#project xadia

[seireasong]

I have come crawling back to Tumblr to annouce...in one hour, my The Dragon Prince fan project, Project Xadia, will finally...FINALLY...be releasing something. Even then, this story won’t all be out in time for TDP season 4, but my heart will be a bit more at peace. Come join in, if you’d like. Thank you all for the support over the years.

[zuppizup]

The amazingly talented Kisa Seira drew this stunning image of Dragon Guard Rayla from my fic Out of Time and was kind enough to let me share it here.

Please check out the original, as well as their wonderful work on AO3

Twitter Link to the original

[raayllum]

Anyways time to analyze this screencap

This was originally a split second clip from the Bardel projects' reel, although it's since been omitted... and interacted with online by some of the team / cat's out of the bag, so uh - here's the meta!

The first aim is to try to establish when this is taking place timeline wise (aka in which season and when). The second will be who I think this scene involves (which is Rayllum and I'm gonna explain why). Spoilers for 6x01 thanks to previous Cons and proceed with caution if you don't want any spoilers!

So 6x01, "Startouched," has Rayla and Callum embark to the Starscraper by the end of the episode alongside Stella. This means they will presumably not be reuniting with anyone else from the Main Cast until at least the season's midpoint (6x05) if not later (6x07-6x08), by which point the plot will likely be in full swing, even if Aaravos was not released by the season's midpoint. That means there may not be as much time for something that seems like a cute little filler moment as this seems to be.

Not impossible, but I think it's unlikely that this shot/scene is from S6 from a plot / time standpoint.

Another reason in this column is that we know Hat at least, but presumably the other Baitlings too, are with Soren and Zym when they go to Lux Aurea to meet up with Corvus again.

So there's no way, realistically, it could be in early season six. If it is in later season six, it means that Callum and Rayla succeed at the Starscraper / escape relatively unscathed enough with a small window between reuniting with the boys / Ezran and shit hitting the fan. It is a window, narrow, but not impossible

My early estimate could also be early S7 as, again, the latter half of the final season will be particularly intense, and I could see the characters trying to have some down time / make the best of a bad situation earlier on in the season when there's a bit more time, well, to let them try

As for the boat itself...

The first thing is that the boat is decorated quite prettily and prominently with roses, which just feels romantic. Stella is juggling and the Baitlings (who seem to be singing) seem to be putting on some small, endearingly silly sort of performance. possibly added by the two (Star arcanum?) birds we see. There's also a warm yellow-ish light source coming from the bottom of the picture and subsequently probably the upper middle of the boat, which makes me think of candles.

I'm willing to bet that this is a Rayllum moment since it just screams Callum being very sweet and romantic, and setting up this (maybe they have to take a boat and he wants it to be better, maybe it's just for fun) boat to try and distract Rayla because she doesn't really like them. I can't see Janai or Amaya being interested in a little animal circus performance, so that rules them out to me, and we hardly ever see Stella be separated from Rayla, even temporarily. So I think this being a Rayllum scene makes the most sense because of Stella's inclusion, and maybe it is Callum wanting to do something special for her, whether it's them officially getting back together, or just spending some time together even while the world is ending cause y'know, they missed out on two years of dates they could've gone on, and want to use some of the time they have left for that.

Stella is also juggling Adoraburrs, which have a tendency (presumably) to be primarily close to the Moonshadow forests, since we don't see the tiny ones anywhere else in Xadia, so it could even be a pit stop on the way back to the Silvergrove to get her and her family unghosted, perhaps (and all the more reason to try and take her mind off things).

My other consideration for a pair is Sorvus, since I could see Soren being silly and setting up the Bailting choir (he seems close to Hat in particular) and I think Corvus would be endeared by it, ultimately. That doesn't account for Stella though, and while Soren and Corvus are clearly friends/co-workers on the crownguard, they haven't had a lot of even teasingly romantic development, so I don't feel like the story is really gonna prioritize them heavily as a romance (especially because we have Karim/Miyana, Callum/Rayla, possibly Aaravos and someone in his past, Claudia/Terry breaking up and presumably getting back together, we're gonna get Runaan/Ethari back in these coming seasons in addition to Lain/Tiadrin, and there's always Janai/Amaya, of course). TDP already has a lot of romantic relationships in it, so I feel like Sorvus, if/when they do get together, would probably be a smaller moment later in the final two seasons, and they probably wouldn't get as big a focus as a scene like this seems to imply just from a pacing/character standpoint

Plus, Rayllum kinda has a thing with boats and important moments for them happening on said boats, but that is a meta for another day

[moon-sky-sun-earth-ocean-stars]

Dargon prince writing prompts

I decided to do a post to ideas and prompts I have or recieved of the dragon prince, so people might decide to write them. Feel free to use them. It would be nice to get credit or message if you do use them but it's not necessary. If you have other ideas write me in the comments or in a message and I might add them to this list. If you do write a fic for one of this prompts and you'll send it to me I'll add a link to it in the post.

Sunfire elves royal family

Rayla and Suroh meet again

Trenda and Pozili (because they both scholars skywing elves)

Runaan's thoughts when he sees Tiadrin and Lain in the coins

Eltha and Somma meet and talk about botanics or has a special botanic project together

Soren in camp Katolis

Terry coming out as trans

Astrid coming out as trans

Villads adventures

Why Darys was in Scumport (ideas: could be because he lost sunforge dagger, or maybe he was undercover, or he has a hobby of going to fighting pits, or he started to trade goods from the human kingdoms after the border was opened and that why he went to Scumport)

Rayla meets Tressal in Chasing Shadows

Viren coping with Lissa leaving

In the lore book of tales of xadia there are many short folk stories, each of them can be idea for a fanfic.

Lira and Somma in bun bun fire night in Silvergrove

[spicyviren]

Oh let me meditate on the beast of devouring that feeds on the stars, that star devourer dragon Let me repel this Star dragon and banish it from the light of my Sun

- Ancient Sunfire chant, Tales of Xadia

I'm thinking about the sun and the stars and how Laurelion is, probably, both.

(Reposted because I’m a damn fool!!)

The Big Bang, in real life

The majority of atoms which make up us, our earth, and even our very own sun, were formed in the hearts of the very first stars in the universe.

These stars were made of lighter elements, mostly Hydrogen, Helium, and Lithium. But under the immense pressure at the core of those first stars, heavier atoms like Carbon, Oxygen and Nitrogen were formed. The stars eventually died - exploded - and released those heavier elements into the universe to be crafted into other forms.

As Carl Sagan famously put it, "We are made of star stuff."

And so Aaravos's quote in the teaser for season six - We are, all of us, stardust - is a blatant nod to the Sagan quote as well as, I am assuming, that aspect of the universe in some shape or form. Allegorically, it speaks to the idea of the universality of existence in the basest sense. But also, it acknowledges that the stars, like everything else, operate generationally.

So in this way, if we are to assume the TDP cosmos operates at least somewhat similar to our own, Xadia's sun is a younger (but still old as balls) star, from a different generation than the stars which are far more distant and ancient.

(As a side note, the very first stars in the universe did not last very long. Though certain stars in existence right now have "lifetimes" which are projected to last longer than the universe has currently been in existence.)

So if Xadia's sun is technically a star, even by Xadia's own admission (see Sunfire chant), then by this metric I have to ask...

What makes the Sun arcanum different from the Star arcanum?

While those first, most ancient of stars produced the materials which would become life, only a sun can sustain life and is therefore inextricably linked with the earth and all the life on it. It's this connection which I imagine is responsible for the change in the nature of the magic.

In Callum's Spellbook, Callum makes some word-association lists for the different types of magic. He associates "truth" with both Sun and Star (perhaps a trait of their shared stardom). No other words match up completely, but it feels like they are referencing similar things within different contexts.

The Sun teaches while the Stars are simply intelligent; the Sun is a "guiding light" while the Stars are associated with "destiny." Further, many of the other words Callum associates with the sun are about being in positive community with others (optimism, warmth, charisma, leadership). The nature of the sun is more giving, nurturing, and dare I say loving than that of your average star. Sun is revealing and honesty, Star is mysterious and reality-altering. Further, there is a dynamism in the words for Sun Magic that is absent from Star Magic - sharing knowledge vs simply having knowledge, guiding vs prescribing a set path.

(Another side note: Callum also mentions that Star mages are born, which, Callum's limited understanding aside, is perhaps a hint about what it will take to connect to the Star Arcanum. I have thoughts, but.... I'll just leave that there, winky face)

Obviously, these word associations can only go so far. Some of the most hostile and arrogant (eh eh!!) figures we've met have been Sun-aligned. But it does make me wonder about the beginning of Sun magic and what that introduction may have looked like.

Ever wonder what those sparkly dots are up there?*

Okay, so big question for me. Is Aaravos a star, like, literally a personification of a ball of gas burning billions of miles away, or is he just like, a very special elf? The same goes for all Startouch elves.

Zubeia refers to Aaravos as both a star and as an elf, and it's one of those things which I can't decide is real or simply a more poetic way of speaking of him. Is "Startouch elf" simply another type of star? Official art also sometimes depicts him and others as constellations. Are they the formed consciousness of a collection stars?

But it also makes me think of how often Sunfire elves personify the sun/the sun orb.

JANAI: You are a student of history, yes? Do you know where the Great Orb of the Sunforge came from? KARIM: Legends say it was a gift from the Sun herself. The gift of a millenium. - "The Drakewood," S4E6

In "The Queen's Mercy," we have...

Aditi nodded. “[...]and so, as the Sun’s daughter, I will lead you into her embrace.”

...and earlier, there is this:

Queen Aditi the Merciful, they called her. Queen Aditi the Kind. The Light of the Sun Incarnate. Kim’dael had thought it all an insufferable exaggeration. Sunfire elves gilded everything they could touch, of course they would do the same to their beloved leader.

Karim personifies the corrupted sun orb in "After Darkness":

He could still see it: the top of the Sunforge Tower, upside-down from where he lay, shrouded in inky corruption. It looked ill, its sickness weeping red and crowning the spire in a haze of blood. [...] We will come back, he promised his beloved, tainted city, his lost home. We will not abandon you. The orb pulsed mutely, a cry for help he could not answer.

TDP uses personification a lot, so it is kind of hard to parse out when it's being literal and when it's being lyrical. Perhaps in the examples cited it's simply the ostentatious way of the Sunfire elves like Kim'dael thinks. But if Aaravos, a known person, can be a star, then I can easily reason vice versa.

In the Book 1 novelization, Aaravos refers to himself as "of the First Elves." And if that is true, it follows that there must have been "Second Elves."

So who is Laurelion?

The significance of the laurel in the Western canon goes back to the myth of Daphne and Apollo.

There are various versions of the story, but essentially, Apollo (popularly associated with the sun), falls helplessly in love with Daphne. Though her reasons vary in different iterations, Daphne turns away from Apollo's affections. She runs and Apollo pursues. Just as Apollo is about to catch her, she begs for help - sometimes from her father, a river god, and sometimes from her mother, a nymph or Gaia - and she is saved by being turned into the laurel tree. In Ovid's Metamorphosis, when Apollo reaches Daphne post-transfiguration, he can still feel her heart beating below the bark. From that point on, the laurel wreath was associated with Apollo, achievement, and victory.

Gold, the element, takes the symbol Au from its Latin word, Aurum, which has etymological ties to 'aurora' (dawn). Names likes Aurelio or Aurelius similarly mean "golden" or "guilded."

So, taken together, I of course think immediately of this:

THAT BEING SAID, this looks more like a weeping willow or a wisteria than it does a laurel, which has bushy foliage rather than hanging. The closest I can maybe get is a mountain laurel, which does have blooms that hang kinda sorta like a wisteria, though not nearly in such a dramatic fashion. But anyway!

The golden laurel...⋆｡°✩Laurelion✩°｡⋆

Interestingly, in Ovid's retelling of Apollo and Daphne, Apollo's love is the result of being struck by Cupid's golden arrow, while Daphne's disgust of Apollo's advances are the result of being struck by a lead-tipped arrow. And so, there is an association there with gold and love. And within the context of the myth - Cupid is getting petty revenge on Apollo after Apollo is boastful and arrogant about his own prowess with a bow and arrow - it's also an instance of weaponizing love.

Which brings us to that which is known everforth as...

The Nova Blade

It is actually quite common for stars to have companions and to exist in what is called a binary star system. In this system, two stars are gravitationally locked in orbit and can appear as a single object when observed by the naked eye. Sometimes, the proximity between these two stars results in what is called a nova - a sudden brightness which appears to be a new star. Novas are not associated with stellar "death" (you'd be thinking of supernova, in that case).

Now in our universe, novas are not actually stars. They are events, momentary bursts of brightness under specific circumstances between two stars. But the name "nova" originally came from the term "stella nova" which means new star.

…and though undying, took last breath, immortal Laurelion was no more. - "The Death of the Immortal"

Did Laurelion just...die? You know, it was really unclear...

I do not think the Nova Blade killed Laurelion in the moment described in the poem. Kazi is so doubtful and Callum is so sure - Callum you fool! - surely that would be too easy (quote quote easy)?

I will grant that "Supernova Blade" would sound kind of hokey, and even originally I had thought, "Oh cool, 'nova,' like 'SUPERnova!'" And then I thought to look up just 'nova' and it turns out it was actually its own thing. But even without all that, the 'though-undying' of it all haunts me.

And so I hold to the idea that the Nova Blade makes an immortal mortal. It does bring death's bite, but in a way in which Laurelion becomes something else, reborn with death's promise like all other mortal beings are.

I have two point five ideas.

The Light of the Sun Incarnate

My first hypothesis is, of course, that Laurelion became the tree with the Sunseed with a name that's a nod to Daphne and Apollo. Of course, I'm assuming here that the tree in which the Sunseed is kept is responsible for producing/sustaining the Sunseed, which may not be true.

Now the drawback of this idea is the legend that the Sunseed was a gift from the Sun herself. So here, it would have to be within the context of the Sun sacrificing Laurelion in some way for this purpose. There's obvious Jesus parallels here which, full disclosure, is not really my bag, baby, but there are plenty of elements in TDP that very easily slot in with Christian canon. But also, in the laurel myth Daphne begs a parent to save her, which puts the sacrifice of it all in a different light. It makes me wonder if the event with the Nova Blade is self-inflicted and, mayhaps, an act of love. So in this sense, the Sun "gifted" the world (or just the Sunfire elves, I dunno) her child by simply letting her child go.

My second hypothesis is that Laurelion became the first Sunfire elf, of the second elves. We are, all of us, stardust. It would not come as a shock to me if all elves were ultimately descended from the Startouch elves of old.

AND THEN we've got Aaron Ehasz talking about how the red dragon scale amulet (...and look, this show does color coding, that's SUN) is somehow related to Laurelion?

Sunfire elf, I say! SUNFIRE ELF!

Combining both of these scenarios, I could see Laurelion being the child of the Sun (again IF we are to assume each star is a living entity). Or maybe Startouch elves are born OF stars while not, technically, being the same thing, like an egg hatching the next evolution of its mother.

And so, perhaps Laurelion chose to become mortal, to become the first Sunfire Elf. And all of Laurelion's children, and their children's children, and their children's children's children, they were all of them children of the sun, the light of the sun incarnate, bringing the hope and optimism of something new to the world; destined to return in death to the embrace of their very first mother. And as a symbol of her love, the Sun gifted Laurelion the Sunseed, golden and cradled within a tree.

*oddly relevant Lion King reference

[temerity14]

Chapter 2 is UP!!

Summary:

After her parents betrayed Xadia when she was ten years old, Rayla was taken in by the royal family of Katolis. Desperately trying to escape her past, she embraced the human's culture, becoming close friends with the two princes. Though not everything is perfect and many people still resent her, she can trick herself into being happy.

Until five years later when moonshadow assassins, including Rayla's childhood friend Calypso arrive in Katolis.

Suddenly thrown into a web of betrayal, friendship, conflicting loyalties and romance, Rayla, Callum, Ezran and Calypso are forced to reassess everything they once believed.

I did it! I posted to a schedule! I finished editing in time! I beat ADHD! Somehow! WOOOOOOOOOOOOO!!

[thrandilf]

do you have a guide as to the extra materials for The Dragon Prince? i keep seeing stuff about comics or books but idk where to start

Not on hand but I can make one here! :D

There are two, soon to be three, canon graphic novels.

Through the Moon takes place between seasons 3 and 4, like a little season 3.5 It isn't Necessary to read it before watching S4 but the story is cool and the extra information is neat. It feels like we might get more info regarding what happened to Rayla while she was gone later in the show

Bloodmoon Huntress takes place when Rayla is a child around when her parents leave. Lots of Runaan and Ethari, also introduces Kim'dael who will be in S5. Again, not Required reading but a fun extra story.

Puzzle House is coming out August 1st and is about Claudia and Soren as children, and we also get a look at younger Viren and other people. Harrow's father, King Atticus is still king in this one so interesting Katolis lore, SUPER hyped for when we get to read all of this one. The Scholastic link has a 15 pages preview if you wanna take a peek.

There are novelizations for Dragon Prince Season 1 and Season 2, they add a bit of introspection and small extra details. Viren in particular gets more of his internal thought processes laid out and for me it just Confirmed a lot of things. Season 3's novelization is coming out April 2nd, 2024. I'm sure all 7 seasons will eventually have novelizations.

Tales of Xadia is the ttrpg book and it's gorgeous and is probably the most lore heavy supplemental material as far as world building goes. The system also looks fun! The website has a character builder too for OC making. As a writer, it's been a great help as far as seeing some aspects of the world laid out. The system looks fun and there are videos of some of the cortex(?) team playing ToX official tales/campaigns but I haven't watched them yet. The campaigns are also available to look at online too.

I think that ToX is getting an expansion at some point since the base game doesn't touch much on Ocean or Star magic, I imagine due to spoilers for the seasons we're coming up on.

There's also a tabletop game called Battlecharged which I haven't personally played and I don't think it Adds lore but I've heard it's fun.

Also, it will likely be a long time before we see it, but there's a video game in the works as well that's in alpha testing right now called Project Arcanum. Wonderstorm is pretty busy!

BUT WAIT THERE'S MORE

The Free Stuff:

Reflections are official short stories hosted on TDP's website and all of them are excellent and provide little extra scenes. Some of them are quite impactful, and the ones in this second batch are promising an absolutely wild S5. The first batch was released pre S4 and the second batch is being released now pre S5 as we count down to the new season. They aren't Required reading since the most key information from them will be in the show (going by the S4 ones) but I highly HIGHLY rec reading them all. Banger after banger. As of posting this there may be one more coming.

There's also little 4 panel comics called Everyday Xadia that have been also released during countdown mode and they're just fun/cute. Volume One and Volume 2 (still coming out). Sometimes when people say comics they might mean these, or the graphic novels lol.

Thank you for the ask, I'm always happy to share the TDP love and I hope this was helpful to you and anyone else who'd like a ref!

[theredhairedmonkey]

This is also long overdue, but here are what I think are the shadow archetypes for each of the main characters:

Rayla's shadow is Runaan - Runaan embodies the ruthless dedication to duty and hard sacrifices that Rayla has long been taught assassins must make. He is the model of assassin virtue she measures herself against, and represents the person Rayla would be if her sense of justice and duty wasn’t mitigated by her softer conscience.

Ezran's shadow is Kasef in the first half of s3 - While Ezran can be childish, Kasef takes petulant behavior to the extreme, with his desire to invade Xadia more akin to lashing out. He’s a reflection of what childish attitudes, hardened by harsh experiences, could lead to. We see this side of Ezran shine through in the end of his short story.

Soren's shadow is Kasef in the second half of s3. While he represents Ezran’s childish nature taken to an extreme, by the time he becomes Viren’s ally he shifts to representing what Soren was trying to be: a dutiful son to his father, with the kind of machismo that Soren outwardly projected but grappled with internally. When Viren transforms Kasef into a monster, he becomes literal dumb muscle, the kind of person that Soren was initially becoming but luckily avoided.

Claudia’s shadow is Viren, and this is a particularly interesting case because we see this relationship largely from the shadow’s (aka Viren’s) perspective. Viren is Claudia’s mentor as well as father. She emulates his sense of right and wrong, and becomes loyal to her own family much in the way Viren is. She sees Xadia and its inhabitants the way that Viren does. Though Claudia initially struggles against Viren’s goals (such as confronting him on trying to kill the princes), she eventually embraces them and becomes her shadow, much to her own shadow’s horror!

[halyasgirl]

“And the Dark mage showed you the mirror of the Fallen Star?”

“Yes.”

“And offered to free you in exchange for information?”

“Yes. All lies. I told him nothing.”

“That may be so. But that Dark mage invaded Xadia. Lux Aurea has fallen, its corruption seeping across our land. Now the Fallen Star walks free.” “It would have been better, if you’d taken your own life rather than risk interrogation.”

“I tried.”

(Rayla, Runaan, and Callum return to the Silvergrove to face its justice, and the lives they left behind).

(Or: Runaan, Ethari, Rayllum, and the apology that was promised).

[konmaao3]

A Dream Come True – Chapter 2/2

On their way to Xadia, Callum and Rayla stay in a cosy inn overnight. Missing scene from Season 5 Episode 2 “Old Wounds”.

Please take all the fluff I have to give.

[starsky707]

This is my Dragon Prince OC Aubrey. She is the daughter of Aaravos and Viren from my AU where they conquer Xadia.

If you want to read:

Part 1 (read tags)

Part 2 (not finished yet)

[beautifulterriblequeen]

Sir Sparklepuff has got me thinking Startouch thoughts again

If Aaravos can whip up a whole new being from a magic spell and a few drops of blood, what does that do for the chances that all life in Xadia popped out of Star-themed bug pods or similar at some point in ancient history?

Maybe other Startouch elves use other themes besides bugs? Even if they make bugs? Ahaha, did Aaravos create all the bugs in Xadia? Did he make the criminally adorable adoraburrs and the teensy berry dragon too, maybe?

And what would this kind of origin mean when it comes to ancestry? Are all elves descended from a single Startouch? Humans too? Or did one of them make the humans, and another Sunfire elves and another the Earthbloods and someone else cooked up the Moonshadow elves and so on? "In their image" and etc, variations on a theme, was sentient life in Xadia a class project?

I'm just enjoying the thought, however silly, that humans and elves are really just cousins several thousand times removed or something. If they're all truly family, then this cycle of violence is just the Hatfields and McCoys on a grand scale, huh?

[zuppizup]

Sweet Dreams

Rayllum Month 2024

July 11th: Dream/Nightmare

She dreams about it when she’s going about her day.

Callum, complimenting her.

Telling her she looks pretty or gushing about how smart and talented she is or, well, he speaks to her at all.

It’s not like he ignores her, either. He’s busy, which she understands. Being the crown prince and the high mage. He has the king to support and magic to study and she knows he likes drawing too, though she heard he hasn’t done as much of that since that big trip to Xadia to return the dragon prince.

She’s going about her duties when she sees him again, hurrying down the halls early one morning, not long after coming back from another trip to Xadia. The king is away on some dragon mission, so Callum’s technically in charge of the country, something she imagines he won’t like because he doesn’t care about things like that. Callum isn’t like the tyrant princes she’s heard about in other nations. In fact, he’s a little awkward and out of place as a person even. She likes that about him though. He doesn’t put on airs or graces with people. He treats the palace staff and nobles with the same respect and dignity.

Perhaps even if he wasn’t quite so handsome, she’d have liked him for just that aspect of his personality, though the fact he’s tall and broad and very attractive does help…

Read More on AO3: Sweet Dreams

[raayllum]

More Than Anyone or Anything

or why I think Callum is Like That: The Meta.

AKA because I realized that while I've talked about Snake Boi Callum and why I view him that way before, it was mostly in regards to explaining his canon traits that aren't usually very disputed. These being:

His sometimes obsessively dangerous qualities, specifically surrounding magic (1x04, 1x05, 2x04, 4x01, 4x02, 4x04)

His ambitious side (man heard from the one magical 'expert' he knows that humans just flat out cannot do primal magic naturally, said fuck that, and got it in a week after one week of practice)

His temper (1x01, 1x06, 1x09, 2x07, 3x08, 4x01-4x04, 5x01, 5x05, 5x08)

His ruthlessness (turning on Viren the second Ezran is in danger despite trusting him for years beforehand; his attitude towards Claudia in 2x07 after she's likewise betrayed him; smiling when killing corrupted soldiers in 3x09 even when Ezran expresses grief and Janai expresses horror when she was facing a similar scenario during the timeskip; arguing to take the violent route in 5x05 whereas Ezran and Rayla pick the more preventative one).

Therefore, for this meta, I will be focusing specifically on why I interpret Callum as Selectively Loyal to the point of being willing to help free Aaravos in order to spare, specifically, Ezran and Rayla's lives (and not necessarily anyone else's, such as Zym and Soren).

Strap in boys — this is going to be a long one.

Disclaimers: As always, this is just my opinion, and an interpretation being popular in fanon does not automatically mean it's better or more valid / rooted in canon than any other kind of (less popular? maybe common) interpretation. I will also be making it clear when I'm drawing on sections/snippets from supplementary material (TDP short stories, novelizations, and Tales of Xadia) but give that it's supplementary material, feel free to take it with the ultimate grain of salt.

Related Metas (that's worth reading if you're interested in other Snake Boi aspects that are not going to be heavily touched on here):

Callum's temper (S1-S3) and how it links to him typically feeling helpless to fix/aid his loved ones, causing him to lash out even sometimes at them

How Callum operates differently from Ezran and Rayla (S1-S4), but very well embodied I believe by the scene in 5x05 where Ez and Rayla side with the "violence as a last resort" option and Callum does not

How Callum views Zym and the egg in Arc 1 differently from Ez and Rayla, or how Callum sees things as tools and why he gets fixated on / what he projects onto objects (much like Viren with the mirror)

Differing Priorities for Callum and Rayla in TTM, in which Rayla only engages in their scheming because she thinks Viren is a threat to the whole world, and Callum comes up with their scheme because he just wants to give her closure

What does the Trio's Tales of Xadia's bios actually mean? (this one will be touched on the most down below, so feel free to skip unless you want a more detailed refresher)

Specifications:

If you're someone who doesn't see Callum this way, but you're genuinely interested in reading a differing perspective, please read on. If you're someone who doesn't necessarily see Callum this way, but you're curious and/or on the fence, please read on. If you'd like to add your own thoughts to this post, feel free to add on if it's in support; if it's differentiation, please make your own post (I'll engage respectfully with if it I want to).

If you're someone who is only going to get upset with my viewpoint, please curate your internet experience and do not read this post. If you're only going to make thinly veiled meta rebuttals of this post in a rude way ("even though some people may think...", linking to this post, general assholery), please do not read this post. You would be far happier if you were less obsessed with an opinion I've held for 5+ years and months & months before you likely joined the fandom. i just want to chill in my corner, please do not chuck pillows at me for doing what I've always had a good time doing that doesn't hurt anyone.

With all of that out of the way, let's get into it

What do I mean when I say selective loyalty?

Loyalty has always been an interesting trait to me, simply because in the bulk of storytelling, it is a necessary character trait for a story to function. One of the biggest things that a character can do to be disliked is be a traitor towards someone that trusted them, and if a character is too disloyal, they can be hard to engage with due to a lack of consistency. Characters who start out loyal to no one/nothing inevitably have arcs, provided they stick around in the story long enough, of garnering loyalty for someone (usually found family loved ones > a cause) in order for them to be able to progress as a character. We want characters to bond, and we want them to be there for each other, and if they're not at all, we want to see what happened or what other bonds they might form with other people. If not loyal, we want to see why they're working with someone at the very least.

Therefore, everyone in real life or in fiction has some elements of 'selective loyalty,' since we all have people (the people we know and love) we are more loyal to, fundamentally, than others (strangers / people don't know at all). It's just a natural normal thing to adhere more to valuing and looking after the people in your immediate circles over people you don't know at all, even if that doesn't mean we're void of caring about strangers, either. Our empathy or compassion, as well as the social structure of our living units and lives, are more cohesion for caring for strangers than it is for competing with strangers or being wholly indifferent.

For a quick overview of the way selective loyalty can work, I'm actually going to talk about Claudia quickly, and her internal hierarchy. While she is loyal to the princes ("Their Dad is dead and you lied about it. Plus they're our friends. It's wrong") to the point of that possibly being an opportunity for severance, initially, with her father ("Careful, if you tell the truth you will lose her"), Claudia's loyalty to her father ultimately trumps her loyalty to the princes, and even to her family with Soren.

For the opposite approach of selective loyalty, I'm going to talk about Rayla, who regularly bails out strangers (the boys in 1x03, Phyrrah in 2x07) and enemies (Bait as a frenemy in 1x05, Nyx in 3x05) as well as the people she grows to love (the boys on regular intervals). She and Runaan, as is Soren, are all willing to put their perceived missions/duties not only above but in direct opposition to their familial loyalty / family ties.

Callum, TO ME, is not, and here's why.

When I say that Callum is selectively loyal, I mean that there is ultimately nothing he will put above Ezran and/or Rayla at any interval with very few exceptions (aka if they're still breathing, he's still going to be fighting for them). This is for a few reasons.

I'm going to talk more about why it's Ez and Rayla specifically later, but for now I want to talk briefly about how they factor into his decision making and what see of them from people who have lost his loyalty.

Despite knowing and having trusted Viren for the bulk of his life ("Claudia! Lord Viren! Anyone!"), as soon as Callum learns that Viren has put Ezran substantially at risk ("Two [targets]? What do you mean?" "I'm here for the king, and I'm also here for his son, Prince Ezran") Viren is fucking Dead To Him.

It's not just that Viren lied, it's that Viren's lies and choices put Ezran in danger, and that's just not acceptable. We see this happen again with Claudia in S2, even after Callum defending her and trying to give her chances. She lied, yes, but she scares Ezran and attacks Rayla again, and that's the breaking point.

When you threaten the people he loves, when you scare them, if he trusted you, he will never look at you the same way again. Any loyalty he felt towards you will snap and snap hard, permanently, like a wishbone.

Callum loves and cares for other people. He loved and cared for Viren and Claudia. But unlike Ezran, who is willing to give Claudia a chance in 3x09 to the point of running after her, helping hand extended, and unlike Rayla, who still adamantly loves Runaan even after their fight and with no hint of change from him, Callum does not take other people hurting his family lightly, at all.

He loves and cares for Amaya, and Soren, and Harrow. But even Harrow, his father, is someone he's willing to put on the backburner — despite having an offered chance from Rayla to save him — in order to do what Harrow asked and what Callum's first instinct is: to look after his brother, because it is fundamentally unsafe for Ezran to stay at the castle for any longer, and he knows it.

Callum knows what the egg might mean, but he does not follow Rayla out the dungeon door blindly. He runs only after Ezran does, and only after Claudia might hit Ezran with lightning. Then he acts. Then he makes a choice. Because his loyalty to his brother outweighs after other substantial relationship in his life, at this point, but it doesn't necessarily stay that way.

Inner circle

In Tales of Xadia, all the characters are given values. While the values have more generic explanations (i.e. Callum's highest one, Liberty, is labelled as, "Have you ever resisted the control of others? This value is about freedom and autonomy. You’re motivated by a world without oppression or suppression") the characters individual bios help offer more clarity on their specifics. Callum's, specifically, states, "I am beholden to my inner circle, not some silly kingdom." Ouch, from Katolis' crown prince and Ezran's heir apparent.

It is, of course, important to not take this trait entirely literally. If Callum truly valued his own personal autonomy over everything else, he would've taken Finnegrin's deal in 5x08 in a second if all he wanted as his own freedom. Instead, Callum's highest value being Liberty is far more about his place with Freedom as a Theme more than something he wholly actively desires; again, we see in 5x08 he's willing to risk more of his freedom by doing dark magic in order to save Rayla.

There are things that Callum values more than his own personal freedom and there are things that he values more than magic (2x04: "Callum, you're being an idiot! Why would you do that? You can't risk your life to learn magic") vs throwing himself off the top of the Storm Spire at the slimmest chance of, once again, saving Rayla.

That said, this value and quote is still very useful, as it does then, beg the question, of who exactly is Callum's inner circle? Well...

Ezran and Rayla are the most important people in the entire world to him. Full stop. There is nothing he will fundamentally put above them. He only stays behind in 1x06, thereby not sacrificing the egg by proxy, because Rayla points out "We'll need to be up here to pull [Ezran] out." Even when he was stressing about whether they'd gotten to the Sea of the Cast Out on time, the second Rayla showed a hint of major discomfort/potential self-deprecation, he was offering to get back into the goddamn boat to comfort her ("I'm getting out—" "No. I can't do it, but you have to"). He's hesitant to go into town to find a vet for the egg because "We will definitely find some elf hating humans," pouting further when Rayla brushes him off, and flings himself off his balcony when he thinks there's even a chance that Ezran isn't okay into what he knows would subsequently be a trap. He's the first to say that they need to leave Rex Igneous' chambers after protecting Ezran from falling rocks with his own body, and the last to actually leave, almost being crushed by rocks himself because he's so committed to standing there and watching Rayla leave.

He equates Rayla's love for him with his love for Ezran on Day Nine (2x03: "I couldn't tell him. And I understand why you couldn't tell me. When you care about someone, it's hard to hurt them. Even when what you're saying is the truth.")

Hell, he even forgets that Sol Regem is there in 3x01 because he tunnel visions on Rayla needing his help so intensely she has to point out the massive ton dragon actively trying to kill them to him.

He's a nurturer, a fixer, a solution seeking. He wants to make you feel better ("See it's working right? Don't you feel a little better?"), he is a kind reassuring word ("Don't be so hard on yourself, Ez") always, he thinks of your problems even when you don't (Rayla's binding in 1x07), he will lay his life down for you without question ("I am Prince Ezran"), he will get mad at you for treating yourself poorly (3x04, like almost all of S4), he dotes, he notices, he will compromise his beliefs for you ("Could he really bring himself to go through with his plan? What if he didn’t succeed? What if he compromised his beliefs and it was all for nothing? [...] But Rayla was in trouble"—S2 novelization).

You mean everything to him: "Rayla's strong, thin arms wrapped around him meant everything" (S2 novelization of the hug scene in 2x04) / "You're my brother, and you mean everything to me" (2x06).

You are his whole world.

If you're part of his inner circle, and not everybody is, so let's talk about it.

[ Callum, excluding Claudia and Soren from their support system, even though the siblings haven't yet betrayed them, while including Rayla, even though he and she haven't made up yet. ]

What about Soren and Zym?

As stated before, Callum's selective loyalty does not mean he doesn't care about other people in his life, such as Claudia (in the past) and people like Amaya, Soren, and Zym in the present. Merely that, slightly like Claudia, Callum does have an internal hierarchy of care — the way you might have friends vs best friends — of who takes priority, and we see S1, S4, and S5 in particular demonstrate this quite well.

As already stated, Callum prioritizes Ezran over the egg in 1x06 and is held back emotionally by Ezran fuelled logic and physically by Rayla. In 1x07, he doesn't want to risk going into town — even to potentially find help for the egg — because of his last disastrous experience with humans and Rayla. In 2x04, Callum is perfectly happy to walk around a sea to let Rayla avoid her fear of water, and approximately 5 minutes later is getting on Ez and Rayla's case for goofing off (with Rayla's thinly veiled and fallible disguise) because "Sometimes getting someplace slightly faster is important, like right now." Wasn't quite the tune he was singing earlier, now was it? For Zym, we see this again in 3x04 — Rayla is having a breakdown, so she has more of an excuse, but Callum should conceivably be much more clear headed, and he still tunnel visions into leaving Zym alone with Nyx leading to the theft. Likewise in 4x07 when the group thinks Zym might be gone, Ezran is the one who states, "I'm not leaving without him," and Ez and Rayla are both pretty broken up about it; Callum is sad, for sure, but he mostly focuses on taking care of Ezran and placing a hand on his shoulder.

Then you have Amaya, who Callum loves dearly, but isn't particularly torn up over not trusting or lying to (1x04, 5x03) in spite of being close to her, and isn't as vexed even when he thinks that maybe something bad has happened.

Even when Callum thinks it was bad, and potentially very bad ("The way Gren was talking, I thought maybe the world was ending or something!") he doesn't get angry and he doesn't get demanding. This is very different from how he responds to Ezran and Rayla being potentially in danger or just in trouble.

Which on that note also highlights another key importance between how Callum treats Rayla, in particular, versus how he treats Soren. Now, you could argue that Callum in 5x01 has emotionally matured/healed further than he has in 4x01 prior to Rayla's return, and that would be perfectly fine to do. However, it doesn't change the fact that just the hint of Soren keeping a secret — even before Callum thinks, at all, that it's about Ezran — makes him wait on the battlements to coldly and sternly interrogate Soren about it. With Soren, he demands,

C: I know this — the ties are true as the ocean is deep [...] It means I trust her. Unconditionally. Let her go. Now. R: About your key and the bow. I can explain. C: No, I meant what I said. You don't have to explain or justify anything to me.

Even when Rayla engages in actually shady behaviour — omitting the truth if not outright lying, stealing his key, and retrieving a painfully poignant weapon — Callum doesn't get mad, at all. Soren just implied he was potentially keeping a secret from Callum at the council meeting and lowkey got his ass handed to him, with Callum literally shoving him out of his way and needing Corvus' help to coral the angry step-mage.

Furthermore, even when Soren goes missing in 4x06, although concerned, Rayla is by far the most broken up about it. Ezran is optimistic because he's, well, Ezran; Rayla is torn because even though she doesn't know Soren that well, she feels like it was 100% her fault he's gone missing and has possibly gotten hurt; and Callum, well... mostly focuses about how she feels about it, and less so about his actual friend (because if Ezran or Rayla are emotionally hurting, they will take priority to him). He's focused on making sure she feels better.

Again: Callum loves Amaya, and Zym, and Soren. He loves them dearly. He wants to and does protect them. He can and will take care of them. But push come to shove, they're not in his inner circle — he doesn't trust them the same way, and he doesn't focus on them the same way, because when it comes to his inner circle, he loves them

More Than Anyone or Anything

So after seeing Callum like this from S1 onwards, you can imagine I was pretty thrilled upon opening up his bio in Tales of Xadia — which seems to be the most 'canon' of the supplementary materials thus far (scenes and ages are changed in the novelizations; timelines get a little wonky in the prequel graphic novels; some designs from "Callum's Spellbook" ended up being different; the art book is full of beautiful concepts, of course, that never understandably got off the ground) except perhaps for Though the Moon — said the quiet part out loud. Not only does TOX have plenty of lore drops and hints at future arcs that are coming to fruition (Aaravos' connections to Elarion, mentioning the Great Bookery of Lux Aurea and Leola, etc) but they did something very interesting when it came to what values which character had. There's some leeway as this is very much an Arc 1 reading (probably most clearly seen in Soren's bio) but there is still plenty of bleed over into Arc 2.

Now, as I said before, we don't want to take the Values too literally. As talked about previously, a lot of the characters highest values seem to be things their arcs are set up to thematically test rather than being a 1:1 what they value the most. But I feel like you can glean a good deal from them, so let's look at the trio:

EZRAN:

Justice — 10: I expect the best of people and try not to become an agent of cruelty.

Devotion — 8: All creatures—regardless of origin—deserve love and appreciation.

Liberty — 8: I value the liberty of everyone, sometimes even more than my own.

RAYLA:

Devotion — 10: Love and devotion compel and define me.

Justice — 8: At great personal cost I will strive for what’s right.

Liberty — 8: My only allegiance is to my heart and those who know it.

CALLUM:

Liberty — 10: I’m beholden to my inner circle, not some silly kingdom.

Devotion — 8: I value those close to me more than anyone or anything.

Mastery — 8: I aspire to know the great wonders of every primal magic.

Out of all the more 'heroic' characters listed in the handbook (Amaya, Janai, Aanya) only Callum and Lujanne do not have Justice, "Have you ever been compelled to fix what’s wrong? This value is about balance, virtue, and reward. You’re motivated by adherence to fairness and what you think is right" among their top 3. Each have it at a 6, instead, which the guide labels as, "This matters, but so do many things" and is the second lowest ranking a value can have. None of the main cast have any value at the highest ranking, 12, either, to help indicate scale perhaps.

Devotion, then, is the one we're currently the most interested in for Callum, since as said before, while the general value descriptions are useful, the specific ones help show more indication. Devotion is referred to in Tales of Xadia as, "Have you ever been obligated to others? This value is about duty, faith, and friendship. You’re motivated by the bonds of loyalty and your love for others."

Although devotion is Rayla's highest value, her devotion value makes no indication of who/what she is Devoted to. Whereas Ezran's reflects his deep love and appreciation towards animals (hence saving the baby glow toads in S5) and Callum's we'll get to in a moment, Rayla's we're not privy to. Instead, we can look at her Liberty value, as it states that her allegiance is to her heart ("My heart for Xadia") and to her loved ones (her friends, her family). Much of her arc is therefore feeling torn between what she thinks/feels her duty is versus what her heart is telling her, indicated by her letting Marcos go in 1x01 and the subsequent fallout.

We can also see her state this more clearly in Through the Moon, in which Callum is the one primarily concerned with her parents ("he’s stuck worrying about her parents. About what happened to Runaan. She can’t move on, not without knowing the truth of what happened [...] I hope you find your parents. And Runaan"), versus Rayla going along with the plan, "Callum, listen. Soren was worried about Viren too. Worried that we never found a body. We need to know what happened to Viren. He’s a threat to the whole world! This might be the only way to be sure he’s actually gone! [Upon entering the Portal...] Okay. Viren. My parents. Runaan" and then 5x01 spells it out even more directly.

R: Callum and Ezran need me. A great evil is trying to return to Xadia and we have to stop it, at any cost. I think this is what you would want me to do. I love you, and I haven't forgotten about you. I never will. [...] It hurts me to know they're trapped like this. It's agonizing. But our mission comes first. The world is in danger, and you can trust me to stay focused.

Now this makes sense, as Rayla having this push and pull has not only been a defining feature of her arc most seasons, but is ultimately what's going to be the most challenged when the Callum possession plotline rears its head. Does she kill/incapacitate the man she loves in order to protect the world, or does she fight to get him back no matter what, even if that may lead to ruin and chaos? (I'm hoping for the second one, but I will eat either up, lemme tell you.) Does she finally refuse to sacrifice, or does she barrel on hoping she'll only have to sacrifice herself?

The reason I bring Rayla up at all is because I think it provides a good contrast to how Callum operates, specifically in 5x04, in which case he reaffirms his devotion ("I would do anything for you") and then risks everyone's lives by staying late at the Great Bookery, even when Rayla says three times that well, this isn't the time: "Not yet, Callum... Believe me, I want to do something, but... Callum, we need to leave!"

Rayla cares about everyone, and is willing to risk her life for enemies and for strangers. She will abandon her mission for the world in favour of looking after individuals because they need help, regardless of what it asks of her: "Live or die, this dragon goes home." (And because she believes Ezran and Callum can accomplish the mission without her, but that's a post for another day.) As Bloodmoon Huntress makes explicit, as Ethari says:

Who I love, where I love, what I love, are all specific. But to Runaan and those like your parents... love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close. Each time Runaan leaves, it is with the weight of knowing that he may not come back. That to fulfil his duty, he may need to sacrifice everything, himself, and all that we have here.

Rayla likewise feels called to protect everyone, and that's precisely why by the end of Bloodmoon Huntress she's chosen to literally and figuratively follow in Runaan's career path, in order to be able to help protect and save people like Suroh (a stranger she immediately becomes entangled with). As Rayla says to the vision of Runaan and her parents in 5x01, "I think this is what you would want me to do," because they are ultimately all more alike (even in the occupations Rayla holds, such as assassin or dragonguard) than they are dissimilar.

The reason I highlight Rayla here is because 1) it is her highest value, being the only character to have it as said highest value (Claudia's, likewise, is only an 8 — but everything she does is indeed for her father, and unknowingly herself) and 2) I think it provides a clear contrast to Callum.

Because Callum's devotion does outline who, or what, he's loyal to. He isn't loyal just to causes and he isn't loyal just to concepts. While he cares about the world, when his back is up against the wall and it's a choice between that kind of security vs the life of a loved on (Ez, Rayla), Callum will always choose the latter. He cares about the world — to a Point.

I've talked about it before, but merely a statement of "I value those close to me more than anything" would accordingly be a lot more vague. There could be discussions and debates on what the 'anything' constitutes (morals, responsibilities, hurt feelings) with a lot more grey room as to whether it would include people (strangers).

“Maybe there is something I can do,” Callum said. “Ezran, you stay here. Protect Bait and Zym. Don’t worry. I’ll be back soon—with Rayla.” [...] Could he really bring himself to go through with his plan? What if he didn’t succeed? What if he compromised his beliefs and it all ended up being for nothing? […] But Rayla’s blade bounced off with a clang, sparks flying. She reeled back and tried again. Nothing happened. She was in trouble. Callum inched toward Claudia’s [book].

—Book 2: Sky novelization

But the inclusion of "more than anyone" changes that. It does include people. There is no wiggle room about that.

Now, I'm not going to base my whole thing on one (1) statement from a supplementary material. As previously stated, I've seen Callum with that exact same sentiment for years now, well before Tales of Xadia (March 2022) was released, and well before S4 or S5 premiered. I've gone over a lot of the reasons I thought Callum had selective loyalty even in S1, but I haven't touched too much on one of the biggest reasons why I think that selective loyalty includes a devotional component that borders on dangerous (at least, in a story). And that's, well...

“Rayla told me you used Dark Magic,” [Ethari] said, more stiff and cold. Callum shrank a bit, but his eyes hardened. “I couldn’t just let her die.” “You’d do it again." The prince scowled. “I’m not like Aaravos. He twisted the primal to be like Dark Magic. I would never do that.” “Unless you felt like you had to,” [Ethari] reiterated. “To save Rayla.” “Wouldn’t you do anything to save the person you love?”

—chapter 13 of a fic I co-wrote called in search of silver linings (we discovered gold) from july 2019, respectively

As soon as Callum opened up the door with dark magic in 2x07, I knew it was something he likely would never be able to entirely close. Not for lack of trying or wanting — but that his willingness to engage in dark magic at all spoke to a few different things. The first was the effectiveness — what spell to use, what would be most useful, and what Rayla's biggest problem would be (her swords unable to cut chains) — but most of all was what pushed him there: his devotion.

While magic has always been the thing presenting Callum with paths (to be a mage or not a mage, to be a primal or a dark mage), his bonds with other people, and his love for them — Rayla in particular — has always been what's actually pushed him down certain paths. His love for his mother, and her love for him, is what helps him unlock the sky arcanum. Callum unlocks his wings out of his love for Rayla; he goes down on the path of mage because "you called me a mage, and that felt right."

Although mastery of magic is one of Callum's highest values (an 8, just like his devotion), it was always clear to me that magic is not something Callum values above the people he loves. He can be obsessive, and his love for magic can sometimes put himself and other people unintentionally at risk, but thus far we've always seen him course correct the minute he realizes what's happening. The second things begin to go south at the Banther Lodge, Callum reflects, "We never should've come here," and completely forgoes the quest for the cube. He tries to risk his life just for magic in 2x04, but as we've gone over, he's unable to go through with it, but he will risk his life for his loved ones.

His rejection of dark magic was, to me, of being a dark mage, of not also pursuing primal magic, of relying on dark magic. Not that he would never, under any circumstance, ever do dark magic again if the show put him in the right circumstances. And then he did, in spite of knowing it would make him more vulnerable to Aaravos, in spite of not having any confirmation it wouldn't bring on a second possession, in spite of the fact he was fine being tortured if that meant not doing it or participating.

Then we have Callum giving up the spell, and the fact that the Ocean arcanum is linked more directly to love within his arc — "To love is to simply know this: the tides are true as the ocean is deep" (5x01, 5x08) — in addition to being aware that there are unknown depths in what he's willing to do for said loved ones/Rayla.

This is not to say that none of the main cast would do dark magic — although I don't think Soren or Ezran ever would, and I think Rayla would but only perhaps using herself as spell parts — but that, as the primary mage character, it's going to and is playing a much bigger part in Callum's arc than the others, who are given other thematic considerations.

He hates dark magic. He doesn't want to let Aaravos control him. He refuses to help Finnegrin. He folds on all of those things motivated by love. It's a weakness and a strength; something that, in my eyes, will likely lead to his fall to Aaravos ("Seems to me love's got a tighter grip on you than those chains around your wrists, so I'll do you a favour [by killing Rayla] and set you free") as well as what might save him. But to focus on the fall, with everything already said behind us:

Why Love Instead of Curiosity?

Now, obviously the theory of "Callum will free Aaravos because of [insert non possession reason here]" could be wrong. There's merits in having arcs about the tragedy inherent in losing your agency, it would still open up an interesting arc after the fact, and all that good stuff.

Callum has also very much always been an Icarus figure. He can be obsessive with magic, he can take it too far, and he does have a deep curiosity and thirst for knowledge that has already gotten him in trouble by not excluding dark magic from the bunch.

And deep curiosity is already hinted to be what partially causes him to fall further into Aaravos' clutches in a few different places. The mirror ("What secrets are you hiding?") and the cube ("Perhaps it will be you, Callum, who discover's the cube's secrets") seem accordingly linked and fittingly so, for the Mystery of Aaravos, as is magic: "it's the secret of the primal".

Zubeia also warns regarding curiosity, citing that, "Aaravos was able to give them something they wanted very badly. Aaravos chose as his instruments people who had strong minds and strong hearts… but who had an insatiable thirst and fascination with magic. Aaravos could offer them access to the great mysteries of the universe. Mages were his prey," which implies that this thirst for magic is what got them (primarily) into trouble. This is reflected (pun intended) in both Aaravos' reading of Viren as "You are too curious, hungry for knowledge and power," and while Callum is hungry for knowledge (and not necessarily power), his short story in which he finds the mirror highlights one of these things as well:

Callum’s eyes prickled with dust and tears. He rushed back to the spiral staircase—but as he reached for the figurine that would activate them, he noticed one last door he hadn’t checked. The small chamber beyond it lay dark and silent. A gleam caught his eye. Callum blinked at his own reflection. Curious, he stepped through the door—and there it was. A mirror.

With all that in mind, and I'm sure there's ones I've missed, too, why on Earth am I arguing that while curiosity may play a factor, I think it's going to be love that ultimately causes his initial downfall / playing into Aaravos' hands?

Well...

For starters, I personally find "doing terrible things for love" to be not only a primary theme of arc 2, but much more fundamentally sympathetic than just getting in over your head because you were a dumbass who couldn't read the signs. I know for myself that if Callum fucks around and accidentally gets himself into a place where (under possession at that point or not) he helps free, or just flat out helps, Aaravos knowing everything that he knows, if he does it for love I will defend his choice every step of the way. If it happens just because he wants more power or magical knowledge (hello Viren 2.0 beat for beat) I'm gonna be a lot more critical of him. After all, Claudia has done a lot of awful things but I still have sympathy for her because they were for her family, in their own fractured way, and operating out of a place of deep emotional pain. If she was doing that just because she wanted to be Powerful and Knowledgable, then no, I'm not going to be that sympathetic.

The other half of it, which you might have already guessed, is that curiosity is not a Motivation. It's a manifestation of a character's pyschological makeup. Even for a character like Viren, who very much chased power, ultimately, for the sake of power, we take time to dive into WHY he wanted those things ("To know that I mean something to you, it means everything to me" / "I dream of a bright future for humanity") and his internal justifications, no matter if some of those turned out to be lies.

Characters who are curious are curious because they want to solve puzzles and have a hard time letting things go; or else they are curious because they want to prove themselves by solving things first; or else they are curious because they deeply love and want to understand and protect the world; or else they are curious because they want to know and have access to tools so that they can fix problems; or else... Well, you get the idea.

Even if it is primarily Callum's curiosity and love/thirst for magic that gets him into trouble (and thus far it largely hasn't been, as we see in S2 with his motivation for doing dark magic — yes, there was a part of him that was undeniably curious about what it would be like, but I don't think he would've pushed himself into doing it without the dire straits of "I had to, to save my friends")... That doesn't answer why he's curious.

Either he will pull a full Greek tragedy and be so scared of freeing Aaravos he accidentally walks into it by trying to prevent it directly (and one of the main reasons he's scared of Aaravos is because he's scared he might hurt people he loves through possession) or he needs another motivation, but it can't just be "Callum really wants this [insert magical knowledge here] and it ends badly," because that offers a plot summary, not an emotional character beat. There's no motivation. They'll have to explain why he wants the magical knowledge, why he's chasing it, why this level of curiosity is something he cannot or will not put down even with all the risk factors at play. It has to be grounded in some kind of sympathetic emotion, and love or fear or a desire to be helpful/useful, or all three makes the most sense to me and with all the prior setup.

Conclusion

As a closing note, as well as thank you for reading this far if you have because this got wildly long and out of hand, I want to reiterate that in many ways, to me, Callum's devotion to his loved ones — that he says "I would do anything for you" and mean it — is indeed his saving grace and biggest difference from Viren, who would rather offer up himself or others or have Harrow die than relinquish the egg, because he would never put a weapon into Xadia's hands. Being devotional — valuing the individual — is not always a good or bad thing, nor is prioritizing the 'greater good' always a good or a bad thing. TDP is deeply interested in exploring all the different circumstances of motivation, sacrifice, and choices.

Nor is selective loyalty a bad thing. I'm not wired that way, but some of my closest loved ones are (and of those in the fandom have, overall, greatly aligned with this perceived aspect of Callum). Merely, this meta is meant to examine the claim in Tales of Xadia that "I value those close to me more than anyone or anything," why I was surprised but delighted to see my view of Callum be so directly spelled out, why I had that view and continue to have it, in addition to aspects/pieces of the text that I think support it.

I believe that Callum is loyal to Ezran and Rayla on a fundamental level he does not really extend to anyone else (including many other people who are also his family) and while this is in many ways something that creates the best sides of him — his nurturing, compassionate, thoughtful and protective traits — it is also something that can be exploitable and dangerous, particularly in a narrative where he is set up to be controlled/coerced by the big bad.

And this meta hopefully explained why.

You can take it or leave it.

—Dragons out

[moon-sky-sun-earth-ocean-stars]

Tales of Xadia characters-Perris

Name: Perris Pronounce: He/him Race: Moonshadow Elf Profession: Carpenter Information: Most of his career he did furnitures and upholstered them for the upper class but he needed more projects so he decided to become the town carpenter but he really hates it. He should probably focus on his artistic side.

[baatarthefirst]

❛ a golden cage is still just a cage ❜

The thieving do-gooders had a rather standard tradgic backstory. Their mother had died due to birthing complications, their father left them early as well. They couldn't live without getting a job, and no one would hire them because they were too young. Sarai started stealing to feed her little sister.

As they grew up, they got better. Better at stealing, better at escaping, better at fighting and better at...seducing. They'd gotten to a point where they could be choosy about who they stole from, making sure to only steal from those who could afford it and probably deserved it anyway. They grew to be masters at the art of theft. They also grew to be beautiful. Sometimes they barely had to cause an uproar at all. While one sister would seduce the local governor's teenaged sons and daughters, the other would steal a few mid-level valuables. Little things that would hardly make a splash; the Lady/Lordship would hardly miss them. And even if they did, what would their kids do, say 'We were robbed because I gave the key to a beautiful girl who let her sister in when I wasn't looking'? No, they almost always kept their mouths clamped. Between these scams and a few odd jobs, they were doing well enough to give some back, and take in the kids that fell through the cracks like them.

By their early twenties, the business grew. They'd built up a following of kind like-minded citizen allies, as well as a vast network of spies, smugglers, petty thieves, con artists and tradesmen to outsmart the rich to help the less fortunate. The upper class was finally starting to figure out that if they didn't want to be robbed or conned, all they need to do is see that the people under their protection were well-cared for. It would be cheaper than losing everything to them.

It was going good until King Harrow gave away too much of the kingdom's food, then failed save them through that 'secret mission' to Xadia. A projected fifty-thousand people would starve that winter. Sarai and Amaya had always been daring, and since Xadia was the land of riches, they took a little team and snuck across the boarder to steal as much as they could.

There they found plants so warm they grew despite the cold and they stole an entire crop in one night; some of their finest work, if the sisters did say so themselves. They sent it off to Katolis to be distributed to the poor who couldn't afford the already astronomical price of food. Then they found rubies that radiated heat, they swiped those and sent them to trusted allies who would use them to warm soil and start community gardens. There were so many things in Xadia that could solve Katolis' hunger issue if used with intelligence and compassion.

But they'd caught the attention of the elves. No problem, they were underestimated and slipped through the elvish fingers. Until the fiery redhead came along. Their motives of stealing to feed starving people moved their captor, but not her big sister, the queen. She went on and on about the disgusting humans and did not take kindly to Sarai's question 'So what would you do if the tables were turned, watch people starve because elves are too 'good' to steal?'.

They escaped, but circumstances forced Sarai and Amaya to hide...and apparently they chose the queen's chambers to do so. They tied her up and waited, surprising the queen by only stealing the rubies in her lamps before leaving her unharmed.

The stealing still continued, they were caught several times throughout the winter, the queen seemed more and more aggravated with them; with Sarai specifically. While Amaya was a funny smartass who made the princess snort more than once (of course Amaya didn't have a crush on her...of course not), Sarai challenged the queen; made her think. She also may have seduced her during a private interrogation. A new step was added to the cycle; steal, get captured, indulge in the queen's guilty pleasure, escape. Repeat.

Sarai had snuck through a hidden door to Khessa's chambers, one thing led to another, as usual. As usual the queen got what she wanted, then threatened to execute the human as she redressed. The thief could only laugh at her, calling her bluff.

"You like having a taste of freedom too much for that, Sunshine." She said as she toyed with a strand of hair. Khessa huffed, maneuvering her golden locks out of Sarai's fingers.

"I am free, you are my prisoner."

"Dear Queen," Sarai kissed a bare shoulder, "I am freer now than you will ever be. Your surroundings may be nicer than my camp, but a golden cage is still just a cage." 

"Get. Out." Khessa ordered with venom. A pretty standard way for Sarai to get dismissed.

"Until next time, Queen Khessa." She bowed and took her leave, but not before taking a ruby from the lamp on the way out.