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US Vogue April 15, 1966
Ivory chiffon. By Dominic for Matty Talmack, in Bianchini Chiffon. Earrings, Paco Rabanne. Hairpiece Reid Meredith Dynel.
Mousseline ivoire. Par Dominic pour Matty Talmack, en mousseline de soie Bianchini. Boucles d'oreilles, Paco Rabanne. Postiche Reid Meredith Dynel.
Photo Gianni Penati
vogue archive
#us vogue#april 1966#fashion 60s#1966#spring/summer#printemps/été#matty talmack#bianchini férier#paco rabanne#meredith dynel#gianni penati#hairpiece#postiche#chiffon dress#robe de mousseline
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Frange Postiche Pour Femme Synthétique Extensions Capillaires Avec Clips
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Afroking Blog Découvrez nos produits de qualité supérieure conçus pour embellir et soigner vos cheveux. Read more: https://afroking.fr/blog/
#Capillaire#PerruquesExtensions#SecretDeLoly#SheaMoisture#CheveuxNaturel#CheveuxSemiNaturel#Postiches#Tissages#AfrokingBlog
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In an interview :
Describe the things she did or said that upset you most.
Task force 141 :
Price : she spat on me.
Soap : she castrated me.
Gaz : she locked me in a dark room.
Ghost : she impressed me.
Price, soap, gaz : that's not very offensive…
Ghost : so she managed to beat me in a one-on-one fight in 15 cm heels…
Los vaqueros :
Alejandro : she called me postiche man.
Rudy : If she has said or done anything to offend me….? No, never, she's always been sweet and lovely to me. flashback eeuuhhh… You can cut my words, I'd like to do the scene again…
I'm sorry, but Alejandro's haircut makes me want to die laughing.
#call of duty#captain john price#cod modern warfare#cod mwii#cod x reader#john soap mactavish#kyle gaz garrick#alejandro vargas#rudy parra#rudy parra x reader#simon ghost riley#simon ghost x reader#alejandro vargas x reader#john price x reader#soap x reader#gaz x reader#kyle garrick
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Attack on Titan Actor AU
(part 2)
(season 2-3-4)
Pixis only auditioned because his kids are fans of manga, but he immediatly fell in love with the character.
Hannes once came on set drunk and filmed his scene. The directors only noticed while editing the scenes.
Freida Reiss is Miss Universe 2014.
Kenny writes gives good luck letters to the actors who are going to film along side him.
Keith Sadies loves to prank the 104th training corps during filming.
Rod Reiss is a comedian, he played his first dramatic role in the series.
Zeke tried to grow his beard for the role but ended up wearing a postiche.
Porco first auditioned to play Eren but the casting director found him more fit for his current role.
Pieck shares fanfics and fanarts on her stories. She finds it cute.
Gabi has a YouTube channel where she learns to play the guitar.
Falco is the biggest fanboy of the cast.
Floch used to be an extra but then got his role because the fans liked his performance.
Willy Tybur directed the last ep of season 3
Nicollo has a TikTok where he prepare food and gives cooking advice.
Onyankopon was an MMA fighter, he got into acting after an injury that left him unable to fight again.
All the flashbacks scenes were filmed at the beginning to avoid recasting younger characters and bring authenticity.
#attack on titan#aot imagines#eren yeager#mikasa ackerman#jean kirstein#armin arlert#connie springer#ymir#historia reiss#sasha braus#reiner braun#bertholdt hoover#annie leonhart#gabi braun#levi ackerman#erwin smith#zeke jaeger#hange zoe#actor au#snk#x reader#kenny ackerman#aot x reader#aot headcanons#eren yaegar
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Au dire d'Ovide:"je ne peux suivre la mode, chaque jour introduit un style nouveau, une mode nouvelle"
Pour les femmes du peuple la coiffure de tous les jours est simple,elle se complique comme en témoigne cette collection de bustes pour les dames nobles.
Ainsi,Pour son mariage la jeune mariée avait une coiffure compliquée composée de six bourrelets surmontée d’une couronne de fleurs, elle avait préalablement teint ses cheveux avec une teinture a base de safran.
La femme utilise pour réaliser sa coiffure de cérémonie, des filets, des postiches, des perruques, des tresses, des épingles a cheveux, des bouffants, des crépons, des sert têtes,et fait usage de poudre colorée
sources:photo:Pinterest
texte:"De la racine à la pointe" manuel de la coiffure historique
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*sits on the ground, holding out a mug* spare devil theory content...spare devil theory content?
Thank you for being patient with me jdbsjsjhs
Here's my headcanon version of all 4 members!
Top left is Beezlebub, who's mask is the version we see in game and has little devil horns on his hat.
Top right is Osiris (the leader of the crew), whose mask has a creepy grinning mouth and Egyptian beard postiche. His hat's horns are styled after the postiche as well.
Bottom left is Hades, whose mask has a flaming grin and his hat horns are also made to look like fire.
Finally, bottom right is Pluto, whose mask has 3 dog jaws meant to look like Cerberus and his hat's horns are the dog ears like the in game version.
Sorry it's so scribbly and crappy, I only had a few pens around ^^'
Hope you enjoy!
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Cover details.
La Mode nationale, no. 47, 27 novembre 1897, Paris. No. 1. — Coiffures de jeunes femmes. Modèles de la Maison Lenthéric, 245, rue Saint-Honoré, Paris. Bibliothèque nationale de France
(1) La coiffure de jeune dame que représente notre dessin peut être exécutée par la personne même.
On séparera d'abord les cheveux d'une oreille à l'autre en les ramenant en avant pour placer un léger crépon, afin de soulever un peu le devant; et on épinglera les pointes sur la petite natte qui sert de fondation.
On relèvera ensuite mollement les cheveux de la nuque, gu'on épinglera sur le point d'appui.
On posera alors derrière le nouveau peigne le grand carré, genre empire, dernière création de Lenthéric. Ce peigne, d'une allure des plus élégantes, soutient les cheveux, qui reposent dessus en détordant. Il doit être posé légèrement incliné en arrière afin de couper la ligne de la nuque, que dans toutes ses coiffures Lenthéric essaye d'atténuer autant que possible en diminuant la distance du bas de la nuque au chignon.
Le devant sera agrémenté de trois petites coques superposées et deux de côté.
Cette coiffure, très coquette, peut se faire de même avec le chignon zénith, autre création toute récente de Lenthéric.
(1) The young lady's hairstyle represented in our drawing can be done by the person themselves.
We will first separate the hair from one ear to the other, bringing it forward to place a light crepe, in order to lift the front a little; and we will pin the points on the small mat which serves as a foundation.
We will then gently raise the hair at the nape of the neck and pin it to the point of support.
We will then place behind the new comb the large square, empire style, Lenthéric's latest creation. This comb, with a most elegant appearance, supports the hair, which rests on it while untwisting. It must be placed slightly tilted back in order to cut the line of the nape, which in all his hairstyles Lenthéric tries to attenuate as much as possible by reducing the distance from the bottom of the nape to the bun.
The front will be decorated with three small shells one above the other and two on the side.
This very flirtatious hairstyle can be done in the same way with the zénith bun, another very recent creation by Lenthéric.
—
(2) Cette coiffure très simple se fait avec les cheveux mêmes de la dame, sans postiche.
Les cheveux de la nuque sont légèrement tournés de gauche à droite afin d'éviter de les relever en racine droite.
Le chignon se fait en prenant les cheveux tous ensemble, en les tordant mollement et en les épinglant pas trop haut sur le dessus de la tête.
Le devant se frise légèrement, surtout pour les personnes ayant les cheveux courts.
On fait ensuite deux coques en arrière et une petite boucle de chaque côté du front.
Une bonne exécution donne une coiffure des plus seyantes, qui peut se faire également avec le nœud néo-gordien pour le chignon et le néréide pour le devant.
(2) This very simple hairstyle is done with the lady's own hair, without a hairpiece.
The hair at the nape of the neck is turned slightly from left to right to avoid raising it at the right root.
The bun is done by taking the hair all together, twisting it loosely and pinning it not too high on the top of the head.
The front curls slightly, especially for people with short hair.
We then make two shells at the back and a small loop on each side of the front.
Good execution gives a most becoming hairstyle, which can also be done with the neo-Gordian knot for the bun and the néréide for the front.
#La Mode nationale#19th century#1890s#1897#on this day#November 27#periodical#fashion#fashion plate#cover#color#detail#description#bibliothèque nationale de france#dress#hair#collar#Modèles de chez#Maison Lenthéric
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Windchargers headsculpt?
[the images are all cropped from TFwiki photography]
It's interesting (?) how Windchargers simple G1 toy's head has been interpreted in media and later toys.
Like, the original face is like black shades, mask but also the little robo-beard/chin-ornament/postiche thing. There's an implied helmet like structure, but it's so basic and then there's the boxy element that seems to exist to line the inner surface of the car-mode's front end to make it less obvious this is just the underside of a car. It was probably fine for its time, right? The toy was tiny. But, what I like is that the black shades-like visor is on the box whose alt-mode has the louvered window. It's thematic.
Then Windcharger had some other toys that were a whole different scheme with a chest-hood (not pictured here).
Then the Generations/Combiner Wars toy goes with a different interpretation. Like, the front end of a car is still back there, but the boxy element is also red so it fades away. And now there's a helmet structure. This makes sense to me. Like, that gray boxy element was probably never needed for aesthetics. IDK if it had a function in making the sculpting/molding process any more efficient. So, this version of Windcharger is kinda handsome, but like in a generic manner like Megatron was a trendsetter for certain styles of helmets and this bot got one because he's a pony-car who likes to mod himself, but he ended up losing some of her personality by not having shades.
Then there's this Power of the Primes version of Windcharger and it's like someone thought they wanted to homage the g1 style, but like not the original toy so much as the cartoon animation model. So now the boxy structure is the helmet, even though in this conversion-scheme there's no front-end kibble behind the head to necessitate the boxy structure to line the front end. They just really went all in for cartoon aesthetic, but maybe very slightly less boxy. So now the helmet/box thing kinda passes as a robot mullet combined with that band across the brow.
So, if I'm trying to describe Windcharger in a fanfic, how do I even describe what this bot looks like? I kinda feel like robo-mullet makes a weird amount of sense stylistically, but at the same time, there wouldn't be a structural/functional in-universe need for the helm to be that boxy or for any separate boxy element to stick out/up behind the head. I think retractable black shades/visor would be good so he could have the option of showing optics or not. I guess the chin bit is there, as it's consistent. Maybe, the mask parts are optional, too.
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US Vogue January 1, 1962
Dorothy McGowan wears a new type of "muumuu" (traditional loose dress from the Hawaiian Islands) reflected in the foliage from front to back on the beach in St. Thomas. Pink, orange with puffed sleeves, a high waistband closed under the bust, deep side slits. The look, Orientally Empire. By Cabana, of Amerite cotton. Hairpiece: Joseph Fleischer. Dorothy McGowan porte un nouveau type de "muumuu" (robe ample traditionnelle originaire des îles d'Hawaï) reflété dans le feuillage d'avant en arrière de la plage à St. Thomas. Rose, orange avec des manches bouffantes, une bande taille haute fermée sous la poitrine, de profondes fentes latérales. Le look, Orientalement Empire. Par Cabana, de coton Amerite. Postiche : Joseph Fleischer.
Photo John Rawlings vogue archive
#us vogue#january 1962#fashion 60s#spring summer#printemps été#cabana#muumuu#dorothy mcgowan#john rawlings#joseph fleischer#st.thomas#vintage fashion#vintage vogue
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Harper's Bazaar, September 1955
Dovima is wearing make-up by Revlon, postiches by Joseph Fleischer, fur by Fredrica, jewelry by Miriam Haskell, photo by Richard Avedon
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AfroKing est votre destination pour les cheveux bouclés / cheveux naturels et semi-naturels, les nattes à tresses, les produits bio naturels et plus encore. Découvrez nos produits de qualité supérieure conçus pour embellir et soigner vos cheveux. Read more: https://afroking.fr/
#Capillaire#PerruquesExtensions#SecretDeLoly#SheaMoisture#CheveuxNaturel#CheveuxSemiNaturel#Postiches#Tissages
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MODE | Modes vestimentaires cycliques : crinoline, cachemire, vertugadins ➽ https://bit.ly/Modes-Vestimentaires « Déesse inconstante, incommode, bizarre dans ses goûts, folle en ses ornements, qui paraît, fuit, revient et naît dans tous les temps », la mode vestimentaire est un éternel recommencement, à l’image de la fraise, encombrant appendice adulé sous Henri II et refleurissant sous la Restauration, du châle tantôt désuet tantôt incontournable attribut de grand luxe, de la crinoline du Second Empire dont le vertugadin fut l’ancêtre sous François Ier, ou encore du séant postiche prenant ses marques sous François II
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found myself watching nat geo's "Hatshepsut: Mysteries of the Warrior Pharaoh Queen" and they negated a common misconception surrounding the fabled queen so very well.
Queen Hatshepsut often depicted herself as a man - she was often painted, sculpted or etched with the Postiche (faux beard), traditional Nemes (headdress) and Shendyt (kilt). or so this was/is the intepretation of many, as it solidifies the belief that a ruler that was respected, a pharaoh that was revered, could only ever be a man.
I, on the other hand, very strongly believe, and agree with the sentiment presented by the documentary. Queen Hatshepsut did not consciously depict herself so to mimic a man, but to remind everyone she was the pharaoh, god's embodiment on earth.
up until then there was no female pharaoh that had lasted the trials that came with their gender and the test of time, and so these physical accessories were only associated with their forebearers - men. instead of immortalising her reign as a lone queen with new attire, I think Queen Hatshepsut made a resounding statement by adhering to the traditional symbols of the pharaoh - also reminding everyone that in position, she was no different from her predecessors. instead, it was in her power and prowess that she was different - and the still-standing wonders she oversaw the creation of are testament to that.
#mind you i am by no means qualified or educated to make commentary feel free to correct my mistakes but nicely please#history#queen#queen hatshesput#ancient egypt#egyptology#feminism#hatshepsut#karnak#archaeology#art history#women in history#national geographic#nat geo#documentary#history documentary
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Automne 1914, Saint-Jean-sur-Richelieu, Canada (13/22)
L’autre jour, le Capitaine Delacroix est venu me trouver, et il m’a posé de nombreuses questions sur mes camarades. Je pense qu’il s’est aperçu, ou qu’il lui a été rapporté, que Zéphir commet de nombreux petits larcins, et peut-être s’interroge-t-il sur ses fréquentations, car la plupart des questions du Capitaine portaient sur son oncle. Ne souhaitant pas trahir le garçon, qui ne pense pas à mal, j’ai prétendu ne rien savoir et j’ai brossé un portrait on-ne-peut-plus mélioratif d’Arthur Rumédier, afin qu’on ne l’accuse pas d’avoir une mauvaise influence sur le garçon. J’étais bien loin du compte…
[Transcription] Zéphir Rumédier : Tu ne remarques rien de différent ? Bert Simmon : Si je remarque… Bert Simmon : Ta moustache, bien sûr ! Hé ben, c’est plutôt impressionnant, mais il faudra que tu me dises comment tu t’y es pris pour te faire pousser une moustache complète en une nuit. Zéphir Rumédier : En fait, ce n’est pas une vraie moustache, elle est faite en poils que j’ai assemblés… C’est ressemblant, pas vrai ? Bert Simmon : Et qu’est-ce qui te pousse à te balader avec un postiche de moustache ? Zéphir Rumédier : C’est que Maman dit toujours que les soldats et les agents de police doivent avoir une moustache. Je voulais lui faire une surprise en lui envoyant une photographie de moi en uniforme, mais la mienne est trop fine et… Bert Simmon : Chut, attends. Ecoute. Odin Delacroix : Rumédier, je peux vous parler une minute ? Arthur Rumédier : Oui, mon Capitaine.
#ts3#simblr#legacy challenge#history challenge#decades challenge#lebris#lebrisgen3ter#Jules Le Bris#Bert Simmon#Zéphir Rumédier#Odin Delacroix#Arthur Rumédier#Marie Rumédier
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