#prioritization.

[goldcoasthoney]

[jq37]

You gotta hand it to Fig. All of the Bad Kids were given foils this season and they got to decide how much they wanted to engage with that part of the plot. Gorgug only interacted with Mary Ann in passing despite them both being on the Owlbears. Fabian noped out of chatting up Ivy once she crossed a line with Mazey. Riz was so busy that he truly had no time to engage with Kipperlilly even though she's obsessed with him. Kristen interacted a bit with Buddy but spent way more time verbally sparring with Kipperlilly. And Adaine was somewhat interested in Oisin but never overtly acted on it.

But Fig?

She's in Ruben's WALLS. She's in his DREAMS. She's faking her alter emo's death. She's got the Fantasy FBI after her. She's SO SO tiny. No one is doing it like Fig's doing it.

[freeshephoun]

i just need everyone to know that ive created something beautiful

he is only 1 slab tall

[stump-not-found]

mabel pines #1 hater

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[specialagentartemis]

story about a heist team doing a heist of colonial museums and returning unethically stolen sacred objects and objects of cultural patrimony to their original communities

but the story isn’t about them

the story is a legal thriller about the repatriation coordinator and the pro bono lawyer who get frantically called in by that community when an artifact goes missing from a museum and shows up unexpectedly at their doorstep and now they are in a shit ton of (potentially international) legal trouble because the heist team did not take the legal ramifications into account, and no one else believes them that they didn’t steal it, and The Law is saying they are legally obligated to return it to the museum and are also probably going to go to prison for this, and activists are protesting, and it’s rocking the repatriation world, and it’s turning into a huge Thing

[idolomantises]

It's kind of a shame that the "anti-filler" mentality has reached a point where a lot of writers (and fans) assume that if a show isnt constantly moving the plot forward and establishing lore, its basically filler and wasting space. Personally I think its good, if not necessary for a show to slow down and just have characters hang out, or deal with smaller conflicts.

It feels like a lot of stories just want to rush to the emotional scenes with barely any build up to really make it feel earned and satisfying. I've seen fans pester creators to rush the story along and reach the next big set piece rather than take the time to really know and appreciate the characters.

Why should I care about the emotional stakes in episode 2 when I barely know a character's likes and dislikes? how they handle conflict, their approach to relationships both platonic and romantic. etc,

[teaboot]

Wait you had autism and still got along with the other kids and knew what was going on with them?? I was never able to do that! I still chose to do my own thing but would have been unable to answer those questions.

I mean I didn't really WANNA make friends for a super long time so it didn't really matter? And if anyone was outright mean I don't think I noticed till like 6th grade.

After 6th a few other kids liked to throw or kick things at my face or steal my art supplies or give me mean nicknames- I remember almost all the boys in my class one year started a thing where if I got within 4 feet of them they'd yell "[tea] GERMS!" and make a dramatic mad-dash escape, and that was kinda hurtful, but IDK how long that was a thing??

Anyhow I started asking them if they had a crush on me or if they were just stupid, and when they asked what I meant I'd just be like "well there's two reasons boys act stupid around girls. Either you have a crush on me, or you're just always this stupid"

And that invariably led to them yelling "I'm stupid, I'm stupid!" or telling me, "I'd rather say I'm stupid than say I like you!"

Which might have been hurtful if I wasn't growing into a mild superiority complex that assured me I was smarter than them, and nicer than them, and there was really no need to desire the approval of stupid, mean people.

(This was, of course, backed up by the fact that my father was one of those mean, stupid sorts of people, and I fully beleived if I could handle him, I could handle anyone my size, and so what if you dont like me? My own dad doesnt like me, am i supposed to value your opinion?)

Then by highschool I got hot, and if one of them started chatting me up I'd just be like "You wrote in my yearbook in 2002 that I was a huge loser. Why would I want to hang out with you"

And by THEN I'd met enough genuinely fun, interesting people who actually liked me that I was never around anyone who openly disliked me anyways.

Not until I started to realize I wasn't 100% a girl and cut my hair off- Then I started hearing other girls whispering to each other that I looked like a lesbian- gasp- which, again, was actually pretty funny, 'cause then I'd just tell them not to get their hopes up 'cause I wasn't available.

Then I graduated, and moved, and it turns out I'm actually kind of hot funny smart and successful, and whenever I fall into the deep deep pit of dumb ugly stupid imposter-syndrome, I remember that as mean as other kids were sometimes, their parents thought I was the best.

So anyways get fucked Gabe from ninth grade, your mom used to give me candy and bail me out of detention. I had the biggest fucking crush on your mom dude

[dragondawdles]

THE brothers

[1982brucespringsteen]

some good news!! the spanish state's ministry of equality has finally passed one of the most progressive trans laws on the planet, shielded free and universal access to abortion and banned conversion therapy and genital surgery for intersex babies, among a lot of other feminist policies. the minister of equality irene montero gave a speech thanking spain's lgtb and trans associations for helping her draft these legislations. couldn't be more proud!!

[illusioncanthurtme--art]

Gravity Falls doodle dump!! Mostly Gideon. He's my favorite if you can't tell immediately, lol. I have zero time for drawing outside comms, but I had some time yesterday, while my mom and I were out and about doing errands. I had some spare printer paper on me to draw on. The first three of dipper and "canon" human bill, I actually drew when I was visiting with my cousins last week. And the last one of gideon flexing is a wip, I'm planning on making that a print. That wip sketch has been on patreon for a month or two actually :'D

But all this GF resurgence stuff has gotten me thinking about how I envision older gideon, again. I love him so much!!!!! I headcanon that he's a vampire, there's a little bit of that in here. Maybe more on that in another post??

[heartless-aro]

I see a lot of people in the aroace community on here talk about how we should have a pride gradient aroace tag, but I rarely see people bring up the possibility of other aspec pride gradient tags for identities of similar levels of specificity to aroace, like alloaro or alloace. As much as I would love to have an aroace colored tag, I think we’re setting our sights too low here.

[enii]

Today, I did everything for myself💕

[feminineenergylife]

[bixels]

tarpit site.

[wheredidfranciscogo]

Father and Engineering

As a father and an engineer, I've noticed some significant changes in my work and approach to problem-solving since welcoming my daughter into the world. While it may seem counterintuitive, becoming a parent has actually made me a better engineer.

Firstly, being a father has taught me the value of patience. As a parent, I've learned that not everything can be solved quickly or efficiently. Sometimes, it takes a lot of time and effort to get things done right. This same lesson applies to engineering. Many problems require a lot of patience and perseverance to solve. Rushing through a project or solution can lead to mistakes, errors, and setbacks. By learning to be patient through parenthood, I've developed a similar mindset towards my work as an engineer.

Another way that being a father has improved my engineering skills is through the development of empathy. As a parent, I've learned to put myself in my daughter's shoes and try to understand her needs and wants. This same approach can be applied to engineering. When working on a project, it's important to put yourself in the user's shoes and understand their needs and requirements. By being able to empathize with users, engineers can create better, more effective solutions.

Becoming a father has also helped me improve my time-management skills. Parenthood requires a lot of juggling between work and family responsibilities. This has taught me the importance of prioritization and time management. As an engineer, it's essential to be able to manage your time effectively to ensure projects are completed on time and on budget. By learning to balance my time as a parent, I've developed better time-management skills as an engineer.

One of the most significant changes I've noticed since becoming a father is my increased ability to work under pressure. As a parent, there are many unexpected situations that require quick thinking and problem-solving. These same skills are essential in engineering, where projects can often encounter unexpected problems or issues. By developing the ability to work under pressure as a father, I've been able to apply this same skill to my work as an engineer.

In terms of books or podcasts that have helped me develop these skills as a father and engineer, I would recommend the following:

"The Power of Patience" by M.J. Ryan

"Empathy: A Handbook for Revolution" by Roman Krznaric

"Essentialism: The Disciplined Pursuit of Less" by Greg McKeown

"The Lean Startup" by Eric Ries

In conclusion, becoming a father has not only brought immense joy and fulfillment to my life, but it has also improved my skills as an engineer. Through the lessons of patience, empathy, time-management, and the ability to work under pressure, I've become a better problem solver and more effective engineer. I believe that the skills and lessons learned from parenthood can be applied to many aspects of life, including engineering, and can ultimately lead to personal and professional growth.