Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!
Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).
Maya is incredible. I loved her.
I haven't finished all the issues yet, but do you have any other recommendations?
WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;
i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.
Main Books
Batman and Robin (2009)
Dick as Batman with Damian as his Robin!
#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series
*Batman and Robin (2011)
Bruce and Damian figuring out their relationship as both Batman & Robin and father & son
imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd
Batman Incorporated (2012) #1-10
events leading to Damian's death - affects Batman and Robin (2011) from issue #18
kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."
Robin (2021)
another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)
Batman and Robin (2023)
currently ongoing! after a number of events, Bruce and Damian are back as a duo
Damian Dynamics!
Batman: Streets of Gotham (2009) #7, 10-12
arc where Damian meets one of his first Gotham friends, Colin Wilkes
Batgirl (2009) #5-7, #17
Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo
Red Robin (2009) #13-14
early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL
Teen Titans (2003) #89-92
Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)
Batman: Gates of Gotham (2011)
Damian meets Cass and has a brief team up
Gotham Academy (2015) #7
Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!
Robin War Event (2015)
Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2
Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins
Nightwing (2016) #16-20, #42, #43
#16-20 Nightwing and Robin arc!
#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon
#43 Dick, Roy, and Damian team-up
New Talent Showcase 2018 "Catwoman: Pedigree"
Selina, Damian, and Alfred the cat
Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)
Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)
Monkey Prince (2022) #1-4
Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event
Superman (2016) #10 - 11
the beginning of the Super Sons! featuring Maya!
Super Sons (2017)
solitary arcs but there’s a few event tie-in issues later
Adventures of the Super Sons (2018)
literally more Super Sons adventures lol galactic shenanigans yeehaw
Challenge of the Super Sons (2020)
Super Sons time shenanigans feat. the Justice League
Robin 80th Anniversary (2020)
"Boy Wonders" - brief Damian feature as Tim considers his next step in life
"My Best Friend" - Jon's thoughts on Damian and their dynamic
"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin
Extra Comics!
Superman/Batman (2003) #77
Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol
DCU Halloween Special '09 "Cavity Search"
Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!
DCU Halloween Special 2010 "Robin the Vampire Slayer"
a Dick!Batman and Robin story featuring the vampire Andrew Bennett
Cursed Comics Cavalcade (2018) "The Devil You Know"
Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy
DC's Terrors Through Time (2022)
"Trick or Treat" a Super Sons Halloween story
"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release
Batman: Li'l Gotham (2013)
lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly
Secret Origins (2014) #4 "A Boy's Life"
a retelling of Damian's origin story
Detective Comics (2016) #1001-1005
Batman and Robin vs the Arkham Knight (unrelated to the game)
Truth & Justice (2021) #6/#16 - 18 Digital First version
cute story of Damian’s birthday! Juni Ba’s art is so fun!!
DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”
short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"
DC VS Vampires (2021)
Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!
Batman: Black and White (2021) #5
“Father & Son Outing” short story written and drawn by Jorge Jimenez!
Batman: Urban Legends (2021) #20-23
#20 “My Son” Talia and Bruce focus
#20 - 23 “The Murder Club” 4 Parts
Tiny Titans (2008) #33, #39, #45, #47
a few appearances but SO CUTE, LOOK AT HIM
*Batman and Robin (2011) reading guide
i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so
#0 Someday Never Comes
Talia and baby Damian before he grows up to meet Bruce
#1-8 Born to Kill
just an incredibly solid arc for Bruce and Damian!
#9 Court of Owls Tie-In Issue
Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11
#10-12 Terminus
Damian challenges the previous Robins sans Steph
Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that
#13-14 Eclipsed/Devoured
mostly solitary arc! end of it leads into the Death of the Family event
#15-16 Death of the Family Tie-In Issues
Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17
#17 Life is but a Dream - Death of the Family Epilogue
a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events
#18 Undone "Requiem"
Bruce dealing with Damian's death from Batman Incorporated #8
other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18
#19-23 Denial, Rage, The Bargain, Despair, Acceptance
Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.
Batman (2011) #19-20 also addresses Bruce's loss
#23.1-23.4
these could be skipped - villain stories, also related to Forever Evil event.
#24-28 The Big Burn
optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!
Damian's resurrection and return
#29-32 The Hunt for Robin
Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.
-> Robin Rises: Omega
continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.
#33-37 Robin Rises
Bruce hellbent on retrieving Damian from Apokolips and reviving him
-> Robin Rises: Alpha
necessary to read and continues events from #37! Damian's back with a bang lol
#38-40 Superpower
Damian adjusting to having superpowers and being alive again
Annual #1 2013 Batman Impossible
sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit
Annual #2 2014 Batman and Robin: Week One
one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.
Annual #3 2015 Moonshot
one-shot Batman and Robin adventure on the moon!
...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!
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personal bells hells character meta pt 1, imogen & laudna
what fascinates me personally abt laudna & imogens relationship is that truthfully, imogen’s story is way more about laudna than laudna’s is about imogen
now hear me out this is not to say in any way that laudna loves her less or that her love matters less or that imogen is less important to her than she is to imogen or anything like that
what I mean is that imogens story is about being left by her mother and being witness to her fathers abandonment. it’s about losing her faith in humanity via hearing everyone thoughts. it’s about following her mothers path but also rejecting it. and laudna is key to those things, because it is through laudna that she no longer heard the world as just noise, through laudna that she left the oppressive claustrophobia of her hometown, through laudna that she got the courage and support to untangle the mystery of her mothers disappearance and of her own powers. and then by falling in love with laudna, and watching laudna go through a similar struggle with a power that chips away at her, she is not just following in her mothers path but suddenly in a role that parallels her fathers so many years ago. so much of what pulls and tugs and creates conflict for imogen loops right back into her relationship with laudna (and her relationships with other people)
and it makes sense!! she is so young!!!
whereas sweet laudna has 30 years of traveling the world, of experiencing it, of dealing with the monster in her head. and while yes, through her relationship with imogen she is given something that is crucial to unpacking and addressing her years of trauma and isolation she never had the privilege of before (someone who loves her exactly as she is & a family to boot!!!)…so much of that struggle is innately personal. and just about laudna herself, by herself. marisha has touched on how the root of laudnas struggle is one of self worth, which is not a conflict that is solved externally or relationally with others. she will have to discover her self worth alone, intrinsically.
which is why it’s so juicy and hard to watch!! because they love each other, desperately, but being loved doesn’t make you love yourself. that’s a fight you fight almost entirely alone
vs a story that is somewhat about learning to love again and learning how to love and reconciling that and yourself with the world at large. which is much more about other people
idk not to boil this down to laudna man vs self and imogen man vs man/society/fate and other basic lit nonsense but it is just so fun to have so many fully fledged protagonists to rotate in your head both as individuals and as relationships between each other. orym next I think
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hi. im here to kamukoma ramble. ok so i reeaaly hate how all kamumeshi Fan Content (which is basically all kamukoma content) waters down izuru to being the dominant one and servant to being his cute little dog like i feel like its so much more complex then that.
izuru was created to be subservient, to be smart enough to see through manipulation tactics and yet not care enough about himself to do anything to stop them, always doing something to serve someone else’s interests - and even when he does do one thing in his own interest (the killing game), it was largely because of his obsession with junko, so we see her still pulling the strings on him from beyond the grave (emphasized by his convo with her in his udg cameo). he doesn’t have power and he’s been designed not to want it. he’s been robbed of his humanity over and over again and been taught to accept it. he even explicitly states all of this in talent dev plan with taka
komaeda, on the other hand, is always framed with such heavy control over the narrative - he heavily influences dr2’s ending and takes that same puppeteering role in udg too. although he has that inferiority complex, he still holds so much power over everyone else, manipulating them like chess pieces. he is just as dangerous as izuru is, considering he has not only the intelligence but the motivation to act out like this, something izuru lacks.
and so this creates a really cool complexity where servant believes he’s meant to be subservient to izuru but this may not be wholly reflected in the way he acts, and izuru most definitely does not care for/about controlling servant. and, if izuru does take a domineering role, it’s because that’s what servant wants (especially after junko’s death, when he has no one left to place himself beneath), and so izuru’s still letting himself go with whoever the people surrounding him want him to be. he’s not with servant for the power trip, that goes completely against everything he’s ever been - because, in reality, IZURU is the one who exists to serve. to serve his creators, and then junko afterwards, even after her death. his purpose has always been assigned to him, not created by him.
both characters are fucked up and morally grey. both characters are the man, both characters are the god.
this is what i wish people would focus more on when writing their general character development and the development of their relationship. because they barely get any screen time you get lots of creative freedom and you can take this concept in either a “they are going to heal and get better together” route or a “they are doomed to always hurt each other in their codependency” route or some weird thing in between; again, personal preference, and if you want to keep izuru and hajime separate postgame this opens a whole new plethora of dynamics and development to write about after komaeda becomes himself again. the flexibility of their dynamic is whats so intriguing to me - kamukoma is a very complex and fluid idea that i wish more people would mess around with like this join me and we can play with them like putty
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Hot take but I think what we saw in chapter 13 was necessary.
I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.
Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.
As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.
Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.
So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.
While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.
My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.
I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.
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