Wish Rewritten by Someone Who’s Never Actually Seen The Film (“Act” 1)
(But did do a bit of research so I got a better idea of how this could go)
Lengthy title aside, this is a concept I’m excited to work with. I might need to retool this “rough draft” later, but here’s what I’ve got so far.
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Act 1 - “Introducing The Girl”
We open up with a book being set on some desk. The person setting the book down tells us about a legend that has recently been uncovered: “The Girl and The Living Star”.
Said person is our ‘opening narrator’ of sorts, giving us a fictional background of this discovery as some of the credits are displayed on the book’s first pages. The story that we’re about to see, as (s)he explains, has been adapted by these people for your enjoyment.
Soon, the camera fades into the first real page: A painted castle backlit by a sunrise. The camera moves closer to said castle, while also moving towards ground level. A regal voice booms out, being the first thing we hear from this faraway land.
That voice belongs to King Magnifico, who stands on the highest point of the castle courtyard. He welcomes the large crowd of people, practically congratulating them for attending Rosas’ annual Wish Ceremony.
(Side note: to be clear, said congratulations is not one out of geniune thrill and joy. It’s just out of duty and potential condescension… From the King, that is. His wife is a bit more thrilled, as we’ll see later.)
Regardless of his tone, travelers and citizens alike are thrilled to be here— And with good reason. Today is the day longheld wishes are to be granted.
Many a stranger eagerly rushes to Magnifico and his conjured, ball-like manifestations of wishes. However, only a few receive the spheres themselves before those too vanish— The only lingering sign being a literal glow of hope in the receiver’s eyes.
As more and more continue to try their hand, a few stay behind. Some linger because they are physically unable, others because are simply too nervous, and one girl in particular who has neither of these issues: Asha.
Asha attempts to aid those who are stuck with her. She becomes a crutch for the limping and a practical adviser for the uneasy…
But then she slips away after helping the last person. Turns out she doesn’t even have a wish to grant. She just wanted to see what the ceremony was like, since she’ll be training for it once she becomes a sorcerer-in-training.
King Magnifico does notice, but quickly brushes it off. He finishes the last few wishes, wraps up the ceremony, then joins his wife inside.
However, we don’t follow them just yet. Instead, we rejoin Asha in the main village. She goes about her day while everyone else is—to varying degrees—celebrating Wish Day. Musicians sing with some of their fellow townsfolk, the craftsmen are building their most extravagant works, and even the market sellers are greeting buyers with a genuine smile.
And, though Asha does like the morale, she is uninterested in joining the village’s big number. To her, the only thing that matters is getting through the day… As well as something that may make or break it.
A few hours later, Asha returns to the castle with items in tow. Scrolls, a satchel of trinkets, and a ribbon-laced necklace for good luck.
King Magnifico greets her at the front steps, though his tone remains as regal and stoic as ever. Queen Amaya, on the other hand, is estatic. She eagerly welcomes the puzzled girl inside, offering her all sorts of things to make her feel at home. Asha, always erring on the side of caution, refuses her offers.
The royal couple leads her to the Sorcerer’s Tower, then Amaya takes her leave. Magnifico and Asha, now alone, begin the Sorcerer’s Exam.
Asha does fairly well, though it’s clear something is holding her back. Magnifico notices, but says nothing until her exam is complete. Asha explains that it’s herself that’s holding her back (because of course it is), then proceeds to pack her things.
“These things can be remedied in time,” Magnifico retorts. “I have decided that you are my apprentice, and my word is final.”
Asha is dumbfounded, then absolutely delighted. Her? His apprentice? In this very tower?? This is the best news she’s ever gotten!
Under the condition of returning by midnight. Asha runs back home. She tells the news to her family, packs her belongings, and says goodbye to the family pet Valentino (even though he can’t talk).
Though the reality of leaving home makes her emotional, she tries to brush it off the best she can. “At least I’ll be away from all the hustle and bustle down below,” she reasons with herself as she sets out that night. “No more talking about dreams that can’t come true. No more singing about made-up things on Wish Day. Just me, my books, and the wise words of King Magnifico to help me.”
She then encounters the King and Queen talking and laughing in some distant room. Far too tired to investigate, she ascends the Sorcerer’s Tower and calls it a night.
The next month or so—represented by a few short scenes—is busy for Asha. She adjusts to the castle, both in and out of lessons. Her sleep schedule is switched from dusk ‘til dawn to dawn ‘til dusk. She has to endure the court jesters and their mischievous antics. And, arguably worst of all, King Magnifico has her do extra chores to prove that she’s learned certain spells. Needless to say, Asha is tired. And done.
It doesn’t help that King Magnifico himself is being ominous while Queen Amaya is being overbearingly chatty and friendly.
One night in particular, Asha stumbles across the royal couple dancing and singing in the ballroom as if their personalities weren’t at odds half the time. This sets off a chain of thoughts in her mind as she ascends the tower. What if it’s all a trap? What if their only goal was to get another cleaning servant? What if she had failed the exam after all, but the king had pitied her for a moment?
Out of options, she pulls out the ribbon-laced necklace and puts it on her neck. She looks to the night sky, shuts her eyes, and mutters two words: “I wish…”
…But the rest of the wish she keeps to herself.
With this act of desperation done, she prepares for the long night ahead. We the audience are left in the dark as the screen fades to black.
End of Act 1
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Bonus Notes
I imagine this act a bit like a few moments of The Polar Express. This Asha is left out of the Disney-tied stuff that the other villagers seem to already have— Which is especially true in Act 1’s musical numbers (even though they’re diegetic). She just refuses to sing or participate in them.
And, by consequence, we the audience are left to think of this as semi-background music until the soundtrack gives the other perspective.
This does also mean the tone, though still Disney, is a bit more… Grimms-like? Somber and harsh on Asha’s end? Like, yes, she still has her moments of relief— Especially with her family and Queen Amaya (weirdly on her end). This doesn’t mean that the overwhelming sense of “I do not trust anything, not even my own self” is going away anytime soon. (More on that in Act 2, don’t worry)
Though, now that I’m writing these notes, I did mention in an earlier post that I imagine her to be more like Meg from Hercules. If I failed to convey that in the above synopsis.. O o p s. Hopefully, a ‘second draft’ down the line might fix that error.
Meanwhile, King Magnifico and Queen Amalya.. umm.. Let’s just say that they’re not only a loving couple, but they’re also supposed to represent different eras of something. (I want to spoil this so badly, but I gotta wait until Act 2)
And, for those wondering about Valentino, don’t worry. He’ll be back soon. :]
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