🤗 تقدیم به باباهای "پولاروید" دار
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Polaroid logo
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فک کنم این آخرین عکس پولارویدی من باشه اونهم با لباس سرخپوستی
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نمیدونم اینجا چند سالمه 😅
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دورببن آقا کیومرث
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دوربین آقا رضا
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. Nostalgia _ نوستالژی .
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Furfur has two photos because he has two cameras
The madness continues I guess? This is Fufur's camera(S) from the x-ray content on Amazon prime. They said it actually worked on the day, which is a little crazy for a few reasons... most notable of which, is that this is not one camera. It's two cameras.
The bottom one is a heavily modified 70's sx-70, probably with a front that has been covered in black pebble grain leather to hide the viewfinder and logos in the front. It's also upside-down, so that the polaroid comes out the top of the camera.
I've drawn the shape hidden inside the steampunk accessories
That photo that comes out during this shot is from the sx-70 with the Mirage 28mm macro lens attached to it (lol wtf. That is extremely funny if you know anything about photography).
The second camera is an original 1948 95 model land camera in black. These were originally portait or vertical, aned flipped out with a stand as the cover. Here they've added a barrel lens and taken the front cover stand off.
They've also combined the viewfinders to be up top beside the flash. These older models didn't have an automatic film ejection. You had to rip the film out of the back after opening it. The film was also slightly different sizes than the polaroid you've probably seen before. See below.
The one is Furfur's camera ejection is wider than the smaller, more close up shot in Crowley's hand later in the dressing room. Because the images tracked on to the film in the theatre were 100% done in post (no polaroid film develops that fast), it could just be a small inconsistency. It would make sense. But why go through all the trouble to build a double polaroid camera for Furfur to use?
And if there are two polaroids, where's the other one? And why does Furfur not seem to have it?.
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Thanks to @kimberleyjean @thebluestgreen and @embracing-the-ineffable as always.
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New solo album! TIME ZERO LAND. A companion piece to Sending Up Flares on Fluff & Gravy Records. 10 new songs! Two of these are band outtakes from the Sending Up Flares sessions and the rest are more acoustic than anything we've released in many years. time zero land is named after the Polaroid Time-Zero Onestep SX-70 Land camera. These songs live in a similar hazy world of dream sequences culled from memories and how they relate to our present moment. The lyrics reflect this time-bending with deep dives into hitchhiking in Ireland, recollections from the front lines of the 90s timber wars in the Pacific Northwest, a song written as part of a 2012 production entitled “We Would Find Landscapes” by Mabou Mines theater company that Neill was the composer for (“Dance On Air”), and an 18th century Irish ballad that comes from the repertoire of master sean-nós singer Joe Heaney/Seosamh Ó hÉanaí of Connemara (“The Rocks of Bawn”). Purchase the CD, download, or stream at these music outlets - https://orcd.co/ljkd4a5
xoxo, CN
TRACK LISTING:
This Ragged Acre
At Play in the Fields
The Eastside (acoustic)
Dance On Air
The Rocks of Bawn
The Mallow Road
When Came the Change
The Eastside (electric)
The Distance Ahead
The North Sea
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$110.0 Only! ~ Vintage Polaroid SX 70 Land Camera, E001, Best Vintage Polaroid Camera, Best Instant Camera, Vintage Instant Cameras, Vintage Polaroid Cameras for Sale, Vintage Polaroid, Polaroid Instant Camera Old Fashioned, Old Polaroid Instant Camera BUY HERE!
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Today In History:
A bit of October 26th history…
1492 - Lead (graphite) pencils 1st used
1774 - Minutemen organized in US colonies
1787 - “Federalist Papers” published, calls for ratification of US’s constitution
1863 - International conference begins in Geneva aimed at improving medical conditions on battlefields - beginning of the Red Cross
1881 - Gunfight at the OK Corral: the most famous shootout in the Wild West occurs between lawmen, including Wyatt Earp, and the Cowboys with Tom and Frank McLaury and Billy Clanton killed (pictured)
1918 - Cecil Chubb gives prehistoric monument Stonehenge to British nation
1949 - US President Truman increases minimum wage from 40 cents to 75 cents
1950 - Mother Teresa founds Missionaries of Charity in Calcutta, India
1972 - Edwin Land introduces the 1st truly instant camera, Polaroid SX-70, at an event in Miami, Florida
1977 - Last natural case of smallpox discovered in Somalia; considered the anniversary of the eradication of smallpox
1984 - “The Terminator” is released (pictured below)
2001 - US passes the USA PATRIOT Act into law
2019 - Raid by US Special Forces kills ISIS founder Abu Bakr al Baghdadi in Syria
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In obscura espionage definition
The second factory where he built his cameras was located in Fort Lee, New Jersey. Semmendinger first made his cameras in New York City. Paul Getty Museum, gift in memory of Beaumont NewhallĪugust Semmendinger (1820 – August 6, 1885) was a manufacturer of photographic apparatuses and the inventor of the Excelsior Wet Plate Camera. Paul Getty Museum, Los Angeles, Gift of Gloria and Stanley Fishfader This display explores the evolution of the camera through the Museum’s collection of historic cameras and photographs. Flexible film stocks, built-in light meters, motor drives, and megapixels are a few of the advancements that have transformed the way this ingenious device captures and preserves a moment in time. Once a simple wooden box with a primitive lens and cap for controlling light, the modern camera has undergone enormous change since its invention in the early nineteenth-century. Please click on the photographs for a larger version of the image. Paul Getty Museum for allowing me to publish the photographs in the posting. How does the physicality of the camera, from large format to iPhone, affect how we hold the machine, how we interact with it’s ontology and enact its rationale – in particular perspectives of abstraction, becoming, existence, reality, as well as the basic categories of being and their relations: Substance, Relation, Quantity and Quality Place, Time, Situation, Condition, Action, Passion? How have digital cameras altered how we use the camera and how we see the world, moving us from a viewfinder and vanishing point, to looking at a flat screen on the back of the camera? How does the camera impart its own reality, and how, through looking, do photographers understand how different cameras impart different realities? How do we intimately see what the camera sees, without looking through the machine? How can a box of metal and glass, a machine, capture onto film and pixels, something that so transcends time and space that, at its best, it preserves the spirit of our existence, the condition of our becoming? Although I love the design of the old cameras – when viewed from the outside, through the media images, the exhibition seems to also be a bit of a filler from the Getty. A filler posting from me as I am sick at the moment. © Estate of Lisette Model, courtesy Baudoin Lebon/KeitelmanĪpologies. Lisette Model (American born Austria, 1901-1983) Collins Kodak Ektra Camera, Kodak, Kodak Bantam Special, Kodak Ektra Camera, Kodak World War II "Matchbox" Spy Camera, Lisette Model Weegee New York, Mammoth Plate Wet-Collodion Camera, Man Ray, Man Ray Self-Portrait with Camera, Nikon, Nikon "Reporter" large load 35mm camera, Photographer at a Fire, Photographing New York City, Photographing New York City - on a slender support 18 stories above pavement of Fifth Avenue, polaroid, Polaroid Corporation, Polaroid Land Camera Model 95, Polaroid SX-70, Portrait of Dorothea Lange, self-portrait, Self-portrait preparing a Collodion plate, Self-portrait with camera, Self-Portrait with Grandchildren in a Funhouse, Steineck ABC Wristwatch Camera, Steineck Kamerawerk, The Kodak, The Photojournalist, Underwood & Underwood, Underwood & Underwood Photographing New York City, Weegee, Weegee New York, Weegee Photographer at a Fire, World War II "Matchbox" Spy CameraĮxhibition dates: 30th July 2019 – 5th January 2020 Horatio Ross Self-portrait preparing a Collodion plate, Daguerreotype camera, Daguerreotype/Wet-plate Camera, Eastman Kodak Company, Eastman Kodak Company Kodak Bantam Special, edward weston, Edward Weston Self Portrait with Camera, Extras with Film Cameras, George Watson, George Watson Camera on 12-foot Tripod, Hasselblad, Hasselblad wide angle camera, historic cameras, history of cameras, Imogen Cunningham, Imogen Cunningham Self-Portrait with Grandchildren in a Funhouse, In Focus: The Camera, In Focus: The Camera J. Tags: Alma Lavenson, Alma Lavenson Self-Portrait, Andreas Feininger, Andreas Feininger The Photojournalist, Anthony Friedkin, Anthony Friedkin Extras with Film Cameras, Arthur Fellig, August Semmendinger, August Semmendinger Mammoth Plate Wet-Collodion Camera, Camera box, camera machine, camera obscura, Camera on 12-foot Tripod, cameras and photography, Canon, Canon S 35mm camera with rare F2 lens, Capt. Categories: black and white photography, digital photography, documentary photography, exhibition, gallery website, light, memory, photography, portrait, psychological, reality, space, time and works on paper
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