#ppl need to see this

[buttwater-500]

why is no one talking abt this bru

pay attention to the words in '

then look at the capital letters.

it spells out "S A V E U S"

i found this a while back but i have seen NO ONE talking about it

[devilledeggz]

anyone want some underrated animatics with a sprinkle of content from a bjillion fandoms?

bc i have a bunch in here

(fandoms in tags)

[luvrxbunny]

hey guys. as a black woman i really don’t find it hard to avoid race specific words in my fics so i don’t know why it’s so hard for some of you guys :)

“your knuckles turned white as you-“

“your cheeks turned red at-“

“he left red marks all over-“

there are many other words you can use such as:

“you held a death grip on-“

“you felt warmth bloom over your face at-“

“he sucked and bit at your neck as-“

just be a little more considerate when writing cus believe it or not… not everyone is white! 😱

[allhailbrokeloose]

cr apocalyes on tick tock

[devilledeggz]

badinternetbills.com https://www.stopkosa.com

(stopkosa.com has a list of organizations opposed to the KOSA bill btw so go check it out!!!!)

GET KOSA TRENDING.

STOP SCROLLING NOW!

AS OF FEBRUARY 21ST, 2024, WE GOT FIVE DAYS UNTIL THE DAY OF DECISION OF THE KOSA BILL, WHICH WILL CAUSE MASS CENSORSHIP ROUND THE INTERNET IF PASSED. OR DOOMSDAY. WE NEED EVERYONE TO KNOW ABOUT THIS AND CONTRIBUTE. I'M NOT GIVING UP ON YOU ALL.

WE'RE DOWN TO THE WIRE BUT WE CAN'T GIVE UP YET. IF WE GIVE UP, EVERYTHING IS OVER. IF WE DON'T, AT LEAST WE HAVE A CHANCE.

I'M THE ONE WHO SOUNDED THE ALARM, AND I'M NOT GOING TO CURL UP AND DIE YET.

Reblog this post in every LEGAL way you can under the Tumblr guidelines with the appropriate tags. TELL AND TAG EVERYONE YOU KNOW, then add the tags to see below... and more if you can think of any complying.

Visit badinternetbills.com if you want to find a way to defeat KOSA. It WILL NOT take much of your time. Reblog with any other information or sources, too-- but make sure to reblog if you can.

Reblog if you support lgbtq+ content.

Reblog if you support questioning queer youth and/or abused youth getting the information they need.

Reblog if you support Ao3 and/or other sites that wholeheartedly preserve talentedly made media.

Reblog if you're going to repost this on other sites than Tumblr and spread the word across Twitter, Tik Tok, Pinterest, or elsewhere, alongside the link to badinternetbills.com.

Reblog if you think KOSA is unfair and shouldn't be anyone's problem -- including the adults ALL OVER THE DAMN EARTH forced to face the mass censorship it causes because "think of the American Children!".

Reblog if you support internet activism and Palestine.

Reblog if you hate fascism or censorship, and don't want actually serious and helpful conversations censored on the internet.

Reblog if you value the internet in any way at all whatsoever.

CHECK THIS PETITION, TOO! https://www.change.org/p/stop-the-kosa?recruiter=1331807538&utm_source=share_petition&utm_medium=sms&utm_campaign=psf_combo_share_initial&utm_term=psf&recruited_by_id=57368c40-d0fd-11ee-98f7-2175430f819f&share_bandit_exp=initial-36809664-en-US

(Also, please reblog with at least "stop kosa" as a tag and not "kosa". I made the mistake of not adding just "kosa" as a tag...)

We won't let this stand any longer. Let's start a riot and get this trending.

[simplydm]

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[kookjinnies]

they matched each other's freak <3

[televenus]

ok i read dandadan

[freshbeeth]

lives were destroyed

[mirabel-on-a-bicycle]

Charles died trying to protect a Pakistani boy from a hate crime. Charles, a half Indian person, died- like fuck I'm so emotional about this.

"I mean I'm half Indian, why am I so different?"

Listen. Given the history of the IndoPak conflict, we aren't talking about the subtle implications of this line enough. Not only did Charles look at this kid and see himself in him, he tackled the xenophobia at face value—no strings attached, no connotations, history be damned. And what undoes me even more is that he believed that boy was no different from him and therefore did not deserve to be treated that way. He never once showed any regret for doing what he did. And that is so so telling of Charles, in a much deeper sense than we might realise at first.

Charles was always a protector through and through. He died for it. And even after, no matter who it was, he never stopped being a protector. But in that moment specifically, that act of immigrant solidarity?? It was like... an entire lifetime of history classes and unending geopolitical strife and debates about who deserves to live and who doesn't just flashed before my eyes when Charles took one look at him and went "Oh fuck no. I'm no different. We're in this together and I'm not leaving you alone". I cannot stress enough how much that healed me :')))

[angeart]

link no you can't hide this in tags, give it to people.

hhau rescue rambles - part III

>> part I here // part II here // hhau masterpost here <<

3,3k words. cw for this one - violence, injuries, maybe mild gore?

-- The hunters come, drawn by the loud noises of panic Grian was making, unerringly making their way towards them. They yell and holler at each other and cheer, feeling triumph from cornering their prey. It’s going to be them who get the wanted poster reward money. Them who will get their hands on those rare, special, bright feathers. 

They do not hesitate to approach and attack.

Scar is tightly holding onto Grian, unwilling to let go. He’s going to protect him with everything he has, and if right now that’s just his body? If it means being a shield? He’ll do it.

He’s in his vex form, which allows the wounds to heal, but they still hurt. It still feels desperate. It still feels like there’s a limit, and the enemies are approaching, cautious around the clearly feral vex. 

Scar’s going to have to let go of Grian if they have any chance to fight them off here.

He pleads and begs, asking for Grian’s attention and trust, hoping for some coherency. Hoping, to all hells and back, that Grian can do this last thing. That he won’t run, that he won’t give up, that he won’t give himself over in some misguided attempt to protect Scar. (There’s no protecting Scar here. He’s on that wanted poster as well, after all. He’s already caught in this skirmish.)

There’s only one thing for them to do.

Fight.

So he looks at Grian, trying to anchor his panicked gaze, and begs him to fight with him. 

Please, fight with me. Please, Grian. It can be the last time.

And Grian nods. He rubs the tears out of his eyes. There’s nothing else to do here. He’s going to stand by Scar’s side and do his part in their survival, like always. Even if it might be the last time. (Grian definitely thinks the last time means something else here, but he’s willing to take as many hunters down with them as possible.) (He also thinks this just proves his point that he’s a beacon and he’ll draw danger to Scar, constantly, always, until they die.)

They slip into something learned, feral and fierce. A flash of steel and claws, blue magic and violet feathers. The panic and exhaustion take second place, pushed away entirely by a haze of a fight, blood gathering on their hands as they cover each other’s back.

It’s violent. It’s vicious.

This is how the hermit rescue party finds them. 

They’ve never seen Grian and Scar like this. They’ve never seen a scene quite like this one. But the fight is far from over, and more hunters are coming, and— The hermits don’t really get time to process what they’re seeing—what any of it means, a reflection of a year of horrors—they simply rush in to help.

Scar is relieved to see them. They can now see that Grian is alive! (And they can help keep it that way!) And Grian can see that there really is hope!

Except Grian isn’t really processing that this is their friends. His mind is completely haywire, adrenaline loud in his ears. This makes no sense to him, and he doesn’t have the space to stop and pause and take it in. It’s staticky and numb and far away, nonsensical to his frightened heart. The coherency evades him. 

There’s nothing here for Grian but blood and death and Scar Scar Scar Scar.

He barely dodges an arrow aimed at him and pounces at a hunter who was approaching Scar from the side. There’s no hesitation in his motions. No pause or remorse about fighting to death on a permadeath server. About killing, ruthlessly and brutally. It’s long since past the time when thoughts like that felt like they hold any weight.

The hermits quickly assess that this isn’t going to go well. The fight won’t easily be turned in their favour if they’re overwhelmed by numbers. They need to go. Now.

They don’t get to tell their plan to Scar and Grian. There’s no time. There’s no real way to explain anything in this chaos of a fight. They simply act.

It’s Cub who manages to get close enough to vex-mode Scar, snapping a bracelet on his wrist.

Scar barely registers that there’s something against his skin before he feels a sharp yank as he’s teleported away, without warning or consent. 

Disorientedly, he finds himself on a ship, the surroundings quiet where before everything was loud. Cub is there with him, and so is Doc and Ren and Impulse. Xisuma hurries into the room, eyes wide, asking if Scar’s okay.

Scar isn’t okay, because he is here and Grian isn’t.

Scar isn’t okay, because Grian was ready to give up and sacrifice himself before Scar found him, and now he's alone again.

Scar isn’t okay, because Grian is terrified and Scar isn’t there to help. He isn’t there to keep him grounded. He isn’t there to keep him alive through this. He—

 It doesn’t matter that Cub promises they’re coming. So very sure the others will join them very soon. Any second, really! Aaaaany second.

Scar’s going ballistic on the ship. Gone full vex brain, and they can’t snap him out of it. Doc tries to restrain him with his bionic arm, since it can resist Scar’s claws. (Scar does not like seeing a creeper right now, either. He’s not thinking straight.) Scar’s hair is still white, eyes shining blue, vex magic rampant in his veins as feral panic floods him, leaving him thrashing and yelling at them, demanding to see Grian. (They took him away, he can’t be taken away, no nononono—)

Cub keeps repeating they’re coming. They’re coming.

Scar keeps trying to fight back, get free, get them to listen to him. Insisting, urgent and panicky: Send me back send me back send me back.

A minute passes, then another.

The others aren’t showing up.

Scar’s agitation only grows. He told them. He told them that Grian needs him! They aren’t listening to him. Nobody is listening.

Impulse tells him to trust them.

Scar shouts back that he doesn’t trust anybody.

It’s bewildering and startling and wild. On top of that, Cub is freaking out, because Scar’s still in his vex form, and Cub knows all too well that it’s actively dangerous to Scar to keep holding onto that much vex magic at once for too long. That Scar needs to stop.

Scar won’t stop. Not until Grian is safe.

--

Grian isn’t safe.

The fight is messy and the hermits showed up in the middle of it and Grian isn’t processing any of it. He just knows someone’s trying to grab him, and then Scar is gone, and Grian’s left in an even worse state, everything a cacophony of danger and panic. 

Amidst the chaos of the fight, he does what he knows best: he avoids being touched. He avoids capture, which is what his brain perceives as the hermit rescue party trying to do. They need to get close to him, within touching distance, and put the bracelet on him, and— He isn’t letting them. He isn’t letting anyone near him. (Anyone but Scar.) (But Scar isn’t here anymore.)

Alarms blare through Grian’s head at the loss of Scar—his only source of safety irreparably gone in a way he can’t comprehend—hurtling him deeper into confusion and despair. Everything’s a blur of blood and adrenaline, and he’s terrified.

But Scar asked him to fight, one last time. So Grian does.

--

Scar, too, fights. 

He fights to get free, to get sent back to Grian, somehow, he doesn’t care how just send him back. He’s distressed in a way they’ve never seen, and the more time passes without the rest of the rescue party coming back, the more grim it all becomes. 

Doc is still on Scar-restraining duty. Impulse and Ren are trying to help but are lowkey pressing themselves against the walls, trying to avoid the lash out. Cub’s still trying to get to Scar, urging him to calm down before the vex magic burns him out completely (and literally). Xisuma is anxiously counting every second that the rest of the rescue crew isn’t coming, trying to process the severity of the implications without having all the informations to do so. 

And then, finally, Pearl comes through.

Only Pearl. 

She’s dazed. She’s bleeding.

Scar doesn’t care. He tries to tackle her and demand answers, Doc’s hold slipping, managing to reel him back just in time. 

Everyone’s now on high alert. They don’t know what’s going on down there and they also need to take care of Pearl’s injuries. 

Turns out, Gem triggered Pearl’s teleport to get her out of there when she got severely injured. It’s now only Grian and Gem against a whole bunch of hunters in a world that doesn’t play nice. 

Scar swivels, yanking himself free of Doc’s hold. He grabs Xisuma. “Send me back.”

Pearl’s pleading the same now. She was so close to Grian! She doesn’t know what’s going to happen now that she isn’t there. Now that she doesn’t have a chance to reach him anymore. There was so much blood everywhere. Her injuries throb in a way she’s never felt, dread thick on her tongue like blood. 

She can’t bear the possibility of this going wrong. 

Nobody can.

Impulse snaps to action (as the Unhurt Sane Person™). “Alright, that’s it. I’m going in.”

X, worried for Gem and Grian, lets him.

Which makes Scar more feral, because he also wants to go, and now he knows Xisuma is capable of sending him back. He starts straight up threatening them all, tries to snatch at the controls himself, tries to grab Xisuma by the throat, all the bad things. He yells at them that Grian’s going to die. Can’t they understand??? His words are jumbled and desperate and hard to comprehend, but he needs them to understand. He needs to go back.

His claws are still smeared by blood of the hunters. He’s still in vex form, hair white and eyes blue, fangs sharp. Breath hitching, tears dripping down his chin, heart beating wildly in his chest. He needs to go they need to let him they have to. Grian’s going to die.

Cub decides he has to make compromises. He says they have to send Scar back in. (Scar isn’t going to let go of his vex form here like this.) He makes the call to trust Scar despite all the damage he’s causing here. He approaches him, even though Scar is scary and has been lashing out, grabs his hand and presses a bracelet into it.

He tells Scar, “Save him.”

--

The second Scar spawns back down, he is welcomed by Grian’s visceral scream of pain.

His first instant thought is a harrowing not again, vividly remembering how he found Grian that very first time in this world. How close to death that ended up. How awful it was. 

He wanted to never hear that kind of sound again. And yet he keeps hearing them. Screams of pain he’ll never be able to forget.

The scene that greets him is dismal. 

Grian’s on the ground, his wing tangled into a trap that keeps dragging and ripping at it. There’s a lot of hunters trying to approach the trap—they want to kill Grian so he’d stop thrashing and tearing his wing apart, because they don’t want their precious money-making wings destroyed. Gem and Impulse are slightly off to the side, getting overwhelmed as they’re desperately trying to keep the hunters on them and away from Grian.  

It’s a blur. Scar rushes through the hunters, drawing blood as he goes, mindless and with only a singular goal in mind: get to Grian. He doesn’t care if he’s getting stabbed or sliced in the process. (It’ll heal. It’ll heal. Grian might not.) A growl rips from him, low and deep and feral. A handful of hunters startles away from Grian, stumbling out of the mad vex’s path, but it doesn’t save them from their fate.

Scar’s claws are drenched in scarlet, leaving behind an absolute carnage by the time he collapses to his knees by Grian’s side, unable to relax until he can gather Grian in his bloodied arms. 

Impulse and Gem keep fending off hunters, but they also watch this scene unfold in stolen, fragmented little moments, keeping an eye on the two of them. And it’s destabilising to witness, for very different reasons than everything else that’s happened so far.

Because it’s only when Scar has a hold on Grian does some of the white bleed out of his hair, his hands softening from claws into blunt nails and harmless fingertips. 

Because where there were only growls and snarls and seemingly no control, there’s suddenly gentleness and soft murmured words.

Because Scar kisses Grian’s hair as he soothes him, and Grian finally grows quieter and calmer, even though he’s still shivering and sobbing and clearly in immense pain.

Because Grian lets Scar put that bracelet on him so easily, so willingly, clutching onto him, Scar’s name on a desperate, hoarse, endless loop on Grian’s lips. 

It all suddenly makes a lot more sense. (They messed up taking Scar away.)

--

They all get teleported out of there, this time Grian included. 

It isn’t pretty. The trap that tears at his wing and leaves him hopelessly ground-bound is so firmly attached to him that it gets teleported with him, its sharp edges buried deep into the flesh of Grian’s wing.

He keeps freaking out whenever someone tries to approach, making it impossible for them to help.

It’d be best if Peal could come and take a look. She’s a moth hybrid, not an avian, but she still knows more about wings than any of them. (She should know a lot about Grian’s wings, their relationship once almost sibling-like, but she looks at the tangled, bloodied mess that Grian is, flinching away from her, and she is terrified, finding no traces of that bond in Grian’s frightened gaze.)

 Scar keeps holding onto Grian, blindly eager to keep everyone away as well, attuned to Grian’s panic. But his worry wins over, his adrenaline-muddied mind unable to figure out the trap without assistance.

So he eventually allows Pearl to approach.

Grian has different ideas. He’s having none of this. He doesn’t want anyone near his wings.

Determined and not seeing much of a choice here, Pearl crouches as close as Grian allows. Scar’s blocking Grian’s view, trying to redirect his attention and keep him calm through the waves of frantic, leftover but still very real panic. (He’s using his wings to block the view.) (Cub cringes at the state of them. They all do, actually, momentarily stunned but determining that this isn’t the time to ask.) 

Pearl is just close enough to inspect the tangle, and just far enough for it all to be out of reach.

It’s hard to see, through the blood and the feathers and various other bits that she really doesn’t want to think too much about.

Trying to take control over her trembling voice, she does her best to navigate Scar through it. It would’ve been so much simpler if she could do it herself—it’d probably avoid some mistakes and more damage, and it’d be faster. (Verbal navigation with frenzy-muddled thinking is difficult.)

But Grian can’t can’t can’t

Scar’s hands tremble almost the entire time. He’s still on an adrenaline rush. He’s exhausted from his magic usage—even having his wings out is a struggle.

At one point, Pearl tries to lay a soothing hand on Scar and he jumps.

And it just really settles then—that, wow, they’re both really messed up, aren’t they?

--

Scar ends up being the one to bargain with hermits. Bargaining is a strong word, it’s more of a list of demands, really. Safety lines, kind of. Grian’s still not processing quite right that this is happening—it’s a numb, almost dissociative feeling; he knows these are his friends, but he doesn’t understand how this is real, and his feelings are nonsensical and haywire. He feels very far from normal. (He doesn’t remember what normal is.) He doesn’t want anyone near.

They’re given lots of potions in lieu of a more proper medical examination, and a private shared room. Scar’s always the one to answer the door, on guard, tense even as he slips on an easygoing smile most of the times. 

They’re given new comms, which they tuck away and promptly forget about, completely unused to such a thing. 

Once things settle a bit, all the startling differences come into focus. Cub points out that Scar’s got new scars, and everyone notices his stark white streak in his hair. (Not to mention his tattered wings.) On top of that, Grian is scarred now too. And they hold themselves differently, twitching and flinching, curled up and quiet. Guarded and unapproachable. 

Everything feels horribly precarious. The hermit crew skirts the topic of what that world was like, what happened to them, never quite managing to ask in any meaningful way, even as the questions burn on their tongue. 

They’re not going to get any answers. Not now. Not for a long time.

Nothing but hints and flashes of fear in eyes and marks written deeply into skin, to stay forever, carry across respawns (which will now be a real possibility again, but it’s a concept Scar and Grian don’t know how to grasp anymore.)

The rescue crew sends a message home, to warn the others. Telling them to be careful and maybe not approach too fast. It’s vague, devoid of details. They themselves don’t really understand the triggers, after all, feeling confused. The journey home isn’t long enough for any of it to properly settle, a mere two days worth of travel until they’re within reach of Hermitcraft.

So of course the messages don’t make much sense to anyone waiting home on Hermitcraft. Everyone’s simply hyped and excited that this’s been a success, that Scar and Grian are going home!

They organise a welcome party.

It doesn’t go well.

Grian and Scar spawn in, not expecting to be instantly surrounded by people friends. It’s chaotic and loud, everyone cheerful and celebratory, ready to throw themselves at the two of them—

Except Grian’s backing away now, lowkey having a panic attack, and Scar’s protectively standing in front of him, shielding him, used to block the view of Grian’s wings on sheer instinct. Everything’s too much all at once, an onslaught of noises and people crossing lines before either of them are ready for it, and—

Well, Grian runs.

Scar, who has a slightly more solid understanding of how they’re meant to be safe now, falters. (His emotions aren’t settled at all, but he can somewhat rationalise it to himself.) (Grian can’t grasp it just yet at all.) He mumbles an anxious and slightly startled “Sorry— This— No.” Before he bolts after Grian.

The rescue crew sighs, telling the others they shouldn’t have done this. The welcome party was a bad idea. But nobody really understands. They can see now that, clearly, it was a bad idea, but they’re left reeling, trying to catch up to it. (Scar’s white streak. Grian’s scars. The panic in their eyes. Scar’s protectiveness. Grian’s fear.)

They’ve been looking forward to this reunion. They’ve spent weeks, months, feeling despair and hopelessness, an empty space left on the server where two beloved, pesky members of their family should be. And now they’re left standing here, in the wake of what should’ve been a happy occasion, all kinds of confused and concerned and confused.

Everything is far from ideal. 

They’re going to take a breath, have an (unproductive) meeting about this, and do their best to figure out what to do about this situation.

Grian and Scar, in the meanwhile, are going to dig a hidden bunker. (The others had a house prepared for them, near the shopping district, lively and easy to visit.) (They didn’t even get to tell them.) 

Well.

This is going to take some time.

But they’re home now. They’re home, and one day, that revelation is going to properly sink in.

Until then, they have each other. (And everyone else, waiting and ready for them. <3)

[devilledeggz]

chonny jash is making a will wood power hour

i am going insane wacky one may even say crazy im losing it its happening they locked me in the rubber room with rats boys its over for me sorry

[housecow]

Do you have any topless photos/videos from when you were... Less heavy(?) because it'd be really hot to see how the hang has changed as you've expanded

looking back i really don’t have many pics braless/topless omg… when i was smaller, i much preferred wearing bras when i could (even while sleeping) but. now that im huge it’s impossible to find comfy bras so… i let them hang out n do their thing 🫣

but here are the pics i do have!! i forgot they sat so pretty without a bra omg

[heartorbit]

find another role, carry on the show

[molinaesque]

"You know what inspires me? When there's no one in the house… and I'm all alone to do whatever I want." - Walton Goggins, Mulholland Distilling (2023) (x)