised his head up and kissed him again. Fadel tasted peppermint, fruit candy and sweetness. He wanted this. He wanted lifetimes of this.

“Fadel,” Style whispered against his mouth and stroked the back of his neck. “Did you think about me while you were gone—“

Fadel slipped his tongue in to shut him up. He didn’t want to admit the answer. I did. Every night.

They kissed, again, and again, shed off the rest of their clothes. It was different this time, the silence a creature in its own right. Fadel kissed Style’s body carefully. He left no part untouched. Style’s breaths came in quiet moans as he held onto Fadel tightly, always following his gaze, always trying to show him it felt good. And it did. It felt so fucking good, like fire, like martyrdom. But Fadel avoided Style’s eyes when he was inside, his face turned as he moved, slowly, carefully, awkwardly. His heart hurt. It shouldn’t be like this. It was never like this. He kissed Style’s neck when it became unbearable. And Style kissed him back, wherever he could, his jaw, his chin, his cheek, holding on tighter with each motion. Why? Fadel’s tears burned.

“Fadel,” Style closed his eyes and whispered as his head fell back. He bit hard onto his lips. Fadel went deeper, and watched, detached. “Fadel.”

[haguenauisforlovers]

never let artillery fire stop you from developing a crush

♡ take cover, lean on a bicep, fall in love under tables in haguenau ♡

[hayatheauthor]

The Writer's Guide to Authentic Wounds and Fatalities

Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.

Writing Fatal Injuries

When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.

Choosing the right injuries for your story

Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.

For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.

Researching the mechanics of fatal injuries

To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.

For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.

Depicting the immediate aftermath

When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.

For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.

Emotional and dramatic impact on the narrative

The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.

For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.

Writing Minor Injuries

While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.

Types of minor injuries to consider

When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.

For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.

Conveying pain and discomfort

When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.

For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.

Balancing realism with narrative pace

While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.

For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.

Writing Bloodshed And Realistic Blood Loss

When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.

Understanding blood loss and its impact on the body

To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.

Factors influencing blood loss in different injury scenarios

The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.

Techniques for accurately portraying blood loss in writing

There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.

By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.

Bruises: Colors, Progression, and Pain

Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.

Understanding the stages and colors of bruises

Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.

For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.

Depicting the progression of bruises over time

As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.

For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.

Conveying the pain and sensitivity associated with bruises

Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.

Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.

Remember The Side Effects

Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.

Physical side effects

Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.

For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.

Emotional and psychological side effects

Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.

For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.

Social implications and changes

Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.

For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.

By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.

Conclusion

Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.

Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.

Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.

I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[reddamselette]

valgrace except leo schemes with everyone and their mother to throw jason a bonfire party with close friends and family. they sit snuggled close to each other, curled into one another’s side as everyone shares stories about and first impressions about the son of jupiter.

annabeth mentioned how she threatened him with her dagger at first, piper and their mist filled memories, thalia with baby jason antics that had her hair turn gray at a young age.

after the night ended and they all go their separate ways, leo and jason snuck out somewhere else to share a kiss under the stars.

leo's first impression of jason was how beautiful he really is and seeing him made him believe in love at first sight.

[pascal-istheway]

Prompt: “Don’t walk away from me saying I deserved better. I didn’t want better, I want you!”

Fandom: Narcos (TV)

Rating: Not Rated

Characters/Relationships: Javier Peña & Reader

Word Count: 279

Javi can't admit his feelings for the reader were more than a job to him out of fear. When push comes to shove, the reader admits they didn't want better than Javi, they wanted Javi. And what could be better than him?

MASTERLIST || AO3

Javi’s brows pinch together, his frown deepening and his chest rising with a deep breath at your confession. You loved him. You had always loved him from the first moment you met him. There wouldn’t be a moment you thought you wouldn’t love him, nor was there anything he could do to make you unlove him. 

The frown deepened with the turmoil behind his eyes. You could see the weight of his thoughts anchoring him down. He had a confession that he knew he would have to tell you to keep you safe.

“You were just a job,” he pushed the words through gritted teeth. 

While his words told you that the intimacy you had shared between those sweaty sheets in a cheap Bogotá motel meant nothing more than business to him, the sorrow in his eyes told you otherwise. This was no job but a deeper emotional connection from which he was running.

He gives you one last sad look with the brown eyes you’d spent hours staring into over the previous few weeks before turning and walking away. You grab at his arm, the fabric of his soft flannel you were so comfortably wrapped up in last night slipping through your fingers.

“Don’t walk away from me!” the desperation is a half sob away from a scream. 

“What!” his feet spin him around, a frown on his face as he is chest to chest with you, “What is it that you’re expecting from me?” 

Your vision blurs, “don’t tell me I deserved better and then walk away from me!” the palms of your hands rest on his firm chest. “I didn’t want better, Javi; I want you…”