#please ask me these too!

[ecosystem-administrator]

FFXIV culture and geography questions!

Trying my hand at one of these lists! Reblog if you want people to send you a number, or just answer them all for character development reasons. I'm not the boss of you.

Is your WoL/OC of a species considered native to the area where they grew up? Are they an immigrant? A refugee? A member of an established diaspora? Did they grow up moving around?

Most of us are travelers, but does your WoL/OC currently have a particular place they consider 'home'? Is it the same as where they grew up? If not, what makes it home for them?

How does your WoL/OC relate to the culture of their species as established in lore? Do they consider themselves a typical example of their kind? Are they in touch with their heritage? How does this affect their interactions with others of their own kind?

Is the city associated with your WoL/OC's starting class the place where their journey actually began? Did they actually come to it from outside as shown in the game, or were they born there? Do they feel welcomed or alienated by the city and its culture?

Which, if any, of the major cities or cultures does your WoL/OC consider to be their childhood point-of-origin? Why did they leave? Do they go back and visit? How do they feel about coming from this place?

Has your WoL/OC ever canonically fantasia'd to another species? Have they considered doing so? If so, what made them choose that species? How does that affect their relationships with those who were born as the species they changed into?

[neighawolf]

Because answering this on tweet site is gonna be hard I'll try and make a thread lol but feel free to ask me here!!

I stole from fren <3 Please ask me about my ship dynamics and/or ships (including all the others that aren't Rorianger/Thanlex) they are: Rornir/Urianger Alex/Thancred Bastian/Marcechamp R'aurora/G'raha Sera/Y'sthola/Aymeric Saoirse/Estininen Mizuki/Sidurgu Sorn'daer/Heather (oc)

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[kairenn-n]

the thing is that i do wholeheartedly believe hannibal would be a good husband. not a good person at all but you dont need to be a good person to be a good husband

[museaway]

✍️ more fic writer asks!

reblog & your followers can send asks with the questions they’d like you to answer!

the last sentence you wrote

a character whose POV you’re currently exploring

how you feel about your current WIP

a story idea you haven’t written yet

first sentence of the fifth paragraph of an unpublished WIP

the word that appears the most in your current draft (wordcounter.net can tell you)

your preferred writing fonts

if you had to write a sequel to a fic, you’d write one for…

start to finish, how long did it take you to write the last fic you posted?

what is the longest amount of time you’ve let a draft rest before you finished it?

a WIP you’d like to finish someday

a trope you’re really into right now

a fandom you’re thinking about writing for

where do you get your inspiration?

favorite weather for writing

favorite place to write

talk about your writing and editing process

if you keep them, share a deleted sentence or paragraph from a published fic

the most interesting topic you’ve researched for a fic

in what year did you publish your first fic?

when did you publish your most recent fic?

do you ever worry about public reaction to what you’re writing? how do you get past that?

pick three keywords that describe your writing

how do you recharge when you’re not feeling creative?

besides writing, what are your other hobbies?

are you able to write with other people around?

your favorite part of the writing process

your least favorite part of the writing process

how easy is it for you to come up with titles?

share a fic you’re especially proud of

[oobbbear]

I want to post this here too because I’ve seen it happen a few times

Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[asooffa]

obligatory drop of my ninja designs before they eventually become irrelevant to me and i redo them

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[saewokhrisz]

screeching hunger

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[succo-al-limone]

DC doodles for funzies

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[heartorbit]

find another role, carry on the show

[oakdown]

"Wilf quiet, fascinated by these two" THE END OF TIME: PART TWO, 2010

[sapphorror]

The Narrator's perspective only gets more horrifying the longer you think about it. Like, imagine being an Echo of yourself—one of many, all made to serve a very particular purpose and knowingly living on borrowed time, if 'living' is even the right word for your current state of pseudo-existence.

You've inherited the mission of a dead man—it's literally the only thing left that you can do before fading, so you sure as hell better believe in it; the alternative would be unbearable. Only you keep failing. With every loop that you don't remember, your lack of agency in this situation becomes starker—you can influence small things, sure, but it becomes increasingly clear that you have no real power, no matter how personally invested you are in the events unfolding in front of you. You are, after all, only an Echo. You've forfeited the right to meaningfully engage with the world.

Worse—every loop you're made aware of is another time you've failed, with unimaginable consequences, though you had no control over these previous iterations of yourself and can't even learn from their mistakes. Everyone around you is operating on a shared perception of reality that you are not part of, will never be part of. After a few repetitions, you are, ironically, the least informed person in the room. All you have left to go on is an evidently outdated script. At the same time, everyone else is experiencing a contiguous version of you, comprised of parts that are, in some sense, also you, while at the same time existing at a complete remove from your current perception of self. Whatever you don't know you did—that's you now. You are, after all, only an Echo. You've forfeited the right to define your own identity, never mind know what it is.

Even worse—this has trapped you within a stagnant hell of your own creation. Nothing you say or do really matters in terms of your own self (the rest of the world is a separate issue entirely). Anything you've come to believe—say, for totally hypothetical example, that you were wrong actually and your envisioned paradise is really a hell beyond any you had the capacity to envision—has about as much permanence as a drawing in the sand. 'You' will continue, exactly as you were, no matter how much you might like to change your behavior. Every possible future has already been set in stone. You are, after all, only an Echo. You've forfeited the right to say anything you haven't already said.

For some reason, no part of any of this has made you feel more comfortable and at peace with the general concept of finality.

The really, truly absolute worst part, though?

There is no one for you to blame but yourself. And that's exactly what turns your story into such a tragedy.