#plus there’s not much of an audience for it anymore

[vldrocketeer]

hi will you ever finish the klance au comic?

Hi! Probs not :)

[bonesandthebees]

sigh feeling nostalgic for my old fics/the old community these days. I miss it man.

[archerons-arrow]

i will be happy when sarah finally releases whatever retconned garbage is up next so everyone can stfu about whatever ship war they're reading into (whether you're right or wrong). i used to care about it in like 2018; i don't anymore. because this woman doesn't plan shit. she can't even keep her own lore, world building, or already published plotlines straight.

jfc - it has been a fucking decade of this, and all she has done is shit out a "crossover" that no one asked for and use her own need for therapy to have the eldest archeron sister cosplay as feyre and replace her younger sisters with two complete strangers that she "saves" and call herself a warrior queen who answers to no one. girlie, if you live in a court in prythian, you're a subject and you answer to someone somewhere. sit down and eat your food... or cassian's dick for all i care. i lost it at the house being alive in that book, besties; like what has it witnessed.

like ... idk what happened to the person that wrote the first three books, but holy shit. i am tired. i even stopped following tags on all social media three years ago and the discourse just leeches out everywhere. hence why i am here complaining. y'all woke me up on tuesday with your bullshit. so now my formerly-quiet annoyance is everyone's problem.

[fouralignments]

Its 2023 and the DP's X-Men uniforms are still ugly and

Jean Gray still has no personality and giving her a Dark Phoenix doesn't solve that problem.

[mrdrhenwardhykle]

Idc what I said before but don’t freaking mention Mario or Charles Martinet rn because I’m going to freaking sob if I hear another damn thing about that again

(Read original tags)

[playingonedchess]

i only ever really do things electronically these days, everything used to be on paper like at school all that hand writing stuff and the millions of handouts and reading and sometimes even owning paper books

[venus-haze]

She's Out To Please, She Pouts Her Best (Soldier Boy x Reader)

Summary: Soldier Boy’s been pulled from the European Theater to sell war bonds to the American people, the goodwill tour dotted by big cities and small towns alike. In the meantime, he gets familiar with the variety of women in dazzling costumes that accompany his speeches with carefully choreographed dances. You’re, without a doubt, his favorite of them all.

Note: Female (blink and you’ll miss it implied plus size) reader, but no other descriptors are used. This fic is so short because it’s pretty much PWP. Do not interact if you’re under 18 or post thinspo/ED content.

Word count: 2k

Warnings: Dressing room sex, mirrors, breeding kink, daddy kink, power imbalance, overstimulation, implied baby trapping. Do not interact if you’re under 18.

Chattering from the packed high school auditorium somehow seeped through the walls. The rural town that was the latest stop in Soldier Boy’s war bond drive had shown up en masse out of patriotism or sheer curiosity. Usually both. Electricity was always in the air before the show in small towns. Some of them didn’t even have movie theaters. 

You and the other dancers on the tour had set up camp in one of the bigger classrooms, using it to get ready in since it was near one of the bathrooms. Dresses, sequins, and makeup scattered about the room, making the place of learning look like a department store had exploded inside. You’d been helping another girl with the curlers in her hair until a masculine voice called out your name from the doorway.

“Soldier Boy wants to see you in his dressing room.”

You nodded, giving an apologetic look to your colleague, who waved you off. It wasn’t unusual for Soldier Boy to call on one of you to help him “warm up” before the shows. Lately, however, he’d almost exclusively been asking for you, to the detriment of your jaw. 

Grabbing a nearby tube of red lipstick, you hastily applied it in the illuminated mirror in front of you. The lipstick residue soon adorned a tissue that you discarded, and you used your fingertips to gently massage the muscles in your face in preparation for taking him again. You hoped you’d at least get to come this time.

A flyer had gotten you to this point, stark white with patriotic motifs, pinned to a board in the nightclub you had been working in prior to getting the gig. Uncle Sam declared, “Ladies, you can serve your country too!” You figured why not, there was a war on, and if you could do something to help, you might as well. 

Your qualifications led you to your local USO office, where you were handed a star-spangled outfit and joined a gaggle of other girls to be the supporting act on Soldier Boy’s war bonds tour across the country. At times, you felt silly, kicking and shimmying to audiences who were clearly only putting up with the opener just to catch a glimpse at the world’s first superhero. A man larger than life in every sense of the word, as you and your fellow dancers on the tour would learn.

Wandering the hallway, you checked each door for an indication of which commandeered classroom was his. Not one for subtlety, his dressing rooms always had ‘SOLDIER BOY’ printed in large letters, declaring his presence. You found the sign toward the end of the hall, giving a smile to the usual group of people who congregated around him, assistants and handlers to keep him on schedule.

You knocked on the door, announcing your arrival. 

“You wanted to see me, sir?” you asked when he opened the door. 

He smiled, putting his hand on your lower back as he ushered you inside. “Sure did, sweetheart.”

His dressing room always betrayed his vices—alcohol, drugs, porno mags. It didn’t faze you anymore, not like the first time he asked for you, a stuttering mess in his presence. Back then, you had to take a shot with him to settle your nerves enough to blow him without feeling too self-conscious. Now, it was routine. You moved to get on your knees, but he stopped you, to your confusion. 

Instead, he disarmed you with a passionate kiss that nearly knocked you over. You steadied yourself on his strong arms that had made their home near your hips. He squeezed them, pulling you closer so your body was flush against his as he slipped his tongue into your mouth. 

You let him take the lead, he always did—strong, masculine, hard-working. Wasn’t America lucky its hero was easy on the eyes too? Except he had a temper, a mean streak that could go for miles. Not that you’d ever been on the receiving end of it. No, for all his faults, you seemed to get the best of Soldier Boy.

“I’ve been thinking about you,” he whispered against your lips.

“You have?”

“Don’t sound so surprised. You’re—“ he paused, searching for the word he wanted to use, “special to me.”

You weren’t sure why he was laying it on so thick. It wasn’t your first rodeo with him. “Special?”

“‘Course you are. You wouldn't be here if you weren’t,” he said. “I wanna try something different today, alright, doll?”

“Alright,” you agreed softly.

He smiled. “That’s my girl.”

Your body came alive at his praise, and you pressed your lips to his for another kiss. He guided your body backward until you bumped into the vanity. Parting his lips from yours, he turned you around, bending you over it so you were face to face with yourself in the mirror. 

You looked at him from the reflection, brows furrowed as you wondered what he was doing. 

He leaned down, voice husky in your ear as he growled, “I want you to see how pretty you look when you come.”

Your eyes widened, and you grabbed either side of the vanity in preparation, to his amusement. He pressed a kiss to the back of your neck as he pushed up your shimmery skirt, exposing your red, satin panties, specially made to be on display. Soon, your panties were around your heeled feet, one of his hands reaching to play with your clit while the other squeezed one of your breasts through your top.

“We look good together, don’t you think, sweetheart?” he asked, intense gaze studying your reactions.

“Y-Yes,” you moaned, trying to keep your eyes open. 

He always wanted you to look at him. From your knees when you were sucking him off, when he’d be standing on the side of the stage during your act, in his hotel rooms when he couldn’t find local girls to fuck around with. This instance was different, though, able to really see him, and yourself. You didn’t find your glassy gaze or parted lips particularly flattering, but he couldn’t seem to get enough.

His fingers had already brought you close to climax, and you whined when he pulled them away from you for a moment to free his hard cock from his pants. You shuddered, feeling it on your skin before he guided it in your pussy. Your hands curled around the vanity you were bracing yourself on. You weren’t sure if you’d get used to how his cock seemed to split you apart every time.

One of his arms wrapped just below your chest to hold you up, as you struggled to support yourself when he started pounding into you. Your pussy was already wet and pliant for him, and you'd be embarrassed by the obscene squelching sounds if you weren't so focused on getting off when he had brought you so close to the edge already.

You were your own voyeur, your brain feeling like it was going to melt, watching yourself getting fucked by him. His superhuman strength always caught you off guard, from the first time he shocked you by lifting you above his head on stage for a roaring crowd to the way he could make your body feel—and look—like you were little more than a ragdoll. 

“Gonna put a baby in you,” he grunted as he thrust into you, items falling from the vanity and onto the floor at the force he used to fuck you. “Want you up on that stage with my cum leaking out every time you kick up those legs—fuck—you’re mine.”

Your pussy clenched around him at the vulgar image he conjured up. “Yours daddy.”

His voice was strained, words slurring together. He was close. “‘S right, baby. Keep fuckin’ you ‘till you make me one. You like takin’ daddy’s dick, don’t you?”

You had to force the short affirmation out of your mouth, pleasure’s chokehold creeping up on you. That wasn’t enough for him or his ego.

“I wanna hear you say it.”

“I love taking—oh fuck—taking your dick, daddy.”

He came, hard and sloppy as your pussy milked his cock. You cried out, feeling so full it almost started to hurt. Something in you finally snapped, releasing the pain and pressure as you rode out your orgasm on his softening cock. Your arms gave out from under you so that it was just his strength holding you up. You weren’t sure how you’d be able to go back to having sex with men who weren’t well-endowed superheroes. Go back to faking it, you supposed.

Your throat was sore. You hadn’t paid attention to how loud you were being. Everyone outside the room must’ve known what was happening if they didn’t have an idea when you first showed up looking for him. 

Soldier Boy pulled himself out of you, and you could hear fabric rustling and the sound of his zipper again. You didn’t bother trying to stand up, still needing time to catch your breath. 

He used his fingers to swipe up some of his cum that had begun dripping out of you, causing you to gasp at the slight sensation of them brushing against your pussy. You whimpered when he pushed his index and middle fingers inside you, already aching from the orgasm he’d just pulled from you. 

“I—I can’t—“

‘I can’t get pregnant and ruin my career,’ you wanted to say, but all that came from your lips was a desperate, animalistic moan.

“I got you, baby,” Soldier Boy whispered, voice low and husky in your ear. “Give me one more so it sticks.”

You choked on air as his thumb brushed your clit, rubbing circles in the sensitive bundle of nerves. His fingers pushed deeper, and your hips bucked at the overstimulation, your spent pussy reactively pulsing around his cum-slicked fingers that curled inside you.

The woman staring back at you in the mirror was a mess with her mascara stained cheeks and smeared lipstick. You were utterly unrecognizable as you came again, harder on his fingers this time, crying out as you gripped the edge of the vanity, threatening to break one of your manicured nails. 

“Good girl,” he praised, pressing kisses to your cheek, as you came down from your second orgasm, pulling his hand from between your legs. “You alright?”

“I think so,” you breathed. “Jesus Christ.”

Your legs felt like jelly beneath you, and you wondered how the hell you were going to be able to dance in less than half an hour. You’d have to reapply all of your makeup too.

He turned you around, looking at you with a brief fondness before kissing your lips, soft and quick. 

“I need to fix my face,” you breathed.

He smiled. “Why? You look great.” 

You laughed softly as he gave you space. You pulled up your panties from around your ankles, knowing his cum would stain them by the time you made it back to the dancers’ makeshift dressing room. Taking some of the tissues from the box on top of the vanity, you began wiping your ruined makeup from your face. He stared at you in silence from the spot he’d taken on the loveseat that’d been brought in for him.

“I think I’d be a good father. Better than my old man,” he said finally.

You paused, looking at him from the mirror, giving him a sardonic smile. “I don’t see you as the settling down type.”

“Maybe I just need a woman worth coming home to.”

“Maybe,” you echoed.

“C’mere.”

You obliged, joining him on the loveseat. He wrapped an arm around you, holding you close. You let yourself bask in the intimacy.

“Things aren’t always gonna be like this,” he said. “Once the war’s over, what’re you gonna do? Go back to dancing in nightclubs?”

“Why not?”

His jaw clenched, cheek twitching as he pulled his gaze from you. “I don’t want you doing this for anyone but me.”

This could have been any number of things, dancing, fucking, being at his beck and call. Knowing him, he meant all of it.

“Ben,” you said, grabbing his attention, “then you have to tell me what you do want.”

“I want you. I want the white picket fence, kids running around the yard with the dog,” he said, the intensity in his voice wrapping tendrils around your mind, pulling you into the world he was describing. “I want dinner to burn ‘cause I was busy putting another baby in you when I got home.”

“Oh,” you whispered.

A voice through the door startled you. “Soldier Boy, the mayor’s here to see you!” 

“Think about it,” Soldier Boy said, getting up from the loveseat to grab his helmet and shield. 

The door shut behind him, leaving you to agonize over the future he presented to you. Part of you wondered if you’d really have a choice.

[fatguarddog]

Disclaimer: This audio is intended for audiences of 18+ only 🔞 If you like my content, please consider giving me a tip

You've been gaining a lot of weight recently and don't know why, so you're back at the doctor's office to figure something out with him. The doctor is happy to inspect you and comment on your growing body, soon he reveals his true intentions for you as his work-in-progress piggy and gives you more instructions to follow 🐽

If you're interested in a commission, find more info here

Transcript under cut

Ahh, good to see you again. What seems to be the problem today? You’ve been putting on weight recently despite the diet I put you on? Hmm, yes I can see that… are you sure you haven’t been missing any days with the vitamins and shake supplements? Ok, how strange then. I think it’s best we examine you, maybe try a couple tests.

Stand here for me. Hmm, your belly really is looking quite porky, isn’t it? Your shirt doesn’t seem to cover it anymore. Just roll it up for me and I’ll take some measurements like I did last time so we can make a new plan. Yes, I see you have a few more inches round your middle now… you’re feeling awfully doughy too. Now let’s see your thiiighs… upper arms… your chest… that’s right… Well it seems the most of the weight has stuck to your belly, but you’ve definitely gained all over.

Let’s have you on the inspection table so I can try a few things. Strip down to your underwear and hop on up. Ah, no. Not lying down, on all fours please. There we go, that’s great, just let me get my gloves on. Mmm you really are looking like quite the plump piglet with your potbelly hanging down like that. Ah ah ah, don’t squirm at my touch, I’m merely inspecting you. Your jiggling belly, your rounded out ass, the growth in your chest… it’s all quite delightful. Better than I could have expected, really.

Oh, don’t pretend like you don’t enjoy this piggy. You’re practically frozen to the spot! And I can see the wet patch spreading in your pants. Just relax and let the doctor take care of you. Mmmm, yes that’s right, grind against my fingers as I admire your progress.

You’re much better as a pathetic little porker, aren’t you my piglet? Though we’ll have you growing into a proper piggy in no time, I’m sure. I could just tell when you came in here seeking weight loss advice that you’d be much happier giving in to your urges and gaining instead. I have a knack for seeing through people like that. And I know you’ve been enjoying my ‘diet plan,’ it seems you’ve been having more shakes per day than what the doctor ordered with just how pudgy you’re looking.

Mmm, keep grinding tubby. Let me rub some muscle relaxant cream into your plush rear. No, don’t worry about the needle, you won’t feel a thing. It’s just a fun little concoction to boost your appetite for me. See! Didn’t hurt a bit, did it? Good pig.

Alright, put your clothes back on. Hmm? Look, if you’re that desperate my eager little piglet, then you can get yourself off thinking about how fat I’m going to make you from here. But you need to listen to the doctor’s orders now.

It seems you’ve already been having two shakes on some days, so from now on I want you to do that every day, plus regular meals. Whatever your piggy heart desires. You must also be sure to keep taking your pills, they keep you nice and lazy after all. You’ll come in for a monthly check up so I can track your progress until I deem you ready for me to make a house call to you where I’m sure we’ll have plenty of fun together. Do you understand me? Good piggy.

[am-i-the-asshole-official]

AITA for telling off my sister about watching a kid's show?

💫 for searching!

I (15F) have an older sister, Penn (17F), who is kinda childish. Actually, she's really smart, and can be mature when she needs to be. It's just that her interests are kinda childish for someone her age.

Penn really likes cartoons and video games, and recently she's been getting into Sonic the Hedgehog. At first I thought she was just getting into the Snapcube fandubs, but out of nowhere I saw her watching one of the new Sonic TV shows, can't remember if it was Sonic Boom or Sonic Prime.

Anyways, at first, this didn't really bother me too much. She watched her show for the weekend, and I would get back to my shows for the next few weeks. But then the next weekend, she was still watching the show. When I asked Penn why, she said that she was really invested, and she hadn't actually finished the show yet. She said she was watching it in increments, because she wanted to savor the episodes, which felt stupid. The writing was obviously meant for kids, and the colors felt really bright and glaring to my eyes. I couldn't believe this was how she was unwinding, or how she could "savor" such a bad show. Plus, I prefer to watch as many episodes as possible in one go rather than in separate goes, but to each their own ig.

Next weekend comes, and guess what? Penn picks up the remote before I can get it, and says she's gonna keep watching some more. At this point, I'm pretty mad. I've been wanting to watch my shows all in one go during the weekends, but have been stuck watching one or two episodes at a time after school each day. So I snapped at her, saying, "Nooo, let's watch my things!"

Penn looked kinda hurt, and when she asked me why I said that in such an annoyed tone, I told her that the show she was watching was cringe and just plain bad. I also said that we never watched my shows anymore, only hers, and that she shouldn't be focusing on kids' media when she has college to focus on soon.

Penn got really mad at me for saying that, telling me that she just wanted to unwind now that the third quarter had ended for her school (our school years are divided into four quarters rather than 2 semesters), and that her homework load was lighter. She also said that she hardly ever uses the TV, and that I wouldn't die if she used it just once. She then left the living room in a huff and went up to her room. This was a day ago, and she hasn't spoken to me since then.

I feel like I was really a justified asshole in this. She's been hogging the TV with the Sonic show, instead of focusing on any of her advanced classes. I guess you guys can decide? It just feels like we're both getting older, and that she needs to stop focusing on such childish things. I think that if I help her get into media that's more aimed for older audiences, it'll help her get into more of a mature mindset.

[shaampoo]

OMG!?!??! I WANT TO TALK ABOUT THIS SONG (and AU), RIGHT NOW!!!

(By Lydia the bard

TINKERBELL VILLAIN SONG - Fall Little Wendy Bird Fall | Song by Lydia the Bard and Tony | Animatic

The title^)

First of all the cover art is AMAZING, Tink is SO pretty, the sparkle and lines on the wings, her grin, HER HAIR, HER EARS, HER DRESS,

Also, "Fall Little Wendy Bird Fall" is a great title

Now the video itself and its lyrics, i really REALLY want to just compliment every single frame of this video, its so beautiful, so well done, its like it was blessed by The Muses of greek mythology,

Okay so the lyrics at 0:45

"You dont seem to quite understand what is at stake,

This messed up little family that i had to make"

Not only is this line so beautiful with the way her voice sounds, its pretty much a nod to the fact Tink and her friends kidnapped peter pan and the lost kids to keep her and her friends alive

(0:55) \/

"If i could let them all go home please know that i would

But it'd do more harm than good"

Just Tink expressing her guilt that she and her friends kidnapped the lost boys so that they could keep existing, but like, JWHSEAJKHWED, she ofc doesn't want her or her friends to die, and since people are slowly not believing in fairies anymore, they're slowly going extinct, ALSO, Fawn and Silvermist are DEAD, so yeah, that messes with someones head

AAAALSOOOO, i LOVE their silhouettes, the height and weight differences instead of them all having the same height and weight like in the movies, plus, i LOVE that despite not looking like how they do in the movies, you can probably still tell who is who,

ALSO

Even if it wasnt intentional, i like how in kinda faraway shots, Tink has a more cuter roundish look, while in closer shots shes more edgy and more intimidating(? if that's the right word), kinda showing how others view her (kinda?) as a cute fairy, maybe underestimated, but yknow, close up, shes plotting to kill a child

(1:15)

I love how Tink is gesturing in this scene, cause 1. It conveys to the audience what she wants from the lost boys and 2. Canonically, when fairies talk, people usually just hear jingling of bells, so shes gesturing because shes also conveying what she wants to the lost boys

1:23

"Swear its nothing personal, its a necessary evil"

I just love this line because it is a necessary evil, she needs the lost boys and peter pan in neverland to believe in fairies so that they exist, and Wendy is pretty much a threat, since she makes the lost boys want to grow up with families,

Also, the lost boys look so cute in here, i cant remember their names tho, one is holding a slingshot, aiming at wendy, one is holding rocks , and one has a stick , so Tink just told these children to assassinate Wendy, or at least attack her.

1:35

I love how the kids explain that Tink make them do it, and Peter Pan just glares at Tink, and i love that I'm pretty sure that Peter isn't mad/doesnt blame the lost boys

As seen in this scene where Pete is smiling and stuff at the Lost Boys and/or at Wendy

1:55

I love how Tink refers to Wendy as a "Nasty little spark" because, a spark can turn into a fire, damaging a lot of stuff and people, pretty much saying that Wendy has to be snuffed out before she causes a fire,

"Setting fires inside my house is just not allowed"

Pretty much referring to the fact that Wendy, the spark, is creating a fire, aka, making the lost boys want to grow up and go back to the real world, making them not believe in fairies anymore, thus, making her and her friends die, which is, not allowed.

Also. the fear in Tink's eyes is so fear, her expression is on point, the mix of concern and fear is just, so beautiful, also i love her pointed ears

2:17

First of all, this screenshot does not do justice to the actual design of the mermaid (siren?), cause they are AMAZING, BEAUTIFUL, GORGEUS.

Also, the fact that Tink is persuasive enough to convince someone to kill Wendy in such a short amount of time is impressive, and the fact that the mermaids agreed so quickly is also impressive,

When it failed, the absolute horror and shock on Tink's face? Shes horrified that another plan of hers failed, and shes scared that her friends might die, like, wow

The despair on her face is just so...asdjwoaijdoiwajd

3:38

The fact that Peter Pan (i cant even give him a nickname cause Pete sounds different and P.P. is just wrong and Pan is just A Thing), first at the gust of wind that blows away the pixie dust (which keeps the ship afloat) he covered his eyes, maybe cause the dust or his hair in his eyes, then he looks at Tink in anger and shock and probably some confusion, then looks at Wendy, in concern and fear,

Theory: Pan knows that, since Tink doesnt want the lost boys to leave, and he knows that gust of wind was from the fairies, and Tink's dislike and hatred to WEndy, that Wendy was probably the only one not going to be saved, which is why he only looks at her and tries to save her (that or he's a SIMPPPPPPP /j)

3:50

The fact that you can see Wendy screaming??? Chills,

And the black screen right after, signalling Wendy's death is just amazing

Anyways, overall, what im saying is

THIS SONG IS AMAZING GO CHECK IT OUT, GO CHECK OUT THIS PERSONS CHANNEL, THEY HAVE GOOD VILLAIN SONGS, THEY EVEN HAVE ENCANTO!!!!

[bertoyana]

funniest thing to #Me about the use of charles' telepathy in charles' and erik's relationship in the prequels is how both of them suck SOOO bad at using it LMAOOOO

like, you'd think having a telepath in the dynamic would actually help things along with the communication, but they are both USELESS at making use of it

charles will use it to crossdress erik and tell angel how much he wants to fuck him and erik will use it to tell charles how much he wants to be controlled, but that's ALL they use it for. it's not even horny or funny anymore it's just SAD, man. they suck so bad at it

(the only time they ever make good use of it is when charles unburied one of erik's memories with his mother, and that's it)

erik just automatically assumes charles knows everything and that he knows WHY erik does the things he does (because charles is in his head, so he MUST know, right?) and charles automatically assumes erik understands the hidden meaning of every single thing he says (because erik is also in charles' thoughts, so he SHOULD know, right?)

(wrong. they are both stupid and they will keep going in circles for 30 years straight)

like. take their first interaction in xma as an example

(on the other hand, i don't even want to think about the "you are looking in the wrong place" line because it makes me want to k1ll myself in front of the writers)

they are in each other's heads right now, and yet they are not even LISTENING to each other, they are just going in circles because both of them are too wrapped up in erik's own grief to actively try to hear what the other is trying to say. and while you can tell charles is hurting for erik and wants to help him, he's probably not going about it the best way

also if you pay attention at the start of the scene, when erik feels charles in his mind he just... looks confused, curious maybe, as to why charles is there, but he doesn't get angry or defensive straight away. he just lost his family for the second time (simon kimberg i'm in your walls) so he's probably even welcoming the only familiar thing he still has left.

he doesn't get defensive UNTIL charles starts talking and just kind of... also starts putting his own foot into his mouth. bless his heart.

and the thing is, while they get interrupted by apocalypse... being there lmao, i don't think this would have pan out any different if it was just the two of them. as i said, they are not listening to each other. charles means well but he's not really listening to what erik is trying to tell him, and in response to this erik is rejecting any type of help charles wants to give him.

and we know apocalypse was using erik's grief (about magda and nina, about the camps) to manipulate him - *we* as an audience know that, but back in this scene, charles doesn't even NOTICE apocalypse. and this, plus the fact that as we've established, they SUCK at trying to listen to each other and communicate, just brings the entire thing to failure.

(also imagine being the most powerful telepath in the world and being too focused on your best friend to notice the god standing a few steps away from him... which could mean nothing)

(mind you. they are literally in each other's heads rn. they can hear what the other is thinking and feeling. AND YET)

and it's even funnier (no) how they are even WORSE without charles' telepathy. take as an example, both of their fights in the plane in dofp

from charles' point of view, erik was the one that left him. erik literally and physically LEFT him in cuba, took the only teleporter there was and left charles to bleed out (lmao). meanwhile, from erik's point of view, he might have left first physically, but he only did so after charles rejected him. so, from HIS point of view, charles was the one to pull away FIRST. when he told him they didn't want the same thing (rejecting erik's ideals and by thus rejecting erik himself as well)

(and charles also let erik to rot in prison for 10 years so he could be also referring to that lmao)

this also brings me to my other point. which is something that i do think is pretty much ignored by everyone, but to be fair, it's also ignored by the movie so,

and it's the fact that the movie establishes that erik has been isolated for 10 YEARS. again, we as the audience know that charles has been struggling for the past 11 years, we know he did all he could for the mutants and we know he's been struggling, and we also know he's been using the serum because he couldn't stand the voices.

mind you, erik doesn't know any of this. not only because he's been in prison for 10 years (and i doubt they let him keep up with the news) but also because charles doesn't tell him any of this (fair)

and the last thing erik said to charles before they parted ways in cuba was that they wanted the same thing, which charles denied.

so from erik's point of view, all that he knows is that charles promised him all those years ago that he wasn't alone, and then he rejected erik in cuba, sent him away, and then proceeded to give up on erik and on their cause by doing nothing when the mutants were being tortured and experimented on. and he started using the serum and living with hank like a normal human being, sacrificing his powers and 'betraying' their cause.

ofc none of this is what actually happened, and *we* know that. but erik doesn't. and for some reason??? that i find extremely hilarious??? no one ever BOTHERS to correct erik's assumption, lmao. also none of this ever comes up again in the movies which to me just means erik went on believing that charles just briefly gave up on their cause for 10 years LMAOOO

okay, moving on bc i still have things to yap about

the other plane scenes comes in. erik shows up with the chessboard, they actually DO talk a bit and erik tells him he didn't mean to kill jfk (can't believe i wrote that down these movies were insane) and then they settle to play chess. AAAND this scene comes in

and he apologizes for SHOOTING charles, because he never meant to hurt him, and he does regret that. but he's not apologizing for leaving, because, once again, from his point of view, charles left HIM

and then charles hits him with the most pathetic saddest wettest expectant look in existence (james mcavoy you are insane) because he thinks erik is going to apologize for leaving

and then erik hits him with this LMAOOO

and charles realizes erik is apologizing for shooting him (something i'm pretty sure charles didn't exactly blame him for? his biggest accusation was that erik abandoned him)

and you can see charles literally and figuratively backtracking and shutting down immediately AGAIN.

(because, again, charles thinks erik left him, and erik should apologize for that, but from erik's pov? charles rejected him, he pulled away FIRST so he wasn't the first to abandon the other. charles was)

(they both are wrong and right in a way. they also don't tell each other any of this)

then it's erik's turn to give charles the wettest and saddest look known in mankind, charles shuts down, refuses to even look at erik, he changes topics and erik lets him.

(they never talk about this again, btw)

(it probably blew up in their faces in genosha. i just know they make everyone's life miserable as hell in there . god bless)

anyways, i'm sure someone smarter than me could make a more interesting analysis of how you can tell they do genuinely care about each other, but their failing to communicate properly just brings them to their fall down over and over. especially because it's something that keeps blowing up in their faces all the time in the prequels. something something the failure of telepathy something.

[ittybittyremy]

All the details Bells Hells know about Cyrus' death & everything surrounding it

I've been seeing people wondering/forgetting how much Dorian has told Bells Hells about the circumstances of Cyrus' death. So I've decided to go through the episodes!

A couple disclaimers before I start:

Orym shouldn't have made that comment to Dorian. Even if he didn't know all the specifics, knowing Dorian's brother died recently (and at all for that matter) should have stopped him from making that theoretical. Even if Cyrus' death had nothing to do with the gods, it would still be an inappropriate thing to say. He could've made that theoretical to anyone else in that group but he said it to the person with a recently dead family member.

Even though it would be beneficial for Dorian to tell BH (and for BH to learn/understand) everything about that day, he doesn't have to (and` shouldn't be forced to). Plus, it's very in character for Dorian not to tell them.

I don't want to see any comments saying "well it's implied," "BH should be able to connect the dots," or "BH should get the hint because of how Dorian has been acting." I'm bad at picking up hints irl so I won't fault BH for not connecting those points.

This post is about what Dorian has explicitly said (even though I did add a couple parts where he implies what happens).

This is all under the assumption that Dorian has not told BH everything off camera.

All timestamps will be based on the YouTube VOD.

I may miss a couple tidbits so sorry in advance.

Now to the actual information

Episode 93

Cyrus died (3:43:24)

Two of Dorian's best friends became the champions of the Matron of Ravens and the Spider Queen (3:43:28)

It all happened yesterday (3:43:38)

Opal is "not really" okay (3:43:45)

Cyrus died in battle "if you can call it that" (3:53:36)

Until that day he never thought real evil existed (3:53:46)

What he saw in the previous couple days does was "irredeemable" (3:53:55)

They tried to help Opal (3:54:59)

Dorian knows that there are forces enacting on the world that go "deeper than [he] imagined" (3:55:05)

Fy'ra Rai stayed with Opal (3:55:16)

Dariax is "all right" (3:55:20)

Opal is alive but corrupted (3:57:04)

Fy'ra Rai may be walking down the path as Opal (3:57:12)

Episode 94

Dorian doesn't explicitly mention it this episode but there is a moment where he hints that the prime deities may have somehow been involved.

"If you are relying on the help of the gods, champions, I can't say that I trust them anymore" (2:30:17)

Episode 102

No explicit mentions here BUT we begin to get Dorian's opinions of the gods. That's not what this post is about so I will move on

Episode 103

More of Dorian's views on the gods and we finally get another (sort of) explicit mention

"The last I conferred with a god, they cared very little about the feelings of anyone around us." That god being the Spider Queen (1:37:01)

The reason I say "sort of" is because Dorian doesn't say this is in regards to Cyrus' death (even though we the audience knows this). Orym and Fearne could've easily assumed that this was in regards to their EXU times.

Episode 109

Get an idea of what "getting dark" means. Matt describes Opal as "a humanoid shape of white hair and a black crown dripping and black oil and ichor. Opal stands dark and still" (2:19:13)

"Opal the Twice-Crowned, born a fractured, dual soul. A being of unknown potential, manipulated by cult and betrayer gods alike to walk a violent path without agency, a pawn for the gods and their whims." Raven Queen describing Opal (2:19:32)

Opal has a spider form (different from three-armed Opal) (2:49:20)

Episode 110

Dorian remind Bells Hells that Opal is now the champion of the Spider Queen (51:29)

Laudna says "hang on, because didn't, the last time you saw Opal, wasn't she trying to brutally murder you?" (52:22). I guess BH knows it was the Spider Queen? I'm a bit confused because Dorian never explicitly told them this but maybe it was an off screen thing

Dorian: "I'm not certain any information we would get from her would be particularly reliable" (52:30)

What does Bells Hells know?

As far as they know, the day before Dorian reunited with Bells Hells:

Cyrus died in a (sort of) battle.

They tried to help Opal but she is corrupted, she is still alive though

Fy'ra Rai stayed with Opal

Dariax is safe

Opal and someone else are now the champions of the Spider Queen and Matron of Ravens.

Dorian discovered real evil existed

The title "Opal the Twice-Crowned"

Opal's spider form (but different the three-armed Opal that Dorian saw)

Opal is not a reliable source of information right now

What does Bells Hells not know?

Wildmother refused to help

Matron refused to help

The Spider Queen killed Cyrus (? tbh i'm confused about this one)

Dorian came here because Opal casted mass suggestion

Dorian abandoned Dariax

Opal's memories are either gone or altered

Opal with three arms

The whole Ted thing

And much more

[s10127470]

My Ideal Revival of the Disney Heroes Franchise

What you’re looking at is the official logo for a now defunct franchise known as Disney Heroes.

Disney Heroes was basically meant to serve as the sister…..or more appropriately, the brother franchise of the Disney Princesses, with the focus being placed on the male heroes of the Disney pantheon.

The franchise initially started back in 1999, but under the name of Disney Adventurers. Not only that, but the line-up was rather small, consisting of the titular protagonists of Hercules, Aladdin, Peter Pan, and their most recent film at the time, Tarzan.

The franchise mainly existed through toys, with some notable merchandising besides that here and there.

The franchise remained this way until about 2003, when it got a notable revamp.

The franchise would get its current name and it would expand the roster quite a bit. The new members included Merlin and Arthur from The Sword in the Stone, Robin Hood, Prince Phillip from Sleeping Beauty, and Li Shang from Mulan.

I also think Simba from The Lion King was a part of the roster as well, I think I remember seeing him on a backpack done for the franchise.

But in 2005, the Disney Heroes franchise had a another revamp…this one notably different from the previous ones.

Although the franchise mainly existed through toys and play-sets that more or less stayed faithful to their respective films, these however…..

Your eyes are not deceiving you….these were actual action figures created and designed by Disney for the Disney Heroes franchise…..and I couldn’t be anymore happier.

Hercules looks like an ancient Greek warrior with the golden armor, plus he’s carrying a big xiphos and a golden shield with the face of a lion.

Peter Pan is now sporting some tan gloves, boots, and ever a mask, carrying a bow and quiver of arrows alongside his trusty dagger.

And Captain Hook has a more swashbuckling look, and his rapier has been replaced with a big ass cutlass!

Prince Phillip and Maleficent were also apart of this line-up of action figures as well.

Phillip had a more knight-like appearance, even having a helmet with a golden falcon on top.

And Maleficent…well, she was in her dragon form.

Sadly, only five action figures were made in this style….

And it’s a shame, given that there were plans to revamp the franchise with a more action-oriented style.

These designs by Disney animator Ruben Procopio for planned future figures for the franchise really highlight this…

Aladdin was gonna look like an Arabian Knight, complete with a dagger and a huge ass scimitar that would make Cloud Strife impressed.

Tarzan was gonna go for a Conan the Barbarian-esque look, complete with a headband, a vest, a tooth necklace, boots, and even a quiver filled with spears, knives, and arrows.

And as you could see, they were even gonna introduce The Beast from Beauty and the Beast as a new member of a roster, with the appearance of a warrior prince and a mace as his weapon.

Unfortunately, these figures never came to be....

Although Disney Heroes franchise was doing decently fine, it was nowhere near the level of success of the Disney Princesses.

As a result of that, Disney slowly but surely phased out the franchise over the next three years.

By 2008, the Disney Heroes franchise silently ended, only merchandising through coloring books and their only new addition since 2003 being....of all characters....Milo Thatch from Atlantis: The Lost Empire.

So yeah....that's pretty much the story of the Disney Heroes franchise.

It's honestly a shame because I could totally see this franchise being pretty successful today.

And given the rise of nostalgia and crossovers in media over the last decade, I could see this being an absolute goldmine for all parties involved.

And today, I'm gonna share on how I think a revival of the Disney Heroes franchise should play out.

.It would aim more towards a older audience, mostly teenagers, similar to the Disney Villains franchise. It wouldn't really focus all that much on toys like the Disney Princesses, though there would be some figurines here and there, instead focusing on media that's more accessible with a older crowd like novels, comic books, video games, and even animation.

.Unlike it's previous iteration, and to that extension the Disney Princesses, it would be more gender-neutral, featuring male and female representatives of most of the represented films as members of the roster.

.Also unlike the Princesses, this franchise has its own backstory. Various Disney villains have joined forces in other to further their respective goals. In retaliation, a group of various Disney heroes, led by Merlin, have united to fight against the villainous alliance and protect their respective realms. I know it's a pretty simple premise, but I think it's the perfect that way.

.The franchise will have a major focus on action and adventure....which for a franchise like this, should be expected.

.Many of the characters will be receiving redesigns in the veins of the ones done for the franchise back in 2005, which give off a fantasy warrior, almost Dungeons n' Dragons vibe. While these wouldn't be to the extent as say, Disney Mirrorverse, they would clearly by different from the characters' usual attire and makes them come off as more like warriors ready for adventure and battle.

.The series will essentially expand on the worlds of the films and bring in elements from their original source materials, official continuations like the TV shows, and even the cultures they represent.

Okay, now that we got the major elements out of the way, I'm gonna briefly share who would be apart of the roster for this new franchise, and list them in chronological order of movie release.

.Alice

.Peter Pan

.Princess Aurora and Prince Phillip

.Merlin and Arthur

.Mowgli

.Robin Hood

.Ariel and Eric

.Belle and Beast

.Aladdin and Jasmine

.Simba

.Pocahontas and John Smith

.Quasimodo

.Hercules and Megara

.Fa Mulan and Li Shang

.Tarzan and Jane Porter

.Milo Thatch and Kida Nedakh

.Jim Hawkins

.Tiana and Naveen

.Rapunzel and Eugene Fitzherbert

.Merida

.Anna and Elsa

.Moana and Maui

Just imagine.....seeing this iconic heroes going on various adventures, from the hottest deserts to the deepest jungles. Fighting against mythical monsters, thieves, wild beasts, villainous knights, deadly invaders, mysterious spirits and swashbuckling pirates!

Anyway, that's all for now. I'm planning to go more in-depth on this idea, fleshing out the characters and their worlds.

If you have any ideas for this franchise, let me know.

[bubblewrapsnek]

Phantomarine Reread: Chapter 1

For this chapter I don't have too much to elaborate on so it'll probably be mostly stuff I enjoy about it so uhh enjoy!

Let's begin:

The cover of the chapter is just very fun and good, I love how in a full page what acts as frame is the composition itself, using the rock as both a titlecard, flat space made to have Phae stand out in the centre thanks to less detail around her, and has a couple skeletons climbing on it too making it interacted with the enviorment too, it's just very good, plus lots of cute critters

Bonus, pretty lady with pretty dress

One sword lady just happy to be there, good for her!

Cheth working like a lamp, getting turned off as soon as Phae chickens out is a very good bit xD

Something I also enjoy a lot from this chapter is just how present those godly veins are

You can clearly see them flowing into everything Cheth uses, they work at being somewhat subtle to me, at a first read I just assumed they were for flare, it's a god in the sea hopping bodies, of course he has an aura, but going back they are very consistantly threads coursing through what he touches and moves, around him at all time, and it makes the reveal that those aren't something he causes, but those are HIM very fun to go back to

Also Cheth being so unserious even when angry, giving eyelashes to a t-rex HE CHOSE TO THROUGH A HISSY FIT WITH, THIS GOD CHOSE THE DINOSAUR FAMOUS FOR HAVING TENEE TINY ARMS TO PERK THEM UP AND SHOW ANNOYANCE, love that for them

Something else I want to point out is how Phae is never still, every panel she is moving, posing with dumb bravado sometimes downplaying it a bit, it keeps her expressive and alive even when the obvious main show is Cheth's flamboyance and shapeshifting circus play, and that in itself is also a very fun thing, in a revolving door of actors, the play doesn't loose itself, Cheth's emotions are readable, a character is expressed constantly and flows nicely into a variety of states, and for both of them, keeping this bravado will pay off later in the chapter VERY well

Great visual, the veins themselves working as the smoke, showing he is loosing patience, he is fuming while being underwater

Another bonus point: Extremely rare instance where I find M!Cheth looking hot in a sense of coolness instead of the usual lovely dork clown (he is hot in both ways but this is a different taste)

Plus

The facless crowd of red eyes not playing, smiling or fooling around anymore, they are finally dead set on her, she created a play for them and he provides the pressure of an audience, more than the panel before, with her literally being portrayed in front of the t-rex's mouth, this feels like the maw of the beast surrounding her, sizing her and ready to devour her, ready to have her be part of the facless crowd of observers, very spooky

And this feeling of the maw of the beast pays off, 'cause shit gets real very fast, Cheth doesn't take it lightly and goes for the throat with a question that not only he thinks she would never know, but that hurts so so much, (and also shows what is in his mind when dealing with royalty, not the attacks towards him directly, not the damage to him, but the countless children who have been deprived of a family due to all this). This works as a tone shift, the first, altho minor, payoff from the swagger set up early in the chapter, and this question hits you in the face hard and fast

Cheth's frame while asking this is almost as big as the burden of that knowledge, a question so heavy the panel under it is quite literally being smothered, Phae's face accomapanying the reader who didn't expect the shift

And this leads to another piece of characterization that will come back later, Cheth cares for children, this isn't just a question done to hurt her but it's something he cares for, and why do I say this? well it's something I read not only in what will be said later on in other chapters, but in Cheth's reaction when Phae actually can provide an answer

He is confused, but also looks genuinely worried about her, he is dumbfounded AND concerned for the woman who showed to care about something he thought she would have only superficial empathy towards, for the girl who just admitted to being herself a lost child in grief (little headcanon, the cat showing up is there to be ready to help in case it got too far)

Something else I want to make note of that I find very compelling:

The background, Phae answers and the background goes BLANK, until now it consistantly framed her in either blue or red, either in Cheth's play or taking a step back from it, but now, this is something that wasn't part of his tease, this wasn't something he thought would happen, Phae's care and grief quite literally breaks Cheth's overwhelming, presence here, it feels as if not only is he shocked, but he is giving her a brief moment to breath, letting her have some space for just a moment, I love it

And this also leads to a moment I find very interesting, and I would like to give my reading to

The way I read it as of the time of writing this, is that Cheth has a deep fondness towards humanity, the anathema comic shows a devotion to his love for the people he fares in the afterlife, for the children of man who have all but forsaken him, and here he is ANGRY, but why would he be angry that the king actually cared for said people? I can think of one reason: at this point he has been waiting for a sign for 5000 years, made to sit back and watch for ages the humanity he loves sending their man foolishly to die in a war against him in which he isn't even participating, and I think he might have internalized how the people he loves have accepted a doctrine against him so deeply that they deem the sacrifice of their lives and the suffering of their children as worth less than fighting him. But what does he learn now? that the king, the guide of this war, feels guilt over this, that the mean leading all those people to die had to find a way to cope with how terrible that weight is, that they haven't forgotten how precious the lives of his people are, AND YET HE KEEPS SENDING THEM TO DIE, EXACTLY LIKE THEY DID FOR THE PAST 5000 YEARS. This is beyond foolish, this is pure denial of knowing that what you are doing is terrible, and thinking you can offset it by being kind instead of working on the problem at the root of it, I too would be angry if the man leading those fathers and mothers to abandon their children tried to save his conscience by doing charity instead of preventing those deaths to begin with.

God this came out rant-y, and probably not perfectly worded

Moving on

Remember when I spoke about how the constant expressiveness and bravado of the characters is a great setup, well here we get to the first very big payoff in my opinion

Once again, Cheth's overwhelming red get's completely broken, stark white coral framing the object of something that deeply hits him and breaks his flow, he stops to a screeching halt for the first time, speechless and astounded. without all that overwhelming presence before, all that bravado, this loss of control would hit so much less and it doesn't stop here, no this is the first punch of a two hit combo, the proverbial quiet before the storm

And this also leads to another reversal in their constant duel present in this chapter, up to now all of this has been a back an forth, a dance where Phae responds in kind to Cheth's provocations, and here, she doesn't reflect an attack, but just like Cheth seeing her at a low before had him react with a look of pity, she responds here with the same concerned expression

Sadly, Cheth isn't in a place where vulnerabilty is something that can be helped with pity or comfort, not now

Now all he is, is a raging storm of emotions

And how does he get back control of the scene? he lashes out, he once again becomes overwhelming, the entire scene becomes a vortex of red and anguished faces, Phae's bright yellow gets tinted in a red glow, something deep within him has been touched

And MY GOD is the subsequent page a mic drop, the red slowly drifts to the bottom, her emotions are settling down, there is a moment of reflection and quiet, of many things she probably couldn't hope to think about for such a long time finally piecing together, and with those elements coming into place, here comes a new face that we will come to know along the way, not only is this a new face in the chapter, this is an expression of Cheth's state of mind in my opinion, as we will later learn that the sign he was waiting for, all he is doing and setting up, it was all in the name of a promise made to this face. at least, this is my read atm, we'll have to see how the story unfolds to see how well it fits

Have you ever seen a lady so beautiful you forgot you are dealing with Satan and decided to flirt? Phae sure has

And here we arrive at the reason I said Phae's tired reaction to the death of children was the "minor" payoff to the bravado shown

Cause damn here we get to the main show of her fall

But also, shock factor aside, I want to point out how this is the first truly mean spirited move Cheth has made thus far, the question of children came from a place of care, this is purely mean, nothing can come from being this petty and evil in action, it's almost parody of the demonic figure he gets painted as, almost...

Yeah you all probably know what I'm getting at, this is the first action she takes after learning of the bonefish, of the sign, and we later learn that she actively decided to play up the evil aspect Phae knows her as, painting herself as a disgusting villain because that was the role she thought would work, after all, would kindness and explaining have worked? she is basically programmed to hate them...

And with this Cheth has completely put the curtain back on, the second act of the play has started and they are both the director and the actors, the scene once more tinges itself in overwhelming red as they start their show

After this point the chapter is quite straightforward to me, tho it doesn't shy away from some very neat shots that end up being some of my favourites of the entire chapter

Like this one, it creates a very good feel of having Phae on the backfoot, the textbox itself works in presenting her driven in a corner, against a wall, even amidst a boundless ocean she has no escape, and Cheth taking center stage to the panel also works in establishing them once more in control

Meanwhile, I honestly can't even explain why I like this laugh so much, it's just so visceral, so played to an extreme, the sea itself is laughing, Cheth looks like he could fall over on their back from how the laugh is bending them, you the reader aren't safe from the thunderous laughter as the panel itself breaks down, becoming seafoam, you are seeing them explode over the question of Shoshanna's return and once again, Cheth is playing up a villain, we see later down the line how the argument of Shoshanna breaks them and tears them down, and here I think they are masking it, they play up their bravado to an higher degree than ever before, a villain so incredibly sure of themselves that they can stop and laugh so much they aren't even seeing you anymore, they are completely exposed, not a single shade has their eyes open to keep watch on you

What grief could ever deserve such a boisterous mask?

AND HE KEEPS GOING, HE KEEPS UPPING THE FACADE

He both becomes and rides a wave about to wash Phae away, he both is master of a distaster and the disaster itself, all this part feels like is him deciding to play the villain and putting on his best theatrics to deliver it, they become mean, deameaning, ruthless, the teases don't feel as fun anymore, Phae isn't in a place to make it a back and forth anymore

The chapter starts as an ebb and flow between our main characters, but by the end there is no more pushback, Cheth has become a flood and Phae has lost the ground she was so confidently standing on before

And she manages to get a hold for a last desperate second, she has been pushed so far back in a corner that she lashes out violently, but in the end, even this is futile, in the end...

The tidal wave has crushed her, and she can do nothing but break.

[tacitoru]

pleaser (2) - gojo satoru ; geto suguru

pairing: gojo satoru/reader/geto suguru

summary: You wish someone would have told you how lonely college would be. Classmates and other students outside the newspaper staff keep you at arm's length. People tend to give you a wide berth. It's no big deal - for a journalist, you are laughably not a people person. Small talk makes you want to crawl out of your skin. Relationships are tedious. People are finicky and prone to lying. Unreliable. Getting close to the star players on the university's basketball team was only supposed to be a means to an end. And then it's a little more than that.

rating: explicit (eventual smut)

tw: basketball!au, enemies to lovers, journalism

wc: 4k

ch: 2/5

read on ao3

Then

“Your eyes will get stuck like that.” 

Your editor-in-chief is not at all surprised to find you sulking. Shoulders slumped, arms crossed as you glare petulantly across the foyer of the student union. You don’t play aloof very well.

She stands shoulder to shoulder with you and follows your gaze. 

In the distance, two basketball players donning signature sky blue jerseys draw a crowd near the student government office. They stand out among the sea of milling students like skyscrapers. The swath of unnaturally white - surely he wasn’t born like that? - hair on the tallest one is even less helpful in helping him blend in. A few passerby stutter in their steps trying to catch a glimpse of their faces. The young men have their backs to where the pair of you observe, in the middle of addressing the small audience. A mix of student government and faculty, the source of your ire stands amongst them. Kento Nanami stands at the head of the crowd with his smartphone in one hand and a tape recorder in the other held just slightly above the sea of heads. His blond hair and crisp blue button-up make him easy to pick out from the gang of suits. 

When snark doesn’t draw your full attention, Utahime calls your name instead. “You look like you’re about to cry.”

Furrowing your lips, your frown deepens. “Who the fuck even carries around a real tape recorder anymore? Does he not have the app on his phone?”

Your pseudo-boss shoulder checks you. Never one to miss an opportunity to play morality police. “Don’t be obnoxious,” she admonishes in what you think she thinks is her gentlest tone. “Not everybody has a smartphone.”

“He’s holding one, Utahime,” you snark back. 

The animosity catches you both off guard. You’re not typically one to be confrontational. In all of your years on the university’s newspaper staff, you’d suppose you’re akin to a fly on the wall. A floater, you’ve moved from section to section at the dismissal of the lead editors each year. It wasn’t that you were an incompetent writer so much as it was that no topic seemed to really stick with you. Student leadership wouldn’t let you go if they could help it - it was easier to keep and train staff members than to recruit. But they would never promote you - there was always somebody who fit the bill just a little bit better, who wrote with a little more flare. You were nearing the end of your senior year anyway. It was too late to even consider.

You’ve never really minded - never minded anything at all, really. The fact that almost all of the leadership was a year younger than you. Or the fact that you were consistently assigned fluff writing. That you had been skipped time and time again for any chance at covering anything more important than the carpets in the library being updated from green to gray, or minor changes to a dining hall’s dietary restrictions.

A perfect passive participant on staff, you follow all the rules. Do every story they assign you. More often than not, it’s the ones nobody else wants to bother with. They offer you some sort of loose camaraderie in return; a pat on the shoulder, a lukewarm invite to be a plus one to a holiday party. All of the necessary tools for social survival in college.  The news, cultures, and opinion columns shuffled you around semester by semester like a cumbersome stage prop. Comfortably standing in the shadow of your peers. You never ask for anything.

So you decide to be a little nicer to Utahime, to whom all this attitude must be coming out of left field.  

Never taking your eyes off the crowd, you ask with a little less bite, “Did they tell you when the press conference is yet?”

They , as in the athletics department, had been keeping zip tight on the details of the university basketball team’s newest arrivals since they had touched down in the States over the weekend. The pair of you watch as the shorter one, a young man (albeit still a full head taller than most of his audience) with black gauges and his hair pulled into a bun, delivers a short comment that causes a laugh to ripple through their onlookers. You think you see even Nanami, of all people, crack a smile. It’s hard to tell for sure from this distance.

It wasn’t unusual for the staff on the student newspaper to share tips and ideas or track events on campus together, but it’s irregular for you to be among them. There was no need to ask for help when your stories were practically written out for you. Today however, you had kept a keen eye out for your fellow writers on campus, ear to the ground all morning as you sought out some kind of - any kind of - hook that could solidify your claim to what was sure to be one of the most memorable feature story of the year: the athletics department's annual exchange student program.

“Do they allow players to wear gauges on the court?”

“You’re asking me a lot of questions for somebody that’s not assigned to this beat.” Utahime sighs. The awkward moment rolls off her shoulders with an ease you’re becoming familiar with. “I’m not giving you a press pass.”

“I - okay?” You wilt a little, shoulders slumped as Utahime takes the next question right out of your mouth. “I didn’t even say anything. That’s not even what I asked.”

“You didn’t have to. I can see it all over your face-,” You duck the graze of her knuckle as she moves to brush a faux tear, but the unimpressed look on her face remains. “But no. I haven’t heard anything from the coaches yet.”

You try and fail to hide your disappointment. You refuse to pout in front of your boss. Utahime had a softer spot for you than most of your fellow staff members - as a writer who had been on staff for so long with little to no promotion or department to call home in all four years of your college career, whispers of questions around the validity of keeping you on staff started to circulate well into the winter semester.

“Why were you so interested in doing this feature anyway? I got the feeling you didn’t like writing for this kind of stuff.” You never ask for favors; she tells you as much. “I’m just surprised, is all.” 

From your peripheral, Utahime looks at you curiously, a hand on her chin. Maybe it was because she was a year younger than you, and pitied the disposition she found you in after being elected into the chief position. But even that softness only went so far.

You shake your head, still watching the crowd from across the lobby. The taller basketball player, the white-haired guy, sticks out among the crowd like a dandelion, bending and swaying to an invisible breeze while he crowds into the space of his teammate. You crinkle your nose - his posture is surprisingly terrible.

“Kind of stuff?”

“Y’know, just - sports? Your strong suits have been more like…like, what kinds of water bottles have been popular on campus! Oh, or that listicle you did of all of the best fall-themed soundtracks-,”

“-that we published in the spring -,” 

Utahime waves you off. “That’s not the point.” 

She launches into a reassuring ramble, throwing a hand up when you don’t start to look any more appeased. The motion seems to catch Nanami’s attention from across the foyer’s open floor. He doesn’t crack a smile, but waves at the pair of you with his phone-holding hand, polite as ever. You wave back. When he turns away, your pout melts into a grimace. Tuning Utahime out, your eyes wander back to the head of the crowd, only to choke on your gasp. You’ve also inadvertently caught the attention of one of the exchange students - and he looks pissed . 

From where he stands, the white-haired wonder boy has twisted the whole top half of his body to bless you with the ugliest look of contempt you’ve ever had the displeasure of witnessing in your short life. He only rights himself when his dark-haired teammate corrals his focus back to the congregation ahead of them with a gentle hand on his shoulder. It’s enough of an interruption to make you turn your whole back on the entire debacle in embarrassment.

Utahima continues to do her best impression of placating you, hands folded above her chest as she pleads. “- And, you know, it would just be a lot easier for everybody, really, to give this to somebody who already knows if players are allowed to wear gauges on the court, and other frivolous shit like that instead of wasting time asking me.”

You make a noise like a laugh through your nose, thinking of what she considers your strong suits. “Okay.”

Out of the corner of your eye, you see the objects of your interest begin to make their way out of the front of the building, enticing their crowd of university staff and students along with them. An underclassman tries to give the white-haired man a high-five in passing. He dismisses him with a shrug. Your resolve wavers. You follow all the rules. You never ask for anything.

“Look,” Utahime begins in a tone that makes you think uh oh. “It’s not that I don’t think you’re a capable writer. I hated turning you down so publicly at the staff meeting, and there’s no doubt that your contributions to the paper have been -,” she searches for a word “- impactful to our student body. But I need somebody who’s going to do this feature, um, quietly. I mean look how much attention those two are drawing and it’s not even time for lunch yet.” 

Two girls run straight into each other, phones clattering to the ground, their eyes glued to the spectacle making its way out of the building. You can’t help but snicker, a little less forlorn. Requesting to cover the feature story for the exchange students had been the first time you had stuck your neck out for yourself, only to be succinctly rejected in front of your peers. Utahime hadn’t even the decency to pretend to hesitate. At least you’re not the only one making a fool of yourself today.

Utahime fixes you with a look that makes you straighten up a little, all business.

“I want to get this right the first time, and it’s already going to be hard between the fangirls, the fanboys , and the limited press access during the season. Can you promise me that you won’t try to butt in?”

In lieu of answering Utahime’s question, you ask, “You’ll let me know when they do, right? When you hear back from them.”

Somehow, she manages to glare harder.

You suck your teeth, sigh, and relent, “I promise.”

The editor-in-chief doesn't look entirely convinced, but the severe expression on her face relaxes nonetheless. “There’s no need to worry,” Utahime’s phone buzzes in her pocket and she turns on her heels as she checks the notification, effectively closing the conversation. “Nanami will do this piece justice.”

The two exchange students stride towards the exit, seemingly now caught up in their own little world as they chuckle amongst themselves, hardly minding the entourage that follows. The afternoon sun floods the glass double doors with a bright light, and you watch after them as they push through. 

“But that’s what I’m worried about,” you mumble, resign, and follow her into the office.

You wish someone would have told you how lonely college would be. 

Classmates and people outside of the newspaper staff tended to keep you at arm's length once they learned of your extracurriculars, mostly for fear of one day seeing themselves among the crisp pages of the biweekly print. It was all in vain; in your four years being juggled between columns, you had never aired out anyone’s dirty laundry. You were diligent in your moral code, however gray. People tended to give you a wide berth nonetheless.

It was no sweat off your back - for a journalist you are laughably not a people person. Small talk made you want to crawl out of your skin. Relationships were tedious. People were finicky and prone to lying. Unreliable. Their stories, however - actually, maybe just as much so, but that was an entirely different thrill. And yet as graduation crept closer, your lackluster portfolio mocked you far worse than your meager contacts list. Submitting job applications felt like shooting blanks at a target while blindfolded. You needed a miracle - and fast. 

It’s just your luck that the evening you are the last to lock up the student newspaper office, two miraculous things happen at once: the lead sports editor forgets his press pass at his desk just as two of Japan’s highest-ranking athletes in men’s college basketball officially announce their transfer to your institution as part of some long-running good-will exchange program.

The first anomaly is sports editor Kento Nanami’s sudden bout of forgetfulness. In his rush to make it to the press conference early, he had left the badge on his desk. You’re nice enough to promise to drop by the auditorium where it’s being held, telling him as much over text. Your peer responds with the same level of dryness you’ve come to associate with him.

Thanks. Read 6:46 PM.

The whole thing already felt like a bad omen.

Enter anomaly number two, the two Japanese exchange students joining your school’s record-holding Division One basketball team for the year. The news had spread like wildfire across the campus of your large liberal arts college before it had even reached the newspaper. It was never a matter of why the exchange program was happening.

The university boasted an extremely impressive men’s basketball team that dominated the American college league in every sense of the word. Armed with a history of individuals who went on to become some of the highest-paid athletes in the NBA and a team of coaches with a tremendous wealth of experience, your sleepy liberal arts school has made a name for itself in the world of college-level athletics. It was inevitable that other institutions would want a piece of the pie, and Tokyo University had long established their in.

It was never a matter of why, but who.

They’re gorgeous. Inarguably so. A pair of athletes in a league of their own amongst their peers both in the States and on their home turf, both parties of which you’ve witnessed trip over themselves in a clumsy dichotomy of disdainful and overbearing eagerness already in the short time you’ve spent observing the team. Youthful, dripping raw athleticism, handsome beyond words, and worst of all, they know it - the smarmy one with shocking white hair tells you as much when you meet for the first time in the elevator.

“Take a picture, it’ll last longer.”

Satoru Gojo had every right to be brash and vainglorious. More popularly referred to by his last name, the famed shooting guard from Kyoto boasts an impressive track record under his belt, stats that put even the shiniest American college basketball players to shame. His inhuman height and athleticism make him a living nightmare to oppose. The strongest , the tabloids and play-by-play sports podcasts had labeled him. Even Nanami, of all people, had described him as a monster on the court. The lead sports editor is not the type to give compliments lightly - if that could even be considered one. But if Satoru Gojo is scary on paper, he’s fucking terrifying in person.

Heat crawls up your neck, and spills onto your cheeks, your gaze quickly returns to the floor. “Sorry,” you mumble, embarrassed. Without even having introduced yourself, you’ve somehow managed to tick him off twice in the span of a few days. 

It seems as though the universe has a sense of humor tonight. You had rushed across campus to the auditorium, press pass held in your iron-fisted grip in an attempt to beat the clock. Only to end up in the elevator crammed between the very two people you’d been hoping to catch a glimpse of on your way out. While you had been hoping for some sort of miracle to be tossed your way, this..this was…

Caught off guard and underprepared, you feel brittle like a leaf in the wind under the shared weight of their gaze. Later, when you playback the recording on your phone in your pocket, you pretend not to notice when you hear your voice shake.

Suguru Getou, the other exchange student and equally formidable athlete, admonishes his teammate softly. The one who, now that you’re standing close enough to confirm, does indeed wear black gauges. His hair is loose from its bun today, inky locks tossed carelessly over one shoulder.  They both don the university’s signature jerseys once again, the cleanest they’ll probably be all season. “Satoru, please.” 

Satoru . You make note of the use of his given name, spoken gently and laced with amusement, like a parent scolding a wayward child.

You might almost believe Suguru to be sympathetic if he also didn’t look one slick comment away from laughing at your discomfort. 

“What?” His teammate flat-out whines, having complete disregard for politeness - and personal space, apparently. He reaches over and flicks the piece of plastic clutched in your hand suddenly enough that it makes you flinch.

“Ain’t this a press pass? I’m just sayin’. They’ve got, like, a whole hour to do this shit.” Gojo gripes, scratching his head. In perfect English, they talk around you. Over you, like you’re just some physical inconvenience in the middle of a conversation they were already having. You probably are. Recognizing this doesn’t make your heart race any slower.

Out of the corner of your eye, the elevator ticks closer to the mezzanine floor, where you know Kento is waiting for you. This is your chance, this is your chance!

Like an idiot, you stumble over your words, trying for something between a convincing protest and solid introduction, quickly shoving the pass into the pocket that’s empty. “No, not all! Um, actually, I did have a few-,”

The elevator dings, announcing your arrival. Internally, you swear. Twice your build and stature, Gojo shoulders you on the way out without a second glance, nearly rocking you off of your feet.  Over his shoulder, he wags his finger at you. “Ah, ah, no head starts.”

Suguru is at least polite enough to offer a smile, albeit one you can’t determine if it's sympathetic or pitiful. He gives you a once over, so quickly you might have imagined it. “Good luck out there.”

Stepping out into the hall, you watch half-stunned as the two teammates swagger in the opposite direction of your destination, off to where you assume their coach and athletic staff await. 

Could you have possibly fumbled the ball any harder? You fiddle with your phone on the way to where Kento said he was last sitting, pausing your recording.  Fumble? No, that’s football. What’s the basketball equivalent..?

Your colleague paces anxiously in the top row of the mezzanine, waiting for you to pass off his badge. If you had been paying close enough attention, you might even say he was nervous for once. Any other day, that’d be something you’d revel in. But tonight, caught up in your train of thought, you miss the look that crosses his face when you hand him the press pass without so much as a greeting. 

“Are you okay?” He asks warily, more so out of obligation than kindness. You remember with stark clarity where he had been sitting at the staff meeting when Utahime rejected your request to cover the story - his stoic, unflinching expression when she announced it had been assigned to him. You had hardly been able to look him in the eye since. “You look like you’ve seen a ghost.”

“What do you call a fumble in basketball?”

Kento goes from overly cautious to puzzled. “...A fumble?”

“Ah.”

From where the pair of you stand at the height of the auditorium, the press gathered on the lower level look like a hungry, writhing mob. You observe them as they prepare for your esteemed guests, each armed with microphones and totting cameras with flash attachments the size of your fist. They face a backdrop littered with sponsorship logos, two seats, and an unimpressive table decorated in your school’s colors and laden with more microphones.

Kento moves to head to the elevator, only to hesitate at your contemplative look.

“Does this…” he sighs and starts over, fiddling with the pass slung around his neck. “I can’t bring you with me down there.”

“I know.”

“Or to any of the games.”

“I know.”

“Or interviews.”

You glance up, facing him full-on for the first time in days. Scanning his features for any sign of mockery. “...Okay.”

“But between this and the rest of the sports for this season, I’ve got my hands full.” On stage, the head coach appears to greet the slew of reporters, thanking them for coming out tonight. He begins to say a few words about the exchange students and the history of the exchange program. Kento’s eye twitches - you can feel him getting antsy. “I’m fine taking notes, but I could use some help with the drafting.”

A feeling wells up inside your chest. Amid all of the dejection, the disappointment, the worry - a glimmer of hope had appeared. Somebody was finally giving you a chance.

He offers his hand but you’re slow to take it. Eyes narrowed, you tell him rather than ask, “And I get credit.”

“Partial,” he acquiesces. “And we’ll be on the front page.”

The clamor beneath you begins to grow louder, and your colleague lurches back like he’ll jump over the balcony if that's what it will take to make it down there on time. Steel-eyed, you snatch Kento’s hand in yours before he can take anything back. 

“Deal.”

The crowd below you erupts into a thunderous roar of cheers. 

<< prev.

[superstarz9]

So y’all fw EVEN MORE Mr. Puzzles hcs?

Cause I got some :}

tbh I feel like Puzzles get’s too babied in the fandom. A lot of people forget that he’s kind of an asshole, and takes a long time to warm up to people. However, once he realizes how he feels and is willing to reach out more, things get a lot better.

It’d probably be really awkward more than anything else. He wouldn’t understand relationship stuff and you’d have to explain things to him, which would kill the tension for a bit. However, he makes a huge effort trying to be a good partner.

Puzzles wants a relationship (platonic or romantic) but doesn’t want to be fixed/helped. He likes the attention and having a permanent audience.

If anyone here knows Guilty Gear, you guys would probably be like A.B.A and Paracelsus, where the two of you would get into a relationship out of needing something from the other rather than for genuine interests (Him wanting someone to control and you wanting to fix him (or make him worse)) (Yes, this is a callout post for all of us, me included). It would take a while for the both of you to finally realize that your goals are what is harming the relationship from going further, and it takes a while to overcome that boundary. But once you guys do, it’s much easier to work together.

If your relationship is in the real world, he’d probably get annoyed with you more often than not during the beginning. Nothing that would make him lose it, but enough that he’d need to take a moment to readjust. Picture him dealing with Mario’s antics in the gameshow episode without going crazy, as well as him talking to Boopkins during the Price is Right Segment.

Bottom.

He’ll let you kiss his screen but the moment you aren’t looking he’s wiping that shit off. Not because he doesn’t like it, in fact he loves how much you wanna kiss him and give him attention, but it’s a ocd/texture thing; he can’t handle feeling dirty in any way.

When he blushes, it’s like screen-burn (when a static/unmoving image burns into the screen for long periods of time). If he’s blushed in the past 30 mins, you can still slightly see it up close.

His love languages is gift giving and acts of service. He also loves literally everything except gift because you’d be the greatest gift (plus he’s personally not a material-wealth kinda guy. Leave the gift-giving to him).

Doesn’t have a type/isn’t picky. Anyone who’s willing to give him attention, he’ll love.

He hasn’t genuinely laughed at something in years. He’s seen all the comedy shows and knows all the tropes so much that nothing gets to him anymore. You might make him chuckle or smirk but his goal is to make you smile and laugh. If you do laugh at his jokes, it warms his heart a lot. However, he can tell if a laugh is forced/fake, and will call you out on it if he’s not in a good mood.

Whether you like it or not, you pretty much can’t leave him alone once the two of you are official. If he needs some kind of comfort, he’s latching onto you. If you’re far away, he’ll either make the journey to see you or will call you every ten minutes

Hates modern phones and can’t text for shit. The gloves DO NOT help at all. He’ll just call you if he wants to talk to you, but the two of you are usually together so there’s no need.

Literally just unhindged Fluttercord.

A Two-for-one deal: a partner and a white noise machine lol.

Tastes like battery acid. I will not elaborate further.

His memories are like recordings that he can display on his screen, but he rarely does. If he falls asleep and dreams about memories of you, he might display them like that one scene of Pearl sleeping in Steven Universe.

Loves coordinating and matching outfits, but he’ll literally wear the same thing so he likes it when you coordinate with him, really.

Fr tho he is totally a bottom, but he’s overall more of a switch. If he has control over the situation, he’ll make sure everything goes flawlessly. However, if you make him go off-script and cause him to fumble, you can easily take over.

Now these ones are specifically horror movie/show based from a request last post!

He’s okay with slasher movies, but hates the amount of unnecessary stuff like the swearing and sex. All cheep tactics to the the audience interested.

Hates phycological horror. Respects it, but hates it. Partially because he’s in minor denial of what he puts his actors through (he knows and accepts that’s he’s brainwashing people and controlling them, but he often justifies if for his sake).

Likes watching some horror movies because a lot of actors started with horror and got bigger because of it.

Truthfully, he’s a little traumatized from horror movies after staying up late one night to watch night television and adult shows as a kid. When a horror movie started playing, he forced himself to watch the whole thing and had nightmares about it months after. He overall tries to avoid horror.

If you guys are in a relationship and you wanna watch a horror movie, he’ll be hesitant. As you set it up, he’d also try to switch the movie and distract you, which fails. “Well, I mean, if you insist. Oh- but how about this other movie! It’s excellent, and the bonus features are so interesting!”

If you call him out for it, he’d apologies and admit he’s not a fan of horror. You could totally tease him, saying that “there’s no such thing as monster” and that you’re there to protect him if something goes bump in the night, and he’ll get offended and would watch the movie JUST to prove that he isn’t afraid.

He’d be shaking by the 30 min mark, over-dramatically reacting to everything. This could be for 1 of 2 things:

1. He’s genuinely terrified and the suspense is killing him. He’s curled up on the couch with his manic smile waiting for SOMETHING to happen, but nothing’s happening yet, so why’s THE MUSIC GETTING LOUDER?!?!?! You could scare him with a poke or a loud noise, which would cause him to basically skyrocket to the ceiling in fear, or you could gently take his hand and cuddle with him, which he’d immediately grab onto you and squeeze you the entire movie.

2. The acting is horrible and nothing makes sense. If the fear isn’t good enough to captivate him, he’s sprawled out on the couch and complaining the whole time. It’s almost funny how passionate he is about it, if not for the fact that you just wanna watch a movie. You could shush him, but he’ll just go back to talking in the next 5 minutes.

As for the theatre, you kinda can’t take him regardless of what’s playing, mainly because of his screen. He can’t dim it, and he’s already a beacon of light in dim rooms, so the theatre is a no go. He doesn’t mind, as he obviously prefer television. However, if you’re willing to drive and watch them, he’s fine with drive-in theatres. They remind him of his childhood, and it give him a reason to cuddle with you.

Only major downside of a drive-in is all the bugs sticking to his screen in the night, which he’d freak out about. He’d drench himself with so much bug repellent that he’d stink of chemicals.

Here’s a bunch of relationship hcs! Tried to make them mostly interchangeable between romantic and platonic relationships. I’ll continue to cook up more headcanons but I may or may not be working on a fic of my own, inspired by all the amazing writing I’ve been reading from the fandom. Til then, I’ll continue posting here! Questions/comments/suggestions are greatly appreciated. Thanks and have a great day!