#pirate completely

[lucanls]

.

[silvadour]

[hinata-boke]

trick or treat

[cozylittleartblog]

cringe is dead because rouxls is carrying the weight of it all madoka style

[boltlightning]

PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST (2006) ➢ mastering the blade: jack davenport

[potatopassenger]

Hmmmm Zoro has a secret secondary goal directly related to Luffy fueling him???

[spacepunksupreme]

this is what this movie was about to me

[ghostsofharrenhal]

"I understand you sent four of my marines to the infirmary. Without drawing a blade, I might add."

[puppetmaster13u]

You Know what I need?

Pirate Batfamily. Pirate batfamily who plunder other pirates and have both several smaller ones designed for outmaneuvering larger gally ships, and their big "batcave" ship.

Like, a mixture of historical piracy period of privateers and some fantasy, because honestly? It could and would fit.

Give me sea cryptid Batfamily that others tell tales of alongside ghost ships and sirens. Of a notorious ship with a blackened hull and a captain said to be made of shadow that appears in the dead of night to the laughter of sea nymphs.

[baejax-the-great]

Fanfic isn't a possession.

When an author deletes a work on AO3, they haven't taken anything from the readers. It's not a physical object that can be snatched away, and if readers wanted a digital copy to keep, AO3 made that possible. It is the reader's choice whether or not to keep a copy. The author has absolutely no say over whether or not they do this.

If you have a favorite exhibit at the museum, and that exhibit closes for whatever reason, nobody "stole" art from you. Same thing with whatever play is currently at your local theater--it's temporary, and when it closes, the actors didn't take away your entertainment. Before streaming and box sets of tv shows being sold at Target, all of television was ephemeral, too. You caught it or you didn't.

I don't know why there is an expectation that fanfic should be permanently made available to readers. The archive certainly gives a place where that can happen, but there is no reason to assume that it always will happen, nor that readers are entitled to that.

There are many reasons to delete a fanfic--not orphan, not post anonymously, but delete. It's fine to be disappointed if that happens. It's not fine to harass authors or try to wrest control of the work from them or create archives full of stolen work.

[1000sunnygo]

Law novel sequel's title will be "Novel Law: The Hour of Kikoku" (Kikoku no Toki).

... or 'The Time of Kikoku', 'Hour' just sounded catchier.

It's going to be a multichaptered spinoff, the upcoming magazine doesn't conclude the story. Here's an update from the official website.

Seems it's the story behind Law acquiring his sword? Sakagami Shusei (Novel Law author) has shared some initial thoughts (the first tweet was before the title revelation).

Felt the last one 🤝

Once again, Oda's involvement is expected to be minimum. It's almost entirely written by Sakagami Shusei, like its prequel.

Let's hope we finally get to know the names of the other members of the Heart pirates!

Nishimura Kinu's sketch seems to hint at Law's interaction with Hakugan, maybe we'll get to know how he got recruited.

[ai-sun]

The twenty two crew members of the Heart Pirates and their beloved captain

[under-lok-n-ki]

a family squabble

[cozylittleartblog]

if i went one more day without drawing timeskip amity i was going to explode

[moongothic]

So I rewatched the entirety of the Baroque Works saga for the first time in quite a few years, and before that I did also finaly watch MelonTeee's video essay about the East Blue Saga. And naturally I am now plagued with some Thoughts™

So in her essay (which you should go and watch if you haven't already, let's be real) MelonTeee discussed how one of East Blue's key themes was people's treasures, be it items, dreams and most importantly other people, and the way people are willing to sacrifice their lives or their own dreams to protect those who are dear to them. Rewatching Baroque Works Saga, the key, long running themes I picked up on were that of

Trust and betrayal (Laboon at the time being under the impression that his friends had betrayed him and left him to rot at Reverse Mountain; Whiskey Peak is all about backstabbing people; Little Garden was about Dorry and Broggy's friendship being too strong for either party to believe the other had betrayed them; Croc's trust issues in Alabasta being his ultimate downfall)

Friendship and unbreakable bonds (Laboon's new bonds with Luffy and co; Dorry and Broggy again; the comparison between Chopper trying to say goodbye to Luffy and co only to be denied vs Vivi's farewell)

What makes a country, a good ruler and if/when is overthrowing a ruler justified (Drum and Alabasta explore these together)

And perhaps most importantly, protecting that what is important to you. And that one in particular I feel like is the Alabasta arc's main theme on its own, as it comes up over and over again.

The Rebel Army wants to protect their country from their "corrupt king" by overthrowing him; the King wants to protect his people from needless bloodshed and tries to avoid combat; Vivi wants to protect her people but also her friends and can't find the strenght to beg them for help lest they get hurt on her behalf; Luffy wants to protect his friends and Vivi so they don't get killed by the likes of Crocodile. Protecting those you love is an important theme in this arc, it is the arc's very heart as the conflict is was born out of that love. And that's why it's so interesting to me how Crocodile's motif seems to be being a protector, a guardian. And I'm not just talking about the "Croc is based on Sobek the Egyptian crocodile headed protector god" and "Guardian of Alabasta"- if that was all then I'm not sure I'd even go as far as to call it a "motif" for him, but it comes back to haunt us again in Marineford with the ever legendary

And that is just... curious. Because Crocodile as we know him is just Some Asshole with no weaknesses and nothing he cares about except for his own ambition. So being a protector being his motif, of all fucking people, is really interesting. Like, One Piece doesn't really do shallow villians, there's always a reason to why a character has become the way they have and why they're doing what they're doing.

Kaidou was raised in an environment where one justified the reason for their existence through strenght and combat alone.

Doflamingo hates the world and wants it to just fucking burn because he never let go of the entitlement of being a World Noble.

Lucci was brainwashed into becoming a warrior for absolute justice since he was a small child.

Arlong watched his people suffer from the oppression of humans first hand and that hatred consumed his heart.

Wapol was a spoiled nepobaby manchild who thought he should be allowed to do whatever the fuck he wanted because he's King.

Why the fuck is Crocodile the way he is. Why does he want to create a utopia, a military nation powerful enough to rival the WG itself. What has driven him to to strive for that goal. Why is being a protector his motif.

East Blue explored the things you are willing to do and the lenghts you're willing to go for your "treasure", the ones you love and care about. And Alabasta is about protecting them; even if not called that explicitly, Alabasta is about protecting your treasure. On one hand, having the man with no treasure, nothing and no one he wants to protect, as the primary antagonist of the arc that about protecting your loved ones is a great juxtaposition. Like there is an argument to be made that the reason Crocodile lost is because he had nothing to lose, while everyone else in the arc had everything to lose in this conflict and thus couldn't afford it, as they'd be left with nothing. And, looking at Alabasta on its own, as a standalone arc, that does work. But when you look at One Piece as a whole, when you look at everything that came before and after, I can't help but to feel that can't be the case, can it? Surely Crocodile has something he did want to protect after all?

[gremnda]

[is incredibly late to the party] Pirates, you say?