#pinacoteca brera

[10siglosdehistoria]

(Italiano / English / Español)

La Madonna della Candeletta è un dipinto a tempera e oro su tavola (218x75 cm) di Carlo Crivelli, databile a dopo il 1490 circa e conservato nella Pinacoteca di Brera di Milano. È lo scomparto centrale del Polittico del Duomo di Camerino ed è firmato KAROLUS CHRIVELLUS VENETUS EQUES [L]AUREATUS PINXIT.

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The Madonna of the Candle is a tempera and gold painting on panel (218x75 cm) by Carlo Crivelli, datable to after about 1490 and conserved in the Pinacoteca di Brera in Milan. It is the central compartment of the Camerino Cathedral Polyptych and is signed KAROLUS CHRIVELLUS VENETUS EQUES [L]AUREATUS PINXIT.

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La Madonna della Candeletta es una pintura al temple y oro sobre mesa (218x75 cm) de Carlo Crivelli, fechada alrededor de 1490 y conservada en la Pinacoteca de Brera de Milán. Es el compartimento central del Políptico de la Catedral de Camerino y está firmado KAROLUS CHRIVELLUS VENETUS EQUES [L]AUREATUS PINXIT.

fuente: Musei Italiani/ museionline.info

[coffeeforthemoon]

📷 @luca_m3692 on Instagram.

Pinacoteca di Brera.

[conformi]

Giorgio Armani, Spring Summer 1987 Collection Campaign, ph. Aldo Fallai VS Andrea Mantegna, Lamentation over the Dead Christ, 1480

[tragediambulante]

The Samaritan at the well, Battistello (Giovan Battista) Caracciolo, 1620-22

[careful-disorder]

Andrea Mantegna, Lamentation over the Dead Christ

"The iconography of the work, probably intended for the artist’s private devotion, refers to the compositional scheme of the Lamentation over the Dead Christ, in which mourners are gathered around the body prepared for burial, laid out on the stone of unction and already anointed with perfumes." - Pinacoteca di Brera

[kecobe]

Supper at Emmaus Caravaggio (Michelangelo Merisi) (Italian; 1571–1610) 1606 Oil on canvas Pinacoteca di Brera, Milan, Italy

Then arose Peter, and ran unto the sepulchre; and stooping down, he beheld the linen clothes laid by themselves, and departed, wondering in himself at that which was come to pass. And, behold, two of them went that same day to a village called Emmaus, which was from Jerusalem about threescore furlongs. And they talked together of all these things which had happened. And it came to pass, that, while they communed together and reasoned, Jesus himself drew near, and went with them. But their eyes were holden that they should not know him. And he said unto them, What manner of communications are these that ye have one to another, as ye walk, and are sad? And the one of them, whose name was Cleopas, answering said unto him, Art thou only a stranger in Jerusalem, and hast not known the things which are come to pass there in these days? And he said unto them, What things? And they said unto him, Concerning Jesus of Nazareth, which was a prophet mighty in deed and word before God and all the people: And how the chief priests and our rulers delivered him to be condemned to death, and have crucified him.… And they drew nigh unto the village, whither they went: and he made as though he would have gone further. But they constrained him, saying, Abide with us: for it is toward evening, and the day is far spent. And he went in to tarry with them. And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight. And they said one to another, Did not our heart burn within us, while he talked with us by the way, and while he opened to us the scriptures? (Luke 24: 12–20, 28–32)

[theonpilled]

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[countryimages]

El Beso (Pinacoteca de Brera, Milán, 1859 - Francesco Hayez

[el-elux]

Francesco Hayez, Malinconia

«La Malinconia era rappresentata da una giovane donna del Medioevo, che presa da un sentimento d'amore, sta in una posa abbandonata, che nonostante la passione per i fiori, da essa raccolti in un vaso, tenendone uno in mano che forse le ricorda la persona a lei cara, tiene alquanto china la testa, per meglio nutrire il pensiero che la domina, non curante tutto quello che le sta intorno, e gli abiti stessi che le cadono da una spalla, lasciando vedere parte del petto. L'abito è di raso celeste carico ch'io credetti adatto al soggetto, anche perché contrapposto alle tinte vive dei diversi fiori, ch'io presi tutti dal vero con cura coscienziosa»

Pinacoteca di Brera, Milano

[dramoor]

Christ Mocked, by Giovanni Antonio Bazzi

(Photo © dramoor 2015, Pinacoteca di Brera (Milan, Italy)

[flaminchia]

some of my personal favorites from the “Pinacoteca di Brera” in Milan, Italy

[unfilodaria]

Brera, Milano

[kemi-cameraroll]

Ho visto lei che bacia lui, che bacia lei, che bacia me

Pinacoteca di Brera

[page-28]

Detail

Diaphanous scarf

[labalenottera]

Non sono ancora arrivata a Milano e già odio Milano.

[emvisual]

Retrato del Conde Flaminio Tassi. Una pintura de Giuseppe Ghislandi, conocido como Fra' Galgario. Pinacoteca di Brera, Milan, Italy.