#post end game

[frankthesnek]

✨️ New story ✨️

Namaste (rated E)

Stony (Tony Stark/Steve Rogers)

Post end game fix it, getting back together, domestic fluff, daddy kink, bottom Steve

9k words

Stony Bingo space S2: Yoga @cap-ironman

It was hard for Steve to believe this place was real. The lakehouse with chickens and a farm dog and children’s toys scattered around the backyard and deck. Tony had grown into his age and wisdom and settled into the soft domestic life he had never allowed himself—or never been given the chance—to have. Sometimes Steve felt guilty, like he was hijacking Tony's life because he himself had never found the one he wanted to settle down and start a life with—or more accurately he hadn't been able to keep them. But now, things were different for them both. Softer and simpler, and maybe that loving domestic life was not as far off as Steve had thought.

[artemisiatodd]

Big!Sam is my new favourite thing 😍

(tbh idk if I like this, I've a complicated relationship with colours lol, but they hair look nice so I'm satisfied ✨)

[alphaori]

Being into indie ttrpgs on Tumblr is a very funny experience because while you're ambiently considering designing a little game about idk, gremlins growing cabbages or whatever there are people who built this hobby from the ground up with 15 award winning published games and three podcasts and a knighthood from a small European monarchy just doing their thing on the same platform. Imagine this was the case for any other hobby. You go to shoot some hoops behind your house and LeBron James is just there

[cheeseandcake-from-ao3]

[14dayswithyou]

Give Redacted a kiss for me!!!

Do you have any dark/creepy headcanons for Redacted? I’m very curious ^^

✦゜ANSWERED: I know you asked for [REDACTED] specifically, but everything mentioned below could also apply to Ren as well ^^;

cw: mentions of gore, torture, (one line about) cannibalism, NSFW themes, and just general creepy behaviour

I'm sure most people already know about Ren's red room days, but for the newer folks: he used to livestream himself torturing his victims on the dark web. He would also harvest and sell their organs for extra cash.

His red room phase began after a group of upperclassmen started livestreaming themselves bullying people (Angel included) for attention online. If those teens wanted a taste of online fame that badly, Ren would be all too happy to give it to them — especially after he heard all the degrading things they said about Angel during their stream.

Ren has probably sniffed (licked???) Angel's underwear on multiple occasions lmao

He also keeps a bunch of their discarded cups, mugs, bottles, etc. — and on the days when he's feeling especially lonely — Ren likes to put his lips where Angel's would've been and treat it like it's an indirect kiss.

If Angel is fine with it, Ren would be more than willing to carve his name into their skin. He'd have to use an ample amount of his numbing cream though (typically reserved for when he gives himself tattoos and piercings), since he doesn't want them to be in any pain.

Similarly, he'd also be willing to carve their name into his skin as well — as many times as Angel would want. But he already has multiple tattoos of their name on his skin, so.... gksgsjj

I'm sure everyone already knows this, but Ren has an entire shrine dedicated to Angel. He keeps all his sentimental and stolen items there.

Ren genuinely has no empathy for anyone other than Angel, so if they were to ask him to murder his own mother (or his sister, his best friend, etc.) and bring back their heart, he'd do it with a smile on his face.

Because he has no empathy, Ren would probably enjoy watching snuff films like it's any other B-tier horror film. To him, it's just more research material on how he can get rid of his competition.

I've mentioned this in the past, but Ren has jacked off to the thought of Angel while in the library lol

I made a post back in 2022 that mentioned how Ren would willingly offer up any of his body parts to a cannibal!Angel, and I think the point still stands!!

He likes to put Angel's stolen laundry on his body pillow and rut into/hump it 😟

I once mentioned that Ren would slap a barcode sticker on his sledgehammer to make it look less... questionable whenever he carries it around in broad daylight — but alongside that, I think he'd also carry around some tools and an unopened can of paint to make it seem like he's just doing renovations. In reality, he'd probably force his victims to drink paint or gargle nails teehee

Builder AU except Ren mistook a body for plywood??? Why is he hammering so many nails into them?? Why is he feeding it into a wood chipper???

Builder AU except Ren gives Angel a different meaning to getting nailed and railed???????? Jackhammering???????? Getting screwed sideways????? KGJDSGNK It's 2AM I'm losing da plot now T_T I'll shut up

[pancakemolybdenum]

worlds smuggest tween owning noobs on wizard101

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

----------

Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

----------

Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

----------

Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

----------

Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[emry-stars-art]

Coffee shop shenanigans from my own version of the trope 😌

[onawhimsicot]

i know not many people would want to read a 10,000 word article about the minecraft end poem and how the author, Julian Gough, was never fairly compensated for his work and has made it public domain.

But it's a very well-written and heartfelt read, and he makes it very clear that none of this is a cash-grab and despite the fact that he is essentially a starving artist in this capitalist society, he only mentions his financial struggles despite Minecraft's huge huge success at the bottom of this article and not in the tweets so as to not dilute his message.

Anyway, I just think it'd be cool if those who are able to could support him in some way whether it be subscribing to his substack or donating to his paypal (that's linked in the article, you can ctrl + F to find it easier), that's all.

[illmoraineakoi]

So, I know I'm a little (very) late to the AvA stuff, but I was rewatching AvM Season 3 for the seven hundredth time and, well, I noticed something and I'm curious to know if it's been discussed before.

AvM Episode 29, Purple's story, specifically, Pink's death.

Her color changes as she dies, or is represented to have died.

It fades to grey.

Now, the question is, can we, or rather should we, use this to infer anything lore-related? Was this just an artistic choice to depict the act of becoming unhealthy/dying, or could this be what actually happens to stick figures that die over a period of time? Are their colors linked to their health?

Let's have a bit of fun with it, and presume that the fading of one's color can happen to a stick figure for health-related reasons, as the scene could imply.

This fading seems to involve loosing the saturation of one's color into grey. Saturation is how vibrant a color is, and the complete lack of saturation is greyscale.

The World-of-Alan reason for Pink's death is that she 'got sick', which is where the health connection of this theory comes from. If she did loose her color as she was dying as the notes depict, that loss of color was likely a result of her failing health rather than any other factors, like age or outside variables. A whole bunch of human body stuff are indicators for good vs poor health, including skin color (jaundice and cyanasis are good examples) so why not a stick's color for them?

What if, when they fully die, they lose all of their original color?

Now, let me propose this…

Who else do we know of who has had their color loose vibrancy?

What if Victim's color has lightened because he's ill?

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[rebloggingrexan]

[turtleybeachin]

I've seen someone sharing the very last page to show "he's aware he's in a game". I wanted to share the last three pages to instead show: He's aware of the multiverse (because of COURSE he is), and spoke directly to we readers to confirm that all realities coexist simultaneously.

He's aware in one universe, his reality is our game.

He's aware we all have our own experiences, headcanons, and relationships with these characters. And they're all valid for our universe. Which coexists with all others.

Yes. He's aware he's in a game. But it's so much more than that.

So go off, fellow exchange students, and know that your fanfic and your fanart and your imaginary situations with your fictional others is all, by Barbatos' own assurances, a reality.

[kamaluhkhan]

you are so gorgeous (it makes me so mad)

pairing: young!coryo snow x fem!reader

summary: clemensia dovecote has a theory that you and snow are destined for an enemies to lovers arc. you're sure it's completely, absolutely not true...right?

warnings: 18 + smut; biting + mention of blood ; both reader and snow are not the best ppl and have some very classist/elitist opinions

a/n: finally!! i wrote one of the ideas that has been haunting me ever since i've been back in my hunger games obsession + watched tbosbas...needless to say this will likely be a series inspired by taylor swift's reputation album. also i am so sorry this is unedited bc ofc it's 3am when i had the motivation to write this but i hope y'all enjoy ♡

i've had enemies so intense it felt like love, so mutual it felt romantic (chelsea hodson)

"what in the name of all the gods is he doing here?"

you're practically seething when coriolanus snow walks into your foyer. he's wearing an ensemble made with crisp white silk and intricately embroidered with gold thread - elegant, eventhough its silhouette would have been fashionable last year. a single white rose sits in the pocket of his jacket. he surveys the crowd, like he's calculating who's most worthy of his attention, platnium blond hair perfectly curled and practically glowing under the light of the chandelier. he looks beautiful, almost angelic.

you absolutely hate it.

"oh, i invited him," clemensia dovecote informs non-chalantly.

coriolanus makes eye contact with you from across the room, and you turn your head sharply to your best friend.

"why would you think it was okay to invite him?"

clemensia smiles mischeviously, grabbing two champagne flutes from a passing silver tray. she hands one to you.

"i know the two of you have your petty squabbles — "

"they are not petty, nor are they squabbles," you grumble, taking a sip of your drink.

your contempt towards coriolanus was perfectly reasonable and absolutely mutual. he had some ridiculous notion that snow had to land on top, that it was his right to be there instead of yours. your relationship, if you could call it that, was limited to nothing more than snide remarks, sarcastic comments, and scornful stares. you both hyperaware of the importance of keeping up appearances, but the older you got - the closer to life outside of the academy and the higher the stakes - the more any sense of civility between you two faded. just earlier this week, you'd gotten into such a heated debate about the best way to increase viewership for the upcoming 10th annual hunger games, that your professor excused you both from the class early due to the disruption. it seemed that no one knew how to make you burn with anger quite like coriolanus snow.

clemensia rolls her eyes. "whatever you want to call it, i actually think the two of you would get along if you really tried."

one of the things you admired - and, frankly, loathed - about clemensia was her determination to always prove herself right. she had this theory - one you would call ludicrous - that the tension between you and coriolanus had nothing to do with academics or status and everything to do with wanting to rip each other's clothes off.

your eyes catch coriolanus' icy blue ones again and you down the rest of your drink. obviously, clemensia was wrong about this. so, very wrong.

"well," you huff, setting your empty glass down on another silver tray that passes by. you brush invisible dust off your dress - a deep red lace, short and form fitting with exaggerated long sleeves - and add: "you'll be lucky if i invite you to my next party."

clemensia might have had the sense to apologize then, but you walked away before she had a chance.

you allow yourself to weave through the crowd, greeting every guest with an equal facade of enthusiasm and grace. you smile as brightly at one person as you do the next, showing off your newly bleached teeth and making sure that everyone feels special. silver trays of food and drinks appear and reappear throughout the crowd, being carried by nameless waiters. there's a table overflowing with gifts concealed by crisply folded wrapping paper - you expect at least half of them will be worthless.

you put up a good front, but soon enough your lipstick needs reapplying and your hair readjusting, so you briefly excuse yourself lest anyone notice a crack in your perfectly constructed image. the door to your room is slightly ajar, and you open it to reveal none other than the person you'd deliberately, but not so successfully, tried to ignore all night, his white silk shirt stained a dark crimson that happened to match your dress.

coriolanus was furious when he found out you'd invited the entire graduating class, except him, to your birthday party. you'd even invited sejanus. it wasn't that he particularly wanted to celebrate you, of all people. you were the most brilliant, biting, enfuriating person he knew, but to be excluded in such a way was insulting. when clemensia extended him the invite, he jumped at the chance to prove to everyone, to you, that he belonged here. tigris curated his outfit, and it would have been perfect had arachne crane, vapid creature she was and ever the lightweight, spilled an entire glass of red wine on him. he hurried away before anyone could see him in such a humiliating state. coriolanus is in the middle of calculating his options when you walk into what he now realizes is your bedroom.

you don't say a word at first. you haven't said one to him all night. instead, you close the door behind you and your eyes graze his figure.

"you show up to my party, late no less, and now you're parading around in what looks like a bloodstained shirt that is far too outmoded to be appropriate attire for this occasion," you remark, displaying that signature fierceness. "are you trying to ruin my birthday, snow?"

"don't blame me," coriolanus scoffs. his shoulders tense and he makes a point to stand up a bit straighter. "blame arachne for not being able to hold her alcohol while she's complaining about the food."

"oh?" you raise an eyebrow. "what did she say?"

"something about people in the districts having better options."

"vapid bitch," you mutter under your breath. you walk over to your closet, disappearing for a few seconds before bringing out a fresh shirt. you extend it to him, but he doesn't take it.

"i can't very well have a good time when one of my guests looks like he just got killed in the hunger games," you huff. "so either you put this on or your leave my party. now."

coriolanus holds your gaze, his jaw clenched, before giving in and taking the shirt from you. he goes to undo the buttons of his shirt, but stops when he notices that your eyes never leave him.

"some privacy would be nice," he says sharply.

you roll your eyes, muttering something about it being your house and your room, before sitting across the room at your vanity. as he undresses and throws his soiled shirt on the floor, coriolanus watches you closely. you meticulously apply lipstick, the shade of red almost as dark as your black nails.

you were attractive, there was no denying that, but ultimately dangerous. because you weren't carelessly cruel like arachne, nor did you wear your heart on your sleeve like sejanus. you didn't use your family's status as an excuse to avoid hard work like felix, nor were you a spineless know-it-all like clemensia. no, you were different from the rest. you had a fiery ambition and a sharp tongue, a wicked streak with just enough charisma to lure people in. sometimes when he thinks of you, coriolanus recalls stories his grandma'am once told him and tigress, about sea monsters who would tempt sailors with their bewitching voices and enchanting beauty, enticing them to risk everything - to jump into the ocean and never be relevant as anything more than a midnight snack. you were a constant, suffocating reminder of how quickly he could lose everything if he lost control, if he gave in.

coriolanus watches you set down the tube of lipstick before picking up a compact. you lightly brush the shimmery powder inside over your face to accentuate some of your gorgeous features.

the desire that burns throughout his body now has to be a side effect of the few glasses of liquor he managed to drink, allowing himself the appearance of having a good time alongside everyone else without losing control.

your eyes leave your reflection momentarily, and you finally catch coriolanus staring at you. you wink at him from across the room just as he's finished with the last button. the way you look at him makes the collar of his shirt feel tighter.

he can not give in....but what's the harm in admitting, just for one night, that he would let you drown him? devour him? beg on his knees to give you pleasure, and then thank you after the fact?

coriolanus clears his throat. "this feels wrong. i should be the one gifting you with a new shirt. it's your birthday, after all."

you let out a breathy laugh, setting down your makeup. you walk over to him, until there are only a few inches between you despite the vastness of your bedroom.

even you had to concede that coriolanus snow had such a gorgeous face for such a vicious person. you're infuriated by how elegant he looks now, in your shirt. your hands busy themselves in smoothing down his already perfect collar and you take note of the intensity of his heartbeat. you notice the way his jaw remains clenched, his posture stiff, his skin flushed. you realize that he must be trying so hard right now to retain his composure around you and you feel something that can only be described as triumph.

you smile at him, sickly sweet, and remove your hands from his body. "the best birthday present i could get is winning the plinth prize over you, snow. we both know you're not good enough, let alone better than me."

he hesitates slightly before responding.

"sorry, valerius. that's the one thing i can't give you. is there anything else you'd want from me?" he whispers, words dripping like honey.

"that depends, is there anything you want from me?"

he hums, moving his hand to cup your cheek. he begins to trace your lips with his thumb, ruining the look you had so meticulously crafted.

if only you knew.

"you're the birthday girl, sweetheart," he chides. "i'm supposed to be the one giving the gift. you do know how birthdays work, don't you?"

he's mocking you, you know that. he's trying to make you feel weak and small. you had the power a second ago, his heartbeat in the palm of your hand, and normally you wouldn't stand for him turning the tables. you'd push him away, storm out the door. but right now all you want is to tug on his perfect blond curls, to bite the smirk off his lips. maybe it's the way he's so close and can't seem to take his eyes off your lips or the calculated amount of wine you drank that's made your head a bit foggy, made you put your guard down. made you start to entertain the idea that maybe possibly clemensia's theory had some truth to it.

"why don't you surprise me?" you suggest.

coriolanus surges forward and kisses you with such ferocity, he might as well be a man starving. teeth on teeth on tongue. you instantly tangle your hands into his hair, pull on some curls just to see what he'd do. he retaliates by biting down on your bottom lip, hard enough that you taste the metallic tang of blood mixed with the remnants of honeyed wine on his lips. you whimper and pull away slightly. he holds your face firmly between his two hands, so you cannot go too far.

"sorry." but he smirks, and you know he doesn't really mean it.

eventually, you've both stumbled onto the bed half-naked. coriolanus positions himself above you, effectively caging you in with his arms and legs. you take note of his lean thighs, his bare torso with skin taut around his bones. you're almost taken aback by how frail he looks - like a malnourished teenager from one of the districts. you reach out to trace the outline of his ribs, your nails scraping against his skin, and he shudders. your hand moves lower, teasing the waistband of his underwear. he stops you before it slips underneath the material.

instead, coriolanus begins to indulge in his deepest fantasy. he kisses and sucks and bites down your body, his tongue trailing down your chest, over your breasts and around your nipples, across your stomach. he laps up your soft whines, the curses that tumble from your lips for him to do something more. you sink further into the silk sheets when he arrives between your thighs. you raise your hips, desperate to find any sort of relief, and you feel his nails dig into your hips.

"patience," he teases, his breath fanning over where you needed him most. "so needy." you could practically feel coriolanus roll his eyes.

"i swear to god snow, if you don't do something soon. i-i'll go find someone else to fuck me. felix, or maybe sejanus --"

you yelp when his teeth sink into your inner thigh. he looks up at you, eyes the darkest blue you've ever seen them.

"don't," coriolanus warns, and he gets back to work, lips actually arriving at where you needed them most.

after you've reached your high, he comes back up to kiss you, allowing you to taste yourself. when he pulls away, you take note of how his lips and nose shine with remnants of you. the way he looks at you while he licks his lips shows you that he wants more. you move your hand down, and you're deeply satisfied when you feel him half hard, already sticky with his release.

"oh." you smirk. "you already finished."

his eyes widen, skin flushing pink. you could feel his heartbeat grow faster above you. you could imagine he was debating the best way to restore his dominance from before. yet, here he was, nothing but a horny teenage boy who came untouched as he was eating out his worst enemy. you find it in you to not call him pathetic, but instead decide, in your post-orgasm haze, you find it endearing.

"i-i didn't mean to, but --"

"i'm just that sexy when i cum," you suggest, running your hands through his curls to calm him down. "how about we try again, pretty boy?"

soon enough, he's sitting up with his back against your headboard and your legs wrapped around his waist, his length fully nestled into your warm cunt. coriolanus' blunt nails graze your hips, moving lower to your ass to guide you with each thrust. you love seeing him underneath you, seeming completely mesmerized by how your breasts bounce up and down in front of him. he leans forward to wrap his lips around your nipple, but you beat him to it. you bend forward and suck bruises onto his skin, everywhere and anywhere: underneath his chin, across his collarbone, where his neck meets his shoulder.

his moans are so loud, and you're sure he's not going to last much longer. you're also worried that some of the other party guests might catch you, so you pull his head away from your shoulder and crash your lips back onto to his. you swallow his moans as best you can, tongues fight for dominance, but he lets out a deep groan, and lets you win. you bite down on his bottom lip just as you reach your climax, causing him to let out a deep groan once more.

you gasp when he suddenly flips you over, pulls out of you and stokes himself a few times before painting your body with his release. coriolanus all but collapses on the bed beside you. you're both breathing heavily for a few moments, on your backs looking up at the ceiling, before he turns on his side towards you. coriolanus trails hs fingers down to your abdomen, sticky with his cum.

"i told you: snow lands on top."

"was that a joke, coryo?" you guffaw, genuinely surprised at the mischievous but playful glint in his eye. a bit surprised at yourself, too, for using his nickname that you'd so carefully avoided. you had to remind yourself that he was still the same coriolanus snow you'd grown to hate.

the boy tangled in the sheets beside you, his messy curls translucent under the light of your chandelier, his skin glowing with sweat and decorated with lipstick and rose-petal bruises. the boy who now smiles at you with dazzling blue eyes, leans closer and whispers:

"don't get used to it. it's a special occasion." coriolanus kisses you sweetly, and you shiver before he adds: "happy birthday."

this boy in bed with you now is the same manipulative, power hungry snake who would stab you in the back if need be. and, the truth of the matter is: you aren't much different, either.

you get up to grab his wine-stained shirt, use it to wipe off his release and toss it back down to the floor.

his eyes follow you the entire time, even as you come back to straddle him again. almost instantly, you feel him harden underneath you. you hold his head in your hands, kiss him deeply, tease his bottom lip between your teeth as you pull away.

"snow lands on top, huh? not for long, if i can help it."

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[firenagy]

I said I could make a whole essay about why this is my favorite line in Slay the Princess and @lobsterlobotomiseslobos challenged me to go ahead and do it so here's that. Posted on discord and was told to share it here as well. This was written for a group of people who had varying levels of experience with this game, so I cover a lot of the basics.

Let's start with the very fundamentals, this is not a line that is said, instead, it is one of the first things you think of after ascending to godhood and making the decision that change is a fundamentally necessary force in the universe. Everything in this sequence is packed with necessary context, and emotions that hit only after you experience all of it, however I'll do my best to summarise it, since even players who finished the game can miss some very important info in this part.

You and Her were once one unchallenged god. The themes of self discovery and self exploration through comparison of the self with the other are crucial to the game, exemplified specially during your very first meeting with the princess. If you explore your options, talking to yourself in the form of the Voice of the Hero and to the Narrator, it's quickly apparent that this world doesn't really exist. Or rather, that the only parts of the world that exist, for all intents and purposes, are you, the path in the woods, the cabin, and the Princess. This includes things like your and her name and background, which upon scrutiny are nonexistent. Crucially, the narrator is also not real. You can talk to him all you want and he can experience some slight manner of growth, but the person whose memories and personalities make up the narrator is long gone, leaving behind an echo in hopes of guiding you to do what he wants. to kill what was once part of you.

The Narrator, or rather, the person who died in order to create the echo you meet in the game, was a normal person, possibly a human hinted by the princess' appearance. This person seems to have lived at a time so far beyond our own it's hard to describe, but is best put as the last remains of civilization living, holding out, as the very last stars in our universe burn out. As he sees it, change only brings upon death and destruction, because his world already had time to grow and prosper, with now being the end of everything. We also get a rare glimpse at the world of the narrator, beyond the faux reality, if we choose to slay Her.

That brings us to the content of the game itself, two nascent gods interacting, fighting, loving, discovering who they are. Their only point of reference for what is "real" being one another. The Shifting Mound uses a line that stuck with me to describe the state of your being,"We are oceans reduced to shallow creeks", as a way to describe what it feels to be forced down into a tiny vessel, memories erased. All of the routes in the game can be described as a journey of self discovery, with the Princess being a being of perception, your thoughts on her influence her mentally and physically. In turn, she influences you back in a far more subtler way, adding more facets to your personality in the form of the Voices.

And that is the setting of our meeting. Two gods who were once one whole being having a conversation. They were forced, over and over again, to figure out who they are. Both having nothing but fragments to go by, small pieces of what they once made up, until finally, She is made whole. The Princess' ascension into the Shifting Mound is a sight to behold, and brings upon your own ascension were you to wish to become a god like her.

In this particular ending, the Long Quiet, the god of unchanging reality, stasis, and nothingness itself decides to leave with Her, the Shifting Mound, the god of life, death, time, and ultimately, change. As you open a rift in the world the Narrator created you two see for the first time object reality. You are both left speechless by how magnificent it all is, something that wasn't made to trick, deceive, or guide you into any role you must fulfil, made with no greater purpose than to just be.

That's the crux of why this line is so important to me, after having lived, fought, loved, died, countless times in a world that was fake, created to pit you one against the other, you finally escape. You are free, and She is with you, as you are once more free to roam the real universe after being trapped in a cage for so long.