#pixar filter

[jypsyvloggin]

How to do the Snoopy filter on TikTok [CapCut]

How to do the Snoopy filter on TikTok [CapCut] @drii_modelos Snoopy Filter | Modelo CapCut – Usem ☝ #CapCut #snoopy #peanuts #efeitoia #multiaverso #filter #christmas #viral #fyp #fypシ゚ @TikTok ♬ Peanuts Theme – EROBIQUE TikTok filters are an easy and quick way to enhance your TikTok videos before posting. Whether it’s for fun or an occasion, you choose a filter to apply to your video based on…

[liaromancewriter]

Forgot to post the Ramsey Twins yesterday.

[dallasyt]

[seagrass-obsessions]

*neons your delinquent road hazards*

[giuliagt-art]

Today is Keith Ferguson's birthday (aka the 2nd voice of Lightning McQueen), so I wanted to celebrate him by drawing Lieutenant Lightning McQueen since he's from one of my favourite Mater's Tall Tales episodes (and Ferguson voiced Lightning in those shorts) ☺️

As you can see, I used a black & white filter so that the drawing could replicate the style of the short 😁

[toonsforkicks22]

Sooo…I attempted that VHS/90s anime effect (bc this started as a random doodle I decided not to erase)

I LOVE THIS SO MUCH 💕💕💕

[homoqueerjewhobbit]

[oneeyeisenough]

Experiment I tried out Ultimate Vocal Remover 5 and got rid of the vocals from that Duncan x Tylor edit that really brainrotted me for a while.

[desb3ar]

ANYWAY.

Goofy Miguel O’Hara Headcanons

i love making silly shit with him (and making him depressed asf lol)

Rarely, Miguel will have the WORST joke known to man. Gag is, the reaction TO his bad joke is the funniest part to him. he’d say some lame shit like “what do you call a can opener that don’t work? a can’t opener.”

If he EVER were to laugh hard enough, let alone laugh at all… Snorts and wheezes would be expected. Then he gets embarrassed cuz Mr. “im s’pose to be the big strong leader” gets caught sounding like a piggy. (Ha. Piguel O’Malley ref.)

When he’s focused on machine work, trying to figure out something on the fly, he’ll blow quiet raspberries. Lyla makes fun of him for that sometimes.

SPEAKING OF LYLA… SHE will laugh her ass off when she puts the most goofiest filters on Miguel when he’s trying to work. That one filter that makes it look like you’re crying, wet face n’ all with the frown and shit? All time favorite. Miguel always wanna assume her laugh attacks are malfunctions, but he see’s no problem on account of many successful diagnostics. So he gotta suck it up.

I wrote about this before, but I read he’s hyper sensitive, so I HAVE to assume that he’s ticklish. Gotta be. When people find out, sides are poked. He’d JOLT UP and swat people away like bugs (cuz they are kinda.) If you’re close to him, knowing you’re prone to tickle him out of nowhere, he’d get SKEPTICAL and flinch when all you want is a hug. (The amount of betrayal when you tickle him instead scarred him LMFAOOO). I couldn’t say you’d whisper in his ear and it will tickle him because he already has enhanced hearing so there would be no point.

I saw an actor au that i LOVE, right? i keep thinking that miguel, when he’s trying to be serious, he breaks character too often because he ends up laughing 😭 idk behind a serious character is someone who CAN’T be serious for more than 2 minutes. (i’d kill for someone to make a pixar’s after credits blooper animatic with atsv characters.)

[jypsyvloggin]

How to do the Tim Burton's filter on TikTok [CapCut]

How to do the Tim Burton’s filter on TikTok [CapCut] @jypsyvloggin Dark, twisted and fabulous 🖤#aifilter #capcut #timburton ♬ original sound – 𝓖 TikTok filters are an easy and quick way to enhance your TikTok videos before posting. Whether it’s for fun or an occasion, you choose a filter to apply to your video based on whatever look you’re hoping to achieve. Each filter is a combination of…

[liaromancewriter]

One more for Ethan and Cassie. This one came out a little weird for me.

[thecurioustale]

Oh man, you just stepped in the landmine/bog/hornets nest of discourse that is "are the touden sibilings fat?"

Hah!!

I was looking up some details to be able to write that post, and the wiki page for Falin's character, in the stats section, had the Oddly Specific information of both her weight and her BMI—the latter being 24, which is Japanese for "unspeakably fat" (for a female character coded as young and conventionally attractive).

So the answer to that debate is a very obvious "yes," but with the caveat that the show's artists couldn't be / chose not to be overt about it and instead sent their message by pressing the envelope of conventional normality rather than just having an unambiguously fat character.

The subject of "conventional media depictions of fatness in conventional characters" is a fascinating one and itself a minefield. With reproductive-aged female characters in particular, fat representation simply did not exist until recently (and is still very much a fringe thing) except for characters coded as villains, comic relief, brutish minions of the evil class president, etc.* Even supes are like this. The erasure is so complete that it's almost like female bodies are physically incapable of becoming fat.

* I don't count the "Pixar mom" type with the caricaturized giant hips that sometimes appears in cartoons, because this is so clearly a caricature and in any case these characters' waists (and everything else besides their thighs and chests) are always comically tiny. But I suppose there's an argument to be made that they should be included.

So what ends up happening is that when, for whatever reasons, fat female characters are called for or desired, they are depicted the way Falin is: objectively thin, but fatter by comparison with everyone else. It's a negative space thing: By being less gaunt and skeletal, less tiny and wispy, even a BMI-normal weight can come across as "fat"—as it is meant to do by the casting directors / art directors. And so you can make either argument: You can point to characters like this and call them fat, or you can call them thin, and both are correct. This is also why fat-shaming in real life works on virtually anybody.

Another thing worth pointing out is that, in animation (and to a lesser extent in live action due to extensive filtering by the casting director), the bodies of these faux-fat characters are inevitably drawn unrealistically. Sticking with female characters (whose fatness is far more thoroughly erased), they almost always have the thigh gap, the big breasts, the narrow waists, the slender necks and chins. You never see the fatness that normally fills out these spaces, and you never, ever see rolls of fat, except for a kink just below the waist on each side where the hips flare out (technically this is the belly, but the drawing is such that it implies hips)—and in profile even this is completely lost, with little or no trace of a visible belly jutting forward. Fat itself simply is not drawn; faux-fat characters are instead drawn with exaggerated proportions of thin bodies. Or, rather, they are drawn with de-exaggerated skinniness, regressing from the visual aesthetic norms in animation toward more real-life shapes and proportions. Indeed, I say "unrealistically" above; these body types definitely exist in real life; but in real life we rightly call them thin or slender, or at least "average." This is not fatness in the qualitative sense (notwithstanding that there is necessarily more fat present in the body); it is the absence of emaciation.

I love character designs like Falin's, because they're usually the closest we get to fat representation of cute, attractive female characters. I am resigned to the fact that they're always going to be demons, or aliens, or anthropomorphic animals, or mythical beasts like in Falin's case or mermaids, etc., simply because "regular" human characters in this category aren't culturally allowed to be drawn as anything bigger than than moderately-to-extremely thin.

[strangestcase]

absolutely insane that Inside Out is set in the same universe as a bunch of other Pixar movies. like Inside Out is one of the few Pixar stories that has no fantasy or sci-fi elements. and no, mindworld doesn’t count because that’s just how minds operate IRL, only filtered through an elaborate visual metaphor. imagine there’s magic and monsters and all sorts of supernatural stuff happening all around but you’re one of the millions of people with a terribly ordinary, non-supernatural life.

[justlookatthosesausages]

That scenery choice in Inside Out 2 where people in Riley's imagination department were forced to draw content for a plot they didn't like in tiny office cubicles was definitely made on purpose by Pixar's writers and I love that it escaped Disney execs filters

[randy-jester]

My Imaginary Ride The Cyclone Hybrid Live-Action and Animation Feature Film that only exists in my head: Part 1

I originally wrote this in response to @sleepboysummer 's post about wanting to bring back the "imaginary rtc production in my head' trend, but it got so long I felt like it deserved it's own post. And then that got so long that I had to split it into multiple parts 😅

Anyway, here's my concept for what I would want for a Ride The Cyclone movie. This part covers everything from the beginning (Introduction + Uranium Suite) to "Talia".

The majority of the movie is shot in live-action, but colored in sepia (Think like the Wizard of Oz but while Dorothy is still in Kansas). The coloring is meant to represent how dreary the choir felt like their lives were living in Uranium.

Karnak will be a life-size animatronic creature puppet from Jim Henson's Creature shop.

The warehouse, despite presumably being abandoned for years, appears to look no worse for wear (for now). Sure, lots of old carnival stuff is stored here. Yet for some reason, nothing seems to have fallen into significant disrepair. It just looks kinda old.

Karnak's opening dialogue will have different jokes depending on whether the audience is watching the movie in theaters vs if they're watching it on home video. The theater version can keep the "armrest bit". But the home video will have it's own joke to replace it.

The first half of "Uranium Suite" is shown as a flashback. We see the choir in competition, snippets of them getting their fortunes read and enjoying the other rides at the carnival, then boarding the doomed Cyclone rollercoaster.

When Karnak says the line "hurtling the children to their deaths", we watch the choir's rollercoaster cart fly off the loopty-loop. But rather than hitting the ground, they stay floating through the air for a while. It's only when they say the lines "round and round and round" when they slowly start to descend toward the ground. Right when they're about to crash and hit the ground, the scene changes. We see the choir land in the warehouse, their souls summoned by Karnak. They get back up, almost robotically, and perform some (Karnak-controlled) choreography for the end of the song.

When it comes to the choir's individual songs, the visuals change to animation. And to reflect the individuality of the choir members, every song uses a different art style.

"What the World Needs" will use 3D CGI animation that has a classic Disney/Pixar look to it. This is meant to reflect multiple aspects at once (the happy/poppy style of the song, Ocean's bubbly personality, etc.)

During her number, Ocean dons a dramatic costume change. She's got a bright pink power suit (think like if Barbie was a businesswoman)

After her number, the world returns to normal (live-action and sepia). We see Ocean standing on the human pyramid wearing a loose pink necktie. This is meant to show that the animated sequences are "dreams" acted out by the choir. The costume pieces they get in real life were from storage.

"Noel's Lament" is animated in 2D black and white animation. Think like the classic Betty Boop cartoons from the 1930s. Additionally, his entire song is recorded through a radio filter (think like how Alastor sounds in Hazbin Hotel). That way it really makes him sound like he's from the "olden days".

"This Song is Awesome" will have a gritty, graffiti type art style. Whereas "Talia" will be done entirely in watercolor.

The transition from "This Song is Awesome" to "Talia" will be different from the stage version. "This Song is Awesome" will be framed like Mischa's dream bachelor party. We see him living it up as a world-famous rapper, partying with his friends, then taking the private jet to Ukraine. When he says "And then I see this girl. Shawty." at the end of "This Song is Awesome", there's a visual gap between where Mischa is standing (still in the graffiti art style) and where Talia is standing (in watercolor). We can hear the beginning notes of "Talia" being played in the background. Noel leans close to Mischa and asks, "Who's that?", referring to Talia in front of them. Mischa says, "That is my girlfriend. I was saving up to move back to Ukraine just to see her. Natalia Muruska Bolinska." As he says her name, Mischa steps between the gap, changing his appearance (and the rest of their surroundings along with him) to the "Talia" watercolor style.

EDIT: Here's the link to Part 2! Sorry for splitting it up. Tumblr literally wouldn't let me post it as one large chunk. ^^;