#pre-season/series 02

[aziraphales-library]

hi, i wonder if you have recs for fanfics written after the release of season 2 which are set in the time between s1 and s2? thank youu

Hello. Here are some fics set between series one and series two...

To the World by mehrto, SkysongMA (G)

"Really, Crowley, it's bad enough having everything replaced without you moving things. Don't tell me you're still tired after that nap you took." "After the events of the last eleven years, I believe I will be tired for the rest of the century." Crowley's voice turned uninterested, but he shifted his weight in the chair in a way that had nothing to do with the angle of the sun and everything to do with the topic. Aziraphale studied him. Crowley was still relaxed, ready, as ever, to slip into a nap wherever he was, but something was off, exactly like the arrangement of the bookstore. It was no fun to complain if Crowley wasn't immediately rushing to fix everything, even as he pretended he wasn't. Aziraphale drummed his fingers on the box, then clucked. "Well, if you're still tired, let me freshen up the spare bedroom. I ought to see if anything's changed there anyway."

Conversation on a park bench by CatelynStark956 (G)

Aziraphale is sitting in the park, reading and watching all the humans that pass by. Crowley suddenly joins him, furthering his musings on this and that until they’re interrupted by a gentleman who seems to have got the wrong impression

i come home, she lifted up her wings by junoshusband (G)

Oh, he could remember. Before everything, when angels groomed each other's wings in Heaven. Even after Heaven and Hell split into different factions and started their bickering, some of them would bask in the Earth's young sun as it fell between Eden’s verdant leaves and preen. But Gabriel usually chased them off, telling them they had work to do and that they didn't have eternity anymore. Whilst writing his account of the Apocalypse That Wasn't, Aziraphale broke his quill and then broke down. Crowley offers a feather and some comfort. Or, the story of how Aziraphale got the black feather seen in the Good Omens: Lockdown video.

Under the Stars by rockinellie (G)

Crowley sets up a stargazing picnic for Aziraphale, and they spend an evening enjoying one another’s company.

sense my heartbeat chase your constellations; burn but never fade away by Shaleschnueffler (T)

“Why don’t you drive us somewhere?” Crowley could not help his lips from parting and his brows from rising in heartfelt bafflement. Aziraphale- actively asking to endure Crowley’s driving that he despised so fervently? Intrigued, he jolted into motion, turning his entire body to face Aziraphale fully now. “...really? Like where?" Only upon saying these words out loud did Crowley realise that he’d already swung his legs around and placed his feet on the ground. Following this, there really was no use in letting Aziraphale answer his question. Crowley was going to go along with it, with anything, either way at this point. Less than a minute later, they were speeding past dangerously yellow lights with an unreasonably high number on the clock. or: Having successfully averted the end of the world, one night, Crowley proposes they do something nice. Aziraphale has a suggestion. Crowley rolls with it. They talk, and drive, and sip wine under the star-covered night sky, getting lost in their own world.

In The Next Room by maidenimage (M)

Crowley doesn’t know it yet, but this is going to be the first, last, and only night he spends in the bookshop.

In which Crowley and Aziraphale get drunk, play poker, and then everything changes. Or: Why TF is Aziraphale giving Gabriel his spare room while he let Crowley live in his car for years? Oh, this is why.

Set in canon between season 1 and season 2. Title lifted from a Neon Trees song of the same title.

- Mod D

[tremendum]

heaven is a place on earth ; joel miller

02; stopping and stalling

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au (pre-outbreak, altered ages), Joel Miller x fem!nanny!reader. dedicated to the anon who suggested this trope.

↬   prologue  part one series masterlist main masterlist

↬     "after only a few weeks, your mind spits at you - only a few weeks, and you already fucked this up."

↬     warnings; tagged 18+ for eventual smut and mature themes. MDNI. age gap (reader is 22, joel is 35), fiscal anxieties, shitty ex, brief mention of marijuana use, some Tommy x reader, brief allusions to masturbation, fantasies, brief hand kink, brief scent kink (???lol), brief praise kink (use of term girl), car talk tbh im sorry... also light angst/anxiety i guess, fluff. reader is described as smaller than joel.

↬     heyyyyy guys! thanks for being patient, i had some writer's block but im finally back! i hope you like the next part of this series, lmk what u think/if theres anything you'd like to read w this trope. also im sorry i cant help that there is flirting with tommy too,,, i need them both expeditiously lol. xoxo love u all

series mixtape, song three; In Too Deep, Sum 41. 2000.

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"shit."

thighs burning, your shoes squish against the soaked pavement as you carry yourself as fast as possible down the sidewalk. "shit, shit, shit."

the rain that pours from the sky is unforgiving; your hair slides in a stringy mess against your neck as you try to calm your heartbeat, blurrily watching as the house grows larger in your wavering vision.

bottom lip quivering, you ignore the cold shiver that comes up your spine; why today? why, why today?

you're afraid to check your cellphone; hell, you haven't even thought to check it until now! shit. Joel's probably pissed.

you let out a pathetic groan, heart hammering as you ignore the time on your wristwatch: 8:21am. twenty-one minutes late.

fuck, you think. fuck fuck fuck.

you could have texted Joel - in fact, any rational person would have probably had that immediate thought after their car sputtered to a stop on the side of the road, smoke slinking from the side of their hood as the rain splattered aggressively on the windshield.

you should have texted him, let him know you'd be late - but then, you'd gone into your damn glovebox to check your AAA number and been reminded unpleasantly of what you've been working hard to forget; your ex's full name boasted across the registration for the car had sent you into a near frenzy. everything that's built up - the near-eviction, the breakup, the move, the rain, your car. all of it hit you at once.

there's no way you can afford to pay for a fixed engine (and shit, you don't even know if the engine is the problem) without insurance, and your dickhole ex has still not signed any of the paperwork for you to take the title of the car back. so. shit.

for over twenty minutes you've been trudging through the rain - you're soaked to the bone, fighting back tears, and already wondering if you'll be able to take back your full-time job at the library.��

after only a few weeks, your mind spits at you as you turn the corner up the driveway, only a few weeks and you already fucked this up. 

you have to shut your eyes harshly as the front door opens; whoever's on the other side must have been watching out the window for any sign of you - and here you are, washing up on the Miller's driveway like a batch of late season seaweed; a wet puppy, shaking and trying not to have a full breakdown, your eyes clenched shut. 

Joel's voice finds your ears as you finally make it onto the porch - a respite from the downpour, there's just a slight breeze that blows mists of rainwater over your cold form.

you feel like an idiot. you cannot afford to lose this job. you're a fool. 

Joel says your name in concern; a far cry from the anger you'd expected. "y'okay? what happened?”

you take a shaky breath, meeting his eyes - they're warm, honeyed in the darkened skies of the morning and it makes you feel so much worse. he must've slept in, too - odd, considering it's a Wednesday - he's wearing pajama flannels, a gray shirt, and his hair is fluffed out - curling up at the ends, the tips still damp from a shower. Tommy's work boots are gone from the front - he must've gone to work, Joel staying back to wait on your tardiness. fuck.

"I'm so sorry, Joel-" your throat closes up, blinking back the emotion that wavers in your voice. you feel stupid. "I'm so sorry I'm late-" you shake your head, praying to every god up above or below to make your lip stop wobbling so pathetically. 

but Joel doesn't hesitate to step aside, brows drawn low, "come in, you're soakin' wet." 

you bite your lip as you shuffle inside, barely registering the hovering palm on the small of your back as you awkwardly stand on their doormat, focusing your eyes blearily on the darkness of the house. 

the overcast storm throws the usually warm, sunny house into a bout of cool blues and grays - the drawings on the wall, the guitar in the corner reflecting the rolling clouds from the window panes. you suck a breath through your lungs and ignore the way it draws short - either you're very close to crying, or you really need to stop smoking so much weed. probably both. 

"did you walk all the way here?" Joel asks, brows furrowed in that kind look of concern, eyes flickering to the storm outside and back to you. "where's your car?" 

this brings a fresh bout of tears to your eyes and you look up towards the high vaulted ceiling of their foyer, shaking your head. 

"my car broke down, just off Park Street, and I can't-" you sigh, biting back the sting of tears, "I can't take it in, and it was pouring rain and I didn't want to ruin your day-" you are forced to take a sharp inhale, letting out stuttered breaths. you shake your head, hands rising to wipe what's surely the streaks of mascara that have gathered under your eyes, your clothes still sticking to you and hair dripping solemn pools onto Joel's hardwood. "I'm just so sorry that I'm late. I swear, it'll never happen again." 

something in his face becomes very soft - maybe it's the lighting, that casts a slight shadow from his nose, or the way his brows gather together in an upwards tick, but he shakes his head at it makes your heart pang. 

"didn't you see my text, darlin'?" he says softly, "we called off working today. 's too stormy to do construction." 

the name drips from his lips so casually you barely register it fully. your cheeks heat; you're not sure if it's more from his use of the term or from the slow realization washing you in a wave of embarrassment. darlin' - you're not unused to people using words like that, hell, you grew up here - but it's different coming from his mouth.

you ingore that thought; your hands shake slightly as you move to pull out your phone - your purse is soaked too, three shades darker than it usually is. the buttons on your cellphone are damp and your heart pangs when you wonder if it'll be ruined from water damage - but there it is, a text from Joel about forty minutes ago: 

Rain is coming down pretty hard today. You don't need to come over—Sarah and I can manage. Take the day off and relax, you deserve it.

Thanks. Joel

your throat closes tight: "oh," you squeak, biting your lip as the screen becomes blurry; relief floods through you just as embarrassment does - a fun cocktail in your veins that makes you smile weakly. "didn't-" you clear your throat, "didn't see that." 

only a split moment of silence in which the house withstands the assault of rain on its roof; Joel hums, "here, let me get you a towel.”

he disappears down the hall and you take the moment to breathe deep; letting the warmth of the house seep into you, your hands tremble with the emotional strain of humiliation that is coursing through you. what a fool. your heart beats hard in your throat, but there is a large relief when you understand that Joel does not seem keen on firing you for being 20 minutes late to the job he told you not to come in for. you curse yourself for not checking your text messages before leaving your apartment this morning.

Joel returns quickly, towel in hand; you take it and can only bring yourself to whisper your thanks into the empty foyer. 

“don’t worry about it." he says, shrugging one shoulder, "y'said your car's on Park Street- that's over a mile away, why didn’t you call me?”

you strain the water from your hair with the towel, clutching the scent of the warm fabric to you; it's not pink like the one's in Sarah's bathroom, and with a heat on your cheeks, you register it must be one of Joel's. shrugging, you shake your head. “I didn’t want to bother you - or, I guess I was just...distracted. my car… is sort of complicated.”

Joel’s brow furrows, “complicated?”

you hesitate - you don't want to come off to your current 'employer' as untrustworthy or reckless, but it's Joel - he's kind, understanding, if not a bit aloof at times; but you trust him. you swallow with a bitter chuckle, “the car’s title is still in my ex’s name. I can’t bring it to a shop without him, and I don’t know how to even check under the hood myself-”

your hand flies to your face to furiously wipe away the tears of humiliation that fall; great. just what you needed - to cry in front of him like a baby. 

“hey," a hand, warm and heavy, falls to your shoulder; your wet eyes trail to his figure, where he soothes over your shivering arm. you miss its presence as he pulls back away, "if you want, I’ll take a look at it when the rain stops.”

you shake your head, "I couldn't ask you to do that." 

"you're not askin' me, I'm offerin'." he insists; you meet his eyes to find generosity swirling in that honeyed brown; you smile up at him with a watery gaze, unsure how to thank him.

"you can stay here 'till then, or I can give you a ride back to your place in a bit when Tommy gets back. he had t'run to the job site to get our tools." 

you look up at him, craning your neck as you search his expression for any hint of irritation or anger - none. you flush as you wipe under your eyes again, “thank you, Joel. I'm sorry, again, for this..." you look down, gesturing vaguely to yourself,  "...mess." 

he holds your gaze for a moment, as the rain pours against the slats of the house and the panes of the windows, and shakes his head slightly. your stomach rolls over as you stand, still shaking with the nerves and cold, not breaking contact: something about his utter calm in the middle of your hurricane-mind has your face hot. 

Joel opens his mouth to say something, but before he can, a light on the stairwell flips on, and footsteps slide down the stairs, as if Sarah has taken to sliding down the carpet on the balls of her feet. you used to do something similar as a kid.

“dad?” Sarah mumbles, rubbing sleep from her eyes as she appears on the stairs; Joel takes a quick step back from you, the distance sudden and coaxing another rush of surprise to confusion over your cheeks - had he really been standing that close? you have no time to analyze the action before he's speaking to her. 

 “morning, sweetpea." he says, clearing his throat. Sarah's eyes meet yours and they widen slightly, padding over to you and saying your name softly, "are you okay?" she asks as she takes your hand gently. such a sweet girl.

you force a smile, weakened from the moment you'd just had, from the morning you've had; her eyes are so full of that same concern her father carries, though, and it warms your heart. you nod, “I’m alright, Sarah. just a little wet from the rain." you shift on the balls of your feet as your gaze flickers to Joel - he nods, looking back to his daughter, "well, how about we get you some breakfast?” he suggests. inadvertently you become aware of your own rumbling stomach, having come back to life after the realization that you aren't losing your job today. 

Sarah nods, her sleepy face breaking into a smile, “pancakes?”

Joel grins; it's as if the tension eases from the room as he nods back at her, “pancakes it is. 'm right behind you, sweetpea.”

Sarah traipses to the kitchen; you stay back awkwardly, watching as she disappears - Joel turns back to you, lifting a brow. "I can take a look at your car after the rain stops later this afternoon, or if y'want, I can take you home when Tommy's back?" he says, eyeing the keyhooks that remain empty by the front door; you shift on your feet, itching to flee, but itching to stay and embrace the warmth you've come to enjoy in this house. he continues with a small smirk, "-if you stay, I can't offer much besides some mediocre pancakes and some even more mediocre coffee." 

despite your humiliation and exhaustion, you can't help the short laugh at Joel's valiant attempt to lighten your mood; unfortunately his charm is undeniable, and you're reminded of what Michelle said to you those days ago: 

Joel is a nice man. just- don't get into trouble. 

you curb your smile, lifting a brow when you hear Sarah's voice call from the kitchen, yelling your name and dragging out the vowels. "-come help me with breakfast!"

you glance back to Joel, "if you really don't mind, then I'd like to stay," you say smally with a smile. "if I went home, I'd just lay around and mope. plus," you nod your chin towards the kitchen, "seems like you've been demoted from sous chef." you tease, finding a bit of yourself returning in the comfort of the sweet girl you nanny and her father. 

he grins back at you, shaking his head, "I don't doubt you'd make a better sous than me, darlin'-" he takes in your still soaking shirt, "but you should take a shower, I'm worried you'll catch a cold in those clothes."

Joel leads you upstairs, into the master bathroom.

you school yourself, keeping your eyes on his large frame, not daring to look around at his bedroom and all the different pieces of Joel you've yet to discover. you're used to Sarah's room, with pinks and blues and purples and action figures and textbooks - not this adult bedroom, with t-shirts and framed photos and a heavy scent of amber and cedarwood. 

he hands you a stack of clean clothes - a flannel and what seems to be a pair of sweatpants; you smile gratefully, ignoring the heat on your cheeks and in your chest; a feeling nestles in your heart, stuck halfway between humiliation and some kind of intimacy, neither of which feel right in this moment. 

you shake it off as he tells you to take your time, disappearing back down the hallway with a mutter about ensuring nobody set the kitchen on fire yet. 

you close and lock the bathroom door behind you, leaning against it for a moment to catch your breath.

the last hour has been a whirlwind: losing your car, almost losing your job, the humiliation of walking in the rain, showing up to work when you had the day off - all of it catches up to you. 

but instead of crying again, you let out a short huff, shaking your head. you'll be okay - smiling watery to yourself in the mirror, you puff your cheeks and blow the air out slowly. Joel won't fire you. you'll get help with the car. deeeep breath. 

the bathroom is small and intimate and you find it heats up very quickly as you run the shower; within forty seconds the mirror begins to fog and you're wrapped in a cocoon of warmth that eases the chill that's seeped into your bones. you peel off your wet clothes with still-shaking hands, slipping under the heat of the stream quickly. 

you stand, staring at the wall, for several minutes before snapping out of it; a thick scent has begun to leak its way into the steam of the shower, and you eye the culprit - an opened, unscrewed bottle of some kind of men's body wash. you blink with heated cheeks as you're suddenly assaulted with visions of Joel in this very shower; the thought sends your heart racing and you swallow thickly, not able to resist the temptation to lather it over your own body.  

the smell is that same amber scent, citrusy and male - you don't mind it as you let the suds slide off your skin, trying not to think about him. Joel. his kindness, his concern, his hands- you shake your head, trying to dispel the thoughts; it's not right, you tell yourself.

just- don't get into trouble. 

it isn't right to think of him this way, especially when he's just being kind - especially when he's so much older, especially when you're the nanny for his daughter. 

but your hands linger on your skin, the scent of Joel's soap mingling with the steam, creating an intoxicating mix that makes your head spin; the soft weight of his hand soothing your shoulder, how it'd feel if he dragged those hands down - a pang of guilt and you quickly push the thought away, snapping back to the present. 

you slam off the showerhead, shaking your mind of your polluting thoughts. 

the towel Joel gave you earlier dries you off quickly, and you wipe away a small section of the mirror to see your reflection - you pull the clothes on he'd given you, cuffing the length of the pants, buttoning the warm flannel over yourself with a small smile. 

you don't let yourself wallow any longer; the smell of breakfast wafts up through the vents and into Joel's bedroom as you exit, a swirl of steam curling around you as you towel-dry your hair, recalling the comb that lives in Sarah's bathroom drawer. 

the warmth of the shower does wonders.

you pad down the stairs, only feeling vaguely odd wearing borrowed clothes, smiling as your stomach rolls in hunger - you feel much more composed. 

when you make it down, the dining table is set: four placemats, four plates, cups with orange juice, and three mugs of coffee. you raise a brow, "did I miss the fun?" you ask gently. 

Joel and Sarah are bustling around the kitchen, putting the final touch on breakfast - pancakes, fruit, the works. 

"-fun just arrived, actually." a voice from the hall makes your stomach flip, heat traveling up your neck. Tommy must've gotten home while you were showering. 

you roll your eyes good-naturedly as Tommy comes around the corner from the garage, nodding at you in greeting. "you look nice and cozy." he observes, eyes roving over your figure drowning in Joel's clothes. your lips press together, ignoring the fluttering in your stomach at his observation of your clothing. there is no implication - you're the nanny, it's all innocent, but the look he's giving you is not. as if he knows how Joel makes your heart thud and your mind fuzzy. 

"car broke down." you say quickly, sitting where Sarah directs you. Tommy hums, a look that could be read as skeptical, teasing, flickering across his face. Joel flips a final pancake in the pan, pacing over to slide it onto your plate gently. when he leans over you, he's close enough to ask quietly, "you feel better?"

it's soft, kind, as if he's cautious not to air out your previous breakdown to the others in the room. you're grateful. 

"yes. thank you." you say back, smiling genuinely at the man, eyes roving over the moustache which sits on his upper lip, the beard that's grown in and rises to meet his air-dried curls. he returns to work on another culinary project as Sarah places the fruit on the table and drags Tommy to sit down.

there's a bag that Joel is pouring a mixture into; some kind of meat inside, and you hum. Joel really is a very handsome man. "marinade?" you ask.

he looks over at you, nodding, "yeah, s'for the cookout this weekend." he sets the bowl down, sealing the bag. "you coming?" 

you smile tightly, nodding - any excuse to get outside, to see Joel, Sarah, Tommy, even Michelle and Dan. "should be," you say, anxiously looking over to where your car keys now hang next to Joel's near the front door - he must've hung them up for you while you were upstairs. Joel hums, "good." 

Sarah beams at you when everybody takes a seat. "dad said you get to stay with us until the rain stops." she says, poorly concealing her excitement with a grin. you smile back, nodding as you sip on the coffee poured for you. "yes, ma'am." you respond, stretching your legs out a bit under the table.  

"lucky us," Tommy says through a bite of pancake. you huff at his harmless flirting; you just miss the subtle glare Joel shoots his brother. oblivious, Sarah hums. "I hope it never stops raining!" 

it eventually does stop raining. 

it's a little before dinner; the air is fresh and damp, the grass that peculiar shade of green against the backdrop of those high thunderclouds that retreat after their previous downpour. with only a light breeze, the air is charged with some kind of electricity as you breathe in the the scent of petrichor it carries with it. 

"right," the voice says next to you.

Joel's arms are propped against your shitty car, his brows furrowed in focus. the engine still glistens with raindrops, and there's a small line of moisture that caught on the fabric of Joel's shirt from where he'd popped the hood of your car. 

"first things first. let's check the battery connections - sometimes they can get loose or corroded." he mutters, directing you with a long, thick finger over to your car battery; you nod, trying your best to pay attention. 

a finger traces along the seam of a smaller edge of the battery terminal, scarcely avoiding touching it. "see this white, powdery stuff?" he's looking at you; it takes you only a split second as you realize he's waiting for you to answer. you nod quickly, "y-yeah." 

he nods, "that’s corrosion. luckily it's not too bad here, but it can cause issues."

you hum, taking a mental note as you bite your lip - thankful that he's taking the time to actually explain what goes on in the inside of your car, seeing as you're next to hopeless.

he gestures again. "d'you know what this is?" he asks, and it's as if god has given you a freebie from your turmoil this morning; you nod, grinning slightly. "it's where you fill the brake fluid." you say in affirmation. "I have some extra in the trunk." you supplement, glad you're not a total idiot when it comes to the car. 

he nods, "been takin' care of that. good girl," he gestures to the side, "these here are spark plugs - good to keep an eye on, because they can get dirty or worn out and cause the car to have trouble starting. these also look alright, though."

you're barely listening, though; your ears are buzzing heartbeat thumping as you school the flush over your cheeks at such a casual praise - something he'd probably not even think twice of, because you're his daughter's babysitter, god damn it, but you can't help the stirring deep within you. 

good girl. jesus.

you press your lips together and force yourself to relax, to calm the fluttering in your stomach the heat in your lower abdomen. eventually, Joel reaches the fuel pump - "here we go. I think this might be the culprit." he turns to you, squinting against the late afternoon sun, "if the fuel pump isn't working properly, it can prevent the engine from getting the fuel it needs to run." 

he gestures for you to look and leans back a bit; leaning over to peer into the belly of your car, at all its metal guts and ominous sputterings, you suddenly catch a scent - a mix of your handlotion you'd applied on the ride over with Joel's soap from his shower stuck to your skin and wafting in the air, a pleasant smell.

your stomach flutters as you try to follow Joel's explanation, "'kay...how can you tell it's the fuel pump that's the problem?" you ask him, turning to squint up at him. 

"there's-" another gentle breeze, then, and Joel pauses; you stare back at him, unsure what's caught his attention, but then it's over quicker than it started. blinking at you, he clears his throat and nods, pointing to the part, "there’s a few ways, but mainly if your car cranked out while drivin', or if it starts an' then stalls, it's often a sign of a fuel pump problem." he taps it with two fingers, "this one looks pretty worn out."

you bite your lip, cursing your ignorance and the stupidity of your ex for insisting on taking care of the car jut to completely ignore it and take it for an oil change only every few blue moons. 

"can it be fixed?" you can't hide the anxiety in your voice. 

"course." Joel nods, closing the hood; you don't flinch at the sound, too worried by the engine. "'m not quite good enough to do it myself, but i've got a buddy down in town that can do it for ya for cheap." he smiles gently, "should only be a few hundred." 

your throat dries, stomach dropping. "c-couple hundred?" you hiss, pressing your lips together. "okay."

okay.

okay: you can take a few more shifts at the library, double up your days; that's fine, that's fine. you'll have to fix your car before your cellphone, but you'll be fine without texting for a while. maybe you could sell your portable CD player or some clothes for some cash. okay, shit. 

shit. 

you laugh mirthlessly, "I... I don't have that kind of money right now." you say awkwardly, "but at least I live close to the bus stop." you add, wondering how much a bus pass is. certainly less than that. 

"-listen, i'd be happy to help you out with it," Joel says, and your hackles raise in embarrassment, "-no, Joel, I can't ask that of you. you've already done so much." you say, looking down at yourself, still clad in his flannel and pants. 

he shrugs, as if it's no big deal. "could pay you advance. let me help you." 

you swallow thickly, biting your lip. "I feel bad, Joel. I already put you out." 

"hey," he says, turning to look at you - he leans slightly on the hood of your car, gaze burning into the side of your face. you flush, but meet his eyes. "don't worry about it. I can pay you ahead for your work to cover for it. all you've put me out on is a few pancakes, a cup of coffee, and my patience with my brother."

the mention of Tommy makes you flush with embarrassment, floundering, "oh. Joel, I'm sorry, I didn't mean to-" 

he shakes his head, with a grin - he was teasing you. "Tommy's always been a flirt. I trust you can handle your own." he adds, "but you let me know if he's too much, yeah?"

something about his tone makes you even more flustered, though, and you grin, shrugging. "yeah. you'll be the first to know." you say, wondering how many people he's had to say that to in his life. 

he says nothing to this, but you clear your throat, looking at him, "um...thank you for your help. this morning, with the car- all of it." you say, smiling awkwardly, "i've had a hard time adjusting to a lot of recent...life changes and..." you feel like you're oversharing, so you stop short, "just. you've all been very kind to me." you finish. "i'm so thankful for this job." 

Joel watches you, gaze flickering between your eyes for a few moments before he nods, "'course, darlin'. life can throw some curveballs, huh?" he nudges your shoulder and as you sway back you can't help the soft smile that grows, hiding it as you look away. darlin'.  

"you're doing great, though. Sarah and I, we're glad to have you." he affirms. you smile into the metal of your car hood.

"let’s get your car started now, yeah?" he asks. 

you're sat in the driver's seat.

Joel leans through the window to hold down the switch on your steering wheel as you turn the keys, the small Tamagotchi on your keychain knocking against your wrist as he instructs you to pump the gas pedal. 

after a few tries the engine sputters to life; you let out a stuttered sigh of relief, smiling and letting out one small clap. 

Joel smiles, "there she is," he taps the dash above your steering wheel with the flat of his large palm, leaning slightly. as he turns to lean out the window, his eyes meet yours - face to face, he's much closer than either of you anticipated.

you're struck with the proximity; for a moment, his face is inches from yours. 

and then the moment stretches out, your heart skipping a beat - you can see the few freckles that have grown over the bridge of his strong nose, the way his breath leaves his lips, the smile lines and faint dimple, his eyelashes lit from the sun behind you. 

Joel clears his throat, stepping back from the window with a tap to the roof of your car. you let out a breath you didn't know you were holding.

"alright, you’re all set. just drive carefully, okay? let the engine run for a few minutes when you get home."

you nod, voice softer than you hoped it'd be, "I will. thanks again, Joel."

he nods in that way he always does, the same nod that you always see in Sarah. "be safe. see you tomorrow."

Joel leans against his truck as you peel away, off the side of the road and joining the sparse few cars on the road, the remaining rainwater slicking against tires in the distance. you swear you see him wave before he slips up into the cab of the truck, figure growing smaller in your rearview with each passing moment. 

you let the car run when you return to your apartment, biting your lip dumbly and staring down at your ruined phone, at the warped message that sits on your screen.

 

Call me if you need a ride in the morning- Sarah and I can pick you up. 

Have a good night. Joel

.·:*¨༺ ༻¨*:·..·:*¨༺ ༻¨*:·..·:*¨༺ ༻¨*:

there is no longer a taglist; follow @tremendumnotifs to be notified when i post.

.·:*¨༺ ༻¨*:·..·:*¨༺ ༻¨*:·..·:*¨༺ ༻¨*:

[felassan]

Game Informer:

"BioWare On Returning To The Dragon Age Series, 10 Years After Inquisition by Wesley LeBlanc on Jul 17, 2024 at 02:00 PM With 10 years between 2014's Dragon Age: Inquisition, the most recent release in the series, and the upcoming Dragon Age: The Veilguard, the latter has much riding on it. It's both a follow-up to a beloved game from a decade ago in one of BioWare’s most beloved series, and it's the first BioWare game since the launch of 2019's Anthem, a live-service multiplayer effort EA sunset less than two years later. Curious about the pressure surrounding the release of Veilguard, I spoke to BioWare about lessons learned from following up on Inquisition and what it's been like returning to this series so many years later."

"We start out in pre-production," BioWare general manager Gary McKay tells me when I ask about BioWare's guiding principle for developing Veilguard. "We spent a lot of time iterating, experimenting, and innovating on different things. At one point, it was multiplayer – we did a hard look at multiplayer, but we felt we really couldn't return to our roots. And when we asked ourselves, 'What is the game that we want to develop,' we really wanted to get back to our roots, which is amazing storytelling. It's about those unforgettable characters. And it's about having the opportunity to influence the world.  "And we really felt multiplayer wouldn't do that. But single-player RPG is really where we wanted to spend our time, so after spending that time in pre-production, really honing in on what the vision of this game is, and [being] afforded the opportunity to deliver on the creative promise of this game, [now] we're really excited about what's coming out." McKay says Veilguard blends seasoned veterans with new voices and perspectives, and "that's really important for this game." For example, people like former Dragon Age producer Mark Darrah, who left the studio in 2021 but is now consulting for Veilguard, and creative director John Epler together have decades of experience at BioWare. They work with people like game director Corinne Busche, who joined BioWare shortly after the launch of Anthem (but brings in a love of Dragon Age from the series' 2009 start), every day to develop the game we'll be playing this fall."

""[You] want to have different perspectives, different backgrounds," McKay says. "If you bring a bunch of people together that have only known one thing, that's not where you see creativity. That's not where innovation comes from. Innovation comes when you have [...] that past history and blend it with some new voices and perspectives.""

"Darrah has been attached to BioWare in some capacity since its early Baldur's Gate days, and when I ask him about the studio's progression from that series to the next Dragon Age, he says it's been amazing. "The thing that is so amazing about Veilguard is this is the game where we finally said out loud that BioWare's greatest strength is telling stories through characters. If you go all the way back to Baldur's Gate 1, Baldur's Gate 2, these games are telling stories through characters, but there wasn't an intentionality behind that. And in this game, we're finally putting that intentionality first and foremost, putting the characters first, building the game around that, around those character moments, which is really the best way that BioWare knows how to tell stories."  I ask Darrah if there's anything Veilguard is doing that BioWare wanted to do on previous games but couldn't, and he says, "Storytelling through animation." In previous games, each character moves in "exactly the same way," and everyone is homogenous in that way, he says. "If you put on a suit of armor, and you put it on Alistair, you looked exactly the same standing right beside each other. "Now, we're able to keep the character coming through in the visuals and the motion, even as you're customizing them, which just wasn't possible in the past."  He also mentions BioWare's confidence in its game development engine for Veilguard, which, like Inquisition, uses EA's proprietary Frostbite. "Dragon Age: Origins and Dragon Age II were doing what they could with the technology they had; Dragon Age: Inquisition did a good job of using Frostbite respective of the engine," Darrah says. "But with this game, there's a better understanding of the engines over a lot more time, but also, the technology of the hardware that the game is going to be played on moving forward [is] able to do a lot more stuff [and] execute it visually to a degree that just wasn't possible in the past." On Inquisition [link to embedded video of old GI coverage on DA:I in the DA:I days - I think it was a shortened version of this one]"

"With 10 years between Inquisition and Veilguard, BioWare has to balance satisfying longtime fans of the series with newcomers jumping in for the first time. Epler says the studio worked hard to ensure Veilguard is respectful and referential to previous games without feeling like you need to have played Inquisition, Dragon Age II, or Origins to fully understand what's going on.  "So while there are references, there are moments that we have callbacks, it really is its own story, its own continuation with a different cast, with different characters," he says. "Historically, Dragon Age has always had a different cast per game, so that gives us a lot of freedom in terms of what we want to lean on in the past and what we want to really bring in that’s new and forward-facing."  Darrah adds that Veilgaurd's events play out with a storytelling goal for the future of the series. "This is a game which takes the ball that Inquisition had, puts its own spin on it, has its own characters, takes its own direction, but continues the path forward into the future," he says.  "Dragon Age has always been about change. Every game has had a new protagonist, and it's been exploring its own space all the time, and this game is no different. [Veilguard] does a good job of bridging that gap. The really super fans of Dragon Age have actually made a lot of really educated guesses, and some of them are pretty right about where the franchise is going. The thing we need to make sure is that people who may have only played Inquisition are understanding what the franchise is really about – it's about a new protagonist, it's about change, it's about evolution – and don't come in expecting a direct sequel to a game they played and then are disappointed. This game is something new, something that evolves, something that is greater than what came before, the same as each game [...] before it." 

"For Busche, balancing newcomers and fan expectations in Veilguard is about managing assumptions. She says Veilguard takes place in a part of Thedas BioWare has only hinted at. The team has hinted at the Grey Warden fortress of Weisshaupt, the depths of Arlathan Forest, the Rivain Coast, the Grand Necropolis of Nevarra, and Minrathous, but now players will finally go to these stories' locations.  "We have a rich history of world-building within the IP, so existing players will be familiar with these places and very excited to go to them and explore their mysteries," Busche tells me. "But for our new players, we're not assuming you know anything about these locations. I would say that also extends to the characters; we've taken great care in how we introduce each and every single companion and major story figure within the game [with that in mind]."" "Epler tells me that Veilguard differs from Inquisition and other Dragon Age games in the way that Rook, the player character, can't save the world without the characters they meet on their journey.  "Dragon Age has always been about characters but to some degree, it's almost felt like we've lucked into that," he says. "Inquisition is a story that ultimately, you, the main character [...] have the biggest part to play. We wanted to tell a story this time where you literally cannot save the world without these characters. Beyond that, though, we also wanted to give them their own arcs that can run parallel to the main story and really give them that kind of deep storytelling our fans really enjoy."  Though he's biased for obvious reasons, Epler says Veilguard is his favorite Dragon Age game he's worked on (and he's worked on all of them, starting as a quality assurance tester on Origins). He says one reason for this is the storytelling in the characters, companions, and relationships."

"They have their friendships, they have their rivalries, and lean into that concept," he tells me. "You're not just pulling together a bunch of people who will do whatever you say. You're assembling a family, and that becomes the core of what the Veilguard is all about. It's about taking this group, this found family, and saving the world, side by side with them." For more about the game, including exclusive details, interviews, video features, and more, click the Dragon Age: The Veilguard hub button below."

[source]

[steddieunderdogfics]

a meeting between pages by loveinhawkins

@loveinhawkins

pRating: Teens and Up

2,627 words, 1/1 chapters

Archive Warning: No Warnings

Tags: POV Steve Harrington, First Meetings, Sort Of, (yes i just love doing variations of their stories crossing over in high school), Missing Scene, Season/Series 02, High School, Exhaustion, Tired Steve Harrington, Steve Harrington is a Sweetheart, in which Eddie goes from defensive to intrigued to concerned and perhaps a little charmed, i’m forever in love with ‘first’ meetings i can’t help myself, can’t help writing about winter in spring too apparently, Slice of Life, Mild Hurt/Comfort, Bittersweet, when thinking about what’s to come, One Shot, Originally Posted on Tumblr, Pre-Relationship, Pre-Steve Harrington/Eddie Munson, Banter, Post-Season/Series 02

Summary:

There’s a table in the school library that’s nestled in the corner, right by a radiator; Steve has claimed it ever since his double block of ‘private study periods’ began. Not that he’s planning on doing any studying: it’s the last day of school before the winter break, and while his face has healed up from the whole Billy Hargrove Incident, he still finds himself feeling wiped at random—like his body’s having a delayed adrenaline crash ever since he pulled Dustin out of that freaky vine-infested tunnel. So really, this spot should be ideal for a couple hours of not having to think. And it would be perfect, if his eyes weren’t instinctively drawn to movement at the front desk. Because for the past god-knows-how-long, Eddie Munson has been in a back-and-forth with the librarian.

Thanks for the rec!

This rec is a part of Challenge Monday. The challenge this week was Fics set in Season 2.

Know a fic that deserves extra love? Submit through our asks or the submission box!

[call-me-medusa]

fic: yeah! (9-1-1, buddie)

6.6k | E | ao3

The guy laughed, his bright smile catching light. “I like to get a guy’s name before I do that.” “Eddie.” “Evan.” He, Evan, tilted his head. “We both have Es. Already have something in common.” Blue eyes. God, Eddie had such a thing for watercolor eyes. “Did we need to?” Eddie asked him. Evan’s brows furrowed at his question. “Have something in common?” “You gotta have some skin in the game. How else am I gonna get you to come get me?” Evan stepped away from the bar, walking backwards toward the dance floor smiling at Eddie. He didn’t look away from Eddie, and Eddie felt an invisible string pulling at him to come after him. Eddie took Evan’s bait and followed him out to the floor.

Or, Eddie and Buck didn't meet at the fire station. They met in WeHo, a few months after Eddie moved to LA.

Tags: Evan "Buck" Buckley/Eddie Diaz, Smut, Porn With Plot, Alternate Universe - Different First Meeting, One Night Stands, Pre-Season/Series 02, Hook-Up, POV Alternating, Top Eddie Diaz (9-1-1 TV), Bottom Evan "Buck" Buckley, Topping from the Bottom, (kind of?) (there's a dichotomy but not a strict one), Gay Eddie Diaz (9-1-1 TV), Bisexual Evan "Buck" Buckley

[obsessivelollipoplalala]

Chapter 9

Summary: After being punished in Heaven for being in love as angels, Aziraphale and Crowley spend the next 6,000 years pretending their relationship never happened. Rating: E Chapters: 9/? Tags: Pre-Fall, Angel Crowley, Crowley has Trauma from the Fall, Aziraphale and Crowley Through The Ages, Post-Season/Series 02, Anxious Aziraphale, Mutual Pining, First Kiss, Guilt, 6000 Years of Repression, Arguing, Crying, Rejection, Getting Back Together, First Time, Angst with a Happy Ending

In this chapter, we finally catch up to s2 and have an even worse version of the Final Fifteen

Please read!

[mofffun]

King-Ohger x Gotchard pre-Chou Eiyuu Sai talk show

Partial translation/summary

Pep talk before CEYS

Impressions of each other's series

I want to attend XX Academy!

I am King of XX!

Role reverse: What role do you want to play in the opposite series?

link to watch

1. Pep talk before CEYS (02:08 -  

The teams haven't seen each other much save for shooting the SHT intersection. Six months have already passed between then and CEYS (Sep '23 - Feb '24)

Spanner vowed to deliver a passion not shy of KO team

Host joked KO team seemed passionate because of Kaku's physique

Taisei: I saw CEYS a year ago, seems just yesterday, looked forward to the event very much

Aoto: I hope it goes smoothly without trouble.

2. Impressions of each other's series (03:45 -

Rinne: most impressed by the body swap episode, particularly Himeno-san's kabuki pose.

Erica: Sorry for doing something the real Kaguragi never did. Gotchard is a very energetic show, compared to King-Oh's more serious tone, I feel recharged watching Gotchard.

Renge: KO cast are very good friends with each other. The Gotchard cast are friends too, but the kings' bond is something only forged by having worked together closely for an entire year.

Yzy: Not only is the show energetic, but the cast is too behind the scenes. I am the youngest in KO, but the main GT cast is even younger. They are very dependable. (Kaku: sorry for sounding condescending haha /j)

3. I want to attend XX Academy! (05:38 -

Rules: What skill do you want to master? It can be realistic or imaginary.

Matsumoto Hiroya: I want to type fast on a smartphone

Host 2 (Shinomiya Akira): Rita-sama's scream

❤️Cooking

💙Driving

💛Fine art

💜Dialect

🖤Muscle training

🕸️Drawing

___

🐻 Minato: Tonkatsu

Minato: Tonkatsu. I love fried pork chop. A school for tasting, making, and if possible, raising the pigs.

Host: What type of tonkatsu do you like?

Minato: そ��っすね [sounds like Sauce-ne~, filler words meaning "yeah, right~"] Thick cuts and slightly rare on the inside.

where Aoto made a pun of そうっすね "Sauce" [for dipping tonkatsu]. Aoto murmured it to Matsumoto Hiroya instead of saying it out loud, and it hit Kaku-san's laughing point to others' confusion.

Minato: um... I prefer salt for seasoning to dipping sauce 😅

❤️ Taisei: Cooking academy

Taisei: Well, I can only depend on myself for cooking, so I kinda want to improve my skills. I even bought a set of knives.

Erica: What do you want to make?

Taisei: Garlic shrimp, maybe? French food seems to be on trend right now.

[Houtarou wrote 料理 (Cooking) too but in Kanji unlike Taisei in English]

Houtaro lives with his family and cooks with his mom on dayoffs. 

Kaku/Masashi: That's just like in the show!

Host 2: Sakai-san, please visit [Houtaro's] mom.

Taisei: LIke a training camp.

Houtarou: Yes, please. Let's make Donburi together. I don't really know what "Garlic Shrimp" is but let's try it out!

[Garlic Shrimp is in Katakana/English, in Japanese it's ninniku & ebi.]

(everyone laughs)

Erica: That's just what it means literally! 😂

Houtarou: We have garlic at home, I just don't know what "shrimp" is... Is it some kind of mushroom?

Kaku: Tracks, they both have the "sh" sound.

Houtarou: "Sh" as in mush, and "rimp" sounds like little cut-up pieces?

Erica: Hint is, it's something from the sea.

Yzy: Then that can't possibly be mushrooms.

Houtarou: Some kind of seaweed? 

Erica: It moves around a bit more than that.

Houtarou: Wakame!

Host: Not even close!/j Please do some research after the show.

💙 Aoto: Automobile Command academy. 

Aoto: Yep, [just a regular] driving school. I haven't got a license yet but I love going on drives, so I could only ride shotgun because I can't drive myself. I want to pay back my drivers so far.

Erica: ah the rest of the king cast.

Aoto: (shy) What do you think?

Hiroya: You look like you ride a motorbike.

Aoto: No, I've never been on one.

Masashi (?): It suits you.

🔧Spanner: Tension Crank-up Academy

Spanner: I want everyone to catch up to my hype!

Host: but the Gotchard cast seems like they're all pretty easily hyped?

Spanner: No. (to Renge) I'm the only odd one, right? (Renge nods) Actually I should just go there and sit by myself right?

Kaku: Yeah, right!

(laughs)

Host 2: Totally wrong answer in a totally fitting tone!

Spanner: Hey, I'm compromising already!

Host 2: Ahhh this is getting out of hand XD

Kaku: "Tension Booming!" [Kibun Bunbun, boonboomger roll call]

(dead air)

Spanner: See? No one is doing tsukkomi [straight man, pointing out irrationalities for comedy].

Erica: Ah, so the reason is there's no tsukkomi character in your group. The others look like they are more comfortable playing boke [funny man]. Maybe that's why the cast seems so cheerful.

Spanner: Who's the tsukkomi in your group?

Erica: Over here. (gestures to Yuzuki and Masashi) Team West.* 

*[t/n: 1. My best guess of Ni-Shi is "Western [Japan]" based on their hometowns being further west than the others. There's a stereotype that Kansai/western people are funny, although neither 💜 or 🕸️ is from Kansai to be exact. Taisei is from Fukuoka, the same region, Kyushu, as Yuzuki, but it's been established pretty early on he can't do tsukkomi. 2. Another guess of Ni-shi is "two colours" as in more-black-than-purle Yuzuki + white Masashi? 3. Or it could be "receive"??]

Kaku: So who will it be on your team?

Spanner: I choose... our best boke, Junsei.

Houtarou: Wahhhh don't sell me out!! ToT

Taisei: Someone else for the tsukkomi position?

Spanner: There's Minato-san, but when he's tsukkomi-ing, it's always under his breath. No one can hear him. 

Minato: I'm not confident...

Spanner: When we were talking about tonkatsu just now, he kept leaning back... Sensei, can we get a tsukkomi out of you from now on?

Minato: *mutters* okay...

4. I am the king of XX! (13:56 - 

Rules: Name yourself, or someone else in the room, as king of something.

Host 2: If anyone in the Gotcard is king of something, I suppose Motojima-san... is the king of shrimps.

Houtarou: Yeah, that's right! Please allow me the honor. No, for real, somebody tell me what "shrimp" is!?

Erica: Another hint, it has a lot of legs.

Houtarou: Octopus!

Kaku: Not even close!

❤️Masculinity 

💙Masashi->White [fair skin]

💛Spontaneous trips

💜internal rhythm

🖤Muscle training

🕸️Aoto->Fried chicken (karage)

___

🕸️💙 Masashi: Aoto is the king of fried chicken.

Masashi revealed that Aoto brought fried chicken to work every morning and would generously share it. He also brought some today too. Aoto quickly took over the explanation and said Masashi is one to read between the lines, like Jeramie. Truth is, when Aoto brought the nuggets, Masashi would snoop, "Hey, what flavour did you get?" Aoto then (have to) say, "You want one?" and give him a piece. The next person would say the same thing and Aoto had to give him a piece too, that person is Taisei. And the worst of them chicken "sharers" is Yuzuki. To her complaint, Aoto mimicked her reaction when given a piece, "Ehh~~~ Really?!" 

[t/n: lmao i could totally get why Aoto would be annoyed by Yuzuki because his imitation sounds absolutely like she's pretentious about it lol. but I could totally see Hirakawa Yuzuki doing that too lmao.]

📱Sabi named Spanner as king of long legs. 

🖤 Kaku-san named himself as the king of muscle training. (Minato loves muscle training too) Kaku-san's weightlifting record is 130kg in barbell.

Rinne is king of video games and Renge plays a thief simulator game and got her into it too.

💛 Erica named herself as the king of spontaneous trips. She can go anywhere and by herself. Last year she went to Osaka and Kyoto for two days unplanned. After she finished work in Kyushu, she stopped by there before coming back to Tokyo. She loved both sightseeing and eating. She re-visited the temple from a family photo taken on a childhood trip.

💜 Yuzuki named herself as the king of internal rhythm. Because King-Oh nearly always films indoors, they can't see the sun and often wonder what time it is. At which they'd turn to Yuzuki for the answer. She estimated the current time to be 12:56, which is just 30 seconds faster. [t/n: She talked about this in tge cinematoday interview 06:13 before the series starts]

5. Reverse Offer (25:03 - 

Rules: What role do you want to play in the opposite series? It can be a real or made-up character.

❤️manly man chemy

💙evil rider 

💛mad scientist 

💜a chemy that keeps screaming non-stop 

🖤kind muscular older-brother type 

🕸️a chemy that can grant any wish

[t/n: 🕸️a chemy that can grant any wish -> that's just Doraemon right.... re: relay interview]

🖤 Kaku: a kind muscular older-brother type

no alchemy, just a kind muscular older-brother type. I will be your personal trainer. You all look a bit slim, leave it to me :D

Minato: a monk, who'd fit in Toufu

💜 Renge: Moffun

Renge: It got a lot of cheers from the audience, so it must be very popular.

Yzy: It'd be interesting to see a Kansai-dialect Moffun.

Renge: [kansai dialect] "Why do you hide your eye? mofu~"

Yzy: Hired!

❤️ Taisei: a manly man chemy

Taisei: I want to become muscular too, after watching Kaku-san the past year. (straight face) Even his naked body, in the main series.

Kaku/Yzy: Hey!

Taisei: (straight face) I'm quite envious of his physique. I want to try working out in the future

Kaku: Okay, I can teach you...

Taisei: Thank you ^_^

(conversation starting to get lost...)

Kaku: Gotcha! [sharp cut keyword]

Spanner: What will your manly-man chemy sound like?

Taisei: ...

Taisei: Gotcha! \(^o^)/

🕸️Sabi: Pet (Jeramie's)

Masashi: So you want to be my pet?

Sabi: Woof!

Masashi: Hired!

💙 Aoto: Evil Rider [proceed to solo-act his oc's story]

Aoto: I want to henshin as a villain. At the very end, he redeemed himself and died protecting the hero, "Remember... something something..." and I die.

Hiroya: That'd be a challenging role.

Host 2: We've seen your Royal Arms, how will your evil rider henshin?

Erica: Don't you always talk about this😂? With the rain.

Aoto: ahhh. Yep, I've got the scene set. At first he was a good guy, then we flashback to his past, a rainy day, the old man who's been taking care of him died in his arms. "AHHHHH", I scream, and the belt materialises "churn churn churn". With blood all over my face, "HENSHIN!! ARGHHHHHH". Like this.

Host 2: A Henshin powered by screams, I see. Minato-sensei, you were an evil rider, what do you think?

Minato: That's more like the hero's backstory. A little like... Spider-man?

Kaku: It's too cool, isn't it?

Aoto: I will henshin with a fried pork chop chemy.

🕶️ Houtarou: King Gotchard

Houtarou: I want to go to King-Ohger's world just as I am, and see what kind of people will follow me if I become the king of gotcha

Host 2: You can take today as an opportunity to ask the kings for advice. What quality does a good king need?

Houtarou: Yes, please. Charisma for sure, what else?

Kaku: If I have to say... aura, perhaps.

Hiroya: You are not answering "muscles" for once?

Houtarou: Honshin? Honkaku? 本心？本格？Genuine? Authenticity?

Kaku: Honkakuha chuuka 本格派中華？Authentic Chinese restaurant?

*laughs* [t/n: treat it as a dad joke 😅...]

Houtarou: No no no, what's that word that means the very base of something.

Spanner: The core. (核心 kakushinn)

Houtarou: Yes, I meant to say "at the core".

Masashi: What kind of kingdom do you want to build?

Houtarou: A bright country! Where everyone can get creative and invent their own recipes like Houtarou.

Kaku: Just like Toufu!

___

The round up is just more pep talk. The talk show is filmed a few hours before CEYS.

___

t/n: I wrote this because of an request. At the very least I want to sub Aoto and Yuzuki's segments. The talk is too funny but quite long and no few jokes. If I end up getting around to it will def be November. Also the op of the video is absent for asking permission...

[j2spntranscripts]

★ 2006 Paley Television Fest

Official name: 23rd William S. Paley Television Festival Location: The Museum of Television & Radio (The Paley Media Center), John H. Mitchell Theatre, Los Angeles, California Time: Saturday, March 4, 2006, 7:00pm (GMT-7) Panelists: David Bushman, Peter Johnson, Kim Manners, John Shiban, Jensen Ackles, Jared Padalecki, Robert Singer, Eric Kripke Last episode: 1x16 “Shadow”- 2/28/2006 Next episode: 1x17 “Hell House”- 3/30/2006

Question Index: 1- (10:37) SPN Origins (Kripke) 2- (12:28) Sam and Dean Motivation (Kripke) 3- (14:18) Firsts Impressions "J2," Auditioning Sam and Dean (Kripke) 4A- (16:11) Auditioning for Sam and Dean (Jared) 4Aa- (17:01) SPN Appeal (Jared) 4B- (19:24) Auditioning for Sam and Dean (Jensen) 5A- (22:13) SPN Start (Manners) 5B- (26:07) SPN Start (Shiban) 5C- (27:38) SPN Start (Singer) 6- (31:05) SPN Mythology/Formula (Shiban, Kripke) 7- (34:18) Pre-Finale Thoughts (Kripke) 8A- (35:38) Location Significance- John in Sacramento (Shiban) 8B- (36:13) Location Significance- Lawrence Kansas (Kripke) 9- (36:59) Fear "Paranormal"- (Manners, Shiban, J2, Kripke) 10- (38:55) Continuity Mistake "4 years vs 2 years at Standford" (Kripke) 11- (40:40) Network Censorship "Gore"- (J2, Kripke, Singer) 12- (43:57) Paranormal on Set (J2) 13- (46:10) Network Censorship “Sex” (Kripke) 14- (47:20) Pre-series Sam and Dean (Kripke) 15- (49:07) Samulet (Jensen, Kripke) 16- (49:55) Special effects, Gag Reels (Jensen, Jared, Manners) 17- (53:17) Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen) 18- (55:39) Impala 67 (Jensen, Manners) 19- (56:16) SPN Music (Kripke, Singer) 20A- (58:42) Acting Advice “Start” (Jared) 20B- (1:00:09) Acting Advice “Start” (Jensen) 21- (1:01:03) Props "Alcohol" (Jared, Jensen) 22A- (1:02:15) Favorite Scene (Manners) 22Aa- (1:04:13) Acting Challenges “Shadow” (Jensen) 22B- (1:05:01) Favorite Scene (Shiban) 22C- (1:06:15) Favorite Scene (Jensen) 22D- (1:07:35) Favorite Scene (Jared) 22E- (1:09:19) Favorite Scene (Singer) 22F- (1:10:19) Favorite Scene (Kripke)

(transcript below the cut)

(*if you notice any mistakes in the video transcripts please point them out thanks*👍)

◘Supernatural Season 1 - Museum of Television & Radio's Paley Television Festival Q&A by Supernatural Insider◘

(0:08)

David Bushman is standing alone on stage in front of a mic reading off a script.

Bushman: Um, hi, everyone. My name is David Bushman. I'm television curator at the Museum of Television and Radio. And I want to welcome all of you to the museum's 23rd am-annual William Paley television festival. (thumbs to his right)

That clip that you just saw is from “Route 66,” which is one of the shows that, um, the creator Eric Kripke of, um, of “Supernatural,” um, often cites is one of his influences and that explains why we picked it. (thumbs to his right) That's part of our collection. We have 120,000 television and radio, uh, programs in our collection. And I would encourage all of you to visit the Museum in Beverly Hills, and in New York w-when you're there.

Um, tonight we're really excited to be honoring “Supernatural” which was named one of the top five new series of 2005 by Entertainment Weekly. “Supernatural” is aaa- a vibrant fresh exciting show that combines all sorts of genre elements: family drama, comedy, suspense, and on top of that it just scares the hell out of you. (audience laughs) I really want to thank Warner Brothers for all they did in helping make this night happen, particularly the PR department Holly Ollis and Winson Seto. Thank- thank you very much.

Um, what we're gonna do tonight is we're gonna, um, introduce right up front the cast and the creative team, our panels for the evening. Introduce them very briefly. Um, Eric is going to say a few words about what you're going to see. Then we're gonna.. watch an episode of the program, which Eric will talk about. Then we'll bring the panelists back up. I'll ask some questions and then you guys are on. So, start thinking of questions now. Okay?

(1:42)- first introductions

Bushman: Um, so, let me start with the panelists’ intros. First, uh, one of the producers of “Supernatural,” please welcome Peter Johnson.

Audience claps and cheers. Bushman looks to his left. Johnson walks on to the stage. Bushman meets him and shakes his hand. Johnson waves then goes down the stages stairs to sit in the front row. Bushman returns to the mic.

Bushman: Uh, next we have co-executive producer and director Kim Manners.

Audience claps and cheers. Bushman walks away from the mic. Manners enters on stage with his hands fiddling with his pants’ pockets and walks off the stages stairs to sit in the front row.

Bushman: Next we have co-executive producer and writer John Shiban.

Audience claps. Shiban walks out on stage waves to the audience and goes down the stairs to sit on the front row.

Bushman: Next, he plays Dean Winchester. Please welcome Jensen Ackles.

Audience screams and claps. Jensen walks out on stage and waves. He then jogs down the stage stairs to sit in the front row.

Bushman: Next, Sam Winchester. Please welcome Jared Padalecki.

Audience screams and claps. Jared speed walks out on stage, but walks passed the stairs a bit. He grimaces then bends down to look for the stairs while laughing a little, and then jogs down the stairs to sit in the front row.

Bushman: Next, the executive producer and director, Robert Singer.

Audience claps. Singer comes out on stage and waves to Bushman. Then he walks down the stairs to sit in the front row.

Bushman: Finally, the man whose vision, uh, created “Supernatural,” is the creator, executive producer, and writer. Please welcome Eric Kripke.

Audience cheers and claps. Kripke walks out on stage. He waves to the audience then walks to Bushman and shakes his hand. Bushman walks off stage and Kripke takes over the mic.

Kripke: Hey everybody. (audience responds back) Thank you so much, uh, for coming. Uhhh, it's a little, uh, overwhelming and- and amazing, uh, quite frankly.

This is to my knowledge, I mean, the first gathering of any “Supernatural” fans anywhere. So, thank you to you and give yourself (audience cheers and claps) a round of applause.

Uhm, just quick story from the set of “Supernatural” ‘cause it just happened last night. Uh, which is they were, uh, they shoot up in Vancouver. And, uh, they were shooting up at Stanley Park or about to begin production which is a-a public park up in Vancouver. Um, and, uh- uh, we're about to start filming when they got a call that, uh, there was a man about 100-200 yards from the film company, uh, with a handgun and, uh, they called, you know, Jared and Jensen. Said, you know, “Don't come to set. There's a man with a handgun.” And- and they shut down the whole production for two hours. They called in the police. They called in the SWAT team. Uh, they stormed-

This is all true. (laughs) (audience laughs) Very true. This all just happened last night. Uh, they all stormed Stanley- you know, SWAT teams storm Stanley Park, uh, looking for this man with a gun. Uh, and it turned out to be a, uh, member of our special-effects crew. (audience laughs) (laughs) So, good times from the set of “Supernatural.”

Ehahm, anyway. So, uh, I'm supposed to introduce the episode. So, let me- let me do that. Uh, the episode we're showing tonight is, uh, “Scarecrow.” Uum. (audience claps) (nods) All right, “Scarecrow” fans in the house. Uh, “Scarecrow,” uh, was written by the, uh, very brilliant, uh, John Shiban. Uh, (audience claps) so, round of applause for John. And it was directed by the very brilliant Kim Manners. (audience claps) (clears throat) Um, and so the reason, uh, we chose “Scarecrow” is we sort of felt it was, uh, just a good mix of sort of everything that the show is about.

Um, you know we think there's really some good drama between the brothers. We think there's some good comedy. Uh, we think there's, you know, good mythology about Dad and this is the char- is the episode that introduces Meg which people online had problems with (audience laughs) I seem to remember.

Um.. and, uh- And it's, you know, just, we think a-a scary, uh, damn good episode and- and- and based on a-a good series of, uh, you know, very fun urban legends about scarecrows. And so, I'll stop rattling on. Enjoy “Scarecrow.” We'll talk after. Thank you (audience claps)

Kripke goes off stage. Video fads to black.

(6:05)- second introductions

Visual comes back. Audience is clapping while Bushman walks on a lit stage with seven empty chairs and three round coffee tables each with bottle waters on top.

Bushman: Um, are there any “X-File”fans out there in the audience right now? (audience cheers and claps) It’s, uh- Every time I see this episode I feel like shaking Dean and saying, “What are you doing trusting the cigarette-smoking manager.” (audience laughs) (looks down to read his script)

Um, I'm going to bring our panelists back up on stage. Um, our first panelist is co-executive producer and director on “Supernatural.” He's directed nearly 300 hours of television, including 53 episodes of the “X-Files” which he also produced. Please welcome Kim Manners. (audience claps and cheers)

Manners walks on stage from the front row. Bushman shakes his hand and directs him to “move all the way down, please.” Manners follows the direction and sits on the farthest chair from the stairs.

Bushman: Our next panelist is a co-executive producer and writer on “Supernatural.” He began his career as a staff writer on the “X-files,” writing or co-writing over 20 episodes, and eventually serving as executive producer. He was also co-creator and executive producer of the “Lone Gunman” and supervising producer of “Harsh Realm” and is written for and produced “Star Trek Enterprise,” “Threat Matrix,” and “USA Network's Frankenstein.” Please welcome John Shiban. (audience claps)

Shiban walks on stage from the front row. He nods at Bushman and briefly holds a hand out to the audience and then walks to sit beside Manners. A stage assistant stands behind his chair to help Shiban with his clip-on mic. The footage then switches goes back to Bushman reading his script.

Bushman: Our next panelist portrays Dean, (audience squeals and claps) (laughs) wisecracking older Winchester brother. Before “Supernatural” (laughs at audience still chuckling) (one audience member briefly screams) Before- (laughs) Before “Supernatural” he was familiar to WB viewers is Jason Teague on “Smallville.” (audience squeals and claps) I don't know if I'm going to get through these intros. (audience laughs) He had a recurring role on “Dawson's Creek” and was a regular on “Dark Angel.” He- (audience claps and cheers) (smiles and laughs) He received three Daytime Emmy nominations for his role on Days- (audience cheer) (briefly laughs, lowers his script and then looks audience) Pl-please welcome Jensen Ackles. (Audience screams, cheers, and claps.)

Jensen waves at the audience as he walks on stage. He shakes Bushman’s hand and then goes to sit beside Shiban. He shrugs at Shiban and Manners. Before he sits down he takes off his leather jacket and says, “For you Jared.” The audience laughs. Bushman laughs and then looks back down at his script.

Bushman: Um, our next panelist portrays Sam, the rebellious- (audience screams) (Bushman and the audience laugh) rebellious younger Winchester brother. Before “Supernatural” he was best known as Rory's boyfriend Dean on Gilmore Girls. (audience screams) His- (laughs) His- (laughs) (audience laughs) His film credits include-

Audience member: I love you! (audience laughs and Bushman smiles)

Jared: (from his seat) I love you!

Bushman: (increases dialogue speed) His film credits include: “House of Wax,” “Cheaper by the Dozen,” “Flight of the Phoenix.” Please welcome Jared Padalecki.

Jared walks on stage and shakes Bushman’s hand. And goes to sit beside Jensen. Jensen holds out his hand to Jared, which claps it before he sits down. The audience laughs. Jensen shakes his head and then thumbs at Jared, who’s scratching his head. The camera goes back to Bushman.

Bushman: Our next panelist executive produces “Supernatural” and directs episodes of this series. Formerly- (audience laughs) (glances at the panelists) Uh, formerly vice president of NBC drama development. He later teamed with Daniel Blatt to produce films and TV series including “V the final battle” (audience woo’s) and Stephen King's “Cujo”. On his own, he has executive produced “Midnight Caller,” Lois Clark- “Lois & Clark the new Adventures of Superman” (audience claps and cheers) and “Reasonable Doubts” which he also created. Please welcome Robert Singer.

Audience (or possibly J2 screaming) screams, claps, and cheers. Singer walks up the stairs and shakes Bushman’s hand while walking to his seat beside Jared. Singer mimics a repetitive smacking motion with both hands towards Jared and Jensen. The audience laughs. Singer and Jared shakes hands before he sits down. The stage assistant gets Singer’s attention. J2 are smirking. The camera goes back to Bushman.

Bushman: Um, our final panelist today is the creator of “Supernatural,” in addition to executive producing and writing for the series. His previous TV credits include the WB series “Tarzan.” He also wrote and co- (Jared? woo’s) -produced (audience and Bushman laugh. The audience claps and cheers.) He also wrote and co-produced the feature film “Boogeyman.” (audience starts cheering) Please welcome Eric Kripke.

Kripke walks up stage and shakes Bushman’s hand. Then he walks to his seat beside Singer. Bushman then goes to the last seat at the end and waits for Kripke’s mic to be clipped on his jacket by the stage assistant.

Bushman: Okay. I'll start with a few questions before (gestures at audience) we open it to you guys. Eric the first one would be for you.

•(10:37)- PaleyFest06;Q1 – SPN Origins (Kripke)

Bushman: I'm just kind of curious how- how this the idea for this series, um, the genesis of it. And-and how it evolved from concept to, uh, what we see on the screen.

Kripke: Um, I, eh- For a really long time I wanted to do a show about, uh, American folklore and urban legends. (Bushman nods) Sort of (gestures) kind of a subject that, you know, even back to elementary school I've been, you know, kind of obsessed with.

As a matter of fact the very (bounces his pointer finger out) my very, very first TV pitch when I first started in town when I was 23- (shrugs) 24 was a-a-a (gestures) urban legend show and I kept (gestures) trying different versions of it and kept getting Smackdown. (audience giggles and Jared smiles) Um, I tried to do it as an anthology (taps his pointer) and then I had this idea of like a (gestures) bunch of reporters in a van, like “Scooby Doo” style. (audience laughs) A-all these sort of terrible ideas.

And then, uh- And then I was, you know, working with Warner Brothers and- and- and just come off of, uh- uh, (fake coughs) ”Tarzan.” And- (audience laughs. Jared laughs.) (Kripke laughs) And, uh- and they said, you know, “What do you- What- What show would you want to do?” And I said (gestures), “Well, an urban legend show.” And they said, “Well, what- what's the concept?”

And I had this (gestures) really long elaborate storyline that I'd spent weeks and weeks on, uh, on about (gestures) a reporter. Um, and it was almost exactly (laughs and gestures) “Night Stalker.” (audience laughs) which was hilarious. Um, and, uh- and, uh, they- they (tilts his head) kind of looked at me and they were like, (shrugs) “Nah.” (audience giggles) There’re like, you know, (shrugs) “Any other, you know?” (shrugs) “What else?” and I said, “Well” (mimics writing) Because I-I'd literally scribbled it my notebook the day before, which was- I said, “Well, you know, it could be like Route 66. Like two guys on a road trip.” And they're like, (stop gesture) “We love that do that.” (Jared and audience laugh) And I-I- So, just kind of came out of nowhere, and just sort of, uh, developed from there.

And- and it turned out to be just the- the right, uhh- You know, the right way into this show. Because they can just drive it- You know, the boys can just drive in and out of a different horror movie every week, so. (audience chuckles)

•(12:28)- PaleyFest06;Q2- Sam and Dean family motivation (Kripke)

Bushman: Did you- Did you, um, at that point know w-in terms of characters who those two guys were? I mean, how did the whole this whole family element, which is so important to the show. I mean even, you know, um, you know, Jared says to-to the girl in this episode, uh, “I've got to go back because it's my family.” How did that whole family aspect-

Kripke: Um, just you know you- you write what you know. And- and I'm from a very, uh, close-knit, (Bushman clears his throat) uh, family and I have a (gestures) big brother. Um, and, uh you know, and I have, you know, a lot of, you know, really great friends and s- and just you know sort (gestures) of the way guys talk and the way they communicate without (gestures) ever really communicating anything. And.. (audience laughs) (smiles)

Um, and, uh- So, (gestures) it just kind of- It- it kind of grew- grew out of that. And, uh, so I knew I wanted to do, you know, uh- You know, in terms of characters, I knew I wanted you know the- the little brother to, you know, (gestures) be conflicted and have a lot of, you know, a lot of the angst and problems which I (gestured to Jared) threw right to Jared. (audience laughs) (J2 smile. Jared nods and clears his throat)

Um, and I wanted a- and-and- I wanted a big brother just be a total smartass. (audience laughs) I mean, that's how I started you know? (Jensen smiles, chuckles and turns to his right. Jared nods and then claps Jensen’s knees. The audience laughs.) Um, and— (Bushman: mm) and so you know and-and-and- it's- and it's, you know, w-w-with a show like this it’s, you know, the, eh, with the genre and it's sort of out there it's-it's- it really needs like a grounding influence. And so, to ground the show into family and elements of family. Um, and that (gestures), you know, that care that these brothers have for each other, uh,  (Jared offers to pour Jensen water in his glass. Jensen gives him a go ahead gesture.) really helps us because these two guys. (audience giggles) (Kripke stops and looks at J2 and J2 are biting their lips)

Shiban: They hug. They hug.

Singer and Kripke look at Jared. Jared smiling makes to put the water bottle behind his chair, but then sets it on the table. The audience keeps giggling. Kripke: Oh. Bushman: He’s pouring him a glass of water. (Kripke looks at Bushman) (mimics pouring water) He’s pouring him a glass of water.

Kripke: Yeah. (gestures) Because these two guys, I mean, the- (J2 are silently laughing) the relationship they have. I mean sometimes we have, you know, (Jensen scratches behind his ear. Jared is biting his finger and silently laughing and then Jared slaps Singer’s thigh) good subject matter and sometimes, you know, we don't. Um, (laughs) (audience, J2, and Singer laugh) but the- but the- the relationship with the brothers- these two actors always sees us through, so.

•(14:18)- PaleyFest06;Q3 - first impressions “J2”, auditioning for Sam and Dean (Kripke)

Bushman: Did- Um, were you familiar with their work? Um, or did you just bring in a ton of actors to audition for the roles?

Kripke: Uh, we, uh, auditioned everybody in town. Um, as you always do kind of on these pilots. (Bushman: uh-huh) Um, my, uh, my wife was quite the “Gilmore Girls” fan. So, (audience laughs) (Kripke looks at Jared) I, uh, I knew, uh-

Jared looking around at the audience. Audience laughs and claps. Jared points around the audience. Then smiles and laughs.

Kripke: (laughs) So, uh, I knew, uh, I-I knew Jared's work. And Jensen, uh, our director David Nutter, (Bushman: uh-huh) who directed the pilot, um, knew Jensen from, uh, (looks over at Jensen) either- Was it “Dark Angel?” From.. (Jensen: mhm, yeah) And he knew him from “Dark Angel” and so, uh- (gestures to the audience) “Dark Angel!” (gestures to Jensen) Jensen in Dark Angel!  

The audience claps and cheers. Jared woo’s and claps. Jensen gives the audience two thumbs up. Jared then goes to drink his water. Jensen looks down chuckling.

Kripke: And, uh- So, when we were, you know. (Jensen scratches his forehead. Audience member laughs.) When we were casting the characters it was- it was David Nutter who said, you know, “We have to- we have to fly down Jensen.” Who was up shooting “Smallville” at the time. So, he wasn't really in the- in the- in the pilot pool. And, you know, (shakes head) thank God we did. Because he walked- eh-uh (holds up his hands) Actually the story, which was funny, is Jensen walked in the room and-and met with us and-and-and David and Peter Johnson and I. And-and we talked to him and talked to him and we walked out the door and we looked at each other we were so exciting we're like we found and we found Sam.

Audience ohs and laughs. Jensen raises his eyebrows and nods. Kripke looks over at the boys.

Jared: I didn't get flown down. I had to ride myself (Kripke laughs: Yeah. Yeah.) Soo. (Kripke: And, uh-) I just wanted that to be known. (laughs) (Jensen is looking down smirking)

Kripke:  And it- and it was- and so, you know, these things just kind of form as-as puzzle pieces come together. And it wasn't until we met Jared that we're like, “Well that's Sam!” And we're like, (Jared chuckles) “And then, you know, Jensen could be Dean!” And then, it all just kind of, you know, it all kind of came together from there.

Bushman: That’s real interesting. Well, how about you guys, Jared and Jensen? Can you tell the story of-  

Jared: (thumbs to Jensen) I’ll let Jensen take that one.

Bushman: from your, um-

Jensen: Uh (points to Jared) you go ahead. (scratches the bridge of his nose)

Jared: (swipes hand in the air) Oh, Jensen (laughs) (Jensen: Oh no) that’s- that’s totally you. (pets his pants leg) What was the- (Jensen: honestly.) (looks at Bushman) What’s the- What’s the exact question?

Bushman: the question is-

The audience laughs. Jared rolls his tongue laughing and then turns his head down to scratch his hair. Jensen is smiling.

Jared: W (laughs to Jensen) I can-

Jensen: (to Jared) Is it a (briefly throws his hand up) spelling Bee? (Jared laughs and looks back at Bushman)

Bushman: Can you, uh, Can-

Jared: Can you use the word in a sentence?

Kripke: Spell. Spell leopard.

Jensen: Yeah, can you use that in a sentence? (straightens his shirt)

Jared: Leper?

Kripke: Leopard.

Jared: Leopard.

•(16:11)- PaleyFest06;Q4A- Auditioning for Sam and Dean (Jared)

Bushman: No, no, no. The question was, uh, Can you talk about the audition process from y-your perspective.

Jared: Well, it’s interesting, actually for me, hearing it from Eric's perspective. Um. I, uh, I’ve obviously been working with Warner Brothers for “Gilmore Girls.” And, um, the five years prior to doing the show I worked on Gilmore Girls to sort of developed a relationship with, um, some of the people at the Warner Brothers offices.

And I had kind of heard about a few of the pilots coming out. And I read this one in particular and I really enjoy the- the characters. And it really struck me as something that- I remembered hearin’ sort of (gestures) once in its breakdown of like it's (gestures) kind of a supernatural. It’s called “Supernatural” (Kripke laughs). And I was thinking like great (briefly throws up hand) “Charmed” or “Buffy,” (audience laughs) which are all great shows, but not the show I wanted to be a part of, you know? I didn't want to do “Roswell” or “Charmed” or “Buffy.” And then, when I read it I was like wow this is- this is very interesting and- and so much more than just like, “Ooo, scary show.” So-

•(17:01)- PaleyFest06;Q4Aa- SPN Appeal (Jared)

Bushman: what- what, uh, appealed to you about it?

Jared: Well, I sort of, uh, I grew up son of an English teacher. So, she was always big- and she would actually taught heroes myths and legends. So, I was familiar with mythology and sort of, uh, the Joseph Campbell taught, teachings. (turns to audience) The taught-teachings of Joseph Campbell. (audience laughs) And, uh, (Kripke chuckles) (scratches head)

Singer: Didn’t- didn't rub off that she was an English teacher. (Jensen mimics closing a film clapperboard)

Jared: It didn’t rub off. (looks down smiling and claps) (Kripke laughs)

Shiban: Yes. (Singer clears throat)

Jared: Uh, yeah. It didn't. It didn’t. I just work till 4:30 this morning in Vancouver. So, I’m a little worse for ware.

Bushman: It’s kind of interesting that you mentioned Joseph Campbell, cuz there's a little bit of “The Reluctant Hero” in your character.

Jared: Very much. I mean there's more than- there's so much more than just the Reluctant Hero. I mean, when you get into the archetypes they're sort of- each script is just bursting at the seams with archetypes and (briefly throws his hand up), you know, last thing I think these people want to hear is me going to a (Bushman chuckles) explanation of- (Audience laughs. Jensen fakes snoring) (briefly throws his hand up) I love the script. (turns to Jensen) I love the character. (shakes Jensen’s leg)

Bushman: Did, uh, so- (Jensen mimics waking up with a shout)

Jared: (leans towards Jensen rotating his pointer finger in the air) We're doing a- we're doing, um, a answer-

Jensen: (shrugs and frowns) I’m awake (reaches for the water)(audience laughs)

Jared: Okay. (turns back to Bushman, smiling and scratching his head)

Bushman: So, uh- Well, so your agent sent you script and you were- you were auditioning for Sam all along?

Jared: Uhh, right. (hits his knee) Right. I guess- I guess w-where the- where the process.. or how the process- where it was when it reached me was: read the script, see if you like the character, see if you like the script. (gestures) It was sort of like do you, you know, do you mesh with this- (gestures) Do you feel you could mesh with this script. And I felt I could and so I went in (thumbs towards Kripke) and I- and I met some of the guys, and I re-met Nutter and.. you know, sat in an office with- Who was it Kripke? (Jared leans forward than back to see Kirpke)

Kripke: (leans forward than back, in response Jared starts rapidly leaning back and forth) It was, uh, Me, Nutter, Peter Johnson we were at the-

The audience laughs. Kripke then notices the movement and starts mimicking Jared. Singer hunches down. Jensen starts laughing to himself while looking away.

Kripke: Wonderland. Offices. (Jared and Kripke stop. Audience laughs) And, uh.. Uh, yeah. And he- he came in and he had at such energy and- and just so, uh, (gestures) lived the character. (gestures) Just so was the guy. You know, it's a (gestures) cliche to say that but he really was. So, it was- it was an easy choice.

Bushman: (to Jared) And did you feel real good about it coming out?

Jared: Uvh, well (push his hair behind his ear) yeah. I-I-it was- it was b-by no means that short process, you know? I mean, that was sort of the beginning of a week or two week long (gestures) finding of scripts and characters. And I think the scripts are still being rewritten. I remember I'd seen a script and they’re like, (gestures) “This is changing. You know. Read the script, but (gestures) that's nothing to do with this.”

Kripke: (laughs) Right. Yeah. (audience laughs)

Jared: “It’s gonna change so much.” (gestures towards Jensen)

Kripke: (nods) This is true.

Jared: Which is much like it- it is nowadays. You know, (Kripke: Yeah) we get a script and they're like, “Okay, we're shooting this in a week, but it'll be a completely-“ You know? (audience giggles) (gestures) It’s just like- it-it can always can get better. And- and everybody's always working hard (flings his hand) up to the very last second, you know? Till they call action. (points up) People are working here. People are working in Canada. Just, you know, sprinting.

•(19:24)- PaleyFest06;Q4B- Auditioning for Sam and Dean (Jensen)

Bushman: Okay. (Jared nods) Jensen, what was your experience?

Jensen: (resting his head on his fist, briefly points to Jared) Pretty much the same.

Jared immediately fake sleep-snores and leans his head on Jensen’s shoulder. Kripke and the audience laugh. Jensen smirks. Jared sits up, laughing, and reaches for his water.

Jensen: Uhhh

Jared: Well said Jensen.

Jensen: (rubs his chin, laughs, sits up) Yeah. (rubs his hands) Uh, w-well, (thumbs to Kripke) like-like Eric said, they- they had originally brought me in for, uh, for the role of Sam. And, uhm, I- I knew David Nutter very well. Uh, I-I worked on, uh, testing for some- a number of pilots, um, before that. So, I-I felt very comfortable with him and with his recommendation to me coming in. And he feel good about it. (gestures) And I had a conversation with him on the phone before I come- before I came in and just he kind of gave me a spiel about Sam and, uh, (rubs his mouth) and what he thought. And- and then I read the script. And-and I was just like, “W-what about Dean?” (audience laughs.) “I liked Dean.” (audience laughs) “He's funny.” (audience laughs)

And-and, uh, it's- but (gestures) I, you know, I study for Sam. And-and I went in there and I actually kind of studied for (rubs his tear duct) Dean a little bit too just in case. And, um, I went in there and I read for Sam. And-and, uh, like Eric said. And they were like, you know. They were pleased with it. And then.. went home that evening and got a phone call and he said, “Well, uh- uh, there's this guy, Jared, uh, Pada- Pada- something-” (audience laughs)

Jared: I said Pada-something.

Jensen: (nods) Pada-something. (Smiles)

Jared: Pada-something

Jensen: and uh (grins)

Jared: Pada-some- (laughs)

Jensen: “And-and-and they really ar-are liking him” (gestures) “for-for one of the brothers.” And I'm like, “Okay.” So, of course I look him up online (audience laughs) and I'm like (throws up his hand) “He’s- he’s-“

Jared: (to the audience) He thought I was hot. (audience laughs and claps)

Jensen: He’s- (Jared laughs and scratches his head) “This guy's smoking hot.” (Jared leans back and laughs clapping his hands) “I can't play his brother and-“ Uuum, no. And-and-and- and then they said- (Jared facepalms) they'd said, “But would they like to bring you back in for Dean.” And, I of course was.. very excited about it and I came back in. (Jared clears his throat) And-and I was thrilled. So, uh, (gestures) that's kind of how it all. (gestures)

Bushman: Sut- So by the time you guys actually performed together you had already had the parts. They weren't auditioning-

Jensen: Well, no. We hadn't- we didn't have it- we didn't have it (gestures), uhh, officially.

Jared: (leans forward, to Kripke) Did we? (Jensen leans forward)

Kripke: No. We had-

Jensen: We had to do the-

Kripke: We were the on- (nods his head towards J2) they were the only actors we brought in to network. Because we- (gestures) You have to have a network audition.

Jensen: Formality of the network.

Jared: It’s usually a really terrifying process of (Jensen: Yea.) sort of (Jensen: Yeah.) these guys and gals at you audition with all year long. And it's five people that you're very, very afraid of, sitting in the room with you going for the same part. (Looks at Jensen) And when we got there it was like, “Hey.” “Hey.” “Where's everybody?” “Uh, there is nobody.”

Jensen: “Just you and me pal.” (audience laughs)

Kripke: Right. (briefly turns to Bushman) Yeah.

Jensen: And, uh-

Jared: We started (mimics writing) typing numbers down on a page- (shakes his head) I’m just kidding.

Jensen: Yeah, well (gestures) we went in and-and-and (scratches tear duct) that was yeah that was the first time we actually met. (gestures) And then we (gestures) (Jared: mhm) did a scene together, uh, for a- a-a roomful of executives and, uh, that was that.

Bushman: Okay.

Jensen: (points at Jared) and we’ve hated each other ever since. (reaches for his water) (audience laughs)

Jared: (nods) Yeah. (turns to Jensen) I poisoned your water, so.

The audience laughs. Jensen pauses and stares at his cup. Audience laughs. Jensen inspects his cup by slightly tilting it. He shrugs, takes a drink, and then sets his cup back down on the table.

Kripke: It’s a little unnerving. (Jared laughs)

•(22:13)- PaleyFest06;Q5A- SPN Start (Kim Manners)

Bushman: How about everyone on the panel? Kim, we could start with you and Ben. Talk about how you became involved with, uh, Supernatural.

Manners: I read for Sam. (most of the panelist and the audience laugh)

Jared: (throws his hands up) did everybody read for Sam or?

Manners: Well, David Nutter, who directed the pilot, is a good friend. He did season 1 of “X-files” And, uh, he called and asked if I would do a favor and, uh, come in and do one episode. Because I was kind of semi-retired after X Files. Uh, (nodding) very semi-retired. (audience laughs) And I, uh, came in did a show, uh, called “Dead in the Water,” uuh, enjoyed myself fell in love with, uh, (points to J2) Jan and Dean or is it Sam and Dean? (Jared and audience laugh. Singer pours himself some water.) Uhm, and I was driving home to my home in Missouri and they called me and said, uh, “We want you to come on as a part of the team.” And I turned around and here I am. So.

Jensen: Thank God.

Manners: And I’m having a good time.

Jared: (nods) Yeah. Thank God.

Manners: Yeah.

Kripke: Yeah, I don't know what we’d do without Kim up there. He's unbelievable.

Shiban: (nods) Yeah.

Bushman: Kim, uh, John.

Manners: I know whatchu do, you get another guy. (most of the panelist and the audience laugh)

Shiban: No, there is no other guy.

Jensen: No.

Kripke: Not true. No other guy.

Jared: There's no other guy.. named Kim.

Manners: (nods) Yep. (audience laughs) (points towards Jared and then clears throat) You know if this whole thing fails you guys can go right into stand-up. (audience laughs)

Jensen: Yea. (nods) (Jared claps his hands laughing) (points at Jared) I don't want to stand up to him another time. (audience laughs) I got to stand up on apple boxes all the time. (audience laughs)

Jared: (scratches ear) I'm pretty lazy. I’d rather sit. (Manners and audience laugh)

Bushman: John how did you-

Jared: (points to Jensen) Meanwhile! What-what (Shiban: Meanwhile?) what he- want he- what he doesn't know- what he didn't know about this whole process is that after we had him direct, uh, the- I guess it was our fourth episode we had: (counts his fingers) “the Pilot” (Jensen: yep.) with David Nutter, “Wendigo” with David Nutter, “Hookman” with David Jackson, (Manners: and then) and then (points at Manners) Kim came in.

And immediately I think from day one we were on the phone with everybody. (Manners takes a drink) (gestures) We were on the phone with (thumbs to his left) Peter and (points to Eric) with Erik and saying, “This guy is incredible.” (gestures) “Sw-Who is this guy?” (Manners sets his glass back down) And David Nutter had sort of given him this very.. sort of mysterious.. “You'll love Kim,” kind of sentence (audience giggles) at the very beginning.

Because we were going over this list of seven dir-

Jensen: Yes, the Jedi (waves his hand)

Jared: Very Jedi. (audience laughs) Yeah it was like-

Jensen: You’ll love him.

Jared: (mimics reading a script) “Who is Kim- Who is this guy?” “Oh, (waves hand) I knew him from this.” (mimics reading a script) “Who is Kim Manners?” (nods and waves hand) “You'll love Kim Manners.” (audience laughs) And sure enough, we were like, (double takes) “What?” And, um and he- and he- (his mic clip falls off) came on. And he was just incredible. (picks up mic by hand and talks directly into it.) And he was just incredible. (Jensen takes off his mic and hands it to Jared) And um, (nods to Singer) Can I- (reaches for Singer’s mic) Can I borrow? (audience laughs)

Singer: Sure. Yeah (But Jared doesn't take it and takes back his hand)

Shiban: Wow.

Jared: And, uh, (hands Jensen back his mic) And so we- w-we, uh, we basically begged and pleaded (J2 attach their mics back on to their shirts) to get him, um-

Manners: (fake mourning voice) A job! (throws his hands up) (Shiban pats his back) Just a job. (Jared: A job.) It’s all I wanted. (audience laughs)

Jared: He was hungry. (Manners laughs while rubbing his brow) He was, you know. He kept trying to bite my arm. (audience laughs) I was really worried about him (laughs).

Bushman: Yeah, I don't want to embarrass Kim, but what was so incredible about him?

Manners: about- (Bushman: about-) Who?

Jensen: Well, I-I think that- I think that, uh-uh, Jared and I just- w-we just responded well to him. I mean, he-he directed in a fashion that-that, uh, we really liked. And, uhm.. You know, it was kind of a set where guys could be guys. (thumbs at Manners) And he wasn't someone who-who directed, you know, behind a (throws hands up) screen with a (makes a phone hand gesture) telephone somewhere in LA, and was like, you know, (gestures and mimics a LA director) “Do it over and over. And then a closed up and a close up and let's get out of here and move on in the next set.” He was- (Singer reaches for his water) he was in there.

And-and you know a-a story about another, uh, episode that he directed, “Bugs,” uh, (Manners shakes his head) this was a-a scene where we had to get in (Manners mimics putting a gun in his mouth. the audience laughs) to a room with-

Manners: (turns to Jensen and waves) s-sorry.

Jensen: Yeah, no that’s-

Jared: It’s alright.

Jensen: I mean, ah, you know we get in this-this tiny little room with 65,000 bees and, uh, (Jared: ?Billions?) (gestures) the whole camera crew and (gestures) the sound crew (Manners laughs. Shiban smiles) and (gestures) then everybody's got (gestures) full bee outfits on. (audience chuckles) Then they're like, “Alright, Jared, Jensen, hop on in.” (audience laughs) And, uh-

Jared: And don't swat them, ‘cuz it makes them angry.

Jensen: And, Yeah. And I'll-and I’ll give it to Kim. He said, “You know what? If-if you guys don't have bee suits on. I'm not either.” And he went in there with, uh, (Jared: Right.) shorts and a t-shirt and a monitor.

Kripke?: Wow.

Jensen: And sat down on a box and directed us from inside the room (Manners silently laughs) with bees crawling all over our faces. (Manners and Shiban nod)

Kripke: Woah.

Jensen: It's just- it's-it that- it's that kind of relationship with Kim.

Bushman: Okay.

The audience cheers and then claps. Shiban and Jared clap. Manners briefly salutes two fingers to the audience.

•(26:07)-PaleyFest06;Q5B- SPN Start (John Shiban)

Bushman: John, how'd you get involved?

Shiban: Uh, I was going through the, uh, annual ritual of staffing season. Uh, I had a-a pilot that didn't go. So, I was available and reading all the pilots and taking meetings. And.. and read the script. Aaand loved it. Uh, and met Eric and loved him.

Kripke: Awww. (audience aw’s)

Shiban: Annnd- (smiles) I know. Aaand-

Kripke: John’s my guy. (audience laughs, Shiban, Jared and Manners smile)

Shiban: Yeah, it’s that. It’s true. Um, and, uh-uh, eh- there are a lot of- Uh, you know, I spent a long time on the “X-Files” and, uh, (gestures) I’m-I'm offered a lot of.. (gestures) scary television shows every year. It's like, (gestures) “Will you do this. Will you-“(Bushman: Yeah) And this one just struck me right away. Ehh, especially (gestures) when I finally saw the- the-the cut of the pilot.

Because it had those two things that I think (briefly pets his beard) you need to have a successful show like this. One is a great franchise, (gestures) which is the engine that runs the show. The idea that the two brothers on the road trip with a very personal agenda, eh-uh, is just great. And you can imagine- I can see instantly five years of suffering for these guys-

Jared nods. The audience chuckles. Jensen dramatically throws his head back. Jared smirks and nods. Kripke?, and audience laugh.

Shiban: And, uhhh, episode after episode. Uhh, and the second thing honestly is- is, uhh, is casting.. and chemistry. And chemistry is something you can't (rubs his hand) manufacture. And these guys have it. And they're so great to write for and they're so fun to write for.

Jensen slowly looks at Jared. Jared with a pressed smile, looks back. Audience woo’s and laughs. Shiban shrugs. Jared moves his face closer and puckers his lips. Audience laughs. Jensen shakes his head no and points to the audience. Jared stops halfway and looks down laughing to himself, and then looks up scratching his nose with a big smile. The audience laugh and clap. Shiban and Manners are smiling.

Jared: Worth a try. Worth a try.

Shiban: Yeah. (Jared chuckles) So, I said, “Yeah. I'm coming up.”

•(27:38)- PaleyFest06;Q5C- SPN Start (Bob Singer)

Bushman: Okay. Bob, how about you?

Singer: (Jared laughs) (gestures to J2) I-Can I just watch them, I don’t. (J2, Manners, and Audience laugh) Uubm, t-they had actually made this pilot. And, uh, I saw the pilot and, uh, really liked it a lot. And I think, uh, what the studio wanted was, um- (gestures) After they saw it and I got picked up, and the studio one point probably said to themselves-

Singer holds up his hands but then stops when audience starts laughing, raising an eyebrow.

Jared: (laughs) Just keep it (unintelligible)

Kripke: (opens his hands) You can't get anything done.

Jared: I can’t- (sets down his glass and then repositions himself)

Singer: (gestures to J2) This is what it's like to direct them too. (audience and Kripke laugh) Uhh- uh, the studio said, “Well, we-we-we can't give ff-40-plus million dollars to Eric Kripke.” And-(shrugs)

Kripke: (laughs) Yeah. (Jared laughs and claps his hands) Very true. (laughs)

Singer: And let him run wild. So, they said, “What we need i-is” (shrugs) “You know, some-”

Audience laughs. Singer stops and briefly looks to his right and up. Audience laughs. Singer rubs his chin and closes his eye laughing to himself. Kripke scratches his lip, looks at Singer, and laughs.

Singer: (shakes his head and then looks up at Kripke) This is so hard. (rubs his brow) (Kripke, audience, and Jared laugh)

Singer leans and reaches over and briefly covers Jared’s face, then returns to his original position. Jared laughs. Jensen is holding a glass of water and reaching for another.

Shiban: These people are very tired.

Jared: Yeah. (laughs)

Singer: Um. So, they thought they needed some, uh, you know, uh, a-a-an experienced hand to guide the young man through these rocky waters. (Jared laughs) The young- the young man of course felt what do I need this old fart for. (Jared and audience laughs)

Kripke: No way. (Singer laughs) He-

Singer: Um, anyway (gestures) we met and we met a number of times. And, um, finally our-got comfortable enough with me for, uh, for us to join up and, uh-uh, partner on this thing. And, um, (shrugs) it-it's interesting because I mean we are sort of from different generations. (gestures) And we approach, uhm, (gestures back and forth) drama in kind of a different way.

Um, but (gestures) as we sort of work together we found (gestures) that we always we really arrived (Kripke nods) at the same place even though kind of the methods (gestures) are a little different of how we get there. And it's a-

Bushman: Can you explain what you mean when you say that (Singer sits up) coming from different generations you approach drama in different ways?

Singer: Well, I don't know if that's a generational thing but I'm very, eh..

Kripke: Sober. (audience and Singer laugh) (Shiban?: And uh) compared to the drunk.

Singer: (nods) There's that, yeah.

Shiban?: (?low court?)

Singer: Um…eh- t-t-this is so boring, but, um, (audience giggles) for, um- I-I-I kind of come in (waves his hand) everything from a character standpoint of view. It’s-it's all about character to me. And I'll kind of (gestures) let the plot work itself out  given (Kripke nods) what the characters are-are gonna do.

And what I'm interested in the scenes is how.. that, you know, it drives the plot. But I'm most interested in how the characters react to it. Umm (scratches brow) and-and-and so the (laughs) stories I do (wiggles his hands up in the air) to tend to get a little like-like this but (shrugs) the character stuff is probably interesting.

Eric really works very, very hard on the stories, um, and gets the plot down. And knows that once his plot is good the-the character stuff will come naturally to that. (Kripke nods) So, we sort of go-go like this (Kripke nods) when we're in the room together. And we’ll arrive at that place which both things are serviced. And-and-and I think you- we’re really sort of one voice now (Eric nodding: mhm) that we-we rarely disagree on stuff. And it's a- (shrugs) You know, I've worked alone for a long time, so it's kind of really cool to have a partner. (shrugs)

Eric: (looks at Bushman and nods) Yeah. And (points to Singer) tah-tah blow smoke up his ass for a minute. (audience laughs) He brings a depth, uh, and-and maturity of care- of character of just depth to the drama that I could not do, you know? It-Me on me alone like is “Boogieman.” (Bushman and audience laughs) And.. and.. and like all of a sudden with him like, you know, we have a-a show where you have these characters that are psychologically rich and true and-and-and- and Bob is-is behind huge amounts of that. So, uh, we- (shakes his head) this show would not succeed, uh, at all without him. So.

Singer: Aw.

Kripke: Aw.

Audience aw’s. Singer leans over and rests his head on Kripke’s chest. Kripke holds him for a sec.

Jared: Aw. (Audience claps)

Shiban: Come on give him a kiss, would yah?

Singer: (turns towards J2) You guys can do it. We can do it.

Jared: No, it’s alright like that.

Jensen: Hey. Hey.

Manners: You guys wanna mow the lawn?

Jensen: Yeah. Around the curtains?

•(31:05)- PaleyFest06;Q6- SPN Mythology + Formula (Shiban, Kirpke)

Bushman: Let me ask one more question before I- before I open this up. But this is for the writers mostly. Um, which I guess is Eric and John. But, um- you know, Eric, you've been quoted, um, as saying that, uh, you know this show differs from a lot of the other, uh, suspense or supernatural shows that you (Kripke nods) say there, because you don't want to get involved so much in those long drawn-out stories or-or the mythology so much as you just- I don't know whether these are accurate quotes but you want to, um, just focus on scaring people and on the- on the urban, uh, folklore and-and so on and just scaring people.

But, um, I think I-I- speaking for myself, and-and maybe some people out here too, I find the mythology, uh, with the-the kids with their mom.. (Kripke: mhm.) and their dad, and, uh- um, you know, one of the really compelling parts of this story. So, um, I'm wondering how you just- an-an-and, you know, you start to see even with the last episode that-that (Kripke nods) aired last Tuesday. You're starting to see you guys are coming back to that. (Kripke nods: mhm)

Um, and I'm wondering how do you decide when it's time to sort of veer away from what “X-Files” used to call the “monster of the week” story and come back to the.. mythology of the show. So it's really for John and Eric. How do you decide when it's time to do that or-

Kripke: John?

Shiban: Uh, two things I made a lot of painful, uh, hair-pulling discussions and arguments and when should we when shouldn't we. But part of it is driven to, by just the nature of television you want to save some of your big.. moments for sweeps. And so you kind of.. work the season around that. Works a actually a very nice five or six episodes that are.. (finger quotes) “non-mythology” and then you can- you can pull the Mythology back. And, uh, and, uhh, again do the nature television. You want to end the season with some- something astounding.

And, uh, (gestures to Singer) also going to back to what Bob was saying, eehh, the mythology is all about character. It's all about.. what the boys are going through and family. (shrugs) And, so that's where we are going to head when we want to do something spectacular. So. (Singer drinks his water)

Kripke: Yeah. we- we had a- we have. And surprisingly have stuck to it. We have a, uh, a-a m-mythology plan for season one. We also have, y-you know God willing a pickup, we have mythology plans for season two and season three. But.. we have this plan of where the story goes in-in- (audience starts cheering) Yeah!

Shiban: On the CW. (Jensen is holding out a hand)

Kripke: On the CW!

Jensen: (to Shiban) When do we get to see this? (Shiban whispers to Jensen)

Kripke: Um, and-and so, you know, it was sort of the plan, which is the first.. (Jensen elbows Shiban while laughing, then Shiban keeps whispering to Jensen) seven ur- sev- about, really, the first seven (Jensen throws his head back and softly laughs) episodes you wanted to be the self-enclosed stories so you could kind of pick up new viewers. And then you start threading in a little bit more mythology.

But I think it's a balance. Because, I mean, it's my own just, you know, kind of personal taste, which is- I mean, I like a- you know, I want a satisfying story every week too. And-and um, you know, I mean “Lost” is (waves hand) an untouchable show. I mean, it's an- it’s-it's a (waves hand) brilliant and unbelievable show, but I-I- I find the endless mystery, my own, taste frustrating.

Bushman: mhm

Kripke: And- and if you're going to give ongoing mystery- (audience claps) Alright, people who believe. And, if you're going to give ongoing mystery, at least give, like, a rollicking badass story… apart from it that can have a beginning middle and end. And you can be satisfied. And the good guys can win. And you and you can have the experience being told a story. (waves hand) And then, you know, thread in the ongoing mystery.

 So, I think it's-it's-it's keeping a lot of different plates spinning. And it's not- it shouldn't be any one thing er-or another.

•(34:18)- PaleyFest06;Q7- SPN Ending, Pre-finale thoughts (Kripke)

Bushman: Do you know where the story ends?

Kripke: Um, I do actually. Yeeeah.

Bushman: Does anyone else on this panel know where the story ends?

Singer: Yeah, but we tell you, we have to kill you.

Kripke: Yeahh. Yeah. (Audience and Bushman laugh. Jared smiles) I mean, it's hard it- because you never know when you're gonna get cancelled or if you're gonna go, you know, 37 years like “Gun Smokers” (audience laughs) Or something. (Jensen chuckles)

Shiban: Oh, god. Please.

Kripke: But, uh.. Yeah.

Jared: Oh no.

Manners: The boys are in walkers. (mimics walking in a walker)

Jensen: (gruff voice) Sam! (audience laughs)

Kripke: Yeah. (nods) Right. (Kim laughs) (laughs) They’ll finish up the season and then they'll slowly die.

Jensen: Yeah. (laughs)

Audience laughs. Jensen is scratching his forehead smiling. Jared is drinking his water.

Kripke: And, uh.. So but-but yes we have, you know, really a-a-a fi- if-if I could somehow find out what the last season was going to be, or-or a five, six year plan, I mean, I sort of know that, you know, the-the final, you know, battle as it were t-that all shapes up. And, uh- But yeah, you know, it’s sort of-

Bushman: We’re gonna have to wait.

Kripke: Yeah.

Bushman: Okay. Let's take some questions from the audience. (holds hand over eyes and looks at the audience) Um, I'm gonna.. to call on two people, um, first question, a second question. Please wait for the mic, because this event is being taped, so we need to be able to hear you.

Uh, (points to the back of the audience) okay there's one all the way in the back over there, and (points his other hand towards the left of the audience) then there's one in a green shirt right down here.

(points to the green shirt again) We can start down here with the green shirt and then go to the back question.

•(35:38)- PaleyFest06;Q8A- Location Significance: John Winchester in Sacramento (Shiban)

Fan: Sorry, I had to take out my gum. Hi, um, I'm- Let me just say, I'm originally from Sacramento so I w-I wanted to know if there's any significance with their dad, John, being in Sacramento twice or just random or.. spoilery or.. Shh

Manners?: Joohn.

Kripke: You wrote it, John. Why did you use Sacramento? (audience laughs)

Fan: It’s-

Shiban: I don't want to give it away, yet. (Kripke? laughs)

Jensen: So, yes there is.

Kripke: No there’s-

Shiban: (points at Jensen) I'm gonna tell you either. (Jensen throws his hands up)

Jensen: I want to know.

Kripke: Yeah. Why?

Shiban: After. After.

Jensen: Ah, thanks a lot.

Singer: Tickets for a Sacramento Kings (Jensen: Yes.) game. Eh. (shrugs) (J2 laugh)

Bushman: So, their-their- the answer is that there is, but you're not gonna say what it is.

Shiban: Exactly.

•(36:13)- PaleyFest06;Q8B- Location Significance: Lawrence Kansas (Kripke)

Bushman: Okay. And speaking of location is there any significance to Lawrence Kansas? That it started in Lawrence Kansas?

Kripke: Um-

Shiban: (points to Kripke).. I’d have to give that to him.

Kripke: Uh, I would say, well, uh-uh i-if anyone does a, uh-uh, w-

Jared: In other words, yes.

Kripke: Yes. (audience laughs. Jared and Manners laugh.) There-there is and-and the-and the one thing I'd say is, because we tend to be really research oriented in our show (Bushman: uh-huh) and about American urban legends and there's a- there's a very famous, uh, urban legend, uh, near Lawrence Kansas. Um, that, uh-

Bushman: That somehow factors?

Kripke: Yeah. (to the audience) You know, if you guys go home and do Google searches on Lawrence (Bushman: Right) Kansas and stuff will come up. (nods)

Bushman: Okay. (points to J2) Do you guys know what it is.. Jared and Jensen?

Kripke: I don't think I've ever told you.

Jared: (looks at Jensen) Y-yeah.

Jensen: Uh, yeah.

Jared: Good gosh. (blows)

Jensen: Yeah. Yeah. Of course. (nods and leans back to rub his chin) (Bushman, Kripke, and audience laugh)

Jared: I haven’t decided when I'm gonna tell Kripke what it is.

Jensen: Yeah. (audience and Kripke laugh)

Jared: I’m mean, honestly. Tell him, “Hey, uh-

Bushman: (laughs) Okay. In the back all the way.

•(36:59)- PaleyFest06;Q9- Fear “Paranormal” (Manners, Shiban, Jensen, Jared, Kripke)

Fan: Hi. Uh, I just want to say I'm from Texas too. So.

Kripke: Wooo!

Jensen?: (J2 raise their hands) woo! (audience laughs)

Fan: Anyway I had a question, um, for everybody. What urban legend or folklore really does scare you guys?

Kripke: (points to Manners) (Manners shrugs) Kim?

Manners: Um, mm- nothing scares me. (audience and Shiban laughs)

Jared: That's true.

Manners:  I direct television.

Jensen: Yeah, I believe it.

Manners: And I- so (shrugs) (audience laughs) You know, if-if you- if you can live through that nothing scares yah. (shrugs) Really.

Shiban: Good answer.

Manners: Yeah. Well, it’s true. (Shiban laughs) What scares you John? ..Late scripts? (laughs)

Shiban: You do- Yeah. (audience laughs) Yeah. You do. Yeah. When you call me and say, “Where's the damn script?” (audience chuckles) That's frightening. (audience chuckles. Shiban and Manners take a drink)

Bushman: Any-any urban-

Shiban: (bumps Jensen’s arm) What about you guys?

Jensen: (shrugs) I-d-I'm dealing with him all season man. (Kripke and audience laugh) I’m scared of them all. (Kripke: All of em.)

Shiban: What about those bees?

Jensen: Yeah, bees that’s what I’m s-

Jared: You know I have a c- I'll- I’ll say something. I- uh, my daddy used to make me watch a show called, “Shadow Man,” or something, when I was growing up. And it was about a shadow that lived under this kid's bed. And, uh, he was sort of- (audience giggles) What's that? (audience giggles) (Jared smiles) And anyways and, uh, (audience laughs) it was his buddy.

Shiban: And he’s here tonight.

Jared: he wasn’t very popular in school. And so the shadow man started kind of getting all the bullies for him. And then one day came another.. kid’s shadow man got- (sniffs) Yeah it’s probably not as scary as it seems. (laughs, ducks and scratches his head) (most of the panelist and the audience laugh) (hides face behind his jacket)

Kripke: (thumbs to Singer) You wanna? You?

Singer: (laughs) Go ahead. (audience aw’s)

Kripke: (gestures to the audience) Someone has to give her a straight answer. (Jared: Y-yeah.) Hook-Hookman freaked me out when I was a kid. The killer with the hook. All the different stories of the killer with the hook of, uh, you know, the-t-the “Aren't you glad-” “Aren't you glad you didn't turn on the light?” I thought was really cool. And there's, uh, (gestures) the licked hands. If you ever heard the licked hand, which is a really cool one. (briefly looks down) And um, so (gestures) like that- that was always, you know, really sort of- sort of freaky for me.

Bushman: Okay, let's take two more questions. (points to the audience) Um, we'll get this one down here and there's one all the way in the back. Right- right next to you. Right… (points) Go ahead.

•(38:55)- PaleyFest06;Q10- Continuity Mistake “4 years vs 2 years at Stanford”

Fan: Um, in the pilot we know that, uh, when Sam wanted to go to college John told him to get lost. And he's in as presumably his fourth year because he's interviewing for Law School. Um, but d-he says that he hasn't talked to Dean in two years. Is there an answer to what happened two years ago? (Kripke is smiling and looking down at the other panelists)

Jared: Uhhh, y-you mean does that-

Kripke: I-I actually-

Shiban: Eric.

Kripke: (looking down at his lap) I have an answer to that. (nods) (audience laughs)

Fan: Do we get to know?

Kripke: Well, I know you're supposed to.. You know, (gestures to Shiban) do what Shiban does (Shiban nods) which is kind of go, “you'll find out.” (audience laughs. Shiban smiles and nods) But, uh, fact of the matter was is, uh, it-ii- (gestures) you know, these things happen so fast and furious. (mimics writing) And you’re- and- and that it was actually a mistake. (audience giggles)

Shiban: Oh no. (Shiban whispers to Jensen and then Manners)

Kripke: We-we wanted it-d.. Jared is or Sam's character supposed to be a junior in college and starting the interviewing process for, uh, the interviewing process for law school. (Jensen whispers to Shiban) And, uh, so hasn't seen him since he left- So he spent his freshman year and his sophomore year away from Dean and hasn't seen Dean. Then this is beginning of junior year. (briefly looks at the panelists)  This is.. fall of junior year.

So, it's been technically two years as he's beginning (gestures) th-the process. But, because, I think.. Because what happens, eh.. You know, you guys, you know, the-the you know- (gestures) I’m-I'm-I’m lying, (audience chuckles) like, sort of putting it all- Eh, because what happened 22 years ago he-he was slightly older than a junior should be. So, no one sort of bought that he was a junior and, uh, (Jared smiles. Audience giggles) so there's a (gestures) lot of discussion of these two “lost years.” And you’re just- and I just like, (hunches down covering his mouth) “he he.” (shrugs) “Like, just a mistake.” (panelists and audience laughs)  

Jensen: (?Hey, uh, I really wanna back this.?)

Shiban: That’s right (unintelligible) (Jensen laughs)

Kripke: But hold on let me give the real answer. “You'll find ouut.” (Jared and audience laugh)

Shiban: (gives him a thumbs up) Now you're talking.

Bushman: Okay. In the back.

•(40:40)- PaleyFest06;Q11- Network Censorship “Gore” (J2, Kripke, Singer)

Fan: Are there any stories about, uh, t-the show being too scary. Like, do you do trade-offs with the network? Like, they say, “Well, you can have two seconds of this, you know, bloody face, if you do this or that.” (?Jared?:mhm)

Jared: Yeah.

Jensen: Yeah, we’ve run into a few-few times that season- this season. (looks at Kripke) Haven’t we?

Kripke: You talking about Night- The Night- the.. On Nightmare was the first time.

Singer: (looks at Kripke) Oh right. Yeah. Yeah, you get into strange dis-discussions of, um, “Can we not see the decapitated- decapitated head (rolling gesture) roll?” (audience and Kripke laugh) And then you start arguing about, “Well.. can it do a half a turn?” (audience and Kripke laugh) Then say, “Okay. You can do a half a turn but the blood gush can't be for two seconds. It has to be for once sec-” Uh- um, so those are ongoing discussions, but a-a-actually the network's been great. We really push the envelope (Kripke: Yeah) in-in every sense. And, uh, they let us get away with more than I thought they would.

Jensen: There was also the, uh, when-

Jared: The gun rig.

Jensen: Yeah, the gun rig with me when I- uh, when Dean was shot in the head.

Kripke: Yeah. The- Night-Nightmare- The episode “Nightmare” was the first and only time that we’ve ever had issues with standards and practices. And so, everything else they just were like, “Give us more.” And we- again we were shocked by that. But there-the-the- there's a scene where, it's a- it's a vision it doesn't really happen, but where Dean gets his brains blown out (gestures brain splat) (audience giggles) in “Nightmare” (audience laughs) and-and… (Kripke briefly looks to his left) And we actually rigged it. And we thought, like, you know- We rigged it so-

Jensen: Yeah, the rig was awesome.

Kripke: Yeah. You-you rigged it so (mimics the shot going through his forehead) the shot actually goes into his forehead and-and the blood explodes out the back (laughs) (audience laughs) on to the wall. And we're like, (makes an excited gesture) “Haha, this is our lead and we're just, you know.”  But and-and-and- and network was like, “No way.”

Jensen: Yeah, this giant- this giant backpack filled with, like, grapes and-and corn syrup (audience ughs) and, uh, and- and it was this tube (partial turns and gestures at the curve of the back of his head) just kind of coming right- right out of the back and, uh, from the head on. And I had a little button in my hand. And they just yelled action. (mimics the scene) And, we timed it with a gunshot, and I hit the button, and gave reaction, and the whole wall went splatium.

Shiban: Yeah.

Kripke: Heheh

Singer: By the way-

Jensen: It was an awesome rig, but then they ended up having to cut to (box gesture) just the splat (Kripke nods) and then back to me with the hole in the head.

Singer: (point to his center forehead) Back to him with a hole. (Jensen: Yeah) But, the, uh, the director of that episode is here tonight, (pointing at the left side of the audience) sitting next to my wife as it is.

Jared: Where is he?

Kripke: Phil Sgriccia.

Singer: And- Phil Sgriccia.

Jared: Phil! (claps)

Kripke: Really good job. (audience claps)

Jared: Wooo!

Kripke: Stand up!

Singer: And, uh, when I looked at those dailies, uh, and I called Phil and I said- he said, “How are they? How are they? Is-” You know, because (swipes at Manners) Kim can tell you all us directors are.. so self-confident (Manners laughs) that we don't need constant approval or anything. (audience chuckles) Um- uh, he said- I said, “They're great, Phil. But what the hell are you doing?” (audience chuckles) And he said, “Well, you know, they look at that and they'll give me all the rest of the stuff.” So (gestures) (J2 and audience laugh)

Manners: We actually play a game with BSP broad-broadcast standards and practice where we cut the show and we cut it way too violent. (Kripke chuckles) So then they come in they go, “Well, you have to take out four frames of that shot.” And you go, “Oh god, not four frames.” “Yes, four frames.” So you take it out, but you always knew that you didn't need those four frames. (laughs) (audience laughs) So, we kind of stack the deck. (audience chuckles)

Bushman: (points) Okay, there's a question over there in the corner. (points) And there's one back there. Over there too.

•(43:57)- PaleyFest06;Q12- Paranormal on Set (J2)

Fan: Oh, okay. Um, well, we've had the question about what urban myths scare you. But for those of you who are actually on set regularly, has there ever been… you know, a blood splatter or that freaky scarecrow or anything that just really creeped you out just to be around on set even though you knew it was plastic or, you know, karo syrup or something?

Jared: I know one- and just one time randomly we're, uh, we're filming “Skin” the episode where (points at Jensen) he's a shapeshifter. (audience giggles) And we're inside this house- this brilliant house. (audience claps) Yeah. (Jared looks at Jensen and claps) It was a great episode. And, um, we were inside this house. And just this clock on the wall just up and leaned over and fell off. Just this round clock no one was near it. No one was (mimics hammer) hammering on the wall outside. It just kind of fell off and everybody sort of looked around. But instead of kind of going, “Who did that?” we're all just were like, (mimics scene) “Ignore it and go back doing business.” (audience laughs) Just tried- decided to not look into it any further. (audience chuckles) The way real brave people do it (audience laughs) this round.

Jensen: So, the, um, the show “Asylum,” uh, was.. (Jared: Oh, yeah.) Um. (Audience claps) (nods) Yeah. (claps) that was- that was shot in an actual abandoned, uh, mental institute and so.. Uh, the-the halls and the rooms and-and we're all very used at one point. (audience giggles) And-and, uh, you know, it said that-that-that- (gestures) the crew says not to go up to the fourth floor (?entrance?). (audience giggles) And, you know, don't-

And-and I remember we broke for lunch. And, uh, I thought I'd be (gestures), you know, clever and take a shortcut (nods then shakes his head) (audience laughs) I’d-I came down a stairwell and went into one door and it was just a (gestures) long dark hallway, because the-there's (Jared chuckles) no lights on. The only lights on it are what the-the film crew puts out. And, uh, that- I was like, (mimics looking back and forth in the hallway) “Well, it's not that long.” (audience laughs) “I can make it.” (audience laughs)

That freaked me out. (nods) (audience laughs)  

Bushman: Okay.

Manners: (points at Jensen) Dean W-Winchester, ladies and gentleman.

Jensen: Yeah. Thank you. (Jared and Shiban clap. Audience claps and cheers)

Kripke: Goodnight. (Jensen bows) Afraid of nothing. (Shiban takes a drink. Jensen laughs)

Bushman: In the back over there. Yeah.

•(46:10)- PaleyFest06;Q13- Network Censorship “Sex” (Kripke)

Fan: Now that there's a new network that you're probably going to be moving to, the CW, are they gonna and loosen up and give us a little more NC-17 like we got the Jensen storyline the other week. (audience giggles and some woo)

Shiban: Bob? (Jared chuckles)

Jensen: I'm confused. (audience laughs)

Audience member: Next episode!

Fan: Sex.

Audience member: Sex.

Jensen: What?

Fan: Sex.

Audience member: The sex.

Jared: Oh right.

Jensen: Aaahh. (audience laughs) (adjusts his position, shrugs) How can I forget. (audience laughs) (leans forward to look at Kripke) Thank you for that, man. (audience laughs) (Jensen shakes his head, leans back and hides a laugh behind his hand)

Kripke: (briefly holds his hands up) Sure… Happy birthday Jensen.

Jensen: Yes. (nods)

Jared: (laughs) Happy birth-

Kripke: Um, yyou know, I mean, CW is huge on full frontal male nudity. (Jensen is looking down hiding his mouth behind his fist. Jared chuckles into a laugh and then claps and goes to take another drink. The audience screams and cheers.) Well, uh, I think there's a lot in store. (gestures) Stay tuned! (Jared laughs while drinking his water. Jensen laughs) (shrugs) You know, I mean, we'll give ‘em- you know, we'll give ‘em love interests and (Jared coughs) love stories as it's appropriate.

Jared curls up and coughs behind his arm. Jensen reaches over and pats Jared’s back. Audience laughs. Jared folds over and continues coughing. Jensen with his arm on Jared’s back, makes a “come here” motion towards the audience.  

Jensen: We're gonna need it. (Kripke laughs)

Jensen continues to pat Jared’s back. Jared sits up, looks around and coughs one last time behind his fist.

Bushman: Um, okay. Uh, we’ll (points) take one there and one in the middle.

Jared: (wipes his eye and then his forehead) Oh jeez.

Bushman: (points) One down here and one in the middle. (nods) Yeah. Yeah. You just-

•(47:20)- PaleyFest06;Q14- Sam and Dean pre-series (Kripke)

Fan: Hi. Um, first of all thanks so much for being here. Um, if you guys are always like this, can I come work on your set? (laughs) (Manners laughs. Audience chuckles)

Jared: (throws his hands up) Yeah.

Fan: uh-

Jared: Thank y'all guys for being here. This is-

Jensen: Yeah. Thank you. (claps)

Jared: Yeah.

Manners: Thank you! (panelists clap)

Fan: No bother.

Jared: Honestly.

Fan: Um, so we came into this story, uh, when the boys are already adults. And I know there's a lot to explore in the future, but I was wondering about the past. Um, because I know that.. there's a lot of speculation about what their childhood (Jensen nods) was like growing up, (Jared nods) moving around. How much Miller time dad was doing. (Jensen nods: mhm) (Jared smiles. and audience chuckles) And how Sam and Jess met. Stuff like that. So, I was just wondering, um, if you were gonna explore that aspect of their lives?

Kripke: We just- Uh, it's funny you say that. We just yesterday, uhh.. Actually (points to the front row) I think, uh, I'm talking to Brad, who's at the network. I think you're getting a cut on Monday. (audience giggles) Um, of-of an episode that, uh, not only do the boys in-in present day, you know, deal with a creature, but, uh, (gestures) it's a creature they dealt with in the past. (gestures) And there's extensive flashbacks to, uh-uh, Sam and Dean. And John is there, you know, as the boys were children and dad and you get to see a, uh, an element of-of what their past was like or what their childhood was like. (Jensen nods)

Um, and it was- I really happy with how it turned out. And it- You know we won’t- We wanted to try it once. And I think it'll be happening a lot more. (gestures) Because there's this great (Manners and Jensen are leaning forward, looking at Kripke) 22 year window of-of what happened. And-and-and that's- there's a lot of story there that you can- you can flesh out. (nods then shakes his head) So, I think we're definitely to go there.

(nods and gestures) Because it's coming up in, uh, (briefly looks up) I think, uh, April, that episode. And it- I was really pleased with how it turned out. So, yeah. We’re really doing it-

Jared: Another positive is that if little Sam and little Dean filming, big Sam and big Dean are sleeping

Kripke: (laughs) Yeah. Right. (Jensen smirks. Audience laughs. Jensen holds up two thumbs.)  (Jared: Soo-) So, there's that.

Jensen: This is good. This is good.

Jared: So, keep pushing yeah (rocks fist)

Jensen: Yeah, keep pushing.

Jared: Keep pushing.

Kripke: Yeah.

Jensen: (nods and raises eyebrows) Flashbacks.

Jared: Very important. (laughs and scratches back of his head) (audience chuckles)

Bushman: Okay. (points) There was a question there in the middle.

Fan: (off mic) Um, Dean always wears this like- (audience giggles) 

Kripke: Aw.

Audience member: What?

•(49:07)- PaleyFest06;Q15- Samulet (Jensen, Kripke)

Fan: Oh, okay. (voice cracked giggle) (Manners laughs. Kripke smiles) Dean always (laughs)- Dean always wears a certain necklace does it mean anything?

Kripke looks down at Jensen. Jensen is leaning on his knees looking back.

Jensen: (to Kripke) You gonna hang me out to dry on this?

Singer: Oh yeah. (Jensen looks down. Jared laughs. Audience laughs.)

Kripke: I mean we can’t s- I mean it does but we can't…say.

Jensen: (looks at fan) Yeah. It-it-it does have significance and it- it’ll..(rubs his brow) it- but it we can't talk about it.

Kripke: Yeah. (laughs) (audience laughs) (Jensen rests his head on his hand)

Shiban: It's from Sacramento.

Jensen, Kripke, and the audience laugh. Jensen pats Shiban’s shoulder.

Bushman: That's a great question, though, that you picked up on that necklace. So. (Kripke: Yeah.) (Jensen nods. A few of the audience give woo’s.) Um-

Fan: (off mic) I always notice weird stuff. (audience giggles)

Bushman: Okay. I'm trying to spread ‘em out. Uhh. (points) You got somebody back there? Okay. (Points) And then this woman down here in the red shirt… (points) But go ahead in the back first.

•(49:55)- PaleyFest06;Q16- Special effects, Gag Reels (Jensen, Jared, Manners)

Fan: Um, I thought I heard you guys m-mention on a show one time you guys do green screen, blue screen, that kind of thing for special effects. Is that gotten a lot easier for you to do and kind of.. You know… fake it? (laughs) (audience laughs)

Jared: Yeah.

Fan: And, um, and the second part to the question was, uh, when the DVD set comes out are you guys gonna have a lot of.. behind the scenes jokes, cuz, yeah, this is funny. (audience laughs)

Jensen: We, uh, we-we actually just had a film crew on set with us, uh, this past week doing behind the scenes stuff for the DVD. (nods) So. (audience cheers and claps)

Um. (gestures) Going back to your first question the green screen and, uh, and stuff, we.. we do, do a lot of-

Jared: You-

Jensen: (leans back and looks at Jared) I said doo-doo. (Jared presses his lips. Audience laughs.)

Manners: He said doo-doo. (Jared smiles and shrugs)

Jared: He said doo-doo. (shrugs) (Jensen looks at the audience and briefly raises his eyebrows) (chuckles)

Jensen: (licks his lips and leans forward on his knees) Uumm.

Jared laughs. Manners laughs. Jared then throws his head back, laughing, and claps. Jensen closes his eyes and bits his lips. The audience laughs.

Jensen: We do (gestures) work a lot with- (Jared snorts)

Manners: Doo-doo. (Jensen looks over) (shrugs) (J2 laugh)

Jensen: (quickly sits back and points at Jared) Jared you can take this one. (Jensen stares at Jared with a smirk)

Jared: (laughing) Yeah. (sits up with his feet on the table) Uumm.. (claps his knee) as Kim and Jensen were saying, we doo-doo. (audience laughs) And, uh- No. We do- it was- it was- (puts his feet back on the floor) I guess it was a big learning process for everybody. Just- You know, it's-it’s a very interesting.. sort of task to be given to- Especially these kind of crazy either emotional sequences or these crazy physical sequences when they're like, “Alright. Now, um, you're in the woods.”(Jensen nods) “And, uh, you know, it's dark, and it's scary, and you're hearing things.”And then you look behind you and there's just this (gestures) big blue wall with (gestures) tape (audience chuckles) And, you know, a couple crew guys standing back there smoking cigarettes. (audience laughs) You know, cursing and.. showing off tattoos (audience giggles) And so it's-it's- it's, uh, I think I've- (briefly looks to his right, then gestures to the audience) speaking for myself, I-I hope I've gotten more of a hang of it.

Jensen: Aside from just the actual green-screen of it that w-we can just be in a normal set and-and they're going to, um- visual effects will-will then put in something (Jared: Right.) like, uh, “Phantom Traveler” with the, uh, (gestures) the smoke that would come out of the vents (Jared: Right.) and-and stuff like that. That's not something that we obviously see. Um.. so we have to pretend that it's there. And that there's no real green screen work going on there.

But, uh, there's also an episode coming up (thumbs to Manners) that Kim directed called, uh, “Shadows.” And we deal with, uh- (audience starts murmuring)

Kripke: Yeah, it just aired.

Shiban: It aired (?).

Jared: (leans over) It aired, Jensen.

Manners: (to the audience) Well, what happened in “Shadow-” Did you see-

Jensen: (adjusts his seating position) I haven’t seen it. (audience and Kripke laughs)

Manners: (points to Jensen) He loves my work.

Jensen: Yeah. That’s right. And we hadn’t- (nods)

Manners: Uhh, If you remember the shot wheree Meg did the high fall (gestures)… (audience’s says yes) (shakes his head) they hung her six feet off the ground. And she was.. (gestures to his belt. Clip on mic falls in his lap) picked-  Wah- we call it picked, with two wires on her hips. And she was looking up at the cabin or doing this (looks up and clawing at the sky).  (looks down and pats for his mic.) Hello. (audience chuckles) (picks up mic from his lap) She was looking up at the camera doing this. (claws at the air with one hand) (audience laughs) And she just laid back and (leans back) she just laid out and flattened out. And they dropped her visually w-, uh, with the computer seven stories. She never went anywhere. That was all just.. in one place, I guess. True story. (clips mic to his jacket)

Jensen: And then when we ran up to the window.. she wasn't even there and we were actually staring at a.. a big.. red X.

Manners: yeah. (audience laughs)

Kripke: So, Jensen, does that mean that you guys actually have to act? (audience gives mixed reaction)

Jared: No, no, no. No. I'm actually not here right now.

Kripke: (chuckles and then to the audience) Oh, I’m kidding.

Jared: We're actually in Canada. (Jensen: Yeah.) (gestures) This is- this is-

Jensen: These are our body doubles (Jared and Singer chuckle)

?Kripke?: yeah. (Jensen nods)

Bushman: Yeah, over here.

•(53:16)- PaleyFest06;Q17- Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen)

Fan: Um, actually I have two questions. The first one is, Jensen in a past interview he said you were a Christian. I was wondering is it hard to do this kind of show like.. having that background?

And the other question is in an episode, I don't remember which one it was, you gave the phone number what you're trying to reach your dad you're like, “Give me a call this is my number.” But whenever you call you can- you- y- it says, “This is Dean Winchester.” And it says, “Leave your coordinates.” Did you ever hear- like, you- Can you actually voice ‘em on there? Did you hear like- Did you have a lot of fans leaving messages at that number? (Jensen points to Kripke) Because it wasn't a five, five, five number.

It was very small to pick up on, because my sister and I we watch it- She watches it her place. I watch it at mine. (audience giggles. J2 smile.) And I was like “Did you see the number?” She's like, “Was it a real number?” And so anyway that was my question. (Jensen gives a one-handed shrug and then looks at Kripke. audience laughs)

Jared: If you want to actually call him it's 800-Wet-Legs. (Kripke laughs and audience laughs) So, that’s- this is- (Jensen leans over to talk in Jared’s ear)

Kripke: Don’t- don’t give out his number. (Manners laughs)

Jared: Oh, he changed- Oh, you changed it. (audience chuckles) Oh, scratch that. Scratch that. (scratches his head)

Jensen: Um, (readjusts his position) I’m lost.

Shiban: What was the question?

Jensen: What was the- what was the question? (picks up mic from lap) Wha?

Jared: Something about-

Manners: (leans over) You're a Christian!

Jared: (?subliminal worshiping?)

Jensen: (clips his mic back on his shirt) Uh, Yes. Okay. Uhhh, (gestures) Your first question. Uh, y-yes I-I was raised, uh-um, with a very religious family. (gesture) And-and in that, uh-um.. I mean, (open hands) what I do this is, you know.. W-we.. This is acting. (gestures) We're telling stories. I’m-I'm- I portray a character. Um, you know, does my grandmother cringe sometimes? (nods) Yeah. (smiles) (audience giggles) Um, but at the end of the day I'm-I'm, you know, it's- it's something that I'm cool with.

Uhh and, uh- and then as far as the- the-the phone numbers (gestures and looks at Kripke) and I think there’s even websites- there's a-a-

Kripke: Yeah. Yeah. When they called-

Jensen: (looks at fan) Email.

Kripke: Yeah, every so often.

Jensen: There’s actually been a (looks at Kripke) huge response to it.. from what I know.

Kripke: Yeah. Yeah. We got a couple. Wuh-uh- I listened- I mean we couldn't listen all of them, but there’s was a couple thousand voicemail messages. (audience chuckles) (Jensen: Yeah.) of people who called. And-and, uh, I mean I listen to you know maybe, you know, thirt- twenty or thirty of them.

Jared: (to Jensen) Two thousand (Jensen smiles)

Kripke: But some of our hilari- They're like, you know, (dramatic voice) “Sam and Dean! There- there's a ghost in my attic!” (audience and Jared laugh) “You have to come quick!” (Shiban coughs) Those are- those are my favorites.

Jared: (laughs) That’s funny.

Jensen: (scratches head) That's awesome. (audience giggles. Jared laughs)

Bushman: Alright, uh- (more hands in the audience are raised)

Jared: Woah.

Jensen: Woah.

Jared: Wow. (audience chuckles)

Jensen: Yes.

Jared: Can you do that again? (Jensen and audience laugh)

Bushman: Um, take one all the way in the back up there. And one right here in the front.

•(55:39)- PaleyFest06;Q18- Impala 67 (Jensen, Manners)

Fan: Hi. (Bushman: ?second?) My son and I are really big fans. And you guys are great. And I want to know what kind of car it is you drive. It's- it's great.

Jensen: It's a, uh, 67 (?Jared?: Impala) Chevy Impala. (J2 nod. Audience cheers and claps)

The audience starts yelling out, “Metallicar!” Jensen smiles. Kripke laughs. Jensen laughs. A few more Meallicar response are said.

Jensen: The Metallicar.

Manners: They’re gonna sell well.

Jensen: Yeah. (shrugs) There it is. And we've got about- (looks around)

Manners: We've just bought our fifth one.

Jensen: (nods) Fifth one. We got about five of them. Yeah.

Jared: that's why you can't find him on eBay. Cuz we’ve been buying- (audience laughs) (Jared takes a drink)

Jensen: Yeah. We have them all. (nods)

Jared: (while drinking) mhm (sets down glass)

Bushman: Right there.

•(56:16)- PaleyFest06;Q19- SPN Music (Kripke, Singer)

Fan: Okay so let's talk about the music.

Jensen: Yeeesss. (audience and Jared clap)

Fan: Yes. Yes. Alright, I grew up in the 70s. I grew up on the mullet rocks. So, yeah. Let's talk about where the inspiration.. came from with that.

Kripke: That.. That was something that was r-really important to me, uh, coming into the show, coming into the pilot. Um, you know, I'm from a small town in Ohio and (gestures) this is the music I listen to. And I was a huge, huge Zeppelin fan. And.. and-and so, ehhh- You know, and so, uh, (gestures) when it came time to write the pilot I-I- and-and produced it, it was- it was so important to me that it had that music. And- and not have, you know, (gestures) all-all due respect to my beloved Network, not half the music that's usually on that network. (audience chuckles)

Um, and-and it was so important to me. (gestures) I was so like rabid about it that in the original draft of the pilot I even wrote in the- in the script. (mimics writing) I wrote, “Cue music. And you can take your anemic alternative pop and shove it up your ass.” (audience laughs, claps and cheers. Manners and Shiban laugh)

And, uh.. and the r- and the reason I wrote the scene when they're in the-in the pilot

Jensen: (? It’s how I knew??) (Jared nods and laughs) (briefly raises his eyebrows)

Kripke: they have the scene where they're talking about tapes and he's like, you know; ac/dc, you know, uh, Motorhead, Metallica. And the reason I wrote that in is I said, “Well, if we shoot that and it gets from the pilot then we have to use my music.” (audience laughs) (frantically gestures) “Because it's already in the- it's already in the sh- it’s in the show and they can't, you know. They can't put in some, you know, Sarah McLaughlin in the- in the- in post.” (Manners laughs)

So, uh- So I- You know, this is- y-you know- (turns to Singer) And we’ve-we've had a great time I mean in-in- with, you know, Phil also in post-production and with Bob (gestures) of figuring out these songs. And coming in one morning and being like, “Oh! Billy Squier! What about Billy Squier?” (Singer chuckles. The audience laughs.)

And, uh- and I think it's like a real signature to the show. And-and is-is the real- (gestures) plus it's Midwestern. You know, it's like two guys in- (thumbs to J2) from Kansas in a muscle car. (shrugs) And this is the music they listen to. So, um, but it's- I- I mean I- I love it. There-there was- The other night was Joe Walsh “Rocky Mountain Way” (Jensen nods) and I'm just laughing my ass off. (audience laughs) “Yeah! I Rocky Mountain Way on The WB! It’s-“ (Jensen and audience laugh)

Singer: It also, uh- It also spreads. Because one of the editors, uh, said to me- And he's a very hip guy and really good musically. (laughs) He- I walk into his room. We were going through songs. I said, “Well, do this song. Do this song.” (unintelligible) Two days there I walk in, he goes, “Do you know Bad Company's really good.”

The audience cheers and claps. Kripke laughs. Jensen nods and smirks.

Bushman: Okay. Let's take two questions from the middle. One- (points) One over there and (points) one on the other side. (points) O-on this side and then (laughs) one on that side.

•(58:42)- PaleyFest06;Q20A- Acting Advice “Start” (Jared)

Fan: Mm, hi, I'm an inspiring actor. And (giggles) I wanted to know-

Singer: We’re sorry. (The audience laughs. Kripke laughs then aw’s)

Fan: I wanted to know, um, how hard was it for you two to get started acting? (Jared looks at Jensen)

Jensen: (gestures to Jared) Go ahead. (audience giggles)

Jared: Uuh. Alright, I'll feel this. I-It’s a it's not the first time I've actually heard that question and I'm- I'm so at a loss for what to tell you. (scratches knee) I have a very interesting story. When I was in high school I won a contest to being on the Teen Choice Awards. (some of the audience laughs) And hold trophies and give them to Freddie Prinze Jr. when he got (audience laughs) “Best Hottie of.. the World”

Jensen: Pretty much went downhill since then. (audience laughs)

Jared: It’s basically gone down, yeah. (Kripke laughs) Yeah, and I just- (laughs) I rode on Freddie Prinze's coattails. (audience giggles. Jensen smirks) No. Um, and I- and I met an agent at the, uh, at the show. I met a manager actually. And-and, Dan Spilo, I'm still with to this day, sitting with my girl Sandy over there. Um, he- we- (gestures) We started kind of talking over the phone with sides. And he had faith in me and I was going back to high school. And I've mommy that's a teacher and a daddy that was an accountant. (audience giggles) And they were like, “He's finishing high school. He's finishing high school.” And I was like, “Why can’t I go act? Why can’t I go act?”

And anyways, I flew out for about a week during pilot season. And I booked a pilot and then I used that money to go out during the summer. So, I had a really kind of crazy interesting story, but I have a lot of buddies who are, you know, much more talented and-and more committed than I am that are still struggling to make it. So, uh- It's a- It's a.. tough, tough industry but just, you know, keep working hard and keep making yourself better. (nods)

•(1:00:09)- PaleyFest06;Q20B- Acting Advice “Start” (Jensen)

Bushman: Jensen how did you get started?

Jensen: Um. Well, I mean like Jared said there's- there's really no set formula, uh, for- for.. how we, you know, we've gotten to where we've got. Um, mine was kind of a (throws up hand and shakes his head), um, sheer luck thing as-as well.

I was, uh, doing theater in Dallas and I happen to have a-a (throws up hand) talent agent from- from LA sitting in and came up to me afterwards and gave me his-his.. (throws up hand) pitch and I said, “Nah, you're full crap.” (Bushman and audience laugh. Jared smiles.) I told him to bugger off. (audience chuckles) And, uh, h- And then he went up to my-my folks and kind of gave him their pitch as well. And I guess they seemed a little bit more interested in a-

And so a few years later after his, um, persistence I-I finally said, “Ah, maybe I'll go out there for a couple of months and check it out. See if he's, uh- See if he'll talk the talk.” And, uh, I came out. And-and started working right away and that was about eight or nine years ago.

Bushman: Mm. Okay. So, question on that side.

•(1:01:03)- PaleyFest06;Q21- Props “Alcohol” (Jared, Jensen)

Fan: First of all, um, “Shadow” was a kick-ass episode. (audience claps followed by J2 and Shiban clapping) And I want to thank you all for that one, cuz it's awesome.

But let's get down to, like, what really matters. What alcohol do you guys like to drink? (audience laughs. Kripke and Singer look at J2.)

Jared: What alcohol do you got? (Kripke shakes his head with opens his hands at the audience, and then laughs with the audience)

Fan: Because I see a lot of beers and stuff in the episode. And it's always my thing to place what y'all are drinking. So, I was just wonderin,’ you hard guys? You light guys?

Jared: (laughs and then claps. Jensen smiles at Jared) Uh, my mom would kill me. (audience laughs) Umm-

Jensen: Yeah, can we cut the tape like right now? (audience laughs)

Jared: Yeah, could we? We were rolling. Check. Check. Actually (Jensen adjusts his position) one of the funny things about the, uh, about the beers is our-our prop master, Chris Cooper, um, he's.. some of the (gestures) (a clicking noise is made) beer labels they're always fake labels. (audience laughs) (Jared looks up) God?

Jensen: (?somebody get?) a staple gun. (audience laughs)

Shiban: (?Give me a minute.?)

Jared: And, uh, (chuckles) They're always fake labels and it usually have some do with the city that we're filming that episode in. You know like if we’re in Texas it'll be like, “Lone Star Logger,” or if we’re in.. (one person laughs) Minnesota it'll be like, “Timber Wolf Ale” or something (audience chuckles) like that.

But, you know, (looks at Jensen) we’re Texas boys. I- I think-

Jensen: Yeah, we, you know, would probably drink what you imagine a couple Texas boys drink. (J2 smirk. Audience giggles)

Jared: Put in a cup. (audience laughs. Jensen nods)

Jensen: That’s right. (Jared rubs his hand over his face and laughs. The Audience laughs)

•(1:02:15)- PaleyFest06;Q22A- Favorite SPN Scene (Manners)

Bushman: I have a question for you guys. (audience laughs. Jared nods while pressing his lips together. Jensen scratches his ear) Um, I'm curious if, ueh, this is possible to answer this question, if you could pick a scene that you either wrote or acted in or directed that's probably like your favorite scene that you've worked on since this show started and if you tell me why. Um, (Jared?: mm) anybody want to.. take. (Manners gestures at Bushman) Kim go ahead.

Manners: I'll take that, um. (rubs his tear duct) “Shadow,” where the boys finally f- saw their father. Uhh d- (audience claps and cheers) (shakes his head and clears throat) “Shadow” was- u-uh, I'm incredibly proud of because there were four great scenes. The scene where the boys were arming up and, uh, Dean blows at Sam and says, “Why do you think I-I got you out of Stanford in the first place?” “Why do you think I came to get you? Because I want us to be family again.”

And, uh, (Jensen dramatically wipes his eyes with the back of his hand. Audience laughs) I'll tell you Jensen had a tough time with that and we kind of arm wrestled over it. And he- and, uh- (Jensen nods) tooo get him there and, you know, because- because Dean is, uhh, you know, he's got his walls up. And-and to break down that wall for (gestures) just a minute to look in the Dean’s heart was- was magical for me.

And then when they met dad in the apartment, uh, and in the alley it was just- (nods) We worked very hard. (Jensen nods: mhm) (Jared nods) The boys- they- their game of tennis improves 2000% when they work with Jeffrey Dean or somebody like Niki.. (audience woo’s and claps. Jared claps) Aycox. (shakes head and then scratches nose)

You know, we find the nuances and, uh, it-it- in acting i-it becomes the crap that it is and it becomes real (Jensen nods), uh, life. And the words become (points at J2) their own and the emotions become their own and that's special, for me. (Jensen nods then looks at Manners. Manners looks back)

Jared: And not just to say this, but having a great director to.. tell you exactly what to do doesn't.. make it hard. (briefly looks at Manners) So you know (Manners: Thank you.) I think (tilts his head at Jensen) Jensen and I would tell you.. a thousand times every day like.. you know.. “Kim got it out in that episode.”

Jensen: (scratches head) (unintelligible) Yeah. (?That happened?)

•(1:04:13)- PaleyFest06;Q22Aa- Acting Challenges “Shadow” (Jensen)

Bushman: Hey, Jensen. Did you not want to do that scene because you thought that Dean wouldn't.. say that?

Jensen: Umm, yeah. Sometimes I-I- I guess I can be a little protective of just of-of Dean and-and him (open hands) showing emotions. And I, you know, I always, um… A-and as an actor as you grow with a character on the series you- you really- you really kind of become close to it. (gestures) And You- you protect it. (Bushman: mhm) Em, you protect that character.

And, um, I guess that, that was probably what-what- what that was. And, uh, I just didn't- I wasn't (gestures) real sure how.. uh, how much of the layers, uh, to peel away (gestures) in that scene. And I guess in that confusion I just- I-I kind of put up my own barrier. (Thumbs to Manners) But, uh, if there was anybody to get me through it, it was Kim. So, I'm glad he was there.

Bushman: Great.

Jensen: Yeah.

•(1:05:01)- PaleyFest06;Q22B- Favorite SPN Scene (Shiban)

Bushman: John you have a favorite scene?

Shiban: Uuuh, there was a moment in “Skin” that-that I'm.. proud of. And actually it- in the- it sort of says something about how we (sniffs) tell our stories because we're always saying, “Okay, we want to do this type of episode. We want to do this monster. But how would Supernatural do it? How is it special for our show?” And I rremember being in- in Kripke’s palatial office of Warner Bros. (audience and Manners? chuckle)

Kripke: Not so fam- fountains and- (Jared smiles)

Shiban: Yeah. And uh- uh- (The audience, Jensen, and Manners chuckle.) We're (gestures) talking through the story of “Skin,” and the shapeshifter and obviously, you know, there's all kinds of (gestures) shape-shifting that's been done on television and movies etc. And he said, “We got to find our own.” And, uh, we kicked it around and came up with that scene, uuh, where Shapeshifter Dean goes down in the sewer.

 And.. and I remember reading a, um- uhh, some online posts some friends send me that someone else (mimics writing) -a fan was watching the show and giving her impressions as she watched it, (mimics typing) “Oh my god! Dean's taking his shirt off!” (audience laughs. Kripke smirks) and then followed immediately- followed immediately by, “Oh my god! He's taking his skin off.” (Jensen and the audience laugh) I knew then that we, you know, we had it. (Jensen takes a drink) And I was very-  I was very pleased with that.

Jensen: (places his glass down on the table) Oh, the things we do.

•(1:06:15)- PaleyFest06;Q22C- Favorite SPN Scene (Jensen)

Bushman: Jensen, you have a scene?

Jensen: Uuum.. (smacks lips) Yeah. I-I- one of my favorite, uh- um, it's not really a-a- a full scene but it's-it’s more of a shot. Um, and it was in, uh, it was in “Dead in the Water” (scratches arm) with, um- (points at Manners) Kim directed. Um, where I-I saved the little boy out of the lake. (nods) Uuh (some of the audience aw’s and then giggling) and coming- coming up out of the water. Uhm, and that was- It was just- It was, you know, slow-motion shot. It was very emotional, coming out with water and it was- That was really neat, um, but the build-up to that shooting it was, uh, (Manners chuckles) was really- (chuckles) (audience chuckles)

Uhhh, I had this 10 year-old boy in my hand and I'm keeping both of us (mimics holding the boy while swimming with one arm) afloat with one- one arm, uum, (rubs his chin) because I came with my feet (mimics holding a foot) because I got two divers holding my feet below me who were about to pull me under. And-d (one hand shrug) , you know, I-I'm fine. I grew up swimming in lakes and j- and all my life. But tah.. to have that sensation of somebody pulling you under water, um, especially when you've got the life of a-a 10 year old, you know, little actor in your hand and-and you're trying to keep him afloat. And he's got to play dead it was just- (shakes his head and rubs forehead) (audience murmurs) It was, uh- (looks up at Bushman) it was a little overwhelming.  And.. and it was definitely unforgettable.

But, uh, we got through it. (throws up hand) We get- and it turned out to be an awesome shot. (thumbs at Manners)

Bushman: That's a great story.

Jensen: Yeah.

•(1:07:35)- PaleyFest06;Q22D- Favorite SPN Scene (Jared)

Bushman: Jared?

Jared: uhh, you know what? I've had some time to think while.. (Kripke chuckles) (scratches head) (audience chuckles) they've answered their questions. And I'm gonna go back to, uh, a scene in “Wendigo” that we did at the very, you know, (throws hand up) second episode of the year and I member there was just such (gestures) a long period of time between the “Pilot” and “Wendigo.” It was.. What? From m-March-April till July. (Kripke: mhm)

And, uh, there were so many (gestures) questions in my head when I found that we were getting picked up. Like, what's gonna happen? Where are we gonna start? Like, how do we.. start? How do we finish? How do we continue this story that we started a pilot with so many things going down? How do we.. keep the momentum going?

And there was this one particular scene that, uh, (points at Jensen) Jensen and I did on stage where he's got (gestures) dad's journal he's saying this is what it's about (Kripke nods) and Sam is saying, “I got to find Dad.” And I remember we, uh- We had a huge day that day. We had like eight or nine (turns his head towards Jensen) pages of dialogue. (Jensen nods) And, uh, Jensen and I realized we had to do the scene. We're like, “Oh, crap.” (J2 turn towards each other) Like, (laughs) “W-what? Let’s go memorize this in my trailer.” (gestures) We sat down in my trailer. And there was an acting coach that I-I work with whenever I can, named Karen Thorpe, up there with us. (Kripke nods)

And, uh, you know he kind of pushed and prodded me a little bit. (throws up hand) And I don't know what he did to Jensen. (audience laughs) But, uh..

Jensen shakes his head. Jared makes a grimace. Kripke? Giggles. The audience laughs. Jensen smiles into his hands. Jared smiles and scratches his head.

Jensen: I don’t want to talk about it.

Jared: It was noisy.

Jared and the audience laugh. Kripke laughs. Jared claps and then looks down, hiding his face behind his arm and scratches and combs his hair.

Jensen: Never again.

Jared: That’s between y’all and the wall. (audience laugher and ughs?) But, anyways we ended up- we ended up kind of getting the scene and-and putting something there. (scratches leg) And I think, um, it was one of the first times I ever felt like (throws up hand)… um, I was- I was hopefully doing what Kripke wanted, you know? Like, I think, like, I felt like, “You know, I think this is what Eric was envisioning.” Like, I really felt, for some reason, there's one of those times when you finish a scene and you're like, “Wow. I don't know where that came from but.” (shrugs) “I don't know.” (Kripke nods) “Whatever.”

Kripke: I remember seeing the dailies on that too. Uh, we were just through the roof. It was incredible. (Jared pats his knees with his fingers)

•(1:09:19)- PaleyFest06;Q22E- Favorite SPN Scene (Singer)

Bushman: Bob?

Singer: Um, I think, um, my favorite scene is a really quiet scene. And It's at, um, is at the end of the “Faith” episode. And-and (gestures) that whole episode was really about (Kripke nods) (gestures) I think, very… topical for today about what's.. what's real faith. And, uh, Julie Benz comes in has a, uh, scene with Jensen. And, uh, Jensen says to her, um, “I-I'm not much for praying, but I-I'll pray for you.” (Jensen nodding: mhm) And (gestures) she said, “Well, that's a miracle right there.”

And, uh, (gestures) I-I thought that, that kind of- I-I thought that was really sweet. I thought it was incredibly well acted, um, with both Julie and Jensen. And-and I thought that, um, I probably.. If people were listening, I think that probably was our.. You know, our finest moment to, uh, say something semi political and-and be, um, on the right side of that. (shrugs) I just hope it affected people the way it affected me. (audience claps. J2 and Shiban clap.)

•(1:10:19)- PaleyFest06;Q22F- Favorite SPN Scene (Kripke)

Kripke: Um, I-I (slice gestures) agree with.. all of those. All those are incredible scenes I would also add, uh, the scene when, uh-uh, Dean first calls his father in “Home” and tells him that “Come to Lawrence” and just the way that Jensen was able to try (gestures) to put up those walls, but the walls kept breaking down and that was amazing. (gestures)

But all those amazing scenes aside, (gestures) everyone's given such classy answers. (audience giggles) I have to say that when the when the dude stuck his hand the disposal in-in “Home”. (j2 and audience laugh. Jensen claps) And-and then the monkey starts clapping and- and (mimics camera) we had that shot beneath the sink and you could actually see all the goo come out. (audience ew’s) And I said I- and we shot it in dailies. I said, “They'll never let us use that.” And we used it. And, uh, it's- it's more probably- than any other scare sequence in the show. (Manners laughs) It's the one that people watch (Jensen: Yeah) (mimics viewers cringing and blocking the scene from their eyes) And they just- they can't even, you know, keep their eyes on the screen. (gestures to himself) And, you know, to me that's sort of the fun at getting the effect out of the audience. (to Bushman) So, I'm going to say the (gestures) garbage disposal scene in the “Home.” (audience laughs and claps)

Bushman: It's great because that explains what Bob was talking about before with the two different approaches to dra-

Kripke: See. (gestures) There you go.

(1:11:24)- closing

Bushman: Alright. (to audience) Okay, I want to thank you guys. You guys have been a great audience. (audience, Manners, Singer, and J2 clap)

Kripke: Can I say-

Bushman: Uh, also, uh, Before you go! Before you go! Don't go yet. I also (two security personnel walk on stage) want to thank Er- First of all Erik's got something to say.

Kripke: (holds up hand) Well, I just wanted to say, uh, we have a lot of, uh, the people who work in- on “Supernatural” in the audience. And I want a round of applause for them for this unbelievable season. (audience and panelists cheer and clap) All of them have done such a- They’ve all.. (gestures) They’ve all murder themselves to-to (gestures) bring you this show. And-and we couldn't do it without any of them. So- so, thank you to them. We-(gestures) it's-

Audience member: Are we getting (?pics off?)

Bushman: I- I also want to thank (gestures to panelists)-

Kripke: Hope so.

Bushman: I want to thank you guys, all of you, for.. not just being here tonight, but also for the great work that you're doing.

Jensen: (bows head) Thank you. (audience claps and cheers)

Bushman: And you’re obviously touching our cords. Thank you very much.

Singer: (nods) Thank you.

Kripke: Thank you. (audio cuts)

Jared’s clapping. Jensen is taking off his mic. Shiban is clapping. Manners is sitting up. Four security personnel walk and stand in front of the panelists, along with a woman and two stage assistants. The panelists all take off their mics and stand and mingle with the people on stage. The audience is also standing and exiting. Video fades to black.

[meruz]

hi im putting all my asks in one post again. these are from like the past month and a half approx? some digimon thoughts some tmnt thoughts some art musings u know the usual

@waywardistics YAYY thank you so much for ordering! I'm glad it got to you & that you are enjoying it!

this is kind of a missive to everyone who ordered but: I am very nervous about pre-orders whenever I do them... nervous that not very many people will order, nervous that there will be supply chain or production dilemmas and I won't be able to get copies out to people in a timely fashion, nervous about having people's money but having an indeterminate amt of time where i have not yet "held up my part of the bargain" etc etc SO. THANK U GUYS...FOR ORDERING and being patient and im so glad it got to y'all

@seanonthemoon (idk why i cant tag u BUT) interesting... i gotta be honest I don't think abt the crests that much. i agree that they're very much like heres the "girl" crest heres the "nerd boy" crest etc to the point that it becomes almost meaningless. but i think what makes them even more meaningless to me, and is probably the reason they kind of designated girl/boy crests etc is that i think like the digivices they're toys and merchandise more than they are actual narrative tools LOL. I wouldve loved something with cody and mimi! theyre both so deeply empathetic and sensitive.. theres a lot they share but i think because they look so different on the surface it would make it difficult to market that merch...booo capitalism boooo toy marketing its all sexist bullshit at least here in the u.s. idk if japan is that different though.

I'm actually a little frustrated with how often 02 and 02 related media squanders cody in general lol. he feels like a parallel of izzy, joe, and TK(season 1 tk) while also being kind of none of those and suffering through lackluster characterization as a result... and then once ken joins the team it feels a little redundant. there's a couple cody-centric eps of 02 I remember really liking but then i think abt how he's been used since in like post-series content and 02:the beginning where they made him type on the computer even though obviously that's yoleis thing but because he had nothing else to do and aghh... my blood boils. i feel like the youngest but most serious anime achetype even at its bare bones is actually rly interesting idk why they don't play it up. UM. Once again my opinion is that he should be taller LOL and maybe they should play up his kendo martial arts honorable training stuff more idk. tallest + youngest + most serious just seems like a recipe for success for me. well. theres still time. and theres always fanfic.

THIS IS SO NICE TO SAY and not the first time someone has said it but i appreciate it everytime because i really admire the mm art style so much. It's like part of why I got really into the movie because I really recognized my own artistic sensibilities and aspirations in the way they stylized everything.

UM And i feel like since watching the movie and looking at all the concept art and making my own art i do feel like its only become more obvious how much my own art is lacking LOL LIKE when you see something that feels so similar I think the differences only become more stark. those artists are definitely on a different level than me. But it's nice to hear people say it doesn't look so different from their pov. thank u ^^

thank u!!!!!!! i love mundanity and naturalism... there's something so beautiful abt it to me lol... I feel like my anatomy needs work actually but ive been feeling better abt it this year so it's good to hear! thank you!

DLKGDSGDLALSNDF WAS IT TOO FAR..?? firstly, yeah I was thinking late teen/young adult ages for both of them ie 18-19ish, definitely not the age the kids are in the movie lol.

but also they arent DOING anything in that pic it is literally just a confrontation + some innuendo... I think teens should be allowed some less than subtle innuendo.. its like one of the top 3 classically teen pastimes...

this is such a funny ask to get because i feel like i haven't been able to do thin lineart until like. this past year or two maybe LOL. UM having a line-centric art job helped I think. I started on craig of the creek back in 2022 and thats a show where we spend a lot of time inking so I had a job where I was constantly moderating my line weight 40 hours a week every week for over a year. disappointingly, much of improvement is simply horrendous amounts of practice.

Here's a tip though: I think a lot of thin lineart boils down to confidence. I think instinctively we read thick, bold, fast lines as confident but theres actually a lot of obscuring you can do with a thick line. if you're not sure whether the nose on the face or a browline should be a little more left or a little more down you can hide that with a thick line and pretend its a shadow. or hide it with a bunch of quick lines and the eye can kind of approximate where looks best among the mass.. whereas a thin line is rly singular and stark and hides nothing, it needs to be precise. so anytime i know i want thin lineart i spend a LOT of time sketching, making sure i know exactly where i want my lines to go. so im not second guessing by the time im inking...

ok thats kind of a broad tip lol... here's one thats more applicable: IF POSSIBLE, lower your pressure sensitivity on your device. most devices have some way to edit your pressure sensitivity curve. I use a surface pro at home and this is what my pressure curve looks like most of the time.

When I work on a wacom it looks even more like a reverse L shape LOL. I'm naturally a really heavy-handed artist and I use a "light" or "hard" pressure curve to compensate for how hard I'm always pressing on the pen lol. if you're like me and you struggle with going too hard with the ink too fast... this will probably help a lot!

SFHASLDFH I LOVE THIS ASK this is like the type of question a person gets asked when chalk drawing on the sidewalk at recess LOL. but i understand because I've been struggling also for like. months. I think I'm finally starting to nail it down though so here's some of my observations.

[feel free to save this img but **please do not re-post it or share broadly**. my biggest fear in the world is to spend 30 min on some notes and become a widely proliferated art tutorial im not even kidding. i made it low contrast and difficult to read on purpose.]

my other tip is to just look at and study a lot of reference because that's all ive been doing. the tmnt are really cartoony so its difficult to use like actual anatomical reference unless ur going for that look BUT theres been so many adaptions in so many different styles that there's a real treasure trove of stuff to look at for how to simplify, stylize, and dissect these characters while keeping the recognizable essence. so theres lots to pull from.

If you want to expand further, it's also good to have 5) something sci-fi 6)something fantasy 7)something mundane/slice of life. a bedroom is a really good go-to. And of course some bgs can be two or more of these things at once.

I've definitely answered asks abt bg tips before but here's one specifically for if you want to do bg design for a job:

Your portfolio should probably have at least one of each of the following 1) an interior 2) an exterior 3) a cityscape 4) a nature scene. Just to cover kind of the basics of what you'd be asked to draw on any given project.

I actually feel like I don't have that many cityscrapes in my portfolio... this is something I'm gonna try to work on in the coming year LOL. OH ALSO. This is a very basic tip and people will tell you it all the time but its worth repeating: look up portfolio websites of artists who have the job you want. An easy way to do this is to go onto imdb for any cartoon or movie you like and to find the names listed as "bg/background designer" or whatever then just google that name +"art" or "animation" most artists have some public facing internet presence so it's not hard. spend time studying their work and hold those images in your head! it's a good way to get a good idea of what "industry standard" looks like and comparing ur own art to it... I know people sometimes get bummed comparing their art to others but if you can keep your head up lol.. it'll help you figure out what you need to work on!

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ok thats all i have to say sorry for typing so much. happy new year everybody who read this far LMAO!!!!!

[onlymurdersinthebuildingreblogs]

Only Murders In the Building Season Four Finale Thoughts While Watching

WARNING SPOILERS FOR ONLY MURDERS IN THE BUILDING SEASON THREE FINALE AND SEASON FOUR!!!!!! INCLUDING THE KILLER! AVOID IF YOU ARE NOT THAT FAR INTO THE SERIES, IF YOU AREN'T YOU BETTER, IT IS SO GOOD!

Note: I lost track of the day of the week and didn't realize the episode had aired until I was in bed.

Pre-Watching:

I wonder if the plot holes Sazz had found were unrelated to her murderer, Marshall/Rex. Set up for the next season.

I hope Theo appears, I really like his character. I also think he's good for Mabel.

I'd also like to see Lucy. I really liked her character.

Watching:

1:07-1:27 -- Oh, so they have filmed for Brazzos!? At least, Sazz got some more time with Charles.

1:16 -- "TAP IN!"

1:27 -- Isn't Sazz a little too old for stunts like that? Jane Lynch is 64 years old.

1:46 -- Osteoporosis! That sounds like a disease. Is that a disease!? (One Google Search Later) Google: "Osteoporosis is a bone disease that weakens bones, making them more likely to break. Osteoporosis occurs when the body breaks down more bone than it replaces, causing bones to become less dense and more porous. This makes bones more fragile and susceptible to fractures, even from minor bumps or falls. Osteoporosis is often called a 'silent disease' because people may not notice any symptoms until they break a bone. Osteoporosis is the leading cause of broken bones in older people and postmenopausal women." Me: YEAH, APPARENTLY SHE IS! "MINOR BUMPS OR FALLS"!? SHE JUST DID A FLIP AND JUMPED FROM A STORY-TALL BUILDING! "I'M GOOD"!? DOESN'T SEEM LIKE IT!?

2:10 -- "Hey, Sazz, you okay!?" Aw, at least, Charles is making sure she's okay, even if she's kind of lying to him. She's making sure he's okay.

3:06-3:14 -- Not related but accent letter choices, why can't they have that on laptop keyboards, instead you have to know like shortcuts and then some laptops don't have those shortcut buttons. Like my old laptop had a numeric keypad so if I wanted to do the em dash, I would hold "alt" then push 0151, but my new laptop keyboard doesn't, so I can't make that dash and I use it more than you think. Look at the lazy double dashes, I've put.

3:18-3:27: "Every time we solve a murder that's when the next body drops. It's like when one murder door closes, someone we know either gets stabbed, poisoned, or shot." I guess that's kind of true? Jan stabbed herself and then poisoned you. "Glitter Guy" attacked Mabel and she stabbed him like the awesome girl she is. (I would say bad*** but I don't like to curse. So what's the age-appropriate way to say that?) Charles pretended to be stabbed by Alice. I don't actually think that happened last season though. There was when Donna poisoned Ben and nearly killed him and then Cliff pushed him down. I guess, Cliff nearly committed suicide. Also he already killed Glen.

3:28-3:35 -- "Why would you say that? You know my wedding is tomorrow. Loretta's on her way now, here to the murder building." That didn't occur to you when you picked this place as the place your wedding would take place at? Your podcast is called "Only Murders in the Building".

4:02 -- It's always kind of annoying when the villain is like "do this or I'll kill you" like they're not going to do that anyways.

4:15 -- Oh, I'm so hoping Mabel beats him up! She is not the kind of woman you want to mess with!

7:02-7:27 -- They're gonna go on the ledge. I don't like height so I don't think this is going to go well for Charles.

7:47 -- Oh! Nope! Nope! Too high! Too high!

10:20 -- I know the feeling! Every time I'm on a high place, I feel like I'm tipping forwards. Ever since when I was around eight, when I was on top of a lighthouse, looking down over the railing and my brother picked me up to take a picture without telling me and I suddenly felt like I was somehow falling over the ledge and I started panicking and he had to put me down before he dropped.

10:54 -- "Are you on this ledge, because I'm moving to New Zealand?"

11:52 -- And now they're dancing on a thin ledge several stories up.

11:55 -- How is no one seeing them? I once sat on the window sill of a second story building and apparently someone called the cops because of that!?

12:22-12:45 -- Marshall, you're doing a terrible job at being causal. You're switching accents from southern to Scottish.

12:49 -- Vince and Rudy are barley doing a better job. "Whatever you have is what we're looking for."

18:46 -- "I'm gonna fly to New York to see Charles make his Broadway debut." Aw. I never actually considered the though that she had seen the play.

22:05 -- Oh, she knew Charles would find him!

23:07 -- Jan to the rescue!? Didn't see that coming! I thought it'd be Rudy or Vince.

28:40 -- Finally, Will comes back! And oh, Dickie, I didn't expect to see you, I forgot about him.

32:07 -- Is Uma going to be the next victim?

32:14-32:54 -- Season five set up?

32:32 -- What did Nicky have to do with the building?

32:54 -- Oh, Sophia's going to be the next body, isn't she?

34:32 -- There's blood coming out of the water fountain's mouth.

34:48 -- LESTER!?

35:10 -- "72 emergencies ahead of you" Are you kidding me!? No wonder podcasters are the only ones who seem to be able to catch killers!

[ao3feed-jonmartin]

Almonds

read it on AO3 at https://ift.tt/Plhn9Dz by CirrusGrey Jon cleared his throat again, then coughed. His next inhale sounded rough, and Martin glanced over his shoulder just in time to see him press a hand to his throat, his face a mask of confusion. ----- Jon has an allergic reaction. Words: 1886, Chapters: 1/1, Language: English Fandoms: The Magnus Archives (Podcast) Rating: General Audiences Warnings: No Archive Warnings Apply Categories: M/M Characters: Martin Blackwood, Jonathan "Jon" Sims | The Archivist Relationships: Martin Blackwood & Jonathan "Jon" Sims | The Archivist, Martin Blackwood/Jonathan "Jon" Sims | The Archivist Additional Tags: Season/Series 02, the romance isn’t explicit but it was the intent, Allergies, Allergic reaction, Pre-Relationship, Hurt/Comfort read it on AO3 at https://ift.tt/Plhn9Dz

[indelicateink]

some random recent wishes from the bounty of IWTV kink meme requests--the full list is amazing!

note: so many thanks to @vampire-dove for maintaining this anon kink meme for us.

to play: click on the form link on the left side of the kink meme page. please go add more. please fill prompts. have you mused about your favs exploring each others’ bodies today? NO? would you like to?

Armand/Louis de Pointe du Lac Blood Drinking

loumand have been fucking but they haven't shared blood yet

--

Raglan James/Daniel Molloy

Daniel Molloy and whoever the hell Justin Kirk is playing (Raglan? Marius?). Dubai, pre-vampire Daniel. Just two old men screwing while screwing over vampires.

--

Lestat de Lioncourt/Louis de Pointe du Lac Past Rape/Non-con, Post-Traumatic Stress Disorder

modern-day au. when impoverished Lestat de Lioncourt comes into the vast inheritance left to him by his stalker, he makes a lot of changes in his life. the first is tackling his illiteracy. he's making steady progress, but braving the public library has been life-altering--especially since meeting the hot librarian who recommends him books for them to argue about.

other life goals include buying an actual house, exploring the wonders of having health insurance, enjoying the ability to buy new clothes. and getting over the trauma of magnus's attack. and being able to be intimate with someone again. little things like that. mostly he just wants to hang out around all the free books, in sight of his very beautiful new friend.

non-ao3 tags: anxiety about sex, louis is compassionate, adult learning is not a punchline, louis knows all the best erotica

--

Claudia/Madeleine Claudia starts realizing that she's getting the same kind of butterflies around Madeleine as she did around boys, perhaps even stronger. One night after Madeleine called to visit, Claudia takes her exploration into her own hands and imagination.

While Claudia is in the throes of her self pleasure, Madeleine returns to retrieve something she'd forgotten, only to hear Claudia's moans through the half-closed door. Peering inside, she watches for a moment, her own hunger growing inside her, before she can't hold herself back. Swooping into the room, Madeleine takes charge of the situation (not in a dom sense; just in an experienced sense) and shows Claudia the joys of lesbian sex.

TLDR: Claudeleine + masturbation interruptus, first times, (slight) voyeurism, experienced teaching the inexperienced

--

Armand/Daniel Molloy, Lestat de Lioncourt/Louis de Pointe du Lac Possessive Behavior, Possessive Armand, Vampire Daniel Molloy

Daniel wants to interview Lestat, but apparently he’s like catnip to older vampires. Lestat flirts relentlessly, Louis finds it funny, and Armand is possessive.

--

Armand/Louis de Pointe du Lac Trans Louis de Pointe du Lac, Trans Armand, Lesbian Sex

dyke loumand have sex on a motorbike

--

Lestat de Lioncourt/Louis de Pointe du Lac Birthday Sex, Consensual Somnophilia, Marathon Sex, Established Relationship, Consensual Kink Loustat having (enthusiastic!) free use agreement on their respective birthdays (including somnophilia).

I couldn't find free use kink tag so let's pretend it's there. Ideally, would have two parts, one on louis' birthday, one on lestat's, but picking one would be good too!

--

Daniel Molloy/Louis de Pointe du Lac Post-Season/Series 02, Canon Compliant, Murder, Blood Drinking, Shower Sex, Bottom Louis de Pointe du Lac louis gets back home a few days later to a newly turned daniel who has been holed up in the penthouse since he killed a couple employees as soon as he'd gone through the worst of his transformation. vampire daniel with newfound zest for life comes onto him.

--

Lestat de Lioncourt/Louis de Pointe du Lac Top Louis de Pointe du Lac, Bottom Lestat de Lioncourt, Dominant Louis de Pointe du Lac, Submissive Lestat de Lioncourt, Spanking, Crybaby Lestat de Lioncourt, Cock Warming, Orgasm Delay, Orgasm Denial, Orgasm Edging, Begging

After Lestat comes back home flaunting Antoinette's scent, trying to get a rise out of Louis, he gets what he wants. But Louis, determined not to give in so easily, makes him beg for it.

Bonus points if Louis makes Lestat play the piano with his cock in him.

--

Daniel Molloy/Louis de Pointe du Lac Painplay, High Heels, Foot Fetish, Orgasm Edging, Verbal Humiliation, Bottom Louis de Pointe du Lac could be an AU or canonverse. louis likes high heels, daniel likes it when louis gets a little mean.

--

so I am but one cheerleader--if anyone else wants to make posts promoting requests they'd like to see, you might catch the eye of a like-minded author or fellow dreamer!

[steddie-fanfic-recs]

and like a bullet, we were gone again

by alligator_writes

Rating: Teen And Up Audiences Archive Warning: No Archive Warnings Apply Relationship: Steve Harrington/Eddie Munson, Steve Harrington & Wayne Munson, Eddie Munson & Wayne Munson Character: Steve Harrington, Eddie Munson, Wayne Munson, Background & Cameo Characters Additional Tags: Alternate Universe - Canon Divergence, Post-Season/Series 02, Pre-Season/Series 03, Good Uncle Wayne Munson, though it doesn’t seem like that at first, line dancing, inspired by a song, Bisexual Steve Harrington, Queer Eddie Munson, Period-Typical Homophobia, Steve Harrington is a Sweetheart, Eddie Munson is a Sweetheart, actually beta read for once in my sorry life, Car Chases, Fluff, Fluff and Humor, there are so many jokes in this fic, Appalachian Eddie Munson, Dancing, Country Bars, eddie munson has a competence kink, So does Steve Harrington, And they are both very competent, in very different ways, Eddie is also such a weirdo in this, and we all love him for that, POV Steve Harrington Words: 7,834 Chapters: 1/1

Summary

“Why is he coming toward us with the gun?” Wayne is, in fact, walking toward the car, still holding the good rifle. Steve has never been threatened by someone else’s parent before. He’s good with adults. Charming, even. He asks them what they do for work and answers all of their questions with polite smiles and light laughter. Steve is good at winning over the parents of people he’s dated. Hell, even Ted Wheeler begrudgingly had a positive opinion on him. So, in his panic, he does the only thing he can think of: He throws the Beemer in reverse and pushes the gas pedal down to the floor. OR On June 22nd, 1985, Steve Harrington and Eddie Munson break the speed limit, teach each other to dance, get into a bar fight, vandalize property, evade the law, piss off a farmer, smoke, and watch the sun rise. And all the stress, panic, bruised knuckles, and anxiety about ass splinters during that night was completely, utterly, and hilariously unnecessary.

[youjustwaitsunshine]

Very Long 2010 pre-season Seb Post

Under the cut you will find posts from the sebsite which include:

The RB6 car launch + RB6 specs

Seb's test days in Jerez

Test days in Barcelona (original in german + my english translation)

a short blurb on the name of the car

some pictures

masterpost // pre-season 2010

10 | 02 | 10

2010 Car Launch

Sebastian Vettel | Driver – Car 5

Sebastian Vettel’s first foray into Formula One saw him fined for speeding in the pitlane during the first ten seconds of his debut. It’s fair to say he hasn’t slowed down much since.

Fame and fortune hasn’t made any discernable impact on Seb (“What fortune?” he asks, bewildered). He still gives his cars girl’s names, argues that there are more exciting things in life than driving Formula One cars (but not many) and is proud of being taller than Rubens Barrichello. He loathes being referred as ‘the new Schumacher,’ and so is relieved to see his Race of Champions team-mate returning to F1.

Born 3 July 1987 in the town of Heppenheim, Germany, Sebastian enjoyed a successful career in karting before making an immediate impression the moment he came into open-wheel racing. Starting the 2003 season aged 15, he won five of 19 races in his debut Formula BMW year, finishing second in the German Championship. The next year he took the title, winning 18 of the 20 races (he finished on the podium in the other two but doesn’t like to talk about them).

It marked Vettel as one to watch and he duly tested F1 cars for Williams and BMW-Sauber, while moving up through the junior ranks, impressing in Formula 3 and the World Series by Renault. Vettel’s chance in F1 came when he replaced Robert Kubica as BMW-Sauber’s third driver in the second half of the 2006 season. In addition to incurring the Stewards’ wrath, Vettel’s debut during Friday practice for the Turkish Grand Prix also saw him finish the day top of the timesheets.

While the performance on track was impressive, everyone was equally knocked out by the confidence and effervescence with which the teenage Seb dealt with the garage and Paddock. The authority with which he spoke and the evident self-deprecating wit stood him out as much as the blistering pace.

Sebastian finally got his chance to race a year later, standing in for the injured Kubica at the United States Grand Prix. Still only 19, he qualified seventh and finished eighth, becoming the youngest man to score a Championship point. Later in the 2007 season he moved to a permanent seat at Scuderia Toro Rosso. He made a lasting impression on future team-mate Mark Webber (and the rear of his car) during the monsoon-hit Japanese Grand Prix at Fuji before bouncing back a week later to secure fourth place at an equally waterlogged Chinese Grand Prix.

Confirmed for 2008, Vettel didn’t have the best start to his first full season and crashed out of the first four races, mostly as a result of being dragged into other drivers’ accidents. Fortunately the crash-magnet curse was soon lifted and Vettel scored points at Monaco, Montreal, Hockenheim, Valencia, Spa, Singapore, Fuji and Interlagos – though the only race anyone properly remembers is the Italian Grand Prix at Monza.

On the back of a strong fifth place in Belgium, Vettel and Scuderia Toro Rosso went to Italy in good form. Torrential rain over the weekend failed to dampen their pace and Vettel duly became, first, the youngest driver to take pole position in Formula One history, and then the youngest race winner, having utterly dominated the race in which a rudder may have been of more use than a steering wheel.

Elevated to the senior Red Bull team for 2009, Vettel won his second, and Red Bull Racing’s first, victory at the third race of the year. He followed it with a string of podium and solid points-scoring finishes and established himself as a firm championship contender with a second, commanding victory in the British Grand Prix. He finished the season strongly with further victories in Japan and Abu Dhabi that, together with four other podium finishes, took him to second place in the Drivers’ Championship.

Definitely a follower of the ‘second is first of the losers’ philosophy, Sebastian has loftier ambitions for 2010. He lists his lifetime ambitions as winning the Formula One World Championship and beating Kimi Räikkönen at badminton.

RB6 – TECHNICAL SPECIFICATION

Chassis: Composite monocoque structure, designed and built in-house, carrying the Renault V8 engine as fully stressed member

Transmission: Seven-speed gearbox, longitudinally mounted with hydraulic system for power shift and clutch operation. AP Racing clutch

Wheels: OZ Racing, Front: 12.0in x 13in diam., Rear: 13.7in x 13in diam.

Tyres: Bridgestone

Suspension: Front: Aluminium alloy uprights, carbon-composite double wishbone with springs and anti-roll bar, Multimatic dampers

Rear: Aluminium alloy uprights, carbon-composite double wishbone with springs and anti-roll bar, Multimatic dampers

Brakes: Brembo calipers, Brembo carbon discs and pads

Electronics: FIA (MESL) standard control unit

Fuel: Total Group

Renault Engine RS27 – 2010

Number of cylinders: 8

Capacity: 2400cc

Max rpm: 18,000rpm

Number of valves: 32

Vee angle: 90 degrees

Power output: Not disclosed

Engine construction: Cylinder block in cast aluminium

Engine management: FIA (MESL) standard control unit TAG310B

Oil: Total Group

Weight: FIA minimum weight of 95kg

important: the picture on the left is - on the sebsite - called 'sebi-vettel'

10 | 02 | 10

Sebastian and the RB6

It was windy, it was cold - rain was just a matter of time. Sebastian‘s face was nearly covered by his Beanie cap, but despite the dark clouds he was in really good mood. The reason why? It was the moment when his new car was unveiled. Sebastian laughs: „Finally we are back on the track - the winter break was far too long."

Sebastian stands in front of his car and proudly he gives a short version explanation: „We were lucky to have the best of all cars during the second half of the season. That means we had a very good base right from the beginning, so we just had to develop the car. In contrast some of the opponents had to develop completely new designed cars."

The only real new part: „I got a new seat, it‘s like having a new chair. Beside that in general all the more than thousand parts of a Formula One car have been optimised. "I have a feeling I can reach my target"… So far I have not made a decision regarding the car‘s name. So ideas are welcomed.More next Friday: Today and tomorrow my team mate Mark will do the shake down and the first laps.

On Friday it will be my turn and so on Friday evening I will able to give you further information, about how the RB6´s handling qualities.

------------

Jerez Test

12 | 02 | 10

JEREZ TEST – Day Three

Driver: Sebastian Vettel

Car: RB6 – 01

Laps: 59

Best time: 1.21.783

Circuit length: 4.423 km

Fastest lap: J. Alguersuari – 1:19.919

Sebastian Vettel drove Red Bull Racing’s 2010 championship challenger, the RB6, for the first time today, as he took over from Mark Webber on day three of the current four-day test in Jerez.

After an initial run on dry tyres, Sebastian was forced to use intermediate and extremes for the rest of the day as wet weather set in from 0945hrs. The team’s plan was to focus on aero-testing, but progress was hampered by deteriorating weather. By 1615hrs, conditions were so wet on track that Red Bull Racing, in line with the other Formula One teams testing in Jerez, decided to end the session early. Despite the weather, the car ran without any problems today.

Sebastian Vettel commented; “After three months, it was good to come back and drive the car – it felt okay and we didn’t have any big issues. Obviously the weather is not ideal for us to find out more about the car, but we knew the rain was coming so we didn’t mess around this morning and went straight out to do some laps. It then rained all day, but you could face these conditions in a grand prix, so it’s important to do laps in the wet. Overall, we didn’t do enough because of the weather, but I’m pretty happy.”

Sebastian will be driving the RB6 again tomorrow for the last day of this current preseason F1 test at the Jerez Circuit.

2010 Rider on the Storm

Sebastian Vettel | Driver – Car 5

"You can't influence the weather, we have seen that today. After a three month break, I was finally able to sit in the car today and it was good fun, I am still able to drive and the car feels good. This morning I did some (a few) laps in the dry the car went well straight away, but then it started raining and I had to park the car for some time in the garage. For sure it's a shame that it wasn't dry all day but also its possible to have rain in a race and so you have to learn to keep up with diffrent weather conditions. At the moment its still very difficult to give an idea of where everybody stands due to the new rules and the big tanks. The teams are driving with diffrent fuel levels and this also keeps changing. I hope it continues raining over night so that nothing is left for tomorrow and I can speed though all day, but as I said we have to see as we can't tell mother nature what to do..."

13 | 02 | 10

JEREZ TEST – Day Four

Driver: Sebastian Vettel

Car: RB6 – 01

Laps: 90

Best time: 1.21.203

Circuit length: 4.423 km

Fastest lap: L. Hamilton – 1.19.583

Sebastian Vettel was at the wheel of Red Bull Racing’s RB6 today for the final day of the current Jerez test. It was his second day of testing, as Mark Webber had driven on days one and two.

The team’s plan was to focus on set-up work and aero testing, although the weather once again played a part and damp conditions in the morning meant Sebastian began the day on intermediate tyres.

Conditions dried by lunchtime, but a fuel pump failure in the afternoon cost the team around three hours of dry running time. Sebastian ended the day with a final long run on dry tyres.

At the end of the RB6’s first test, Ian Morgan, Head of Race Engineering said: “It’s been a productive first week with the RB6, despite the weather and lack of dry conditions. We’re pleased with the car overall, it’s showing a lot of promise.” The next test will take place at the Jerez Circuit, starting on Wednesday 17 February.

-------

Barcelona Test

26 | 02 | 10

Barcelona Test - Tag 2 (english version below)

Sebastian Vettel | Fahrer – RB6-01

Auto: RB6-01

Runden: 125

Bestzeit: 1.21,258 Min.

Streckenlänge: 4,655 km

Tagesschnellster: N. Hülkenberg (1.20,614 Min.)

Das Team fuhr seine zweite Rennwochenend-Simulation, und am Ende des Tages hatte Sebastian 125 Runden zurückgelegt.

Ian Morgan, Head of Race Engineering, sagte: „Heute erlebten wir in etwa eine Wiederholung der Renn-Simulation, die Mark gestern gefahren war. Alles lief mehr oder weniger nach Plan. Erneut stoppten wir das Auto während der Renn-Simulation. Dabei handelte es sich um eine Vorsichtsmaßnahme, um einige Dinge kontrollieren zu können. Es ging um ein kleines Problem, und wir konnten schon wenig später weiterfahren. Sebastian konnte die Simulation vor Ende des Testtages in voller Länge beenden. Wir drehten viele Runden und sind recht happy, was das Auto angeht."

Sebastian Vettel meinte: „Das war ein guter Tag - größere Probleme traten nicht auf. Im Verlauf des Nachmittags mussten wir wegen einer Kleinigkeit unterbrechen, aber bei Testfahrten ist das ziemlich normal. Während der Tests will man keine Schäden riskieren. Aus diesem Grund ist es am besten, das Auto abzustellen, sobald es im Hintergrund Alarmsignale gibt. Weil es in Jerez oft regnete, haben wir an den beiden kommenden Tagen noch viel Arbeit vor uns. Beispielsweise müssen wir mehr über die Reifen herausfinden und einige Abstimmungsarbeiten erledigen."

Sebastian Vettel wird morgen erneut zum Einsatz kommen, bevor Mark das Cockpit am Sonntag, dem letzten Testtag, wieder übernehmen wird.

Barcelona Test - Day 2

Driver: Sebastian Vettel

Car: RB6 – 01

Laps: 125

Best time: 1.21.285

Circuit length: 4.655 km

Fastest lap: N. Hülkenberg – 1:20.614

The team drove its second race simulation, and at the end of the day Sebastian had completed 125 laps.

Ian Morgen, Head of Race Engineering said; “Today we experienced about a repeat of the race simulation that Mark drove yesterday. Everything went more or less according to plan. We again stopped the car during the simulation. This was a safety measure to control a few things. It was a small problem and we could continue soon after. Sebastian could finish the race simulation in full length before end of the test day. We ran many laps and are quite happy about the car.”

Sebastian Vettel said: “This was a good day – no large problems showed up. During the course of the afternoon we had to take a break due to a small thing, but that’s pretty normal with testing drives. On test days you don’t want to risk damage. For that reason it’s best to stop the car once there’s alarms in the background. Because it rained a lot in Jerez, we have a lot of work to do in the coming few days. For example we have to find out more about the tires and do a bit of coordination work.”

Sebastian Vettel will take the wheel again tomorrow before passing it back again to Mark on Sunday, the last test day.

Barcelona Test - Tag 3 (english below)

Sebastian Vettel | Fahrer – RB6-02

Auto: RB6-02

Runden: 44

Bestzeit: 1.23,123 Min.

Streckenlänge: 4,655 km

Tagesschnellster: N. Rosberg (1.20,686 km)

Sebastian Vettel absolvierte in Barcelona beim letzten Test vor Saisonbeginn seinen zweiten Testtag. Der Tag wurde durch Regen beeinträchtigt. Morgens wurden wegen eines Mix aus Regenschauern und technischen Problemen nur wenige Runden gefahren. Der Nachmittag erwies sich als wertvoller, denn das Team arbeitete an der Abstimmung für das erste Rennen der Saison in Bahrain. Seine Bestzeit erreichte Sebastian während seiner letzten Runde des Tages. Ian Morgan, Head of Race Engineering, sagte: „Nach den nächtlichen Umbauarbeiten mit Blick auf das für heute geplante Programm waren wir morgens wegen einiger technischer Probleme spät dran. Nachdem wir nachmittags richtig zum Fahren kamen, gelangen uns drei, vier Tests bezüglich der Abstimmungsrichtung für das Rennen in Bahrain. Sie brachten uns klare Resultate. Entsprechend beendeten wir den Tag in deutlich besserer Form." Am morgigen letzten Testtag werden sich Sebastian und Mark Webber das Auto teilen.

Barcelona Test - Day 3

Driver: Sebastian Vettel

Car: RB6 – 01

Laps: 44

Best time: 1:23.123

Circuit length: 4.655 km

Fastest lap: N. Rosberg – 1:20.686

Sebastian Vettel finished his second test day in Barcelona at the last test before the start of the season. The day was affected by rain. In the morning only few laps were run due to a mix of rain showers and technical problems. The afternoon showed to be more useful because the team worked on the race setup for the first race of the season in Bahrain. Sebastian reached his best time during the last lap of the day. Ian Morgan, Head of Race Engineering said; “After the nightly work in view of the program planned for the day we were late due to a few technical problems in the morning. After we got to driving in the afternoon, we managed to do three, four setup tests for the race in Bahrain. Those brought us clear results. Accordingly we finished the day in much better form.“ Tomorrow, on the last test day, Sebastian and Mark Webber will be sharing the car.

28 | 02 | 10

Barcelona Test - Tag 4 (english below)

Sebastian Vettel | Fahrer – RB6-02

Eigentlich wären meine Tests am Samstag abgeschlossen gewesen, aber durch die schlechten Wetterverhältnisse bin ich nicht auf meine gewünschten Kilometer gekommen.

Deswegen haben wir uns darauf geeinigt, dass ich am Sonntagvormittag nochmal ins Auto steige.

Am Freitag haben wir eine Rennsimulation gemacht, das verlief mehr oder weniger alles nach Plan. Jetzt muessen wir das erste Rennen in Bahrain abwarten, heute in 14 Tagen, wo alle die Hosen runterlassen... Wir müssen bis Bahrain noch etwas an unserem Topspeed arbeiten, aber insgesamt bin ich ganz zufrieden mit meinem Auto. Übrigens: Einen Namen habe ich auch schon, aber den werde ich erst am Montag vor dem GP in Bahrain auf meiner Website bekanntgeben...

Fahrer: Sebastian Vettel/Mark Webber

Auto: RB6-02

Runden: 137 (Vettel – 76; Webber – 61)

Bestzeit: Vettel: 1.20,667 Min.

Streckenlänge: 4,655 km

Tagesschnellster: L. Hamilton (1.20,472 Min.)

Nachdem er gestern auf der Piste weniger Zeit als erwartet verbracht hatte, kam Sebastian vormittags zum Einsatz, während Mark unsere Vorbereitungen auf die neue Saison nachmittags beendete. Die beiden Fahrer standen vor ähnlichen Programmen, die das Team erfolgreich bewältigte. Die vorläufig endgültigen Abstimmungen für unterschiedliche Tankfüllungen beim Saisonbeginn wurden gefunden.

Ian Morgan, Head of Race Engineering, sagte: „Weil wir gestern etwas Zeit verloren hatten, konnten wir mit Seb nicht alles abhaken, was wir uns vorgenommen hatten. Aus diesem Grund erledigten wir heute mehr oder weniger das Pensum von eineinhalb Testtagen, weshalb wir auf insgesamt 137 Runden kamen. Das war ein ziemlicher Wirbel, aber wir haben viel geschafft.

Der letzte Test verlief gut für uns. Nach eingeschränkten Testmöglichkeiten auf trockenem Asphalt während der beiden Tests in Jerez, hatten hier die fast komplett trockenen vier Testtage zur Folge, dass wir wieder auf Kurs kamen. Im Verlauf der Woche machten wir große Fortschritte. Das waren sehr gute Testfahrten."

Zwei Wochen trennen uns nun noch vom ersten WM-Lauf der Saison, dem Grand Prix von Bahrain.

Barcelona Test - Day 4

Usually, my Tests would have concluded on Saturday, but due to the bad weather conditions I did not get to the distance I wanted. Because of that we agreed that I’d get back into the car Sunday morning. On Friday we did a race simulation where everything went more or less according to plan. Now we need to wait for the first race in Bahrain, today in two weeks, where everyone will drop their pants… We’ll have to work on our top speed until then, but all in all I’m rather happy with the car. By the way: I have a name already, but I’ll only share that one on my website the Monday before the GP…

Drivers: Sebastian Vettel/Mark Webber

Car: RB6-02

Laps: 137 (Vettel – 76; Webber – 61)

Best time: Vettel: 1:20.667

Circuit length: 4,655 km

Fastest lap: L. Hamilton – 1:20.472

After he spent less time on the track than expected, Sebastian was in the car in the morning, while Mark finished our preparations for the new season in the afternoon. Both drivers followed similar programs that the team successfully completed. The provisionally final setups for different tank fillings were found.

Ian Morgan, Head of Race Engineering, said; ”Because we lost some time yesterday, we couldn’t finish everything we set out to do with Seb. For that reason we went over more or less one and a half test days worth of work, which got us to 137 laps. That was a lot of turmoil but we managed to do a lot.

The last test went well for us. After limited testing opportunities on dry track during the tests in Jerez, the almost fully dry four days of testing here let us get back on course. During the course of the week we took great steps. These were very good test drives.”

Two weeks still separate us from the first World Championship race, the Bahrain GP.

05 | 03 | 10

In diesem Jahr nenne ich sie Luscious Liz

Einige von Ihnen wissen vermutlich schon, dass ich meinen Formel 1-Rennwagen Namen gebe.

In der vorigen Saison fuhr ich zwei Autos, die ich auf die Namen Kate und Kates dirty Sister taufte.

In diesem Jahr nenne ich sie Luscious Liz!

This year I’m calling her Luscious Liz

A few of you probably already know that I give names to my F1 cars. In the last season I drove two cars who I christened Kate and Kates dirty Sister.

This year I’m calling her Luscious Liz!

back to the masterpost

the pre-season in general

[goodomensafterdark]

Writers Guild Cock Fight: We Don't Need to Talk About It by Ro_Fell on Reddit

Summary

Written by Ro_Fell - find them on Reddit and AO3

It's after the apocalypse that wasn't. Crowley and Aziraphale are just beginning to negotiate what it means to be on Their Own Side. One night, in the Bookshop, after copious amounts of wine, Crowley finds Aziraphale sitting just a little too close to him on the small sofa. Will one of them find the courage to finally cross that line? And will they finally find the words to say everything that's been left unsaid?

Word count: 2635 words

Content: Shameless Smut, Post-Season/Series 01, Pre-Season/Series 02, Aziraphale's Bookshop , Sex in the Bookshop, Anal Sex, Aziraphale/Crowley First Time, First Time

Excerpt

Crowley looked the other way as he slid his hand across Aziraphale’s hand, his long, bony fingers over the angel’s smooth skin and well-manicured nails. He swept Aziraphale’s hand into his so they were holding hands, fingers intertwined. Crowley couldn’t help pressing his lips together, tense, waiting for Aziraphale to react.

“Oh, a play!” Aziraphale gushed, as if they weren’t diving into new fucking territory and it wasn’t fucking terrifying. Aziraphale didn’t pull away, in fact, he grasped Crowley’s hand in his and lazily allowed his thumb to massage Crowley’s thumb. “What would you most like to see? I think I’d enjoy MacBeth. I haven’t seen it in so long. Though, I’d take just about anything at this point.”

Crowley was trying with all his might to suppress the strangled whine that was threatening to come up from his throat. That thumb, teasing him. Aziraphale’s soft thumbprint pressing into him firmly. He tried to keep the chatter going, afraid to break the moment.

“MacBeth, ugh. Tosser’s play. Seen it a thousand times. What about something new, Angel, like Hamilton?”

Crowley shifted in his seat again. He spread his legs even wider, ludicrously wide, to see if his angel would take the bait and –

Aziraphale, his hand still clasped in Crowley’s, let his knuckles graze Crowley’s thigh.

Crowley closed his eyes. Oh f...Continue on AO3

[ofmythsandmists]

Rating: Explicit Archive Warning: Graphic Depictions Of Violence, Rape/Non-Con Category: M/M Relationships: Armand/Daniel Molloy, Daniel Molloy/Original Character(s) Additional Tags: Age Difference, Dubious Consent, not with everyone but WELL, Flashbacks, Explicit Sexual Content, Anal Fingering, Minor Character Death, Daniel has a thing for South Asian people, yes it’s a fetish, the old man is not immune to racism let’s face the truth, Armand haunts the narrative more than being in it, Armand's canonical rape kink, Reverse Chase, or maybe not, Post-Season/Series 02, Pre-S3 Trailer, the tone of this fic is all over the places, it started crack then become serious, Daniel is a horrible person, Devil's Minion Era Happened (Interview with the Vampire TV 2022)

Daniel was not going to lie: he had been wrong. Being a vampire was cool. Actually, being a vampire was great. It has taken some time to adjust to it, with that painful and (painfully) long transformation and all. But he was here now. No more shaking and - even without taking Parkinson’s into account - no more back pain after too much time standing on the bus; no more arthrosis; no more fatigue during a scorching day in the city. No more days in general, actually; and that too was, surprisingly, ok. After many years of living like the old man he was, Daniel was rediscovering the beauty of nightlife. And with that came other rediscovered.

Daniel, newly born vampire, rediscovers sex and forgotten memories.