#podcast story

[para-imperium]

Podcast update: Horizon: Rebuilt Ch. 10

https://youtu.be/YhT1djsJDAQ?si=kVBFayPsHXp442U2

https://anchor.fm/para-imperial-tales/episodes/Horizon-Rebuilt-Ch--10-e2dsto4

[aussyartz]

The Archifish

it took me entirely too long to do all those eyes enjoy !!

[potato-lord-but-not]

FAROEVERSE DOODLES I can only think about her for 5 minutes at a time before I become unwell and need to lie down

(also in this au Arthur dies during the book incident instead of Parker (who probably wasn’t present), she’d been going thru his office trying to find a way to be helpful bc her father never tells her things and keeps his job from her and she found some things she probably shouldn’t have, Arthur caught her a bit too late)

((AND Jane is literally the exact same as John except her gender got transed in the opposite direction))

[increasinglyverbose]

In which Serina tells a very embarrassing story

Listen to our full episode to hear more of our antics:

[archiveoftragedies]

And I wasn’t going to die this angry.

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[thetomorrowshow]

hello malevolent podcast fandom. i have listened to the first 6 episodes.

[nectardraws]

normal morning for Gertrude

sometimes you have to do some dangerous sleuthing to find out and stop a Fear ritual, other times you literally see a Lukas ad in the paper and all you need to do is make a quick phone call

[fiuworks]

one of my favourite things about tma is that Annabelle is described as ‘looking like a film student’ and as someone who went to a dedicated film college it gets a laugh out of me because she could look anywhere from crawled out of the incinerator from Toy Story or look like something that would result from dropping a Japanese fashion subculture in joker acid

[chadfallout76podcast]

FALLOUT 4:

"DEATH SHROUD" SERIES UPDATE!

Check out the AMAZING artwork tumblr artist @rad-roche did for our second installment in the Death Shroud! series. This story is titled, "The Cat's Paw", and will see an even BIGGER cast of voice actors returning to reprise their roles this May to benefit Wes Johnson's VoiceAPalooza charity drive for the Alzheimer's Association.

Please note that the voice cast list may change as more people confirm, so this is likely NOT the final art.

[para-imperium]

Podcast update: Horizon Rebuilt, ch. 5

[physical-manifestation-of-spite]

We all love Arthur playing the piano. But I think a lot of people forget why Arthur stopped playing in the first place and why it's so important that he won't easily return to it with the same fondness.

Music was Arthur's passion. It was what he invested in to get past his parents' death, and it was a healthy coping mechanism that blossomed into a well-earned career. He loved it. And his daughter died because of it. He was so absorbed in his passion (and himself) that he forgot about his own daughter and she drowned to death. It's a horrifying, distressing way for a toddler to go. And it was absolutely Arthur's fault.

So his love of music and piano specifically has been tainted by the grief and guilt of his daughter's death. When John asks if Arthur misses playing the piano, he says, "No," without hesitation.

How odd that something you've divulged your career into is not something you miss. But then when you learn how Faroe died and how Arthur ignored her--or "dismissed" her, according to him--it all makes sense. So when I read these snippets/fanfic stories where Arthur plays the piano eagerly, it gives me pause because I know something is missing.

The piano is tied to his daughter's death. That will never go away. In the same way that the music he has written will never leave him, even when he loses all memory, including his own name. The piano is tied to his grief of Faroe. It is tied to his grief of his parents. And his grief is so interwoven with Arthur that he can never escape it. He can only continue on with it as a constant tune in the back of his head, something we hear nearly every episode of Malevolent. Arthur isn't fond of the piano anymore. But the tune he wrote for his daughter, who died because of it, plays in his head every day.

[rainia]

why would I obsess over a goddamn dnd podcast that goes on perpetual hiatus with no sign of return dudeeee I should never have trusted those white boys

[acertifiedmoron]

the magnus archives is a romcom—no what the hell it's not. it is, however, a gothic horror romance between jon and elias. because you see, the thing about jonelias is that their canonical dynamic is built around an absurd number of gothic genre tropes. jon sims obviously fits the mold of the tortured gothic protagonist quite nicely who's facing both external (the other avatars targeting him) and internal horrors (his progress as the Archivist weighing on his conscience). but he's also trapped in the gothic manor which is the magnus institute. there are secrets (the place being a temple to the eye), locked doors, forbidden chambers, and bodies in the attic which serve as evidence of past misdeeds (the panopticon; gertrude and jonah's bodies in the tunnels), the institute/archives is ultimately destroyed by fire - purging the gothic manor i.e. the symbolic destruction of the previous order with fire is a common motif in the genre. and jon's work in the archives is haunted by the figurative ghost of gertrude who remains a curious mystery he must unravel and will serve as a constant reminder to jon of his own inadequacies (just like du maurier's rebecca fr)

elias is then —

1) his personal bluebeard figure who murdered his predecessor, a comparison which only gets stronger with the jonah magnus reveal since he's been cycling through archivists for two hundred years, all having met gruesome ends in service to him and jon being his final and most notable choice. are you seeing the maxim de winter rochester imagery. are you.

2) his gothic double. doubles as a literary trope are your hidden self made manifest, the horror lies in the double (elias) revealing the gothic protagonist's (jon) hidden, true self to them. elias as an avatar of the eye is entirely unrepentant for his nature, he revels in it. which is a mirror to jon's own self-flagellation because despite how much he feels torn about his own metaphorical vampirism, he likes it. he admits as much to gerry as early as s3 when asked about his feelings on his ability to compel truths. and why wouldn't he! after being kept in the dark so long, why wouldn't he like it? and jon and jonah had in common their natural curiosity even before they found the beholding. elias is a mirror and jon looks in it and sees someone who is him, but not quite. someone who is what jon would be if he could simply let go, but jon can't. like most gothic protagonists he will kill his double because it is a reminder of a self-truth he can never escape.

and watcher's call. like what even is that. what do you mean that's a thing. what. literally wuthering heights. "why did you heed the call?" // "because this is the place i know i should be" <- normal dialogue to write for two guys definitely not starring in a gothic romance.

^ same genre of images. so the spider, the mother of puppets, the web which is the symbolic representation of narrative thread in the magnus archives universe WEAVED them together? red string fated, that's what they are? so they're soulmates. that's what you're saying. they're literally soulmates. soulmates as existential horror? just enough of an illusion of narrative agency for jonah/elias to claim, "the Chosen One is simply that – someone I chose" but paradoxically joined by fate, which isn't a good thing! because no god-like powers of hope, or love, or indigestion, or whatever, only fear. because even though both help the other achieve narrative self-actualisation (elias making jon the archive and jon making elias the king of a ruined world), their union also irrevocably destroys their lives as they hurt each other in deeply personal ways which signify their greatest fears. elias manipulating jon, whose biggest fear is mr spider, i.e. loss of control and jon repaying by being the very thing that kills jonah, who has spent multiple lifetimes trying to escape the end. and that's romance <3

[sluttypatrickstar]

multiple things can be true at once

1) the allegations against neil gaiman seem very likely to be true, because i cannot fucking imagine that having sex with an employee relying on you and your money to avoid homelessness (and starting within a few HOURS of meeting her) could ever be a situation with unproblematic consent

2) the podcast seems to be very exploitative – first, the use of ads/sponsorships; second, the sensationalism of the story and using dramatic music and editing; and third, its general anti-BDSM narrative and it is deeply fucked up to use victims’ stories to put forward your own narrative or agenda

3) this being reported by rachel johnson just has terrible vibes, i am absolutely with everybody on this, i don’t believe she has the victims’ best interests at heart and i am suspicious of her personal motivations

[thermodynamic-comedian]

the crazy thing is that malevolent really seems like it's gonna be one of those "there's nothing actually special about this guy, he just has very bad luck." stories but no. there IS something special about that guy. there's a REASON this is happening to him. this story could NOT have happened to anyone else the way it did to him. somehow, for some reason, arthur lester is special. and even more absurdly, this specific version of arthur lester is special. that's insane.

so much of the horror genre is all about how these things could happen to anyone, but malevolent wants you to explicitly know that arthur lester is important. arthur lester is the reason this story is happening. arthur lester is different, in some strange way that even he doesn't fully understand.

and that's what makes him the main character, not just the protagonist.