#ppl are sleeping on him

[lalitjdsc]

HE’S SO BABY 💔

[toxooz]

also been thinking abt pooki with his cunty scarf💅

if my next drawing post isnt the comic update take me out back and shoot me like a sick dog

[lotus-pear]

ok gayboy

[wuthering-tempest]

dads and the pet they didnt want

[sengenism]

The Ishigamis and The Gifts of Science

Dr. Stone is a love letter to humanity and its sciences. The main character, Senku, often acts averse to all forms of affection, and the only love he doesn't deny is his love for science. But Senku is so so full of love. He just expresses it in a way other than physical touch or words of affirmation. He gives.

But let's go back to the one who taught him so– Byakuya Ishigami, his father. The love of Senku's life.

Byakuya is introduced in the tenth chapter of the manga as a dotting father who sells his car to present Senku with scientific instruments he will need for a more efficient research. This car is Byakuya's means of transportation, and given that he is crying and shaking in this scene, it could not have been easy for him to lose it. But his love for Senku is so big, that he wants to support his son's passion even if it means sacrificing a great convenience for him.

And Senku? Senku truly fell in love with science at this moment.

If there is anything that Senku is, he is Byakuya Ishigami's son through and through. They may seem like two very different people, as Byakuya is an openly affectionate guy while Senku is more closed off with showing his true emotions. But Senku takes more from Byakuya than not, and one of them is by showing his love and/or care for others through giving the gifts of science.

And it starts with Byakuya.

[Bodysuit Acquired!]

Byakuya had failed his first attempt at being an astronaut ten years back, but he doesn't give up and tries again. Senku then creates a bodysuit that manipulates muscle movement to help Byakuya pass his swimming test. And while the bodysuit doesn't quite help Byakuya to swim, the thought Senku had put into it had motivated Byakuya more than ever to pass the test. This is one of the fundamentals of gifting– sometimes, it really is the thought behind it that matters.

This motivation is what Byakuya credits during his interview with JAXA for passing the tests. He understands that Senku might not have given him any words of encouragement, but this bodysuit was all the words that were needed between them. Senku wants Byakuya to achieve his dreams just as badly. It's the way Senku shows his love for his father.

And it's the way Senku shows his love for others too.

[Glasses Acquired!]

One of the primitive aspects of the Ishigami village is that it considers bad eyesight as a type of "disease". Fuzzy disease, to be exact.

Suika wears a melon mask at all times to help clear her eyesight, which Senku later reveals is due to the pinhole effect. She, however, has never told Senku or the others about having the fuzzy disease. Senku himself notes how odd it is for her to wear a melon around, and confronts her about it once he decides to create glass. This is one of the most beautiful scenes in Dr. Stone, as Suika finds out that her disease was never a disease, and is finally able to see as clearly as the others. Senku basically gives her perfect eyesight, something she didn't even know was possible before.

[Antibiotics Acquired!]

One of the most beloved people in this village is the priestess, Ruri. Two of Senku's new friends, Kohaku and Chrome are deeply affected by her unknown fatal disease. Senku is such a person who would help a stranger even if there is no benefit to do so (though he would never admit to it), what more a person who his new friends truly love and care about. He cures Ruri of pneumonia, giving her a chance to live a life without the worry of it being her last day every day.

[Cola Acquired!]

Senku forms an alliance with Gen, who plays the role of Tsukasa's spy, for the promise of a bottle of cola. Both Senku and Gen are aware that the cola is only a front for Gen's loyalty to Senku and the Kingdom of Science, for Gen needs his superficial reputation as a comfort and cannot simply join them if there is no personal benefit for him to do so.

This cola is also the first gift post-petrification that Senku brands himself on, probably because it represents the first gift that is not out of necessity and leans toward a comfort/luxury that they both used to enjoy in the modern world.

For a modern man such as Gen, drinking his favourite soda in the stone world might have been one of the happiest days in his life.

[Cotton Candy Acquired!]

Senku cares about people so much, even if the people in question have tried to kill him. Senku sees Homura as a soldier who is merely following the orders given by her leader, but he also sees the Homura as a lonesome girl sitting by herself on trees day and night.

As usual, Senku hides his kindness and care by showing an evil ulterior motive, such as turning Homura to their side using the cotton candy, but Ruri points out that this is a facade. Similarly to Gen, a person with such an ego is unable to seem as if he is doing something good out of the kindness of his heart.

[Stove Acquired!]

As winter approaches, the elders in the village are worried about losing people to the cold. Senku hears about this and creates a stove which has a multi-purpose of cooking and also radiating heat for the people to stave off the coldness of winter. And speaking of winter...

[Christmas Acquired!]

Senku hangs up lights in the tree for the "light bulb test" on a random night. Except the date isn't random at all and he drops enough hints for Gen to catch on that it is the night of Christmas. The significance of the day is only appreciated by Gen and himself, as they are the only modern timers in the village. It is for the sake of nostalgia, but Senku would rather be caught dead than admit that he is a sentimental guy with such irrational feelings.

And well, it all comes back to that scene with Byakuya, doesn't it? If you recall, Byakuya calls himself "Santa" while giving the scientific presents to the young Senku. This indicates Senku received them during Christmas. Which means... Christmas is a sentimental day to Senku and his father. An anniversary of Senku receiving his Christmas presents from Byakuya, which led to his deeper dive into his science obsession. The beginning of it all, one would say.

And even though he's dead and buried, Byakuya never stops giving. He gives Senku the Ishigami village to provide Senku with allies. He gives Senku Lillian's music, because he believes in the light of music and understands the importance of media to society. He collects platinum till his last breath, because he believes that Senku will need it someday. Byakuya keeps on giving to Senku, because his love for his son is so huge and unconditional. And because he promised.

Surely, there is no greater love in the manga than Byakuya's love for his son and Senku's love for his father. Byakuya could easily win ten billion best father awards... well, not like there's much competition for that in shounen mangas.

[kaogens]

Vash and wolfwood having a nap

sobs a little

[bastardofharrenhal]

ppl wrongfully get on sansa's case for calling jon her half brother. she isnt calling him slurs! shes not calling him a dog or a horse or a bastard, shes calling him what he is! her half brother!!!!!!!!!!! yes sansa can be classist yes she likely was influenced by cat's view of jon yes she can be rude but getting miffed that sansa calls jon what he technically is to her is weirdo behavior

[thelastdayalive]

[x]

[einsatzzz]

Happy Birthday Hibari, my king 👑✨🎉🎂🐥💜 This is my contribution for the recently held Hibari Kyoya Cupsleeve Event, it's so fun!

[cenvast]

Laios, Monsters, & Toshiro: On Racialized Desire and Identification with the Other

Arguably, the most significant part of Laios' character is the societal ostracization he faces because of his non-normative interests and behavior. For the majority of his life, Laios struggles socially, and other humans mistreat him. When he rescues Marcille from the Nightmares, his nightmare dredges up his inability to fit into school and the army. During his early dungeoneering days, he's lied to and exploited by his fellow party members.

One of his earliest and most formative negative experiences with people is his village's abuse of Falin as a magic user. He shares that after the villagers discovered that she can use magic, "adults who were just kind yesterday, all began to bully [her]." Instead of protecting Falin, his parent tell her to leave the village. The prejudice Falin faces and his parents' response to it upsets Laios to the point that he leaves home.

While Laios cares about his friends, the Demon points out that Laios understandably does not care for people in general. Laios doesn't disagree with the Demon's assessment and suspects that the Demon "can sense all [his] thoughts." The Demon goes on to say that Laios actually "despise[s] all humans." Laios denies this assessment, but given the Demon's uncanny ability to sniff out people's desires and Laios' ashamed expression, at least part of Laios likely agrees with the Demon. It's not a stretch to assume that he's held onto some hurt and resentment towards humans due to their mistreatment of him and Falin in their youth.

In response to how human society has othered him, Laios distances himself from humans and invests his time and energy into monsters and demi-humans instead. In the DunMeshi world, monsters and demi-humans are the ultimate societal Other. People fear them, exploit them, and even hunt and kill them. As someone who's similarly been mistreated by human society, Laios resonates deeply with monsters.

His desire to become a monster and/or beastman reflects his desire to reclaim agency over how society has ostracized him. If he chooses to become a monster, he gets to place value on what society has deemed despicable. He gets to choose why society hates him and be different on his own terms.

Both textually and thematically, Laios' identification with the Other bleeds into the erotic. More blatantly, he says that he'd have sex with orc women, and his succubus is a monstrous version of Marcille.

The entire story is also steeped in the theme of consumption as carnality. Laios and his party spend the entire manga eating monsters — a taboo physical act which they reap pleasure from; the underlying eroticism isn't difficult to see.

The story also presents consumption as a form of extreme identification. Eating a monster makes the monster part of you through digestion. The line between consuming the monster and becoming the monster — between erotic desire for the monster, demonstrated by eating their flesh, and identifying with the monster — is very blurred. Note that digesting a monster is an act of absorption; it destroys the original creature. Senshi states that consuming a monster erases "its individual identity," and major manga spoilers, but Laios defeats and pacifies the Demon by consuming its desire to eat. We'll come back to this concept later.

As previously mentioned, Laios is disinterested in most humans. The notable exception to this rule is Toshiro and by extension, the Eastern Archipelago. Laios doesn't seem to know much about the Archipelago before speaking to Toshiro, so he isn't drawn to Toshiro because he's an Easterner. Instead, he's drawn to his "odd appearance."

Just like Laios views monsters and demi-humans as a visible Other, Laios views Toshiro as another visible Other. On the Island, Toshiro stands out as a foreigner at first glance. While Laios as a white tallman doesn't appear visibly strange to other people, he's drawn again and again to people and creatures who are immediately visibly "odd." He sees them as understanding what it's like to be different and be mistreated for it, and since he relates to that experience, he wants to learn about them and be closer to them.

Essentially, Laios behaves towards Toshiro and his culture the same way he behaves towards monsters; he wants to know everything about Toshiro's foreign culture — the thing which makes him different. Unintentionally, Laios unintentionally reduces Toshiro to being Japanese; if he wasn't Japanese, Laios would never have approached him.

While Laios doesn't have bad intentions, as Toshiro himself acknowledges during their fight, his behavior towards Toshiro still has negative consequences. Laios' harmless interest in monsters translates to fetishization in the context of Japanese culture. He enacts multiple microaggressions against Toshiro and crossing his boundaries.

Laios goes beyond merely learning about Japanese culture. He takes parts of it for himself when he names his sword a Japanese name. Akin to his consumption of monsters, Laios attempts to participate in Toshiro's culture while failing to respect Toshiro himself. Just as eating monsters destroys them, Laios consuming Toshiro's culture while enacting racism against him causes real harm.

Many people have already written about Laios' microaggressions towards Toshiro, but a couple include Laios telling Toshiro that he looks "odd" and asking where he's from, mispronouncing his name as "Shuro," and assuming his favorite food is rice. Laios' treatment and fetishization of Toshiro is racist and harmful. However, I'd like to dive beyond the surface of Laios' micro-aggressive remarks and examine how his obsession with Toshiro becomes a racialized mode of desire, paralleling real world phenomena.

Though no concrete canonical evidence of Laios' feelings towards Toshiro being romantic and/or sexual exists, his interactions with Toshiro have erotic undertones. Their fight dialogue, in particular, revolves around eating, an act the story consistently shows as carnal. During this fight, Laios places his thumb in Toshiro's mouth and asks him, "What's the point of even having a mouth?" Laios' penetration of Toshiro's body via his mouth and his question's potential as an innuendo lend themselves to an erotic reading of the scene's more obvious conflict. Considering the overlap between consumption and carnality throughout the story, it's not a large jump to read eroticism into Laios demanding Toshiro meet his body's physical needs.

Furthermore, Laios is more enthusiastic about Toshiro than any other human in the series. While he cares deeply about his sister and his friends, Laios repeatedly expresses how much he admires Toshiro. He retains and brings up things like Toshiro's (perceived) favorite food. He wants to go to the East in Falin's place after she rejects Toshiro's marriage proposal, and in the "What-If" extra material, he's adamant about setting up a scenario where Toshiro travels with him through the Dungeon.

Undoubtedly, Laios is drawn to Toshiro. Since he sees non-white-ness and monstrosity as equivalent markers of societal othering, Toshiro's identity as a foreigner is what cultivates and maintains Laios' interest in him. Even if Laios learns to care for Toshiro as a person, his desire for Toshiro, platonically or otherwise, is still filtered heavily through race within the narrative.

Laios' relationship with his masculinity is also fraught. He broke off his engagement with a girl from his village and doesn't express normative interest in female tallmen. Seeing how the nightmare versions of his parents ask him when he's going to give them grandchildren, Laios experiences societal pressure to conform to a normative performance of masculinity through being attracted to and marrying a tallman woman and creating a family with her.

Laios frequently talks about how cool and admirable Toshiro is when he performs masculinity through combat, etc. He might find Toshiro's Asian masculinity more appealing and more accessible to him than the masculinity that's been forced onto him, precisely because Toshiro's Asian masculinity appears non-normative in a Western lens. But co-opting the masculinities of men of color as a white man would only further feed into the white consumption of cultures of color.

Overall, Laios' entitlement to and consumption of Toshiro's culture mirrors the real-life way white people co-opt and fetishize non-white cultures. Laios' fetishistic treatment of Japanese culture, because of his attraction (platonic or otherwise) to Toshiro, parallels white people's treatment of Asian people in the Western diaspora. I can only speak on the Asian American experience, but Laios immediately being drawn to Toshiro's "odd appearance," obsessing over his culture, and primarily treating Toshiro as a conduit for his said culture feels eerily close to how some white anime and/or K-pop fans act towards Japanese and Korean people.

Similarly to Laios, real queer, neurodivergent, and/or otherwise non-normative white people are marginalized by white Western society. They relate to how society others non-white cultures and/or people of color and latch onto them. While forming human connections based on curiosity and shared experiences is wonderful, white people are often unaware of the racial dynamics at play when they engage with non-white cultures and people of color and unintentionally, end up consuming and fetishizing non-white cultures in detrimental ways.

None of this negates the reality that Laios and Toshiro canonically care for each other. For instance, Toshiro's willingness to hug Laios reveals his genuine familiarity with and affection for him. The racial dynamics of their friendship complicate their relationship in fascinating ways and open up a potential path for Laios' growth. With time and effort, Laios could absolutely unlearn his racism and become a much better friend to Toshiro.

In conclusion, Laios' behavior towards Toshiro is a study in a marginalized white person's identification with and racialized desire for a non-white Other and how even a well-intentioned attempt at connection can replicate harmful racist dynamics. Toshiro's experience with Laios closely parallels real Asian people's struggles with racism and fetishization in our world today.

[zzzx009]

Do y'all ever think of post-corruption skk where dazai gives chuuya soft comforting kisses while carrying him back home or is it just me 🥺

[sleepiestoken]

vessel is fr evidence to never to give up on your weird freak shit even if no one understands you

[arty-holly]

I just watched the first 4 eps of tbhx and can we talk about how with the singular exception of Wreck, no one cares that Nice is dead? NO ONE. Not his managers, not the girl he knew for 3 yrs, not Firm man , NOT EVEN HIS FUCKASS FANS. Like in Ep 4 when Lin ling tells the truth, they’re like " Nice is dead? But wait that means it was Linling who cried for Moon at the wedding, Oh how romantic ~ " Do you people even have one drop of compassion.

I think Wreck deserves the crashout of the century.

[enden-k]

sleepy wife loml bbg etcetc sketch 💕

[skunkes]

[infernothechaosgod]

Oh no! it appears i have tripped and falled as i did so my

Dog man licks people he loves because thats how dogs show affection ofc counting in petey we all know that it really annoys him but after enough time and getting closer petey starts to rub himself on dogman since thats how cats show affection and it confuses the hell out of him

Headcanon falled out of my pocket!