#play like this. as they should. what are we even doing otherwise

[auroracalisto]

with all the power in oz

movie!fiyero x gn!reader, 2.2k words summary: the reader, rather anxious and studious, finds their self head-over-heels with none other than fiyero, supposed boyfriend to galinda upland. to placate this, they somewhat agree to meet him at the ozdust ballroom. a/n: YOU pronouns are used to address the reader, but there is no usage of y/n. just watched the movie today. tried to find a fic, couldn't. here I am writing one instead. reader worries a lot. so me. you're welcome. also, I'm going into this blind. I have unfortunately never seen the actual musical (downsides to living in the middle of nowhere) so I'm only going off based on wikis and the movie. it should be gn as I read through it like... five different times, but please let me know if I missed something!

Breathtaking. That's what he was. But could you truly refer to a man like him as breathtaking?

The very features that graced his face were absolutely mesmerizing, and you felt like a fool watching him at times. How could you not? He seemed so full of life, so full of... well, not a care in the world, really. It was as if he brushed everything off of his shoulders without hesitation.

You could only wished you were the same way.

No cares, no worries. How lovely that would have been.

No, you hold onto the things that happen to you as if you have no other way to live. You hold grudges, you think over things that happened years ago that no one could possibly remember.

For someone who wished to be a sorcerer, you had a hard time simply letting things go. Your emotions often got the better of you, even when you knew better. Even when you wished it could be the opposite. But perhaps that was the way of the world.

Not a man in Oz could tell you otherwise.

Books in hands, you crossed the path to your dormitory, brows cinched together in mild concentration.

You had a project in your history class, and an extensive paper to complete on the study of mathematics—of all the things you could have had, a paper in mathematics. You'd rather perform magic in front of the entire student body, but you couldn't.

As you walked, you heard your name come from behind you. Eyes flicker back, a soft frown on your lips. You see him—Fiyero. The one fool you meant to avoid with all the gumption within you.

You'd melt just being near him.

"Fiyero," you softly greet.

He gave you a charming smile, coming up to walk with you. "Heading back already?" he asked.

"I am."

"Working on the project, hm? We could work on it together if you'd like. I'm sure our minds could do wonders," he said, a playful wink coming from him.

"I'm fine," you simply said.

He blinked slowly, but his smile never wavered. "Come now," he said, your name leaving his lips rather sweetly. "Surely you're not going to spend the rest of your evening alone. Why don't you come to Ozdust tonight?"

You looked back at him, frowning. "Ozdust. Me. I don't think so, Fiyero."

"And why not? I'm sure you'd be as dashing as ever."

You stopped in your steps, eyes searching his for but a moment. "Dashing. Are you in earnest, Fiyero?"

"Yes," he said, smiling.

"And what of Galinda? You'll be with her. Why invite me?"

"She doesn't need to know. It's not her business," he said. "Besides, she will be busy with Elphaba. I'd much rather spend time with you."

"And I think you're just pulling my leg," you said defensively. You crossed your arms over your chest, careful to keep your books close.

"Pulling your leg? I haven't even touched you," he said, a cheeky grin on his lips. "Come now, don't play coy. You should come."

"And if I do?"

"Then I'll be quite happy."

You rolled your eyes and went to walk away.

A hand wrapped around your bicep, and you paused, glancing over your shoulder at him.

His eyes widened a bit and he dropped his hand, albeit hesitantly. Perhaps he didn't think he would actually reach out to you. He cleared his throat.

"I really would like you to be there. You'll have the time of your life."

"The time of my life," you repeated. "I don't think you realize how much I dread parties."

"Have you ever been to one?"

"No."

"Then how do you know you dread them?"

"I just know," you said. "I feel it in my bones. I know going will just get on my nerves."

He scoffed, placing his hands on his hips. "I think you're foolish for that," he said. "Come on. What are you losing? A couple hours to work on a project that you know you could finish in a morning session? You'll be fine. Come to the Ozdust tonight. I'll show you a good time."

You clenched your jaw. "I don't want—"

"—I would like you to be there. That is all. I won't ask again." He gave you another small smile before he looked away. "I'll see you around. Perhaps tonight?"

You stared him down. He would like to see you there? Was he being honest? And what of Galinda? Would he be going behind her back? Wasn't he madly in love with her, or something? Or was it the other way around?

He said your name once more, and you looked up at him, letting out a soft sigh.

"Right. Perhaps tonight," you softly said.

The smile on his lips was rather... hopeful than anything else. There wasn't anything smarmy by it. He seemed as genuine as the glint in his eye—the one he used when he spoke with anyone he trusted. At least, you hoped so.

The night came quickly as you finished up your outfit—one you would hope you didn't look completely foolish in. The color you chose seemed to fit well with almost anything, but you still worried. You always worried about something.

Time was of the essence. You weren't even supposed to leave Shiz University's campus, but here you were, sneaking like some scoundrel.

Well, perhaps you were, listening to the requests of a man who already had a girlfriend—a fantastically beautiful one at that.

But you paid no mind. You did what you could, and soon, you found yourself walking down the steps of the Ozdust Ballroom.

Never had you been in a place like this. It was almost... breathtaking, had it not been for the overpowering smells of perfume and some kind of drink wafting from the bar. Your eyes flitted from patron to patron until you finally spotted him—Fiyero.

He looked just as handsome as ever.

Good Oz, what in the world were you doing? This was foolish.

You took a step back, staring at Fiyero for a moment as he spoke with another man, drink in hand. You needed to leave. This was ridiculous. You were ridiculous! Never in a thousand years would you ever imagine yourself to do such a thing—

"You made it!"

Fiyero's voice rang out above the music.

You look to him, eyebrows furrowed in frustration. Because of course he saw you as soon as you had decided to leave.

Fiyero smiled and made his way to you, taking your hands in his, drink left with the confused man behind him. Surely he didn't just up and leave in the middle of his conversation.

You part your lips and go to speak, but to your dismay, Fiyero is instant.

"I was afraid you had changed your mind," he said. "You look ravishing, darling."

Your eyes widened. Ravishing? You'd been called many things in your life, but never ravishing.

"Galinda couldn't make it?" you asked.

"Wha—no, she couldn't. But what of it? I didn't ask her to the Ozdust, I asked you. I'm glad to see your face."

Warmth blossomed in your cheeks as you watched him. "Fiyero, please... I shouldn't be here."

"Oh, nonsense," he said, grinning all the while. "Come. Dance with me."

"But I don't—"

"—do not say you don't dance. I can teach you."

"Teach me?"

"It's as easy as breathing," he said.

"For you, maybe, but not for—"

"—humor me," he said, smiling.

You pursed your lips. Of course he had to give you that charming smile and the sweet bat of his eyelashes.

"I do not dance," you repeated.

"I think I will be the judge of that."

He grabbed your hands once more and pulled you out into the ballroom floor, smiling all the while.

"You'll be a natural. I can just see it."

"I feel like if I were a natural, you wouldn't have to teach me," you said, gasping as he pulled you close to his chest. His face was dangerously close to yours, his eyes flickering from your eyes to your lips.

"You know," he began, eyes flickering back to your eyes. "We all start somewhere, do we not? You should know that better than anyone."

"What? What does that—"

He interrupted you by spinning you by your arm, back into his embrace. The music was rather ambient, not quite one for dancing so enthusiastically, but Fiyero embraced it. Hand to your hand, face close to your face.

"See? A natural."

"You merely spun me around, Fiyero. Do not be foolish."

"You could have fell flat on your face," he said, a boyish grin evident on his lips.

"Stop looking at me like that," you defiantly said. "You are far too close to me for my liking."

"Oh, feisty, are we?" he asked, moving his body along to the music and forcing you to go along, too. You nearly stepped on his toes several times. "I do not think there is anything wrong with the way I'm looking at you. You're rather breathtaking, if I may."

Breathtaking. The same way you had described him only hours before. He wasn't a mind reader, was he?

No.

Of course not. That was foolish. He was merely a man. Nothing of great importance—no power within him other than the power he held in every single eyelash as they batted down at you, making you melt over and over again.

"What of Galinda?" you repeated.

"What of her?"

"You shouldn't be calling someone who isn't yours breathtaking. It's quite..."

"There is nothing wrong with admiring the beauty in front of me," he said, your name playfully leaving his tongue. "Look at me. Galinda and I are only friends."

You rolled your eyes. "Do not lie to me."

His eyes widened a bit. "Lie? I do not lie. We are friends and nothing more. Though I do believe she thinks differently..."

"She must," you said, huffing softly.

"But that does not make it true. I have eyes for someone else."

"Eyes for someone else?"

He tilted his head once more. He was rather endearing when he did that.

"Who did I ask to their very first party?" he asked, smiling. "It's quite a feat, isn't it? Afraid you wouldn't show, and then you do, questioning me and everything I stand for, hm?"

Warmth found its way to your cheeks once more. You looked away from him. With the crescendo of the music, Fiyero pulled you closer, fingers lacing with yours. His lips hover dangerously close to yours.

"You know, if you would just give it a chance, perhaps you and I could make some magic of our own."

You let out a curt laugh. "You—oh, good Oz, I hope you never use that line on anyone! Has that worked for you before?"

He gave a cheeky smile. "It seems like it's working on you."

"Absolutely not!"

"Not even a little!"

"No!"

His smile only seemed to grow. "Truly?"

You looked away, swallowing thickly. "I mean... no. Not even a little. Not at all."

"You're lying," he said.

"I am not."

"I do think I know what I'm talking about," he said, leaning forward and pressing a soft kiss to the soft skin of your cheek. "Come now," he said. "Stop with the lies."

You looked up at him, a soft huff escaping you.

"Fine. I lied. It may or may not be working. But it's not just because of what you said."

"Oh? Are you saying you like me for more than my suave words?"

"Suave words? Who in Oz said they were suave?"

He just smiled, his eyes flickering to your lips once more. "Do you think instead of just a dance, I could try something more?"

"Try what?"

"I think you know."

You blinked slowly at him, your fingers gently gripping onto his tunic. Your lips part in mild surprise, but you realize that you shouldn't have been. He'd been eyeing you the entire evening.

"Very well," you softly said.

"Wonderful," he replied, and in a swift motion, he pressed his lips to yours. It was short as he pulled back almost as soon as he had kissed you, but it was enough to keep you wanting more.

"Fiyero, that wasn't—"

"—come with me," he softly said, lacing his fingers with yours once more. "Somewhere without so many prying eyes, yes?"

Your answer was almost instant: "Yes."

Fiyero led you back up the staircase, and he didn't look back once at the ballroom.

"Where are we going?" you asked.

"Somewhere where I can see you and only you," he said. "If that's alright."

"Oh," you softly said. "Yes. That's alright."

"Then follow me," he said. "Do you trust me?"

You smiled sincerely for one of the first times in the evening. Did you trust him? What kind of foolish question was that? If you had the chance, you'd do whatever he'd ask of you. You found your answer rather quickly, knowing within yourself that it was far truer than any other statement you had ever uttered.

"With all the power in Oz."

[tortillamastersblog]

Back To You - Part 4 | Sam Carpenter

Pairing: Sam Carpenter x reader

Warnings: mentions of violence, death, blood, injuries, and swearing

Summary: When Sam left after turning eighteen, you were devastated. You’d been in love with her since you were kids and her leaving meant you never got to tell her how you truly felt.

Fast forward a couple of years, Tara gets attacked and Sam returns. . .

Previous Part | Next Part | Masterlist

_______________________________________________

Present

Billy Loomis is Sam’s real dad. . .

Tara’s words and her recount of her conversation with Sam makes all the puzzle pieces fall into place.

That’s why Sam snuck into my room all those years ago. That’s why she changed so much after, and that’s why she left.

It all makes sense now, but it doesn’t change the fact that she hurt Tara by leaving, hurt me by leaving. It also doesn’t change the fact that she wasn’t there for me when I needed her to most. When I begged her to come back and she just screamed at me to stop calling without even letting me explain why I was calling in the first place.

I’m feeling so many things right now, it’s kind of overwhelming, but I try my best to stay calm so I don’t freak Tara out.

She’s been moved to a private floor since Sam left and slept earlier while I called Liam and Paige again. Now, she’s awake once more, curled into my side while we’re watching a movie together.

I really try to focus on what’s going on, but my mind keeps drifting back to Sam.

She could have talked to me! She could have told me about her real dad. Why didn’t she? Did she think I was going to hate her for it? Did she think I would stop being her friend if I knew?

I wouldn’t have done any of that. Who her father is doesn’t change who she is. At least that’s my opinion. She must think otherwise, because if she didn’t, she wouldn’t have left.

I’m mad at her for abandoning Tara and leaving me. I’m sad she felt like she couldn’t talk to me, and I’m heartbroken thinking about how she tried to numb her pain by doing every drug imaginable and sleeping with anyone who would have her.

I still love her, that’s for sure because if I didn’t, I wouldn’t be feeling like this, but I’m just not sure love is enough for me to forgive and forget everything she’s done.

“Hey.” Tara’s voice and her finger poking my chin snaps me out of my thoughts.

I clear my throat quietly and look down at her. “Yeah?”

“You okay?” she asks, her kind brown eyes darting between my own.

“No, not really, Sprout.” Tara wrinkles her nose and I chuckle. She’s never liked that nickname. “But I will be, and so will you.“

“You sure?” she asks and I nod.

“I’m sure. Now watch the movie, or I’m changing it,” I tease, making her laugh softly.

“Okay, okay. . .” She looks me over one last time before turning her attention back to the movie, mumbling, “You’re so annoying.”

I just hum and scratch her head, settling deeper into the bed and actually focusing on the movie. Thoughts of Sam are still swirling around in the back of my mind, but I ignore them as best as I can.

About half an hour later, the movie is still playing and, much to my surprise, I’m actually invested in the story now.

Some shuffling and a grunt in the hallway outside makes me look away from the TV though. We’re on a private floor and no one but Deputy Vinson should be here. A nurse comes in every two hours or so to check on Tara, but she was just here before we started the movie.

Alarm bells almost instantly go off in the back of my head, but I don’t want to scare Tara, so I stay calm and shout, “Hello?”

There’s no answer.

“Vinson?”

Again, nothing.

My stomach drops. This is not good. This is not good, at all.

“Y/N?” Tara whispers fearfully, the beeping sound of her heart rate monitor next to the bed speeding up.

I swallow thickly and continue to stare at the open doorway, straining my ears to hear anything else. It stays quiet though, and with every second that passes, the uneasiness in the pit of my stomach grows.

“Y/N,” Tara whimpers and when our eyes meet I see the fear I’m feeling inside reflected back at me.

He’s back. It’s Ghostface. It has to be him. He’s returned to finish the job.

I can feel my own heart rate picking up speed, and after another beat of silence, I decide that we have to leave. We’re sitting ducks if we stay.

“Fuck this.” I swallow again and nod to myself before pushing the blanket to the bottom of the bed. “We’re leaving, Sprout.”

Tara’s eyes widen and she doesn’t protest when I disconnect the IV from the back of her hand. For a moment, she’s frozen, watching me disconnect her from all the machines she’s attached to, before springing into action herself.

With shaking hands, she removes the oxygen tube while I get up and pull the nearby wheelchair to the side of the bed.

I won’t be able to do anything with only one arm, so even though it hurts and I know I’m probably going to tear my stitches, I take off my sling.

I wince at the stinging pain that shoots through my neck and arm, but grit my teeth and help Tara with the rest of the wires. Then I make sure the wheelchair’s breaks are on before turning back to the bed.

“We have to get moving, c’mon. I know this is going to hurt, but we have to go,” I say, slipping my arms under Tara’s knees and under her back. I don’t lift her yet though, waiting for her to nod before hoisting her up.

The gasp she lets out makes me hurt for her, but I can’t stop now.

We have to leave.

Carefully, I lift her out of the bed and place her in the wheelchair, making sure I don’t bump her broken leg against anything.

My shoulder protests, screaming in pain even though Tara is easy to lift, but I don’t stop moving especially when the lights suddenly go out.

We have to leave, now!

Tara whimpers in fear and in pain, and I rush to turn off the breaks on the wheelchair before pushing her to the doorway.

He’s here. I know it.

I peek into the ominously dark hallway all while trying not to let panic take over my mind.

Fear is healthy, panic is deadly.

That’s what my father taught me, and I know if we’re going to get out of this alive, I have to keep a clear head.

The hallway is empty, and the only way out is by getting to the elevator at the end of the hallway, so I slowly push Tara out of the room, keeping my eyes and ears open for any movement near by.

Just get to the elevator.

The deafening sound of Tara’s phone ringing on the bedside table back in her room makes both of us jump for a moment.

Tara sobs quietly, and I tighten my grip on the wheelchair.

I glance over my shoulder, seeing the screen of the phone light up the room before turning back around. There’s no time to get it now, and even less time to answer it.

I push Tara into the hallway, slowly and quietly while letting my eyes dart around in the darkness for any sign of danger.

It still eerily quiet though and I don’t see anything, so I continue pushing her until we get to the nurses’ station.

That’s where a chocked gasp claws it’s way out of Tara and when I follow her line of sight, I freeze for a second.

Laying right there on his back on the ground, with a slit throat and a pool of blood around his head is one of the deputies Sheriff Hicks assigned to Tara’s floor. He’s still alive, even though only barely, and chokes on his own blood, his wide eyes staring unblinkingly at the ceiling.

There’s nothing we can do to help him, he’ll be dead within a minute, but still, the sight of him, so helpless and alone, makes the blood in my veins freeze.

That could be me, or worse, Tara.

Stop! Don’t think about that, Y/N. Focus.

My dad’s voice rings in my head and makes me snap out of it. He’s right, I have to focus.

I’m about to continue pushing Tara towards the elevator, but then a thought strikes me.

I pause and look around again before letting go of the wheelchair and crouching down next to the deputy. I reach for his belt, fumbling around until my hand grazes the holster of his gun.

With a gun, we’d at least stand a change against Ghostface, but as fate would have it, the holster is empty. The gun is gone.

Fuck.

Not only does that mean that we have nothing to defend ourselves with, it also means that Ghostface has the gun.

Tara sobs into her hands and watches me get back up, only to flinch and freeze a second later when we hear a door being opened somewhere down the hall.

There’s no time to ponder over the gun and its whereabouts now. I spin around and take a hold of the wheelchair again.

Getting to the elevator now is too risky. It’s too far away, so I wheel Tara into the room right next to the nurses’ station.

We need help.

Tara whimpers and cries quietly while I close the door behind us. I don’t shut it all the way, just enough to hide us from plain sight while still being able to see what’s going on outside. Then, I fumble around for my phone in my sweatpants.

Just like with the gun though, I come up empty, and the realization that it must have slipped out of my pocket while watching the movie makes my heart drop.

No, no, no, no, no. This can’t be happening.

My hands begin shaking, and it’s getting harder to keep my panic at bay.

We’re alone with a psychopathic killer, we have no way out, no help is coming, and I’m not in any shape to fight properly.

Tears well up in my eyes and I feel my bottom lip quivering. There’s no way out.

My heart starts pounding in my ears and my hands start shaking.

Please, no. Not now.

I’ve had enough panic attacks after my parents death to know what it feels like when one is about to start, and even though it sucks having them at any time, it would be especially inconvenient right now.

I force myself to calm my breaths and blink away the tears, but it doesn’t help much.

We’re trapped.

We’re alone.

I continue to focus on steadying my breathing while also keeping an ear out for any more sounds in the hallway.

That is until Tara nudges me. I clench and unclench my fists, and look at her. She has tears streaming down her face, but she’s urgently gesturing at something she can’t reach.

I follow the length of her arm with my eyes and almost start crying with relief when I spot the phone on the wall right next to the door.

I lunge for it and start dialing 911 with shaking hands only to stop a moment later when another door opens out in the hallway.

Tara clutches the back of my sweater with her uninjured hand and bites her bottom lip to prevent any more sobs from escaping her.

I flinch when another door gets opened, this time closer by, and hold my breath.

This is it. He’s here.

I lower the phone and square my shoulders, ready to fight when the door to our room suddenly swings open.

Tara yelps and I instinctively punch whoever just walked in.

“Ow!” Richie stumbles back against the doorframe and raises a hand to where my fist just connected with his jaw. “Ah, goddamn it!”

“Richie?” Tara’s pulls on the back of my sweater to get me to step out of her line of sight while I simply stare at Richie in disbelief.

I’m honestly relieved it’s just him, and that he’s here because now we’re no longer alone, but I can’t find it in myself to feel sorry for punching him.

“What are you doing here?” Tara asks as Richie continues to recover from the punch.

“Sam called,” he explains and as he continues to talk, I feel some of the tension in my body dissipate. “She said that you were in trouble.”

He doesn’t look at me when he says it, and the revelation that Sam probably only called about Tara is like a blow to the stomach.

I don’t get much time to dwell on it though because a split second later, Ghosface appears behind Richie, ready to strike with a knife in his hand.

“Look out!” I shout, stepping in front of Tara again.

Richie spins just in time to avoid getting stabbed, but the knife manages to cut his forearm. Ghostface goes in for another stab, but Richie manages to catch his wrist before he can bring the knife down on him.

He grunts and they struggle for a moment, but then Ghostface manages to grab the back of Richies head and slam him into the door frame, knocking him out.

“Shit!” I clench my jaw when Ghostface turns his attention to Tara and me, and quickly grab the IV stand next to us, flinging it at him.

Ghostface goes down because the monitor on the IV stand hits him in the head, and I rush to wheel Tara out of the room.

We’re almost back in the hallway, away from Ghostface, when he suddenly lands a punch on the back of my left knee, making my leg buckle. I stumble and manage to regain my footing without going down, but that little trip costs me a lot of precious seconds.

“Y/N!” Tara twists around in the wheelchair with wide eyes and even though I know Ghostface is now back on his feet and right behind me, it still catches me off guard when he wraps his arm around my neck from behind and punches me in the side, right below my ribs.

“Ah, fuck!” I grunt and grab his forearm, trying to pry it away from my neck, but it doesn’t budge. “Go, Tara!”

Another blow, this time to my ribs, takes my breath away, and even though I’m in pain, it fills me with an unexplainable rage.

Instead of trying to get his arm away from my neck again, I dig my heels into the ground and push backward until we hit a wall. Ghostface hisses in pain and I use the momentary distraction to get out of the headlock.

Then, I run to Tara, limping slightly and ignoring the sound of a phone ringing nearby. She’s crying and struggling to move in the wheelchair, and the sight of the blood soaked bandage around her hand makes my stomach clench.

I’m about to reach her, my arms already outstretched to grab onto the wheelchair, but then I’m tackled to the ground from behind.

My head hits the floor, making black dots dance in my vision for a moment and then my head is yanked up by my hair.

“Hold it right there, Tara,” Ghostface says, the voice changer eerily distorting his voice, “or I’ll slit Y/N’s throat.”

Tara freezes and wheels around in time to see Ghostface press the blade of his knife against my neck. He’s kneeling on my back and I know I have no way of escaping without getting my throat slit.

It stings when he pushes the knife down a little too hard, drawing some blood in the process, but I don’t dare to move.

“Y/N!” Tara cries and I try not to cough because of the weight on my back. “No, please don’t.“

“Tara, go!” I rasp, feeling the edge of the knife dig even deeper into the skin of my neck.

Tara shakes he head desperately, tears rolling down her cheeks. “No, Y/N, I—“

“Do you hear that, Sam?” Ghostface says and at the mention of Sam’s name my heart drops. He must be on the phone with her. “Your little sister and Y/N, begging for each other’s lives. Pathetic, don’t you think?”

Tara makes a move to wheel closer, but I pin her down with a stare to stop her. Go, I mouth, but Tara doesn’t move while Ghostface continues talking to Sam.

I can’t hear everything he’s saying because my ears are ringing, but when he suddenly gets off my back and approaches Tara with calculated steps, I hear him say, “So, the choice is up to you. Who is it going to be, Sam? Richie, Y/N, or Tara?”

Tara whimpers as Ghostface gets nearer, but she’s too injured to get away. She manages to turn the wheelchair around, but Ghostface is right there before she can even attempt to get away.

He grabs the handles of the chair and tips it forward forcefully, making Tara fall and land on the ground with a cry of pain.

No, not her. Not Tara. Please, anyone but her. She’s been through enough.

“Stop!” I groan, trying to get up, but slipping on something sticky on the floor. My shoulder stings and the side where Ghostface punched me burns, but I try to get back up again, and this time, I manage. On unsteady feet, I limp toward Ghostface who’s now standing over Tara.

He twirls the knife in his hand and raises his arm, getting ready to strike while Tara sobs.

“No!” I’m not going to make it. “Tara!”

Just then, the elevator dings and the doors open. Ghostface looks up, surprised, and dives out of the way when gunshots ring out.

My eyes widen at the sight of Sam and Dewey?! who dart out of the elevator.

“Tara!” Sam rushes to her sister’s side and drops to her knees, trying to help her to her feet.

“I’ll get Richie,” Dewey says, but then he freezes when his eyes land on me. “Y/N?! What are you doing here? Are you hurt?”

I wave him off and shake my head, looking around to see where Ghostface went. “Not now, I’m fine. Go get Richie, I’ll help Sam with Tara.”

“Okay.” Dewey nods and stares at me a moment longer before dashing past me to help Richie.

The last time we saw each other was at my parents’ funeral. He used to be like an uncle to me because he was friends with my dad, but after the accident, we kind of drifted apart.

Now is no time to dwell on the past though. I push through my dizziness and the pain in my side, shoulder and leg, and limp the rest of the way to Tara and Sam.

Sam’s already managed to get a crying and whimpering Tara to her feet, but Tara can’t walk with her broken leg, so as soon as I’m within reach I tug on Sam’s jacket to get her to stop dragging Tara to the elevator.

“Stop, let me help.”

Sam’s eyes widen. “Y/N, y-you’re here?”

“Of course, I’m here,” I snap, not because I’m mad but because there’s no time to talk. “Now, let’s get a move on!”

Still in disbelief, Sam doesn’t say anything else as I scoop Tara up into my arms.

“Ow,” she whines and I quickly apologize for hurting her.

I limp to the elevator with Sam hot on my heels and lean against the wall as soon as we’re inside. My legs are shaking and my entire body hurts, but I’m not letting go of Tara until we’re safe.

Sam holds the doors open while Richie and Dewey make their way to the elevator.

They’ve almost made it when, out of nowhere, Ghostface comes back, crashing into them from the side. Richie falls to the ground, and Dewey gets pushed against the wall which makes him fire his gun.

A struggle ensues between Dewey and Ghostface while Richie tries to get back up, and for a moment it looks as though Ghostface’s got the upper hand, but then Dewey headbutts him.

Ghostface stumbles back and Dewey grabs his gun off the ground, firing it at Ghostface before he can come at him again.

He stumbles back at the force of the shots hitting him in the chest until he crashes into the glass display cabinet on the opposite wall.

He sinks to the ground and stops moving, and even though I’m not convinced he’s dead, there’s no time to make sure he is. We have to get out of here as fast as possible.

Dewey must think so too because he gets to his feet and immediately pulls Richie up as well.

“Let’s get out of here,” he grunts, dragging Richie toward the elevator. “Come on, hurry up.”

They finally make it, and Richie slumps against the wall next to Sam who runs her hands over him and checks for any not-so obvious injuries.

“You okay?” she asks, her voice laced with worry.

Richie nods and exhales shakily. “Yeah, you?”

Sam nods. “Fine.” Then she turns her attention back to Tara who’s got her arms wrapped around my neck and is crying into my shoulder.

“It hurts, Sam,” she cries, and I press a kiss to her forehead while Sam takes a hold of her hand.

Dewey pushes the elevator button for the first floor, but before the doors can slide shut, he stops them with his hand and says, “The head. . .”

Richie frowns. “What?”

“You have to shoot ‘em in the head or they always come back,” Dewey explains, stepping back out of the elevator.

Sam gapes at him and asks exactly what I’m thinking. “Dewey, who gives a fuck?”

A forlorn look enters his eyes and as the doors slide shut, he says, “I do.”

“No! Dewey!” I try to step forward to stop him, but as soon as I shift my weight off the wall, my legs start trembling, so I slump back and grit my teeth.

It’s too late.

The doors close and the elevator starts descending. A tense silence settles over us for the duration of the ride, but then the doors open and Richie stumbles out first, shouting for help.

Doctors and nurses swarm us almost instantly and within seconds, a gurney is brought over and I place Tara on it.

She’s okay.

Seeing her being taken care of lifts a huge weight off my shoulders and the relief on Sam’s face makes me smile a little.

She’s going to be okay.

The dizziness I felt before suddenly returns full force now that the adrenaline is wearing off, but I can’t sit down and rest until Dewey is safe, too.

He’s up there all alone. Someone has to help him.

I stumble back to the elevator but a hand on my stomach stops me from entering it.

I look down, swaying slightly, before following the arm connect to the hand all the way up with my eyes until they land on Sam’s face.

Wait. . . Sam?

“Where are you going, Y/N?” she asks, frowning.

I blink to get rid of the irritating black dots growing in my vision and try to push past her. “D-Dewey, he needs—he needs help, Sam.”

“I know,” she says, stopping me again by grabbing a fistful of my sweater. “But you can’t go up there. The police are already on their way.”

“But. . . But Dewey,” I slur. I grasp at Sam’s hand to get her to let go of me which, much to my surprise, she actually does.

It doesn’t last long though because not even a second later my knees buckle and I fall forward, right into her arms.

“Y/N? Y/N!” Sam panics and grabs onto anything she can to stop both of us from toppling to the ground. “Oh my God, you’re hurt.”

I awkwardly slide down her body, bringing her down with me until we’re both on the floor and I’m gasping for air.

“Y/N, hey. . . Hey!” Sam grunts and manages to scramble out from underneath me before propping me up against the wall next to us. “Look at me. What’s wrong? What hurts?” she asks, but I can’t answer. My lungs suddenly feel like they’re on fire and every breath I take makes it harder to breathe.

“What happened? Did Ghostface—“ She falls silent when her eyes land on her hands and when I look down, I see why.

They’re covered in blood. My blood. But. . . how?

I think about everything that happened, and then dread settles in the pit of my stomach when the realization hits.

Ghostface wasn’t punching me. When he “hit” me all those times, he wasn’t punching me. He wasn’t punching me at all. He was stabbing me.

Welp, that explains why my side hurts so much. I thought I was going soft.

My eyes flutter shut and I cough, tasting blood in my mouth.

I guess no one noticed I was hurt until now because I didn’t feel anything until the adrenaline wore off and the blood soaking my clothes wasn’t visible because both my sweater and my sweatpants are black.

“Y/N, hey! Don’t you dare close your eyes.” Sam cups my cheeks and shakes my head slightly to get me to open my eyes again. “We need some help over here!” she shouts over her shoulder before looking back at me.

She’s frantic, more frantic than I’ve ever seen her, and her eyes are filling with tears. Her hands drop off my face and she’s quick to push my sweater up to take in the extent of my injuries.

“Oh my God.” Her voice cracks and when she presses her hands against my side to slow the bleeding, I cry out in pain.

I gasp like a fish out of water, still struggling to get enough air into my lungs, and push at her hands.

“No, stop— Stop!” she protests, desperately pressing her hands against my side again.

“Hurts,” I wheeze and Sam nods frantically with tears dripping down her cheeks.

“I know, I know,” she says, “but I’m trying to help.”

I writhe in agony, but don’t try to push her off again. I don’t think I even could if I tried because with every passing moment I feel weaker.

My eyes are also threatening to close again and when Sam notices, she presses down harder on my side and shouts for help again.

This time, a nearby nurse notices and she springs into action. She rushes over, dragging a doctor with her and tells another nurse to bring a gurney.

I don’t focus on her though. No, I keep my attention on Sam and how she’s desperately try to stop my bleeding.

She’s crying, covered in blood, and on the verge of hyperventilating, but she’s still beautiful.

So beautiful. . .

I cough again just as the nurse and doctor drop down next to me, and when Sam takes her hands away so they can examine me, I give into the urge to close my eyes.

_______________________________________________

Whew! I wrote this in one sitting, and only proofread it once, so please excuse any mistakes I may have made/overlooked.

Tag list: @artrizzler19 @btay3115 @canyonyodeler @quadofthec @pussyydestroyer @bella423

[thaethiira]

Ok, so, for context I have been playing pretend FOREVER, got into D&D when I was 14 but I straight up wasn't allowed by the other D&D players to play D&D for most of the time I was into D&D because I had boobs and well, D&D is still wildly misogynist irl in my experience, even now I can't really find a group that will let me play--but like... hasn't D&D always been a 'game' where the rules only kick in--the game part only kicks in--during combat? So people who are there to play a game have to wait until combat?

I currently run a game--the first game with more than two players I've ever been in!--and it's basically just me giving my characters a world and characters to interact with, because we don't really do combat. So the rules rarely kick in at all (which makes it a little bit boring and slow, but everyone else is having fun so I guess I'm doing a good job)--and like, from what I understand of Vampire The Masquerade, it's the same thing there--rules only kick in during combat.

Even in a game like Teenagers From Outer Space, the rules only kick in during 'I want to do this and another character--NPC or PC--will resist/contest it', because the rules are there to make things fair with a bit of randomness given by the dice, you don't need them to play pretend, otherwise.

I know there's a lot of new RPGs that aren't about playing pretend fairly, but D&D was always about playing pretend fairly, wasn't it? Genuine question here, because I know my experience of D&D and RPGs generally is strange because of the aforementioned 'wasn't allowed to play was only allowed to read the rulebooks' thing. I know I also never played TSR D&D bc I was 13-14 when 3rd edition was coming out and they were already WotC by then--but that 3e book stated 'the rules are here to solve the type of arguments that come up when playing pretend and to make it fair for everyone' and 'you can use as little or as many of the rules as you want; the rules should not keep you from having fun'

So there is a pretty clear shift in playstyle between TSR D&D and WotC D&D: for better and for worse, D&D 3e introduced the idea of encounter balance, de-emphasized mechanics that had previously encouraged the GM to think of the monsters as real living creatures (reaction rolls, morale, etc.), and it had the effect of making D&D a much more combat-focused game. D&D has always been a game that's opinionated about combat, it's basically the most expressive and detailed form of play regardless of edition, but combat in the TSR editions was not exactly zoomed in and tactical. The WotC editions purposefully made combat zoomed in, granular, and tactical.

And this has had an effect on playstyle: since combat is now the main form of player expression what players actually want is for their characters to get into combat. Because combat is the most fun part of the game. But the game has also changed from the largely amoral dungeon-crawling game into a game of fantasy heroics (even though a lot of the trappings of the amoral dungeon-crawling still remain, which contributes to the dissonance), so you can't just have the player characters going into combat for the sake of it. That would frame the player characters as kind of Fucked Up, and we can't have that in our supposedly heroic fantasy.

What you end up with is a variety of contrivances like "they're bandits," "they're cultists," or, my all-time favorite, "they attacked first" to make the action seem morally justifiable, even though gameplay is still motivated by a desire to fight. The monsters fight to the death and, importantly, can often not be reasoned and negotiated with, partly because combat is supposed to be the fun, engaging part everyone is here to do, but also because if they actually acted like reasonable people it could cause dissonance with the whole "the player characters are the goodest heroes."

As my friend @tenleaguesbeneath once called it: what is actually going on is that the player characters are hunting people and monsters who have been programmed to fight to the death and never negotiate for sport, while justifying it as self-defence.

It's a simple power fantasy, and I don't think there's anything wrong with it. Sometimes you want to play a morally uncomplicated game about killing guys with cool magic swords. But I think it's also fun to think about what the specific types of monsters players end up fighting reveals about Society the invisible, unexamined ideology lying under the surface that the designers of even modern D&D have failed to examine. And to me it often reads like a frontier justice fantasy. None of that is to detract from anyone's joy of the game, and for me it's just fun to think about and post about this stuff while Still Enjoying the Game, but if someone expressing that opinion makes you feel uncomfortable, why? That's pretty silly imo.

[unproduciblesmackdown]

asia kate dillon in rehearsal as lucifer in the mysteries, in a scene referred to as "the prophecy" (indeed an act i section between "the moses story" and "the annunciation")

and akd as lucifer in a performance of the mysteries, in the "sermon of the senses," the last part of the entire show (and after "the last judgment"); this pictured occasion also referred to as the "third opening night"

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn

[maythedreadwolftakeyou]

Here's mine!

Rook: Juniper Aldwir, a dalish elf mage, I mostly went for the direct/aggressive dialogue options with a few of the more positive/nicer or joke-y options in companion convos. I went with the spellblade specialization and ended up loving it after a rough mage start. I also played arcane warrior/knight enchanter my first DAO and DAI runs though so. lmao. i have a type.

Faction: Veil jumpers! How could I not go with the scientific study of weird magic group... I've decided she's more on the geography and cartography side of the profession rather than mechanics/tinkering like Bellara, which is why she's not the one fixing the broken objects you encounter herself. I imagine she's the one drawing maps of all the places you go, making notes of interesting landmarks/items, etc. the crossroads drives her insane (bc it drives ME insane) because of the weird half reality half fade logic to the locations, travel, etc.

Companions/NPCs: My go to companion squad was Lucanis and Davrin or Taash for the best combos/fighting, and Emmrich because I enjoyed his comments/character a lot too. NPC wise, of course finally seeing FELASSAN!!! was great and he got so much more content and dialogue than I expected. was cheering every time i found another codex entry from him, and the Betrayal fight ruled. otherwise, like most everyone else i LOOOOVEEEE Teai & Viagos Divorced Energy... i'm obsessed. And then Antoine & Evka for actually wholesome, and Vorgoth bc idk wtf is up there but its sexy. but also THE CARETAKER what IS it... i have so many questions... that i will be filling in with weird headcanons probably. I also liked listening in on the two fledgling crows on the balcony who have a ton of unique banters, and a couple other npc banter points idk how to describe lmao. Some of the spirit ones in the crossroads I wish we got more of.

Romance: Lucanis my BELOVED obviously i am doing... an insane amount of lucanisposting lately... yeah I've got the full brainworms. even though the game itself was lacking in content my neurons are instead working overtime to try to fill in everything the game left out

Major decisions: I saved Treviso because Minrathous JUST had its turn being saved, shouldn't they like??? be mobilizing the ARMY they actually have over there by now??? they should have been better prepared idk what else to say. insane it got hit a 3rd time at the end anyway so i stand by my choice in picking Antiva. As for the companion endings, I felt most didn't really make a difference to me, with the exception of Emmrich. I kept manfred on this run becuase I was NOT ready to say goodbye to my gentle skeleton son 😭 next game i will romance Emmrich and make him a lich tho. As for the ending... I sent Harding to lead the second squad and Neve was the one who got mirror-kidnapped. Whcih did leave for an absolutely devastating post-Nightmare-In-Dreamland fade sequence where Rook suddenly had NONE of the companions she started the game with. Getting hit with losing Harding, losing Neve, and then the realization that Varric had been dead the whole time definitely makes for some angsty roleplay opportunity, though I do wanna replay it with Bellara in the final position just so I can watch her stand up to the gods, because i think that'd be pretty great. Ending-wise: I'm a Solavellan fool who's been pining for a real life decade now almost so I of course went for that lmao. I will play through all the other options just for the drama of it all, and probably come up with some adjusted exact sequence for how things go as a headcanon, but yeah.

again pls feel free to reblog & add yours, i've really liked reading about the couple who've answered so far :))))

ok i know ive been doing a lot of bitching about the game etc but putting that aside for a moment. Now that more people have finished Veilguard, I'm curious about people's first playthroughs!

What kind of Rook did you make (lineage, class, dialogue personality options, etc)?

What faction did you play as?

Fave companions and npc's?

Who did you romance?

The major choices--what'd you do? (which city, saved, notable companion routes you strongly prefer, what went down in act 3 and endgame...)

Any particular missions/lore you were excited about?

you don't have to be a mutual to reply to/reblog this! im just curious what we all veered to for the first run. i'm doing a second one now making different choices but it's interesting to compare people's first instincts.

[noiseemaster]

meet my son his name is maunder he has br-HOLY SHIT DID ANYONE ELSE JUST SEE THAT?

[n4rval]

a little pause on art for finals(they are all late) but boy has brain been braining

more specifically on dings' dynamic as asriel and chara's weird uncle bc that's just something i don't see a lot

[neverendingford]

.

[sailforvalinor]

…well, turns out changing to a Jo pfp is fitting in more ways than one.

[ozlices]

we are all just sitting here baffled out our mind that somehow our event team has more talent than our main wonderhoys team when the main wonderhoys team has multiple 4*s w increased mastery so it should be the most powerful team we can currently make w that alone??,,,,

also it's attributing it to decor, but the type decors are all at the same lvl (5-6 depending on location with the cute type being a 6 in the 5s group. thats the only outlier) & nearly all the personal decor is maxed out, but that wouldn't make a difference anyway bc it's all the same charas so ???????????????????????????????????????????????????????????????????????????????

[opens-up-4-nobody]

...

[windupaidoneus]

now some people may not like to hear it but even the worst people who exist are still people & there is no human being who has More right than others to decide whether others deserve to live or die (does not mean i personally condemn murder in self defense or anything of the sort or killing fascists or whatever i'm just saying as a baseline This Is How it Is) & this is why the death penalty is not a good thing no matter how good & trustworthy the people in any government might be. people on average also deserve the chance to learn to do better. & no, someone who's been forcefed propaganda their entire life will not let go of that deeply entrenched mindset so easily, it's not particularly unrealistic & it absolutely sucks to deal with but in the context of tangibly working toward world peace it's also not an issue to try & help such people both in material ways & in helping them learn better rather than cut them down or abandon them to a grim fate. all this to say that's why i don't think garlemald is written badly, as unpleasant as the experience might be. walks off the stage

[pastadoughie]

many people were confused about some of my previous posts, so for the sake of clarity i am condensing everything! tumblr has extremely transphobic moderation practices, often flagging completely innocent posts as explicit, solely for containing trans women in them or mentioning transgenderism. while letting untagged porn in sfw tags (ive literally seen porn tagged as "sfw agere") and blatent hatespeech, especially twards trans people (just look at the "gender critical" tag) go completely unchecked recently the CEO of tumblr had a big public hissyfit about people (rightfully) calling him transmysogenistic, going into random trans womens dms to harrass them, and saying that predstrogen saying she "hopes he explodes with hammers and then explodes again and hammers fly everywhere" is a death threat and saying he is calling the FBI on her (repeatedly misgendering her and calling her "it") and many bloggers, apon speaking out about it or even making harmless jokes (one trans woman posted a picture of a car and a hammer with the caption "reblog to scare matt" and got nuked for it) and many are very very angry (rightfully) about this whole affair and tumblr in general. if you would like to look into it i reccomend scrolling the "predstrogen" tag as she is the case most people are talking about at the moment. So, what can we do? this is clearly an ongoing issue, and, dispite having lost a lawsuit about their transphobic moderation in the past (see : https://www.documentcloud.org/documents/21274288-tumblr-nycchr-settlement) its clearly not gonna stop with just user complaints, as staff members are perfectly content to just go scorched earth on users who even so much as lightly poke fun at them well if you want to help you should contact the human rights commision (i will give clear details further down) ! you dont have to be in the US, nor be an adult to file, and it only takes a few minutes. this is the best and most effective method to fix this, because it hits tumblr where it hurts. human rights acencies have a lot of legal and financial power and tumblr CAN NOT just ignore them, and given that this will be the seccond time this is happening, the commisions shouldnt be playing nice anymore eaither. its really important that AS MANY PEOPLE AS POSSIBLE FILE, and with different examples! while maybe your case might not be enough to prop up a lawsuit on its own, we need to prove a general trend. so every little bit counts! to respond to another question abt this ive gotten, as for what exactly to report, you should a) write about an act of discrimination youve recieved on tumblr that was eaither administered by a staff member OR that staff refused to give adequate moderation action in for example : a terf posted some blatent hatespeech targeted twards you, and you reported them, and staff looked at the issue and refused to persecute it. example 2 : you were unfairly flagged, deleted, or otherwise punished by a staff member and you are queer ( AND the post they banned you for has some kind of tie to your gender, ex : a sfw transition progress photo ) OR b) if you have not personally recieved something like that, please look for other peoples stories (THEY SHOULDNT BE HARD TO FIND, within the last couple of hours trans people have been being banned LEFT AND RIGHT for trying to speak on this. i would reccomend checking some of the tags related to what happened with predstrogen) and you should describe that incident as best as possible (be sure to disclose that you are speaking for someone else, ideally you should tell the story of someone you know, if possible.) you can also mention any reports you have made twards people posting blatent hatespeech that, opon reveiwing tumblr refused to prosecute dispite it being very obviously against terms of service. just so nobody gets confused about the filing process, im laying it out in more plain languadge!!

first you should email the SF HRC (san francisco human rights commision), at hrc.info@sfgov.org and say something along these lines :

Hello, I am [full name] from [country or state] and I am filing a complaint against Tumblr, witch is owned by the parent company Automattic Inc. located at 60 29th St, San Francisco, CA 94110.

Tumblr has had previous issues with the NYC DHR for their moderation being unfairly biased against trans women (see : https://www.documentcloud.org/documents/21274288-tumblr-nycchr-settlement).

Despite a legally binding agreement with the NYC DHR, staff members still regularly harrass users based on their gender or sexual orientations. For example : on [date of most recent infraction] [describe incident] (if you are describing an incident that did not happen to you specifically, say something like) This incident involves the user [username] who I am not affiliated with (or/) who I am filing on behalf of.

I can be reached for further inquiries about this incident at [email you want to talk over] or [phone number you want to talk over]. (if you would like to be anonymous) However, In the event of legal prosecution against Automattic I would refer to be kept anonymous, where possible, in court proceedings. alternatively, you can also call the SF HRC at : 415-252-2500, you can use the above text as a starting point for this as well, next you want to fill out the form for the NYC DHR (new york city department of human rights) here : https://www.nyc.gov/site/cchr/about/report-discrimination.page for company you wanna put : Automattic and/or Tumblr for address you wanna put : 770 Broadway, New York, NY 10003 for phone number you wanna put : (646) 513-4321 and for category of discrimination you can put : Discriminatory harassment and basis of discrimination you can put : Gender; Gender identity you can then use a similar script on the written section of the form. when describing a specific incident, you should attach as many screenshots and links as possible! (for links, include both a live link and an archival link, so take a capture with the internet archive and have that as an alternative, incase a staff member gets petty.) this should only take a few minutes at most, and it helps alot! you can fill this out if you are a minor, and you dont have to be a us resident, please please take the time!!! and, just to clarify because there are many posts going around that are confused about this tumblr moved offices to san francisco recently, so their main HQ is at : 60 29th St, San Francisco, CA 94110 they DO still have an office in new york city, and thats where their PREVIOUS HQ was, the address is : 770 Broadway, New York, NY 10003

[osaemu]

GOJO SATORU: ONE FOR THE MONEY, TWO FOR THE SHOW

✩ ‧ ˚. synopsis: you and satoru, your fake boyfriend, have awards to accept and places to be. so how'd you two end up fucking in a bathroom? NSFW

contents: fem!reader. semi-public sex, p –> v, blowjob, unprotected sex, creampie, praise, you two get walked in on at the end (kinda). references hungry for more. not proofread, ignore any minor mistakes. 3.5K words.

“you two are so cute together,” the interviewer sighs, looking at you and satoru in turn. “please, tell us more about your relationship!”

satoru laughs, resting his hand on your back and pulling you into his side. you put on a smile and instinctually put a hand on his chest, pretending not to notice the way he stiffens up at the contact. “where do i even begin?” satoru asks dryly, turning and looking down at you affectionately, and he’s almost a good enough actor for you to believe there’s any real emotion behind those cold blue eyes.

two weeks ago, satoru’s media team came to you with a request for you two to start dating as a way of gaining more attention from your fans. naturally, you declined—it’s not like you’d gain anything from the deal but the burden of being paraded around on the arm of the man you hated—satoru gojo, the cocky son of some famous actor in the 90’s. but after multiple increases in the amount of money satoru’s team was willing to throw at you, you finally agreed under the condition that this arrangement would end the second you wanted it to.

“i’m sure you’ve seen our latest movie on netflix,” satoru starts, looking back up at the interviewer, whose eyes have practically turned into hearts. “the one with the serial killer, yeah? well, it started from there and just grew into more.”

“i guess you could say the attraction on the screen wasn’t all acting,” you add with a knowing smile. good thing you were a decent enough actor to pretend as if you weren’t just lying through your teeth, otherwise the millions of dollars in your bank account would all be gone. 

the interviewer laughs and turns to the camera, saying something about how the chemistry between you and satoru was what really made the movie a hit—in fact, it might even be the reason you’re both getting nominated for best actor and actress.

“well, if you’d excuse us, i think we should get back to the party,” satoru jumps in, nodding his head at the interviewer in thanks. he removes his hand from your back as you follow him to the main area, weaving through crowds of fans and interviewers on his way there. you walk at his side, heels clacking against the freshly polished floor. satoru dips his head and whispers, “hold my hand.”

you scrunch up your nose and shake your head. “no thanks, it’s not like anyone’s watching right now. it’s way too crowded.”

“just do it,” satoru mutters, grabbing your hand anyways. when you start to pull away, he fixes you with a stern look and adds, “they’ll think something’s wrong if you don’t.”

“ugh, fine.”

two hours pass, filled with other actors’ remarks on how good you and satoru make as a couple. suguru geto, one of satoru’s close friends who had played a cult leader in a recent documentary even said that you might be the girl who could fix satoru. yeah, right.

“so, when do awards start?” you ask satoru, swirling your drink and relishing the sound of the ice clacking against the side of the glass. he shrugs and takes a swig from his own cup, which looks suspiciously like apple cider disguised as champagne. “really? you’re nominated for like, four awards, and you don’t even know when you’re getting them?”

satoru laughs carelessly and looks you up and down, eyes lingering on the short cut of your dress. “at this point, i’ve got so many awards that it doesn’t even matter anymore. and by the way, you look really good in that dress. oh, wait, didn’t i buy it for you?”

“you’re not smooth.”

“then why am i nominated for best actor, huh?”

“because the system’s absolute shit, obviously. otherwise toji would win every time.”

satoru groans and drinks the last couple sips of his drink, rolling his eyes. “don’t even mention that piece of shit.” you shrug in response, hiding your smile behind your glass. a couple years back, satoru had lost a role to toji and to his despair, the movie did really well, despite what he’d promised to the producers who had turned him down. and it looks like he’s still bitter over that, and all of a sudden, the perfect plan to piss satoru off appears in your head.

“look, it’s toji right there!” you gasp, setting down your drink and hopping off your seat, walking over to toji while ignoring satoru’s warnings. “oh, hi, i’m a big fan,” you say to the tall, well-built man, smiling bashfully. toji turns and looks down at you, raising an eyebrow and smiling.

“hey, pretty, you’re the girl in that movie with the serial killer, yeah?” he asks, crossing his arms. you nod and internally marvel at how tall he is—especially compared to satoru, who, by any standards, is pretty damn tall. toji looks you up and down, taking his sweet time drinking in the way your dress hugs your figure. “that scene in the alley was really fuckin’ good,” toji adds conversationally. “you’re definitely winnin’ best actress for that.”

anyone who’s watched the movie knows that the scene he’s referring to is the one where you get fucked by satoru against a dark alley wall—and you’ve seen enough edits of the scene to know exactly why it’s getting all the hype.

“aw, thanks,” you say coyly, resting a hand on your hip and tilting your head. “y’know, i’ve always wanted to star in a movie with you,” you continue, hearing satoru come up behind you in the background. you ignore the sickeningly obvious way he clears his throat and flutter your eyelashes at toji, who’s eying you with interest.

“i’d like that. i can probably pull some strings,” toji replies with a smirk. his dark eyes flicker from you to satoru and his smile turns almost patronizing. “and who’s this?”

“her boyfriend. and i really hate to interrupt this friendly chat, but she’s not up for grabs,” satoru snaps, wrapping an arm around your waist and dragging you back to your spot at the bar. you shoot satoru an indignant glare, but receive no reply besides his tightening jaw. toji laughs and waves you off, mouthing “call me” at you when you turn back apologetically. 

satoru drags you by the hand to one of the bathrooms, shoving open the door with the side of his arm and pulling you inside. there’s a long, shiny counter, which you become very familiar with once your fake boyfriend hoists you up and sits you on it. “the fuck was that?” satoru hisses, narrowing his eyes accusingly.

“what, we were just talki—”

“i don’t like the way he was looking at you,” satoru interrupts, crossing his arms tensely. he fixes you with a cold stare and you fidget uncomfortably with the hem of your dress, which you now realize is rather short. 

“okay, and?” you reply irritably, starting to get annoyed by the way satoru keeps patronizing you. “it’s not like we’re even dating, gojo,” you snap, emphasizing the use of his last name.

“yeah? well, i don’t need my ‘girlfriend’ slutting herself out to the guy everyone knows i hate,” satoru fires back, taking a step forward. his palms rest on the counter on either side of your exposed legs, and you suddenly notice how red satoru’s face is. the flush in his cheeks wasn’t as noticeable underneath the bar’s dim lights, but here, it’s rather obvious.

“are you jealous?” you ask incredulously, unable to suppress the cheeky smile that finds itself on your face. satoru’s jaw slackens and his eyes widen, and that’s enough of a sign for you to confirm it—satoru gojo, your fake boyfriend, is jealous. he doesn’t reply immediately, so you laugh, throwing back your head and giggling at the way satoru’s petty rivalry seems to be only one of the reasons he was so eager to get you away from toji. “aw, that’s so cute, but we aren’t even dating, sweetheart,” you coo, reaching out and caressing the side of satoru’s face.

he instantly swats your hand away, rolling his eyes at your laughter. “well, we still have to act like it, you idiot,” he mutters, leaning over you and eying the low neckline of your dress. you instinctively cross your arms and glare at him, and satoru only cocks an eyebrow in return. “so, if we were actually dating, do y’know what i’d be doing right now?”

“what?” you decide to humor him.

satoru’s demeanor completely changes at your question, going from pissed and flushed red to almost playful.

“this.” 

and just like that, satoru slips his slender fingers underneath the bottom of your dress and pulls it up, exposing your black, lacy panties. 

“gojo, what the—”

“shh, it’s all for the show,” he whispers teasingly, brushing one finger against the warm skin of your thigh. you involuntarily shiver from his touch, and against all rational impulse, find yourself wanting more.

in the acting community, satoru was well-known for being a stuck-up brat, and when you two had first announced your relationship, plenty of actors doubted it. after all, how could you, the classy it-girl of the movie industry, date an asshole like satoru? but even you were surprised at how easily people started to believe it when you two interacted in front of them. you’ve been told that you two had a rather unexpected burst of chemistry together, and that your relationship might actually make it.

what a shame.

satoru hooks his fingers underneath the waistband of your panties and tugs them down, raising an eyebrow when you don’t protest. he maintains eye contact with you as he slides your panties down your thighs, exposing your embarrassingly-wet cunt. satoru looks almost as surprised as you do at how soaked you are, even as he runs two fingers over your slit before sliding them in. you hate how good it feels—it’s been a while since you got a chance to sleep with another man, especially since you’ve been stuck with satoru for the past two weeks. 

“shit, you’re so fuckin’ wet,” satoru murmurs, scoffing in mild disbelief as he meets your eyes and smiles. he curls his fingers upwards, causing your thighs to reflexively close before satoru reopens them. “so, wanna explain, sweetheart?” he tsks, tapping your thigh with his other hand.

you make a face and look away, cheeks heating up the longer satoru waits for a response. “it’s probably from toji,” you snap back after a moment. satoru laughs sarcastically, shaking his head almost condescendingly and pulling out his fingers.

“nice try, hon,” he says sweetly, lifting his fingers to his mouth and licking off your slick in one smooth motion. satoru exhales heavily and swallows, taking his time in doing so. “want me to go grab toji to join us?” satoru asks, forcing a smile on his lips. “i’m sure he’d love to watch you beg—”

“shut it, gojo,” you interrupt, swatting away his hand, which somehow found its way back in between your thighs. “we have an award show to get to, there’s not enough time for this bullshi—”

that was a mistake. satoru instantly lifts you off the counter and, ignoring the rather wide range of curse words you throw at him, sets you on the ground and starts unzipping his pants. “shh, we got all the time in the world. they can’t give an award to someone who isn’t there, right?” satoru cooes, threading one of his hands through your hair and pulling you closer to him. his other hand finishes unzipping his pants, freeing his already-hard dick.

you look up at satoru, forcing yourself to act unimpressed—even though you know damn well he can see through your half-hearted attempt at hiding your real feelings. “s’ that all?” you ask, hating yourself for the crack in your voice when satoru laughs at you. 

“ah, i think it’ll be more than enough for your pretty face to handle. now c’mon, open nice n’ wide for me,” satoru instructs you, reaching down and tilting up your chin as he guides his dick into your mouth. against all rational impulse, you let him, all while glaring daggers at him from below. 

you run your tongue over his flushed red tip, and satoru sucks in a harsh breath, chest tensing as you continue kitten-licking him. his hand moves from your chin to the top of your head, and he pushes your mouth farther onto his dick, jaw tightening the more your tongue laps at him. 

sure, maybe you shouldn’t be sucking off your fake boyfriend in a bathroom where anyone could walk in at any time, but it’s the first time you’ve felt this way in too long, and you weren’t ready to let this feeling go just yet. so you humor satoru and moan, smiling when you feel the way his whole body loosen up at the soft vibration. “f-fuck, didn’t think you’d actually know how to give a man a good time,” satoru mutters through gritted teeth. 

“really?” you ask, pulling away from his dick for a moment to catch a breath. “we fucked for that movie, though, and you seemed pretty damn satisfied then, didn’t you?” you say in-between heaving breaths. satoru scoffs and shakes his head, pushing your mouth back onto his dick.

“yeah, but that was for a movie. this isn’t,” he clarifies, eyes fixed on the mix of spit and pre-cum dribbling down your chin as you continue sucking him off. “fuck, why are you good at this?” he hisses, almost incredulously—it’s as if he was hoping you wouldn’t be this good for him for some reason, but now’s not the time to reason through it or wonder what’s going on in his mind.

satoru shudders around you, and you feel the hair threaded through your hair tighten. it’s not enough to be painful, but his grip still makes you whine from the increased pressure. his breathing becomes more shallow as you run your tongue over his length, and his foot starts to bounce on the floor as he gets closer to cumming down your throat. “shit, baby, m’ close,” satoru confirms a moment later, tilting his chin back and glaring at the ceiling. 

“fuckin’ hell, i—” he cuts himself off with a loud, lengthy groan, pushing your head even farther on his dick and tensing as the full force of satoru’s orgasm hits him. he lets loose a flurry of curse words as he cums in your mouth, filling you up to the point where it starts dripping down the side of your face. it’s hot and salty, two sensations that you normally wouldn’t put together, but in this moment it’s all you can think about as you slide one hand downwards towards your throbbing pussy.

still reeling from his surprisingly quick orgasm, satoru leans back onto the counter and pants for air. as for you, you’re starting to want some of his pleasure for yourself—so you slip two fingers inside your cunt and pulse them back and forth, needy moans slipping out of your lips at every thrust. “gojo,” you call, looking up at him and licking his cum off your lips. the sight of you kneeling in front of him, cum dripping down your lips and fingers knuckle-deep in your cunt is enough for satoru to cum again, but he forces himself to maintain some level of control.

“jus’ call me satoru,” he murmurs, reaching down and tugging you up to your feet. it’s hard to stand while your legs are trembling, but thankfully, satoru does most of the work for you by positioning you against the wall, back facing him as he aligns his still-hard dick in front of your dripping pussy. “say it,” satoru mutters in your ear, resting one hand on your waist and the other on the wall just above your shoulder. “say my name f’me, sweetheart.”

“s-satoru,” you breathe, and a moment later, your fake boyfriend—who doesn’t feel so fake anymore—shoves himself inside of your welcoming cunt. you’re already wet enough to the point where he doesn’t really need to prep you at all, but you’re still just tight enough so that every thrust feels like he’s breaking you down in the best way possible. 

“y’feel so good,” satoru groans, resting his chin on your shoulder and snapping his hips back and forth, setting a steady yet harsh pace. you stutter out satoru’s name again and again as your vision goes blurry, with your only thoughts revolving around the dick shoved up inside you and the man praising you in your ear. 

satoru curses when he feels your walls clench around him, breaths growing shallower with every thrust. “arch your back for me, princess,” he mutters, eyes fluttering rapidly as he squeezes your waist. “yeah, jus’ like that,” satoru praises, breath brushing against the side of your face as he continues thrusting into you. “how’re you feeling, pretty? s’ this all right with you?”

you nod shakily in response, swollen lips hanging wide open as you gasp for air. satoru clicks his tongue and slows his pace, dipping his chin and studying your face. “gonna need you to use your words, angel.”

“m' good, i wanna cum,” you mumble, a loud moan slipping through your lips when satoru laughs and resumes fucking you a millisecond after you answer. 

“i’m gonna fill you up, baby, i promise,” satoru whispers, and his words are barely audible over the lewd, sticky sounds coming from everywhere. all your senses are directed at satoru—the man you really shouldn’t be fucking right now, but all your inhibitions fade away as you feel your stomach start to tighten as you approach your orgasm.

“fuck, satoru, m’ close,” you whimper, arching your back even more and clenching your teeth shut. satoru sucks in a sharp breath as he confirms that he’s also about to cum, and his thrusts grow sloppier the closer he gets. “don’t stop, please, i—”

from there on, your words mix themselves together, with the only understandable word being satoru’s name. your fake boyfriend spills into you first, cum leaking from his tip and mixing with yours as you both chase your releases. and it hits you hard—if it wasn’t for satoru, you would’ve crumbled to the ground from the sheer force of your orgasm. all you can see is white as satoru finishes emptying his load inside of you, and the sticky, viscous liquid trails down the warm skin of your thighs as it overflows from your abused hole.

“shit,” satoru mutters, stumbling backwards and eyeing his now-soiled clothes. “this was a couple thousand dollars, damn it.”

you exhale a breathy laugh and turn around, leaning against the wall and meeting his half-lidded eyes. “you kidding? my dress was way more than that, and there’s no way i can wear that out now.”

satoru grins, running a hand through his ruffled hair and walking back towards you, touching your waist and sliding a finger over your dripping cunt. “you were so good f’me, baby. what were we arguing about again?”

“i have no idea,” you mumble, watching satoru lick his finger clean. he’s shameless—even as clarity returns to both of your minds, he still insists on dragging the moment on. not that you mind—that was the best sex you’d had in a while, even if it was too fast and in a bathroom.

“we should get back to the ceremony,” you say distractedly, pulling down your dress and frowning at the new wrinkles. “can i wear your suitjacket? i don’t want people to see this.”

satoru sticks out his bottom lip and pouts, looking you up and down. “but i like it. you look like you just got fucked by a really hot guy. oh, wait, that’s me!”

“you’re an asshole.”

before satoru can reply, the bathroom door opens, and you both jump out of your skins. thankfully, satoru had time to pull his pants on, otherwise it would’ve been significantly more embarrassing. suguru pokes his head in the bathroom and rolls his eyes when he sees you and satoru, and an exasperated sigh slips out of his lips when he sees your fucked-out states. 

“are you two seriously fucking during the awards?” suguru snaps, amber eyes glittering with dry amusement. you look away bashfully, tugging down your dress even farther out of embarrassment. satoru shrugs nonchalantly and walks over to suguru, offering his hand in search of a fistbump. 

suguru eyes him dubiously and crosses his arms. “did you wash your hands?”

“heh, no, not yet.”

ignoring satoru’s smug grin, suguru swats his arm away with the back of his hand, disgust evident all over his face. “gross, fuck off.” he turns to you and arches an eyebrow, looking you up and down disapprovingly. “you two should clean up before coming outside, otherwise they’ll probably take away your awards,” suguru adds, wrinkling his nose. “i’ll tell them you’re on your way.” 

“okay, thanks,” you mutter, face warmer than ever. suguru nods in response and leaves, and when you and satoru finally return to the awards ceremony, there’s plenty of whispers about you two, and most of them aren’t very family-friendly.

well, at the very least, nobody’s gonna doubt that you two were a couple now!

[dalishious]

The Sanitized Lore of Dragon Age: The Veilguard

Tevinter is the heart of slavery in Thedas. This lore has been established in every game, novel, comic, and other extended material in the Dragon Age franchise to date that so much as mentions the nation. But in Dragon Age: The Veilguard, when we are finally able to actually visit this location for the first time… this rampant slavery we’ve heard so much about is nowhere to be found. It’s talked about here and there; Neve mentions The Viper has a history of freeing slaves, as does Rook themselves if they choose the Shadow Dragon faction as their origin, for example. But walking down the streets of Minrathous, you’d never know. Because Dragon Age: The Veilguard, for all its enjoyment otherwise, has one glaring issue: It’s too clean.

The world of Thedas is full of injustices. Humans persecute elves, fear qunari, and belittle dwarves. Mages of any race are treated like caged animals in most places. The nobility is corrupt. Although, Dragon Age has not always handled these injustices well, mind you. Many, many times I’ve found myself frustrated with moments that just feel like a Racism Simulator. But what makes it worth it, is when you can actually do something about it. These injustices are things that a good-aligned character strives to fight back against, maybe even for very personal reasons. Part of the power-fantasy for many minorities is that this fight feels tangible. I cannot arrange the assassination of a corrupt politician in real life, but I sure can get Celene Valmont stabbed to death in Dragon Age: Inquisition, for example. Additionally, these fictional injustices can be used to make statements on real life parallels, like any source of media. For example, no, the Chant of Light is not real, but acting as a stand-in for Catholicism, through a media analysis lens we can explore what the Chant of Light communicates on a figurative level.

When starting Dragon Age: The Veilguard and selecting to play as an elf – this should be unsurprising to anyone who is familiar with my bias towards them – I was fully prepared to enter the streets of Minrathous and immediately get called “knife-ear” or “rabbit”. But this did not happen. I thought perhaps it was just a prologue thing, but returning to Minrathous once again, there was not a single shred of disapproval from any NPC I encountered that wasn’t a generic enemy to fight. And even the generic enemies, the Tevinter Nationalist cult of the Venatori, didn’t seem to care at all that I was a lineage they deemed inferior before now. This is a stark difference from entering the Winter Palace in Dragon Age: Inquisition and immediately getting hit with court disapproval and insults. Are we now to believe that Tevinter has somehow solved its astronomical racism and classism problems in the ten years since the past game? Or perhaps are we to believe all the characters who have demonstrated Tevinter’s systemic discriminatory views were just lying or outliers? Because it makes absolutely no sense at all for this horribly corrupt nation to not have a shred of reactivity to an elven or qunari Rook prancing around. But here were are, and not a single NPC even recognizes my character’s lineage. And because this is so different from every single past game, it feels weird.

As an elf, you have the option to make a comment about how “too many humans look down on us” in one scene early in the game. You can also talk to Bellara and Davrin, the elven companions, about concerns that people won’t trust elves after finding out about the big bad Ancient Evanuris… but this is presented as if elves don’t already face persecution. It’s all so limited in scope that it could be all too easily missed if you are not paying very close attention, and coming into the game with pre-existing lore knowledge.

All this made it easy to first assume that the developers simply over-corrected an attempt to address the Racism Simulator moments. And if that was the case, than I would at least give credit to effort; they did not find the right balance, but they at least tried. However, the sudden lack of discrimination against different lineages in Dragon Age: The Veilguard is not the only sanitized example of lore present.

In Dragon Age: Origins, Zevran Arainai is a companion who is from the Antivan Crows; a group of assassins. He discusses in detail how the Crows buy children and raise them into murder machines through all kinds of torture. The World of Thedas books also describe how the Antivan Crows work, echoing what Zevran says and expanding that of the recruitment, only a select handful of those taken by the Crows even survive. When you start Dragon Age: The Veilguard as an Antivan Crow, you immediately unlock a re-used codex entry from the past, “The Crows and Queen Madrigal”, that says the following:

“His guild has a reputation to uphold. They are ruthless, efficient, and discreet. How would they maintain such notoriety if agents routinely revealed the names of employers with something as "banal" as torture.”

Ruthless, efficient, and discreet. Torture is banal. This is what the Crows were before Dragon Age: The Veilguard decided to take them in a very different direction. The Antivan Crows in this latest game are painted as freedom fighters against the Antaam occupation of Treviso. Teia calls the Crows “patriots”. And while I can certainly believe that the Crows would have enough motivation to fight back against the Antaam, given that it is in direct opposition to their own goals, I cannot understand why they are suddenly suggested to be morally good. They are assassins. They treat their people like tools and murder for money. Even as recent as the Tevinter Nights story Eight Little Talons, it is addressed that the Antivan Crows are in it for the coin and power, with characters like Teia being outliers for wanting to change that. It makes the use of the older codex all the more confusing, as it sets the Antivan Crows up as something they are no longer portrayed as.

I personally think it would have been really interesting to explore a morally corrupt faction in comparison to say, the Shadow Dragons. Perhaps even as a protagonist, address things like the enslavement of “recruits” to make the faction at least somewhat better. (They are still assassins, after all.) Instead, we’re just supposed to ignore everything unsavory about them, I suppose…

We could discuss even further examples. Like how the Lords of Fortune pillage ruins but it’s okay, because they never sell artifacts of cultural importance, supposedly. Or how the only problem with the Templar Order in Tevinter is just the “bad apples” that work with Venatori. I could go on, but I don’t think I have to.

It is because of all this sanitization, that I cannot believe this was simply over-correction on a developmental part. Especially when there is still racism in the game, in other forms. The impression I’m left with feels far deeper than that; it feels corporate. As if a computer ran through the game’s script and got rid of anything with “too much” political substance. The strongest statements are hidden in codex entries, and I almost suspect they had to be snuck in.

Between a Racism Simulator and just ignoring anything bad whatsoever, I believe a balance is achievable; that sweet spot that actually has something to say about what it is presenting. I know it is achievable, because there are a few bright spots of this that I’ve encountered in Dragon Age: The Veilguard too. For example, some of the codex entries like I mentioned, and almost all the content with the Grey Wardens thus far. It is a shame there is not more content on this level.

Dragon Age: The Veilguard is overall still a fun game, in my opinion. But it’s hard to argue that it isn’t missing the grit of its predecessors. The sharp edges have been smoothed. The claws have been removed. The house has been baby-proofed. And for what purpose?

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