#pov!aziraphale

[hattersarts]

drew some book!husbands. they feel like they've taken more traits from each other than the show.

[mrghostrat]

being a writer and an artist is actually fucking wicked because i can write aziraphale into a cute outfit and think "GOD what i would give to see that" and realise "abt 2 hours actually"

and then! i get to see it!!

Worst of all, it was cold all the time, which meant Aziraphale was rugged up all the time, looking totally soft and pink-cheeked and cheery in his never ending range of thick knits, which made Crowley want to scream into the nearest pillow and/or bite his own hand off.

[daneecastle]

Reversed Veil of Worlds:

Crowley's POV

10/20 pages

1-5 | 11-15 | 16-20

[crowlixcx]

Now that you're gone Was what I did so wrong, so wrong That you had to leave me alone?

Careless Whisper by George Michael - The Brainrot Series

(requested by @seven-stars-in-his-palm & @sabotage-on-mercury)

[beebopboom]

imma cry…

look at them

[somehow-a-human]

Whose POV is it anyway?

An Introduction

DO NOT ASK NEIL ABOUT FAN THEORY

Cracking down on the storytelling of Good Omens season 2 through the lens of a changing narrator.

If you haven't read this interview with Good Omens cinematographer Gavin Finney, and you're interested in the fantastic dedication and detail that went into this TV show, definitely give it a read. Not only is it lovely, but Neil also posted the article with a caption mentioning that it's got so many secrets in it. Obviously that made me take a closer look.

I have already gone into a fair bit of detail about the different Lens Filters that Finney mentions in the article in a separate post and I will be referring to them quite a bit so if you aren't familiar with them I would suggest reading that first!

This first post is going to cover the basics of changing narrator/POV's and I'll be writing additional posts for separate episodes/minisodes/scenes since there's obviously way too much to cover in a single go. So shall we take our first look?

It's no secret that something's a *bit weird* with season two, and there are SO many theories about it. I love to read speculation, metas, theories, and opinions, it's definitely fun but my personal ideas align more with the idea that we're simply being shown the events of season 2 through the memories of multiple narrators, different POV's, and it slightly skews the story, sometimes within one continuous scene.

I am also a sucker for a good multiple timeline theory but that isn't this post.

Lens Filters

As I stated above, I wrote a post about each of these individual filters earlier. What I didn't go into in that post was speculation about the filters. While I think they're pretty straightforward, especially the filter for hell (Black Pro-Mist ((BPM)), I think the other two have a bit more room for speculation.

Bronze Glimmer Glass

BGG was described by Finney as being used for 'bookshop scenes', but after S2 back numerous times and paying as much attention as I could to the lighting and colouring of the scenes, I think this is generally true but not always true. There are times when bookshop scenes seem to use a different filter, and other locations also seem to be shot with the BGG filter as well. I think BGG aligns with Aziraphale's POV. Or if Not Aziraphale, an outside-of-Crowley narrator? Based on the scenes (which we'll specifically get into in other posts) which BGG seems to be used, context clues, character behavior, etc, I think BGG clues us in that we're seeing, if you will, through Aziraphale's eyes.

Black Diffusion FX

BDFX was described as being used for 'Crowley's present day storyline' and fuck me, that's not ominous or weirdly phrased at all Mr. Finney! This filter definitely aligns with Crowley. Most of the time he's separate from Aziraphale it seems that this is the filter being used, and certain scenes switch filters mid-scene when he begins to go off on snarky Crowley-centric commentary.

Catch-22 & Herzog

The books on Gabriels bookshelf, great books obviously, but I think books that are also meant to give us context about the story. Pride and Prejudice is a love story about making snap judgements on someone's character, and coming to recognize somebody might be good despite their title or appearance. The Crow Road is a story about life, death, love, morality, mystery, and God. 1984 details the tragedy of Julia and Winston's attempt at falling in love while living under in a police state. You see my point?

That's why I wanted to touch a bit more on Catch-22 and Herzog specifically when talking about the possibility of changing narrators/POV's in Good Omens 2.

Catch-22 frequently switches narrator and the events described are often not necessarily sequential. This way you're getting information about previous scenes as the story continues, so while you're reading the book you're forming a more complete image of the events as the story continues from different characters POV's and iterations of the story. Sound relevant?

Herzog is the other book I wanted to talk about. To be fair I haven't read Herzog in full like I have Catch-22 but I pulled out my copy to reference and flip through a bit to remind myself. Herzog unlike Catch-22 doesn't switch narrators but the narration by the main character, Herzog himself, switches between first and third person throughout. When he is narrating through his letters, you get a deeper look at his thought processes and emotions. It also relies on flashbacks to bring context to the life of Herzog.

While these books touch on other elements that are relevant to the Good Omens story, namely Yossarian's relationship and views of God in Catch-22, the way these stories are told intrigued me for this context.

Crowley's Hair

Yeah I'm gonna mention the hair, because I think the hair is linked. Crowley's shorter sideburns, trimmed mutton chops in the 1827 flashback, and shorter Job wig seem to be clearly aligned with the BDFX filter/Crowley's POV as far as I can tell. I don't know if this means it's just another way to denote POV, but it seems way too consistent not to mention it. The longer sideburns, fuller mutton chops, and longer Job wig all match up with Aziraphale's POV or the BGG filter. My thoughts here are that his hair is another hint of who may be relaying the information to us, AKA is it internal or external. I am making my best guesses though and there are still some situations that I feel less sure about. For example, when Aziraphale takes the Bentley to Edinburgh and Crowley is in the Bookshop with Jim his sideburns are long, is it because he's remembering these scenes unreliably? Is Aziraphale imagining the events? Is it because Jim is present? A brief fluttering thought I toy with from time to time is the fact that in the before-the-beginning scene they are long, and what that means in context of the rest of the season.

S2 Promo Posters

Finally this set of season 2 promo posters showing the characters thoughtfully considering scenes in their heads just gives me a lot of these POV vibes.

I'm planning on doing individual posts for specific scenes, episodes, and minisodes that require detailed breakdowns. I'll update this list with links as the posts are finished!

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

POV Bodysnatchers & Cosplaying a bookseller

POV 1941

POV The Ball

POV The End?

Whose POV is it Anyway - a Conclusion

[crowleyholmes]

The thing that gets me so much about the kiss though, among many other things but this one i just never stop thinking about (and i'm sure it's one Crowley doesn't stop thinking about either), is how despite how shocked Aziraphale was by it and how scared and overwhelmed he was and how dangerous he knew it was (because he knew the Metatron was most likely watching), and despite the fact that he Forgives Crowley for it afterwards and breaks his heart, he didn't pull away. He didn't push Crowley away, either. And he easily could have, I'm 100% sure. Sure, Crowley was holding him in place by his coat lapels but still. Aziraphale could have turned his face away, could have pried Crowley's hands off, could have pushed him by the shoulders, could have verbally protested... but he didn't. In the end it's Crowley who ends the kiss and lets him go. Aziraphale wanted it just as much as Crowley did. But he was scared and confused and completely overwhelmed, and of course he falls back into old patterns. Plausible deniability!! Put on the front of the Good Angel! What do good angels do? Oh yeah, they forgive! It's their favorite thing! The good angel forgives the evil demon, look, Metatron, we're both doing exactly what we're supposed to be doing!!! Aziraphale is - stupidly? pointlessly? maybe!! - throwing up this facade, this ancient front they have always been forced to hide behind, to keep them both safe!!!

But at the same time, he IS angry. There is definitely some sincerity in that "I forgive you" he spits at Crowley. Because if there was one thing he never wanted to say in response to Crowley finally, finally kissing him, it's "i forgive you". It's pushing him away and breaking his heart and breaking them up, to keep them both safe. To give them a chance to do what they have to. But Crowley forced him to. And he doesn't even see it. Of COURSE Aziraphale is fucking devastated.

[lickthecowhappy]

Ineffable Prompt-a-thon

Prompt: Eye contact (Hard not to make eye contact when your entire body is covered in eyes- even under your wings.)

Ineffable Prompt-a-thon Repository | Main Poetry List

look at you all four faces blushing gleaming like burnished bronze radiant wings hiding your nervous hands body covered with stormy eyes shyly gazing into mine you're gorgeous

Ezekiel 10 describes the cherubim with four faces, human hands under their wings, gleaming like burnished bronze, and covered in eyes all over their bodies.

@ineffablyruined

[edelweiss-buttons]

at the hozier concert. straight up thinking about it. and by it? haha, well,, let’s just say. aziraphale and crowley

[onlylurkingreadingstuff]

I saw a recent reblog you did where you listed some fic recs and then tagged with your fic preferences, which are pretty much my own, favoring canon compliance fics where they're angel/demon (though I have read some 'temporarily human' AUs I've liked). Do you have a collected rec list? Or any more recs you might toss out? Thanks so much!

Oh gosh yes.

I’m going to assume you have already explored the other fics bu the authors in the first rec post I made- everything by @redfacesmiley, @books-and-omens , @racketghost , and Drawlight/ripeteeth is a stunner. Also dig through equestrianstatue and @darcylindbergh for real gems.

When I’m reading I find a fic I like, dig through all the author’s other fics, then look at the author’s bookmarks because I figure if they wrote something I like that much, they saved things I’ll like too.

Fell free to dig through my AO3 bookmarks- they are completely unorganized and I bookmark things I want to read later or think I might want to read again, basicly anything I might want to find again- so I haven’t even read all of them. BUT! Here are some more of THOSE FICS for me:

It's Funny Because Nobody Ever Says “Burkina Faso” by indieninja92

TIME LOOP TIME LOOP TIME LOOP!!!!

So funny omg. Azi is just DONE and I am here for it. It’s a locked fic to AO3 accounts so I’m not sure if the link will work-

What I shed for You by @darcylindbergh

This fic- this freakin fic!! I did not think I would ever go for a fic that was NOT azicrow but oh my god this one is so good.

But You My Dear Are An Ocean by megzseatle

After nursing his broken heart, Crowley moves on. He gets a cottage and relocates to South Downs to start over, and finds himself beloved in a small town where the people take him under their (proverbial) wing. His new friends are in no mood for charity when his ex shows back up- while Crowley might be able to forgive Az, the townspeople have a harder time with the bastard that broke dear Anthony’s heart.

If I’ve had a bad day and need to cheer up, I read this book! Omens sweet story.

…And if I’m in an emotionally stable place I will read this angsty heartbreaker. So beautiful, just so good.

Idiot/ Guts (and a load of Warbirgon’s Farmhouse White) / Ellipsis by @theyellowestmustard

A little slice of perfect right here.

I also love outsider POV criptids of soho stories- here are two good ones, one set in a coffee shop and one in a bakery.

[suzypfonne]

This is beautiful @klikandtuna

Why? Love.

-Neil Gaiman

[daneecastle]

Reversed Veil of Worlds

Crowley’s POV Pages 10-15 out of 20.

1-5 | 6-10 | 16-20

5 more pages to go. Crowley has figured things out after having to repeat his wedding with the love of his life. How will he fix this?

[melbatron5000]

Things that can be explained by POV switches

If you haven't read this analysis, you should start with that!

A list:

Crowley's hair and sideburns changing.

2. The Bentley changing. When it's Aziraphale's perspective, it's a four-door. From Crowley's it's two-door.

3. Gabriel's statue and the disappearing cross. From Gabriel's perspective, there's a cross. From Beelzebub's there is not. I wonder if it's because Gabriel sees himself as bearing some sort of burden?

4. Honolulu roast sign in Nina's shop. I wonder if that's because we switch to Nina's perspective, she knows the sign is there, she hung it. But someone notices it and someone doesn't.

5. Differing title/location cards? I bet they will give us a clue as to whose perspective we're about to see through if we pay attention to how they change.

6. The drawing of Gabriel being different when Aziraphale draws it versus when he shows it in the pub. When he draws it, we're seeing through his eyes, but when he shows it, we're seeing through Crowley's.

7. Possibly the Resurrectionist pub sign -- one of Mr. Dalrymple with a cleaver, one of him with a scalpel. Someone remembers him as a butcher, someone remembers him as a surgeon. I think we can tell who.

8. The vanishing/reappearing storefront signs in Whickber street. Someone knows exactly what shops are where, someone doesn't notice.

9. The streets and castle in Edinburgh when Aziraphale visits -- cobblestones versus paved; the castle in the background in every shot from every angle.

10. Several of the weird background noises can be explained by POV, but I don't think all of them.

11. Crowley's sunglasses changing? That one is iffy to me. Because they're silver for half the show, then black for the second half. If that were a POV switch, you'd think they'd change back and forth more often.

12. Crowley throwing books. And being nice to Jim. And wearing sleeve garters. He's telling Aziraphale on the phone what's going on, and we're seeing Aziraphale's image of it in his mind. That's almost certainly not what happened, but the gist is close enough.

13. Aziraphale's over-the-top reporter cosplay right after he is gently amused at Muriel's over-the-top constable cosplay. He's telling Crowley on the phone what's happening, and Crowley is imagining how it's going. Aziraphale's reporter persona is probably not as inconspicuous as he thinks, but it's probably not as cute and silly as Crowley imagines.

14. Gabriel not coming down the lift in the Dirty Donkey. Maggie and Nina see him first, they don't know about the lift, so they see him just walking down the street, not getting off a Heavenly elevator. He probably wasn't wandering around anywhere else -- but he does say he had to carry the box for soooo long, so maybe he was roaming around . . .

15. The high number of queer couples in the show. Both Crowley and Aziraphale are more highly tuned to humans who present as they do when in human form. It's probably not that there are more queer couples around, just that A and C take more note of them.

That's everything from my Murder Board that I think POV can explain. If anyone has other weird things that can be explained by seeing them through various character's eyes, I'd love to know!

And there is still PLENTY that can't be explained by POV. PLENTY. AND the POV changes mean we're not only seeing what they think is happening rather than what is, we're also NOT seeing anything they don't want known. We have to look where the furniture isn't.

[ollieyeti]

what's the oxrib equivalent the other way 'round

[somehow-a-human]

Whose POV is it Anyway?

"Your 'Something's Wrong' voice."

DO NOT ASK NEIL ABOUT FAN THEORY

Hallo assorted ethereal and occult beings! I'm back to break down the POV of different scenes in detail! Starting with episode 1, and notably, the coffee shop scene when Crowley comes to meet Aziraphale for the first time in present day & the argument about Gabriel!

For reference & context, I recommend reading these posts:

Whose POV is it Anyway? - Introduction

Lens Filters

Let's jump straight in!

We open Season one's present day with Crowley and Shax on the bench in the park, and in this scene the Black Diffusion FX filter is in Full Effect, and Crowley's sideburns are short.

The color is well saturated, but still cool-toned and bright, indicative of Crowley's POV.

Then when Aziraphale visits Maggie, listens to his music, and Gabriel arrives to Aziraphale, the Bronze Glimmer Glass filter is used.

The lighting is warm, golden, soft & hazy. Aziraphale's POV.

This brings us to the coffee shop scene.

I've stolen this photo from @embracing-the-ineffable 's post about The Appearing Honolulu Roast Sign which you should go check out if you haven't yet. But I'd like to draw your attention to something subtler here, the tone of the top two images and the bottom two. Pull up the episode and watch it if you'd like as well.

When Crowley walks into the coffee shop and sits down, the lighting is warm and hazy, because Aziraphale had been there alone so far. There is then a cut, Crowley's sideburns are short, the Honolulu Roast sign notably appears, but the scene is also noticeably (if you're looking for it) clearer and more vibrant, the warm haze is gone. I think we've switched from Aziraphale's POV to Crowley's POV here, and I think that's then confirmed by Crowley immediately beginning to give Aziraphale a bit of a a read about his "somethings wrong voice". We're broken out of Aziraphale's fairytale filter POV into Crowley's which is a bit colder and more realistic.

They then head back to the bookshop where Crowley discovers Jimbriel.

As soon as they're in the door of the bookshop the warm hazy Bronze Glimmer Glass filter is back and Crowley's sideburns are long. He removes his glasses, he's relaxed, and then he's jumpscared out of his boots by Jimbriel. Aziraphale's POV.

Crowley drags Aziraphale to the backroom and despite the warm yellow paint on the walls, the hazy warm tone is gone and I believe we've returned to the Black Diffusion FX filter, or Crowley's POV. Additionally, his sideburns are short again. Crowley is angry, terrified, and stressed now. He's not the kindest with his words and refuses to help Aziraphale.

When Crowley storms out, his walk back through the bookshop is marked by another POV change with longer sideburns, in the warm hazy tones of the BGG Aziraphale filter, and a notable shot of him retrieving his glasses beside the plate of eccles cakes. Two details that I believe would stand out in Aziraphale's imagination and mind. He would notice Crowley's eyes, and remember the eccles cakes.

Outside in the street, Crowley's sideburns are once again short, and the filter is cool toned again, indicating we've switched to BDFX or Crowley's POV again. He's angry, he's struck by lightning, and gets in the Bentley to angrily drive off.

NEXT

POV a Trip to Hell and a 25 Lazarii Miracle

[zeldahime]

AO3 | Squidge

Aziraphale, you're wilder than the wind and stronger than a storm.