#promise to receive

[falseandrealultravival]

Today’s Tanka sometimes with Picture 26

3 years old

promise to receive

peonies

The flowers are fragrant

clove incense

(2024.05.02)

短歌２６

３年越し

貰う約束

芍薬を

花は香るや

クローブの香

[idliketobeatree]

i'll give you a boop, anywhere you wanna go.

[gemharvest]

Hey Karl you think whenever BF or GF just hit Pico with a random hug no matter the circumstance his face just crumbles into the most vulnerable and yearning look and suddenly the hug lasts for 20 minutes because they don't have the heart to pull away when Pico lays his arms around their backs in the most gentle way possible

(id in alt - do not repost, please ask before using as icon/ banner etc.)

yeag..

Close-ups of my personal favorite shots LOL. I also really like how Boyf came out here but he's already Huge in the piece so he doesn't need a close-up.

Do you ever think BF and GF get super emotional when he's soft with them? This guy, known for his fuckin' Bite with an attitude developed partially for self-defense, melting at their touch and allowing them to see his more gentle side? Something that nobody else will ever get to see?

The demon and the rapper are nice by default. Boyf can be a bit of a menace and Girlf is not afraid to show her demonic side when necessary, but they're kind to others as a default, maybe even to a fault. Not that Pico doesn't ever show kindness to others, but he's usually prickly and standoffish; his kindness could come off in ways that read almost as passive aggression. And yet, around the two idiots (used affectionately lol) he's like putty in their hands.

Anyways idk what I'm on abt really I just think if you gave him the choice he would literally melt into their embraces. Safe, and protected in their arms; for once, he isn't the one who has to do the protecting. I think the worst part of a hug to him would be having to let go.

[daily-dose-of-bucket]

Day 177: KANNA HALLOWEEN DOODLES PART 1 (pretend it's Halloween still) (it's a working title)

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[nellasbookplanet]

That post I reblogged about Imogen '8 strentgh' Temult being fanonized as burly is mostly lighthearted, but it also reminded me how the fanon depiction of Imogen has shifted. Earlier in the campaign, when Laudna was perceived as the stronger of the two, the one who took care of poor little innocent, anxious, migraine afflicted Imogen, fanon-Imogen was this short, round, soft looking person. Now, as canon has made it very clear that Imogen is the (mentally) stronger of the two, the one who's trying to stop Laudna from spiraling, her fanon self has shifted into something more traditionally masculine, leaning into the farmgirl aesthetic of pants and cowboy hats and muscles, even as her canon design has only gotten more feminine with sheer dresses and skirts.

And I'm not one to pass up on fun fanon designs; I've certainly reblogged my fair share of muscly Imogen because I'm only human and Imogen with muscles hot. I don’t think these designs are done with any larger motive than 'she looks good like this'. But I also kind of think we need to have a conversation about how fandom keeps trying to slot these two characters in a non-heteronormative relationship into heteronormative roles of (feminine) soft, weak, innocent person to be cared for/saved and (masculine) strong, heroic, saviour taking care of them, however unconsciously it’s done.

[christakisbang]

cutest boy in the world has world’s slowest hotel wifi 🦊

[wizzard890]

My cousin is having a baby shower on Saturday and I'm knitting her future child a blanket for swaddling purposes and whatever other uses a baby has for a blanket (comfort? chewing?). However, I got plastic surgery two weeks ago that took my arms out of commission, and now that I'm recovered enough to once more grasp my needles, I only have three days to finish knitting and blocking.

No one has ever been as locked the fuck in as I am on this random Wednesday.

[marxtheimpish]

so i know that. basically every jervis fan seems to have agreed that jervis/jonathan/edward is the group to go with. but me personally i sit here with my jervis/jonathan/waylon agenda. i think they have a lot of chemistry. so to illustrate that have a stupid shitpost

[alilarew23]

go to the end, lovelies. it’s already written.

[blindmagdalena]

Heeyy a bit of a self indulgent ask here but I had a phobia/trauma trigger today and it caused me to have a messy sobbing panic attack. Do you have anything on how Homelander would deal with his s/o having a panic attack like that? almost completely inconsolable. I know this is self serving and indulgent and I’m sorry for over sharing homelander is a comfort character for me and you write him exquisitely. If you’re not comfortable with this just ignore

Homelander was sixteen when he had his first panic attack. He'd flown further and faster away than he'd ever had the freedom to and collapsed in a dense woodland, sobbing and rocking his body against the cool forest floor.

He'd pulled his hair so hard it should have come loose, grit his teeth so tightly they should have cracked, and choked so badly on his own constricting throat that it should have caved in.

They didn't. He's invulnerable, after all. As solid as marble.

It was the first attack, but not the last.

That's how he recognizes it so quickly in you.

"Hey," he says, ears attuned to the rabbit-like pound of your heart. "Heyy, hey, it's okay. I'm right here, you see me? Hey." He's only just found you, he doesn't know yet what your trigger was, but he can ascertain that later.

Your staccato breaths and sharp sobs, the sea salt smell of tears streaking your cheeks, are nearly enough to rouse his own panic by proxy. He needs it to stop. He needs you to stop. He cares about you too much for you to scare him like this.

"Hey, you hear me?" He asks, cupping either side of your face. You can't answer through it. Your tongue is gnarled with panic and you're sobbing so hard he fears you'll choke yourself on it. He's not even sure you see him.

He takes you into his arms, one moving smoothly around your waist while the other cups the back of your head. He holds gently at first, grip gradually tightening, compressing your body against his in the hopes that the hammer of your heart will meet and match the steady beat of his own.

"Sssshhhhhhh," he shushes by your ear, lifting you just enough to keep you on your feet, but take from you the weight of your own body.

"I've got you. Whatever it is, it's okay. It's okay. I've got you. M'gonna take care of it, alright? Ssshh," he says, rocking you the same way he used to rock himself in the corner of the bad room, soothing himself with the thump of his own skull against those sterile white walls.

He knows it's working when you slip your arms around him in turn. He continues to hush you, whispering more honeyed assurances in your ear, the core sentiment always the same.

I'm here. You're safe. I love you.

It's everything he can think that he always wanted to hear in these moments of raw, horrifically human weakness.

Eventually, your breaths begin to even out, though your heart continues to thunder in his ears, still convinced that the danger hasn't yet vanished. He tries not to take that personally and scoops you up the rest of the way into his arms.

"That's it, just like that," he coos, pressing a firm kiss to your forehead. "Breathe. Breathe. Good... Light as a feather now, okay? Like you can fly," he tells you, sharing the greatest comfort he's ever known. His only real escape has always been his weightlessness, the ability to shed gravity at will. He uses his strength in an attempt to share even a sliver of that sense of freedom with you.

Maybe it works, maybe it doesn't. All he knows is that your heart starts to slow alongside the flow of your tears. He kisses your wet cheeks, the bridge of your nose, your forehead. He whispers praise and love with each one, voice barely above a whisper.

"I'm sorry," you choke out. He's appalled that would be your first instinct.

"Don't," he says firmly, though his voice is still low. "Don't. I can carry it for you. Carry you. What's the point of super strength otherwise?" He murmurs, a smile playing at the edges of his lips.

You almost smile back, and that's enough for him. He kisses the crease between your brows until it smooths, and the highs of your cheeks until the tears dry up, and your lips until they're ready to speak again.

He'll hold you for as long as it takes your body to realize the threat was only ever in your mind, and that there isn't a thing in this goddamn world he would ever let hurt you.

[imclou]

I'm YN. Moon's inlove with YN

Sun (hopefully) will hop in on the band wagon Ergo: I can marry enforcer DCA. (pls accept this silly, flawed logic lol)

ALSO THESE DESIGNS ARE MARVELOUS

Bahahaha i can't argue with that logic!

But yeah you're right Firelight Y/N is a blank slate you can project onto, they're you! :D

Also thank you omggg <3 <3 <3

[ofswordsandpens]

im sorry but I do think its a little funny that there's maybe like... a handful of people actively critiquing the show compared to the overwhelming praise its receiving, and yet there's a portion of the fandom acting like they're either being held at gunpoint and forced to read every criticism, or that they've personally been appointed by RR himself to defend the integrity of his works, and I promise you, you really don't have to do either lol <3

[claudia-kishi]

Record some memories. They're a map of who we are. A map we can use to find our way back if we get lost.

[killerandhealerqueen]

Every time I go in the Logan Sargeant tag on here and read about how Williams is fucking him over, my urge to bite something grows

[mewvore]

you've researched your kinks yeah? im curious, have you found a fundamental shared motivator behind what drives a lot of them? the reasons behind kinks can be really multiplicative but ive noticed a lot of people tend to have common threads of desire behind what theyre into. what motivates someone as a person is usually in some degree of conversation with what gets them off. like, loss of control, a need for intimacy (I tick both these boxes) a NEED for control, or generalized humiliation, that kinda thing.

yeah but its not exactly something that fits in a response to an ask, its not so much due to it being complicated as it is a conversational dead end to lay everything out about everything in one go lol that and I prefer having context for fetish conversation, like a recent work, a certain artist, that kind of thing