#points for the audience for learning
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nephriteknight · 1 year ago
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i love that there is an adorable little bird that kills things in such a grotesque way that we just can't stop naming fantasy things after them.
for context, shrikes look like this, and they're also called butcherbirds! :)
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they hunt prey such as insects and mice, and they kill them by impaling them on the sharp spines of plants.
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headslikekites · 5 months ago
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🐟🔁
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ilions-end · 12 days ago
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i've been mulling over the absence of the concept of writing in the homeric epics. it's one of those things that's just fun trying to wrap my head around, especially when these epics are presented to me as text on a page.
the one single potential reference to writing is in the iliad when glaucus mentions "a folded tablet inscribed with many murderous symbols" that made the lycian king know that he should kill bellorophon. i love it as a (possible) attempt to describe a written letter to an audience that is not so much illiterate as pre-literate (?), with no real concept of a common alphabet used to convey meaning. beware this tablet with deadly symbols on it! it reminds me of those early internet infomercials and the challenge of describing a major leap in technology to laypersons ("did you know this gizmo can send an electronic letter to someone's screen on the other side of the world in seconds" type thing)
it's brought to mind in the lot drawing scene too, when the achaeans are deciding who should duel hector. when ajax' lot is picked, the herald doesn't know whose lot it is, because it's not like ajax (or any of the other heroes) have written their names or initials on the stones, because that's not a thing yet! they've drawn personal marks, and ajax' mark is shown to each hero one by one until ajax can see it and claim it as his. (personally i like to think he drew an elongated diamond shape or rectangle to represent his shield :3)
this is also why i roll my eyes whenever someone wants to do a big gotcha on the odyssey by asking "well why didn't odysseus (or menelaus, or someone else) just write penelope a letter at some point". genuinely bold of you to assume that odysseus (or penelope, or any ithacan or argive, or anyone in these stories) knows how to read or write, or even has a concept of a large-scale comprehensible way to convey complex ideas through nonfigurative symbols
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pronouncingitwang · 2 months ago
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adam scott says in the "inside the episode" of 2.07 that it allows the audience to "see the magic of gemma and why she immediately took over [mark's] life and his heart" and dichen lachman describes the ep in the severance podcast as "the audience getting to know [gemma] and everyone seeing what mark had that he lost." well, what about gemma? how much do we really get to know her? what did she lose? why did mark take over her heart?
they had 50 minutes for a Gemma Episode and they spent half of it on dead wife tropes and her smiling at mark with come-hither eyes while not giving us a single new fact* about her or a relationship outside of mark and mark's family. a subversion of the dead wife trope is not just scenes later showing they had an imperfect marriage bc mark (or nobody) is the problem in all of those scenes; you need to disrupt the idea that she was the perfect wife, and i don't think we get that. so much of it is explicitly presented through mark's pov. she doesn't hurt him at any point. she's just there being lovely or victimized as he loves or neglects her. everything we learned about her past gives more depth to his current grief but contributes little to our understanding of her current suffering or motivations. that could change with time, but for a first try, i think it's an abysmally bad showing
* that wasn't in mark's 1.07 monologue, his conversations with devon and alexa, or the the you you are pdf, all of which i think did a better job than this episode
#very okay to reblog obviously#i don't know how to express this in the body of the post but all the 'omg... we finally learned that gemma is a person' posting i'm seeing#rlly rubs me the wrong way both bc we didn't learn a new fact about her this ep and also bc well i already knew she was a person#they talked about her. i saw photos. i imagined her. i saw ms casey be a person. at no point did i think she WASN'T a person#and i think it's just bc ms casey is Strange and Offputting and in the podcast stiller describes lachman's performance as 'otherworldly'#and it feels. a little. racist. that that was the angle and how the audience took it. but that one might just be me#like you're all so impressed over nothing over no effort or skill! ANYWAY#mark may be the main char but so many chars have their own shit going on (ex: s1 irving one of severance's great successes)#why can't gemma. or at least can she have A Personality that isn't mark's wife or lumon's torturee#gemmas important to mark but he also has stuff w petey. w helly. w devon. w wanting to unite the severed floor. w etc. what does gemma have#also ppl saying mark is also her dead wife. how. explain it to me. what do you mean. that he motivates her actions?#the issue w the dead wife trope isn't that she motivates the man's actions it's about the agencyless female char. mark is not agencyless#sick and tired!!!!!! i can't believe the cw's supernatural did a better job than severance on giving depth to their opening fridged woman#severance#severance spoilers
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puppppppppy · 11 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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wackywatchdotcom · 4 days ago
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i will say im not super invested in the idea of the show giving us too much information on c&a. like itll be super cool if we find out about it! and im sure itll be relevant information if we do but i think the information we get is going to be not super indepth, because im not sure itd match the tone of the show? its less about mystery and like The Lore and more about the characters and examining how different characters respond and have been responding to the environment set up by the show
(it WOULD be fun to learn more details about c&a and i AM curious i just dont think itd actually enhance much abt the show itself, and as such, i dont think its super important writing wise for the audience to learn about it either)
that SAID i do ascribe to the idea that ALL of the cast members worked for c&a before the ended up in the circus, no exceptions. i dont really know how say gangle or zooble wouldve ended up there, but i feel like they all ended up there one way or another. and i think most of the cast doesnt talk about their life in the real world bc its gone and theres no reason to dredge it up (or theyve forgotten it or most aspects of it), but it does make it fascinating that not even pomni, who has the least reason to avoid these topics at least early on, broached the subject of what in the WORLD is c&a UP to. it literally is never brought up ever as of ep 4. which makes me think the company was probably always super shady in some way to the pt that its employees were kinda desensitized to the idea that its c&as fault that horrible things happen
#tadc#i do think any discussion or reveal abt c&a is gonna have less to do w lore#and more abt like... the role that exploitative companies have in the harming of their employees#we see a little bit of it in how gangle has been affected by the same concept in ep 4#and i think theres hints of it in caines character but not enough for me to make a super concrete point about that#point being that i think c&a isnt going to be much of a 'literal' figure in the show so much as what it represents#hence why i dont think well actually learn too much about it. bc itd be kinda pointless and redundant#circus discussion#i think the way gooseworx has described abstraction honestly ties into it#its one of the first pieces of like. 'trivia' (i guess it counts as trivia??) i learned that gave me this feeling w c&a#'you get stripped of every bit of individuality you have and become something completely unrecognizable'#really leans into the idea. also makes sense why gangle being back in a job she had in the real world#would be implied to bring her so close to abstracting then really#i think in general the show is very much centered around people reacting to a bad environment and how different people like. Survive That#and c&a as a company epitomizes that. the circus is an extension of it after all#everything that happens in the circus is the responsibility of c&a#they dont need to tell us about c&a the circus does enough#and it serves to add a grounded element to the setting. cus like yeah theres already many elements drawing from real life#but the idea of working for a shitty company that treats its employees horribly is like. thats smth very grounded in reality#theres more i could go into on that front but i was drawing oc concepts so ill stop this post here#OH YEAH#and also i think the lack of discussion from characters generally implies that they know minimal about what role c&a played in this#so i think it also makes sense for the audience to not see this. pomnis confused abt the setting first and foremost and is adjusting#but the rest of the cast has no reason to question something they know they have no answers to#and if they did talk about it it wouldnt give anything to the audience anyway#except maybe kinger? but i feel like he doesnt actually... have the answers that one might assume he would#certainly involved in some way with c&a computer science wise but we dont even have confirmation of what he specialized in#just that it was computer science. he literally couldve just been the guy who made sure the servers were running at all and thats it#i feel like well never know but apparently pomni being an accountant is relevant so? who knows? maybe we WILL learn about their jobs!
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thefirstknife · 1 year ago
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Hi Bel,
I keep seeing comments about people complaining about the quality of destiny’s writing and story in the last few weeks. I haven’t really engaged with destiny since season of defiance, what’s currently gotten everyone so riled up? I thought that people were enjoying Season of the Deep/Witch in terms of narrative, why is Season of the Wish causing people to deride the destiny writing staff again?
I don't know!
Deep and Witch have been absolute bangers in every aspect to me. I've been enjoying all interactions and lore tabs we've received. A lot of them are stuff that we've never had before, a lot of reunions and closures, a lot of development and interactions between characters who you wouldn't really think would have much in common.
Sloane's return and healing from what she's been through has been fantastic, Drifter opening up with her to help her because he also got help from others was fantastic, Sloane reuniting with Aisha and Shayura brought me to tears (Shayura's descent into madness was triggered by immense trauma of Sloane staying on Titan and Titan disappearing), everything with Sloane and Zavala...
Witch was just incredible in every single way; the focus on Eris, the amount of Eris and Ikora content!!!!! Everything about Xivu and Savathun and their interactions together!! Eris finally fulfilling her goal she promised Savathun YEARS ago, getting that closure.
Wish so far has been equally great to me. All the new stuff about Ahamkara is amazing, finally giving us proof for long-standing speculation about Ahamkara and how they aren't universally evil creatures and expanding on them as a species. I love all interactions we've had so far; finally we have Petra back, Mara's singleminded focus on figuring out how to defeat the Witness and her continuous work to improve as a person, ALL SJUR MENTIONS!!!!! I won't talk about the "leak" because we have no context for it so I will wait for the full story to be revealed before I can pass judgment; something that I think should be a lesson to learn from this entire year. Maybe wait for the story to finish before judging the story.
Literally everything this past year that involves Osiris, but especially this season now that he's back in his element with the Vex. And of course every little detail we get of him and Saint. Osiris honestly shaped this year for me with everything that he's done to uncover the biggest mysteries. I think a big reason is that a lot of people just don't like Osiris, which I consider a massive skill issue.
Other than that, I don't know what are the issues people have besides just not being interested in any of these storylines and attributing it to a nebulous "bad writing" claim. I also genuinely believe that way too many people get wrapped up too much in fandom, imagine storylines they want to see and then get disappointed when the actual story doesn't go there. Almost like people forget that this isn't their story and these aren't their characters. A lot of it is also fandom completely warping characters into not what they actually are and then feeling like the canon story is the one that's wrong.
Whatever is the reason, I guess everyone is entitled to their perspective of the story and everyone is free to explore the story in different ways through fanfics and AUs and whatever. I do that too!
But I would definitely ask people to be normal with how they engage in criticism, especially in the current state of affairs. Writers are developers; they experience a ton of harassment and negativity from the community and also from inside the company. And they are online: they can see what we're saying. It's been documented that community commentary has been used to harass writers:
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Imprint this into your brain and never forget what these people had to go through. Let's not forget also the way people treated Seth Dickinson on social media when he was active with Destiny fans. "Fans" were actively arguing with him about his own work (telling him that HE is wrong) and were utterly disgusting towards him when he tried explaining what he wrote. His works are now hailed as the best writing in Destiny and people want him back. If I were him, I wouldn't want to come back ngl, not with how he was treated and not with how fans are still treating writers (and hey, Seth wrote LF Collector's Edition! So he was back, technically, this year!). Let's not forget that a lot of writers are members of various marginalised groups. And I'd definitely not want to go back with zero support from leadership.
Which is also an important aspect for all developers, including writers: sometimes they have orders they may not like, but can't argue against. They do the best they can with what they're given, the time they have and directions they receive. And with that in mind, I am enjoying everything we've gotten this year, obviously with some specific complaints about things I didn't particularly enjoy (like the universally mid reception of Defiance; I've spoken about my gripes with it before, a big one being the shafting of Suraya who should've at least been mentioned in a lore tab).
I can tell that there is passion in their work, even if maybe they would prefer to do more with it, but can't. Maybe even if they want to take different routes, but can't. But from what we got, I can feel that they care about this world and these characters. I can tell that someone lovingly wrote about Sloane and her friendships with two grieving women. I can tell that they deeply cared about Sloane's friendship with Zavala and that they loved showing us Saint and Drifter caring about a fellow trauma survivor.
I can tell that the writers are immensely careful and loving towards Eris; everything she went through was crafted with love and passion from both writers and her VA. Eris' story is such a fundamental aspect of Destiny and I can tell that this was important to the writing team and that they gave her everything they could to do justice to her character and her arc and her healing and her release from the cycle she was trapped in for so long.
I can tell that there are writers who care a lot about Osiris and Saint and their relationship. I can tell that someone cared a lot about expanding on Ahamkara and giving them more personalities. I can tell that someone cared DEEPLY about Sjur and Mara and that her repeated mentions are the passionate work of writers who want us to remember her.
I could go on. And I know that not everyone sees it this way, which is fine; we all have different ways of perceiving stories. I enjoy discussing things we in the fandom disagree on and I enjoy hearing different perspectives! Unfortunately, this has recently become rarer and rarer. And for the love of god, please try and treat writers with some respect, especially now, especially those who are still working and doing their best with the shitty situation they're in. None of the cries of "poor devs" ring true to me unless the same is given to writers, instead of treating them like punching bags.
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iniziare · 6 months ago
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Fandom: Seele is a lesbian. Her interactions with Bronya prove it, she picks on her all the time, and then also sticks around longer than she has to, yadda yadda... Me: Have you seen her fuss over Luka in his SQ? I'd suggest taking a look at it. You guys ship M/M ships for barely even being in the same trailer.
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telekitnetic-art · 1 year ago
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cohost has been a strong alternative to get away from ai scraping. they have no ads, no scraping, and a very similar layout to tumblr (with reblogging, tagging, replying, asks, etc).
so far its felt very much like being on tumblr without the toxicity. the biggest loss is that they dont have statistics- but its nice. it makes it feel cozier, and like the people interacting with your content matter more. ive really been enjoying it.
its worth a shot, anyway!
Thanks for the advice, I’ll do some more digging to see if cohost could be an alternative
I’ve seen other people talk about going to Bluesky and tbh while jumping ship feels like a pretty good plan, I’ve been on Tumblr actively for a little over a year now and I don’t think I really have the energy to try and rebuild on a different platform right now. I’ve already gone through a lot of my art and Nightshaded it, so I’ll definitely keep doing that.
Overall, I’m not really sure what my plan is, even after sleeping on it. I’m still really miserable and frustrated after hearing about this bs. What I might do is keep posting art, but heavily nightshade it and maybe glaze it too for good measure. I’ll probably also stop posting WIPs/previews as frequently. Not really sure. Again, all of this is really frustrating and I can’t think of what the future holds for me in terms of sharing my work without feeling miserable.
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h0neyfreak · 8 months ago
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I wrote a paper in college for a children’s fantasy class on how PJO handles disability (specifically ADHD and dyslexia) better than almost any other book for kids that tries to be “about” disability. And rereading it now as more of an adult (I think I was 18 when I took that class) I was worried I’d spend the whole time cringing at my past self but like….I was correct and I’m glad I said it. “Your brain is wired differently and just because it’s a benefit in certain situations (fighting monsters or reading Ancient Greek) doesn’t mean it sucks any less the rest of the time. Especially in a world that doesn’t acknowledge the existence of monsters or write anything in Ancient Greek” is a based take on intellectual disabilities that genuinely meant a lot to me as a kid with (undiagnosed) ADHD.
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crescentfool · 2 years ago
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read the splatoon manga... i just think vintage is neat 💙❤️
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fantasticalleigh · 2 years ago
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seeing so many videos on YT lately that are like “I read this dark romance book and i’m calling the police” or some condescending put-down derivative
babe if it’s not for you then put it down and find something new to read nobody wants an hour-long video of you yucking someone’s yum
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puppppppppy · 1 year ago
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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shinakazami1 · 1 year ago
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Quick study break rmable
I think it's silly how we loge as a species making everything more humane. But due to that, I try not to make my Stanleys or Narrators actual humans. I try to think how it is not to know typical experience like breathing. That humans are aliens to them.
It's not exactly easy to write your own experience into something. But I love trying to do research in things I could not do. Just to try and imagine an AI trained not on humans - but on something else.
It's human nature to see humans in everything. So why not go against it?
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lebada · 3 months ago
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signing me up for debate classes is genuinely one of the best things my parents have ever done to set me up for the future its genuinely crazy how many different situations r so much easier to tackle bc of my debate experience
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westwiiind · 1 year ago
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i feel like ppl who don’t like the hidden world because all the dragons left have never experienced grief ever
#iduna.txt#like my brother in christ do u know how emotional and cathartic and healing it is to watch this movie#have u ever experienced loss of ANY kind in ur ENTIRE life??????#do u know how important it is to have stories esp for younger audiences where the lesson is about#learning to live after losing what u thought u couldn’t live without????#the point was that hiccup had to learn how to be his own person outside being the Dragon Guy and toothless needed to be free#well not that he had to learn to be his own person per se. more that he needed to learn that he had value just bc of who HE is not bc of his#dragon accomplishments and association with toothless and everything#and guess what!!!!! loss happens in life babey!!!!!#i know this is insignificant compared to like Real Person Loss but do u know it felt watching thw after my cat died????????#fuck anyone who’s too shallow to understand why hiccup and toothless had to be separated the way they were#it’s important to have a happy ending that addresses the cold hard reality of loss/grief#and shows how u can still have a happily ever after DESPITE experiencing a life altering heart shattering loss#sigh. i have such strong feeling abt this#i love thw and i specifically love its ending even though it makes me so sad#‘why did they have to be separated:(‘ THATS LIFE BABY! ITS SAD AND UNFAIR!!! BUT U CAN STILL FIND LOVE AND HOPE AND PEACE IN THE END!!!!!#LOSING WHAT WAS MOST IMPORTANT TO U DOESNT HAVE TO END UR LIFE AND SNUFF OUT UR FUTURE!!!!#TO BE HUMAN IS TO ENDURE AND BEGIN ANEW!!!!!!!!#ok. i’m done now#httyd thw#httyd the hidden world#the hidden world
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