#preorders close in one day!!!!

[gellymilk]

dogwood: strength, resilience, resurrection — for @daflowerzine

[intotheelliwoods]

if I had a nickel for each rottmnt trend I set I would have 3 damn shiny nickels

[autisticgayplushie]

sleepy jumbo mochi version of daisy the transgender puppy!!

[tsuchinokoroyale]

It’s so good to see you.

Lies of P (2023)

[ultramarine-spirit]

WMMAP's manhwa: Now in Thai!

I'm a little bit late reporting about this, but WMMAP's manhwa will get an official Thai translation! The physical books will be released by SENSE T Publishing in collaboration with KW Books.

Translator: เฟริน (Ferin)

Price: 460 Baht per book

The books include postcards and bookmarks, and preorders will also receive 2 acrylic keychains (5x5 cm).

[bigcats-birds-and-books]

y'all i had a GREAT indie bookstore day!! :)

*shoves my softly sobbing now-empty wallet under the floorboards and runs*

[ariaste]

So listen i have this book coming out in uhhh 10 days and I am Worried about it, because it is a Comedy, and comedy is really hard to market (why????? it's funny pirates, what's not to like??) even when it is, yanno, normal mainstream comedy.

It is even worse when it is Unhinged Comedy That's Mostly Going To Be Funny To People On Tumblr. (For example, the main character being a supreme gremlin made of 90% memes by weight (examples: carries around a bag that is never called anything but his "little rucksack"; has a near-verbatim "stick me legy out real far" moment; talks about his metaphorical "orphan gruel bowl" which is a direct reference to that one Oliver Twist gif) because those are funny to me personally.) Unhinged Tumblr Comedy is difficult because tumblr is not a platform where it is easy to market things to people, because we are generally violently anti-capitalist and LOATHE advertisements and reflexively resist being marketed to for most anything. I LOVE that about this website. Except for right now, because I have bills to pay and a cat to feed. So look, fellow tumblr gremlins, I am just trying to say that if your personal brand of comedy is laughing at the kind of jokes that could only be produced on this hell website, and:

you like pirates

you're queer and want to read more books by queer authors

you want your fictional queer characters to be a hell of a lot more Messy and Unhinged than they often are depicted as being

you're interested in seeing a love triangle (M/M/NB) that resolves into polyamory

you want books where the hottest character gets to makes Passionate Speeches about rebelling against oppressive institutional regimes like governments and organized religions

you believe that capitalism is the most oppressive institutional regime of them all

you think it's fun when two characters have been in a 15-year-long relationship where the vibes have been "We're Newly Divorced" nearly since day one

you believe that All Cops Are Bastards and want to know what to do when you get pulled over by the boat cops

you think the Great British Bake-Off would be improved with weaponry, ritualized bribery/coercion of judges, and elaborate shit-talk

then this book might be for you. Beneath the wall-to-wall hijinks, it is political and it is righteously angry and it is the funniest thing I have ever written (which is saying something, because I have written some funny shit). It's called RUNNING CLOSE TO THE WIND. Here's a picture of it.

If all that sounds cool, you can read a review of it here and the first chapter of it here to see if it as funny as I am claiming it is, and then if you think that it is, you can preorder it here. It comes out on June 11! Ten days from now!

Thank you for letting me market to you for a minute. Signal boosting would be very much appreciated.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[shopwitchvamp]

Btw, if you wanna snag any of these without waiting for a preorder then you GOTTA know the very second the initial tiny ready-to-ship batch drops! They will likely go very fast, so be ready!!!

The Fall Collection Sneak Peek

Guest artist design test prints are here!!!

Left to right, top to bottom: @vetiverfox Blood Sacrament Joggers; @dobie Dark Cathedral Joggers, Dark Cathedral Midi; @loppyrae Little Baphomet Joggers, Little Baphomet Skater; @fleebites Corruption Midi, Morningstar Midi, Demonic Draconic Joggers Placeholder preview listings are up in the shop now, so feel free to start wishlisting & signing up for in stock alerts! The Fall Collection will drop later this month. Keep an eye out for more info soon~ 🖤witchvamp.com🖤

[drchucktingle]

Where is the best place to preorder Bury Your Gays? What is of most benefit to you?

i know other types of media have given the trot of preorders a bad way, but for publishing books i cannot even begin to tell you buckaroos HOW IMPORTANT PREORDERS ARE WHEN SUPPORTING AUTHORS YOU CARE ABOUT. i mean HECK preorders are so important i even wrote three dang tinglers about it

basically preorders are what publishers use to determine how much financial backing they will give a book for advertising and book tours and all that, but that is only PART of this way. BOOK STORES also use a preorder equation to determine how much shelf space to give a book. your preorder does not just mean YOU get a book for yourself, but basically means you are making room for someone ELSE to get the book in a store by putting another copy on a shelf

that is why it is better to put in a preorder instead of just saying 'oh i will just remember to buy myself a copy on the day it comes out'

LASTLY preorders are how books get onto bestseller lists because all the orders leading up to your book release date COUNT AS FIRST WEEK SALES. something like new york times bestseller list is close to impossible trot without preorders

think of it like a handsome surfing bigfoot trying to ride a wave. it is one thing to actually ride on the wave, but what matters most is that initial moment when you GET UP THERE and actually have the strength to pull yourself up when the wave starts. PREORDERS are the climbing up part

NOW LETS GET DOWN TO YOUR SPECIFIC QUESTION

first of all ANY preorder is great. what matters most as far as bestseller lists is actually FORMAT. the best thing you can order for an author is not ebook or audiobook, it is HARDCOVER. personally i am an audiobook buckaroo myself so please understand you should order whatever format you want, but technically speaking the answer is HARDCOVER

next is WHERE do you order. this answer is pretty dang cool actually. the best place to order for the sake of author is your LOCAL INDIE BOOKSTORE. if you MUST order at a big timer website that is fine, but many bestseller lists are weighted towards indie bookstores

so to sum it up. the technical BEST WAY to support chuck with 'bury your gays' is to PREORDER a HARDCOVER from an INDIE BOOKSTORE.

thank you for your question but before you go trotting along i would like to add one more thing

all art is important. when we create things they serve as stepping stones for us to move along our journey as artists and creators on this timeline. i have so much love for every book i have made, from POUNDED IN THE BUTT BY MY OWN BUTT to CAMP DAMASCUS

but i have to say with deep sincerity in my way, BURY YOUR GAYS is something special. i absolutely believe that if you care about fandom, or creation, or love, or fanfiction, or supernatural, or the future of media, or asexual buckaroos, or gay buckaroos, or bi buckaroos or any queer buckaroos, you will love this book. i promise buckaroo

it is the best thing i have ever written, and i think it is going to bend this timeline in incredible ways. i would like you to trot with me into the future, since we have already trotted this far together. i cannot say this enough: this one is special, and the timelines we create from here are going to make the whole dang world look up in surprise and say 'where the heck did that come from?'

so if you are even CONSIDERING preordering, take a moment a do it.

if you are one of those buckaroos who says 'chuck tingle is my favorite author ive never read' then now is your moment

lets trot buckaroos. thank you for reading and thank you for constantly proving to me that love is real

preorder BURY YOUR GAYS here

[arielries]

Bowser and Luigi are in love - but there's a spanner in the works: Mario! Across multiple universes, Bowser and Luigi find each other again and again.

You asked, we answered! The legendary Bowuigi Zine print edition is BACK for a limited time, 10 day only preorder campaign. I've teamed up with ShortBox for one last tango, bringing you a bumper edition of the original zine. With 11 new pages of content (including two minicomics!), the book is now a whopping 44 pages in total.

It introduces new characters such as "cunty luigi" and "golf", and even includes a cameo from the one and only Princess Peach, who shows herself to be an ally for the ages.

Preorders close on the 14th of April, and this will be--and I can't stress this enough--your absolute last chance to get the zine in print. The book will not be for sale in the ShortBox store after this period.

So don't delay, grab your copy here!

[genshin-scenarios]

what flowers they’d give their s/o

Summary: A raffle request from my Adopt a Wanderer preorders! They’re a mix of genshin and HSR, but I’m posting it here as Wanderer’s included! If you'd like to see more HSR content from me, feel free to drop a request at @tiramisu-rambles! 

Characters: Wanderer, Luocha, Jingyuan, Aventurine, Sunday

Content warnings: implications of character death in Luocha’s part.

Adopt a Wanderer: Digital Store

Red String of Fate Prompt List

Wanderer: Anemones

Sincerity, forsaken love, anticipation, protection from evil.

Just like the many versions of himself, anemones are windflowers with various meanings depending on their color. And despite the hurt Wanderer’s been through, his barriers are worn down by your honest intentions; your brightness, moments of quiet connection, and how you’re adored by many.

He’s glad the wind has brought him to you. These flowers may have a delicate appearance, but it’s obvious that neither of you are so fickle.

“They’re a protection from evil, apparently. Something about closing its petals when it rains.” 

“Really? In that case, I have a version of that already with you!”

It’s a bouquet made with multicolored hues, where he hands himself to you. A small thanks for acknowledging his past, and a few blooms that represent anticipation for the future.

It’s been a while since he’s been vulnerable enough to feel nervous about something. But it’s a more positive spin on the emotion, akin to excitement when he knows he’s going to see you — but Wanderer would rather choke than use a word so innocently childish to describe himself.

Due to its wild nature, anemones also symbolize relaxation and a reminder to enjoy the moment. To take in opportunities at the right time, as he’s learned from you.

Luocha: Marigolds

Resurrection, energy, good luck, warmth, prosperity, jealousy.

Luocha sees you in the warmth of the flowers, as powerful as the Sun despite your bubbly outlook. He sees the light, which makes him worry he might taint your smile with his true nature.

You thank him for the flowers, thinking of him as the miracle doctor that’s giving you a gift. He is, but he also hopes you don’t get closer without being aware of what he is.

Marigolds represent despaired love, although this is mostly on Luocha’s part as he constantly sidelines himself, making himself a ‘side character’ rather than a potential partner for you. But he’s too selfish to completely step out of your life, accepting your invitations to lunch and walks along the harbor. He says the world feels peaceful around you. It’s true.

These flowers are often associated with life and death. In this case, it’s Luocha’s silent promise to always protect you, even if you might not want it yourself. 

And if there comes a day where he has to pick between saving one or another… He’ll make sure you get out alive. Perhaps he’ll even save the bystanders around so you’ll keep calling him a wonderful doctor, before his powers fail to heal his own wounds.

Jingyuan: Forget Me Nots

Clinging to the past, faithfulness, remembrance, true love, fidelity.

‘I’ll keep you in my thoughts,’ they say. A warm sentiment from the General, and behind them the memories of all he’s gained and lost in the past.

Jingyuan is used to being alone. He’s a leader after all, who wears the air of one without a care in the world. He’s capable and busy, but what he says as a teasing remark contains words that can be read very differently.

‘Don’t forget me.’

Forget me nots also symbolize links to the past. For a long-life species, it’s easy to feel the days melt together, and beautiful sights aren’t as vivid anymore.

That’s why Jingyuan thanks you for letting him remember — remember what it’s like to be surprised again, to see the sky and find it breathtaking, along with your voice in the wind. He wants to remember all of this as long as he can, so he gives you these flowers on occasion to remind himself.

“Do you miss me that much, General?” 

“Of course. There isn’t enough time in the world to spend with you.”

He starts to appreciate his lifespan again, for having the chance to run into you along the way.

Aventurine: Daffodils 

Honesty, truth, forgiveness, appreciation. 

Despite the amount of lying and masks he wears, Aventurine knows there is truth in the anxiety he feels around you. The same feeling before a risky gamble, where he hopes his bluffs will deceive his opponent.

…He doesn’t know what he’d do if you ever looked at him with disappointment. If he somehow managed to fool you into expecting something he cannot give; heart ringing hollow, echoing deeper and deeper in resonance every time you interact.

Perhaps one day this hollow ringing will actually turn into a heartbeat, and he can finally face you as Kakavasha. (Put aside the fact that despite his persona, Aventurine is still facing the world with honesty in every act).

He also chooses Daffodils because, in his attempt at excusing these sentiments, he simply thinks of you as his source of honesty and truth. A Sun that the flowers lean toward, after blooming each spring despite the desolate, cutthroat winter.

‘Please forgive me. Please don’t look away.’

Daffodils also symbolize rebirth, new beginnings, and good luck. Perhaps you can draw this out of Aventurine, who’s been on guard against the world for as long as he can remember?

Be the sunlight that sifts through the window, greeting him every day; a good-luck charm he continues to believe in.

Sunday: Violets 

Peace, devotion, healing. 

You bring him peace. With every smile you direct at Sunday, he feels hope that the world around him can be rebuilt. ‘You heal me,’ the flowers say. And despite how candied flowers dry bitterly on the tongue…

‘After all this is over, I’ll devote myself to you.’

He can’t be sure if you believe him, but Sunday has long disposed of the idea of predicting you. ‘It makes you human’, his sister once said.

Violets are reminders of loyalty, thoughtfulness, and dependability. Sunday looks out for you at every corner, even if his presence isn’t tangible. He notices your little victories and joys, feeling his heart twinge from the distance. And when your days are bleak, just know there is another soul mourning with you, playing a song to soothe your sorrows.

He’s devoted to you long before the drama of politics are done. In a sense, one can almost say he’s too caring — from a glance it appears he’s not bothered with you, and watch for a minute longer, the small, irrelevant commands given to his subordinates ring clear with thoughts of you.

Sunday doesn’t put a spotlight on his love, yet showers it with the adoration of the moon. Quiet, graceful, and just a bit selfish.

[felassan]

Snippets. 🐺💜

Corinne: "I’m screaming alongside the rest of y’all! It’s happening!!!!" [source]

Nathan: "Thrilled to share our latest trailer! Very proud of all these animators." [source]

Trick: "There we go." [source] / "I hear there's something at this [trailer] link now." [source]

Blair: "LIVE NOW! October 31st 💜🐉🐺" [source]

Brianne: "It's almost here... So close..." [source]

Corinne: "I’ve held the dagger in my hands, and well, needless to say I can’t wait until my own personal copy arrives. I’m definitely not going to be unhinged. 🤷‍♀️" [source]

Bryce: "if I may workpost for a sec, I'm forever grateful for days like today when I get to gush about dragon age with the fans. this community is so welcoming and my heart is so full today 💜" [source]

User: "Of the new companions, who do you think would have the best chance of beating you at pinball?" / Corinne: "Bellara, definitely. As an Elven tinkerer with a curious mind and playful spirit, I think she’d be so into it" [source]

Brianne: "So excited to share more of what we've worked on!" [source]

Corinne: "Some of the best moments I have is reading through the team’s experience, highlights, and feedback for the game. You’re right - we do love it! It’s a wonderfully talented group of folks I get the pleasure to work alongside." [source]

User: "MORRIGAN!!!!" / Corinne: "Keeping this secret has been KILLING me 😊" [source]. User: "I can't wait to find out all the other secrets that you've got in store for us." / Corinne: "Oh just you wait 😉" [source]

User: "HER CROWN I SEE THAT CROWN." [re: Morrigan] / Corinne: "👀" [source]

User: "CORINNE! It looks so good!! I can't wait to play it!" / Corinne: "Thank you so so much! The team did such a fantastic job. It’s been a labor of love for so many of us 💜" [source]

Corinne: "Can’t wait to hear about your adventures and the decisions you’ll make.I immediately preordered another copy of Rook’s Coffer even though we on the dev team get one 😅" [source]

Corinne: "I’m in awe of what this team has created 💜" [source]

Corinne: "We’re all so proud of this game and I mean it when I say we’re are just as excited to get it into your hands and hear about your adventures as your are to play it.This team is truly a wonderful group of creative people. 💜" [source]

Corinne: "The team has put so much of themselves into this return to Thedas, and believe me when I say that it means so much to all of us to see and hear about your excitement 💜" [source]

Corinne: "I’ll be honest, it still doesn’t feel real to me either that we are so close now. We all hope you’ll love this return to Thedas 😊" [source]

Corinne: "I hope you’ll share a pic of the Rook you settle on when you emerge from Character Creator. If you’re anything like me you’ll spend a loooot of time lost in the options 😉" [source]

Corinne: "Rogue is so so good. The Veil Ranger specialization is absolutely one of my favorites" [source]

Brianne: "I'm excited to see everyone's Rooks! I really like the ones I've made." [source]

Corinne: "Happy to say this time around we’ll be able to support those flowing locks in-game" [source]

The Codex is "vast" [source]

User: "question, of our 7 companions, which is most likely to be up early and watch the sunrise , which is most likely one to sleep till noon?" / Corinne: "When you see Davrin’s room, you’d certainly assume he’d be up watching the sunrise with that view. If only it weren’t in the fade 😅" [source]

User: "For purely scientific and artistic purposes....is Emmrich taller than a female elf or roughly the same height?" / Corinne: "Well… usually taller, but y’all can control your characters height now so 🤷‍♀️😅" [source]

Malcolm: "To all the people excited about the return of Her.... same, fam, same. And by Her I mean Morrigan. Just... just in case that wasn't clear." [source, two]

Malcolm: "The level art team for DA:Ve are incredible. The environments they've built are gobsmacking. I adore what they did for the Necropolis in particular." [source]

Malcolm: "And Rivain is just... 👀 Seeing this one go from early greybox to full art was such a delight" [source]

Malcolm: [image of bby Manfred] "That's my boy!" [source]

[textblock character limit break!]

User: "*remembering all those dang statues in my origin story in DAO* ah shit that’s a lot of gods" / Brianne: "You'll be fine. You... May want back-up 😁" [source]

Brianne: "While on the topic of Dragon Age: The Veilguard... I just adore him. [image of Assan]" [source]. / John: "the team's official Assan photographer" [source] / Brianne: "When I said I'd capture one, two, several more shots..." [source]

Brianne: "There are some spooky places to explore" [source]

User: "I'm so excited :)))))) I hope I spotted the bun hairstyle of one of my favorite hammer wielding characters in the world <3" [re: image of character who is probably Evka Ivo] / Brianne: "Well, would you look at that :)" [source]

Mary: "[Assan] is the best character in the game. We all know this to be true." [source]

Blair: "everyone went nuts about baby griffon, but Manfred is my boy, my sweet cheese, etc. ride or die, Manfred 💀💜" [source]

John: "am I playing our game for fun on a Friday night, I certainly am. romancing my own companion to do one last check to make sure all the conditionals work. folks it is a very strange thing" [source, two]

Trick thinks the Spellblade spec is delightful :D [source]

User: "Is Solas speaking in the Hallelujah cadence at the beginning of the Release Date Trailer ? I'm trying to match it up but the best I can get is opposite stresses although the meter is 8/8/11" / Trick: "In DAI, only a relative few lines were in that cadence. He hauls it out for special occasions. :)" [source]

Original post: "I know that the AP Stylebook says the proper possessive form of Harris is Harris'. But the AP Stylebook also says not to use the Oxford comma. It's not a serious publication, let alone an authority on punctuation." Trick: "There was an actual voices-raised argument among the BioWare Writers and Editors over S-apostrophe vs S-apostrophe-S, along with threats made to writers who proposed character names ending in S in the future. Question time: Can anyone think of an antagonist in DA:I whose name ended in S? Corypheus's assassins' scimitars's's'' blades are coated with poison." [source, two] User: "I make everybody mad by switching between -s' and -s's depending on if the "s" represents a voiced or unvoiced consonant: Anders', but Fenris's." Trick: "I think that was very close to the consensus we landed on." [source]

Mass Effect

User: "fully accept that the answer may be "that was 8 million years ago I have no idea" but did you unilaterally decide to make Thane hallucinogenic when licked while writing ME2 dialog??" / Trick: "Yes. My intention was always that Mordin was trolling you there, but I don't think everyone took it that way. 🤣" [source]

[viviiyon]

[ Clover Plush Update & FAQ! ]

(i had an in between update on twitter but here's the most recent one!)

[Final sample reveal] The revisions are finally done and the plush is being shipped to me! Here's a picture from the manufacturer but once it gets here I'll take more pictures to show you guys >:)))

[Fixed preorder open date] The preorders will be open on 12 October 2024 7PM PST!

[Updated plush price] Previously I said it'd be $25 for the base plush and $40 for the one + the alternate outfit, but unfortunately due to some logistical fees I might have to bump it up a little bit (won't be beyond an additional $5 hopefully), hope you can understand! TT🙏

I'll announce the final plush price sometime after this weekend alongside photos of the plush once I receive the sample!

Plush FAQ! (Also! I posted some merch previews on my twitter so if you'd like to have a view on that there, feel free to check it out!) “What payment options are available?” Paypal mainly, but debit & credit options are also available! For debit / credit options you'll have to use the paypal guest checkout method which I'll put here below! (You don't need a paypal account for this btw :)))

“How long will the preorder period last?” 12th October until 16th November! But please do read the additional info below!

Bear in mind the main target for sales is 75 plushies (so it can fulfill the MOQ while also breaking even). If it doesn't reach 75 sales within the preorder period, I'll still order 100 plushies and whatever is remaining I'll sell after the preorders are over. If sales are below 50 plushies I'll unfortunately have to refund everyone since it'll be too little to make any bulk orders TT🙏🙏

“Will there be plushies for sale after the preorder period?” Highly depending on how many sales we get! If we get over 100, I may order some extra to have for sale after, but once it runs out they're pretty much gone for good though :’DD

“When will the plushies ship?” After preorders close, there will be a production phase (roughly 25-35 business days) and after that they will be shipped to me and I will send out the orders to everyone. They will hopefully ship by early January (or February latest)

“Will my merch orders and plushies ship separately?” Your merch orders and plushies will all ship together!

[ender--slime]

AAAAAAAND PREORDERS ARE CLOSED!

holy shit!! thank you all four million bajillion times THANK YOU for the overwhelming support!! the total order count came tooooo…

FIVE HUNDRED ORDERS!! 500!! EXACTLY FIVE HUNDRED!

WAYGH!!!! WHAT THE FUCK!!! THATS CRAZY!! Thank you so much!!! This is so much more than I could have ever imagined!! I’m so so happy and grateful for the support!

SO!! What now?

GETTING THE BAGS MADE

It will take about TWO MONTHS to get every bag made, and then they get to be shipped to my house where i will…ship them all out to YOU. Um. Yeah. Nearly 500 bags. in my house. to ship out. one by one. i feel like markiplier with his tasteful calendar years ago. except he had to sign fifty THOUSAND and i’m only packing 500. so. actually it’s nothing like that and i get to SUCK IT UP!!! and look at the calendar in question on my wall for emotional support....please be patient with me while i do this!!! this will take me probably another couple of months just to get every single one out there!! but it will be done!! one day i’ll probably pay like. a fulfillment center? to do this for me? i’m kinda new to this. if that wasn’t super obvious… and then, after that…

Some changes moving forward:

PRICE INCREASE

Boo sound effect, tomatos, i know. But i got such overwhelming support for this project that um…well, i have to pay taxes on it! Essentially this became my real life job in a very short amount of time! I have to make myself an LLC now?!? I’m incredibly grateful for the support, but this does mean I need to make sure I can actually afford to keep doing this. or else the IRS will fucking GET ME. Like seriously. It could get really messy really fast. I have to pay taxes all by myself now. And this means a slight price increase for future editions of the bag. The base price will increase from $40 to $50! Shipping will stay the same. This does not come without some slight upgrades, though!

BAG UPGRADES

The strap is going to be longer in future editions (by what measurement i’m not sure yet- i will do some experimenting and figure out an ideal length!) and I will also see if I can order straps separately so that any Pink and Purple bag owners who would like an even longer strap can buy an extra one without having to buy a new bag! The bag strap length is okay right now, but I got quite a few requests to make them even longer- so I will do so!!

The inside pocket will be slightly modified to be looser fabric instead of the super tight zipper pocket. Can’t fit much in there. It will hopefully still have a zipper, though! I’ll workshop this a bit before I do the next batch!

If anyone has any more suggestions for future batches of the bag, please do let me know! If it’s within my (and the manufacturer’s) power to do, I definitely want to try!!

NEXT BATCH?

The next batch will be YELLOW and BLUE!! Hash fans unite!! You got your poll win eventually!! After yellow and blue, I’m planning some funky ones! Black, and…well. something else!! i’ll come up with one to go with it!

The black ones are pretty fuckin cool, and I can’t wait to show you all! I have two ideas for Black bags that i simply cannot decide between so i’ll probably have to put it up for a vote next summer!!

Okay, that’s all for announcements today!! Thank you all so, so, SO much for the support, and thank you in advance for your patience!!

WHERE DOIN THIS MAN… WHEre makin this hapen :)

[skzdust]

SKZ x Reader air travel headcanons <3

Definitely not inspired by me being on vacation and doing a LOT of flying.

That’s also why I haven’t been posting much writing—been writing a lot actually but nothings quite ready to post yet because of vacation!

Enjoy these little headcanons <3

Taglist (Comment on a post/send an ask if you'd like to be added): @weirdowithaphone, @caught-in-the-afterglow, @palindrome969, @skzstan12345, @katsukis1wife, @tsunderelino, @hyunjinsjeans, @somethingkindazainy

Likes/reblogs/comments appreciated!

Masterlist

—

Bang Chan

Chan gets like an overenthusiastic dad when it’s time to fly somewhere.

He’s at the airport hours before your flight, he’s got you checked in on the app, he’s preordered coffee and it’s ready for pickup.

You get to your gate early, of course, and it’s so early in the morning you fall asleep against his side waiting for your group to be called

Chan wakes you with a kiss on the head when it’s time to board

You fall right back asleep as soon as you’re on the plane, and he puts his arm around you

Lee Know

Minho takes a more relaxed approach. He still likes to be early, but doesn’t stress about it as much as Chan

Insists on paying for everything at the airport and even gets you silly little airport souvenirs. You have a collection of mini stuffed animals representative of every place you’ve traveled

“This one’s cute like you.” He says, holding up a little bunny. You laugh as he makes it hop towards you

Minho always makes a toast while in the air, whether it’s with airplane wine (that he paid for of course) or just your water bottles. He says it’s good luck

Changbin

Changbin makes everything at the airport a game

Who can get through security the fastest? He’ll time you. Guess the gate before it’s assigned, whoever’s number is closest gets a pastry on the other. Sit down at one of the airport restaurants and make up stories about the people passing by.

For as much as he acts like he’s having fun, Changbin is a bit nervous about flying. You can see his little tells, even when he’s joking around

You hold his hand when the plane takes off, and by the time you land at the end of the flight, he’s a little calmer

As soon as you get home or your hotel, he needs a nap, even just a half hour, before he’s ready to do anything. Flying tires him out

Hyunjin

This man thrives at an airport. He loves flying

His airport fits always look great. It looks effortless to anyone else, but you and he have been going over outfit options for days before the trip. You’re coordinating with each other and you’re eating it up

Hyunjin is very comfortable with the actual flying as well, often falling asleep on planes just from relaxation

He loves to just close his eyes and listen to music. You often share headphones with him when you’re at the gate or on the plane and listen to the same songs together

Han

Jisung is so affectionate at airports

He wraps his hand around your waist possessively, pulling you close and pressing a kiss to your cheek while you’re looking at the board to see your gate

You giggle and tell him to let you focus on the flight, so he helps you find your gate, and you navigate there before he pulls you into his lap on one of the airport chairs

He always lets you have the window seat

Hanji does get a bit nervous with flying, like Changbin, but holding hands helps, so your fingers lace with his on the armrest

You smile as you watch the airport grow smaller and smaller behind you, knowing you’re on another adventure with the love of your life

Felix

If you’re nervous about flying, Felix is who you want to go with

He always has extra snacks, water bottles, gum, mints, earbuds, everything else you could even possibly need

He likes the window seat but if you feel strongly about it he’s always happy to give it to you

He’ll talk to you to distract you if you’re feeling anxious, and he’ll always get you laughing, even if your stomach is in knots.

Seungmin

Seungmin has a thing about airline apps. He doesn’t trust them. Always checks in at the desk instead of online and gets printed off boarding passes. Which is not a bad thing, just takes a few more minutes sometimes

You tease him about it, but you’re always glad for it when you see someone struggling with their digital boarding pass or whatever

He’s really collected about issues with flights and things—if there’s a storm or whatever, he can keep a level head and figure out the next best path

He’s really nice to everyone and will offer directions to people and that sort of thing

He will not lose your suitcase. And if you and your luggage do get separated, he will find that thing if it’s the last thing he does

I.N

Innie doesn’t love flying, he’ll admit it

But that means he’s very efficient about it, planning out your time in the airport for the smoothest travel experience

He will splurge on business class tickets so it’s always lovely to fly with him in the big seats, especially for a longer flight

He doesn’t fall asleep easily on flights, so if you take a nap, he’ll watch over you, making sure you have a pillow and your blanket isn’t sliding off