#posts like these talking about character designs and such won't all be this long

[gingermaple]

hi im trying to keep it professional here but may i request you to talk about your thought process/design inspirations behind your Tango? I don't think I've ever loved a Tango more than i love yours

i'm so glad you like him so much!!! he's definitely one of my favourites to draw :D

most of my mcyt designs follow a similar pipeline, where i create a first design that is simple; based on the skin, my impression, and common fanon ideas. then later down the line i throw all of that out the window and shoot them with my patented Creature Gun.

so originally, tango was just A Guy. (see this post for an idea of how he looked) until i woke up one day and decided that he needed to become an absolute fucking critter.

i went into my very first draft of a new design with a few basic ideas that i wanted to follow:

Generally small, but have his clothing/accessories be big

Have the red glasses be a major design element

Be some form of lil critter with a tail, paws, and big ears

Be as shape as possible (this was the most important aspect to me)

Here was my very first pass with those concepts in mind:

More under the cut:

the first thing i realised was that i accidentally inverted the red and black on his outfit, the second thing was that he had come out looking somewhat rodent-like, so i decided to build upon that idea in my second draft, as well as further exaggerating his glasses and proportions:

i liked this much better, but decided he still wasn't shape enough, so after even more stylization, i eventually got to a point where i was happy, and we ended up with the critter of all time!

along the way, i also ended up with a rough idea for what he even was, that being a hybrid of my own made up rodent-adjacent mob that would live in the nether. which i ended up sharing an idea for in this post, thought i'll probably expand further upon the idea in the future.

overall i am insanely happy with how his design turned out, and i'm overjoyed that other people feel the same!

please never hesitate to ask me about my designs/my design process! i have so many thoughts that i'd love to share and a lot of the more fully fleshed out designs have a good amount of concept art that likely won't be seen outside of these sorts of asks.

[mingtinys]

what dating seventeen feels like

pairing : seventeen x gn!reader

headcanons , fluff , misc

warnings : none

word count : 1.1 k

requested ? no

a/n: just a small collection of the things i love in life that i associate with seventeen

choi seungcheol

falling asleep on the couch and waking up in bed. chocolate-covered strawberries. the kind of love found in romcoms. expensive dinner dates and champagne.

cologne that lingers on your clothes and bed sheets. tight, bone-crushing, hugs. his hand almost always under the hem of your shirt, skin to skin (it grounds him). him letting you win when you play wrestle. cute aggression victim.

having a rock to hold on to amidst a raging current.

yoon jeonghan

diving under a crashing wave to find calm, gentle, water. rollercoasters with big drops. feathers. lavender fields. leaving the theater and realizing night has fallen.

always saying the same thing at the same time (it scares seokmin). naps on the couch. sending each other pictures of weird-looking animals with the caption "you" or "us." partners in crime. braiding his hair.

having not only a boyfriend but a best friend in jeonghan.

joshua hong

warm blankets, fresh from the dryer. pancakes and orange juice in the morning. raw honey. the scent of freshly baked bread. scented candles and wax melts.

lives up to the gentleman title. opens doors, bides by the sidewalk rule, lends you his jacket, etc. acts! of! service!! fighting over who pays the bill (he's actually ambushed your waiter to pay before you can even see the check). domestic, mundane, slice-of-life type of love.

a honeymoon phase that never ends.

wen junhui

walking down empty streets without a care in the world. morning cartoons. clingy cats. ice cream for dinner. frozen pizza with red wine. airport liminal space hours.

taking pictures of sunsets to send to each other. doodling on his hand. staying up until 3am accidentally. back hugs galore. resting his chin atop your head. him getting as close as possible when showing him something on your phone (i'm talking cheek smooshed up against yours). sleepy jun asking for kisses every morning.

living life in the moment because you know the future can wait for you two.

kwon soonyoung

energetic snow days. sledding, snowball fights, building snowmen. energy drinks and all-nighters. watermelon sugar. summer bonfires. the ambiance of muffled music through club bathrooms.

zoo dates. always wins you the biggest prizes at carnivals. his favorite place to nap is your lap. sweaty post-dance practice hugs. he gets pouty if you start a tv show without him. baking brownies at 3am. talks about you non-stop to anyone who will (or won't) listen.

excitement that isn't momentary or overwhelming. excitement that makes life meaningful.

jeon wonwoo

tulips blooming in the spring. waxing gibbous moons. amethyst. resting after a long, busy day. the scent of old, yellowed books. rhythmic clicking of a keyboard. warm, smooth, riverbank stones.

re-adjusting his glasses for him after every kiss. let's you design his character's outfits in video games. tells you about the book he's reading like it's gossip. he's always taking candid photos of you. quiet mornings. elderly couples who see you two are reminded of how they fell in love.

defining love not by how much it's said, but by how it's felt.

lee jihoon

thunderstorms that lull you to sleep. shiny, red guitars coming to life with smooth melodies. the crackle of a fire. rosemary. empty highways at night. lightning that strikes twice.

morning coffee dates at home. napping on his studio sofa while he works. quality! time! absolutely spoils you every chance he gets. pretends to act all cool when you catch him staring. writing songs for you. his hand routinely finds your knee when he's anxious. he prefers intimate and private acts of affection to the alternative.

cherishing all the little things that make your relationship important.

lee seokmin

wishing on dandelions. blue skies. morning dew on grass. golden hour. that burning sensation you get in your lungs when laughing too hard. iced lattes.

always asking permission to kiss you. so, so attentive. falling asleep on facetime. pillow forts. lots, and lots, and lots of nose kisses. him never wanting to leave you in the morning. "five more minutes" type of guy. his favorite feeling in the world is making you laugh.

finally knowing what it means to love someone so much you'd give the world for them.

kim mingyu

sleeping by a window with the sun warming your skin. hearing your favorite song on the radio. silky white sheets. first date jitters. first love. receiving a bouquet of roses.

admires you so, so, much. talks about you 24/7, much to his members' annoyance. (jk, they love you, they just like to tease him about it). literally a sponge the way he starts picking up your habits and slang. he's physically incapable of rejecting your puppy-dog eyes. likes to lay sprawled out on top of you. he'll often seek you out if he needs a little extra support.

the feeling that comes with knowing you've found "the one."

xu minghao

the autumn leaves changing. winter constellations. a solar eclipse. the quiet of a house before everyone wakes. those cozy granny-square blankets. white wine. laughing at scary movies.

wine and painting nights. him always making two cups of tea. art museum dates. swaying together to music in the kitchen. him secretly being a sucker for your doting. has your mannerisms memorized and prides himself on it. somehow always knows what to say when you're feeling down.

growing, learning, and experiencing life alongside each other.

boo seungkwan

warm, summer air. mystery flavored lollipops that somehow taste like every flavor all at once. rosy red cheeks.

teasing each other and inside jokes. nicknames like loser, stupid-head, idiot etc. (affectionate). hours long gossip sessions. kisses that taste of coffee and tangerine chapstick. stars in his eyes whenever you're doing literally anything. having his undivided attention.

resident happy pill and mood-maker seungkwan knowing he can let his mask fall around you without judgement.

hansol vernon chwe

watching city lights blur past in the passenger seat of a car at night. cereal at 1am. falling asleep while watching tv. poorly handmade, yet meaningful gifts. assorted candies. buying road trip snacks.

communicating with a single look. ice cream dates in the middle of winter. speaking purely in movie and tiktok references. late-night conversations that take a weird turn. (you've once debated if aliens would like pineapple on pizza). pretending not to notice how shy he gets when initiating physical affection.

loving the strange, bad, and hidden parts of each other as much as the good.

lee chan

the comforting buzz and motion of a subway at night. toothy smiles. watching reruns of your favorite childhood show. surprise parties. the first snow of the new year. concert lights.

driving at 2am, singing at the top of your lungs. random dance parties in the living room. getting noise complaints and giggling about it. pillow fights and board games, competitive, yet both trying to let the other win cause it'll make them happy. asking him to open jars. him getting exceptionally giddy to open said jars. (you're completely capable, but know he likes to feel needed).

making each other's inner child feel safe.

[cripplecharacters]

hello! feel free to ignore me if this is slightly outside the boundaries of this account, but i'm a tabletop roleplaying game (ttrpg) designer looking for opinions on mechanics for disability in games.

my game specifically covers a lot of themes that, while not about disability, would make me feel remiss to not include some explicit mention of how physically/mentally disabled characters fit into the greater picture of the game. it has a specific focus on telling stories of diverse characters, for one, and on fighting the unfair capitalist systems that harm these marginalized groups.

my issue lies in how, exactly, to both treat this topic respectfully and make the characters not feel out of place or unbalanced. i've considered several options, and was curious to hear from a physically disabled perspective how to proceed (i am mentally ill & neurodivergent, but to my knowledge not physically disabled).

option one: mention that disabled characters of all kinds are encouraged, and talk about roleplaying them or provide resources for how to handle them respectfully, but don't apply any specific rules with hard mechanics or numbers to them. this option is least likely to be inadvertently misconstrued or written poorly on my part, but may make disability feel like a "flavour" side note.

option two: provide examples for some common disabilities on the mechanical effects (such as a low vision character rolling less dice on rolls to notice visual details) without any "counteracting" mechanics. this one gives mechanical weight to disability, so it feels less like an afterthought, but may discourage people from playing disabled characters as they would be more likely to fail than other characters.

option three: the above, but with mechanical incentives for roleplaying in a way that acknowledges the character's disability. a "benefit", but less "giving a blind character echolocation" and more "gain XP for showing your characters disability and any aids they use" (similar mechanics exist for following your character's goals/personality traits). this would make disabled characters be more on par mechanically with other characters, but i fear it may come across as... viewing disabled characters as not worth it without some sort of benefit, i suppose?

apologies for the long rambling message, but i'd love to hear which of these options (or another suggestion) you'd be happiest to see in a game written by someone who isn't physically disabled! this is far from the focus of my game, but it's still an important part of the greater theme that i'd love to be able to get right. thanks! (similarly, if there are any groups not covered in the "underrepresented but common disabilities" post from your FAQ that you'd want to see in a game, i'd also be happy to hear those!)

Hello!

First things first, thank you so much for thinking about this! This isn't something that most TTRGs consider and, as a massive nerd who plays DND, Pathfinder, and other tabletop games, this has always been a big pet peeve of mine since making a disabled character is always unnecessarily hard to do with the game mechanics and rarely works out well.

Most of the time, I have to talk to my GM about how to make it work in their game and, unfortunately, I'm often told they won't allow it because it's "too much trouble".

This is all just to say, I really love the idea here and the fact that you're actually thinking about these things and wanting to do well by them is great!

Now, taking a look at the options:

Option One

One of the unfortunate things that I see a lot is people that are too scared to get something wrong with representation (Or social justice on a broader scale) that they don't try to do it at all. With this current era of cancel culture and people's reactions to what they deem 'offensive', it's understandable to be a bit apprehensive but if you're approaching the subject from a place of respect and you're receptive to learning and improving, most people will appreciate the effort.

While this option does sidestep the main issue you've identified, I do think it sidesteps the attempt at making disability part of your game as well. You can encourage people to make disabled characters all you want but without any real content for them in the game, it won't do much.

If you do go with this option, I'd strongly suggest including some information on the culture of your world and how it relates to disability, both to provide more substance to the content and to give players a bit to go off of when making a disabled character.

Option Two

I like this option much more than the first one, though I do agree that it may discourage people from choosing to play a disabled character.

Within the game mechanics, I think it makes a lot of sense to have these kinds of effects but I would encourage you to include more variety with it. Disability isn't 'one size fits all' and two disabled people can have different needs, strengths, and experiences -- even if they have the exact same disability. Instead, I'd suggest going for a slightly different model that includes more choices.

For example, a character with low vision may:

- Roll lower on perception checks involving vision

or

- Have disadvantage with ranged weapons/attacks

or

- Have lower rolls/less success in dim lighting

Do you see where I'm going with this?

Having more options for how the character's disability affects them allows players to make a choice for how they want to play the character while also encouraging them to think more about how their character's disability might affect them and impact their life.

The examples given are all reflections of how blindness can affect somebody. Blind spots or blurry vision can make it more difficult to notice certain visual changes, severe nearsightedness can make it difficult to aim/focus on things that are far away, night blindness can make it difficult to see in the dark or in dim lighting, etc. That being said, there are dozens of other ways to go about this (Though I'd advise sticking to five options per disability at most to avoid overwhelming people).

Option Three

Personally, I like this one and the second option the most. Although I understand where your concerns are coming from, it feels less like it's implying that disabled characters have to be 'worth it' and more like it's just balancing it out.

Like with the second option, I'd suggest going for more of a choice model here where the player can pick what 'benefit' (For lack of better word) that their character has -- or even to choose no benefit at all.

Many physically disabled people develop our own skills or tools to compensate for where we struggle, whether this is an intentional decision or just something that happens.

For example, my boyfriend is paralyzed from the waist down and uses a wheelchair full time. As a result, he has kick-ass upper body strength from it.

Similarly, many deaf and hard of hearing people are more observant when it comes to visual cues and many blind people are more sensitive to other senses (Though, of course, the whole 'super senses' thing is a myth).

While this isn't true of all disabilities or all disabled people in general, it is something worth considering.

That being said, if you do decide to implement this option, make sure that the benefit makes sense for the disability or is related in some way and isn't just something random being tacked on -- that would make it seem more like a 'disabled characters need to be worthwhile' thing.

As a few extra notes:

If you go with the second or third option, I'd suggest separating the different stat effects into different types of disabilities. You don't need to go too into specifics with it but something like 'low vision/blindness/vision loss', 'deafness/hearing loss', 'limited mobility', and 'chronic illness' would work. While disabilities are more nuanced than this in real life, setting it up this way would keep it pretty simple and allow players to tweak the mechanics slightly for their own characters.

If you go with the first option, I'd probably avoid discussing how to roleplay disabled characters. Because roleplay and character development is much more open than stats and game mechanics are, showing one or two 'proper' ways to play a disabled character is more likely to reinforce stereotypes, dismiss certain experiences that disabled people have, or just come across as more of a 'lecture' than anything. The same goes for including information on what to avoid. I'd stick to providing information about your world and how disabilities are seen in them instead of giving instructions here.

I'd suggest including ways for players to bypass the mechanics of disability if they'd like to, even if their character is disabled. That would allow for a bit more freedom with how they portray their character and would also ensure that they aren't being 'penalized' (For lack of a better term) with their stats for playing a disabled character. As a bit of an example of what I mean: A character in DND could have been a criminal growing up without necessarily taking the Criminal/Spy background.

In general, I think as long as you're approaching this respectfully (Which you are!) and reaching out to physically disabled people for their input (Which you are!), you don't have to worry too much about misrepresenting it.

Cheers,

~ Mod Icarus

[hetalian-veteran]

Art Styles I Personally Think the Hetalia Characters Looked Their Best In (and Why) Part 2

Link to Part 1, Link to Part 3

Please note that I am referring to the show and not the webcomic. This is primarily because I didn't always have access to the webcomic and thus the show is what I've always been most familiar with. I will also refrain from talking about characters that have only appeared in one season.

Also, please keep in mind that these are just my opinions. And if you have any different ideas of what designs looked better, that's totally okay. At the end of the day, I'm just here to have fun.

America: Seasons 1-4

It was kind of hard to choose which design was best for America, seeing as they are all very similar to one another while also having different qualities that I liked. But I ultimately settled on the one from the first four seasons. I adore the WWII bomber jacket, as well as how the character in general was animated back then. Not to mention that the older art style just fits him so well. A lot of Americans have an "if it ain't broke don't fix it" attitude about things, so I find it fitting that, at least in my opinion, this also works for aph America. He looks great everywhere else, but I won't deny I have a nostalgia for the original. This was an exceptionally close tie with his design for season 5. Not to mention I once drew aph America fanart for an art project in middle school and got an A on it.

England: Season 5

Okay, I'm gonna be real here. This all came down to the eyebrows. Well, not entirely, but it definitely played a large part. I never had a problem with England's design in seasons 1-4, but those eyebrows though. They were so distracting. I understand wanting to give characters a prominent feature that makes you go, "Yep this is (insert character here)." But I think England's eyebrows were too overdone in the previous seasons. However, I also believe they were far too thin and lightened up in seasons 6-7. Season 5 had a good balance. Not too thick but not too thin. Also, I feel like his facial structure and design made him look kinda weird in season 7.

China: Season 5

So... I'm gonna be honest here. All of the other designs for China make him look like a young girl to me. Yes, he still looks sorta feminine in season 5, but not like he appears in seasons 1-4 and 6-7. In season 5 he actually looks more like an adult man to me. Not to mention his hair. Because holy crap that is some of the most beautiful hair I have ever seen put to animation

Russia: Season 6

This was a close tie between all his designs, but it ultimately came down the hair. Yes, I know, I talk about the characters hair a lot. But that really was the deciding factor for Russia. All his designs look great in that the long coat and vertical lines throughout give me the impression of a Russian nesting doll. Now, whether that was intentional on Hima's part or not, I cannot say. But it's a cool detail that I always notice whenever I see him. When it comes to his season 6 design, I like not only how innocent he looks (which is an important part of the design Hima intended from the beginning), but that his hair has some more fun detail too it. It looks so soft and fluffy, not like the previous designs that made it look like he had water dumped on his head.

France: Season 5

What can I say about this design that hasn't been said already? The only other character who had a bigger glow-up than France was Spain (who you can see my opinions on in a previous post). Literally everything here is an upgrade from his design through seasons 1-4. His hair looks so silky and soft, not like that yellow plastic we had earlier. Also, the hair ribbon tying it back looks so elegant and refined, fitting perfectly with the character. I also love the small detail of the ribbon being the same color of his eyes. It's a nice touch. His outfits this season are great as well. They are very simple, but still elegant, with soft, curved lines and balancing both warm and cool colors. Especially in his outfit during the Joan of Arc episode.

Canada: Season 5

I think I'm starting to have a favorite season in terms of character designs here. Canada just looks his cutest here, primarily because of his outfits. He has one of the most adorable and cozy wardrobes this season, and I want to raid this man's entire closet. I love the flannels and cozy jackets and hoodies that he has. As someone who grew up most of her life in northwest Montana (which, if you ask the rest of the US, is basically just lower Canada), I think I have to be a little biased here. Canada's design gives me the feeling of home in a way, and this is definitely a wardrobe that I embrace for a time growing up.

Austria: Seasons 1-4

The hair curl in his cowlick hits harder here, just getting that out of the way. There's more of a curl to it, which is more reflective of Himaruya's art style. And even though his wardrobe in the latter seasons is great, this one all around looks better to me. I like the royal blue lined with the deep red. And the cravat is just a fabulous detail that I love. Now that I think about it, everything about this design just feels very Himaruya. Like, this is one of his best character designs. There's also the placement of the mole on the bottom right-hand side of his face. In other designs, it's not as prominent. But here it's easier to see. I feel like it makes the design all the more unique.

Hungary: Seasons 1-4

THIS. This design for aph Hungary is top tier, and nobody can convince me otherwise. Something that has always intrigued me about Hungary is that she was raised primarily around men. So much so to the point where she saw herself as one growing up. But when she got older and realized she was actually a woman, she ended up adopting more feminine clothing and characteristics. Aph Hungary is a female character who balances both feminine and masculine traits. And her design from seasons 1-4 emulate this balance perfectly. Her long hair is a pale brown color, and her eyes a dark green. Unlike later seasons where she's given long, shiny, elegant hair and sparkling eyes. She's often found wearing either military uniforms or pretty dresses. We even see the evolution of her fashion from child to adult, where she goes from wearing her hair shorter to wearing it longer and with a flower. Her design encapsulates the idea that, yes, she is a woman. Yes, she is feminine. But at the same time, this is someone who has seen war and battle. (I might have to do a separate post about Hungary, because her design and character are honestly fascinating).

[minecraftorangesheepjpg]

You! Do you want more minecraft shows? Do you like watching beautiful, intriguing murder mysteries for free on youtube? Do you know about Whitepine?

i rewatched all 3 episodes of whitepine, and i wanted to write a somewhat-cohesive opinion on it, because clearly not enough people are talking about it. i mean, episode 3 has been out for 4 days, and it still only has 123k views. which is an atrociously small number for a show this good.

so, whitepine is a kind of series that you will watch without your phone. the visuals are both captivatingly beautiful and important to the narrative. the pacing is unhurried and calm, letting you savor every shot. however, i wouldn't call it slow or boring. i was afraid that it would be too serious or melancholic for me, or that it is a horror story, but that wasn't the case at all. it's a murder mystery set in the early XX century. the story is centered around a household of the wealthy Hemlocke family, where the main character, Ivory, is a newly-hired maid. Ivory is quiet, shy and agreeable - not exactly a typical main character for a minecraft production. Ivory's progression through the story is genuinely interesting to watch, and i find her actions and words very realistic. actually, all dialogue sounds natural, which is.. pretty hard to achieve.

voice acting is surprisingly good. don't get me wrong, i love minecraft roleplay with its amature acting, but it doesn't mean that i don't notice the flaws. whitepine, however, sounds almost professional, which is a result of actors' amazing work and Ivorycello masterfully matching the actors to the roles. speaking of sounds, whitepine has incredible sound design! not only is there music that Ivorycello composed (and played, i think) herself, there are also actual sound effects - rustling of bedsheets, bird songs, clatter of plates - everything! - that help to interpret actions and scenes that are hard to show within minecraft.

speaking of minecraft - this show is not minecrafty at all. game mechanics have no bearings on the story and are not referenced at all. this is neither a praise nor critique from me, just a fact about the show.

i highly recommend turning subtitles on, at least for the scenes with muffled speech or a lot of characters talking. ah, yes, whitepine has great, human made subtitles in english and... wait.. how many languages?

the only con to watching whitepine is that you will want to watch more whitepine, and it is an on-going show. but it is so worth the wait, i promise you.

okay, last part of the post. whitepine = good. whitepine = intriguing. whitepine = beautiful. i love whitepine. you will likely love whitepine too. and i won't even tell you to go search for it, i'll just give you the link right here. here, take it. click that link. ep1 is 30 minutes long. and if you like the piano soundtrack, here it is. you don't even have to look it up.

[am-i-the-asshole-official]

AITA for backing out of an art exchange because the person who pulled my name has an art style I really don't like?

In the fandom based Discord I'm in we had a small art exchange last month. Everyone got randomly paired with someone else to exchange art based on their prompts.

I'm a big believer in all art having value and that people enjoy different art styles, but unfortunately the person I was paired with has a really specific art style that I just.

Honestly, I hate it.

Our fandom is soft-anime style, think something like Genshin or similar art. Anime but more rounded off, 3D style.

However this artist has a really sharp, angular, honestly a little strange kind of art style that makes the final result look nothing like the original character design at all except for features like their clothing being the most obvious clue as to who they are.

If you ever read the really old Roald Dahl books with the super pointy, triangular art style, its kind of like that. Huge, super sharp pointy chins and noses, super long faces, all of the eyes drawn in the same long, sideways triangle style.

Its amazing that they have a style they like, but its 100% not my style and I really didn't want to have to fawn over it and share it across my socials when it is clearly the opposite of the art style I like.

I wound up pretending I had an unexpected work trip which meant I had to back out of the exchange (which actually wound up being true, but the trip was only 3 days so it wasn't like I wouldn't have had the 3 other whole weeks to work on my side of the exchange.) I was super polite about it, because again, its not my style but its theirs and I'd never deliberately make someone feel bad about their art.

Well, turns out some genius in our server forgot we all follow each other on Tumblr too and made a post basically laughing about how I had the balls to get out of it and how funny and smart they found it.

The mods sent a screenshot of it into the server and said bullying would not be tolerated and I got a warning for bullying. I pointed out I hadn't lied about the trip and I wasn't even the one who made the post, but they blacklisted talking about it further and made a new rule that if you fail to participate in future exchanges for anything less than like, someone dying or whatever, you get removed from the server completely.

All around nobody is happy about any of it, and there's talks about voting to just veto exchanges completely both because nobody wants to single people out and nobody wants to be forced to fawn over art they don't like.

I'm mostly angry with the person who poked their nose in because before they said anything it was completely fine with me and the other artist. They understood completely, we joked about how shit work is, and they were just going to do an art piece for the server as a whole which I thought was a really cute outcome, but now both of them have gone silent in the server and won't reply to anyone.

What are these acronyms?

[sugar-grigri]

I think I remember you making references to Fire Punch in a few analysis post so I assume you've read that one, but have you read Goodbye Eri, and if so do you have any particular thoughts you want to share on it? It might be my favorite, although it's hard to rank Fujimoto's works because there's something different I like about all of them.

Hi Yuta! or is it Fujimoto?

2022, Goodbye Eri is released and I'm in for a huge slap in the face! I've finally got the chance to talk about it, so thank you!

It's hard to come after the war after this one-shot has been the subject of so much analysis, interpretation and criticism. But I think it's a work that's deliberately designed to be a trap, and the first mistake would be to try absolutely hard to determine whether Goodbye Eri is true or false. 

Trying to detect the true and the false is futile, not that it's really impossible, but arguments could be several pages long and the theories put forward would remain mere hypotheses because no explicit confirmation is given. Quite simply because this is not the aim of the work, nor a satisfactory way of reading it. 

For example, when Yuta's father seems to be getting angry with Eri, we understand from Eri's "And Cut!!!" that it was all a set-up. So, as a good reader, we can only assume that what follows is pure reality. However, the father, now an actor, if he should play his line differently.

As another illustration, when Eri is close to death and Yuta are talking, there are a few hints that they might have a relationship, but this is denied by Yuta himself, in a discussion with Eri's friend. 

The film plays with this to such an extent that all sorts of theories are possible. It could just as easily be interpreted as there being only two films (on Yuta's mother and then on Eri's death), two films but in different ways: one about Yuta's mother and a second film about Eri, as a vampire, with the end scene played by Yuta's father and by Eri before her death.

This explains why, even after Eri's death, Yuta continues to film because the film isn't actually finished yet, the editing being there to reverse the scenes played chronologically, to make it look as if Eri was still alive, and so on. ..

As you can see, it all makes sense, and our preference is purely personal because they all work. But I'm not going to play that game, because it only shows me one thing, and that's that the plot surrounding Eri is deliberately obscure. 

I've seen a lot of people describe Goodbye Eri as a work about dealing with death - the way we want to remember those we've lost, etc... It's about mourning, symbolically saying goodbye, hence the title. Which is true! But it goes further than that.

Eri's plot is deliberately obscure because the right way to appropriate the work is not through her. She's the character we know least about. Physically alone, we learn that she wore glasses and braces. Mentally, she was more annoying than she seemed in the movie. Eri is a mirage in which we won't find answers, so we have to learn to say goodbye.

The only reliable information given in this OS is that everything is filmed by Yuta's phone. And in reality, you know Yuta better than Eri, so it's him you should turn to...

Hi Yuta!

Yuta is almost never shown in this OS, as he is always filming. And when he is shown accurately, it's when he's inspired by other films by watching them with Eri, in other words, he's continuing to work on his own film by watching others. 

Yuta's first film began as a result of his mother's narcissistic desire, as he was celebrating his birthday, discovering his gift, a smartphone, all of which was directly taken over by his mother, who asked him to film her until she died.

By keeping only the good sides of his mother, ignoring all the abusive parts of her, Yuta does not follow his parent's wishes, he does it for himself, showing what he himself wants to retain from his childhood, his story, in order to move forward properly.

But as everything is filmed, it gives the impression that the videos have been passively lined up without any sorting, without any choice. Yuta takes his revenge because he refuses to film his mother until the day she dies, stopping before then, preferring an explosion to conclude his film. It's brutal because it's as if Yuta's tastes, his little touch of fantasy, are suddenly surfacing, while the rest of the film is just as personal, just as him. So when his film is mocked, it's a work so personal that Yuta wants to die. 

It's not insignificant that it's Eri who intervenes, whose only certainty was that she loved not only the films but also Yuta's, simply because she saw not only Yuta's mother in this film but also him, whom she considered to be the best character. She wasn't revolted by the ending, because she was aware of Yuta's touch throughout the film. The same ambiguity then resurfaces, we don't know if Eri is in love with Yuta, she corrects him to say that it's these films, the two are so linked, that liking Yuta's films is tantamount to liking the teenager. 

Yuta follows Eri's desire to produce a film that is above all personal to him, to the point that when Eri sees her last moments narrated by him, she sees Yuta more than herself, because she is seen through someone else's eyes. 

For me, there aren't two or three films, but just one from start to finish. Because you see, we've said goodbye to Eri, we've got out of her tricky story to reflect on Yuta, but we still haven't stepped back enough. Because you know who made the film, and it's not Yuta, it's Fujimoto. So, third stage :

let's salute Fujimoto. 

The film we've just seen in this OS deals with a number of overlapping themes, the way in which a loved one is portrayed, the relationship with others, death, creation, but above all, the extent to which a work is personal. Goodbye Eri is a pretext for Fujimoto to show us the extent to which even the cutting is the fruit of reflection, is already a message.

In this OS, all the boxes are in the video format of a smartphone, each moving, static shot depends on Yuta, just as each shot is in the third row, drawn by someone.

People make the mistake, like the first audience of Yuta's film about his mother, of relating to works as linear stories to be trusted, even if they film his mother every day, Yuta's editing is his way of counting a story, it is certainly not the truth in all its neutrality. It's only at the moment of the explosion, which expresses the most of Yuta's personality, that people get upset.

This offbeat, absurd explosion is something that Fujimoto punctuates in his works, yet they are both thought out and personal to him. But they are often mocked as a way of poking fun at his work. What Fujimoto is saying is that the work doesn't become brutally personal for the controversial, offbeat moments, just the way he depicts a scene from life is personal. 

People believed this version of the author's mother, otherwise they wouldn't be outraged by this disgraceful way of portraying this nice woman at the end, so in itself, Yuta's film worked. But all this is just a pretext for Fujimoto to point out that he is the author of all his other works, CSM, Fire Punch, Look Back, Just Listen to the Song... They are just like another film made in response to the positive or negative reactions of the others.

Fujimoto likes to trace the common ground between these works, which respond to each other. Each one, placed side by side, is an attempt by Fujimoto to upset his audience a little more, a second or third try.

The mistake is to separate the author's touch from his work, just as we are tempted to focus more on Eri than Yuta. Just as Fujimoto reminds us through this OS, who writes, draws Goodbye Eri. The first part of CSM was turned upside down by the fact that Makima was a demon from the start, abusive to the point of being the antagonist.

A violent and abusive maternal relationship. The design of the mother is also a bit similar. Mentions of the breasts, something that also went down quite a bit and left its mark on a lot of readers because it was so out of sync. The emphasis on cats... A rejected boy. A work focused on female characters.

Goodbye Eri is a work in which Fujimoto makes fun of himself, his works and the things that bring them together. Yes, there will be an explosion if the author so decides. Yes, Eri can live again, be a vampire, if the author so decides, but what's to stop him making his characters die, and then bringing them back to life a few pages later? 

The characters' plots are the authors' playgrounds, whether you like it or not. You can't detach works from their authors, or read works as unrelated things because they were written by the same person. Talking about death, life, mourning, love, with a touch of fantasy is what Fujimoto does in each of them. 

So if you're lost, remember that what you're reading isn't in the title but in the author. 

[fantomette22]

A little something about the students dress

Alright so I was looking at references (to draw a character) and ended up doing a bit of research on academic dresses & graduations uniforms! I only find a couple of things so if someone have more infos I will be very interest!

So in Bloodborne we got those dear uniforms :

The one with the robes is very classic of what people in old classic university still wear for big events and graduations such as in the U.S.A or UK. A decades/century ago they did wore those uniforms of course way more often. Now we wear mostly casual clothes.

(This image always made me think of Byrgenwerth. With the balcony and all. That remind me of a post I made a while ago I have still no clue what those balcony were use for!!!)

At first, I discovered that between a bachelor/licence degree, master degree and phd/doctorate you aren't going to get the same clothes. Plus, colours can differ depending of : the level of the degree, the school or the field you graduate in (can differ depending the countries as well).

Bachelor outfits are the most simple ones with not a lot of colours for most of them. Sometimes they don't have hoods but depends. Sometimes they seems to have very large selves like the Byrgenwerth one. The master ones have a bit more colours and I read generally long sleeves but that depends? Then the phd/doctorate ones are generally very colourful! And like the last sources below v They even had even more beautiful outfit for very important members (so I guess Willem pope outfit still make sense XD)

As for the colors it really depends the country etc but I read red is often associated with medicine and surgery (what a coincidence!). White / purple or even red is for theology and blue could be for sciences (Byrgenwerth/willem researches seems to be quite a mixt with theology/sciences so make sense).

(@katyspersonal we did talk a while back on colours on clothes meaning but hey it had have academic significations that fit well too! So in the end, drawing Laurence with white & red clothes is even more accurate now! XD) Oh I wanna draw him in an entire red academic dress now...Future drawing idea ).

Also I forgot to mentions that there's the hat/trencher that's part of it as well. It's not part of the set in the game but ennemies have it.

Also little side note: some dress have stripes or ermine bands on the clothes that represents their grades and also "academic curiosity, academic honesty, and academic courage."

So i suppose the garb Micolash, Damian & co have would look more similar to a master degree one? I guess?

But I won't throw any rocks at Fromsoftware even if the ones we got might not be too much detailed/ accurate because they sure did their homeworks to find and design those clothes. They aren't historians and they probably found a lot more things than I here (plus Japan don't have those dresses too). They're not going to design like 5 different outfits in the game too XD. (Yes I want more details for my story bc making things way more complicated is way more accurate I guess...) We don't know how exactly those types of institutions fonctions in Bloodborne universe too. And it's a fantasy world after all. So it's free real estate

I dunno if you guys @pyro-madder @karnaca78 @secteel or others could know more about it 🤔

But for now it's all!

Sources :

PS : I found this piece of medieval scholar dress and it really look like the same as the guy in the cainhurst painting and cut content Beltran!

They are probably wearing a "simarre". Some magistrate/ university professor / religious clothes people would wear. So pretty oblivious and what we thought @heraldofcrow

[comicaurora]

These have been pent up for a while, so there's a whole list lol. Some are Aurora, some are not.

1) Can lacrimas carry out multiple purposes at once? Or will they blend them? I'm assuming that this is possible, considering that the automaton in the ruins was using a lacrima as a brain

2) Has anyone tried to make tools or weapons out of lacrimas? I'm talking like chisel that needs no hammer. Or maybe a Fire lacrima on a bow that sets your arrows on fire

3) Can you engrave runes on lacrimas to make them affect themselves?

4) Where can I read more about the Twins? If I'm not wrong they're the creator gods, aided by the Light dragon and the Void dragon to create life, but I might be getting a wrong read on that

5) Since we see Erin successfully become the first Void mage, does that now mean there's potential for him to make a Void lacrima? The dragon probably won't allow it, but still

6) What exactly does elemental corruption of each element do? Fire literally burns you up, as we saw in Arc 1. I can infer that Life likely makes you a chimera. Void corruption makes you a cave crawler. But what do the other one do? Does Earth make you a statue? Does Wind disintegrate you, Thanos style?

7) Now onto the non-Aurora questions, is your art vector or raster? I believe it's vector, but it's always better to confirm

8) What are your opinions on reading into the environment and the character design to infer things about the character themselves? In any type of media

9) Have you played Baldur's Gate 3?

10) Do you have any music that you'd recommend? I've listened to every song I liked so many times that I hate them now.

11) I'm new to Tumblr, anything that I should know? You don't have to answer this one if you don't wanna. I think I know some of the basics already. Reblog what you like, and avoid the terfs, right?

You might be able to tell that I like the idea of the lacrimas a little bit. Just a teensy bit. The artificer in me definitely isn't obsessed. I appreciate any answers you can give :3

Cheers!

Ooh, lots of stuff!

Yes, it's possible. A lacrima can be engraved with multiple spells, set in a casing engraved with commands, or some combination of the two. Typically, all spells engraved directly on a lacrima will activate at once when the lacrima is "switched on", but a spell can be quite complex, and conditional activations are possible - "if-then-else" statements, basically.

Yes, magic items exist.

Generally no. If the lacrima is disrupted or broken, the spell generally stops functioning, so a self-affecting lacrima will run only as long as it takes for the lacrima to distort or break.

There's an extra lore page about them!

He probably could if he wanted to (and the Dragon allowed it) but Void energy is very dangerous, so he likely doesn't want to.

Each form of elemental corruption agitates the presence of the element in the mage's body. Earth corruption can damage or alter bones, encourage unhealthy petrification of soft tissues, etc. Wind corruption can have physical effects but it often most obviously produces breakdowns in the person's ability to speak or understand language. Lightning damages, numbs or intensifies a person's physical senses.

Raster, I draw with CSP's digital pens. I've only very briefly experimented with vector art - I don't like how it simplifies the lines.

I think it's a fun school of analysis but, like all literary analysis, it runs into trouble if it tries to lock down exactly what the writer was thinking or intending (which is an objective fact that one can be incorrect about) rather than trying to analyze the story on its own and what meaning might, intentionally or unintentionally, be factoring into it.

Nope

don't trust my taste in music it's 90% nu metal and sonic OSTs

Like what you like, reblog what you want, generally it's considered dubious form to add a comment to a reblog unless you have something profound to contribute (commenting in the tags is fine), steer clear of discourse and callout posts and generally the sectors of the site that are constantly on fire, blocking someone for any reason is 100% fine

[jsmifty]

ONE MORE NIGHT FNAF AU CHARACTERS - THE SUIT - Part 1

Above is the SpringBonnie suit from my FNAF AU/rewrite called "ONE MORE NIGHT".

More info under the cut!

This is the first of many posts showing off some of the characters designs. I will talk more about the AU itself in other posts, however since this is the first I might as well give a basic rundown, it will be at the bottom of this post. William Afton himself will get his own post but this is just about his suit.

Anyway. This is the SpringBonnie suit from my FNAF rewrite!

I never really liked the completely butt naked suits, it always looked really weird to me. Generally when i draw the other animatronics I stick to the basic canon design (without the clothes), but with Springbonnie I realllyyyy prefer the design with some clothing over the top. idk why, it just makes him look siller.

Also if those things are being worn, I can imagine they're stinking hot during the summer, and I know the three piece suit is probably no better for keeping cool but at least he looks cool while dying of heatstroke. :)

There is also an animatronic version version of the suit of course!

Axe > Knife

The suit (SpringBonnie) was made as a suprise gift for William for the opening (By Henry Emily).

The suit has two varients. The summer varient, and the other one. Specifically in the hotter seasons, the suit is only worn with the head, paws and feet + usually a purple suit.

The other version, is the full suit, which covers the full body (is featured in the small doodle to the left). The full suit sometimes features a bowtie, or an undercoat (just to decorate it a little). And you'd be suprised by how quickly it can be put on. William got springlocked in this version specifically.

When specifically William wears the suit, his hair being too long, pokes out from underneath the head of the suit. It sometimes gets tangled in the springlocks! This makes it difficult to take off, ESPECIALLY if the springlocks are released.

Some more art of him (all a bit old):

---------------------------------------------------

The rewrite, which will be uploaded to Ao3, is split into 4 to 5 parts (it will be put into an folder on Ao3 to make it more organized). The timeline follows off canon for the most part, however most of the events have been organized into a specific timeline. The order of the games specifically that I am following is below.

(if the text is unreadable: FNAF 4 → FNAF 2 + Sister Location → FNAF 1 → FNAF 3 → FNAF 6)

PART ONE is centred before the main six games, and overlaps FNAF 4. It is centred around Henry Emily and William Afton (and their families) during the early stages of their animatronic making endeavours.

The other 3-4 parts have been planned out but I won't talk about them that much right now.

The AU leans a lot more on the characters, their motivations, and their relationships with other characters. It focuses more on telling the story in full than in hints, like the games do.

It is likely not going to be completely accurate to canon, so if the timeline changes with new FNAF releases then big whomp I've already made a timeline and I'm not touching that thing again.

If anyone wants like, a clearer rundown of what the fic is about if you are interested please feel free to comment or go on my asks i really appreciate any interest shown in this project, its annoyingly important to me LMAO

IF YOU READ THIS FAR, THANK YOU SO MUCH!!! like I yap so much, and this is me holding back and ive already written wayyyy to much for a singular tumblr post :( but yeah

If you'd like to see a specific character from FNAF in my AU/Rewrite, feel free to ask!!!!!!!

[votive-candle]

So I've been considering a rebrand on this blog for a long time for "professional" reasons... like changing my username, making an official portfolio with my name to it elsewhere, etc.

This idea has been mostly motivated by this deep insecurity I have surrounding what I would say is either NSFW work, suggestive art, "fangirl" energy, all that. And it's... frustrating, to say the least. And difficult express in a way that's coherent. Because my personal feelings are that art, even art that within the sphere of industry that I want to approach (ie. game art & story design, character writing and so on), should not have to be confined within this box of "sensibilities" that I'm told it should be.

If I was doing fine art like painting, or making installations, or sculpture, I get a sense that this puritanical ideology of self-censorship would not be expected of me. I also get a sense that if I was born male and lived as a man, there would be different industry expectations of me also. If I was a cis dude I don't think a game director would mind if I had a portfolio full to the brim with borderline naked, hypersexualised women and girls with big swords and huge racks (no shade, big boobs and big swords are fun and cool). But -- and again I don't have evidence of this, it's just a hunch -- I somehow get this idea that the way I approach drawing masculine figures? The way I write and express myself through, and speak about characters? The sexually explicit artwork I've drawn over the years, which majoritively does not even show genitalia? I get this gut feeling that this would be much less... palatable (?) in the industry for commercial, media focused art.

I've been drawing sexual content since I was a teen fangirl and I think it's really strange that somehow, as I get older and more mature (and I'm serious here, like really, let that sink in? I was told directly "you're not a kid anymore, potential employers won't like this" in response to shipping art an old tutor saw me post online a few years back?), it's considered in many ways less appropriate for me to produce explicit or sexually themed artwork. Particularly when that art has that air of "fangirl" (or "fan-person" in regards to myself) around it. Because "fangirls" aren't professional, are they? They're vapid, of course. They don't consume art meaningfully, not like strong, stoic men do. No, they just want their shipping and their coffeeshop AU's and their moodboards, and there's nothing creative in that, is there? No "professional practice" there.

I just find that... baffling

I'm speaking from the perspective of someone who is borderline asexual on that spectrum, and always has been. Somehow, professionalism is partly hinged on making your art less exploratory of adult themes, once you become an adult, once you're old enough to understand and properly illustrate the importance of adult themes. Isn't that strange to anyone else? Because to me it feels wrong.

Like I said, I'm borderline asexual. I don't draw sexual content to get my rocks off. I draw it because I find physical intimacy to be one of the most multifascited expressions of humanity between people. Sex and sexuality are so dynamic in their capacity for storytelling. With it (and safely so through fiction, if you're careful about it), you can express and explore so much; passion obviously, love, but also sadness and grief and condolence, malice and rage, heartbreak, self-destruction, self-improvement, excitement, fun, even just friendship.

Sex is beautifully dynamic from a humanistic standpoint. It shouldn't need to be considered this looming force of demonitisation, or an industry blockade. And I understand I have drawings that are too graphic, too NSFW to put in a professional portfolio, to leave online for employers to see. But I'm not even talking about smut here.

Majoritively, I really don't want to distance myself from a lot of this work I've created. It means something to me dude, because these characters and stories mean something to me. Sometimes the drawing itself is just... a technically well executed drawing. I don't want to revoke that because there's an implication of "ooh, someone's touching ass, breast and dick in there!"

Yet by expressing my excitement over that, I do feel cornered. Like I'll never get hired anywhere. Which isn't easy given the struggles I already have with disability, mental health, etc. So I feel a need to sort of give in and retcon a lot of my posts.

I don't like that finding work in the fields I'm interested in kind of hinges on a lack of self-expression, I suppose. I find it bitterly ironic since I want to work in creative fields. It feels like a betrayal of the self and of the purpose of art and good media for grown individuals.

But hey, I guess that's capitalism, baby.

This blog might change a bit in the near or semi-near future. Maybe a new username or profile pic, I'm not sure yet. Maybe a second blog will pop up somewhere. I just wanted to vent a bit on my disdain in having to make these decisions. Beg your pardon.

[the-fluff-piece]

Hi! I love the way you write about the characters in One Piece. I was wondering if you could write a headcanon about Ace, Law, and the monster trio when fem!reader is struggling with low self-esteem issues?

Of course I will! Here is

I love you - PERIOD

Ace, Law and Zoro relationship headcanon with an s/o that is not thin and feeling very conscious about it. 18+ spiciness 🌶🌶

Sanji and Luffy kind of turned into a little story so I'll be posting them separately.

Law

He was raised to be a doctor, all bodies are biological wonders to him, but ultimately just an outer shell that will change, get hurt and will eventually get older - a simple fact of life

He doesn't really think about it - until he notices that your mood gets a bit worse, you're hiding your body from him and reject his advances when it comes to sex. Something is up, so he just asks you "Baby, what's wrong?" - repeatedly. He nods at your avoiding answers, but the questions don't stop. "What's wrong" turns into "if you don't answer me, I can't help you" turns into general irritation on his side.

Baffled, he shows you his appreciation the only way he really knows: without words, but using his mouth anyway. He kisses and caresses every inch of your body, slowly removing all your clothing. Every scar, every stretch mark, every bump, ever differently coloured patch of skin, every flabby area - you name it. And it's not just show, his eyes tell you that he means and enjoys it.

When he's had it, there's no escape - he demands to know what is wrong. With a "we need to talk" he drags you into his room and won't let you go until he knows. Your answers aren't good enough until all the truth just spills out of you - the shame and doubt you feel, the irrational thoughts and your failure to fix yourself. He listens with a stoic expression and eventually answers "that's it?"

To him, you're perfect. You chase away the nightmares of his past and give him a brighter future. Your happiness is a goal worth fighting for. If he has to, he will be going to the end of the world and back to make you feel as precious as you are.

This treatment he devised lasts as long as you want and you get it as often as you want. He gets hard every time and loves to cum on you.

He designs a tattoo for your body with his jolly roger. "To mark you as mine" he says as he prepares the tattoo machine.

Zoro

Eventually his brain grasps the concept as the same as not being strong enough to protect your friends, only you don't feel not hot enough for him. Which isn't true. So he needs to show you that you can conquer him anytime with your attractivity.

You know him as straightforward and fiercely loyal, eventually you just tell him that you often don't feel good about yourself. He cocks his head and nods like he knows what you're talking about. He doesn't. Normally he wouldn't care, but since it's important to you, he tries his hardest to understand.

Your body is the total opposite of his and he loves that. The feel of you flesh in his hands makes him lose his mind, your curves are a hypnotic sight. Your body is already full of marks because he can't stop suckling on you.

His motto is that bodies don't lie. So he pretty much takes your hand and puts it on his erection anytime it arises. Which is often. You read - he's horny. You eat - he's horny. You run around deck playing tag with chopper - he's horny. He even wakes you up once to tell you he's hard but he stopped that after you punched him for waking you up. His new strategy results in lots more secret sex all around the ship though...

One day you stand at the ship's backwards railing, watching the trail the sunny leaves in the water. Suddenly Zoro's behind you, pressing his hard cock against your ass and caressing you with his hand. "Up for some fun?" He whispers in your ear as his hand wanders around in your pants. He's touching all the right spots and you're definitely up for some. "Can't hold back when you're showing off that fat ass" he growls in your ear as he pushes your pants down and lifts your hips up.

Ace

When he gets to have you, he is so happy and satisfied, he falls asleep and snores softly as he cuddles you

When he finds out you have body image issues, he has to go to a library and look that up, like smart people do

He will find that beauty standard and that fatshaming to flame punch the crap out of it and vanishes for a while. When he comes back he proudly tells you that he defeated and turned in fat Seamus, he is still looking for that bibi standup person that hurt you

When you explain to him the real complexity of the situation, he smiles. "But that's easy than, isn't it? I love you and that means all of you. In any condition. Besides, I don't care about people's looks. Never have. So...problem solved, let's eat."

He's so honest and kind and stupid it's hard not to believe him. You ruffle his hair as he falls a asleep on a plate of pasta.

When he wakes up again he has a confession to make: there is one kind of people he does judge by their looks. He's terrified of mermaids. They have no business being fish and person with a clear cut in the middle! Besides, how do they poop? It's weird!

Author's note: I realize my approach to this is a little unusual compared to others, but I am myself a fat person and I personally don't feel that saying "but you're hot" is enough for my brain to really realize it, so I tried to built more around it.

It was hard for me to write because I got a lot of doubt about myself and my body and it's hard to imagine the specific situation in a wholesome and satisfying way for me.

I would be happy if you people comment/dm what situations or actions you think are great in this context, so I can make better stories about it in the future and learn something ❤

[burningdaybreak]

"BURN and CHILL" — The Duality of BAD DOGS

Hello everyone! First of all, I'm sorry for not posting a proper essay in the last two months; as I mentioned in my short post the other day, I lost motivation to write for a bit, then thought I should wait until Akito5 (or rather, Rekindle the flame) to post this... however, I think I won't add in Akito5 things after all except for some small things, and rather may write a proper essay about the event sometime soon. This essay had been pretty much done for a while now, but because of my small hiatus, it took me this long to post it. Sorry. (By the way, I fixed and finished this essay while taking breaks from tiering Akito5. I blame any mistakes on that.) Anyways... (Previous introduction) So, ever since I posted my last essay, my works have been getting quite a bit of attention, and I've gotten a lot of interactions and new followers, which makes me happy. I hope people have been enjoying what I write! The topic of this essay is Akito and Touya's duality and contrasts, both within themselves and with each other, which I believe is a pretty interesting topic. There's a lot to talk about here, so, let's get into it!

0. Introduction

Duality: the quality or state of having two different or opposite parts or elements.

When it comes to their characters, their designs, their personalities, and even individual stories, Akito and Touya are pretty much opposites; they contrast each other when it comes to all those aspects, and yet, they're completely inseparable. They are pretty much made to fit together, being two halves of the same whole. The contrasts and differences between each other — or in other words, the duality of their relationship, is basically what makes them perfect for each other, since what one lacks, the other makes up for, and with the other's help and support, they can push each other forward; this, in turn, makes them to be the best partner possible for the other, allowing each other to grow — together. And, through that, they become one, united through one of their common traits: their love for music, spawning a desire to sing with each other and nobody else, forever and ever; an inseparable couple with an unbreakable bond and a growing love for each other that won't be replaced by anybody else... Together, they become BAD DOGS! And so, in this essay, I will talk about their contrasts in a lot of parts of their characters: from the more mundane aspects, like school grades, to how they interact with others, and even their family backgrounds, among other things.

1. Character design

Starting from their very character designs, Akito and Touya are already opposites: their image colors, orange (#FF7721) and blue (#0077DD), are one of the primary complementary color pairs. Complimentary colors are combinations of cool and warm colors that, when placed together, they bring out the best in each other by making their complement more vibrant and noticeable. Even when it comes to their image colors, they're perfect for each other. The warm and cool aspects are also apparent in their designs, with their hair colors (Akito's orange and dyed-blonde hair V.S. Touya's dual-blue hair), both of their default outfits (Akito's outfit colors being predominantly warm colors, such as yellow, red, orange; while Touya's are predominantly cool colors, like purple and blue), and even their personalities, which I'll get into soon. Furthermore, we have BURN and CHILL, the words for Akito and Touya's World Link chapters' Top 100 ranking's titles, which makes their contrasts even more apparent and intentional. Speaking of their personalities, and their warm and cool natures, we also need to mention how Akito and Touya are themed after the sun and moon, respectively. Both of Touya's old and new default designs feature moon-related things, with both of them having "DerMond", which stands for The Moon in German; and his new design having "VERSTECKT MONAT" in the back.

Fun fact: "VERSTECKT MONAT" actually means Hidden Month, but it's likely they actually meant for it to say Hidden Moon, which would have had to be "VERSTECKT MOND"; this mistake possibly comes from the fact that the kanji for moon, 月, stands for both "month" and "moon".

On the other hand, Akito does not have direct associations with the sun in either of his designs like Touya does, but his new default design features the word "SCORCHING", which can be related to the sun. However, we can mention how Akito's last name, Shinonome (東雲), means "daybreak" or "sunrise", which does actually associate him with the sun in some form.

For other forms of sun & moon association in Akito and Touya, we have Akito's second event song, 月光 (Gekkou), translated to Moonlight, obviously being related to the moon; while ミライ (Mirai), Touya's second event song, features a sunrise in its song jacket, so it's related to the sun. Although Gekkou is not explicitly related nor referencing Touya (I talk about this song more in-depth in The Gay Akito Thesis™, if you'd like to learn more about it), I believe the fact that it can be related to Touya; symbolically, it fits Akito and Touya's relationship, and how Akito is chasing after Touya, to be on the same level as his partner, and how the moonlight (Touya) is guiding Akito and taking care of him, always watching over him and supporting him. On the other hand, Mirai (which means Future), a song representing Touya's journey with Vivid BAD SQUAD, and how has finally found a place that accepts him and that he feels comfortable in, a place where he can be himself — a place where they can laugh. Looking back fondly at everything they went through, grateful to everyone and wanting to keep all these memories close to him, and how he wants to keep walking alongside his friends, even in the future — therefore giving this name to the song. Once again, this song is not explicitly related to nor referencing Akito, but between the sunrise in the song jacket, and the lyrics referencing Touya's journey, which Akito is a very important part of, you could say this song can be related to Akito; he's the one that has always been with Touya, the one that showed Touya this new world, the one that brought back Touya's happiness and laughter, and the one that Touya wants to sing alongside with, forever and ever — in a way, Akito is Touya's future.

Another fun fact: Gekkou and Mirai are the only Vivid BAD SQUAD event songs where both Akito and Touya have Another Vocals at the same time, making this association with each other even further. RAD DOGS also has an Another Vocal for Akito and Touya, but it's a duet rather than solo alts, which is also a noteworthy fact because it's the only Akito + Touya duet Another Vocal.

Finally, even in their card sets, you can see how they're themed after each other's theme, with sunlight being a predominant theme in Same Dreams,Same Colors' cards, while moonlight is one of the main parts of Akito and Touya's cards in THE POWER OF UNITY's cards:

Final fun fact of this section: Speaking of Same Dreams,Same Colors, we can mention how Touya's card's costume is named Winter Camp Jacket, while Akito's is named Autumn Camp Jacket; this is a reference to their names as the kanji for "Tou" (冬) in Touya can also mean winter, and "Aki" is also the word for autumn or fall in Japanese. Coincidentally, Same Dreams,Same Colors was released on December 20, 2021, right before the Winter Solstice (December 21), which is when the fall season ends and the winter season begins, making it very fitting that both Touya and Akito were the main cards in the gacha banner.

Considering these two songs are the second event songs for each of them (that is, the second event song rotation), and they're themed after the other's theme in both songs and cards, along with both having Another Vocals in both songs, you could say they reference each other in these events, too.

2. Personality

When it comes to their actual personalities, they are also very like the sun and moon, with their characters even being themed after those: Akito is the sun, in the way he guides people — he fuels others' passions by the intensity of his own. Furthermore, he is the sun in the way that his fire often burns so bright and hot that it burns him along with it. He is very passionate and active and with a desire to shine the brightest, to be in the spotlight — the star of the show. Then, Touya is the moon, in the way that he's more gentle in his approach to things; mysterious at first glance, but often one of the brightest lights despite the darkness — with a soft, illuminating, and guiding presence — and who is somehow so perfectly positioned to match the sun. As an extra detail, the moon is allowed to shine thanks to the sun's light, which really fits Akito and Touya's relationship of Akito bringing back the light to Touya's life, allowing him to shine as his own person once more. And now, Akito is chasing after his partner's light — the moonlight, aiming to reach his level, to walk by his side and reach their dreams together. Even here, their relationship of giving and receiving is abundantly clear: Akito grants light and love to Touya, and to reciprocate, Touya wants Akito to rely on him too; to give back that light and love that was given to him. Chasing after each other, relying on each other, inspiring each other, guiding each other... this cycle of giving love and reciprocating that love is a core part of their relationship, and what makes them so inseparable.

However, when it comes to sun and moon, we should also talk about the usual sun / moon perception in fandoms, and how people interpret both Akito and Touya: In the traditional sense of the trope, "sun" characters are characters that are active, loud, cheerful, and often associated with dogs (more especifically golden retrievers); while, on the other hand, "moon" characters are characters that are viewed as cold, rude, harsh, and quiet, and associated with cats (normally black cats). From that description, I could say Akito is a bit like the moon in the way that he's more aloof, reserved, and "introverted", not bothering with matters that don't interest him and only really having a special spot for Touya (and only doing things if they somehow involve Touya), and being kind of rough and rude. Akito can also easily be associated with cats due to his double-faced personality, his fear of dogs, his reserved nature but affection for specific people, and his orange hair and green eyes, which is the most common pretty much default orange cat. Furthermore, Touya has been shown with a specific, stray orange cat a few times, which I believe is no coincidence...

Fun fact: 猫被り or nekokaburi, which means "wolf in sheep's clothing" or "feigned innocence", or directly translated as "donning a cat's mask", is an expression that Akito is officially referred by. In his paired Kizuna Rank title with Kohane, ハムハムと猫被り (Hamuhamu and Nekokaburi), hamuhamu is a word used to describe eating noises, and Kohane is also often associated with hamsters in the game, which this title definitely references, since hamu also means hamster. (Also hamsters make cute noises when they eat! Therefore, hamuhamu.) And so, one could think that nekokaburi isn't just a term to describe Akito's double-faced personality, but also to associate him with cats, due to the way some cats are that appear to be friendly, but can be aloof and temperamental, which really highlights the contrast between Akito's appearance and what he's truly like; giving this title a quite fitting double meaning — describing Kohane and Akito's personalities, but also associating both characters with those animals. However, this double meaning was sort of lost in the official English translation, as it was simply translated to "Hammie & Feigned Innocence"; although it's understandably difficult to translate it and keep the original meaning behind it.

Meanwhile, Touya is a bit like the sun in the way that he's bright and more "extroverted", curious to learn and try new things for the sake of experience, which you could associate with him being dog-like — a puppy-like innocence with a desire to interact with the new world around him, having been caged for many years. Furthermore, in the Project SEKAI×Sanrio Characters collab, Touya got a card with Pochacco the dog, and Akito himself compares Touya with Pochacco in his curiosity; not to mention the collab's 4koma featuring Touya with dog ears and a tail, which he is wagging out of excitement — he definitely seems like the kind of boy who needs a tail to wag. Touya is generally laid back, with a calm and quiet nature, but because of his inexperience, he has a tendency to wander into things for the sake of learning and experiencing new things. And so, he's more inclined to talking with people and helping others, which can lead one to believe Touya's similar to the sun. When it comes to the fandom and associating them with the sun and moon, people they often end up trying to shove them into the usual "boxes" of the common sun and moon tropes, often leading to mischaracterization, since they don't look at these characters any more deeply than a surface level read of them. As is usual for common sun characters, Akito is cheerful, loud, and active at a first glance, but there's more to him than that; furthermore, believing he's a "golden retriever-like" character just doesn't feel right. I'd say he's definitely very dog-like, despite his fear of dogs, but golden retrievers are more like dogs that are playful and friendly, which Akito really isn't; he's more of a dog in the sense that he's very loyal (to Touya), determined, and with a fiery and strong personality. He also lowkey likes getting praised by his partner. He's a lot like a dog... but I believe that, ultimately, he's not actually a dog — just that he acts like/wants to be like a dog. While Touya, as is usual for common moon characters, is quiet and with what can be interpreted as a scary and tough appearance, this is just the first impression of him as a person and not all there is to his true self. I could say he's a bit cat-like, but I believe the connection is weaker and most of the time comes from judging him on the surface (viewing him as a mysterious, quiet, withdrawn guy), and not taking into account his whole personality and development. However, the fact both of them can be associated with both dogs and cats is quite interesting and fun, and adds yet another contrast in themselves, and also between each other. A "cat that wants to be like a dog" (Akito) and a "dog that acts like a cat" (Touya) are simply perfect fits for them — very contradictory, which is a common theme in both of them. [Addition post-Rekindle the flame: in Kohane's 4✰ card's second side story, we have both Kohane and An commenting on how a cat really fits Akito, so we now have an explicit mention of Akito being like a cat... this is huge, really. Akito truly and intentionally is like a cat.]

Disregarding what animals they would theorically be, however, since it's not really important... thinking that Akito's the sun and Touya's the moon for the reasons I mentioned in the previous paragraphs isn't wrong, because they are the sun and moon, respectively; but if people believe there's nothing more to them than what is associated with the tropes, I think it shows a lack of understanding to the depth of their characters — it's a case of "judging books by their covers"; which is something Akito absolutely hates, by the way. Project Sekai's characters are characters that are in constant development, and they keep changing and growing as people as they explore the world around them and interact with their close ones and other people they meet. Growth is a very important theme among all the characters, so pushing them into singular boxes, or common tropes, or anything else, and not viewing any depth in them, is not really right. They are growing, they aren't simple people and there's more to them than meets the eye, so saying they are this or that will never be fully right. But in the end, when taking into account their whole characters and designs, Akito is the sun and Touya is the moon (as they are explicitly themed after these), but they have traits of the other even if they aren't themed after it — they kind of are "a sun that acts like the moon" and "a moon that acts like the sun", putting it simply. I think this makes them quite contrastful and very interesting characters; this depth leads to them being interpreted in many ways, and even if many of those interpretations aren't fully correct, it's interesting to see how people view these characters, and shows just how deep and complex they really are. They are a bit of everything, in my opinion, and I genuinely think they can't be boiled down to just one thing or another. The way I see it, they'd be more like a mix of a bunch of contradictory things... rather than fitting in just one, individual box.

Following up on the topic of the impression of their characters, Akito and Touya are also contrasting in the way they initially appear in the story, and how they subvert those expectations. When he first appears in Vivid BAD SQUAD's main story, Akito is shown acting surprisingly outward, friendly, relaxed, polite, and gentle, hiding his true nature... that is, showing a fake innocence (nekokaburi, which, as mentioned earlier, means "wolf in sheep's clothing" or "feigned innocence", and is a term that Akito has officially been referred by). In reality, Akito's a very serious guy, who doesn't mince his words, and acts mostly cold and rude to most people that aren't important to him (mainly his partner). He has a double-faced nature, so to say. This shows a duality within Akito himself, where he shows a good face to other people in order to keep a cordial relationship, and therefore avoid troublesome situations. This is pretty interesting as Akito is someone who really pushes himself to make up for what he lacks: he has no music experience, and in an attempt to reach the level of his teammates, he overworks himself; and in the same way, he makes up for his lack of interest in interacting with others by showing off a fake personality. There is more things Akito tries to make up for, such as attempting to seem tougher than he is and appearing stereotypically manly; however, that's a topic that will be brought up later. All of the aforementioned is so people won't judge him prematurely; Akito hates people that make fun of him and his skills, but most of all, of what's most important to him — that is, his dream. On the other hand, when Touya first appears, he's shown as a scarily quiet and reserved guy, who doesn't really talk nor show emotions. This directly contrasts Akito's (fake) outward and friendly personality, though it also contrasts Akito's true nature of not mincing his words and saying what he thinks. At first, Touya is a character who doesn't really express how he feels, whether on his face or verbally. After a childhood that was mainly spent dedicated to playing classical music, unable to ever satisfy his family's high expectations, Touya grew apart from his emotions and leading an unhappy life, until he finally grew tired of it and ran away. Meeting Akito was the beginning of getting back in touch with his emotions, being able to enjoy music once again by singing with him, and everyone's kindness and support showing him that he can now be his own person. Touya then slowly learns how to show his feelings, becoming a happier person than he was in the past thanks to his partner, his friends, and everyone else that supports him, showing his true nature as a boy with a curiosity to explore the world around him and learn new things about himself and everything that surrounds him, and with a desire to repay the kindness of everyone that has helped him become his own person. This shows a contrast within Touya himself, too, between his sad, past self, and his happy, current self. Comparing his current personality, such as in his recent focus event Let It Ring! Beautiful Sound!, and his personality back when he met Akito, as shown in the VIRTUAL SINGER World Link event At the Beginning of SEKAI With You, in Len's chapter, is like night and day; Touya is much happier and cheerful nowadays, all thanks to his partner.

For contrasts between each other, we have the fact that Akito is insecure about himself and masks his true self, both through a feigned innocence, and by making up for his weaknesses; while Touya is more genuine and simply showing himself as he is, now confident in his own person. We also have the fact that, despite their first impressions, with Akito being more friendly, and Touya being more cold, the tables are turned and Akito is actually the more introverted and reserved person, mainly keeping to himself and being mostly cold to others, while Touya is more extroverted and always down to interact with others. But that doesn't mean Akito's exclusively reserved, since he still very much has an active, passionate, and fiery personality; and Touya isn't simply outward and someone who talks with others easily, he's still quiet and calm. This shows how contrasting their own personalities are, too. As a funny mention, Akito does end up often doing things and interacting with people he normally wouldn't do so because of Touya, folding pretty easily when Touya asks him to do something by simply saying "Akito.", or doing things if they are even mildly related to his partner. His partner ends up being a source of motivation quite often.

🥞 So… I'm only helpin' you out here for Touya's sake, alright.

And we also have Touya often being kept in check by Akito, with the latter sort of overprotecting Touya and looking after him at all times. In the end, even in funny ways, they make up for each other's faults, and they help the other grow and improve and be better versions of themselves — that's what being partners is about, after all. Yet another interesting contrast to mention is how they approach problems: Touya has been shown to have a predisposition to run away from and avoid troublesome things that he doesn't know how to face. The main example of this is in Vivid BAD SQUAD's main story, where rather than telling Akito how he feels, Touya instead lied to him, which resulted in BAD DOGS' temporary break up. Touya believed that lying to his partner would be better than disappointing him, and so, he ran away from his feelings, and from Akito. Touya was afraid of facing his partner and telling him about those feelings he dislikes. He was scared that Akito wouldn't accept those feelings, that he would leave him; but he also thought Akito deserved a better partner than him, someone who wasn't so half-hearted. He kept running away from his feelings: not just from telling them to his partner, but also from how he really felt, since he did actually love music, and enjoyed singing with Akito, and wanted to chase his dream — their dream, together. But Akito's recklessness and refusal to give up on them allowed Akito and Touya to become partners once again. Akito accepts Touya no matter what, even though he never believed Touya was half-hearted and always believed in him; and he makes Touya voice how he really feels.

☕ Gh…! Isn’t it obvious that I want to…! I’ve felt that so many times! I wanted to chase that dream with you as far as I could…!

Despite that, Touya was still unsure about being partners with Akito, but Akito won't allow any other outcome; they both know how they feel, they both want to be together, and that's all that matters:

🥞 Oh, shut up already. Don’t go makin’ this complicated. I want to be with you, and you want to be with me as well. And after that, our dream will come true. … Isn’t that enough?

With his partner by his side, Touya will no longer run away from how he really feels, and keep singing with Akito, no matter what, for years to come.

Another example of Touya's predisposition to run away is back before meeting Akito, when he ran away from home because he couldn't handle the stress of living under the pressure of his family's expectations. However, the regrets of that choice haunted him for a long time, affecting him and his self-confidence, preventing him to be proud of himself and his works. Fortunately, he's now gotten to terms with it, and accepts both classical music and the fact that he ran away. This is something he can't change, but he now accepts it as part of himself: he may regret running away from classical music, but he realizes that, as long as he enjoyed that time, he shouldn't beat himself up over it, and instead use it as his weapon — his feelings and experiences will allow him to become a better version of himself, and create stuff he can be proud of.

"My past has become my strength."

Akito, on the other hand, faces things head on, and more often than not, in a reckless way; such as participating in the Crawl Green live, despite only having been singing for a year and definitely not having enough skill for it, because Shepard challenged him and he had a pride to uphold; or how years later he faced that same team challenged him to a duel and, despite winning, he immediately went running and didn't celebrate his victory because he can't be satisfied with his current skill level. He's a guy that does things on the spur of the moment: he follows his own code (or, in other words, his heart), and does what he truly wants — what he feels is right. Suddenly quitting soccer, and suddenly deciding to dedicate his whole life to singing... and also confronting people because he's not satisfied with how things went (confronting Touya in Vivid BAD SQUAD's main story), or approaching his friends because he feels something is wrong, like An in Someday, with Our Lyrics Joined Back-to-Back and Bout for Beside You, and Arata in THE POWER OF UNITY. Akito can feel when something's going wrong with others, and often confronts them to know what's up. However, that recklessness makes him charge ahead when he's not satisfied with nor believes in himself, and he ignores his own feelings and even his health because of it. Calm down, boy... Fortunately, with his partner and teammates by his side, Akito doesn't have to recklessly rush ahead; he now has friends with the same goal as him, and with them by his side, even when he feels lost and helpless, he can rely on them — they'll help him back up, and support him along the way. They are a team that walks together.

☕ So, in those times where you've hit a wall… rely on me more!

And yet, when it comes to facing other people, Touya is predisposed to help others and interacting with them; if someone needs help, he's likely to accept right away, because he enjoys experiencing new things and likes repaying favors. The main case of this would be Walk on and on, Touya's third focus event, where Touya decides to learn how to compose his own tracks, in order to be able to help his team in some way, and at the same time show his gratitude to them — especially his partner — and how much he appreciates them by pouring his feelings onto his music. Some other minor examples of this are Let's study hard !, where Touya was going to help Akito and An with their studies no matter what (since he's always worried about their grades and them studying properly), and even invited Rui to help tutor Tsukasa, Akito, and An along with him. Or in Take the Best Shot !, where Touya helps Kohane with the photography competition she's entering in order to win special chocolates for An... In short, Touya is a person who is inclined to help others, and likes to give back to everyone, grateful for everything they've done for him. Meanwhile, Akito is mainly wary when it comes to interacting with people that he isn't close to (which is... most people that aren't Touya), and he would rather avoid troublesome things that don't interest him. However, when he does something, he does give it his all — he doesn't like half-assing things. For example, in Rise as ONE! where, despite his fear of dogs, he trains very hard to do his best at the dog disc competition because he related to the bond the injured owner had with his dog Max, which really shows, uh... Akito's one-track mind when it comes to his partner and how passionate he is about him. As mentioned earlier, Akito often ends up doing things he normally wouldn't because of Touya or something related to him, either getting convinced by Touya and giving in pretty quickly, or because his one-way brain somehow relates something random to his partner. So, a guy who runs away, avoiding his problems; and another who recklessly rushes ahead, facing his problems head on... yet, at the same time, the former is always up to help others and engaging with other people, while the latter avoids interacting with troublesome things.

Finally, we can also mention their social skills — or in simpler terms, how they are "book smart vs street smart": Touya has a lot of knowledge, and is very smart and studious, but he has a total lack of experience in socialising due to his isolated childhood and barely interacting with other people, so he comes off a bit more clumsy and awkward in those settings. He's more experienced in studying rather than interacting with people; but at the same time, this lack of experience is what predisposes him to interact with others and learning more about them, always available to talk to anybody and help them, in order to experience new things. On the other hand, Akito is more versed in interacting with people, with a more regular upbringing — having had to live "by his own means" in the streets to gain experience and make a name for himself, interacting with and facing many kinds of people; that, along with his "customer service face" and general double-faced nature, allows him to socialize well with most people. However, when it comes to school studies... he's not very good! He doesn't really care about studying and is more about living his life to the full — which Touya isn't quite happy about... but then Akito will put in effort for once and make Touya smile brighter than ever and Akito becomes a blushing mess upon being complimented... they're so funny. With that difference in socialization, they make up for each other, with Akito doing "most of the talking", as Touya says; and they contrast each other, too, even when it comes to how they face studying, with Touya helping Akito... although not often by Akito's choice, as Touya takes studies very seriously and will get mad at Akito if he fails. And so, they are quite opposites when it comes to how they deal with problems, and how they face and interact with other people. They keep each other in check; when one runs, the other will catch up, and when one is held back, the other will push him ahead. Those differences in personality actually help them understand each other perfectly: they support each other, and help each other grow, and will always be there for the other... that's what being partners is all about, in the end.

3. Background

Even in their backgrounds, Akito and Touya contrast each other, having had pretty different experiences with both music and their relationships with their family: As we know, Akito fell in love with music and decided to dedicate his whole life to it despite having no skill or experience. But despite that, Akito is determined and passionate to accomplish his dreams, and works extremely hard to improve and reach his goals. Even when he's on the brink of giving up, Akito will keep pushing forward, no matter what, because he finally found something that he truly wants to do — something that finally makes him feel alive; and alongside his partner, he'll keep singing... forever. On the other hand, Touya has lived with music since he was young, being a born prodigy and with a lot of musical experience. Dedicating most of his time to playing music, though, for around ten years, he ended up growing tired of this lifestyle, isolated from a "regular" life and frustrated at his inability to ever reach his parents' expectations, and it led him to run away from music. However, despite thinking otherwise after running away from it, Touya still loved music; although he was afraid of disappointing his partner, just like he disappointed his family in the past, and thought Akito deserved a partner who wasn't as half-hearted as Touya believed he himself was, Akito makes him realize that he still loves music. Nobody who hated music would dedicate as much time and effort as Touya did during those two years where they sang together. Touya finally realizes he actually loves music, and, most of all, singing alongside his partner; although he regrets some choices he made in the past, he learns that he can use his past as his "weapon" — his experiences are unique to him, and so they will become his strength. With this, he'll improve both himself and his music, in order to achieve his dreams — the dreams he shares with Akito. Or, in other words, their dreams.

☕️ Let's go, Akito. Let's make our dreams come true.

When comparing their music backgrounds, a really interesting point of contrast is their innate talent for music, and their relationship with music. Although he was the one that is a born prodigy and extremely gifted with music, it was Touya that briefly came to hate music; and Akito, who didn't have an innate ability for it, was the one who was so dedicated to his love for it that it even ended up hurting him at times. They were both hurt by music, but in different ways: because of their talent, or lack thereof. And yet, they both love music so much they couldn't help but keep fighting to stay with it. They love music so much, they want to keep singing and making music for as long as they live — with the best partner they both could ask for by their side.

When it comes to their family background, and their relationships with their families, there's also many contrasts between Akito and Touya. Touya's family is more traditional and strict with how they raised and educated Touya, expecting him to continue the family tradition of becoming renowned classical musicians. He had a very isolated life: dedicating most of his time to this objective — an objective that he believed he could never reach due to the difference in skill level between him and his father. Exhausted and unsatisfied by this constrained lifestyle, he ended up running away from both classical music and that life. An important detail to mention is, although he wasn't happy with that life, and felt guilt and regret over running away from it for a long time, Touya does not hate either classical music or his father, which is something the fandom often misinterprets. Despite everything he went through, Touya doesn't reject either classical music, and still appreciates it, even if he doesn't have a desire to actively play it anymore. He is grateful for all the knowledge and experience it granted him, and appreciates his family regardless. Opposite to Touya, though, Akito's family raised him with more freedom — or rather, less strictly, and less worried about him. Unlike Touya's father, who was a big presence in Touya's life and education, Akito's father, Shinei, was quite absent, instead occupied by his job as an artist; so you could say the Shinonome family lacked a father figure. Furthermore, even when he was there, Shinei wasn't very good as a parent: when Akito's sister, Ena, expressed the wish to become an artist like their father, instead of encouraging and motivating her as a good parent would, he instead discouraged her in the worst way possible, effectively ruining her life. Although we later find out that it was because the life of an artist is very rough and Shinei didn't want his daughter to also experience those hardships, he really didn't express it well at all.

With a father that was mostly absent, and who barely carried his role as a father well, the Shinonome family did not really have a male role model that taught and guided the children of the family. So, despite being the younger brother, Akito pretty much took up the role of a "male role model" for his sister, supporting and looking after her as she lived a life with the regret of being unable to carry out her dream. This, in turn, led him to have a warped view on masculinity and gender roles, which will be elaborated on in the next section. Unlike Touya's family, where Harumichi (Touya's father) had high expectations for his children, and wanted Touya to continue the family tradition of becoming classical musicians just as his brothers previously did, Akito's family had a father that did not want his children to follow in his steps, and neither parent had particular expectations for their children and instead allowed them to do what they wanted. This leads to a curious contrast, where Touya mainly lived a strict and difficult life and, upon fleeing from it, became more free and able to do what he wanted, while Akito (and Ena) lived a very free life, where they were allowed to do what they wanted, with no expectations or rules for them, and yet chose to focus on a difficult goal for which they weren't experienced or talented for — Touya fled from a cage, and Akito and Ena chose to place themselves in one, in a metaphorical way. However, Akito instead found a male role model in a different person: Ken-san, the man that ignited a fire in him upon witnessing RAD WEEKEND, and also the one that motivated Akito to keep singing when he was on the brink of giving up, pushing him forward and giving him the advice to do what he loves, regardless of what others think. Akito truly respects and appreciates Ken-san's guidance, being extremely excited and immediately agreeing to being trained by him in BURN MY SOUL — there's no bigger honor for Akito than to be taught by the man that contributed so much to his life... Ken-san is, in a way, a second father to him.

In contrast to the comparison between Shinei and Harumichi and the education of their children and their expectations for them, Ken-san plays a positive role on Akito as a person, motivating him to follow his dream and guiding Akito forward, and allowing him to be true to himself, while Harumichi wasn't such a positive influence in Touya's life, where, rather than motivating Touya, he mainly pressured him to be a specific way and didn't give him room to grow. To finish off, Ken-san's positive influence can be broadly associated to Vivid Street and all the people living there: with a community that is united by music and the freedom to sing as you like, Akito, Touya, and everyone else are able to be free — be themselves, and have as much fun as possible, without worrying about labels or expectations. Vivid Street is pretty much like a big family, especially to An, and they accept and support anybody who wishes to express themselves through music. Although derailing a bit from the current topic, Vivid Street is interesting in the way that it can work as a queer community allegory: a community that allows the Vivid BAD SQUAD kids to be and find themselves and supporting them to show their true selves. Besides An, who lived there to begin with, the other Vivid BAD SQUAD kids all grew and figured out stuff about themselves singing in Vivid Street, away from their homes — from their previous lives, so to say; away from the regular life that wanted them to stick to rules and norms, labels, and usual expectations. As mentioned before, in Vivid Street, they can sing freely, having as much fun as they want, and without worrying about anything — they can just be themselves, and do what they truly want to do: sing along with their partners, and reach their dreams together. And nothing else matters! They're just them, regardless of what others think; and that's what's important, in the end.

4. Gender

(Disclaimer: This section may repeat things from the previous section; this is because I wrote this one first.) Following up on the queer topic, a very interesting yet possibly controversial topic is how both Akito and Touya view and interact with gender, whether directly or indirectly. Masculinity, gender roles, and conforming to those... it's quite interesting to think about. While I've already talked quite a bit about this topic in The Gay Akito Thesis™, my aim here is to compare Akito and Touya's characters. Also because I like talking about this topic. On the topic of Akito and gender, I talk about it more in-depth in The Gay Akito Thesis™, so I recommend checking that essay for a wider look at the topic, but the most essential part is that Akito's writing is very gendered; it is a very ingrained part of Akito's character, whether intentionally or not. The way he hides and even ignores his feelings and emotions and how he hates crying, viewing those as weaknesses and ashamed of showing any sign of being weak or uncool in front of others, are typical elements of traditional masculinity. He also often deals with his problems with anger, and sometimes aggressiveness, and showing frustration, which are more "socially acceptable" for men traditionally. He even used to exhibit behavior that can be interpreted as toxic masculinity in the past, saying things that can be seen as homophobic — which can be easily related to insecurity of his own sexuality and what others could think of it, since it comes off that way rather than actual bigoted behavior. (Fortunately, that kind of behavior hasn't popped up at all in a long time, proving he's not a bigot and was just insecure) Akito's very reserved when it comes to how he feels, and insecure about himself, viewing himself as "weak" and "not good enough", therefore actively trying to be masculine to make up for his faults and flaws. Even though I don't think anybody else would really mind his real self, Akito is not satisfied with himself, and others making fun of him and his goals got to him, so he ended up ingraining traditionally masculine traits onto himself to appear cool, strong, and manly to others. This overly masculine behavior can quite easily be associated with his sexuality and gender, more specifically to homosexuality and transexuality and insecurity of those, although those fall more into personal interpretation territory; however, I deeply believe these queer readings fit into Akito's character and story perfectly, and even enhance it (as I explain in The Gay Akito Thesis™). Akito actively tries to be masculine, to conform to "normal" masculinity, and hiding and avoiding his feelings and emotions to not be seen as weak by others. He's not satisfied with himself and how he thinks others view him, therefore he'll show himself as someone that can't be made fun of, someone that others will take seriously, and show everyone just how strong and determined he really is. He'll become someone that he himself can be satisfied with.

This is not to say that Akito isn't cool, strong, or manly, though, those are very much part of himself; but, deep down, Akito's an insecure person who doubts himself and his abilities, and his arc is all about getting to terms with how far he has come and getting in touch with his emotions and showing them to everyone to become a better version of himself, and accepting himself — learning that he's good enough and that there's no need to try so hard. He is fine just like he is, both how he feels inside and how he shows himself to others — they are all part of him, and he should be more confident in his abilities, and himself. On the other hand, Touya's gender is... a pretty debated topic in the fandom, so to say. Contrary to Akito, Touya does not really care about gender norms or roles, he's not particularly focused on how he shows himself to others nor if the stuff he does, such as wearing make up or carrying plushies around, are not "masculine". However, Touya himself is a masculine character. While Akito actively tries to be masculine, Touya has been raised in more traditional values, which leads him to be an inherently masculine character. The youngest son of the Aoyagi family... that's who Aoyagi Touya is, and that's a pretty important part of his character. The more conscious parts of his character, such as the expectations of carrying on the Aoyagi family tradition of becoming a classical musician just like his older brothers did; and the more unconscious parts, such as growing apart from his emotions and not showing them in the past, and expressing his frustration through anger rather than crying... these are all related to masculinity and traditional gender norms.

Fun fact: Touya is the only character who has not canonically cried at any time (as of writing this essay). In fact, his Live2D model is straight up not able to cry at all — he just can't cry (yet).

Touya being inherently masculine can be associated to the fact that he was raised in a family that was predominantly composed of men: his father, and his two older brothers. His mother takes on the more traditional role of a housewife, and therefore likely didn't have much of a role in Touya's education; it was mostly Touya's father who was in charge of teaching him, and so Touya ended up inheriting a lot of his father's values. But, Touya ends up running away from classical music, and by extension, that lifestyle. Meeting Akito was the first step — into a new life that he is happy, into a new world where he can find himself, away from that life that didn't allow him to be the happy little boy he was meant to be. By Akito's side, Touya slowly learns to be himself: figuring out what he's like, recovering the joy and happiness in his life, and bringing back the little boy in him that was never allowed out and is so curious to explore and interact with the world around him. And so, we go back to his gender: no longer held back by an unsatisfying life, Touya is now a guy who is very excited to learn new things and satiating his curiosity, and he's not held back by things being "not masculine" or "girly"; he has no problem trying out wearing make up, for example. In general, Touya seems like a character who does not really care about his gender, which often leads to the fandom to interpret him as girly and feminine, and even a woman — however, that's far from the truth. He's not afraid of trying out "feminine" things or having "cute" hobbies; he doesn't let how those things are viewed hinder him, and he simply doesn't care about how others view him. He just wants to be himself and enjoy his life. As it currently stands, he does not want to be a girl, and still views himself as a guy. He just doesn't really care about things like "gender" the same way Akito is. In the end, it's fine to headcanon or interpret characters any way you want, but I believe Touya's story and character mainly work because he's the son of the Aoyagi family, and as a boy, the expectations for him were higher; the guilt of going against the tradition, of disappointing his family, and most importantly, his father, have the weight on him that they do because he's a man, as (unfortunately) the society he lives in has higher expectations from men than women.

Running away from the traditional values of his family and the family tradition, and from society's expectations — with Touya slowly finding himself surrounded by a community of people that value him and allow him to be himself, not worried about the gender norms or his gender, along with the deep bond he has with his same-sex partner — really adds a very easy queer reading to his story and character. In short, Touya is confident in how he is, and comfortable in his current gender — he's just curious and excited to try new things, and not insecure about or held back by typical gender norms (like Akito is). He's totally fine and happy doing those things even as a man and that is, possibly, the epitome of masculinity. Akito and Touya both interact with their gender and identity in quite different ways, leading to more contrasts between their characters: Akito is a guy who actively tries to be masculine, while Touya is a guy who is inherently masculine. This likely comes, in part, from how they were raised: with Akito being raised with more liberty to do what he wanted, in a family that didn't look after him that much, and in a predominantly female family (his mother and sister), since his father was mostly absent due to work; while Touya was raised a lot more stictly by his father, and having a predominantly male family (father and brothers), with his mother not having much of a say on Touya's education and simply acting as a mother figure for him. This leads Akito to try very hard to be more masculine and take on a more typical male role when his unconfident and unsatisfied personality increase, with a harsh world that keeps trampling over him despite his sincere feelings. He doesn't want to be seen as weak or pathetic, therefore he'll show everyone just how strong and cool he is. Meanwhile, Touya is indifferent towards his masculinity and gender, wanting to explore the new world around him regardless of what others think. He's not worried at all about how others see him, he just wants to learn more about everything that he finds interesting. However, that doesn't mean he rejects his masculinity or gender — he's just not worried about it and very confident in how he is. This contrast, though, also leads to interesting situations between both of them, such as Akito, despite being more stubborn and embarrassed about his gender, he often sacrifices a little bit of embarrassment for Touya's sake when there's something his partner wants to do (for example, the photo print in Close game/OFFLINE where Akito and Touya had to pose cutely, but Akito sacrificing his dignity in order to win); or Touya, who's more carefree and doesn't worry about how others view him and gender (for example, him carrying around plushies he wins at crane games and Akito worried about how Touya will be seen as others (due to Akito's own insecurity), but Touya not really understanding what Akito's talking about, since he doesn't really care about those things).

In summary, the contrasts between Touya and Akito's genders and how they view it and interact with it are: Touya, although inherently masculine and raised more traditionally and strictly, does not really worry about how others view him and simply wants to enjoy himself, be himself, and explore the world around him, regardless of what others think — which, in a way, makes him truly masculine, as he's confident in how he really is. While Akito, raised more freely and allowed to do what he wants, really worries about how others view him and what they think of him — so he actively tries to conform to typical masculinity and gender roles, masking his insecurities, in an effort to not be mocked by others. This does not deny his manly self, though, and all the ways that Akito shows himself are a part of him — and it's part of his character development to come to terms with how he truly feels and accepting himself, as has happened more recently, with Akito being more confident and showing how he feels to others. Once again, they're pretty much opposites, but as two guys with a deep bond, who interact with and acknowledge each other's feelings, they support each other and grow as people — and as partners. These differences in how they view themselves, and each other, enhance their bond and make it stronger, as they can make up for what the other lacks. Despite the stereotype that men don't show how they feel (although their conflict during the main story is exactly due to their lack of communication), Akito and Touya are really in touch with their feelings, both their own and their partner's, and a big part of their arcs and their story together is about figuring out their feelings and finding themselves. While they don't explicitly show how they feel often, they don't have to — their relationship is so strong and deep, they don't need to put into words how they feel (though, deep down, they still would like to hear it...). And that, in a way, defies typical masculinity; their relationship itself goes against gender norms, and, for good reason, often leads it to be interpreted beyond a regular friendship... they truly love and care about each other. They're the best partner they could have, and the only one they ever want to be with.

5. Love

(Yet again, I am talking about love; sorry, I love this topic. As a disclaimer: it's quite similar to what I write about this topic in previous essays, so this section can be skipped if you're tired of the topic. However, I feel like it's something I must add, as it is relevant to the main point of the essay.) How Akito and Touya love, and also view love, also contrasts each other. I've brought up in various essays before, but a specific set of lines from Aun no Beats, a song that Akito and Touya cover, perfectly represents them:

🥞♪ Why do I want to be loved? ☕️♪ Why do I want to love?

Although it's not just this set of lines that represents them and their relationship, but the song in general (which I talk about in my previous essay, Aun no Beats & BAD DOGS' Relationship), these two lines exactly represent the very core of themselves and their relationship with love and, by extension, each other. Akito is a character driven by love. He only wants to do things he's truly passionate about, something that will make his heart beat — and when he truly cares about something, he will give it his all, putting all his effort and love into it. He is, then, a very loving character. Even if he's not "loved back", he doesn't back down or give up on doing what he loves; he listens to his heart, at all costs, doing what he wants to do, regardless of what others think. And yet, despite that burning passion and love, he wants that love to be reciprocated — he wants to be loved in the same way that he loves. Meanwhile, Touya is a character that grew up without love, estranged from his emotions and feelings. He led a life where the passion and love he held for music, for his family, for living slowly vanished, due to a lack of appreciation and freedom from the people around him. Actually, in a way, Touya was loved — but rather than as a person, it was for his talents and his potential. Therefore, Touya grew up without knowing what real love was like. However, meeting Akito, seeing his passion and love for music and for him, and Touya being appreciated for what he is, by both his partner and the new people he meets, allows Touya to find a place where he can be comfortable showing his emotions and feelings. So, Touya learns what love truly is like — and because of that, he wants to love, too; to give back to those that helped him break free from his past: Tsukasa (who Touya considers his savior) and Saki; and those that allowed him to be himself and appreciate and love him for what he is: Kohane, An, the town, his friends, and, most importantly, his partner, Akito. Akito and Touya, then, contrast in their relationship with love: Akito loves (music, the town and other people, etc.) while Touya is loved (by music, the town and other people, etc.); yet Akito wants to be loved, while Touya wants to love — or in other words, they want to receive and give back, respectively, from/to others and, most important, their partner. Their relationship with each other is, in short, one of mutual affection and love — of giving and receiving. Akito and Touya provide to the other what they want and need; they give and receive what they lack, while in turn receiving it from and giving it to their partner. While this point is about love, it also applies to many other things; they genuinely complete each other, making up for each other's shortcomings. They are truly perfect fits for each other, leading to an extremely strong and unbreakable relationship together.

I also wanted to take this chance to talk a bit about their relationship and its common interpretations. Although I've mentioned it many times before, their relationship is not inherently romantic. The concept of partners in Project Sekai is not a romantic partner, but rather, a companion or very close friend — that is, "aibou" (相棒, partner). The concept of aibou is pretty interesting because it is something very special: someone you're extremely close to, and the one and only person you want to be with. It's a very special bond that actually goes beyond a regular friendship — we see this in the way that An considers Haruka her best friend, which raises some brows considering how Kohane is so special and important to her, but this leads to the conclusion that an aibou simply transcends friendship. (Although, I genuinely believe Akito and Touya are not just partners, but also each other's best friends — there simply isn't anybody else they're closer to than each other! They truly mean everything to each other.) Even though it's not inherently romantic, Akito and Touya (and also An and Kohane)'s bond is so close and deep, it just feels like it is sometimes. I believe, rather than being merely platonic or merely romantic, it's more like the lines of the relationship is quite blurred, and this leads to being aibou. Putting it in a simple and funny (yet accurate) way, the concept aibou is not romantic at all, but they're just so gay and crazy about their partners that it becomes gay anyways. The bond between Akito and Touya is simply insane. Akito fell in love instantly with Touya; he knew from the first moment he saw him that he was the one — the one he wanted to partner up with.

🥞 (… I can't take my eyes off him.)

And upon singing with Akito, Touya also felt a special connection with him. Even though he wasn't aware of it at first, Touya, too, wanted to be with Akito, and forever be with him — and he would become aware of it later, and completely change him and his view of his partner. Akito fell first, and Touya fell harder, so to say. To put into perspective how insane their bond is: in Len's chapter from At the Beginning of SEKAI With You (the VIRTUAL SINGER World Link event), we find out that the Street Sekai versions of Rin and Len appeared because of Akito and Touya's bond as partners and how close they were to one another... Considering the only concrete lore across all depictions of the Kagamines is that they are reflections of one another and instrinsically linked, it really goes to show how close Akito and Touya were right from the start (or, perhaps, how close they were fated to become): they are pretty much meant to be with one another. (Disclaimer, just in case: This is in no way talking about anything romantic involving the Kagamines, and rather comparing Akito and Touya's platonic and partner bond with them.) To finish off, returning to talking about love and contrasts: Akito doesn't particularly love himself, not being confident in his skills and being insecure about being seen as weak and uncool; and yet, he pushes through and is confident on what he wants to achieve, always looking ahead and wanting to push past his limits. He, in a way, looks for this love for himself he lacks from others, wanting to be admired and loved. Similarly, Touya doesn't hold himself in high regard, with his past mistakes dragging him down and thinking he's not worthy of being Akito's partner; but, upon realizing his feelings and how he's loved and appreciated by Akito, he becomes confident on how he feels and what he wants to do — aiming to reach his dreams along with his partner. He knows he wants to be by Akito's side, for years to come, experiencing new things alongside him and giving back everything that Akito has given him. They're quite similar in this regard, in the way they're both unconfident on themselves, and yet, are confident on their goals and what they want to do. Eventually, though, they both improve on how they feel about themselves: with Akito learning to stop a bit and appreciate how far he has come — having become a source of inspiration for others because of how hard he was worked to reach where he is; and Touya accepting those regrets that hold him down, realizing that those are something he can't change and a part of himself — with his unique experiences giving him a special strength. In short, love is a very integral part of Akito and Touya, both in their own characters, and in their relationship. Despite their contrasting experiences, their individual love for music and for each other really shape them as people; their common feelings making their relationship very strong and inseparable — a relationship where they complete one another. Their deep and undying love for each other makes them, after all, the best partner they both could ask for.

6. Other noteworthy contrasts

Finally, we have a section about extra contrasts that didn't really fit into any other section:

To begin with, we can talk about Walk on and on, Touya's third focus event. In that event, Touya gives making his own music a try, and after learning how to create his own tracks through sampling, he shows his creation to the rest of Vivid BAD SQUAD; with this track, he wanted to convey his feelings of gratefulness to Akito and his teammates, for remaining by his side all this time, and for supporting him and allowing him to be himself. While he doesn’t think it’s that good, everyone else really likes it, with Akito praising his partner for his good work, and saying really wants to sing this song. Touya says he’s especially thankful to Akito; for finding him after he had left classical music, and telling him it’s okay to sing by his side.

☕ I realized how lucky I am to still be singing with my partner… I was able to make this song because I wanted to be at his side, as his partner, for years to come.

Thanks to Akito, he didn’t quit music, and is extremely grateful that he is able to keep singing next to his partner; he wants to continue being Akito’s partner forever; and that is why he was able to make this track.

☕ Akito, you’re the best partner I could ever ask for.

This event is really special as it shows how special the bond between Touya and Akito is, and just how inseparable they are. They're truly the best partner possible for each other.

Fun fact related to Utsuro wo Aogu (Walk on and on's commissioned song): in the Master chart, the Full Combo total note number is 1112; coincidentally, Akito and Touya's character IDs are 11 and 12, respectively. Furthermore, Akito's birthday is November 12, aka 11/12 (or, depending where you live, 12/11), so the song's total note count matches Akito and Touya's IDs, and also Akito's birthday. This is definitely very intentional, considering the plot of the event and the costumes (which I'll talk about next), so this song is pretty much like a song dedicated to Akito and Touya's bond, and also a song dedicated to Akito especifically. This is so sweet... (This is vaguely unrelated but adding this for adair. And because I really like this fact)

Now getting to the point: with Walk on and on came the From on a perch Gacha card set. The cards from this set have a lot of symbolism, and I do talk about them in various of my previous essays, especially when it comes to the freedom and captivity themes. But leaving aside the freedom and captivity themes, as I have a series of essay for those themes, their designs also hold quite a bit of symbolism.

The main design themes of the set are birdcages and crows, with the characters' outfits predominantly being black and white. Touya (and Kohane) wears mainly white, while Akito (and An) wears mainly (or only, in An's case) black, showing a mirror between the each partner pair's outfits. In addition, Kohane and An's cards feature white crows, while Touya's card features black crows (and Akito himself), dividing them into two pairs. A special detail about this card set's outfits, though, is something that can't be seen at first sight: they feature wings on their backs. More specifically, each of the Vivid BAD SQUAD members has one wing on their backs, although Akito and An's wings can only be seen vaguely in Touya's card and her own card, respectively; but considering the context, it can be assumed they both have a wing that matches and mirrors their own partner's, making a pair of wings when they're together — becoming one.

(Touya's outfit, Melody Walker. The first picture is the default look, while the second picture is his Master Rank 1 (MR1) variant.) Furthermore, if you look at Touya's costume MR1 variant, it features Akito's image color (orange) where the default outfit's blue is, and the black and white elements of the shirt itself are mirrored. Moreover, the wing on the back is the exact same color as the default outfit's, but mirrored. The other Master Rank variants don't match the wing's color or even form a pair with it, so this really suggests Touya and Akito are meant to match, showing how they contrast each other. (This is also the case with Kohane's outfit and her MR1 variant, and Kohane and An's colors and the wings, but theirs are white rather than gray.) Also, these designs may be based on the concept of Jian (鹣), also known as birds that fly wing to wing or lovebirds (比翼鳥), are mythical birds that possess only one eye and one wing. They are often used as a metaphor to refer to a beloved couple in Chinese culture and tradition. These creatures are born imperfect, and they need to lean against each other and act as one in order to be able to fly. Their mutual dependence is eternal, lasting through death and rebirth. They are believed to be symbols of the complementary relationship between yin and yang. To finish off, crows are also a curious choice because crows are animals that mate for life — and in the story, Touya said to Akito he wanted to stand shoulder to shoulder with Akito for the rest of his life, which is where the crows are landing on, in Touya's card — Akito and Touya's shoulders, where their wings would be. They're truly meant to be together forever... (credits to adair for telling me about the jian birds stuff. this is kinda crazy really)

Now for more minor contrasts, we have Find A Way Out's card set, Break the Chain Gacha. In this card set, the characters wear black rider/biker costumes, and then blue or red layers; Akito (and Kohane) wear red, while Touya (and An and Luka) wear blue under their biker jackets. This makes the partners contrast with each other, with Akito and Kohane wearing the warmer color, and similar to their image colors being warm colors (orange and pink); and Touya and An wearing a cool color, which is also their image colors (dark blue and teal, respectively). Although the main reason they're wearing these colors is for the heart theme in the event and song (made even more clear with the Kashika 2DMV and how the characters are arranged like an anatomical heart) — with the characters being the veins and arteries of the heart, and all together keeping the heart that is Vivid BAD SQUAD beating, — I believe the color contrasts between the partners is completely intentional.

As a fun fact, Find A Way Out released on December 11, 2022; that is, 12/11 (or 11/12, depending where you live). As mentioned earlier, Akito and Touya's character IDs are 11 and 12, respectively, and they're both (along with Luka) the 4✰ cards in the card set. This one may be a coincidence, but it was pretty funny to notice this. Also, again, Akito's birthday is November 12, aka 11/12 (or 12/11), so it's like his birthday date but reversed. It's pretty curious that Akito's birthday is Akito and Touya's character IDs put together, isn't it? This one has to have been 100% on purpose, really.

For a final cards contrast: recently the third anniversary event happened, and Touya got a new limited 4✰ card with it. What's interesting about this card is that it contrasts Akito's previous anniversary 4✰ card in various ways, such as how the cards are black and white, which are opposite colors; furthermore, the second anniversary's card set is after black lilies, while Touya's card especifically is themed after white lillies; this feels like an intentional choice because the cards in the fourth anniversary card set all have different flowers, yet they chose to do lillies again for Touya's card. Something noteworthy to mention is how, in his card, Touya's bringing a lily to his mouth; while Akito, in his card, has a white petal in his mouth. What truly stands out about Touya's flower is that, in his card, there's many lilies, but three of them have colored stamens: teal, pink, and orange, which is safe to say represent Vivid BAD SQUAD's members. The teal and pink ones are on the sides of the cards, while the orange-colored stamens flower... is the one on his mouth. I feel like I don't have to say much more about this, really. It's definitely a very intentional choice. So wonderful.

Another fun contrast to talk about is Akito and Touya's moe aspects — that is, cute stuff in their otherwise not-cute characters. For example, despite Akito always trying to look so tough and cool, he likes pancakes and cheesecakes, sweet food that you wouldn't expect from such a guy. Furthermore, he's scared of dogs and not many people really know about this (pretty much just his family and Touya); and he also blushes pretty easily at Touya or when it involves him, such as getting teased for something Touya said, or when getting praised by him. Then we have Touya, who looks so cool,mysterious, and aloof, yet in reality he smiles easily at Akito (nowadays), and is actually a very curious and clumsy boy, who likes playing crane games and giving plushies to his close ones and trying out new things even though he may be terrible at them, like being confident to play a ball throw game then failing spectacularly or climbing a tree despite being afraid of heights and having to be helped down by his partner. Despite both looking or acting so tough and cool, they have stuff about them that are unexpected or even cute about them, which contrasts their own personalities and often leads to fun situations and scenes.

7. Conclusion

In short, Akito and Touya mirror each other in so many ways; they're extremely contrastful. They're genuinely pretty much made for each other, meant to be with one another: their different backgrounds and personalities make them fit each other perfectly, because they have what the other lacks, making up for the other's flaws; and, with that, they can push each other forward, and support each other fully, being fully in sync — and become one in the process. They allow each other to grow, drawing the best out of each other, and their contrasts is what makes them the perfect partner for the other. They're, in the end, the best partner both of them could ask for.

🥞 (Reaching the top through clashing with your partner, isn't your privilege alone!) ☕️ (We both looked to each other—we looked at what we didn't have, and ran upward.) ☕️ (So that we can keep being partners who deserve one another!)

8. Afterword

And that's all for the essay! This one took a little while, but I finally finished it... I tried to be more confident in my writing, and also summarize stories less (I summarized stuff a lot in my past essays), and I think it turned out overall solid (although I believe it still has some flaws). This essay was sort of a group effort thing, where my friends helped me throughout by contributing to it and checking over my progress, so I'm very grateful for everyone's help! Thank you so much!! There isn't much more to say now. Thank you for reading, and I hope you enjoyed the essay! I put a lot of effort into it, and I'm quite proud of it. I will try to write something for Akito's birthday next month... exciting stuff. See ya!

[roxtron]

Day 5: Rabbit, Reclaim

AGJGDFJF FINALLY IT'S DAY 5 SO I CAN POST THIS

For some reason everytime i draw him he looks so young because i'm accidentally overcorrecting since i'm used to drawing older characters. So unfortunately he looks way younger than i meant him to lol, whoops.

But wait there's more- AHAHAHA

While I did initially plan this for GGY week I eventually got the idea to use this as an excuse to draw other GGY designs, soo..

(Not sure why tumblr formatted it that way with 1 of them big but it doesn't matter lol)

I've been wanting to do this for a while, I put the tags of each person next to their design but ofc I'm still gonna tag them in the post itself so you can see their art for yourself if you haven't already. But I enjoyed each of these in their own ways so if you don't mind I think I'm gonna type a bit of text next to them..

@chipistrate This was one of the first I drew out of these, the design was pretty fun to draw but sorry if I messed up a few details, it was a bit difficult lol. The mask and goggles are really fun to draw and they make for a cool design, along with all the glowing blue. (and yes, I tried to subtly include the heelies lol)

@lunzi0 This was the first fursuit one I did lol. I adore the little stars in the design, they personalize it so well and make it really unique. I wanna try this design again since I feel like the other ones show my improvement a bit better, but I hope you can appreciate the effort I put in on my first attempt <3

@carouselrabbit This one was really fun to draw, I absolutely love the eye shape/lashes, it stands out and I always love drawing eyes with a bit of eyeliner lol, the daycare theme legwarmers is a cool nod to the balloon boy arcade machine being connected to them, and was just a fun addition in general lol, I like the style of legwarmers what can I say, fnaf changed my fashion sense a bit. also the subtle paraells to freddy's design is a nice way to connect a bit to gregory himself.

@puhpandas I can't remember if I talked about this design last time I drew it but, overall I'm really happy with how this came out, it's such an indicator of improvement since I started drawing this and I'm glad I was able to draw it better than last time lol. All the patchwork and similarities to Vanny's suit work really well, and the rabbit you chose to base it off of was a good fit, the colors make it a bit more difficult to shade for but i like detail lol, hope you like it too :)

@dykevanny I knew I wanted to do this since I started but I wasn't sure if I'd have time, and I'm glad I did! I hope you don't mind I combined aspects from the first design I saw and the second one you replied to my ask with, I liked the big purple sleeves lol. (I just realized after doing all the shading I forgot to include the oil splatter on his jacket, sorry!) It was definitely a bit difficult due to the head shape being so different but.. fluffy. i love drawing fluff. And the glowing swirl on the goggles, the shape of the ears, I love a lot about this design. :D

I have a hard time with writing compliments but I wanted to get some of those thoughts out, some of the things I like about these designs apply to multiple lol. I adore every one of these designs but I find it hard to put into words what I enjoy about them, hope the original creators are happy with these. <3

I also kept the ggys without as much lighting effects on a separate file, I felt like I should add them since they're a bit brighter lol, makes them look different.

Okay now that I've gotten all that- Sorry this post is so long! I didn't think it'd end up taking up so much space lol. Buut.. working on this drawing and thinking about it and potential context behind it gave me an au idea for it, but I'll put it under the cut since I understand most people probably won't care and just wanna see the drawings lol.

Idk if I'm confident enough to write for it but I'll give a bit of a summary.. I'll keep it under the cut for people who aren't interested and just wanna see the art though lol.

After the main events of SB and Ruin, now that the mimic's been set free, Cassie's taken control of by what's left of Vanny, using her as a new host. But with Cassie being the only human left alive down there, after being reawakened, Dr. Rabbit has nowhere left to go but back to his old host.

Vanessa, Freddy, and Gregory hadn't gone back to the Pizzaplex after ruin, but they were trying to figure out a plan to get Cassie back safely. One night after Freddy and Gregory disappear, Vanessa leaves to go find them. As dangerous as the pizzaplex is, it's her best guess for where they might've gone. She doesn't want to think about what could've happened to them, in denial for the worst case scenario. She tries to keep herself calm by telling herself they probably just left to go back for Cassie, maybe they didn't want her stopping them.. but deep down she knows it can't be that simple. She knows something's off, even if she's not ready to admit it.

When returning to the pizzaplex, she brought along her own V.A.N.N.I. mask, though unlike the one Cassie used, it was clear of the mimic's influence. After all, she was going to need some way to travel through potential blocked routes.

By the time she found Gregory, she'd still been wearing the mask, seeing him down the end of a dark hallway. He looked confused, afraid, his mind was a wreck of conflicting emotions. She started rushing towards him, happy to see him okay, until he finally spoke.

"You need to get out of here."

She stepped back, taking off the mask, only to be faced with the worst case scenario.

It was a wreck, covered in stains and tears, but it was still recognizable. He was wearing that old suit again.

As he waved, she could see Freddy's claws peeking out from the doorway, as the two stepped closer towards her.

So, she did what he told her to do, and started running. She could hear a faint voice coming from the mask, and put it back on before finding somewhere she could hide.

It was his voice again, telling her which way to go.

I guess that was the dramatic way to summarize the main idea behind it, lol. Basically Gregory and Dr. Rabbit work the way Sun and Moon work in Ruin, whichever one is in control in the real world, the other is left behind in the AR world. Or at least that's my interpretation of how they worked, considering Sun was always in mask-on scenes and moon was mask-off. I'm not too sure where the plot might go from there, and maybe I'll consider writing for it, I dunno. I've never wrote fanfic before because I get deadly afraid of writing them out of character lol, but maybe?? I have ideas for scenes and premise and stuff but I don't know if I have the confidence to write it.

But anyway! That was just more of a fun side-idea I came up with while working on this, if you read this far thanks, hope you enjoyed :)

here's some silly little lineless doodles as a reward for making it to the end hehe

now that's what I call an art dump

@ggyweek2024

[eliyips]

HOW DO YOU MAKE X SO FRIENDSHAPED?!

But also genuinely curious about the design translation from the actual skins to your interpretations due to the small but mighty details added in

Infodump as hard as you want!

If i ever pass up an opportunity to talk about my X design, it will be because I am either dead, or dying!!! neither are true at time of posting, so here you go! I will be going over my ENTIRE design process for Xisuma, starting with my initial design:

My initial design for Xisuma wasn't anything special, in my opinion. Most of what I included was directly ripped from the classic Doomslayer. Though, the face scars were inherited from fanon, of course. :) The changes that I did make were in service of having things make more sense for Xisuma. Namely, the belt buckle, and the fabric covering the arms...

The belt buckle is simple - bullets didn't really make sense as a design motif, all considered - but the fabric is more complicated. I have a couple different ideas about why Xisuma wears the suit, but I haven't settled one way or the other on some of the specifics, so forgive me if I'm a bit vague. Ultimately, It is just my impression that X is not comfortable having his body visible more than it needs to be, whether that be for health-related reasons or for personal/emotional reasons. I don't intend to ever draw Xisuma with his helmet off, because of that. To me, it feels like a violation of boundaries. To be perfectly clear though, that's just for me - more power to other artists who draw him without the helmet/armor! :)

By the time I was full-on fixated on Xisuma, I realized I was unsatisfied with this first pass at his design. Mainly, in regards to the helmet. So I did more work on it!

I feel like my re-design process for the helmet is a good example of the importance of using reference. :) I did a lot of unsatisfactory sketches before pulling up pictures of real helmets, at which point I feel like I settled on something I was happy with very quickly.

Specifically, I referenced motocross helmets! My choice of reference was mostly driven by my passing interest in sports equipment design, though motocross helmets are similarly bulky and have the same distinct mouthpiece as X's helmet, so I think it was a good choice. I also feel like the pixels at the top of Xisuma's skin can be pretty easily read as the brim of a helmet, so it works out!

Other than the motocross helmet influence, I also made the choice to add tubing to the sides and back of the helmet. This rolls with my headcanons about the purpose of the helmet, connecting to air tanks on his back! I also think it helps to distinguish him from the doomslayer, in addition to the new helmet shape.

The only other changes I made were to the helmet's palette, added a few additional grey tones for contrast, and the positioning of his scars. I decided I wanted them to be a little off-center, leaning towards his left eye. I'm pretty inconsistent with how I draw the scars though, lol, so it changed again by the next time I drew him.

At this point my design is mostly settled for him, and I don't expect it to change very significantly any time soon. I don't have much else to say about it, but I listed the other iterative changes I made to the design above! I figure I will continue making small tweaks to his design every time I draw him :)

That said... I have yet to answer your initial question! So I will answer it now:

"HOW DO YOU MAKE X SO FRIENDSHAPED?!"

My answer is that it's (almost) all in the eyes!!! I have already talked pretty extensively about Xisuma's eyes. So I won't dwell for too long! In short, human facial recognition is very closely tied to the eyes. The ability to see the eyes of a character clearly affords you a lot of flexibility when it comes to making a design seem approachable, or "friend-shaped." I painted over a screenshot of doomguy to illustrate my point!

My drawings tend towards being a little cutesy, of course, so that helps :) but you can see that the bright, saturated color, big distinct eyes, and less harsh expression all contribute to making him seem like he is less of a threat, despite this literally just being the doomslayer.

Another thing that helps is, again, related to the style I draw in. My art is very "clean" looking, not gritty. I use a lot of soft shape language and don't texture things too heavily. With Xisuma specifically, I also make no effort to make him seem intimidating. I use very neutral angles when drawing him, I don't frame him in a way that makes him seem intimidating or imposing, I don't pose him too confidently or angrily. Because he's not that kind of guy! Though it would be an interesting challenge to try and make him look as intimidating as possible :) I certainly think he could be quite scary, if he wanted to be. Just a matter of what I'm trying to convey.

... I think that's all I have to say for now! Once again, blown away by all the nice things people have to say about my Xisuma design and my art. Everyone here has been so kind and encouraging, and I really appreciate that. Thanks for giving me the opportunity to yell about Xisuma! If you have follow up questions, by all means, I am ready to answer :)

[jack-o-phantom]

ngl it took me like 5 minutes of scrolling to find a mid-sized person in your art tag and you’ve never drawn a fat person so i feel like not being able to distinguish twink from hunk is more a side effect of generally having oversaturated thin character designs? /gen /nm

Let me sit you down for this, and put aside that you walked into MY home. Took one look around, and bit me like I am some type of evil.

First of all, I have never seen you before. And the first things you comment on my posts are as follows:

You assume, under a 5 minutes of searching my blog, that I cannot distinguish body types. You state this as if I am ignorant, or discriminating because I do not draw a certain body type often.

Let me GIVE you my pieces then since it took you so long to find a "mid-size person"

I make art because I want to, I share my art because I want to, and I love doing it!

This is my online experience, if I believe calling my Oc a twink as a joke is getting annoying, do not say I do not know what I am talking about. Or that I am blind to his body type.

hi! Here is my Oc Mal the Sea Lion, I love her, but I don't post all my personal work.

I always know there will be "that person" when it comes to making my work public. Do not come up to me with hostility, when you yourself are not educated about me. You will not dictate how I want to create.

Nor will you show me such disrespect of my person.

I won't take shit from strangers on the internet, this ain't twitter, Im blocking you now.