#poldark cast

[flipperbrain-awakes]

Heida Reed and Aidan Turner

[nervousladytraveler]

[tenderlady]

All of us complaining about the Mendes Beatlemovie casting are right to do so, but it could be worse. It could be the BBC cilla black miniseries.

[thisbluespirit]

I'm currently watching the 1971 Sense & Sensibility on YT and having issues that only the approx. 2 other Poldark 1975 fans on here will understand.

I knew Robin Ellis was in it (he and Joanna David being the two main reasons I was so keen to see it). I'd just assumed he was Willoughby - it's 1971, the year he played Essex in Elizabeth R and if you want dashing, handsome but definitely trouble in the early 70s he's yr man.

AND THEN HE TURNED UP AS EDWARD FERRARS.

Who, I asked, curious, could be Willoughby, then?

... and then Clive Francis walked in and my brain exploded.

[wonder-worker]

I know it’s never going to happen, but I need a gothic period drama about Eleanor Cobham right now

[durtystars]

um so guys pardon the language but i think rossliz might be the prettiest looking ship ever

[keetika]

   —   ⁺  𝐄𝐋𝐋𝐈𝐒𝐄 𝐂𝐇𝐀𝐏𝐏𝐄𝐋𝐋  ,  1992  [ #720 GIFS ]  POLDARK S3 /  ellise chappell is white, please cast accordingly and use appropriately. all of the gifs have been created from scratch by me. to access the gifs please click the source link. do not edit, claim as your own or add into your own hunts! time and effort were spent into making these gifs, a like or a reblog would be much appreciated!

[ ! ] commission work: to view commission info, click here

[ ! ] content warning: kissing

[sarztomo]

James Wilby joins the Famous Five series 2 two currently filming!!!

Can't wait to see James in this.

----------------------------

Joining the core cast are Maria Pedraza, Amir Wilson, James Wilby, Rita Tushingham, Jonathan Aris, Jamie Andrew Cutler and Jemima Rooper

BBC, Moonage Pictures (The Gentlemen) and Nicolas Winding Refn today announce filming has begun on a brand-new series of The Famous Five for the BBC in the UK, in co-production with The Mediapro Studio which also holds the distribution rights for the series in Spain, Portugal, and Latin America.

The 2 x 90min series is created for television and executive produced by Nicolas Winding Refn (byNWR) & Matthew Read (Moonage Pictures) and follows on from the highly successful first series which aired on the BBC. The premiere, The Curse of Kirrin Island, was CBBC’s number one rated episode in 2023.

Diaana Babnicova returns as George, alongside Elliott Rose as Julian, Kit Rakusen as Dick and Flora Jacoby Richardson as Anne. Making up the fifth member of The Famous Five and the gang’s faithful furry friend, is Kip, the Bearded Collie Cross playing Timmy the dog.

With Jack Gleeson, James Lance, Ann Akinjirin also reprising their roles, they are joined by new cast members, including Spanish actress Maria Pedraza (Money Heist, Elite), Amir Wilson (His Dark Materials), James Wilby (Poldark), Rita Tushingham (A Taste of Honey), Jemima Rooper (Geek Girl), Jonathan Aris (Sherlock) and Jamie Andrew Cutler (The Hurricane Heist). Rooper starred as George in the 1990s Famous Five TV series and now takes on the role of Angela Clutterbuck, a guest staying at a mysterious hotel.

The Famous Five is based on Enid Blyton’s iconic stories and follows the daring young explorers as they encounter treacherous, action-packed adventures, remarkable mysteries, unparalleled danger and astounding secrets. Series two takes our heroes into strange and challenging waters as they face life during wartime – and the hazards of growing up.

[15-lizards]

Any Robert’s Rebellion era fancast ? The only one I can envision is Olivia Hussey as Lyanna and sometimes Freida Pinto as Elia but my brain always explodes trying to envision young Robert..

I understand the Olivia Hussey persuasion, However I think she’s too much of a classic beauty to be Lyanna. I enjoy the Freida Pinto one but also Charithra Chandran for Elia

Liah O’Prey is my personal Lyanna. Her features are sharp and slightly more androgynous. And she still has a very youthful and innocent face despite her her sharper features. And she’s soooo good in Domina I can see her defending Howland Reeds honor with a stick

Young Robert is notoriously hard I think bc there just aren’t a lot of younger actors who are very physically imposing. Current Henry Cavil is good for an older Robert but I like his younger self too I can see it. I also like Stuart Martin for an older Robert but I don’t have enough space for another just google him

But if HBO was holding a gun to my head and said they needed a young Robert casting for the year of our lord 2024 I would choose Ruairi O’Connor. Not sure how old he is but I like him in the Spanish Princess and he looks like he could play a 21 year old Robert and that works for me

And dare I say Borgias-era Holiday Grainger as younger Cersei? I can never decide whether she looks more Targ or Lan but she definitely pulls off blonde hair so. And I’m not sure who currently could play a Rebellion era Cersei, as I am out of the loop for young up and coming actors, but I’m sure there’s someone I’m forgetting

Elinor Tomlinson in Poldark you are truly my Rebellion-era Cat with your expression that tells me you’re full of sharp wit and stubbornness but also Cristiana Capotondi in the 2009 version of Sissi you have enraptured me with your sad riverlander eyes I don’t know who to pick

[turneradora]

NEW ABOUT RIVALS 💯💯💯💯

New article in the Harper's Bazaar UK, October Issue, to promote "Rivals"!

Amazing photoshoot !

Here is the article of the Harper's Bazaar Uk magazine !!

Thanks to Emma Jones for the written transcription ! 🙏👍🌺

Harpers Bazaar - October 2024

BEST OF ENEMIES

Bazaar recreates the fictional county of Rutshire to meet the cast of Rivals, a new TV adaptation of Jilly Cooper’s racy 1980s blockbuster

As Jilly Cooper’s Rivals leaps rambunctiously to our screens, we meet the cast of the saucy new show

It’s 1986 and, high over the Atlantic, a London-bound Concorde is about to break the sound barrier. Most passengers continue smoking, flicking through magazines and ordering martinis, while the rattling WC door indicates that two are currently joining the mile-high club. Moments later, an unruffled, glamorous couple emerge triumphantly from the loo and the tannoy announces that supersonic speed has been reached: everyone whoops; glasses are clinked; and the thumping chorus of ‘You might as well face it/you’re addicted to love’ is amped up. This is the opening scene of Rivals, the much-anticipated new television adaptation of Jilly Cooper’s bestselling novel, and it’s so unsubtle that, even alone in a dark screening bunker below the streets of Soho, it makes me splutter with laughter. It is also irresistible.

The 1988 book is a classic of the Cooper canon and part of the Rutshire Chronicles, a series based in a fictional Cotswolds county that follows the lives and loves of the affluent elite – an area the team behind its new, and first, on-screen adaptation are well-versed in bringing to life. Produced by A Very English Scandal ’s Dominic Treadwell-Collins and written by Laura Wade, who was behind The Riot Club, Disney+’s eight-part drama is also executivelyproduced by both Cooper and her literary agent Felicity Blunt. It is largely faithful to the novel but, as that has 700 pages and 79 characters listed by name and personality trait in an A-Z at the front, the show necessarily homes in on the central plot lines.

The two main protagonists are Rupert Campbell-Black (played by Alex Hassell), a former Olympic-gold show jumper turned Conservative MP (and, incidentally, the ‘best-looking man in England’); and Declan O’Hara (Aidan Turner), an Irish broadcasting star who leaves the BBC to move to Rutshire with his actress wife Maud and children Taggie, Caitlin and Patrick. Declan’s new employer, Corinium Television, is run by David Tennant’s vile Lord Tony Baddingham and his sidekick Cameron Cook, an American producer he has lured over from New York, depicted by the US native Nafessa Williams. They are joined by a large supporting cast that includes Danny Dyer and Emily Atack.

The titular rivalries are many and varied, primarily centred on the struggle to win the local TV franchise; simultaneously, characters lock horns over love, money, class, pets, politics and property, while presenting chat shows, throwing parties and playing nude tennis. The resulting viewing experience is both a period drama that seems set on another planet and a series exploring themes that still resonate today.

Cooper – who, at 87, is still in full ownership of her signature cloud of coiffed hair, inimitable charisma and a hundred-mile-an hour conversation – loved working on the project. ‘It’s terribly exciting,’ she tells me, with an amazed shake of the head. ‘Other books of mine have been televised and it was awful – but with this, we took casting very seriously and I can’t fault any of them.’

During a break on Bazaar ’s shoot, Turner tells me how Cooper gave a cocktail party for the cast in her garden, and what a ball they all had filming in the West Country last summer. (The latter is clear: he’s delighted to see his co-stars, including the mongrel Pontie, who plays Gertrude, the O’Hara family dog, and some of her canine colleagues brought along for a day in front of the camera.)

The series appealed to the Poldark star immediately. ‘I thought the scripts were really, really funny – line-wise, I have some crackers,’ he says. Turner’s Declan is a big-hearted if self involved journalist, wrestling to reconcile his bosses’ desire to monetise his charm, his own dream of writing a Yeats documentary and the need to bread-win for his profligate family. Although this push and pull between being commercial and creative, between the professional and the personal, plays out in a larger-than-life fashion, it still somehow feels familiar to a modern viewer. ‘That’s the sign of really good television, isn’t it, when it holds the mirror up to our present,’ says the actor. ‘What have we thrown in the trash? What still needs to change?’

The ways in which prejudices have evolved in the past 40 years are thrown into quite harsh relief in the show. Casting a Black actress to play Cameron Cook, the damaged but resilient hot-shot American producer, gives the series an opportunity to delicately include a glimpse of the regularity of what we’d now recognise as racist micro aggressions. Equally, Cameron’s strength is joyful to witness. ‘Such a spicy, smart character – especially a Black woman, who can carry her own and get her way in the male-dominated world of that time – I wanted to sink my teeth into that,’ Williams says. ‘I also love the glamour: the red lip, the red nails.’ (The cast have embraced the scarlet-stiletto emoji – a replica of the original image on the classic book cover – as their unofficial series motif when posting on social media.)

The changing dynamics between men and women are portrayed with a light touch. Victoria Smurfit read Cooper as a teenager, and has now adored playing Declan’s wife Maud O’Hara – an insecure, attentionseeking former actress, the kind of mother who arrives at her son’s New Year’s Eve 21st-birthday party in the Cotswolds on a camel. ‘There are aspects of Rivals that make you think, “Oh my Lord, can you believe they got away with this back then?”’ the Irish actress says. ‘But in the show, it’s delivered in such a clear, fun, gentle, appalled way that a 2024 audience can digest it very easily.’ When I suggest the series has made more of the women and ensured they have three dimensions, perhaps to modernise the story a little, she makes a good point: that Cooper’s male characters – be it the rakish Rupert Campbell-Black or the angelic Lysander Hawkley of The Man Who Made Husbands Jealous – may seem the most famous because it was mostly women reading the books, and the author had designed her heroes – or antiheroes – to be ‘their perfect man’. ‘But look closely, and the women are not less than the men,’ she says. ‘Essentially, every character wants something they don’t have – usually love and safety – whether from their partners, animals or colleagues. Women in this world are entering the era of “having it all” and are learning to be open about what they want – and, by the same token, we are starting to see a softer side to the men.’

This is embodied perfectly in Bella Maclean’s Taggie O’Hara, the delightful, very dyslexic cook and daughter of Declan and Maud: on screen, she has slightly more twinkle in her eye than in the book – a good decision, as otherwise Taggie could be seen as almost too virtuous to be true to a modern audience. ‘But it’s so nice playing someone with a really strong backbone – it slightly rubs off on you,’ says the actress, who appeared in the latest Sex Education series and has just shone as the lead at the National Theatre’s London Tide. ‘Among all the silliness, the shoulder pads and mad hairdos, there’s always an undercurrent of something thought-provoking,’ she says of the show that could prove to be her career’s turning point. ‘There’s a love story that blossoms out of something really unpleasant. There’s light and shade.’

But the figure with perhaps the most chiaroscuro is Rupert Campbell-Black, Cooper’s number-one character, into whose shoes Alex Hassell is amazed to be stepping. Hassell is a seasoned RSC actor, with turns in The Miniaturist and His Dark Materials, whose theatre company The Factory counts Mark Rylance and Emma Thompson among its patrons. ‘I’m also from Essex, with dark features,’ he points out wryly, in reference to the white-blond locks and blue eyes of his new alter-ego, both of which are oft-alluded to in the books, and about which many young women dreamed in the 1980s and 90s. (Cooper was initially appalled.) ‘Rupert exudes privilege and confidence, so I had to learn a loucheness. It was helpful that everyone was told to treat me as if I was extremely attractive,’ he continues, laughing. ‘When you walk into a room of supporting artists who’ve been briefed to fall over themselves looking at you, smouldering becomes a lot easier. They imbued me with a certain power.’

In the Rivals prequel Riders, there are some pretty unpalatable aspects of Rupert’s personality – particularly the way he treats women and animals – that haven’t aged well. ‘We never explicitly had this conversation, but for my portrayal of Rupert, we’ve kept some parts of that history and taken out others. In our version, there’s a loneliness to him: he is a shit, but he has a kindness.’

However, there are two elements of Cooper’s storytelling to which the show stays steadfastly loyal: the abundance of sex and wordplay. Rupert’s dialogue is riddled with quips – some very clever, some very… Eighties. Hassell’s favourite is delivered just as Rupert is getting down to it, and involves a pun that combines Tories and the clitoris. ‘It was a hard sell,’ he says, laughing.

His character and storyline – which takes Rupert on, dare I say, a journey – are key to the show’s charm, pace, plot and sociopolitical signposting. What would Hassell like viewers to make of the series? ‘I hope people enjoy it, have conversations about the knottier topics it raises, and maybe have sex later,’ he says. ‘I say that jokingly, but – and maybe this is high hopes – perhaps for people who don���t talk to one another that much, as the series goes on, watching it with someone else might allow certain things to come to light.’

Cooper is delighted by this possibility. ‘Well, we’re philanthropists, aren’t we? I keep reading that the birth rate is going down like mad. Putting Rivals on the telly may help,’ she says, with the enthusiasm of a writer who has long had one foot in showbusiness: in her forties, she appeared in her capacity as a celebrity columnist on the BBC game show What’s My Line, and wrote a sitcom about a four-girl flat-share with Joanna Lumley in the lead role.

Revisiting the world she created – and partially lived in herself – 40 years ago has been bittersweet: it made her miss the era (‘it was much more naughty’), but also her late husband (‘there’s a lot of darling Leo and his jokes in the book’). Indeed, what today’s viewers may not clock is the real people Cooper drew on to shape several fictional figures, namely the ‘glamorous aristocratic types who were floating about when I, middle-class Jilly, moved to the country in ’82’. Rupert Campbell-Black, for example, is a patchwork of Andrew Parker Bowles, the late Earl of Suffolk and the fashion designer Rupert Lycett-Green. Her ‘beloved’ Taggie is entirely made up, but the scruffy Lizzie Vereker – a novelist whose husband cheats on her – is, she admits, based on herself: ‘She is nicer than me, though. I love her – that’s terribly narcissistic to say, but I do.’

Like her conversation, Cooper herself still rattles along at a good clip – last year, she released a bonkbuster about football inevitably titled Tackle!; this May, the King presented her with a damehood for services to charity and literature, and she’ll be tapping away at her typewriter on various secret projects right up to the very moment she is dragged out of rural Gloucestershire to the premiere of Rivals.

To all these endeavours, Dame Jilly continues to bring the same philosophies she always has: a disregard for snobbery (like many great minds, she rereads Proust and loves Helen Fielding) and a straightforward goal of contributing to the gaiety of the nation. ‘Maybe one day I’ll write something serious,’ she says. ‘But, at the moment, there’s some terrible sadness and loneliness, isn’t there? So, more than ever, and more than anything, I’d like to cheer people up.’

‘Rivals’ is released on Disney+ in October.

[flipperbrain-awakes]

[sgiandubh]

The Couple Next Door - a very, very short overview and my 50 cents, in the process

With as little spoilers as possible. My first plan was to make a post per episode, but I quickly realized that would be useless (so much talking, already, plus a very plethoric press ) and risky (the more you write about it, the less able you are to avoid spoiling it and no, that is not this page's editorial line). You will have to do with this short review, instead.

This is the story of a botched swinger coupling experiment, somewhere in the middle of a non-descript, Truman Show-esque Midlands suburbia. Where nothing is what it seems to be and curtains always flutter for a reason. Adjacent storylines complement this sexy & risqué core, which I personally found more interesting than S puffing and panting on top of Tomlinson. Corruption, life crisis situations, lost late pregnancies, a hidden child, bigot parents looking not unlike Grant Wood's American Gothic odd couple (especially the mother, enough spoiling it), voyeurism and privacy violations - this is a LOT to take in. With a bit more tact when it comes to script writing (sometimes things are really in your face and almost didactic: never a good thing), it could have been BAFTA material. It is not, and no, Disgruntled Tumblrettes - not because of S, but because of numerous plot holes, useless plot devices that could have been gags but totally miss the mark (walking little old lady, anyone?) and an overall superficial approach. It's like trying to cram half a dressing into a carry on: burst at the seams it will or you will end up with odd bits and pieces that do not necessarily make sense.

So if you set your bar very high or are poised to watch it in contempt, this is not going to be fun at all. If you have no expectations and also no idea about the rest of the cast, you will find it interesting and enjoyable. I personally think Enoch is a perfect cast, as is the very intelligent Jessica de Gouw: she knows how it's done and she knows where and especially when to stop. Tomlinson, eh - not so much. I have zero idea about how she fared in Poldark, but here I found her inattentive, formulaic and totally cliché. She has some good intuitions, but she fails to deliver, especially at the end. So, that's a 4/10 for me.

Now for S, as I am sure you are all interested to know. After all, this is why I even bothered watching and getting a paid VPN for it. I will say only this: there is a before Episode 3 and an after Episode 3, by far superior. You'll get my point when you watch it. It's not OL, but thank Heavens, it's not Where the Starlight Ends, either. With all the indulgence in the world, I'd say 8,5/10 - not his fault, the script was brutal to Danny ('Take a good look' is a major, MAJOR eyeroll and it did make me spit my Coke). Also, that intergalactic arse makes it on screen for about 5 minutes, which is nothing- so long for Mordor's honest reviews. Last but not least: he tried, bless his heart, to help Eleanor, but to no avail. Sorry.

The most interesting secondary storyline is Alan's, by far. The press shite - meh, that was there just to give Enoch's character a job, I suppose. And the child - it left me completely hungry and there was definitely room for more.

Rewatch? Christ, no.

Overall? a solid 7/10.

Recommend? not to my mum, but to my best -offline shipper- friend, for sure. She'll watch for S and we'll cackle over the phone.

Potential springboard? I hope so, but he still needs a real, well written role. This is decently good, but still not good enough to showcase what I know he is perfectly able to deliver.

Home eye candy takeaway? Oh, come on, the one involving this item:

I mean, what is more sexy than a bear of a man carrying a washing machine like I would carry my purse?

[frannyzooey]

Omg a fellow poldark enjoyer??

omg.

YES.

The book series is one of my absolute favorites! Not only is it historical fiction, which is my catnip, but I really love Ross and Demelza as characters. I still have this visceral memory of reading it on an airplane and my mouth dropping open when something happened, and the woman next to me asked me if I was okay, lol.

The Masterpiece series is a work of freaking art - the casting, the locations (it's my dream to visit those cliffs one day), the writing - I have watched it over and over more times than I can count.

I have also read a ton of fic for it, if you ever want a rec!

It's so rare that I come across other fans, so come scream about it with me! I get so excited lol

Gratuitous gif:

I MEAN

[love-little-lotte]

A Look Into My New Guilty Pleasure: Poldark (2015 Series)

My biggest weakness is period dramas — especially period dramas with a talented cast, sweeping romance, terrific scenes (preferably set in some kind of country/provincial side), and lots and lots and lots of just sitting around and talking.

That's probably why Poldark has captured my heart. As a big fan of Outlander, it's no surprise that I fell in love with this show. Outlander and Poldark have so many similarities that I may make a lengthy post about it, but for today, let me just rant about my new guilty pleasure. I'm so obsessed with this show that I actually finished watching the entire five seasons in one week!

Poldark is based on Winston Graham's novels and adapted by Debbie Horsfield. I was so excited to start this show, with a male protagonist originally written by a man, created and written for a series by a woman. I haven't read Graham's novels (I'm going to one of these days, I swear!), so I'm not sure how well Debbie's adaption worked. I've read many Reddit threads, though, and some fans of the novel are not that impressed with how she omitted and added details to the show (will get back to this once I've read the books or at least the seven ones that were used in the show). The show has also been adapted in the 70s, so this was not the first time Graham's novels were seen onscreen!

Despite not having read the books, I fell in love with the story, the characters, and the cast! The show follows Ross Poldark returning to Cornwall after fighting in the American War in the 1780s. He looks forward to marrying his childhood sweetheart Elizabeth but, believing him to be dead, is now engaged to his cousin Francis. He then tries to resurrect his family's mining business and hires a young girl Demelza to be his kitchen maid (whom he eventually marries) while also crossing paths with the villain George Warleggan, a corrupted banker who stops at nothing to ruin Ross's prospects and personal life. As the show progresses, we also meet other characters, including Prudie and Jud, Ross's servants, Verity, Ross's cousin and Francis's sister; Ross's friend Dr. Dwight Enys and his love interest Caroline Penvenen; Sam and Drake Carne, Demelza's brothers, and Morwenna Chynoweth, Drake's love interest.

Yes, this show has a large ensemble cast, and trust me, there always comes a point when you hate or love them. Especially our protagonist Ross Poldark. Ross... is an interesting character. He's terribly, terribly flawed and many times times, I'm so infuriated with him to the point that I want him to suffer. I swear, you cannot go through this series without screaming at Ross. (When that moment came up in Season 2, I swear I had my middle finger ready every time Ross showed up on my screen from then on.)

But my favorite character in the show is Demelza, Ross's wife who started as his kitchen maid. She's the heart of the show, the voice of reason, and even though she makes questionable decisions along the way, you can't help but get on her side no matter what. She's the perfect fiery yet gentle match to Ross's stubbornness. He treats her like shit many times in this show, which makes me angry to no end, but they eventually grow to be understanding, loving partners.

And it also helps that Aidan Turner and Eleanor Tomlinson have one of the best romantic chemistries I've ever seen. They're terrific actors as well and they bring the characters to life so effortlessly. They just seem like they have the best time shooting this show. I kind of want to rewatch Loving Vincent now just because they're in that movie, even just in supporting roles.

Poldark is a roller coaster, with so many ups and downs (mostly downs, to be honest, please give Demelza a break!) My favorite season has got to be Season 1. Season 1 had the best Ross and I loved the early stages of his relationship with Demelza. It also has my favorite episode: Season 1, Episode 8. That episode broke me so much, thanks to Aidan and Eleanor's perfect performances. It's the only time I ever cried watching this show. I usually cry in period dramas (I've cried countless times in Outlander and Downton Abbey), but for some reason, I only cried once in Poldark. Most of the time, I'm annoyed and infuriated (hahaha but I still love it!)

The romance in Poldark is also quite unique, something I haven't seen before. Ross and Demelza emotionally hurt each other many times in this show, and they don't have the best communication. It's not an ideal marriage, but that's what makes it so raw and real. It hurts when Ross sleeps with his first love Elizabeth or when Demelza falls for the much-sensitive Hugh Armitage, but these are challenges people face all the time, and it's interesting to view it in characters and circumstances through 18th-century lenses. Plus, it can be very tiring to see perfect couples onscreen all the time. So watching Ross and Demelza's relationship thrive, suffer, and reconcile is very refreshing to me.

Nevertheless, Ross and Demelza are still able to work together. Seasons 2 and 3 showcase the worst moments of their marriage, from infidelities to insecurity, but the love between them still perseveres and they learn to forgive. In the end, they realize that they belong together.

And despite the unconventional marriage, Poldark is not a stranger to grand romantic gestures. Two of my favorite Ross and Demelza moments occur in Season 2:

A real funny, old-married-couple type of bicker in The Beach Scene:

And of course, showing all intimacy in The Stocking Scene:

(Let's just not talk about what happened 2 episodes after this!)

The romance in Poldark not only ends with Ross and Demelza. We also got two really good couples in the series: Dwight and Caroline and Drake and Morwenna.

And these love stories don't just happen! They're fleshed-out characters with proper backgrounds and their own problems, especially Drake and Morwenna's relationship. Morwenna is one of my favorite characters, and she doesn't deserve all the shit thrown at her. The last season of Poldark is not the best (bordering on bad, actually, especially the last two episodes), but watching Drake and Morwenna get their happy ending is worth it.

Finishing all five seasons is bittersweet. I enjoyed most of the story and fell in love with different characters. I kind of regret watching everything in one week haha. But what can I say? As soon as I finish each episode, I'm so tempted to start another episode. I think the last time I stayed up until 5 AM the next morning to watch TV shows was Yellowjackets. Poldark's just too good to binge! It's one of my favorite TV shows now. Maybe I'll watch Sanditon next...

I want to write more about Poldark soon, maybe a comparison with Outlander or maybe just a post about each character. I realized I hadn't talked much about Elizabeth, Francis, and George in this post; I was too preoccupied with the love story aspects and Ross and Demelza. We'll see!

[mercurygray]

YOU GUYS.

Cancel my appointments and hold my calls, @wgbh is getting a new Forsyte Saga and this cast is STACKED!!!

[joannanora]

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In need of a TV series to fill those chilly autumn evenings? The Couple Next Door is here to heat things up.

Drama! Suspense! Sex! The Couple Next Door sounds right up our street. Add in some of our favourite actors in leading roles, and we’re firmly on board.

We don’t know yet exactly when this TV series will land on our screens (other than sometime in autumn), but what we do have is enough details to convince you to add The Couple Next Door to your ‘ooh, I’ll definitely tune into that’ list for future reference. Oh, and some exclusive first-look images.

Let’s talk you through everything you need to know to get thoroughly excited about this show.

What is The Couple Next Door about?

The Couple Next Door is a dark psychological drama that’s all about desire.

When Evie and Pete move into a fancy new neighbourhood, they’re surrounded by gossip, anxiety and curtain twitching. But thankfully they find some pals to help them navigate their environment: the couple next door (like the title of the show, get it?), traffic cop Danny and his wife, Becka, a glamorous yoga instructor.

The two couples get closer together, then… something happens. As the show’s description says: “One fateful night, [they] become sexually entangled in a way that will change their lives forever.”

Who stars in The Couple Next Door?

We’ve got some great names playing the pair of couples. Eleanor Tomlinson (Poldark, The Outlaws) plays Evie, and Alfred Enoch (Tigers, How To Get Away With Murder) is her husband, Pete. The couple next door are played by Sam Heughan (Outlander, Suspect) and Jessica De Gouw (Pennyworth, Our Man From Jersey).

What are people saying about The Couple Next Door?

The show is described as “a deliciously dark, psychological drama, exploring the claustrophobia of suburbia and the fallout of chasing your deepest desires”. Sounds fun to us.

And Caroline Hollick, head of drama at Channel 4 declared the series “an addictive, emotional roller-coaster with something to say about modern sexual mores, with an electrifying cast that will set our screens on fire”.

Of playing lead role Evie, Eleanor Tomlinson said: “Evie is an exciting challenge for me – a girl whose world is turned upside down as she navigates devastating trauma, which isn’t helped by unresolved issues from her past. We have an excellent team on board, and I am looking forward to exploring this dark and complicated world alongside Sam and our director Dries.”

“At the heart of this series are two couples who get increasingly close to each other, and one fateful night become sexually entangled in a way that will change the rest of their lives forever,” added Jo McGrath, executive producer. “You never really know what goes on behind closed doors but this series sets out to make you wonder.”

Juicy, right?

How can we watch The Couple Next Door?

No word yet on an exact release date, but we do know The Couple Next Door will be out at some point this autumn. The series will premiere on Channel 4 in the UK and will be available on Starz in the US and Canada, as well as Lionsgate+ in Latin America, including Brazil.