#plebs itv
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Oh no. I can't believe this happened. I reached series 4 of Plebs and they killed Stylax off and replaced him with some twat who looks like a ken doll.
I might actually cry. Stylax was my favourite. I'll give new guy a chance, though.
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when they’ve got that lord farquaad trim
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He really does. Grumio had got life all figured put.
It's all about eating good food and being as comfy as possible.




grumio from plebs has cursed tboy swag!
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Who is Joel Fry?
he was in cruella with emma stone, in yesterday and i belive he has a show coming out with Jodie Comer!!
Yeah I know him from Plebs, a show that was on ITV
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I honestly think itv's plebs is one of the best sitcoms of the decade
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Oh no. Honey.... Oh no. Spoilers. Anyway, do you want to talk about Plebs with me? I have literally no one to talk about the show with.
Yeah, Joel Fry was Great as Stylax Eurisyces. Is that how you spell that name IDK. But how far in are you, because I have terrible news about Stylax.
Plebs, Joel Fry, 2013. Joel Fry is the best part of this show and he is absolutely hilarious. I want to watch everything Joel Fry is in. This show is straight up funny - not a comedy/romance/drama. Just a clever laugh and occasional gross-out humor. Good fun.
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Grumio Ramsay is born.
#plebs#plebs itv#plebs itv2#plebsedit#grumio#aurelius#ryan sampson#tom basden#roman kitchen nighmares
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Tom Basden Talks ITVX's Plebs: Soldiers of Rome
Tom Basden Talks ITVX’s Plebs: Soldiers of Rome
(more…)

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sincr I started watching Plebs, I think about ancient Rome every day.
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PSA
Can tom rosenthal
And Ryan Sampson
Please get the awareness they diserve. They are amazingly funny. And amazing actors and they diserve to be known. Plebs and Friday night dinner are funny.
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Salve Marcus
Pencil drawing of Tom Rosenthal by me
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Looks like both Ryan Sampson and Tom Rosenthal from ITV’s Plebs are filling out a bit!
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Thank you Spiked!
Megxit was not driven by racism
Why are liberals so determined to turn the princess into a victim?
Tom Slater
First they said Brexit was caused by racism. Now they’re saying Megxit was caused by racism.
By ‘they’, I mean the liberal-left commentariat, the people who hate Brexit, hate ordinary people, and have for some reason grown to love our departing royals, Prince Harry and Meghan Markle.
This past 24 hours they have closed ranks around the couple – who announced yesterday that they plan to keep their royal titles (and most of their royal income) but leave behind their royal duties – like some woke version of the Queen’s Guard.
They have chastised anyone outraged by the staggering entitlement shown by the Duke and Duchess of Sussex, who have essentially said that they want the status but none of the responsibilities of monarchy. They insist that the poor couple have been driven out by racism.
British author Afua Hirsch, writing in the New York Times, decries the ‘racist treatment of Meghan’ in the press. She says it is hardly a surprise that Markle has walked away from a nation with a prime minister ‘whose track record includes overtly racist statements’ and a ‘Brexit project linked to native nationalism’.
Of course, Boris Johnson has no such track record and the only people linking Brexit to native nationalism are elitist upper-crust Remainers like Hirsch. But no matter. Why let reality spoil the narrative?
These claims made about the ‘racist’ treatment of Meghan at the hands of the British press are incredibly thin. The same non-examples are just recycled over and over again. You’ve probably seen them quoted (out of context) a thousand times.
There’s that Mail piece from 2016, when Harry and Meghan were first dating, that said she was ‘(almost) straight outta Compton’ – at the time Markle’s mother lived in nearby Crenshaw, LA. Hirsch says this was an attempt to link Meghan with ‘racialised forms of crime’, ie gangs.
That’s one hell of a reach. The piece was clearly just playing on the difference in Harry and Meghan’s social backgrounds. If Harry had been dating a white working-class woman from Moss Side, I dare say the Mail would have done something similarly silly.
Another favourite is that weird throwaway line Rachel Johnson wrote, in a laudatory piece on Markle, about the mixed-race American actress bringing some ‘rich and exotic DNA’ to the pale Windsor bloodline. That’s more cringey than racist.
Several pieces have even cited a single phrase in a Sarah Vine column – she said she had a ‘niggling worry’ about the royal couple’s engagement photo – as a bigoted dog whistle. Which is, quite frankly, mental. Such is the lack of actual examples of the press being racist about Meghan.
The only leg this argument has left to stand on is that the sheer volume of criticism sent Meghan’s way was disproportionate. Racism is the only explanation for it. It’s an argument that has the advantage of being based purely on unverifiable speculation and imputing motives. But it’s also, obviously, bollocks.
When the couple first got together the coverage was pretty much gushing across the board. It was only when Meghan and Harry started on their various virtue-signalling crusades – like jetting around to lecture on climate change – that people’s backs went up.
That the couple had already been beefing with the press probably didn’t help either. In 2016, way before Meghan became such a key figure in our culture wars, Harry issued a remarkable statement rebuking journalists for the ‘racial undertones’ of their pieces.
That these privileged royals, kept in the lap of luxury at taxpayers’ expense, began to develop a deep-seated victim complex only deepened the resentment towards them. Last year, Meghan told ITV that public life was a ‘struggle’, and that she was shocked that ‘not many people have asked if I’m okay’. Poor princess.
This picture of privilege is who the liberal-left has spent the best part of three years defending. Even supposed republicans have – after a bit of anti-royal throat-clearing – defended Harry and Meghan to the hilt and helped construct this absurd narrative that they are the victims of establishment racism.
But this says far more about the prejudices of liberal-left commentators than it does about the tabloid press. That they routinely situate Meghan’s supposed mistreatment in Brexit Britain is no coincidence. They think of Britain as a foul place, full of foul people, brainwashed by foul newspapers to hate the wonderful Duchess of Sussex and the obviously brilliant European Union.
What the liberal elite’s severe case of Meghan-mania has shown us is that, for all their posturing against right-wingers, monarchy and the old aristocracy, they’re completely comfortable with the plebs being led and instructed and hectored by our betters.
They would just rather it was woke people doing it, like Harry and Meghan.
Tom Slater is deputy editor at spiked. Follow him on Twitter: @Tom_Slater_
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New British Comedy TV Series for 2021: BBC, Channel 4, Sky, Netflix, ITV
https://ift.tt/3ohYR6W
An inter-generational zombie horror-comedy, an Alan Partridge-presented travelogue, Rowan Atkinson fighting a bee… 2021 British TV comedy is a broad church, and that’s before we’ve come to all the stand-ups slicing up their Edinburgh shows into streaming half-hours and Daisy May Cooper playing a 17th century witch. Here’s the info about those new shows and more.
This list will be kept updated through the year as new commissions, casting and release dates arrive. Here’s a look back at the new British comedies that arrived in 2020, here are the new British dramas on their way this year, and here are 2021’s best returning British TV series.
And Did Those Feet
In addition to a second series for The One Show-spoofing This Time With Alan Partridge, the son of Norwich is back to poke fun at the history TV genre. With a working title of And Did Those Feet, Steve Coogan’s character will present what Chortle describes as “a Simon Schama-style historical documentary of Britain” for the BBC, directed and co-written by frequent Steve Coogan/Partridge collaborators, Rob and Neil Gibbons.
Baby Reindeer
Here’s a promising commission: stand-up-actor-screenwriter Richard Gadd, winner of the 2016 Edinburgh Comedy Award, is bringing his one-man show Baby Reindeer to Netflix. It won’t be a stand-up special, but a comedy-drama adapted into eight half-hour episodes about the true and revealing story of Gadd’s experiences with his stalker.
Big Boys
Comedian Jack Rooke (above, left) has adapted material from his stand-up shows into six half-hour TV episodes for Channel 4. Big Boys is a university-set comedy about a friendship between shy, closeted student Jack and his boisterous mate Danny. Derry Girls’ Dylan Llewellyn stars alongside Plebs and Pls Like’s Jonathan Pointing.
Bloods
Famalam, Sliced and Truth Seekers’ Samson Kayo has created paramedic comedy Bloods for Sky One. In it, he stars alongside Jane Horrocks as a pair of paramedics working for a south London emergency service. Motherland’s Lucy Punch, Ghosts’ Kiell Smith-Bynoe and The Mighty Boosh’s Julian Barratt co-star.
Buffering
Comedian and TV presenter Iain Stirling, best known as the voice of ITV’s Love Island and for his presenting work alongside CBBC’s Hacker the Dog as well as his appearance on Taskmaster series eight, has co-written a sitcom for ITV2. Buffering is a six-episode coming-of-age comedy starring Stirling, written in collaboration with Steve Bugeja.
Chivalry
A six-episode comedy series promising to “skewer and satirise the complex state of contemporary sexual politics” is on its way to Channel 4. Written by and starring Him & Her and Ridley Road’s Sarah Solemani, Chivalry asks if romance can survive in the post #MeToo era (answer: yeah, of course. Predatory, entitled sleazebaggery has never been romantic). Steve Coogan stars as a successful film producer and womaniser, with Solemani as a writer-director seeking funding for her next feminist project. The two are thrown together and thrash out two different perspectives on gender, sex and romance.
Finding Alice
Keeley Hawes stars in this six-part ITV comedy about a recently widowed woman (Hawes) who’s forced to wade through a mountain of debt and secrets left behind by her husband. Among the cast are Joanna Lumley, Nigel Havers, and Sharon Rooney. It starts on ITV1 on Sunday the 17th of January at 9pm.
Generation Z
Cult British filmmaker and sometime Doctor Who director Ben Wheatley (Free Fire, High Rise, Kill List) is writing and directing a six-part satirical comedy about the generation gap for Channel 4. Using the supernatural premise of a retirement community becoming infected with a toxic substance that turns them all into flesh-eating zombies, Generation Z will see yoots vs boomers over six hour-long episodes.
Lethal
Diane Morgan, star of Mandy, Motherland and Philomena Cunk, has co-written new half-hour comedy pilot Lethal for BBC Two. It’s about a Bolton woman so obsessed with emigrating to the United States that she plans to marry a prisoner on death row to get her Green Card. The pilot was created with comedy producer and co-creator of Holly Walsh secret family comedy The Other One Pippa Brown.
Man vs Bee
Johnny English’s Rowan Atkinson and Will Davies have collaborated on a new comedy series for Netflix. Told over 10 x 10-minute episodes, Man vs Bee is… exactly what it sounds like: the story of a man who does battle with a bee, and causes untold damage to a luxury mansion in the process.
Murder, They Hope
Following on from Death on the Tyne and Dial M for Middlesburgh, Gold’s Jason Cook-written Agatha Christie spoofs starring Johnny Vegas and Sian Gibson will be back for a third instalment. Murder, They Hope sees Gemma and Terry chuck in the coach tour business and become private investigators.
Read more
TV
New British TV Series for 2021: BBC, ITV, Channel 4, Sky Dramas and More
By Louisa Mellor
TV
Best Returning British TV Series 2021: the Most Anticipated Series Coming Back This Year
By Louisa Mellor
The Baby
Comedy producer-writers Lucy Gaymer and Sian Robins-Grace (Sex Education, pictured) have created an eight-part darkly comic horror series for Sky about a 38-year-old woman unexpectedly landed with a baby that changes everything. “Controlling, manipulative and with violent powers, the baby twists Natasha’s life into a horror show. Where does it come from? What does it want? And what lengths will Natasha have to go to in order to get her life back?” This one’s likely to arrive in 2022, but we’re banging the drum early.
The Cleaner
This six-part BBC comedy is adapted from a German comedy original about a man who works as a crime scene cleaner. Man Down and Taskmaster’s Greg Davies stars in the title role as Paul ‘Wicky’ Wickstead, the cleaner responsible for removing traces of murder from a scene, who meets and gossips with some interesting people on the job.
The Offenders
Stephen Merchant (The Office, Extras) has created new BBC comedy The Offenders about a group of strangers flung together as part of a community payback scheme. Think Misfits without the superpowers? The cast welcomes Christopher Walken to British TV comedy, alongside Merchant, Rhiane Barreto, Gamba Cole, Darren Boyd, Clare Perkins and Poldark’s Eleanor Tomlinson.
The Red Zone
BBC One’s football comedy The First Team may not have set the world alight, but Netflix is trying a different tack with The Red Zone. Created by sports writers Barney Ronay and Jonathan Liew, it’s described as “a comedy about football, but also not about football,” so that clears that up. Casting is tba.
The Witchfinder
On its way to BBC Two from the writer-directors of the excellent This Time With Alan Partridge is historical comedy The Witchfinder. Set in 1647, it’s the story of a failing witchfinder played by Tim Key (stand-up, poet, actor, Side Kick Simon from loads of Alan Partridge shows and most importantly, Taskmaster task consultant), on a horseback road-trip through East Anglia with his latest captee, played by Daisy May Cooper (writer-creator of This Country, the brilliant Kerry Mucklowe on screen and people’s champion of Taskmaster series 10). Six half-hour episodes will air on BBC Two.
This is Going to Hurt
Everybody should read Adam Kay’s excruciating but brilliant and moving memoir of his time as a junior doctor, then they should immediately buy a copy for a friend. If the BBC Two adaptation, written by Kay (he left medicine for comedy writing years ago), is even half as good as the book, it will be a must-see. Ben Whishaw stars.
Toast in America
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Thespian, egotist and voiceover artiste Steven Toast is returning to the screen. Matt Berry (What We Do in the Shadows) and Arthur Mathews’ Toast in London ran for three series on Channel 4 between 2012 and 2015, following the embittered actor’s career ups and downs, with a host of outrageously unexpected guest stars. Now a spin-off is on its way to a new home on the BBC, tracking Toast’s attempts to break America.
The post New British Comedy TV Series for 2021: BBC, Channel 4, Sky, Netflix, ITV appeared first on Den of Geek.
from Den of Geek https://ift.tt/3sfYzQr
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Guest Cast for Thunderbirds Are Go
New and Returning characters for Thunderbirds are Go.
https://www.thunderbirds.com/en/news/article/58
Spoilers under the cut. Also some thoughts.
Thunderbirds Are Go returns in May to ITV & CITV with all-new epic episodes featuring a whole host of incredible guest voice actors. Jennifer Saunders (Absolutely Fabulous, French & Saunders) voices Helen Shelby, a no-nonsense biologist who designed the stunning Supreme Barrier Reef. Alan Ford (Lock, Stock and Two Smoking Barrels, Snatch) returns as cockney Light-Fingered Fred, joined by Larry Lamb (Eastenders, Gavin & Stacey) as Gomez - two 'friends' from Parker's criminal past who want to use FAB1 as a getaway car in their criminal exploits. Sylvester McCoy (Doctor Who) stars as Aezethril the Wizard, a whacky and dramatic inventor of holographic game park 'Cavern Quest', a real-life experience based on one of Alan Tracy’s favourite video games.
The guest cast list for these episodes includes:
Alan Ford (Lock, Stock and Two Smoking Barrels), returning as Light-Fingered Fred
Jennifer Saunders (Absolutely Fabulous) as Helen Shelby
Larry Lamb (Eastenders) as Gomez
Marcel McCalla (Footballers' Wives) as Robbie
Navin Chowdhry (Star Wars: The Last Jedi) as Cameron
Nina Sosanya (Love, Actually, W1A) as Asher
Sylvester McCoy (Doctor Who) as Aezethril the Wizard
Tom Rosenthal (Friday Night Dinner, Plebs), returning as Brandon Berrenger
Vas Blackwood (Lock, Stock and Two Smoking Barrels), returning as Pirate Reece
Some thoughts
As Brandon Berrenger is returning, I wonder if Scott will be involved in his rescue again.
I guess Pirate Reece companion (I can’t remember his name) isn’t appearing.
The video game quest thing, sounds interesting. So that rock monster in the trailer is part of this episode. It’s great that another Doctor (Sylvester McCoy) from Dr Who is voicing a guest character.
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