#poldark cast

[flipperbrain-awakes]

Heida Reed and Aidan Turner

[nervousladytraveler]

[thisbluespirit]

I'm currently watching the 1971 Sense & Sensibility on YT and having issues that only the approx. 2 other Poldark 1975 fans on here will understand.

I knew Robin Ellis was in it (he and Joanna David being the two main reasons I was so keen to see it). I'd just assumed he was Willoughby - it's 1971, the year he played Essex in Elizabeth R and if you want dashing, handsome but definitely trouble in the early 70s he's yr man.

AND THEN HE TURNED UP AS EDWARD FERRARS.

Who, I asked, curious, could be Willoughby, then?

... and then Clive Francis walked in and my brain exploded.

[wonder-worker]

I know it’s never going to happen, but I need a gothic period drama about Eleanor Cobham right now

[durtystars]

um so guys pardon the language but i think rossliz might be the prettiest looking ship ever

[stelly38]

“I can’t remember how much bonking I did”  —Aidan Turner

With Ross Poldark behind him, the star of Di5ney’s adaptation of Jilly Cooper’s Rivals talks ’80s excess, intimacy coaches and beef brisket.

Here I am, avidly watching the first few episodes of Rivals, the sizzling new Disney+ treatment of Dame Jilly Cooper’s raunchy blockbuster, before my interview with dreamboat-y Aidan Turner, when my 22-year-old daughter walks into the room. “What the actual?” she cries, open-mouthed in horror. “Oh my God! What are they doing?”

I chide her prudishness. “Well, if you must know, Rupert Campbell-Black and a woman he probably just met have reached a shuddering climax on Concorde,” I explain. “Your generation didn’t invent sex, you know, darling – the Mile High Club has been around for…” but it turns out that’s not what’s triggered her.

“These people are SMOKING! On. A. Plane. Who even does that?” Everybody, that’s who. Welcome to the sassy, sexy 1980s, Missy. Double-breasted suits and taffeta skirts, booze, bonking, endless ciggies and hairstyles so fugly (the mullet, for pity’s sake?) as to have recently crept back into fashion. It’s all there: rampant sexism, social climbing and conspicuous consumption, to a banging soundtrack of Eurythmics, Hall & Oates, Haircut 100 and the rest – no idea how The Birdie Song got in there though. Did people really...? Yes, we did. Now run along. From the moment the opening credits roll on Rivals, it’s fair to say we are immersed in a very different, instantly recognisable universe.

I lapped up every transgressive minute. Why, dear readers, the last time I enjoyed a pleasure quite so guilty was when Aidan Turner took off his shirt in…  “I’m not here to talk about Poldark,” says Turner very politely, with a fabulously winning white smile, when we meet. So we don’t. At least for a bit. We are here, after all, to discuss his new role in this very different literary classic – and no, ladies, he’s not been cast as the libidinous blaggard Campbell-Black. As if. County Dublin-born Turner, 41, was a shoo-in for dashing Declan O’Hara, the saturnine Irish journalist turned reluctant chat-show host who finds himself at the epicentre of a battle royale in the cut-throat world of independent television. David Tennant plays Corinium TV boss Lord Baddingham, and Alex Hassell’s Rupert Campbell-Black has ascended to the lofty heights of Tory Minister for Sport.

I could try to explain, but that’s about all the primer you need – rest assured that with this high-budget adaptation, even the most loyal of Cooper’s fans will find themselves safe in its (wandering) hands. “Rivals is about the three things that fascinate all of us: sex, power and money,” says Turner. “That trifecta is especially potent when there’s a clash of status and class. Class informs all sorts of things, including the sex, which is sometimes completely transactional on both sides. From the very top to the very bottom of the ladder, everyone’s slightly on the make.”

Speaking of the top and indeed the bottom, the eight-part series employed not one but two intimacy coaches. “They had a lot of intimacy to coach,” confirms Turner breezily. “I think they really improve sex scenes because they encourage creativity and it all looks so much more authentic. There’s a lot of bonking. I want to say I did a lot of bonking – I can’t quite remember how much.”

Declan is very much the dark-eyed, watchful outsider, his integrity as deep-rooted as his humongous moustache – “artist’s own”, remarks Turner. (He speaks in mellifluous Irish tones and uses his own accent to play Declan.) Amid the jostling for supremacy in the first few episodes, Declan’s only crime appears to be wearing mustard socks on air and having sensuous congress with his own wife (played with exquisite brittleness by Victoria Smurfit).

Such uxoriousness appears borderline scandalous in Dame Jilly’s masterfully constructed world of egos, oneupmanship and serial adultery, which signals that despite being a workaholic, Declan is clearly a good ’un – although, to be fair, I have only seen the first three episodes.

“I hadn’t read Rivals before. It seemed very British so it wasn’t really on my radar, but it’s really fun – although later on it descends into something much murkier. I just read the scripts initially and then was really struck by how faithful they were to the book,” says Turner, who is married to the American Succession actor Caitlin FitzGerald, 41. “You get a real sense of the characters in the first 15 or 20 pages and it’s a mark of excellent writing that you feel you already know these people.”

Whether or not you like them is up to you, but it’s absolutely gripping and Turner’s character is right at the heart of the story. “Rivals is a really truthful depiction of an era that in a great many ways was hugely problematic,” says Turner. “It’s not being refracted through a modern lens and some of it is quite shocking, particularly the way women are treated. There’s also endless back-stabbing; Declan is detached, the one who sees what’s going on, and because he’s not from this class-bound world [he] struggles to understand the playbook – but he’s married to a woman who does and that causes tension.”

To research the role of a broadcasting homme sérieux, Turner trawled YouTube to watch hours of Firing Line, the US current-affairs talk show presented by conservative pundit William F Buckley Jr for 33 years. From 1966 to 1999, he verbally sparred with leading figures of the age.

“I felt it was important to look to older shows, the way they were presented and the communication style,” says Turner. “The interviewee would be given time and space to answer questions in full. These days it’s very different; the nearest we have to that now would be podcasts.”

“Once filming started, to be honest I was channelling my dad the whole time. He’s an electrician, not a journalist, but Declan is very like him – the way he carries himself, the tone of his voice, his passion. He feels very Irish and so does Declan.”

For Alexander Lamb, an executive producer on Rivals, finding the right fit for the pivotal character of Declan was crucial. “The very first person we thought about – the very first person we cast – for Rivals was Aidan. He was the lynchpin because he just felt so right; he’s got depth but also such charm and that was exactly what we wanted. A lot of the cast was built around him.” That cast also includes EastEnder Danny Dyer, Katherine Parkinson, best known for The IT Crowd, Emily Atack of Inbetweeners fame, and Claire Rushbrook, who was in the first series of Sherwood. When it came to Turner, Lamb had been impressed by his previous standout roles as a vampire in the supernatural series Being Human and a clinical psychologist in police procedural The Suspect.

“Aidan hadn’t played sexy-dad-with-teenagers or an intellectual journalist before, so that gave the whole thing a freshness. I think there’s a lot to be gained from getting actors out of their comfort zones,” observes Lamb. “I’ve never really worked with an actor before who was so conscious of his performance. He would come back behind the camera to see if he could improve on what he’d done.” Dame Jilly, adds Lamb, needed no persuasion in casting Turner. “It did not escape her just how good-looking Mr. Aidan Turner was. Let’s just say she became quite the fan.” Turner responds in kind, with unalloyed admiration. “Jilly is so sharp, perceptive and really funny – she’s very kind, but as she was seeing the daily and the weekly rushes I am quite certain that if she hadn’t liked what any of us were doing, she would have told us very swiftly.”

Later, he quietly relates a telling conversation with Cooper at a garden party held at her Gloucestershire gaff (to call it a pile would be too excessive, to call it a house too modest), one summer evening last year, after filming. “I remember a surreal moment when she took me by the arm and led me around the garden, pointing out the place where she would write and how she would look over the valley,” he says. “And then she pointed out the houses where her nearest neighbours and friends lived and said, ‘This is Declan O’Hara’s house, and that one’s Tony’s house,’ and explained how she would visualise the world of Rivals. It was a very special moment.” How magical, I say. He nods very slowly, the corners of his mouth twitching, eyes crinkling at the preciousness of the memory. He’s so unabashedly soulful, I almost have to look away. And so, to business: is Turner really as handsome as they say? Hmm. Maybe that’s what strikes you first but, in truth, it’s the least interesting thing about him.

Born in Clondalkin, a town outside Dublin, before the family moved to a suburb of the city, Turner admits he was never academically inclined. With a low boredom threshold, he struggled to concentrate at school, but when his accountant mother took him along to dance classes, he excelled; he went on to compete in ballroom dancing at national level, but lost momentum.

There was a stint working as an electrician with his father, but it was a job at the local cinema that sparked his interest in acting, entering the Gaiety School of Acting, Ireland’s national theatre school, where he graduated in 2004. After appearing in several theatre productions, including Seán O’Casey’s Easter Rising play The Plough and the Stars, he got his first major television gig in 2008 in the Irish hospital drama The Clinic.

“I was a lowly receptionist and Victoria Smurfit, who is my wife in Rivals, was a consultant,” he smiles. “Let’s just say we didn’t have a huge number of scenes together back then, so it’s great to catch up now.” Soon the BBC beckoned and he was cast as Dante Gabriel Rossetti in the Pre-Raphaelite Brotherhood drama Desperate Romantics. The six-parter failed to make a mark, but led to a critically acclaimed role in the comedy-drama Being Human, where he caught the eye of director Sir Peter Jackson, who cast Turner as the dwarf Kili in The Hobbit trilogy between 2012 and 2014.

Various other parts followed, culminating in his award-winning portrayal of Captain Ross Poldark in the 2015 revival of the BBC classic, which ran for five series and made him both a household name and a pin-up among ladies (and interviewers) d’un certain age.

After he was shown scything a field shirtless, a sheen of sweat on his ripped – sorry – torso, the Sunday-night concupiscence became so pronounced that media commentators called out the reverse sexism and denounced the reductive way in which Turner was being treated as a piece of prime meat. A decade on, he still seems mildly baffled, but not ungrateful, for the attention, if loath to dwell on it. “There are worse things to be known for than having a nice physique,” he says, philosophically. “But that was a long time ago and I’ve done a lot of fully clothed work since.” Hilariously, in Rivals, Declan finds himself sharing a schedule with a series called Four Men Went To Mow, featuring a quartet of topless hunks – with scythes. Turner almost leaps off the sofa when I bring it up. “I know! I was reading the script and when I saw the Four Men Went To Mow reference, I assumed someone was deliberately winding me up. Then I realised it was actually in the original book, so I took a deep breath and let it go.”

I can confirm he’s fully dressed for our interview, wearing a mustard top by British menswear brand Oliver Spencer, which he dryly describes as ‘drab chic’, Levi’s 501s, and a pair of trainers. He points out they are classic white Reeboks with a natural gum sole. I admit I didn’t know that was A Thing. “To be honest, neither did I,” he shrugs in good-natured agreement. “They were a present from a mate of mine – he’s a musician so far cooler than me, obviously – and he was very emphatic that the soles were a big deal.”

On his wrist is a 1969 Omega Seamaster. “It cost less than £2,000, it was an anniversary gift and the only watch I own,’”he offers, pre-emptively. “Oh, and I’m not sponsored by Omega, none of that.” Would he like to be? I ask mischievously. “Ah well, I’d certainly take the phone call. You always like to have options.” This is all the more interesting because later I ask if there’s any truth in tabloid rumours that he has variously been earmarked as the new Bergerac and the next James Bond. He denies both charges. “But you’d take the calls presumably?” I suggest. A pregnant pause follows. “You know, I don’t think I would. I have to say I think I’d pass on those.” Bergerac I can understand – but intimations of 007 are, like talk of knighthoods, not to be trifled with, much less dismissed out of hand, however cat’s-chance unlikely.

Turner just pulls a slightly apologetic face (possibly for the benefit of his aghast agent reading this). But really it should come as no surprise; Turner has built up a reputation as a protean performer, moving seamlessly between television, film and the stage in a variety of markedly different roles. Last year he appeared opposite Jenna Coleman in a minimalist two-hander, the West End revival of Sam Steiner’s 2015 fringe hit Lemons Lemons Lemons Lemons Lemons, about love and language. Director Josie Rourke says she cast Turner not just because he is ‘brilliant’, but because he has an ability to connect with his character and with the audience.

“Aidan is a very technical and focused actor who really works hard to prepare – in that respect he’s not dissimilar to David Tennant. That might make him sound dour or serious, but he’s very personable and funny,” says Rourke, a former artistic director of the Donmar Warehouse in London. “He’s acutely aware, in a lovely way, of every single person in the room. There’s something fundamentally unselfish about his performances.”

Off stage, Turner leads a quiet life with his family in an 18th-century house in east London, which he famously furnished with the table and chairs from the Poldark set in Cornwall. He looks amused when I wonder aloud if he hangs out – virtually or actually – with the slew of young Irish actors, like Paul Mescal and Barry Keoghan, who have made a name for themselves. “It sounds boring but I work, and then when a project is finished I start reading scripts again,” he says. “I’m not on social media, I don’t get wrapped [up] comparing myself to anyone else. Frankly, it’s hard enough keeping track of my own career. Since the birth of our son, my wife and I have agreed that only one of us will take a job away from home at any given time; we’ve not [had] a clash yet but we’ll have to see what happens when the time comes.”

They did, however, both have plays on in the West End at one point last year; he was appearing in Lemons while she was in The Crucible. “It worked out really well, we headed out in different directions during the day, catching up with friends and getting stuff done, far too busy to see each other,” he recalls. “Each of us did our show then we would meet up afterwards and share a cab home. It was really fun, but that sort of synchronicity is quite rare.” Like a lot of actors, Turner is guarded when it comes to discussing his personal life. Although frenzied interest from the paparazzi has calmed down post-Poldark, every so often pictures do appear in the tabloids – and Rivals will no doubt increase his bankability. It is something he accepts with equanimity.

“If I do get snapped, I don’t make a fuss or get angry, but I try to stay out of the way.” I remind him of a very striking photo of him putting the rubbish out in a frankly extraordinary receptacle. “Ah yes, maybe I should get rid of the fluorescent pink wheelie bin, a bit of an own goal,” he sighs.

I bet he doesn’t. Far too much of a compromise. I do manage to winkle a few details out of him by playing my fellow Irishwoman card and discover that he’s a ‘serious’ pool player – just this week he settled down in front of a recording of Steve Davis and his teammates taking the 2002 Mosconi Cup in Bethnal Green. He plays golf, enjoys music, and is an avowed Nick Cave fan.

“I’d have to say my favourite downtime is having friends round for good banter and food in the garden, weather allowing. I’m trying to perfect the manly art of beef brisket in my [Big] Green Egg barbecue. I think one of the reasons Rivals was such a happy show to work on was because so many of the scenes were us all together at parties. Then at the end of the day we’d kick back and half of us would still be in character.”

And what characters they are, all dressed up in their ’80s finery, jockeying for position, angling for seduction as Tears for Fears belt out ‘Everybody Wants to Rule the World.’ Gen Z won’t understand, much less approve (lock up your 22-year-olds), but as a snapshot of a bygone age, Rivals promises to be TV gold, and at its glittering epicentre, Declan O’Hara, legendary brooding broadcaster with the biggest ’tache in town.

All episodes of Rivals are available on Di5ney+ from 18 October

Interview by Judith Woods from The Telegraph; Photos by John Balsom.

[keetika]

   —   ⁺  𝐄𝐋𝐋𝐈𝐒𝐄 𝐂𝐇𝐀𝐏𝐏𝐄𝐋𝐋  ,  1992  [ #720 GIFS ]  POLDARK S3 /  ellise chappell is white, please cast accordingly and use appropriately. all of the gifs have been created from scratch by me. to access the gifs please click the source link. do not edit, claim as your own or add into your own hunts! time and effort were spent into making these gifs, a like or a reblog would be much appreciated!

[ ! ] commission work: to view commission info, click here

[ ! ] content warning: kissing

[sarztomo]

James Wilby joins the Famous Five series 2 two currently filming!!!

Can't wait to see James in this.

----------------------------

Joining the core cast are Maria Pedraza, Amir Wilson, James Wilby, Rita Tushingham, Jonathan Aris, Jamie Andrew Cutler and Jemima Rooper

BBC, Moonage Pictures (The Gentlemen) and Nicolas Winding Refn today announce filming has begun on a brand-new series of The Famous Five for the BBC in the UK, in co-production with The Mediapro Studio which also holds the distribution rights for the series in Spain, Portugal, and Latin America.

The 2 x 90min series is created for television and executive produced by Nicolas Winding Refn (byNWR) & Matthew Read (Moonage Pictures) and follows on from the highly successful first series which aired on the BBC. The premiere, The Curse of Kirrin Island, was CBBC’s number one rated episode in 2023.

Diaana Babnicova returns as George, alongside Elliott Rose as Julian, Kit Rakusen as Dick and Flora Jacoby Richardson as Anne. Making up the fifth member of The Famous Five and the gang’s faithful furry friend, is Kip, the Bearded Collie Cross playing Timmy the dog.

With Jack Gleeson, James Lance, Ann Akinjirin also reprising their roles, they are joined by new cast members, including Spanish actress Maria Pedraza (Money Heist, Elite), Amir Wilson (His Dark Materials), James Wilby (Poldark), Rita Tushingham (A Taste of Honey), Jemima Rooper (Geek Girl), Jonathan Aris (Sherlock) and Jamie Andrew Cutler (The Hurricane Heist). Rooper starred as George in the 1990s Famous Five TV series and now takes on the role of Angela Clutterbuck, a guest staying at a mysterious hotel.

The Famous Five is based on Enid Blyton’s iconic stories and follows the daring young explorers as they encounter treacherous, action-packed adventures, remarkable mysteries, unparalleled danger and astounding secrets. Series two takes our heroes into strange and challenging waters as they face life during wartime – and the hazards of growing up.

[15-lizards]

Any Robert’s Rebellion era fancast ? The only one I can envision is Olivia Hussey as Lyanna and sometimes Freida Pinto as Elia but my brain always explodes trying to envision young Robert..

I understand the Olivia Hussey persuasion, However I think she’s too much of a classic beauty to be Lyanna. I enjoy the Freida Pinto one but also Charithra Chandran for Elia

Liah O’Prey is my personal Lyanna. Her features are sharp and slightly more androgynous. And she still has a very youthful and innocent face despite her her sharper features. And she’s soooo good in Domina I can see her defending Howland Reeds honor with a stick

Young Robert is notoriously hard I think bc there just aren’t a lot of younger actors who are very physically imposing. Current Henry Cavil is good for an older Robert but I like his younger self too I can see it. I also like Stuart Martin for an older Robert but I don’t have enough space for another just google him

But if HBO was holding a gun to my head and said they needed a young Robert casting for the year of our lord 2024 I would choose Ruairi O’Connor. Not sure how old he is but I like him in the Spanish Princess and he looks like he could play a 21 year old Robert and that works for me

And dare I say Borgias-era Holiday Grainger as younger Cersei? I can never decide whether she looks more Targ or Lan but she definitely pulls off blonde hair so. And I’m not sure who currently could play a Rebellion era Cersei, as I am out of the loop for young up and coming actors, but I’m sure there’s someone I’m forgetting

Elinor Tomlinson in Poldark you are truly my Rebellion-era Cat with your expression that tells me you’re full of sharp wit and stubbornness but also Cristiana Capotondi in the 2009 version of Sissi you have enraptured me with your sad riverlander eyes I don’t know who to pick

[sgiandubh]

The Couple Next Door - a very, very short overview and my 50 cents, in the process

With as little spoilers as possible. My first plan was to make a post per episode, but I quickly realized that would be useless (so much talking, already, plus a very plethoric press ) and risky (the more you write about it, the less able you are to avoid spoiling it and no, that is not this page's editorial line). You will have to do with this short review, instead.

This is the story of a botched swinger coupling experiment, somewhere in the middle of a non-descript, Truman Show-esque Midlands suburbia. Where nothing is what it seems to be and curtains always flutter for a reason. Adjacent storylines complement this sexy & risqué core, which I personally found more interesting than S puffing and panting on top of Tomlinson. Corruption, life crisis situations, lost late pregnancies, a hidden child, bigot parents looking not unlike Grant Wood's American Gothic odd couple (especially the mother, enough spoiling it), voyeurism and privacy violations - this is a LOT to take in. With a bit more tact when it comes to script writing (sometimes things are really in your face and almost didactic: never a good thing), it could have been BAFTA material. It is not, and no, Disgruntled Tumblrettes - not because of S, but because of numerous plot holes, useless plot devices that could have been gags but totally miss the mark (walking little old lady, anyone?) and an overall superficial approach. It's like trying to cram half a dressing into a carry on: burst at the seams it will or you will end up with odd bits and pieces that do not necessarily make sense.

So if you set your bar very high or are poised to watch it in contempt, this is not going to be fun at all. If you have no expectations and also no idea about the rest of the cast, you will find it interesting and enjoyable. I personally think Enoch is a perfect cast, as is the very intelligent Jessica de Gouw: she knows how it's done and she knows where and especially when to stop. Tomlinson, eh - not so much. I have zero idea about how she fared in Poldark, but here I found her inattentive, formulaic and totally cliché. She has some good intuitions, but she fails to deliver, especially at the end. So, that's a 4/10 for me.

Now for S, as I am sure you are all interested to know. After all, this is why I even bothered watching and getting a paid VPN for it. I will say only this: there is a before Episode 3 and an after Episode 3, by far superior. You'll get my point when you watch it. It's not OL, but thank Heavens, it's not Where the Starlight Ends, either. With all the indulgence in the world, I'd say 8,5/10 - not his fault, the script was brutal to Danny ('Take a good look' is a major, MAJOR eyeroll and it did make me spit my Coke). Also, that intergalactic arse makes it on screen for about 5 minutes, which is nothing- so long for Mordor's honest reviews. Last but not least: he tried, bless his heart, to help Eleanor, but to no avail. Sorry.

The most interesting secondary storyline is Alan's, by far. The press shite - meh, that was there just to give Enoch's character a job, I suppose. And the child - it left me completely hungry and there was definitely room for more.

Rewatch? Christ, no.

Overall? a solid 7/10.

Recommend? not to my mum, but to my best -offline shipper- friend, for sure. She'll watch for S and we'll cackle over the phone.

Potential springboard? I hope so, but he still needs a real, well written role. This is decently good, but still not good enough to showcase what I know he is perfectly able to deliver.

Home eye candy takeaway? Oh, come on, the one involving this item:

I mean, what is more sexy than a bear of a man carrying a washing machine like I would carry my purse?

[flipperbrain-awakes]

[turneradora]

Here are the press article from the Radio Times magazine.

Thanks again to Emma Jones for the written version ! 🙏🥰

Rutting in Rutshire!

Bouffants, bounders and creaking beds… Jilly Cooper reveals why Rivals is her favourite book (and shares the secret of a happy marriage)

‘Buckets of electric blue eye shadow, heaving shoulder pads atop polka dot and pinstripe suits, haystacks of bouncy hair, kept in place by enough lacquer to fuel a rocket – it feels like I’m back at school getting ready for the end-of-term disco. In fact, I’ve walked onto the set of Rivals, Disney+’s big-budget adaptation of Jilly Cooper’s 1988 bestselling bonkbuster.

We’re inside a huge restaurant in Gloucester, which is doubling up for a posh eaterie in the novel’s fictional Rutshire of 1986. Waiting to make his entrance is Aidan Turner, sporting a moustache to make Tom Selleck proud, in the role of TV chat show host Declan O’Hara. Other names on the call sheet include David Tennant as the cartoonishly named Lord Baddingham, Danny Dyer as big-of-heart, bigger-of-wallet Freddie Jones, and Alex Hassell as the polo player-turned-Tory minister and one-man shagathon, Rupert Campbell-Black. It’s quite the starry cast, but despite all the familiar faces in the room, there is an audible hush upon the arrival of one small, smiling figure through the door – Dame Jilly herself is in the building.

Later, in a quiet corner, she expresses her enthusiasm for the project in exactly the selfeffacing, giggly and gushing style you would expect from the creator of such scrumptious literary – and now TV – fare: “It’s miraculous!” What about the producers? “They’re brilliant, they don’t really need me.” This is clearly not true. With 45 titles to her name since her light-hearted guide to wedlock How to Stay Married debuted in 1969 and 11 million books sold in the UK alone, Cooper is best known for her Rutshire Chronicles, an 11-strong set of door-stopping tomes that began in 1985 with Riders and follow the antics of the horsey set in bedrooms and boardrooms, stables and swimming pools. Rivals, the second in the series, focuses on the very 1980s idea of a battle to secure a regional TV franchise. “I think of all the books I’ve written,” says Cooper, “Rivals is my favourite. The battle for franchises in those days was so strong. And people made absolute fortunes."

The ideas he presented were lovely and he was lovely. It just happened.” She grins. “Plus, the fact that he is double-barrelled, that’s nice.”

As is her priapic protagonist. Rupert Campbell-Black is at the centre of the new drama, as he is in the books, and was the one bit of casting over which Cooper exercised her veto. “I thought Alex (Hassell) wouldn’t be right, he wasn’t blond, but then I met him and… he is very attractive.” Campbell-Black is a composite of two real-life, double-barrelled men, Rupert Lycett Green and Andrew Parker Bowles, as well as the Earl of Suffolk and Berkshire, all of whom the author met soon after she and her husband Leo moved to the Cotswolds in 1982.

“I’d just moved to the country and met these heavenly men, they became great friends and and I was able to study how an upper-class man would behave there.” Do her friends mind appearing in her novels? “Oh no, they love it.”

Campbell-Black may have wall-bouncing charisma, but he’s not entirely chivalrous with its deployment. Is that OK? “People do behave badly,” says Cooper. “They certainly did in the 1980s. Rupert has good qualities. He’s lovely to his dogs, he’s a good MP and he adores his wife. They fall madly in love with each other. Lots of men are frightfully promiscuous until they find their true love.”

Does she believe men like Campbell-Black are at risk of being squashed out of society today? “Yes. When did you last see a fantastically attractive man on television in drama recently?” Hmm, Poldark? Another grin. “He’s in my story. I love good-looking, glamorous, funny, macho men.”

Cooper’s own great romance was with Leo, her publisher husband of 52 years until his death in 2013. She says: “Happiness in marriage comes from creaking bed springs, not so much from sex but from laughter. Well, a bit of both, but definitely laughter. He was lovely, funny, clever, full of military history and kind. He loved cats and I loved dogs, so we worked that out.” She is perhaps referring to his well-documented 1980s affair that rocked, but didn’t ruin, their marriage when she says, “Obviously ups and downs, but when you go through a down, you just hang on and hope it gets better”.

Cooper’s stories are all as raunchy as they are romantic – “I just like people to be happy,” she smiles – but in between all the muddy boots, labradors on mats and shepherd’s pies on kitchen tables, there are progressive layers to be found in both the books and now the TV adaptation. The female characters are strong and self-determining. “The women in those days were seduced, and were seductive,” Cooper says, before adding wistfully, “Beautiful men and women… and they didn’t fight so much.”

Have love and romance changed in the 30 years since the book came out? She sighs. “Half of teenage children are brought up without their parents staying together. It’s so sad. Happy marriage is the best recipe for life and if people can try to stay together, they should try to make it work. The world is very frightening now. Don’t give up on things easily.”

In real life, Cooper counts among her set Andrew Parker Bowles’s first wife Camilla, now better known as Her Majesty, of whom the author can’t say enough good things. “She’s a friend of mine. I adore her and I think she’s going to be a wonderful queen. She looks beautiful at the moment, she’s become very glamorous.” And, of course, a real-life totem of Cooper’s favourite thing, a happy ending.

”‘FOR JILLY TO APPROVE MY RUPERT WAS IMPORTANT’

ALEX HASSELL PLAYS RupeRt Campbell-blaCk

You were chosen from hundreds of possible actors to play Jilly Cooper’s romantic lead. Did you feel the pressure of expectation?

Initially, I wasn’t sure I’d get the part, I’m not blond or blue-eyed and I’m not from that world, but it’s important to me to live up to a certain Rupert-ness. To have Jilly’s seal of approval was very important.

Where did you go for inspiration?

I’ve met two of the men she based him on, which was helpful. But once on set, you put on your costume and start to feel it.

Or take your costume off…

How did you prepare for that naked tennis scene?

By trying not to get intimidated! If I did have nerves, that day was important as I had nothing to hide behind and it was a naked crucible through which to believe myself as Rupert.

With his arrogance and privilege, is Rupert a force for good?

It depends… He’s reaching middle age and rattling around in his house with just dogs and horses for company, and he’s realising that past choices aren’t going to end well for him. But there is a core of goodness there.

IT’S A PERIOD PIECE LIKE DICKENS’ DAVID TENNANT PLAYS

Lord Tony Baddingham

What was the appeal of Rivals? Before I’d even opened the script, my wife Georgia saw the title and told me I was going to be in it, so any element of choice was taken away from me. She had quite a visceral reaction to it and has been a champion of the whole thing. Did a little part of you want to play Rupert Campbell-Black? It didn’t really matter who I played. But I couldn’t compete with Alex for Rupert. I think Lord Tony Baddingham is a more natural fit for me.

Tony is the resident baddie. Do you have any sympathy for him?

He doesn’t see it that way, he’s just doing what he needs to do in order to survive. Objectively, I can see that some of the things he does aren’t particularly morally robust. It’s all Daddy issues. I don’t think Tony is difficult to make sense of, he’s very plausible. The characters all have drama to them, but they’re nuanced and make sense. You’re not struggling to join the dots, they’re well-crafted and that’s why Jilly’s books have survived. There is a quality in this work that makes it timeless.

Would these characters be believable in a more modern setting?

No, they are entrenched in the politics and mores of that era. It was such a specific moment in time – all that excess; Margaret Thatcher saying there was “no such thing as society”. It changed how people were allowed to think and certain people grabbed it, ran with it and wallowed in it. These characters all swim in that swamp.

The big battle in Rivals is to win a TV franchise. Is the story still relevant?

It’s not something we really have an understanding of now. When I first read the scripts, I thought, “Are the stakes of this going to make sense?” But it doesn’t matter what they’re competing over, it’s just who they are and that’s what drives them and that feels very alive and human.

What kind of portrait of 1980s England do we see in Rivals?

Jilly Cooper is a great chronicler of the human condition. It’s a period piece like a Dickens drama. You can marvel at how different some things were and how similar other things were. That’s part of the joy.

What did you love most about the 1980s?

I’ve loved rediscovering the music. I was a teenager during those years, so there was a lot of music it wasn’t cool to like. But some of these tunes are banging.

‘A WOMAN WITH RED LIPS KNOWS HER BUSINESS’

NAFESSA WILLIAMS PLAYS Cameron Cook

You were born and raised in West Philadelphia, a long way from Jilly Cooper’s Rutshire. What drew you to the role of TV producer Cameron Cook?

It was the script, plus how smart Cameron is. You have this black woman in a white man’s world in the 1980s, being able to run a company. She’s very fashionable, very strong, very grounded in who she is — and very comfortable in her sexuality.

She’s very distinctive. Did you have a particular style influence?

The singer Sade was a big inspiration for how Cameron looked, with the flicked back ponytail and the long braids.

Would you resurrect any of that era’s distinctive fashion?

I loved the high waists, the belts, the hair. It was all bigger, bolder, brighter. We don’t see as many red lips and nails now as we did back then — that speaks of a lot of confidence and sexiness, and being bold. A woman with red lips and red nails knows her business. Bring some of that back!

‘THERE WAS AN INSTANT TRUST WITH AIDAN’ VICTORIA SMURFIT PLAYS

Maud O’Hara

Maud doesn’t seem very satisfied with her lot as Declan’s wife and is very open to temptation… She is a very complicated, insecure, broken butterfly who exists on validation. She’s feeling down, she wants every man to fancy her, and her selfishness drives her to where she wants to go.

Had you met Aidan Turner, who plays your screen husband, before?

I didn’t know Aidan, but there was an instant trust. We barely talked about how our characters operated, we just knew they were existing in an English hierarchy, as this scrappy, passionate Irish family. We instantly knew where we were at.

Does Jilly Cooper treat her female characters well?

When you watch the whole arc of all the different women, by the time you get to the end, it feels like a feminist piece. All of the female characters play their politics out the way they want to — some get what they want and some get what they need.

Maud is very colourful in her mood and clothes. Did you have fun with your costumes?

Maud is more boho 70s than the others. The costumes did a lot of the work for us. As soon as we put on our clothes, it felt like we knew who our characters were.

I BASED DECLAN ON MY DAD’

AIDAN TURNER PLAYS Declan O’Hara

When you got the script for Rivals, did a little part of you want to play romantic rogue Rupert Campbell-Black, as opposed to Irish chat show host Declan O’Hara?

No, not one single bit. Alex [Hassell] does it better. It’s a best person for the role thing. There are very few Irish actors who can do Declan O’Hara as well as me, know what I’m saying? My eyes were always on the O’Hara prize.

How familiar were you with Jilly Cooper’s books before you were cast?

I remember dating an Irish girl who loved Jilly Cooper. She was in the atmosphere, but I hadn’t read the books until I started shooting. On the first day of filming, I got into the trailer and there was a copy of Rivals. We already had all the scripts, but we could use the book as a reference for tone. It was great to have it there.

Declan has quite a distinctive look. Where did you go for inspiration?

There’s something of my dad, who had a moustache all through the 1980s and 1990s. I lightly based a lot of Declan’s character on my dad — he sounds like him and has his physicality. Plus Declan is a dad, and I’m a father now, too. I felt I made a lot of connections.

Was there a TV interviewer or chat show host you studied beforehand?

Declan’s an amalgamation. There are some modern British presenters, but someone I went to a lot was the host of the American debate show Firing Line, William F Buckley. His show was political, smoky, quite serious, slow-paced and high-brow — all the things Declan would love.

You’ve been interviewed many times before. What did you discover about life on the other side of the microphone?

When you’re interviewing someone, there’s power because you can ask what you want, but it’s about building up the trust. If you just lambast people, you won’t get to a second season — people have to respect you.

These things are important to Declan. Even the word “chat” irks him slightly. Rivals is set firmly in the 1980s. What would you like to bring back from that decade?

The lack of telecommunications and mobile phones. As we see in the show, it forces people into situations that could be easily solved with a phone call. The characters can’t contact someone on the other side of the county, they have to show up unannounced at their house. There’s a lawlessness, a looseness, an unpredictability.

‘I MISS THE SHOULDER PADS’

KATHERINE PARKINSON PLAYS Lizzie Vereker

Lizzie is the sweetest of the local women, but she can be easily led by her Rutshire neighbours… Lizzie gets caught up with the snobbery of the world she’s in, and she does that thing of joining in with the crowd for survival. Then when Freddie Jones [Danny Dyer] arrives and they mock him, she’s chastened.

It takes an outsider to come in and hold a mirror up to these people. The married but neglected Lizzie embarks on an affair with Freddie. Did you approve?

They are both quite pure and drawn to each other for the right reasons, so it’s actually a positive thing. You want these characters to find themselves again.

Rivals is set in 1986. Have things got better for women since then?

My mother’s generation were more likely to sacrifice their talents for the sake of their husbands. I think that’s definitely evolved since the time Jilly Cooper was writing about, but it’s helpful to look back and see what still needs to change.

In your opinion, what was better about the 1980s?

The earrings… and the shoulder pads.

‘I’VE NEVER CLAIMED TO BE A HARD MAN’

DANNY DYER PLAYS Freddie Jones

Tech millionaire Freddie Jones is a lot softer than the “hard” men you usually play?

I don’t know where that comes from. I know I’m a working-class actor, I swear a bit and walk like a duck with a swagger, but I’ve never claimed to be a hard man. When I was in EastEnders, I wore a pink dressing gown. But this is something different and, for me as an actor, I needed an opportunity to look different. I don’t get many opportunities to do that. Even my biggest haters through their gritted teeth might have to accept that Freddie is a nice, watchable character.

Was that your real hair?

I wish. I had it all clipped on. What a bouffant it is! I’ll cling on to what I have for dear life, but I accept it. I’m a grandfather now, I’m allowed to go bald.

Freddie is the richest of all the characters, but an outsider in Rutshire. Is he the real top dog?

There’s a kindness behind the eyes of Freddie, but he’s a teddy bear with a bite. He has no desire to be top dog, but when he needs to put his foot down, he does. I fell in love with him when I read the script.

One scene, where Freddie and his wife are mocked by the Rutshire set, makes for uncomfortable viewing...

There’s an element of classism and other -isms in the show. As much as they want Freddie and his money around, they also look down their noses at him.

In 2018, you accused David Cameron of “putting his trotters up” instead of working hard. How did it feel going to Gloucestershire, the stomping ground of Cameron and his pals?

It’s not the world I come from. But this is set in the 1980s, we’re in a different era and environment now, but we’re true to how it was.

Freddie also develops a slowburn, hard-earned romance with Lizzie Vereker…

They’re both in marriages where they feel suppressed and don’t feel seen. Hopefully, the audience will root for us to have an affair, which is a strange thing as it sounds awful.

Do Freddie and Lizzie get a suitably Cooper-esque sex scene?

You’ll have to keep watching. Things take a surreal turn.

What was the best aspect of the 1980s? Anything you miss?

I think we have far too much technology now. I have children who can’t understand how we survived without mobile phones. I feel it was slightly less complicated in the way we engaged with each other: sitting down, making eye contact.

EMILY ATACK PLAYS

SARAH STRATTON

Your character, the wife of the Tory deputy Prime Minister, appears very manipulative and conniving. Did you enjoy playing her?

She’s a car crash, but she’s ambitious, smart and a bit sick of being told all her life she’s a ditzy blonde. Particularly at the time this is set, women felt there was little other option for them but to use their sexuality to get what they wanted. Characters like her are often written as unlikeable, but there are lots of hidden layers and vulnerabilities.

Her look is very much of her time. How did you go about creating it?

My morning pick-up times were the earliest of the entire cast. Hours and hours in hair and make-up — so much hairspray and backcombing. At my first fitting for costume, I thought, “I’m never going to fit into that,” but with a pair of Spanx we were good to go. And I bought some cheap 80s perfume, which I wore every day.

For one famous scene of naked tennis with Rupert Campbell Black, there are no clothes at all. How did that feel?

The whole cast were warned early on that there would be nudity and sex scenes, so you knew what you were getting into. The sex is integral to the scenes and the characters, and the tennis scene is very famous, so I wanted to get it right. Alex [Hassell] and I talked it through with the director, to make sure we felt comfortable. It was a closed set. I felt very safe, and I had a great spray tan.

Last year you made a documentary about the sexual harassment you’ve received for several years. Did you hesitate to take this role, or did you feel defiant?

You can’t win whatever you do. If you keep your clothes on you’re a frigid nun, if you take your clothes off you’re a tart. But I love my job and if a role I’m playing requires nudity and it’s integral to the story and I’m safe, I’m exactly where I should be. I’ve learnt it’s not my behaviour that needs to be looked at and changed, it’s other people’s. I’ve learned to take back the narrative that was taken from me — my sexuality, my body. These kinds of roles are fun. I’m still young and it’s OK to feel liberated. I enjoy what I do. And it’s Jilly Cooper – it’s an honour to do it!

Since filming, you’ve had a baby. Are you thinking about work again yet?

For nine months solid, I sat on my arse, ate peanut butter sandwiches and watched all of Downton Abbey. So I’ve had my time off, and now I’m back

[bharv]

I don't often talk on here about that many passions outside of D&D but inspired by a very brief exchange by @plethomacademia I want to talk very briefly about my great love for period dramas.

I'm a particular fan of Georgian era and Victorian era (but you know, every gal of a certain age had their brain chemistry altered by the 1995 Pride and Prejudice as Greta Gerwig knows well) so I wanted to talk very, very briefly about some of my absolute favourites (and whether the adaptation or the book has my heart)

Poldark. The books and the 1975 version, not the modern version (I liked the Elizabeth, wasn't a fan of the rest.) Poldark man. It's the ONE. Incredibly romantic, but with a real political agenda too around landowners rights and the changing role of the gentry. The books were hugely formative for me - and there's LOADS, so get them from your local library and enjoy.

The History of Tom Jones, a Foundling. The book, and the delightful 1997 BBC adaptation. I love this book. It's one of those early novels where the narrator just fucking talks about whatever they want. And because it's set in the earlier Georgian era where people did whatever they wanted, it's super sexy. Tom is basically fucking his way through the West Country and London.

Vanity Fair. The book, I've not liked any of the adaptations I've seen. Becky Sharp, beloved. The first real antihero I read. I love her to the ends of the earth. All adaptations try and soften her too much for my liking but the 1998 and 2018 both have good strengths.

The House of Mirth. The book and the 2000's film. Just sublime.

Anna Karenina. One of my favourite books. Western adaptations of Russian novels never quite hit the mark but I have to give a shout out to the 2000 version with Helen McCrory because she really sold the sexual obsession to me in a way others didn't. Man, she was the GOAT.

North and South. The book is great. The adaptation really is superb. Probably the best on the list, one that I would rank just as highly as the novel.

Wives and Daughters. The book was unfinished so they filled in a lot of gaps in the 1999 adaptation starring Justine Waddell (who incidentally was in EVERYTHING for a while? Like every period drama cast her, it was bizarre, and then she just disappeared. This also stars Keeley Hawes who was also in everything, including the very underrated Our Mutual Friend.) I know this one isn't the best, but I'm very fond of it.

Middlemarch. Listen, the book is the greatest book of all time to me. You have to read it at least once. The 1994 adaptation does a great job but it will never be the book, whose strands come together so perfectly, which teaches us so much about the intricate webs of being human.

The Crimson Petal and the White. The book is extraordinary, and the 2011 adaptation tries its best but suffers a bit from some odd casting. Still it's very worth the watch.

I Claudius. Curveball lmao. But it's perfect. Utterly perfect. The cultural impact of the 1976 adaptation can't be understated. A masterpiece.

[love-little-lotte]

A Look Into My New Guilty Pleasure: Poldark (2015 Series)

My biggest weakness is period dramas — especially period dramas with a talented cast, sweeping romance, terrific scenes (preferably set in some kind of country/provincial side), and lots and lots and lots of just sitting around and talking.

That's probably why Poldark has captured my heart. As a big fan of Outlander, it's no surprise that I fell in love with this show. Outlander and Poldark have so many similarities that I may make a lengthy post about it, but for today, let me just rant about my new guilty pleasure. I'm so obsessed with this show that I actually finished watching the entire five seasons in one week!

Poldark is based on Winston Graham's novels and adapted by Debbie Horsfield. I was so excited to start this show, with a male protagonist originally written by a man, created and written for a series by a woman. I haven't read Graham's novels (I'm going to one of these days, I swear!), so I'm not sure how well Debbie's adaption worked. I've read many Reddit threads, though, and some fans of the novel are not that impressed with how she omitted and added details to the show (will get back to this once I've read the books or at least the seven ones that were used in the show). The show has also been adapted in the 70s, so this was not the first time Graham's novels were seen onscreen!

Despite not having read the books, I fell in love with the story, the characters, and the cast! The show follows Ross Poldark returning to Cornwall after fighting in the American War in the 1780s. He looks forward to marrying his childhood sweetheart Elizabeth but, believing him to be dead, is now engaged to his cousin Francis. He then tries to resurrect his family's mining business and hires a young girl Demelza to be his kitchen maid (whom he eventually marries) while also crossing paths with the villain George Warleggan, a corrupted banker who stops at nothing to ruin Ross's prospects and personal life. As the show progresses, we also meet other characters, including Prudie and Jud, Ross's servants, Verity, Ross's cousin and Francis's sister; Ross's friend Dr. Dwight Enys and his love interest Caroline Penvenen; Sam and Drake Carne, Demelza's brothers, and Morwenna Chynoweth, Drake's love interest.

Yes, this show has a large ensemble cast, and trust me, there always comes a point when you hate or love them. Especially our protagonist Ross Poldark. Ross... is an interesting character. He's terribly, terribly flawed and many times times, I'm so infuriated with him to the point that I want him to suffer. I swear, you cannot go through this series without screaming at Ross. (When that moment came up in Season 2, I swear I had my middle finger ready every time Ross showed up on my screen from then on.)

But my favorite character in the show is Demelza, Ross's wife who started as his kitchen maid. She's the heart of the show, the voice of reason, and even though she makes questionable decisions along the way, you can't help but get on her side no matter what. She's the perfect fiery yet gentle match to Ross's stubbornness. He treats her like shit many times in this show, which makes me angry to no end, but they eventually grow to be understanding, loving partners.

And it also helps that Aidan Turner and Eleanor Tomlinson have one of the best romantic chemistries I've ever seen. They're terrific actors as well and they bring the characters to life so effortlessly. They just seem like they have the best time shooting this show. I kind of want to rewatch Loving Vincent now just because they're in that movie, even just in supporting roles.

Poldark is a roller coaster, with so many ups and downs (mostly downs, to be honest, please give Demelza a break!) My favorite season has got to be Season 1. Season 1 had the best Ross and I loved the early stages of his relationship with Demelza. It also has my favorite episode: Season 1, Episode 8. That episode broke me so much, thanks to Aidan and Eleanor's perfect performances. It's the only time I ever cried watching this show. I usually cry in period dramas (I've cried countless times in Outlander and Downton Abbey), but for some reason, I only cried once in Poldark. Most of the time, I'm annoyed and infuriated (hahaha but I still love it!)

The romance in Poldark is also quite unique, something I haven't seen before. Ross and Demelza emotionally hurt each other many times in this show, and they don't have the best communication. It's not an ideal marriage, but that's what makes it so raw and real. It hurts when Ross sleeps with his first love Elizabeth or when Demelza falls for the much-sensitive Hugh Armitage, but these are challenges people face all the time, and it's interesting to view it in characters and circumstances through 18th-century lenses. Plus, it can be very tiring to see perfect couples onscreen all the time. So watching Ross and Demelza's relationship thrive, suffer, and reconcile is very refreshing to me.

Nevertheless, Ross and Demelza are still able to work together. Seasons 2 and 3 showcase the worst moments of their marriage, from infidelities to insecurity, but the love between them still perseveres and they learn to forgive. In the end, they realize that they belong together.

And despite the unconventional marriage, Poldark is not a stranger to grand romantic gestures. Two of my favorite Ross and Demelza moments occur in Season 2:

A real funny, old-married-couple type of bicker in The Beach Scene:

And of course, showing all intimacy in The Stocking Scene:

(Let's just not talk about what happened 2 episodes after this!)

The romance in Poldark not only ends with Ross and Demelza. We also got two really good couples in the series: Dwight and Caroline and Drake and Morwenna.

And these love stories don't just happen! They're fleshed-out characters with proper backgrounds and their own problems, especially Drake and Morwenna's relationship. Morwenna is one of my favorite characters, and she doesn't deserve all the shit thrown at her. The last season of Poldark is not the best (bordering on bad, actually, especially the last two episodes), but watching Drake and Morwenna get their happy ending is worth it.

Finishing all five seasons is bittersweet. I enjoyed most of the story and fell in love with different characters. I kind of regret watching everything in one week haha. But what can I say? As soon as I finish each episode, I'm so tempted to start another episode. I think the last time I stayed up until 5 AM the next morning to watch TV shows was Yellowjackets. Poldark's just too good to binge! It's one of my favorite TV shows now. Maybe I'll watch Sanditon next...

I want to write more about Poldark soon, maybe a comparison with Outlander or maybe just a post about each character. I realized I hadn't talked much about Elizabeth, Francis, and George in this post; I was too preoccupied with the love story aspects and Ross and Demelza. We'll see!

[mercurygray]

YOU GUYS.

Cancel my appointments and hold my calls, @wgbh is getting a new Forsyte Saga and this cast is STACKED!!!

[joannanora]

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In need of a TV series to fill those chilly autumn evenings? The Couple Next Door is here to heat things up.

Drama! Suspense! Sex! The Couple Next Door sounds right up our street. Add in some of our favourite actors in leading roles, and we’re firmly on board.

We don’t know yet exactly when this TV series will land on our screens (other than sometime in autumn), but what we do have is enough details to convince you to add The Couple Next Door to your ‘ooh, I’ll definitely tune into that’ list for future reference. Oh, and some exclusive first-look images.

Let’s talk you through everything you need to know to get thoroughly excited about this show.

What is The Couple Next Door about?

The Couple Next Door is a dark psychological drama that’s all about desire.

When Evie and Pete move into a fancy new neighbourhood, they’re surrounded by gossip, anxiety and curtain twitching. But thankfully they find some pals to help them navigate their environment: the couple next door (like the title of the show, get it?), traffic cop Danny and his wife, Becka, a glamorous yoga instructor.

The two couples get closer together, then… something happens. As the show’s description says: “One fateful night, [they] become sexually entangled in a way that will change their lives forever.”

Who stars in The Couple Next Door?

We’ve got some great names playing the pair of couples. Eleanor Tomlinson (Poldark, The Outlaws) plays Evie, and Alfred Enoch (Tigers, How To Get Away With Murder) is her husband, Pete. The couple next door are played by Sam Heughan (Outlander, Suspect) and Jessica De Gouw (Pennyworth, Our Man From Jersey).

What are people saying about The Couple Next Door?

The show is described as “a deliciously dark, psychological drama, exploring the claustrophobia of suburbia and the fallout of chasing your deepest desires”. Sounds fun to us.

And Caroline Hollick, head of drama at Channel 4 declared the series “an addictive, emotional roller-coaster with something to say about modern sexual mores, with an electrifying cast that will set our screens on fire”.

Of playing lead role Evie, Eleanor Tomlinson said: “Evie is an exciting challenge for me – a girl whose world is turned upside down as she navigates devastating trauma, which isn’t helped by unresolved issues from her past. We have an excellent team on board, and I am looking forward to exploring this dark and complicated world alongside Sam and our director Dries.”

“At the heart of this series are two couples who get increasingly close to each other, and one fateful night become sexually entangled in a way that will change the rest of their lives forever,” added Jo McGrath, executive producer. “You never really know what goes on behind closed doors but this series sets out to make you wonder.”

Juicy, right?

How can we watch The Couple Next Door?

No word yet on an exact release date, but we do know The Couple Next Door will be out at some point this autumn. The series will premiere on Channel 4 in the UK and will be available on Starz in the US and Canada, as well as Lionsgate+ in Latin America, including Brazil.