#points for the audience for learning
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i love that there is an adorable little bird that kills things in such a grotesque way that we just can't stop naming fantasy things after them.
for context, shrikes look like this, and they're also called butcherbirds! :)
they hunt prey such as insects and mice, and they kill them by impaling them on the sharp spines of plants.
#yes i started typing this before marisha brought it up#posting it anyways enjoy some Additional Information#points for the audience for learning#critical role#critical role liveblog#comic aurora#shrike comic aurora#agents of s.h.i.e.l.d.#agents of shield
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🐟🔁
#my art#bungou stray dogs#bsd sigma#bsd dazai#gang. chat. audience. I miss mersault so bad.#anyays I played a lot with this one :) played w colors and coloring style a bit#and also learned fucking blockbench. for my silly joke.#100% worth highly recommend very intuitive program. and free !#also davinci resolve. much less intuitive but at least still free.#I'll probably post just the coelacanth render at some point uhh soon. maybe tomorrow. we'll see
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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Hi Bel,
I keep seeing comments about people complaining about the quality of destiny’s writing and story in the last few weeks. I haven’t really engaged with destiny since season of defiance, what’s currently gotten everyone so riled up? I thought that people were enjoying Season of the Deep/Witch in terms of narrative, why is Season of the Wish causing people to deride the destiny writing staff again?
I don't know!
Deep and Witch have been absolute bangers in every aspect to me. I've been enjoying all interactions and lore tabs we've received. A lot of them are stuff that we've never had before, a lot of reunions and closures, a lot of development and interactions between characters who you wouldn't really think would have much in common.
Sloane's return and healing from what she's been through has been fantastic, Drifter opening up with her to help her because he also got help from others was fantastic, Sloane reuniting with Aisha and Shayura brought me to tears (Shayura's descent into madness was triggered by immense trauma of Sloane staying on Titan and Titan disappearing), everything with Sloane and Zavala...
Witch was just incredible in every single way; the focus on Eris, the amount of Eris and Ikora content!!!!! Everything about Xivu and Savathun and their interactions together!! Eris finally fulfilling her goal she promised Savathun YEARS ago, getting that closure.
Wish so far has been equally great to me. All the new stuff about Ahamkara is amazing, finally giving us proof for long-standing speculation about Ahamkara and how they aren't universally evil creatures and expanding on them as a species. I love all interactions we've had so far; finally we have Petra back, Mara's singleminded focus on figuring out how to defeat the Witness and her continuous work to improve as a person, ALL SJUR MENTIONS!!!!! I won't talk about the "leak" because we have no context for it so I will wait for the full story to be revealed before I can pass judgment; something that I think should be a lesson to learn from this entire year. Maybe wait for the story to finish before judging the story.
Literally everything this past year that involves Osiris, but especially this season now that he's back in his element with the Vex. And of course every little detail we get of him and Saint. Osiris honestly shaped this year for me with everything that he's done to uncover the biggest mysteries. I think a big reason is that a lot of people just don't like Osiris, which I consider a massive skill issue.
Other than that, I don't know what are the issues people have besides just not being interested in any of these storylines and attributing it to a nebulous "bad writing" claim. I also genuinely believe that way too many people get wrapped up too much in fandom, imagine storylines they want to see and then get disappointed when the actual story doesn't go there. Almost like people forget that this isn't their story and these aren't their characters. A lot of it is also fandom completely warping characters into not what they actually are and then feeling like the canon story is the one that's wrong.
Whatever is the reason, I guess everyone is entitled to their perspective of the story and everyone is free to explore the story in different ways through fanfics and AUs and whatever. I do that too!
But I would definitely ask people to be normal with how they engage in criticism, especially in the current state of affairs. Writers are developers; they experience a ton of harassment and negativity from the community and also from inside the company. And they are online: they can see what we're saying. It's been documented that community commentary has been used to harass writers:
Imprint this into your brain and never forget what these people had to go through. Let's not forget also the way people treated Seth Dickinson on social media when he was active with Destiny fans. "Fans" were actively arguing with him about his own work (telling him that HE is wrong) and were utterly disgusting towards him when he tried explaining what he wrote. His works are now hailed as the best writing in Destiny and people want him back. If I were him, I wouldn't want to come back ngl, not with how he was treated and not with how fans are still treating writers (and hey, Seth wrote LF Collector's Edition! So he was back, technically, this year!). Let's not forget that a lot of writers are members of various marginalised groups. And I'd definitely not want to go back with zero support from leadership.
Which is also an important aspect for all developers, including writers: sometimes they have orders they may not like, but can't argue against. They do the best they can with what they're given, the time they have and directions they receive. And with that in mind, I am enjoying everything we've gotten this year, obviously with some specific complaints about things I didn't particularly enjoy (like the universally mid reception of Defiance; I've spoken about my gripes with it before, a big one being the shafting of Suraya who should've at least been mentioned in a lore tab).
I can tell that there is passion in their work, even if maybe they would prefer to do more with it, but can't. Maybe even if they want to take different routes, but can't. But from what we got, I can feel that they care about this world and these characters. I can tell that someone lovingly wrote about Sloane and her friendships with two grieving women. I can tell that they deeply cared about Sloane's friendship with Zavala and that they loved showing us Saint and Drifter caring about a fellow trauma survivor.
I can tell that the writers are immensely careful and loving towards Eris; everything she went through was crafted with love and passion from both writers and her VA. Eris' story is such a fundamental aspect of Destiny and I can tell that this was important to the writing team and that they gave her everything they could to do justice to her character and her arc and her healing and her release from the cycle she was trapped in for so long.
I can tell that there are writers who care a lot about Osiris and Saint and their relationship. I can tell that someone cared a lot about expanding on Ahamkara and giving them more personalities. I can tell that someone cared DEEPLY about Sjur and Mara and that her repeated mentions are the passionate work of writers who want us to remember her.
I could go on. And I know that not everyone sees it this way, which is fine; we all have different ways of perceiving stories. I enjoy discussing things we in the fandom disagree on and I enjoy hearing different perspectives! Unfortunately, this has recently become rarer and rarer. And for the love of god, please try and treat writers with some respect, especially now, especially those who are still working and doing their best with the shitty situation they're in. None of the cries of "poor devs" ring true to me unless the same is given to writers, instead of treating them like punching bags.
#destiny 2#long post#for the record: yeah i also have some gripes with some writing decisions. it's normal#but i feel like those are things that i can learn to accept or let go or even have my mind changed with a different perspective#or by just accepting that the writing team was limited in some way and that this was the best they could do#it happens to every story at some point#and yeah capitalism is the death of art. destiny's story would be better from start to finish if it weren't a shooter mmo#but that ship has sailed a long time ago. like. in 2014.#it's honestly a miracle that we got even a fraction of the stuff we got considering the target audience of fps mmos#and it's fine if this just isn't good enough to some. happens#but i think we can move on without being shitty about devs yeah?#in all likelihood writers may even agree that some of the stuff they had to write isn't the best or isn't what they wanted#calling them bad writers over circumstances we don't understand is just shitty#just like it's shitty to do it to any other dev over bugs in the game or badly implemented features or whatever#none of these people are sitting at their desks maliciously laughing while deliberately creating 'bad' things#and this is especially bothering me for writers because of how atrocious people are to artists of all kinds#almost like writers had to strike this year to be respected and treated as people that matter
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Fandom: Seele is a lesbian. Her interactions with Bronya prove it, she picks on her all the time, and then also sticks around longer than she has to, yadda yadda... Me: Have you seen her fuss over Luka in his SQ? I'd suggest taking a look at it. You guys ship M/M ships for barely even being in the same trailer.
#[ i'm so just-- /strangling motions. ]#[ and don't hit me with 'but lgbt'. if it was for representation purposes-- we'd see a /whole slew/ of other ships. ]#[ and i could point out what it actually is-- but i'm not /quite/ that salty yet. i mean i am but it's not that kinda salt. ]#[ can we just acknowledge good dynamics and good ships. like you know... if we praise het ships if they're good... ]#[ then maybe we could motivate companies to write /better/ or in general even just good same-sex ships. ]#[ instead of giving them false praise. ]#[ but ultimately-- companies won't do better if the audience doesn't do better. /do better/. for sanity's sake. ]#[ salt. ] should i be quieter next time? / no. no… it's fine. children don't learn unless you shout at them.#[ out of character. ] don't bend or water it down. don't try to make it logical. rather: follow your most intense obsessions mercilessly.
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2024 reads / storygraph
The Summer Love Strategy
YA conteporary romcom
after another unrequited crush, a girl and her best friend come up with a plan to each get a girlfriend over summer, by doing all the tropey summer activities like hanging out at the beach, and going to pride, and concerts
but when their plan starts to work she realises she might have feelings for her friend….
lesbian MC, demi-aroace autistic trans girl LI, other queer & neurodivergent characters
#The Summer Love Strategy#ray stoeve#aroaessidhe 2024 reads#this is a light cute romcom. I don’t have strong feelings about it but I think I’m just. not the audience for cute YA romcoms much lol#they're around 15 which I think is nice! and of course so good to have aspec; trans girls; lesbians in slightly-younger YA (or at all)#the MC is def a bit cringe-baby-queer (which is okay of course)#while I’ve definitely come across worse offenders; it does feel like the first piece of info we learn about every single character is their#race.....which becomes noticable after a point?#“i love you as a friend. and i love you romantically” cute.#also wait the lesbian coloured cover is cute
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cohost has been a strong alternative to get away from ai scraping. they have no ads, no scraping, and a very similar layout to tumblr (with reblogging, tagging, replying, asks, etc).
so far its felt very much like being on tumblr without the toxicity. the biggest loss is that they dont have statistics- but its nice. it makes it feel cozier, and like the people interacting with your content matter more. ive really been enjoying it.
its worth a shot, anyway!
Thanks for the advice, I’ll do some more digging to see if cohost could be an alternative
I’ve seen other people talk about going to Bluesky and tbh while jumping ship feels like a pretty good plan, I’ve been on Tumblr actively for a little over a year now and I don’t think I really have the energy to try and rebuild on a different platform right now. I’ve already gone through a lot of my art and Nightshaded it, so I’ll definitely keep doing that.
Overall, I’m not really sure what my plan is, even after sleeping on it. I’m still really miserable and frustrated after hearing about this bs. What I might do is keep posting art, but heavily nightshade it and maybe glaze it too for good measure. I’ll probably also stop posting WIPs/previews as frequently. Not really sure. Again, all of this is really frustrating and I can’t think of what the future holds for me in terms of sharing my work without feeling miserable.
#like… I left twitter as an art sharing platform to escape musk’s bullshit updates#and finally got to a point on Tumblr where I feel like I have a stable platform and solid audience and good algorithm#and then this happens. talk about demotivating.#I can’t even begin to describe how much my art- especially my formline art- means to me.#learning that it could get churned into the horrid cesspool mishmash of AI generation software *hurts*.#overall I just feel frustrated and tired.#ask box
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I wrote a paper in college for a children’s fantasy class on how PJO handles disability (specifically ADHD and dyslexia) better than almost any other book for kids that tries to be “about” disability. And rereading it now as more of an adult (I think I was 18 when I took that class) I was worried I’d spend the whole time cringing at my past self but like….I was correct and I’m glad I said it. “Your brain is wired differently and just because it’s a benefit in certain situations (fighting monsters or reading Ancient Greek) doesn’t mean it sucks any less the rest of the time. Especially in a world that doesn’t acknowledge the existence of monsters or write anything in Ancient Greek” is a based take on intellectual disabilities that genuinely meant a lot to me as a kid with (undiagnosed) ADHD.
#this is not to absolve ol Rick of criticism for some of the other not great choices made in the book#but like this point specifically is really neat and I think YA authors can and should learn a lot from it#when it comes to making fantasy allegories for the very real issues of their audience#it wasn’t comforting to 8 year old me because ‘oh I’m actually a superhero and these issues are just because no one appreciates me’#it was comforting because it meant I could be an annoying fuckup all day at school#and still be worthy of love and do impressive things and have fun etc etc#and ALSO get cool water powers#percy jackson#percy jackon and the olympians#pjo series#void screams
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read the splatoon manga... i just think vintage is neat 💙❤️
#splatoon#coroika#vintage coroika#vintage#lizzy does art#SO I READ THE SPLATOON MANGA COS IT WAS AVAILABLE AT MY LIBRARY...#and i had like the lowest expectations for it bc i know im not the target audience#but coroika is full of all sorts of sillies and fun and i think that's what made it so enjoyable for me...#really ended up latching onto vintage... his arc was a ton of fun i liked his vague backstory with skull when they used 2 be team purple#but also coroika has soo many lovely charas i would love to draw the others at some point i got really attached to them ^.^#thank you vintage for giving me more of an excuse to draw and practice splatoon. i have a whole page in my sketchbook dedicated to the-#ballpoint splatling and learning how to draw it. he has great taste in weapons. ballpoint in my top 3 personal fave weapons. love him.#drawing this was very much a breath of fresh air for me ^^ splatoon teaches me many things and that makes me happy!!
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seeing so many videos on YT lately that are like “I read this dark romance book and i’m calling the police” or some condescending put-down derivative
babe if it’s not for you then put it down and find something new to read nobody wants an hour-long video of you yucking someone’s yum
#tired of people acting holier than thou bc something goes against the norm#leigh speaks#if it's bad then who gives a shit honestly#have we learned nothing#there will always be an audience for something#'if it doesn't have a happy ending then i don't want it'#eat! my! ass!#this sounds super aggro sorry but this is like the third video like this i've inexplicably had recommended to me this week#if you don't like dark romance then fine i hope someone picks you at last be on your merry way#but just bc it squicks you out doesn't mean it isn't valid to someone else#listen i hated 50 shades as much as anyone else back in the day and then at one point i realized#this is a lot of people's favorite book and i don't have to agree with them but it also isn't fair to make them feel shitty over it#so i ignored it and moved on and stopped dogpiling onto it bc i wasn't the audience for it and! that's! ok!#not to say that it wasn't problematic bc it was but that's veering from the topic#most if not all dark romance is problematic anyway but! it's FICTION and people forget that#like come on feysand started out preetttttyyyy problematic in acotar and bc of its origins i do consider it partly a dark romance#look at me writing an essay here when i should be working on other stuff ok i'm done
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Quick study break rmable
I think it's silly how we loge as a species making everything more humane. But due to that, I try not to make my Stanleys or Narrators actual humans. I try to think how it is not to know typical experience like breathing. That humans are aliens to them.
It's not exactly easy to write your own experience into something. But I love trying to do research in things I could not do. Just to try and imagine an AI trained not on humans - but on something else.
It's human nature to see humans in everything. So why not go against it?
#My ramblings#Tsp#The Stanley Parable#It's not to say I'd go for animals as a reference point though there's been plenty of good animalistic narrator designs.#But like... Let them not want to learn about humans?#They know it's some sort of audience. They have some traits of humans. But they're not.#Like to define what we think as humanity and try to strip it away or add sth feels so cool#And it's hard! Really fucking hard!#Like how do you get into a brain of something that might not even have it???#Yeah Ramble over sjshsh
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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i feel like ppl who don’t like the hidden world because all the dragons left have never experienced grief ever
#iduna.txt#like my brother in christ do u know how emotional and cathartic and healing it is to watch this movie#have u ever experienced loss of ANY kind in ur ENTIRE life??????#do u know how important it is to have stories esp for younger audiences where the lesson is about#learning to live after losing what u thought u couldn’t live without????#the point was that hiccup had to learn how to be his own person outside being the Dragon Guy and toothless needed to be free#well not that he had to learn to be his own person per se. more that he needed to learn that he had value just bc of who HE is not bc of his#dragon accomplishments and association with toothless and everything#and guess what!!!!! loss happens in life babey!!!!!#i know this is insignificant compared to like Real Person Loss but do u know it felt watching thw after my cat died????????#fuck anyone who’s too shallow to understand why hiccup and toothless had to be separated the way they were#it’s important to have a happy ending that addresses the cold hard reality of loss/grief#and shows how u can still have a happily ever after DESPITE experiencing a life altering heart shattering loss#sigh. i have such strong feeling abt this#i love thw and i specifically love its ending even though it makes me so sad#‘why did they have to be separated:(‘ THATS LIFE BABY! ITS SAD AND UNFAIR!!! BUT U CAN STILL FIND LOVE AND HOPE AND PEACE IN THE END!!!!!#LOSING WHAT WAS MOST IMPORTANT TO U DOESNT HAVE TO END UR LIFE AND SNUFF OUT UR FUTURE!!!!#TO BE HUMAN IS TO ENDURE AND BEGIN ANEW!!!!!!!!#ok. i’m done now#httyd thw#httyd the hidden world#the hidden world
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Now that it's been a while since the song has been out, can I complain about the meaning of the song "Better off Worse" without people suggesting that I'm like, "defending people who cling onto bad feelings and dark songs without wanting to move on/letting the creator move on" or whatever?
#The song is unfortunately a bop#The meaning? Very parasocial on the ''Content creator's'' part.#Maybe I'll explain it better in a reblog but: The song's portraying a content creator who keeps hurting themselves for their audience#And using personal experiences in their medium without realizing that. Yeah you're using your experiences as CONTENT. People are gonna be--#--drawn to that kind of content and want more without realizing that they are in fact. Vent pieces.#And ofc the audience is at fault because the singer/song writer thinks that they can't just move on to different songs#Or even just writing about darker themes without having to put yourself in that mindset like you can write horror without having experience#This is very much reads to me as an inexperienced content creator being resentful at their audience for something that is very much in the-#--control of the creator. You can stop creating vent pieces. It's okay if you change your genre. You will find a new audience.#This is literally how it works#An audience is not your friend they do not know you or your woes#They simply like your content#and there is something to be said about content consumption culture but#the song called “The Real Disappearance of Hatsune Miku” explains that better than I ever could#But that's not the point.#The point is that this song is SO parasocial on the behalf of the creator wanting like#their audience to be their friend and care about their feelings on more than a superficial level#Anyway Everyone please learnt hat content creators are not your friends#and CCs learn that your audience are also not your friends
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just remembered shzai hand talk and exploded 5 buildings w my mind Please everyone die now
#for example… look... your hands are completely different from mine. yours are spindly and elegant... while mine… they’re round… like a#manju you know? please… don’t say things like that. i like your hands just the way they are airi chan#because they’re so kind and gentle. you use them to pull everyone in the right direction and i’m sure minori-chan felt the same way today.#even when i was feeling so awful airi chan you were there to give me not just that fluffy towel but also the courage to stand back up.#that’s why i like your hands so much . they’re so kind gentle and soft. so please don’t forget the fact that your hands have given others#quite a bit of courage. shizuku… i really wasn’t expecting you to say anything like that… i’m saying this because i’ve been looking up to#up to you since we were still training. during dance lessons the trainer had to keep pointing out all the mistakes i was making… while you#while you always seemed to be able to learn a dance right away. it became clear to me that you practiced more than anybody else and i#thought that was really cool… you thought i was cool…? yes and there’s more. whenever we worked together you were always very kind to the#staff and kept a close eye on the audience. i greatly admire your incredible work ethic airi-chan. so it doesn’t matter if its about just#your hands . i won’t tolerate any put-downs of you even from you yourself! because… i’ve always been your fan. thanks… i always appreciate#your kind words.#hehe
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being a busy ass student with student journalism gigs on one hand and comm academic shit on the other is very interesting because with the jam-packed life I live I only really get to breathe at like late lAAATE night when no one can bother me about my responsibilities other than myself. that being said that's also when creative brain goes into overdrive and now misfits finally has the final draft of its opening number woo
#so heres the thing kasi the opening number of that damn project hAS BEEN THE HARDEST TO WRITE#i believe at this point there had been morethan 10 drafts gjdjd because like heres the thing with that number specifically#misfits is a fourth wall breaky show within a show and the 5 narrators (and 1 misfit which i'll get to in a bit) knowingly perform#to appease the audience. hence the opening number throughout the years has reflected that - a performance that breaks the barrier between#audience and stage. even when misfits wasnt a show withjn a show concept this had always been the general treatment so that the audience#actually GETS whats happening - but i always come to changing it because well i also wanted to add foreshadowing factors: somehing that#suggests that the show isn't actually all that it seems. previous drafts had this show through the typical Tagalog - Real#and English - Scripted element in the show - language being used to determine authenticity. however that begs the question of how to#properly utilize the Misfits in the opening number - given that two of them dont know about the Show while the other is confused#and then at 2 am i remembered Hermes from Hadestown and boop a lightning bulb#instead of opting for opening numbers that had hints of sabotage or theatrical malfunctions that suggests that the show is Not What It Seems#i thought - why not have it 'malfunction' at the start and have it introduce the wrong character first 5 minutes before the Narrators come#so basically after the Producers (represented through um P.A. voices smth like that) welcome everyone - what is supposed to be the#introduction of the Narrators first ends up as the introduction of the 3rd Misfit (Zeke - 18 - nb) who appears genuinely lost#they appear genuinely in distress though they keep themselves composed at the realization that they are facing an Audience#and they Know this because he was formerly a Narrator as well - though at this point in the story nobody (bar one) knows that#they decide to take their time in chatting with the audience while charming them using their old Narrator tactics in order to get a grip on#whats going on - being a first step towards how involved the audience will be in the story as Zeke then goes to question them outwardly on#the morals of the story they expect and whether it is ethical to have children forcibly conform to religion in the first place#but they do so in an entertaining Bo Burnham manner - a way that doesnt catch people off guard until They Want To - because ayun he#plays by the rules of the show#this doesnt seem like the 'opening number' yet does it but im getting there fjd because once they sense that the narrators will be on stage#as a memento they teach them to sing a melody that will serve as Zeke's motif - something that will eventually scare the lead Narrator and#the Producers - because whenever the motif is sung it means that someone has Broken a Significant Part of the show#especially since the Motif was um lets say its from a now defunct show the Producers and Zeke and the Lead Narrator used to have#that melody will then be subtly present throughout the entire opening number of the Narrators - which will then be played straight#but with the Misfits make their pre-official-introduction appearances by forming the bridge of the opener using the Motif#thats when we learn of the show being compromised from the very start - especially with the lyrics of the motif expressing doubt in faith#personal shit (ran out of tags whoops but um yea basically its Have The Audience Have A Hint to Whats Going On Through Recognizable Motifs)#(also the motif the audience learns is a melody - Zeke (and the lead narrator) changes the lyrics as they go) (also sorry for the ramble)
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