#pluggnb beat

[djerrorxo]

ignore tags: vlm, summrs, kankan, yp4am, slayworld, autumn, twinuzis, twinuzis autumn, autumn twinuzis, frankslastday, gonnie, izaya, izaya tiji, mingo, dior blunt, diorblunt, cody lemont, codylemont, benjicold, asian rock, pluggnb, mainframe, endoh, paradigm, paradigmoao, paradigm oao, playboi carti, playboi carti leak, playboi carti leaks, whole lotta red leak, wlr leaks, wlr leak, playboi carti wlr, playboi carti wlr leaks, alexzander pray, azp, rio leyva, brentrambo, brent rambo, cashbently, noirbrent, summrino, slayer, slayedthis, wifi, prodwifi, eddie gianni, thrillboy, xangang, surreal gang, woosah, wonderr, giela giela, leesta, gibbo, clibbo, ginseng, pasto flocco, destroylonely, sws, slayworld soulja, slayworld soja, macten, mactenxx, ssgkobe, onlybino, slump6s, sholohbae, novagang, sofaygo, imsofaygo, tyfontaine, dirtysprite, jakobe, bathingxay, vene, vincii, cortdot, lucki, lucki leaks, rewindraps, summrs archive, summrsxo, summrs locked in, summrs toxicity, summrs too divine, summrs coke, summrs packrunner bitch, thouxanbanfauni, unotheactivist, ronsocold, mexikodro, stoopidxool, goyxrd, skys, weiland, duwap kaine, lil keed, lil gotit, domcorleo, ninetyniiine, bryceunknwn, tyjuan, hitechstef, slime dollaz, underw6ter, september swiper, lil candy paint, iankon, zellyocho, dsavage, 16yrold, bktherula, lil summrs, sadbalmain, d savage, $ofaygo, yung fazo, 10cellphones, cashcache, slimesito, rob surreal, lil tracy, lancey foux, cochise, diego money, atl smook, 10kdunkin, lil shorty, lil $horty, boofboiicy, luv4clip, underground music, underground, underground songs 2020, plugg, mike frost, yen5k, chief keef leak, chief keef woosah, swk freestyle, kankan uh huh, 1600j, bby goyard, aflacko, bbknight, soulriven, david shawty, xhu, xhulooo, hvffie, heffie, whyfye, wolffacejoey, sportvvs, 1stclassangels, lil benny, summrs archive, kankan archive, addivt, $not, tony shhnow, 645ar, senseiatl, sensei atl, texako, playboi carti molly, playboi carti kid cudi, playboi carti unreleased, unreleased playboi carti, playboi carti skeleton, slowed reverb, playboi carti arm and leg, playboi carti asthma, playboi carti a lot on my mind, playboi carti butterfly doors, playboi carti backroom, playboi carti cancun, playboi carti cash shit, playboi carti cant relate, playboi carti dropped out, playboi carti glock, playboi carti goku, playboi carti hellcat, yung mal, pyrex whippa, chasethemoney, summrs intoxicated, summrs intoxicated leak, summrs snippet, summrs type beat, playboi carti type beat, autumn ils verront, nolanberollin, nessly, wintertime, lil tecca type beat comethazine type beat rich the kid type beat kaiser type beat smokepurpp type beat tm88 type beat famous dex type beat beatstars bstars nle choppa type beat krimelife cass type beat abg neal type beat d savage x stoopidxool type beat young nudy type beats pi'erre bourne yo pierre type beat free travis scott type beat 2019 ybn nahmir type beat young nudy instrumental bladee type beat bandmanfari type beat diego money type beat type beat trap istrumental type beat tutorial tay-k type beat tay k type beat eternal atake type beat gunna x wheezy type beat polo g type beat oogie mane type beat madeintyo type beat ronny j type beat sizzle type beat southside cookup freq quando rondo type beat sahbabii type beat maxo kream type beat valee type beat chasethemoney type beat lucki x chasethemoney type beat free lud foe type beat corey lingo type beat no cap type beat super slimey type beat altosgp type beat jaydayoungan type beat youngeen ace type beat detroit type beat tee grizzley type tlop4 playboi carti leaks strick type beat free yung tory type beat nafe smallz type beat m20 freestyle beat xxl honorable c note type beat ysn flow type beat

[maximusdicarter]

Derniers morceaux en date : "Pantoufles aux pommes" & "Elle avait tout".

"Pantoufles aux pommes" écrit et performé par Max D. Carter ; Produit par andi2k ; Mixé et masterisé par Kindred Beats ; Enregistré au Studio Blue Shadow par Brendon Cacciaguerra-Fermond ; Artwork par Charles de Courrance.

Paroles de Pantoufles aux pommes

"Elle avait tout" écrit et performé par Max D. Carter ; Produit par Duwopxo & Snow00 ; Mixé et masterisé par Kindred Beats ; Enregistré au Studio Blue Shadow par Brendon Cacciaguerra-Fermond ; Artwork par Charles de Courrance.

Paroles de Elle avait tout

[throwedgenji]

Autotune Genji Freestyle (Prod. Gabuza)

[s-----e]

@vvs.emiro on Instagram 🔌👉🏼⭐

[soupfather]

I purposely didn’t put fnaf tags since I didn’t think y’all would like half a second worth of sun dancing, but since y’all are here you can look at the initial sketch I made that snowballed me into animating

COME W ME NOWWOWOWOW 🗣️

[wachamambo]

"Better Know" – Free Lucki X Iayze X Izaya Tiji Type Beat

[djerrorxo]

ignore tags: vlm, summrs, kankan, yp4am, slayworld, autumn, twinuzis, twinuzis autumn, autumn twinuzis, frankslastday, gonnie, izaya, izaya tiji, mingo, dior blunt, diorblunt, cody lemont, codylemont, benjicold, asian rock, pluggnb, mainframe, endoh, paradigm, paradigmoao, paradigm oao, playboi carti, playboi carti leak, playboi carti leaks, whole lotta red leak, wlr leaks, wlr leak, playboi carti wlr, playboi carti wlr leaks, alexzander pray, azp, rio leyva, brentrambo, brent rambo, cashbently, noirbrent, summrino, slayer, slayedthis, wifi, prodwifi, eddie gianni, thrillboy, xangang, surreal gang, woosah, wonderr, giela giela, leesta, gibbo, clibbo, ginseng, pasto flocco, destroylonely, sws, slayworld soulja, slayworld soja, macten, mactenxx, ssgkobe, onlybino, slump6s, sholohbae, novagang, sofaygo, imsofaygo, tyfontaine, dirtysprite, jakobe, bathingxay, vene, vincii, cortdot, lucki, lucki leaks, rewindraps, summrs archive, summrsxo, summrs locked in, summrs toxicity, summrs too divine, summrs coke, summrs packrunner bitch, thouxanbanfauni, unotheactivist, ronsocold, mexikodro, stoopidxool, goyxrd, skys, weiland, duwap kaine, lil keed, lil gotit, domcorleo, ninetyniiine, bryceunknwn, tyjuan, hitechstef, slime dollaz, underw6ter, september swiper, lil candy paint, iankon, zellyocho, dsavage, 16yrold, bktherula, lil summrs, sadbalmain, d savage, $ofaygo, yung fazo, 10cellphones, cashcache, slimesito, rob surreal, lil tracy, lancey foux, cochise, diego money, atl smook, 10kdunkin, lil shorty, lil $horty, boofboiicy, luv4clip, underground music, underground, underground songs 2020, plugg, mike frost, yen5k, chief keef leak, chief keef woosah, swk freestyle, kankan uh huh, 1600j, bby goyard, aflacko, bbknight, soulriven, david shawty, xhu, xhulooo, hvffie, heffie, whyfye, wolffacejoey, sportvvs, 1stclassangels, lil benny, summrs archive, kankan archive, addivt, $not, tony shhnow, 645ar, senseiatl, sensei atl, texako, playboi carti molly, playboi carti kid cudi, playboi carti unreleased, unreleased playboi carti, playboi carti skeleton, slowed reverb, playboi carti arm and leg, playboi carti asthma, playboi carti a lot on my mind, playboi carti butterfly doors, playboi carti backroom, playboi carti cancun, playboi carti cash shit, playboi carti cant relate, playboi carti dropped out, playboi carti glock, playboi carti goku, playboi carti hellcat, yung mal, pyrex whippa, chasethemoney, summrs intoxicated, summrs intoxicated leak, summrs snippet, summrs type beat, playboi carti type beat, autumn ils verront, nolanberollin, nessly, wintertime, lil tecca type beat comethazine type beat rich the kid type beat kaiser type beat smokepurpp type beat tm88 type beat famous dex type beat beatstars bstars nle choppa type beat krimelife cass type beat abg neal type beat d savage x stoopidxool type beat young nudy type beats pi'erre bourne yo pierre type beat free travis scott type beat 2019 ybn nahmir type beat young nudy instrumental bladee type beat bandmanfari type beat diego money type beat type beat trap istrumental type beat tutorial tay-k type beat tay k type beat eternal atake type beat gunna x wheezy type beat polo g type beat oogie mane type beat madeintyo type beat ronny j type beat sizzle type beat southside cookup freq quando rondo type beat sahbabii type beat maxo kream type beat valee type beat chasethemoney type beat lucki x chasethemoney type beat free lud foe type beat corey lingo type beat no cap type beat super slimey type beat altosgp type beat jaydayoungan type beat youngeen ace type beat detroit type beat tee grizzley type tlop4 playboi carti leaks strick type beat free yung tory

[maximusdicarter]

"Vers La Beauté" est mon nouvel EP sorti ce 1er Septembre. Trois titres rendant hommage à cette fille que j'ai eu la chance de rencontrer sur mon lieu de travail. Elle a le nom d'une pierre semi-précieuse comme sa meilleure amie (le gang des pierres précieuses). J'ai voulu parler de cet évènement dans ma vie. Cela devait être une musique pour au final devenir un projet. Pour celui-ci j'ai travaillé avec les beatmakers suivants : Alijah4k, Mon, Space Pirate & 1jae. Mixé et masterisé par Kindred au AnalogWhisperStudio. Enregistré par mon cousin Brendon dans son studio. Artwork réalisé par slump2019.

Vers La Beauté est disponible à l’écoute via les différents liens suivants :

Spotify / Deezer / Apple Music / Youtube / Soundcloud / Bandcamp / Linktree

_____________________________________________________

Ils parlent du projet :

Radio France (Mouv') - Radio France (Mouv') -  Frères De Chaussures - Radio France (Mouv')

[scottsauceworld]

(Free) taylor swift x pluggnb type beat - $oss! | 2023 | prod @GameBoy808

[prodmetz]

Metz // someday

// dm to buy

[kushblazer666]

i need the pluggnb beat dawg

[deadcactuswalking]

REVIEWING THE CHARTS: 04/03/2023 (Freya Ridings, Superstar Pride, Caity Baser)

“Flowers” by Miley Cyrus is at #1 for a 7th consecutive week, and I don’t see it facing much competition. For now, welcome back to REVIEWING THE CHARTS!

Rundown

It’s a pretty standard week, and I’m pretty busy this week, kind of exhausted, so let’s be as quick as possible and start as always with the notable dropouts, songs exiting the UK Top 75 – which is what I cover – after five weeks in the region or a peak in the top 40. Sure, it’s expected that “Lost” by Linkin Park and “Voices” by KSI and Oliver Tree have left the chart, but we also say farewell to four big ones: “Out of Nowhere” by Bugzy Malone and TeeDee, “Music for a Sushi Restaurant” by Harry Styles, “PSYCHO” by Anne-Marie and Aitch and... “STAY” by The Kid LAROI and Justin Bieber... again.

As for what’s filling in the blanks, we actually see a decent few returning entries. Two of them are long-term hits briefly coming back, those being “Save Your Tears” by The Weeknd at #72 and “Someone You Loved” by Lewis Capaldi at #63, and the other two are recent instrumental TikTok hits picking up a new peak, those being “METAMORPHOSIS” by INTERWORLD at #68 and “Snowfall” by Oneheart and reidenshi at #61. Elsewhere, we have our notable gains, including “Until I Found You” by Stephen Sanchez at #53, “Under the Influence” by Chris Brown at #51, “Shut up My Moms Calling” by HOTEL UGLY at #47, “Whistle” by Jax Jones featuring Calum Scott at #46, “Another Love” by Tom Odell at #44, “Snooze” by SZA at #40, “Here with Me” by d4vd at #34, “Rush” by Ayra Starr at #29 and finally, apart from a gain in the top five, “Hide & Seek” by Stormzy at #21.

This week, the top five of the UK Singles Chart is pretty familiar, with one twist. We see “Sure Thing” by Miguel at #5, sure, but then thanks to a seven-years-too-late remix with Ariana Grande, The Weeknd sees “Die for You” surge up to #4. Otherwise, we have “Kill Bill” by SZA at #3, “Boy’s a liar” by PinkPantheress at #2 and of course, “Flowers” at #1. Now we move onto our smaller batch of new arrivals.

NEW ARRIVALS

#69 – “Watch This” – Lil Uzi Vert and ARIZONATEARS

Produced by Forza and Kado or ARIZONATEARS

This is technically another case wherein the song credited by the Official Charts Company doesn’t really exist. As the story goes, Forza produced the original track which was previewed in 2019, but later, he was called out by Uzi for leaking music they’d worked on together, putting the song in limbo and leading Forza to get kicked from his band, the Working on Dying trap production collective. Eventually, in April of last year, the song and its video were leaked in full, leading to amateur producers making remixes. One particularly remix, listed as the “ARIZONATEARS Pluggnb Remix”, became particularly popular on SoundCloud, and eventually Uzi’s label Atlantic, in the tradition of screwing Uzi over, picked it up under the bizarre subsidiary – and artist credit for no reason – “sped up nightcore”. Today, we have this new version gaining much of the traction, with the original still not officially released. Issues with Forza must be the only reason why, because the original is honestly pretty fire, with a great, playful introductory verse from Uzi and a hard-hitting tread beat that has a plummeting bass placed onto ethereal keys and vocal samples that make for a pretty samey yet effectively atmospheric cloud rap track. I would prefer a shorter version, since Uzi may have a lot of flows but a lot less to say, since they’re just flexing for the most part, even if the hook is incredibly infectious. Regardless, I must prefer it to the version we got on streaming, pitching down the vocals and adding a cheap sounding synth that whilst has a cool melodic idea, just continues to mind-numbingly loop with very little variation for pretty much the entire song. The remix, whilst sounding vaguely on beat, doesn’t fit the vocals too well, with ARIZONATEARS placing some needlessly soulful plugg chords within a song that is so unabashed in its flexing that it really doesn’t seem like a good fit, especially if half of Uzi’s energy is taken away through the vocals being isolated by an AI stem splitter. It’s just an awkward fit that takes a good song and kind of butchers much of the appeal. I get why the sound has captured people, yet I can’t help but think there’s better ways to introduce people to pluggnb.

#67 – “22” – JayO

Produced by JayO

UK singer JayO, mostly known for contributing to songs by people such as Drake and YNW Melly, has his breakout solo hit with this self-produced song that... barely really exists, but it’s pleasant enough. My main issue is JayO himself, whose nasal voice takes quite a while to get used to, as the production isn’t bad at all, taking a groovy and cloudy approach to typical Afrobeats percussion that takes a really reverbed and echoed approach in its synthetic claps that I find pretty interesting, especially when placed against the solid bass and hypnotic keys. Again, JayO has pretty much nothing to say, as it’s a mostly sex-focused love song with a repetitious chorus and second verse that just repeats itself instead of bringing any new lines in. The production, whilst decent, doesn’t change enough to accommodate the utter lack of a finished song here, so the end product ends up as just okay. I wouldn’t be surprised if this ends up being really big though.

#64 – “REACT” – Switch Disco featuring Ella Henderson and Robert Miles

Produced by Switch Disco and Punctual

Switch Disco are the UK’s self-proclaimed “no. 1 mashup DJs”, and this song features a very prominent sample of “Children”, the dreamy trance classic released in 1995 by the late Italian producer Robert Miles, so prominent that he was granted a posthumous feature credit. The original song peaked at #2 behind “Don’t Look Back in Anger” by Oasis, and this reinvention features Ella Henderson on a lead vocal line that seems like it really does give credence to them being mashup DJs, since it seems completely separated from the sample, with her decent enough vocals comparing love to a chemical reaction not even remotely fitting on the disgustingly-placed sample of the now-iconic piano line. At some point, they bring in hilariously dated acoustic guitars and it almost becomes funny if it weren’t for the fact that the sample is barely implemented outside of the hook so it just becomes a copy-and-paste job. I have nothing against mashups, in fact I’m all for them, but when people who predominantly make mashups resort to just writing a song and pasting it over an existing sample, without making any real concessions to either the sample or the original song they wrote, maybe they should stick to just letting the songs be written for them, because this is pretty damn bad.

#35 – “Pretty Boys” – Caity Baser

Produced by LiTek, Matt Rad and WhYJay

The main reason that this is a unique set of new arrivals is how unfamiliar a lot of the names and faces are, or at least how they’re only slightly familiar, with some vague connections we’re familiar with, like how Caity Baser has her breakout single here, but it’s produced by Aitch’s go-to guys for whatever reason. We’ll see more of both that trend among the new arrivals as well as this one: the songs just aren’t interesting. This one is about how she continuously ends up with men who are attractive but completely boring. She has a lot of spark in her delivery, reminding me of a less volatile Lily Allen and less explicit GFOTY, and it can be quite infectious charisma-wise but the personality that drips off of this ends up becoming both its best and worst element, as whilst she’s never annoying herself, the production is so blank and upbeat with its recurring whistle and awkward trap percussion amidst the otherwise chirpy track that she ends up with barely any space to express that personality, which means this ends up pretty claustrophobic. I really do like the bridge with the acoustic guitars but it’s also just an idea that kind of comes out of nowhere because the production wasn’t fine-tuned for someone who, you know, actually has a personality – it’s almost like it was made to overshadow a performer’s lack of it, so when Baser comes on with her bratty attitude, it feels very overwhelming and for not much good reason, as the song has little edge. As it is, it’s pretty much a comedy song, and it’s chintzy fun in that regard, but it’s not something I’ll ever return to.

#33 – “PAINTING PICTURES” – Superstar Pride

Produced by GlobalKnockz

Superstar Pride is also new to the scene, having this song from his 2022 tape 5LBS OF PRESSURE blow up essentially out of nowhere, and man, it’s been a while since we had a rapper with an unusually clunky name. I almost got used to A Boogie wit da Hoodie and YoungBoy Never Broke Again but they seem to be on their way out so Superstar Pride is here to fill that spot, except with a song that is less of a mouthful and more just a weird play on his surname. Regardless, is the song any good? Well, I love the Faith Evans sample, which I recognise from when Lil Yachty sampled it on “Forever World” with Trippie Redd, but it’s arguably flipped a lot more cleverly here as while he harmonises with the original melody in the intro, he’s soon rapping over a hardcore chop and flip of the sample, buried under a minimal intense trap beat. He reminds me of Moneybagg Yo, with clunky writing definitely a part of that, as well as his gruffer delivery that works when balanced against the melody in the chorus but is pretty gross-sounding in the bassy verse. I like the detail about his family and upbringing, but I’d prefer if it was more fleshed out, given that there’s clearly more he wants to say, but resorts to rapping about thots and how it’s “no love” for these women, which is disappointing when he could go into that relationship he had with his mother that involves both loyalty and cocaine in more detail. Sure, artists don’t need to reveal more about their personal lives if we don’t want them to, but the hints we have here are compelling and I wish they went further, especially because I honestly think that chorus would work as an incredibly solid first verse for a song about that. I think that the song will still last quite a while, mostly because a star-studded remix seems very possible for a song like this going viral, maybe with someone like Lil Durk whom this beat seems tailor-made for, and I’ll be waiting for that remix so that I can fully endorse this.

#31 – “Weekends” – Freya Ridings

Produced by Steve Mac

Freya Ridings? Well, damn, this feels like reuniting with an old friend! Ridings first broke onto the UK pop scene when I was in my first year of reviewing the charts with her top 10 hit “Lost Without You”, which I still don’t like but hey, how’s it been, girl? Thanks to COVID, it honestly feels like it’s been forever. Are you making good music finally? Wait, you actually are? Well, colour me surprised: Ridings released a disco song about alienation which aside from some mix clipping and vocals that I feel should be even more processed instead of drenched in reverb and echo, I think is pretty decent. Given her throaty voice combined with the melodramatic rising pianos, it allows for comparisons to Florence + the Machine, and it definitely isn’t a unique track, but the chorus is insanely catchy and powerful, throwing itself into the strings and percussion that I wish was a bit more organic just to channel the disco even more. The second verse bringing in those distant keys, triumphant horns and Ridings’ gruff vocal riffing makes the dissonant disco frustration feel even more poignant, and the bridge with the trap percussion for once uses it to make a pretty killer slow down that I honestly wish was longer. The build up into the final chorus does feel rushed, but I feel like the chaos caused by the sheer amount of production that is thrown into this very much fits the content and really the thesis of the song. Good job, guys, though maybe I have to be worried now that the people who were charting back in 2018 can come back and surprise me with a genre shift that is of genuine quality. I’m going to prepare for Swarmz to make an industrial rock song featuring Not3s and ZieZie produced by CamelPhat and Loud Luxury. If you’re asking who those people are, trust me: you’re not alone.

Conclusion

Well, it wasn’t a particularly notable week in terms of either extreme of quality, so I suppose Freya Ridings takes the Best of the Week for “Weekends”. Come on, it’s like a high school reunion, I felt obliged to! Funnily enough, the Honourable Mention actually goes to Lil Uzi Vert for “Watch This” as not only is the original actually very good, the ARIZONATEARS remix at least has some more unique sound going for it, and much of the original’s qualities such as the rapping from Uzi is still vaguely there. I can’t sincerely give a Dishonourable Mention though, so I may as well tie Uzi with JayO for “22” as once again, it’s got a more unique interesting sound that I hope to see done better. As for Worst of the Week, Switch Disco takes that easily for “REACT” featuring Ella Henderson and the late Robert Miles, neither of which I blame for its quality. As for what’s beyond the horizon, like always, I have no idea – but Mimi Webb’s album could have some impact so I don’t think next week will be any more interesting than the last. Thank you for reading and I’ll see you next week!

[underground-archives]

Producer Spotlight: MexikoDro

MexikoDro is a producer from Atlanta, Georgia known for his 'Plugg' style beats, which are characterized by their dreamy and nostalgic, yet relatively simple melodies. Dro is widely recognized as one of the most influential producers who helped to pioneer and popularize the genre in the mid 2010s.

MexikoDro is the producer behind what is arguably the most widely recognized plugg track, 'Gassed Up Shawty' by Nebu Kiniza (2016). The song, featuring the iconic 'plugg' tag - also created by Dro - reached numbers no other Plugg track had before, breaking into the mainstream and taking the genre to the next level.

However, the beat for 'Gassed Up Shawty' was born long before Nebu Kiniza dropped the hit song in 2016. Most Plugg fanatics will be able to recall the original song that 'Gassed Up Shawty' samples: 'Plug' by Rich the Kid ft. Playboi Carti and Kodak Black, a track which is fondly remembered by some fans, but also controversial due to the fact that Rich the Kid never compensated Dro for the beat, resulting in a falling out between the producer and the rapper. 'Gassed Up Shawty' put Plugg on the map for the mainstream, but 'Plug' remains a cult classic and staple for original fans of the genre.

Some other iconic Plugg tracks produced by MexikoDro include, but are by no means limited to: 'Broke Boi' (2015) and 'Had 2' (2017) by Playboi Carti, and 'Hella Os' (2015) by Lil Yachty.

The influence of MexikoDro in the underground/alternative hip hop scene cannot be denied, as his contributions to Plugg paved the way for artists like the dynamic rapper-producer duo of Cashcache and Tony Shhnow, as well as producers such as Xangang who innovated on that foundation laid by original Plugg producers like Dro, resulting in a new and extremely popular offshoot of the genre known as "PluggnB" (a play on the words 'Plugg' and 'RnB').

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[wachamambo]

"Pyrex Vision" – Free Lucki X Iayze X Izaya Tiji Type Beat

[xaviergalatis]

[Verse] Feelin' like a legend, call me Senzu (Senzu) Mixin' up the beats, got the menu (menu) They be tryna catch me at my venue (venue) But you know my aura never bend, true (bend, true) [Chorus] I stay fly, vibin' high (yeah) Got that drip, never lie (no) On the grind, touch the sky (woo) Pluggnb, till I die (aye)