During week 3, I did some artist research on Jamie Hewlett's art style through his Gorillaz pieces, mostly looking at his proportions and body models to incorporate into my own art style as I don't have much experience drawing below the shoulders.
When discussing how to go about my pixelation piece with Yvonne and Paul last week, Paul went through my sketch book and saw my artist research on Jamie Hewlett's art style for the Gorillaz. He suggested I draw myself as a member of the Gorillaz.
It gave me a few ideas. For example, over the years the Gorillaz have been portrayed in a number of different art styles, each separated by their phases, I think there's currently 9 phases. My idea was to draw myself in the different art styles depicting my own different phases via my hair.
I looked at the first 4 phases' art styles, focusing on builds, shapes, and facial features, out of all the characters both noodle and Murdoc have had the most drastic changes over the phases.
Phase 1: is the most cartoony of the bunch, majority of the characters have dull dotted eyes, large rounded ears, and their face proportions scrunched. I also noticed each member of the band has main shapes in their designs, 2D; long rectangles with a short torso and long legs, Russel; rounded squares with a large torso and short legs, Noodle; Cone shapes with normal child proportions, and Murdoc; stubby rectangles.
Phase 2: Not much has changed in body builds apart from noodle being gradually aged up, now a pre teen in this phase. Differences I noticed was that the eyes were closer to the nose, and the and the mouths were lower down, now aligning with the bend of the jaw. That and 2D's eyes are more almond shaped now, no longer little dots.
Phase 3: Here the faces become wider, the eyes bigger, and the ears pointed Murdocs face shape has also become more pointed compared to the rectangular shape he started with. The 3 oldest characters also have some age lines, and Noodle is now a young adult in this phase.
Phase 4: The style begins to take a more realistic look to it, the eyes become smaller, the nose is further down from the eyes and closer to the mouth, and the ears have become smaller. The hair is also a lot more detailed now.
I roughly tried drawing my different hair styles in the different phase styles to get a sense of what I would look like. I thought the first one looked the best, I'm thinking of trying to do a proper drawing of myself in that style.
OK, so we've discussed Jod's apparent faux concern when Harrow comes to him desperately begging to be protected from G1deon:
"Harrowhark, when was the last time you slept?"
We later learn that he asked G1deon to "fix or put down Harrow". He thought putting her in desperate circumstances would somehow activate her Lyctoral powers.
It all feels particularly awful because elsewhere we've seen him imagine Harrow as his daughter: "You’d make a hell of a daughter, Harrowhark."
And yes, this is Jod's love of being perceived as a nice man and his tendency to make everything about him. But also...
They’d all expected me to go nuts. A— kept saying, Are you sleeping, are you okay, are you taking any Class As, you know you can tell me.
I wasn’t trying to be a dick. I think I hadn’t slept for two days.
I wasn’t operating on a lot of food or sleep.
I’d stopped sleeping and I wasn’t eating much, I was keeping my body going just by fiddling with the processes.
That last one is John 1:20. You know, the chapter where Jod finally unlocks the full potential of what he can do (with just a little help from a planet and 10 billion deaths) and becomes god?
Jod sees himself in Harrow. And he knows being hounded and sleep deprived was what worked for him.
Willow would emit more climate pollution annually than more than 99.7% of all single point sources in the country. It’s estimated that the oil from Willow, when burned, would add more than 280 million metric tons of climate pollution to the atmosphere over the next 30 years — equivalent to the annual emissions from 76 coal-fired power plants. Willow is a climate disaster we just can’t afford.
Hey uhh uhhm if yall dont hear from me in a while/I dont post many updates, no im not dead, I just may or may not have taken on a very large project ✌️
I did a bit of thumbnailing for what I had in mind and even shot some reference pics in my bathrooms doing different actions/ different positions to help decided with what direction I wanted to take this painting. My initial idea was to create a portrait of my past self looking into the mirror at my current self, reflecting my theme of the movement of time and how much I've changed since cutting my hair for the first time.
I decided to further emphasise the change between my past and future self with colours, duller colours for the past and highly saturated eye catching colours for the future. I had to do some thumbnails for how to balance out the colours, and look at some older works of mine to see how I did it in the past. I settled on using primarily red, yellow, blue, green, and orange as my colour pallet. However, I've never used them in the way I intended to here, so it was certainly a new experience.
I started off by choosing a reference picture and doing a rough under drawing to figure out proportions. When doing my rough sketch I actually taped my phone to the wall and tried to draw from a distance so I could calculate the shapes and proportions as accurately as possible.
I decided that since the interior and exterior of the mirror are very different in colour schemes, I would work on one at a time, I chose to focus on inside the mirror to start off with. Once that was done I began blocking out my main base colours and went about adding shadows. the light shadows helped start the process of shaping the face. It was a very "trust the process" sort of situation.
I knew with the approach I took I wouldn't be able to get away with solid blocks of colour for the hair and shirt, so I experimented with layering different colours to gain different textures. For the hair I tried building shapes with different layers of blues and greens before going in with a dark blue for the darker areas and shadows, I then went in with some red and light green highlights. It was certainly an improvement.
As for the shirt, It was very trial and error, I actually had to repaint over certain areas. I settled with using my light blue for the main shadows on the shirt to add a sense of dept, the translucence of the blue paint on top of the orange worked in my favour. Since blue and orange are on opposite ends of the colour wheel they tend to cancel each other out a bit, resulting in a duller hue of blue which was perfect for the shadows. I went in with greens to blend out the blue at the edges and yellow for highlights, I used bits of red and dark green for creases and wrinkles in the shirt. When I was doing the blue areas, I actually covered large areas at a time and then would drag the back of my hand through it removing a lot of the paint and leaving an interesting texture, similar to a wedge tool shown to us during the tool workshop.
Okay so I was just thinking, a lot of people in the mh fandom overlook what Jay went through(I think because everyone else’s trauma is more obvious as we are literally told that Tim was in a mental hospital for most of his childhood). Personally I like to believe that Jay is the kind of person who cares(a little too much, we can see where that got him) a lot about the people around him, so much so that he’s willing to drop everything to help(the fact that he’s involved in Alex’s movies says a lot about their relationship, and how he immediately decided to continue his investigation when he received that tape from Alex)
What I’m saying is that he’s not stupid, he’s naive but no one sees his intentions.(he decodes the TTA videos after all) It pisses me off so much when the fandom shows him as a soft baby boy who can’t be violent because he CAN be violent and aggressive. He’s not innocent, he BROKE INTO BRIANS HOUSE, lies, definitely trespassed multiple locations. (he probably doesn’t pay taxes lol he broke asf how he survived I have no idea)
And people always mention how Tim has Masky and doesn’t know if he’ll wake up in his bed or in the middle of a forest miles away but no one thinks about how Jay must feel about his memory loss. Imagine how he felt watching himself on camera doing things while a faceless entity that he doesn’t fully understand stalks him and his friend but not remembering, or waking up in a hotel room he doesn’t recognise and having 7 months missing from his memory? (I would know from experience, I sleepwalk often and it’s terrifying sometimes because you wonder if one day you just won’t wake up or you’ll wake up with broken/sprained limbs) Tim may have the same problem but he’s been living with it for so long it’s normal, he’s gotten used to it.(yes, it’s still scary, but it’s been his life for as long as he can remember which isn’t a lot) For someone who hasn’t gone through memory loss before when you first realise it it’s fucking terrifying, which in this case is Jay. He’s never dealt with this before, he can’t possibly treat it like a normal thing that happens because he knows it’s not supposed to.
(Basically Jay isn’t dumb he’s just really fucking determined and loyal in my eyes, like really really determined…)
Just for the record, I’m not dismissing what Tim went through I’d just like to point out that the “dumb character” here isn’t dumb
Okay thank you for listening to my rant uhmm I rotated this around my head for 3 hours
Q Hayashida is a Japanese manga creator known for her works such as Dorohedoro and Dai Dark.
In one of her rare interviews, Hayashida reveals that she is a mixed media artist who uses whatever media she ‘feels like in the moment.’
The chaotic, sketchy, raw and colourful look to her art works harmoniously as she depicts her gory and dark but funny stories.
I love her usage of gouache, watercolour, ink and pen, majority of the time mixing these media together in the same piece creating a layered texture reminiscent of grime, reflecting the apocalyptic settings often found in Hayashida’s manga. Matching her colours, line weight and compositions to fit each scene and its tone is highly impressive and a source of inspiration for myself since I first read her work Dorohedoro many months ago.
Her character design is also equally interesting. Dorohedoro’s cast including the protagonist, Kaiman, a man with a lizard head searching for the sorcerer who cursed him, mypersonal favourite being Jonson, a giant realistic cockroach and plenty others, diverse, well-written and designed human characters. I can’t forget the monsters, each with unique personalities highlighted by their designs, brilliantly adding to the horror aspect of her works.
Lastly, my favourite technique Q Hayashida uses to instil discomfort, is her use of repetition and massive spaces, infinite crowds of monsters showing the viewer how powerlessness feels and drawing giant empty settings, such as a department store where the protagonists are stuck in devoid of all life, which perfectly matched the unease the characters she wrote were feeling.
i think that veganism as a political movement has a lot of interesting things to say about how food agriculture has been shaped by consumerism and the way its alienated the average westerner from food production especially around meat. its a cruel cruel industry for everyone involved and it sucks.
unfortunately it also overwelmingly falls victim (like a lot of other socially progressive political movements lol) to a complete inability or perhaps a refusal to engage with rural indigenous communities especially in the global south. which is ironic because (like a lot of other socially progressive political movements) much of their theoretical framework for reforming society Depends on rural indigenous communities especially in the global south ^.^
Forced outing has devastating consequences for LGBTQ+ people, and queer youth are at an even greater risk.
One-third of LGBTQ+ minors who were outed without their consent were more likely to experience depression, as well as face less support from their families, according to a new study from the University of Connecticut. Two-thirds said that the event caused significant stress.
Outing is the act of revealing a person's sexual orientation or gender identity without their consent. The UConn study analyzed responses from 9,200 queer youth ages 13 to 17 in the Human Rights Campaign's 2017 LGBTQ National Teen Survey which showed a correlation between outing and stress.
The data also showed that LGBTQ+ youth experience stress from outing differently, as transgender, nonbinary, and asexual respondents reported higher stress levels than cisgender gay, lesbian and bisexual participants. In all cases, respondents reported lower stress when they also reported have parents or guardians who are educated on sexuality and gender identity.
More than 550 anti-LGBTQ+ bills were introduced across the U.S. in 2023, and 80 were passed into law. In 2024, 487 anti-LGBTQ+ bills have been introduced and 20 have passed into law, according to the American Civil Liberties Union. There are currently five states that mandate schools report transgender children to their parents if they request to go by a different name or pronouns. Another six “promote” forced outing, according to the Movement Advancement Project.
A new study from UCONN that came out reveals that anti-LGBTQ+ forced outing policies lead to higher rates of depression and familial rejection among LGBTQ+ youths.
my main confusion with whether or not they'd hard launch / explicitly show more of their relationship is like... if they do a tour i can somehow imagine that being less of a part of it, but also their tour would probably be their last ever (and 3 is a good number). and i can see them wanting to hard launch after, not before, a world tour. that being said i think a documentary would more easily involve that because they'd undeniably talk about the behind the scenes / coming out experience of them as youtubers and if it's like a piece of their career and legacy together that hits mainstream i can imagine kinda autobiographically that's something they'd mention. so documentary feels like way more likely odds of being more explicit than a tour, but i can't tell if they're doing a documentary and then a tour in which case i don't think the doc will have anything like this at all. does that make sense?
With almost all my backgrounds done, I decided to try get some animation started, but I encountered a problem which side tracked me for a bit. I realized I didn't know how to calculate how many frames each of my scenes should have.
I tried to do some math to figure it out but unfortunately failed, so I ended up drawing out the timing and dividing the timeline into 12's per second and just counted how many frames each scene needed. My timing on premier pro said my animation was 12.3 seconds long so I calculated I would need 144.6 frames. Using my very complicated method, I ended up with 148 frames, I was only 2 frames off which wasn't bad. It however took me 2 hours.
Once I knew roughly how many frames each scene needed I got it started and got some progress done.
youtube
Its rough but its a start
For foley sound I was thinking of using sounds that add to the ambience of the location; bussing lights/ flickering, ventilation fan, dripping taps, People walking past, distant music, all sounds that tie into the location and add to its discomfort. For the protagonist I was thinking of getting noises for the scissors, the hair falling in the sink, a wet blink etc..