#primer of the novel

[ignatiaflamen]

Also agreed with all of this. If you asked me when I was in school why I went there and got through it every day I would answer you: "Because I want to get out of school." No dreams, no idea what I would want to accomplish or achieve with my "high school"(heck, even just "school" itself) "education" besides getting out of that oppressive, soul-crushing environment.

(the other reason i went was because of the coercive school attendance laws, but that's a whole other thing by itself.)

Soon after graduating I had the constant feeling that I wouldn't actually graduate, that they'd pull me aside and say "you didn't do well enough/make a good enough grade in this one class to pass, so you'll have to repeat a year".

This lasted the entire year after I graduated.

I had school dreams for a good half-decade after graduating including one memorable one where i actually went back to kindergarten.

Those lasted until i had a dream where I was at an after-school class where we were studying for senior year graduation tests. Everyone around me was (irl) in the grade below me. I looked around, realized this, and said "Wait, I don't need to be here. I graduated already!", got up, and walked out.

I haven't had another school dream since.

(related) I thought I didn't like(hated) learning for a good few years after I graduated. It wasn't until I started studying on my own that I remembered that i love learning. What I hate is the forced coercion to memorize trivia that'll only be used for (mostly multiple-choice) tests + exams which will be discarded immediately afterwards.

Also, I want to be a fiction writer but have always had trouble with coming up with details for my stories. I'll have a general idea for the characters, setting, and themes, but will be unsure of how to put them together. It's like once I put an idea down for the story, then that idea is set in stone and I have to work any further ideas that I have around it rather than weave it in with the rest of the story.

It was just last week when I was reading a book about novel-writing where the author explained the creative process by giving a practical example that I realized that you can expound on an initial idea and change elements in the story(several times, even!) before finalizing them. My thought was "Wait. You can do that?!"

I was ruminating on why I didn't know that before now and realized it was because of how school presents writing as assignment. We had primarily multiple-choice tests in school. When writing was required to answer the question, it was usually a sentence or two or three lines at most. Essays were written for the end-of-year exams and were usually about a personal topic. (and if we didn't have an experience that fit the topic required, we were told to "make something up".)

Additionally, we only started learning to write with the three-paragraph essay format in junior year.

My (not very succinct) point is that because we answered multiple-choice questions for nearly everything, sentence-writing was a chore, and essay-writing was a Task, a near-insurmountable obstacle put in your path on the mountain of School, where you were trying to go uphill as you reenacted the myth of Sisyphus.

Being unaccustomed to writing as an everyday thing instead of a stressor, or essay or creative writing for as something that i wanted to do for myself instead of being required to do it on a topic that i was unable to choose for myself in the first place and was completely uninterested in besides, my mind saw writing as something you did For School, not something you did because you wanted to.

It also, because of the emphasis on completing the essay as a Goal, something only to be done to be graded on at the end of the year and to be able to pass on to the next grade, calcified my ability to think about details while writing, expounding upon them and making connections between them.

(Maybe the circumstances under which we were writing them had to do with it too? We were only given a 45-minute period in which to do them and couldn't do any revision once the words were put down.) (thus "setting it in stone", as it were.)

Anyway, I'm really thankful for that book for showing me an example of the thought process behind (creative) writing. I would have had the "writer's block" problem for a lot longer without it. (I'm not sure I would have ever gotten over it, in fact...(because it was a problem with the manner of thinking rather than a lack of ideas v_v))

(The book is "Primer of the Novel" by Vincent McHugh and the relevant part is on page 163 if anyone's interested!)

(addendum: also in English class (which should have been called English Literature) we didn't learn Grammar or Composition but instead read fiction and studied "what did the author mean" by his writing instead of even basic fiction writing things like viewpoint or characterization. No learning how to write to express ourselves or studying how an author created his stories, just copying down what someone else did.)

(this is a general aside,but we didn't have art in school and they took out the drama class the year before i was supposed to be in it. No self-expression or attempted escapism for you! haha, yeah... school sucked.)

(i still had books, though!)

adults are always talking about how “kids will do anything to get out of school” and okay, first of all that’s not true, but I think we really need to ask why that idea holds so much sway.

children’s brains are hard-wired to take in new information and acquire new skills. consider, for a moment, just how thoroughly our society had to fuck up the concept of education for it to be a normal thing to assume kids are universally desperate to avoid learning.

[doolallymagpie]

been trying to come up with a BattleTech “pitch” for fans of The Expanse, but honestly?

this is probably enough, plus the official “primer” document if you want actual information rather than just a bunch of pretty images and a banging soundtrack by Jon Everist (who I’m fairly sure admitted he wanted this piece to sound kind of Expanse-y)

or if you don’t want to click links or watch videos:

politics-heavy hard-SF space opera, thrilling heroics, (almost) zero easy answers to the dilemma of the day, main themes are “people are always going to be people” and “the end justifies the means, but there is no end”. obviously this describes both settings nicely.

one just uses that to explain why people are hopping into big war robots and slapping the shit out of each other.

[docpiplup]

Related with the Rabadis chapter of the Al Andalus. Historical Figures, there's some books and historical novels about the topic. Two of them are mentioned in a a couple of articles about the Rabadis I posted and translated here on Tumblr (X) (x) if anyone wants to take a look.

The last two books are historical novels, from a saga, The Arrabal Lineage, whose second novel was published last year.

La Odisea de los Rabadíes: El primer exilio hispano (The Odyssey of the Rabadis: the first Hispanic exile) by Manuel Harazem

March 2018 marks the 1,200th anniversary of an event that occurred in Córdoba that, despite remaining unknown to the majority of its current inhabitants, had crucial importance in the city, on the peninsula and in distant places in Africa and the Eastern Mediterranean. The revolt of the Saqunda suburb, its total destruction by the emir al-Hakam I and the expulsion of the surviving residents of the subsequent brutal repression has the honor, heroic on the one hand, but sad on the other, of having been the pioneer of two constants in the history of the peninsular peoples: the popular revolts inscribed in the class struggle and the exiles for political reasons. This is the first popular revolt for socioeconomic reasons and the first exile for political reasons that we have documentary evidence in the history of the Iberian Peninsula, a land that would be lavish in them from then until today. The consequence for Córdoba will be that the southern bank of the Guadalquivir would never be historically urbanized again until today, turning it into a strange case of a large city located on the bank of a river and equipped with a magnificent bridge that did not take advantage of that circumstance to develop in parallel. The consequence for distant places will be the colonization by those exiles of one of the most important cities of the Islamic world, Fez, the ephemeral, but impactful, founding of an independent republic in Alexandria and above all the creation of a prosperous Andalusian emirate on the island. of Crete that would survive for 130 years, facing the attacks of the Byzantine Empire, and throughout which its sovereigns would maintain the title of Cordoba with persistent pride. The exiles tend to be all similar, but in this case the exile of the Rabadíes, if it resembles any, is that of the Republicans after the civil war that unleashed the Spanish Fascist Revolution. The Arrabal revolt and the Republic are comparable events because both were rebellions of the popular classes allied to enlightened strata against absolute power and the permanent injustice of the emir and the regime of the national-Catholic agro-bourgeois elites. When the Power decides to apply the lesson, the emiral repression in the suburb will last three days and the civil war unleashed by the National Catholic forces will last three years. And in both cases, the terrible destruction is followed by an exile that takes two directions, one by land and the other crossing a long stretch of sea, Fez and France, Crete and America. And all cases will be fertilizers of culture of the host lands. This informative work collects the complete sequence of those distant events, which occurred in Córdoba, Toledo, Fez, Alexandria and Crete in the 9th century, in a research effort diving into different sources in different languages ​​to clarify dark points and dismantle some errors that over the centuries, scattered and unconnected stories had accumulated in traditional historiography. And along the way, he analyzes the city's relationship with history and the remains of its Islamic past. But above all it aims to vindicate the memory of some people from Córdoba who carried out the marvelous feat of rising up against injustice and turning their misfortune into a civilizing task in the distant lands where they sought refuge to rebuild their lives.

Los Andaluces Fundadores del Emirato de Creta (The Andalusian Founders of the Emirate of Crete), by Carmen Panadero

Do we Spaniards know our History? We think we know it. Sometimes important and exciting pages from our historical past appear before our eyes, which we had not heard about. There are many who are unaware, even in Spain, that thousands of families exiled from a suburb of Córdoba took the island of Crete from the Byzantine Empire, creating a dynasty of emirs there during the 9th century and part of the 10th. Very few are those who will know. that those simple people of the town, Iberians from an inland city who had not seen other waters than those of the Guadalquivir River, took over the hegemony of the eastern Mediterranean, defeating Byzantium in decisive naval battles. It all began in Córdoba, in the month of Ramadan 202 of the Hegira (March 818 AD). In this work we try to delve into the causes that caused the mutiny that gave rise to these events and we investigate the role played in it by the different social classes of the moment. Likewise, we analyze the subsequent historical events, triggered by the exile of the rebels from the Sequnda suburb and carried out by them. We will follow the outlawed Cordobans in their long and painful exodus, which, through North Africa and after a period in possession of Alexandria, concluded when they managed to take over the island of Crete. Byzantine and, later, Greek sources have dealt with to the History of the Emirate of Crete and to the people of Cordoba who founded it through manipulation and prejudice, falsifying the historical truth and even calling them pirates. It is inexcusable to finally do them justice, to rehabilitate the figure of their most important leader, Abu Hafs al-Ballutí, and that at least in Spain, his country of origin, it becomes known that the ancient town of Pedroche, his birthplace, and Córdoba, their capital, have many reasons to feel proud of this distinguished character and his lineage. This essay, with rhythm and air of chronicle, has as its main objective to banish the partial and biased vision of this chapter of our History and to make known the true nature of the State founded in Crete by the outlawed Cordobans of the Sequnda suburb. To this end, the author has had to find translators for the fundamental works that document this topic, since they had not even been translated into Spanish until now. Thanks to the Arabic chronicles and, above all, to three Greek historians (Vassilios Christides, Christos Makrypoulias and Nikolaos Panagiotakis), who for the first time faced these historical events, overcoming prejudices and initiating a rectification, we can partly reconstruct the exploits of these Hispanics, Muslims and Christians, in the eastern Mediterranean.

La Estirpe del Arrabal I: Córdoba en el recuerdo (The Arrabal Lineage I: Córdoba in memory), by Carmen Panadero

Córdoba, 9th century. Al-Hakam I, the most despotic of the Umayyad emirs, reigned. Abũ Hafs and his family are involved in the riot in a suburb of the Andalusian capital, they suffer the relentless punishment with which it was repressed, the executions of friends and neighbors, the loss of all their property, exile with 22,000 other families, the painful exodus through North Africa, but they managed to survive, and there their adventure begins. The outlaws of the suburb took Crete from Byzantium, and Abũ Hafs was sworn in as the first emir of the newborn dynasty. There they were able to recreate their second Córdoba and recover their customs. Abũ Hafs gave his life to that suffering people, guided them when they were aimless, minted their own currency, promoted flourishing trade, opened Crete to the world and settled the religious conflicts that plagued Byzantium. All of this seasoned with intrigue, betrayal, self-denial, love and heartbreak: the fight of an entire people for its survival.

La Estirpe del Arrabal I: Creta, El Precio del Olvido (The Arrabal Lineage II: Crete, The Price of Oblivion), by Carmen Panadero

10th century. The crown prince Abd al-Azĩz headed the embassy that arrived in Córdoba sent by his father, the emir of Crete Suhayb II, and when faced with the devastated suburb of Sequnda, from which a century before his ancestors were expelled by the emir al-Hakam I, felt the weight of History and meditated: — “I was never in Córdoba before, why do I feel then as if I had never left?”

But he decided to return to Crete and assume his responsibilities after swearing on those sacred ruins that, on the painful day in which he was to succeed his father, he would choose as his nickname al-Qurtubĩ, "the Cordoban", so that his people would always remember that the Forgetting their past would condemn them to lose Crete like one fateful day they lost Córdoba. And Byzantium lurked.

This novel, the 2nd part of La Estirpe del Arrabal, narrates the events of Abd al-Azĩz I al-Qurtubĩ, the last Andalusian Emir of Crete - his loves, his sorrows, his certain justice, his revenge - and in parallel offers us the touching love stories of his son Al-Numan with Bahã, and of his daughter Yannã with Karim al-Mundhir, the military hero that even Byzantium admired under the Hellenized name of “Karamountes”. And, furthermore, betrayals, intrigues, exploits, battles...

Carmen Panadero, author of novels such as El Collar de Aljófar, La Cruz y la Media Luna or El Halcón de Bobastro, gives us once again that alloy of history and fiction that constitutes the genuine historical novel.

Talking about the Emirate of Crete and the Byzantine Empire, there are some depictions of the battles between them in the Synopsis of Histories, work by the Byzantine historian John Skylitzes from the 11th Century, which covers history from Byzantine Emperors between the death of Nikephoros I in 811 to the deposition of Michael VI in 1057.

Then in the Sicily during the 12th Century, a illuminated manuscript version of Synopsis of Histories was produced at the Norman court of Palermo. This manuscript is called Madrid Skylitzes, because nowadays is housed in the Spanish National Library, in the web page of the Library you can see the Madrid Skylitzes digitized.

1. Byzantine attack on Crete

2. Byzantines under Krateros defeat the Cretan Saracens

3. Byzantines under Nikephoros Phokas besiege Chandax

4. Byzantines under Ooryphas ambush and defeat the Cretan Saracens

[mejomonster]

i have... a penchant... for getting really into books which are out of print. not cause they’re like first editions or collectibles or whatever the fuck (i went to an antique book show recently and was SO pissed there was like 50 Alice in Wonderlands, but no 1900 printed french books you couldn’t even find in pdfs online... in fact, no foreign language books at all what the fuck :c... and 2 gone with the winds, 50 lord of the rings... like i get it, the target audience of an antique show is maybe? idk people collecting expensive books? but for me? the point was to find out of print old books that may never have been digitized. thank the universe for archive.org there’s so many 1800s learn japanese, 1900s learn chinese books with different versions of romanization and then later different amounts of character simplification, theres the ‘nature method’ textbooks that i’ve only seen back in print very recently and only for a few languages and probably only cause nerds like me can’t shut up about them, there’s so many BOOKS i’m into that just... :c good fucking luck finding them if not for the kind efforts of archivists or random chance)

[the-four-humors]

Gonna read the whole thing so I can see why so many of my friends (both online and irl) are obsessed with it but the first like 30 pages of G/ideon the N/inth are just like... oh... it's *that* kind of fantasy novel...

[ignatiaflamen]

I found a passage in the book I've been reading about novel writing that perfectly summarizes the problem with the lack of instruction and preparation my fellow pupils and i were given in the art of essay writing (or indeed, any type of writing at all.)

The only time we ever wrote something that resembled an essay was at the end of the year for the final exams.

We were given a topic and had a single sheet of paper and a limited amount of time to do it in. (45 minutes)

In addition, when we finally did cover the topic of essay-writing in junior year, we only covered the very basics (three-paragraph format and the editing process, which was simplified to "put it down on paper in a rough draft first, then you can edit it later before you write the final draft," which completely omitted the planning process and stages.)

Here is the passage from Chapter 23:

"Let us consider the case of a novelist who writes a rough first draft of his book with only the scantiest preparation. He is, in effect, trying to make this draft serve the purpose of outline, imaginative exploration, development of themes, process, and the rest. We submit that, sentence by sentence, he is doing more work and getting less for his labor than our novelist who makes a plan in advance. The rough-draft novelist goes through the same basic procedure, but in a more wasteful way."

I've never encountered something that explained the problem so well(or indeed at all...) before now. (Not that I was aware there was a problem with how i wrote/the thought process behind it before i read this book... ^^)

We were given a limited time in which to complete a single rough draft without any allowance given to research or revision. This in turn affected my ability to think and plan freely when i tried to write.

(I would put more here, but this is kind of a rough draft in itself... I'll think about revising it later. I'm under time pressure rn and this is more of some materials to think about later and share with people that may need it.)

The Book is "A Primer of the Novel" and the author is Vincent McHugh. (The passage is found in Chapter 23.)

[lampylamperson]

[spikyseasponge]

what’s in your cart and/or saved for later on amazon?

[reachartwork]

PLEASE JUST LET ME EXPLAIN REDUX

AI {STILL} ISN'T AN AUTOMATIC COLLAGE MACHINE

I'm not judging anyone for thinking so. The reality is difficult to explain and requires a cursory understanding of complex mathematical concepts - but there's still no plagiarism involved. Find the original thread on twitter here; https://x.com/reachartwork/status/1809333885056217532

A longpost!

This is a reimagining of the legendary "Please Just Let Me Explain Pt 1" - much like Marvel, I can do nothing but regurgitate my own ideas.

You can read that thread, which covers slightly different ground and is much wordier, here; https://x.com/reachartwork/status/1564878372185989120

This longpost will; Give you an approximately ELI13 level understanding of how it works Provide mostly appropriate side reading for people who want to learn Look like a corporate presentation

This longpost won't; Debate the ethics of image scraping Valorize NFTs or Cryptocurrency, which are the devil Suck your dick

WHERE DID THIS ALL COME FROM?

The very short, very pithy version of *modern multimodal AI* (that means AI that can turn text into images - multimodal means basically "it can operate on more than one -type- of information") is that we ran an image captioner in reverse.

The process of creating a "model" (the term for the AI's ""brain"", the mathematical representation where the information lives, it's not sentient though!) is necessarily destructive - information about original pictures is not preserved through the training process.

The following is a more in-depth explanation of how exactly the training process works. The entire thing operates off of turning all the images put in it into mush! There's nothing left for it to "memorize". Even if you started with the exact same noise pattern you'd get different results.

SO IF IT'S NOT MEMORIZING, WHAT IS IT DOING?

Great question! It's constructing something called "latent space", which is an internal representation of every concept you can think of and many you can't, and how they all connect to each other both conceptually and visually.

CAN'T IT ONLY MAKE THINGS IT'S SEEN?

Actually, only being able to make things it's seen is sign of a really bad AI! The desired end-goal is a model capable of producing "novel information" (novel meaning "new").

Let's talk about monkey butts and cigarettes again.

BUT I SAW IT DUPLICATE THE MONA LISA!

This is called overfitting, and like I said in the last slide, this is a sign of a bad, poorly trained AI, or one with *too little* data. You especially don't want overfitting in a production model!

To quote myself - "basically there are so so so many versions of the mona lisa/starry night/girl with the pearl earring in the dataset that they didn't deduplicate (intentionally or not) that it goes "too far" in that direction when you try to "drive there" in the latent vector and gets stranded."

Anyway, like I said, this is not a technical overview but a primer for people who are concerned about the AI "cutting and pasting bits of other people's artworks". All the information about how it trains is public knowledge, and it definitely Doesn't Do That.

There are probably some minor inaccuracies and oversimplifications in this thread for the purpose of explaining to people with no background in math, coding, or machine learning. But, generally, I've tried to keep it digestible. I'm now going to eat lunch.

Post Script: This is not a discussion about capitalists using AI to steal your job. You won't find me disagreeing that doing so is evil and to be avoided. I think corporate HQs worldwide should spontaneously be filled with dangerous animals.

Cheers!

[phtxsfya]

“Mi viaje de ida”

La raíz 

[ao3topshipsbracket]

honestly I'm kinda disappointed all the popular/well known ships are gone/eliminated

the semis look kinda boring now tbh

(ps: I don't mean to hate on the ships winning. I'm sure they're winning for a reason. it's just they're all kinda unknown/not mainstream)

We're definitely surprised to see some of the highly seeded ships go down early, but personally, I think that makes the remaining matches more exciting, not less! Who doesn't love an upset, after all? But of course, with Bubbline in one half and Destiel in the other, there are definitely some significant heavy hitters still in the running!

That being said, we know we have some underdog semifinalists that people are less familiar with, so here's a brief primer on each of them!

Hualian comes from the Chinese novel Tian Guan Ci Fu, or Heaven Official's Blessing. If you've heard of Wangxian of Mo Dao Zu Shi/The Untamed fame, TGCF comes from the same author. It is a xianxia love story about ghost kings and fallen gods. Here's the plot synopsis from IMDB:

Eight hundred years ago, Xie Lian was the Crown Prince of the Xian Le kingdom. He was loved by his citizens and was considered the darling of the world. He ascended to the Heavens at a young age; however, due to unfortunate circumstances, was quickly banished back to the mortal realm. Years later, he ascends again, only to be banished again a few minutes after his ascension. Now, eight hundred years later, Xie Lian ascends to the Heavens for the third time as the laughing stock among all three realms. On his first task as a god thrice ascended, he meets a mysterious demon who rules the ghosts and terrifies the Heavens, yet, unbeknownst to Xie Lian, this demon king has been paying attention to him for a very, very long time.

At #58 in the Tumblr 2023 top ship list, they're solidly middle of the pack in terms of seeding, but they did take down Buddie at #10, and Davekat of Homestuck infamy: a very impressive showing!

Sulemio hails from the latest installment in the Mobile Suit Gundam anime franchise, The Witch from Mercury; as with all Gundam series, it is a sci-fi military drama featuring giant robots and space warfare. This one happens to also feature heavy inspiration from Revolutionary Girl Utena. Official synopses seem a bit lacking, and I unfortunately don't know enough about the series to summarize it myself, but I'll link this very helpful guide that someone left in our notes!

They're the lowest seeded of our semifinalists, ranking #59 on Tumblr's 2023 top ship list, so the fact that they've taken out the top seed is truly a feat; having a rallying force with @demilypyro has certainly helped their cause (and our very busy activity feed 😅) a great deal!

Regardless of who wins the next rounds, there are very fun underdog journeys present on both sides of the bracket. Plus, it's always good to remember that polls like these are not meant to be indicators of popularity, but of passion.

[ryin-silverfish]

Ask/Writing Masterlist (irregularly updating)

Ryin(阿璎), 23. She/They. First Gen Chinese student. Ryin_Silverfish on AO3. Currently hyperfixating on old Chinese novels. casual Zhiguai tales and LMK enjoyer.

Investiture of the Gods/FSYY:

Why are the Daoist immortals fighting?

Did Yuanshi Tianzun manipulate Shen Gongbao?

Chan, Jie, and possible prejudice against yaoguai

Azure Lion and the other Bodhisattvas' steeds in FSYY

Daji's fox form in FSYY Pinghua

The historical Su Daji

Is Shen Gongbao a yaoguai?

Are all yaoguai irredeemable monsters in FSYY?

Ao Bing and the dragons Nezha fought

Does deification wipe your memory and personality?

Bi Gan and the Great Fox Massacre

More discussion about prejudice against yaoguai

How old was Su Daji the human when she died?

Differences between FSYY novel and Pinghua

Musing on FSYY's view of fate and its possible effects on Yang Jian

Master Yuding

The messy marriages of FSYY

Is Daji a goddess in the novel?

Names of immortal masters in FSYY

Just for fun: the FSYY drinking game

Nezha's age in FSYY

Nezha's death and resurrection in FSYY

What happened to the original Daji?

Lady Shiji aka the Rock Demoness

Chinese Fox Spirits:

Auspicious/Demonic Foxes

More on fox spirits

The inner core of foxes

Foxes and their association with Fire

Notable fox spirits

The foxes of 狐狸缘全传

Has Daji ever been worshipped as a goddess?

Fox masks

The foxes of Liaozhai

Weaknesses and abilities of fox spirits

Three resource collections on Chinese fox spirits: 1, 2, 3

Human-fox hybrids

Can foxes and their descendents magically know if someone's telling the truth?

The magical properties of fox saliva

Fox exams and Heavenly Foxes

Are male foxes more malicious?

More on fox exams

Offerings to fox spirits

The "Lady Fox Immortal"

Chinese Mythos in General:

The Precious Scroll of Erlang

Into the Erlang-verse: Li, Zhao, Yang

Can immortal masters romance their students?

Why we don't power-rank characters in God-Demon novels

A brief overview of Chang'e

On Chinese Religion and "Respect"

The 28 Lunar Mansions

Can the Heavenly Emperor be replaced + a primer on dynastic successions

A Guide to the Chinese Underworld (and what it isn't)

Is Nüwa JE's daughter?

Weaver Girl

Can yaoguais a/o their descendents enter the Celestial Bureaucracy?

Queen Mother of the West and her husband(s)

Bixia Yuanjun, Lady of Mt. Tai

Erlang's dad

The story that gives us the name "Yang Jian"

On the transformation of Erlang's image (and his relationship with JE in JTTW)

Erlang's mom, Lotus Lantern, and a neat little discovery

Erlang cameos in other stories and Zajus

Erlang's mom-saving story in Chinese operas

Child Manjushri, or: the absurdity of pinning a definitive age on gods

The strange modern ship of Mengpo/Yuelao, and Mengpo's myths

The half-beast form of QMoW

Does Erlang have a wife/love interest?

Nezha's mom

A overview of Gonggong and his mythos

Some introductory sources on the Chinese Underworld

A side-by-side comparison of Nezha's backstory in JTTW and FSYY

Mythos-inspired Worldbuilding:

Dragons of the Four Seas

LMK S5 and a possible "Celestial Council of Regents" AU

LMK S5 Fix-it: the Four Divine Beasts

Character/Story Analysis (JTTW + LMK)

Heart and Mind: Tripitaka

Local Lion Uncle enjoyer goes on a rant

On SWK and his fear of death

Why the Dead People Supreme Court?

No, seriously, why?

Chinese Underworld =/= Christian Hell

LMK S4, Havoc in Heaven, and revolutions

Why I dislike the "class warfare" reading of Havoc in Heaven

In Defence of Li Jing...ha, as fucking if

On Yin-Yang, Chaos/Order, and the Harbringer

JTTW's view on the Three Religions

Disjointed S5 Reactions

"Chaos doesn't work that way in traditional Chinese Cosmology"

Xiangliu, the Nine-headed Bird, and Jiutou Chong

Lotus Lantern: The Summaries

Part 1: Precious Scroll of Chenxiang

Part 2: The Epic of Prince Chenxiang

Part 3: Lotus Lantern 1.0 + 2.0

Part 4: Chenxiang and the Male-Female Swords

My Fanfics:

Climbing the Sky

The Wild Son

Bodhicitta

The Serpent and the Deluge

South Seas Sojourn

Journey of the Gods AU sideblog

[felassan]

Hello ! Very sorry to bother you, but do you perhaps know if you or someone else made a master post with all the Dragon Age comics and books one should read, and in which order to do so ? There's so many now that it's a little overwhelming to say the least.

If not, that's okay! Love your blog and thank you for always keeping us informed <3

hello! ◕‿◕ tysm for the lovely message. ^^ no worries at all!!

[this post] is a list of the additional DA media that's officially available for free (there are things like short stories from the website and stuff). [this post] is a rough chronological/timeline order of all canon DA media. if you'd just like my recommendation on which DA comics and books to read and in what order - the order which they came out in is totally fine imo. :D I'll list them here in case it's a lil less overwhelming in that format.

Books (novels and similar) and comics:

Dragon Age: The Stolen Throne [novel - early 2009]

Dragon Age: The Calling [novel - late 2009]

Dragon Age: Asunder [novel - 2011]

Dragon Age: The Silent Grove [comic - early 2012]

Hindsight [motion comic - May 2015]

Dragon Age: Those Who Speak [comic - mid 2012]

Dragon Age: Until We Sleep [comic - 2013]

Dragon Age: The Masked Empire [novel - early 2014]

Dragon Age: Last Flight [novel - late 2014]

Dragon Age: Magekiller [comic - 2015]

Dragon Age: Knight Errant [comic - 2017]

Dragon Age: Deception [comic - 2018]

Dragon Age: Blue Wraith [comic - early 2020]

Dragon Age: Tevinter Nights [book, an anthology of short stories - early 2020]

Dragon Age: Dark Fortress [comic - 2021]

Dragon Age: The Missing [comic - 2023]

Also, rly amazing to read is the lore books, World of Thedas Volume 1 and World of Thedas Volume 2. I feel like you can read these whenever though, and over a long period of time split up into chunks if you prefer. ^^ Varric's 'book' Hard in Hightown is a fun bonus read, it's an in-world novella. The IDW comic.. give it a miss. ^^; also, the list above doesn't include short stories that are outside of Tevinter Nights.

The DA:TV-focused/streamlined answer for me is - Dragon Age: Knight Errant, Dragon Age: Deception, Dragon Age: Blue Wraith, Dragon Age: Dark Fortress, Dragon Age: Tevinter Nights, Dragon Age: The Missing, and the DA:TV-specific short stories. These are As We Fly, The Flame Eternal, Minrathous Shadows, The Next One, Ruins of Reality, The Wake, and Won't Know When. This covers the 'books and comics etc which are set after Dragon Age: Inquisition' era. Throw in the two World of Thedas volumes as well if you are really interested in the lore of the world in general and would like that as a primer going into DA:TV.

I hope this helped. :>

[stinalotte]

Happy 19th Birthday, Stargate Atlantis!

On July 16th, 2004, the pilot aired. Here's a handy little primer for anyone who doesn't know what the heckity heck this show is about. Everything is totally accurate, 100% true and very, very serious.

So.

This is the lost city of the Ancients, Atlantis, in the Pegasus galaxy, about 3 million light years from Earth. (The Ancients can go fuck themselves. Long story.) Atlantis is a city/spaceship approximately the size of Manhattan. She's semi-sentient, but not really, except actually yes, maybe, sometimes, totally. The whole city can go underwater or into hyperspace. Loves her humans. Home. Declaration of independence imminent.

The Atlantis expedition consists of civilians and military from at least 34 countries (in later seasons, the original expedition was just over a dozen). In no particular order:

Dr. Elizabeth Weir. The first leader of the expedition. The only adult. Sometimes. Okay, not very often. Is not above a little war crime for the good of the galaxy—or at least, for the good of Atlantis. Left a boyfriend and a dog on Earth, but we all miss the dog more than the boyfriend. Eats UN representatives for breakfast. Is terribly awkward on dates and really good at solitaire. Loves her chaos children. Which are:

Lt. Colonel Suicide Mission John Sheppard. Walked through the Gate and Atlantis said, "dibs". Thinks people who don't want to fly are crazy. Not good with emotional stuff. (He's getting better.) Loves his found space family and would die for them, often literally. Stop that. Also loves Ferris wheels, things that go fast, and Rodney McKay. And no, we don't know how he gets his hair to go like that.

Dr. Meredith Rodney McKay. Four degrees, two of which are PhDs, none of which are in social skills. Smartest man in two galaxies. Used to be an asshole, but got himself some friends who loved him such a stupid amount that he had no choice but to change. Still a work in progress. We love to see it. Blew up three quarters five sixths of a solar system. (It was uninhabited.) (Mostly.) Deathly allergic to citrus. Loves fully charged ZPMs, arguing with Dr. Zelenka, MREs, and John Sheppard.

Lieutenant Aiden Ford. Went ass first through the Gate with a grin and a whoop on his very first trip. One of the youngest members of the expedition. Is not allowed to name anything, ever. Mild case of hero worship when it comes to his commanding officer, which is totally understandable. A cautionary tale of how addiction messes up not only you, but the people around you.

Ronon Dex. Used to be hunted by the Wraith, lost his people in a terrible war, and is now a member of Sheppard's team where he gets to shoot things and beat up bad guys. Doesn't talk much, but when he does, he has something to say. Good friend. Excellent hugs, but have Carson check you out for any cracked ribs after. Is one bottle of Athosian wine away from staging an intervention regarding the Sheppard/McKay situation.

Teyla Emmagan. In possession of the team's one brain cell. Leader of the Athosian people. Will rock a baby to sleep and then go outside where a Wraith is dangling from the highest tower of the city and stomp on his hands until he falls 800 feet. Can either beat you up in the gym or force you to meditate on your problem, your choice. Has the aforementioned bottle of wine ready and loaded.

Dr. Radek Zelenka. Keeps the science team sane because Rodney sure as hell doesn't. Loves pigeons, cursing in Czech, and overseeing the thriving black market underground economy that has developed in the city. (Thanks @shaddyr for that lovely headcanon). Zachránil všechny naše zadky víc než jednou.

Chuck the Technician. Aggressively Canadian. Doesn't have a last name, doesn't need one. Is ALWAYS in the control room, seriously man, when do you sleep? Reads trashy sci fi novels on night shifts and organized a betting pool in 5 different currencies when Ronon was fighting Teal'c. Needs to share his eyelash routine because we're jealous.

Dr. Carson Beckett. The most Scottish Scot to ever Scot. Brilliant medical doctor who is not above the occasional unethical unorthodox treatment method. Sweet cinnamon roll of a man. Beloved by all. Loves his mom and wee baby turtles. Someone should take him fishing soon. 🥹

Colonel Samantha Carter. Member of SG-1. Legend. Awesome. Boss. Absolute BAMF. Punched a Goa'uld system lord in the face once. We all have a crush on her.

Dr. Jennifer Keller. Is very doctor-y, for better and for worse. Was all of us when she freaked out being on an alien planet for the first time, like a normal person would. Should totally have gone on a date with Captain Vega in that one deleted scene. [WE COULD HAVE HAD IT AAAAALL]

Jeannie Miller. Rodney's sister. Gave up a career in science to be a mom. Solved Rodney's math problem in her spare time, with finger paints. Loves her brother even when he's being an idiot. Fanfic canon says: her house is always open for him and certain Air Force Colonels to crash in. Don't you dare get a hotel room. Yes, the guest room has Only One Bed, Mer, what's your point?

Major Evan Lorne. If you are a moron and get yourself captured and imprisoned off world, he will swing by real quick with a couple Marines and bust you out. Co-parents Atlantis with Dr. Weir. Is actually a really talented painter. Needs a raise, a holiday, and a drink.

Colonel Steven Caldwell. Grumpy. Has to deal with Elizabeth's chaos children on a regular basis. Will make the enemy ship go away with a big boom and save your sorry ass in space. AGAIN.

Richard Woolsey. Used to be a New York City lawyer, one of the most ruthless creatures in the universe. His wife got the Yorkie in the divorce. Broke his heart. Is actually pretty cool if you let him do his thing (like get you out of an intergalactic war crimes trial by bribing the judges).

I know some characters and all the villains are missing, but this post is already longer than a trip on the Daedalus, so there you have it.

Stargate Atlantis. A show about wormholes, life-sucking aliens, ancient civilisations, space battles—and family, friendship, allowing yourself to love and be loved, and what it means to be home.

Happy birthday, fam.

[emrowene]

Webserials and Why You Should Read Them

Welcome to a short primer on webserials! The concept behind them is pretty simple: webserials, also called webnovels or webfiction, are serialized online novels. If you read long fanfics OR webcomics, you're probably already familiar with the concept. Authors release new chapters on a fixed basis, usually one chapter a week (but sometimes more, sometimes less).

You can find webserials in several places: on big platforms like tapas and royalroad, on individual authors' websites or patreons, or on newsletter platforms like substack.

So now we know what webserials are, but why should we support them?

Because webserials are fun. Because webserial authors are sharing amazing works online for free! Because the publishing industry is disproportionately hard to get into for queer and marginalized folks, and those are the people writing webserials.

To climb a little higher onto my soapbox, I believe webserials are the future of accessible and diverse publishing. There's been more and more discussion about the problems with traditional publishing: how publishers are turning it into a "fast fashion" industry, spitting out books while overall book quality decreases. Regardless of whether you believe that, it's true that the industry prioritizes "marketability" over anything else. Experimental books, passion projects, books that have a lot of heart but no pithy "tropes" -- they stand little chance in the world of traditional publishing, and self-publishing is incredibly inaccessible for most of us. It's expensive, but more than that, it takes an incredible amount of time and effort. It's a business, and at the end of the day, some of just want to share the stories we love with people we hope will love them too. And that's the beauty of webserials!

One complaint I've seen about webserials is that "you never know what the quality will be like" - and I've seen this from people who regularly read fanfiction! Like fanfiction writers, we have our beta readers, we have our editors, we pour our hearts into developing our stories. So give us a try!!

Some recs and places to get started under the cut:

My webserials:

Fractured Magic - A queer epic fantasy series about a broken hero’s hunt for redemption and an elven prince’s quest to rescue his kidnapped king. The two estranged friends are racing against time - and dead gods - to achieve their goals. Will they make up and work together before it’s too late? (This story is currently ongoing)

The Case Files of Sheridan Bell - An old-school detective mystery set in Tamarley, a fantastical city with magical murders and doors to other worlds. Basically (queer, autistic) Sherlock Holmes but with more faeries. The first mystery is complete; the second will be published soon!

Some other webserials I follow/followed from start to finish:

What Manner of Man by @stjohnstarling - a queer gothic romance novel about a priest and a vampire.

The Warthog Report by @warthogreporter- this substack contains a selection of nonfiction writing, misc. fiction writings, and Battles Beneath The Stars, a serialized story about a tournament in a fantasy world, styled like a fighting game script/walkthrough.

Kiss it Better by DogshitJay - A (definitely 18+) queer adult romance about the messy endings and messier beginnings of love.

Warrior of Hearts by Beau Van Dalen - a queer slice of life romance following an online friendship that blossoms into something more. (Beau has lots of other great webserials as well!)

More places to look:

Tapas (Community novels page)

Royalroad (mostly known for its litrpg scene, but you can find other novels and genres here as well!)

The ao3 "Original Works" tag!

[what-eats-owls]

Show vs Tell, Or: Please Stop Making Things Difficult for Yourself

I said a while ago that I'd write a brief essay about the most misused craft advice in writing once I wrote 10k words, and for once I actually held myself to that! So now, I'm here to tell you about Show vs Tell, or why people make it more complicated than it needs to be.

First, a basic primer for anyone who hasn't heard this term before: "Show vs Tell"/"Showing vs Telling" refers to "showing" the audience information instead of "telling" it to them. You may be thinking, gosh, that sounds unspecific to the point of being readily misapplied, and you would certainly be right! Lots of folks throw it around without fully grasping what it means, how to use it, or when it doesn't actually apply. And I'd really like everyone to stop making it harder on themselves when there's a very straightforward way to conceptualize it.

So for starters, Chuck Palahniuk has an old but good essay about eliminating "thought" verbs from prose that holds the hell up. But I'm going to tell you an even simpler way to conceptualize the difference between showing and telling:

Eliminate the inner thoughts entirely.

Ask yourself, if my narrator's interior monologue was inaccessible to the audience, how would I convey the same information—literally showing it?

Forget for a moment that your medium is the word, and imagine you only have dialogue and visuals. If this was taking place on the screen or in a graphic novel, how would you convey that this character has a crush on someone in their class? That they're hotheaded? That they're struggling with a decision?

Here's a perfect example of this from the opening scene of Howl's Moving Castle.

Devoid of context, we have a girl trying on a hat in a mirror, and also trying on a fake smile. Then her expression sours and she pulls the hat down over her face until we can only see her frown. She's wearing a plain dress and the hat is simple, despite the elaborate hats and ornaments on display around her.

You don't have to know anything about this character to understand what's being conveyed in this moment: This girl is deeply uncomfortable with trying to be pretty and flirty, but in the safety of privacy she wants that, even though she feels inept and self-conscious about it. She's in this world, but she's not part of it. Even brushing up against it for a moment makes her shut down and reject it with hostility.

More importantly, it's all communicated with a simple gesture and design choices. Not by Sophie thinking to herself, I wish someone would take me dancing—no I don't! I work too hard to have time for dancing!

That's showing. And it's more resonant, because we've all felt silly trying something on in a mirror! Or, say, if you want to show a character has a crush, having them get flustered and laughing too loud. Or showing that they're a hothead by having them snap at a simple disagreement, etc. etc.

This also extends to worldbuilding, dialogue, and stakes.

Worldbuilding: If your story is set in a town run by a crooked sheriff, you could have the narrator say "everyone knows Sheriff Smith is squeezing the shops for bribes." Or the sheriff can stop the narrator for "smelling like weed" while the sheriff's drunken son speeds by, about to total his third BMW.

Dialogue: If your character is angry, they can say "I'm furious." Or they can slam dishes in the sink and insist "I'm not angry" while openly crying. They can snap "I'm not discussing this again." They can demand "What is he doing here?"

Stakes: You can have an all-seeing oracle say "If you do not return the Mystic Orb to the Sunlight Altar by the solstice, the world will plunge forever into darkness." (And as we'll get into it below, sometimes you actually need that.) You can also have intermittent but increasing periods of total darkness occurring as the party travels to the Sunlight Altar. You can have the Mystic Orb start cracking the longer it takes, and the sun getting a little dimmer with every fracture. You can have people's shadows growing bigger and bigger and acting autonomously.

But showing isn't the end-all-be-all; telling absolutely has a place. Sometimes it's better to quickly and plainly state information and move on, such as a little earlier in the scene, when the other hat shop girls have spotted Howl's castle:

"Look, it's Howl's castle!"

"I've never seen it so close!"

“Do you think Howl will go into town?”

“He’s gone!”

“No, he’s just hiding in the fog from those planes.”

“Did you hear what happened to that girl, Martha, in South Haven? They say Howl has torn her heart out.”

“Now I’m too scared to go out!”

“Don’t worry. He only preys on pretty girls.”

This tells us some stuff directly: Who owns the castle we see in the first few seconds, that he's hiding from soldiers, that he has a reputation for preying on beautiful girls. We can infer also that he's a bit of a coward, he stays away from civilization, and that his reputation for cruelty has spread over multiple regions.

This happens so quickly, and it's couched in enough character between the teasing and the gossip, that it doesn't stand out as capital-t-Telling. That's exactly what expository dialogue should do. "Showing" us all that information would take a lot of screen time that can be saved in ten seconds of dialogue.

It's also not just about saving time; it's setting up an image that Howl initially fulfills when he helps Sophie escape the soldiers... only to be punctured when she actually goes to his castle and sees the real Howl. Telling is good for setting expectations that you know will be subverted later.

So yeah, tl;dr: If you're tied up in knots about "am I showing?? am I telling??" just ask yourself how you'd convey the same information in a movie or graphic novel, without access to interior monologue, and evaluate if that'd be better. Most of the time the answer is yes, but not always!