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#photoshop request
birthmark-poetry · 7 months
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i’m really bad at photoshop & this could only play here but pls god can someone put the The Ball Pit™️ in Willy’s Chocolate Experience, for science
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donnadsltwmart · 1 year
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Something I made of myself with a little help from AI. Going home.
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hadtochangemyurlquick · 9 months
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i have just attempted my second time to figure out photo shop to no avail. i have a really simple request and will venmo someone 5 dollars (negotionable) to do it. it will literally take like. fifteen minutes. please i'm dying. dm me
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ultrablorfus · 1 year
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So the YT recommendations did a thing...
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Now I want to see a face swap.
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ghost-proofbaby · 7 months
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IT WILL COME BACK (E.M.)
"honey, don't feed me - i will come back."
summary: when eddie came back from the upside down, he was different. and you finally come to realize just how different the man you saved truly is one night, when push comes to shove.
pairings: kas!eddie munson x reader
warnings: mentions of BLOOD (in sexual manner), mentions of BITING (in sexual manner), allusions to possible coercion (consent is still explicitly stated - trust me), mentions of death and trauma, mentions of eddie's canon death, taking a lot of creative liberty with expansive vampire lore across all media, mentions of murderous dreams? (eddie dreamt about killing reader idk), oral (f receiving), smut. MINORS DO NOT INTERACT - 18+ ONLY.
wc: 7.7k+
a/n: i told y'all i'd write a serious biting/blood kink fic one day - today is the day. very lazily edited so beware.
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When Eddie came back from the Upside Down, he was different.
There were subtle changes at first. Small, minute details that were easy to ignore. Everyone could turn a blind eye to them — everyone figured they would fade once the boy healed. His healing was first priority, and whatever lingered after could be dealt with.
Get Eddie better. Then question all that lingers.
A simple plan. A genius plan. A torturous plan.
The two of you had been friends, if you could even call it that, prior to it all. Teasing in the hallways, working on school projects here and there when in shared classes, he was your favorite (and only) dealer when you craved something to make sleep come just a little bit easier. He had been familiar — an old ghost you'd grown comfortable with, long before you’d seen those large and wet eyes looking back up at you in the boathouse. 
Long before he’d pieced together the puzzle pieces as to why you’d needed the weed to cancel out the nightmares. Long before he’d processed exactly what those nightmares entailed.
But then, you’d fought for him. You’d fought with him. And most importantly, you’d bled with him.
God, you had bled for him. 
Something admirable had blossomed in that short time. Eddie’s entire life had fallen apart, thread by frayed thread, and that new planted emotion had been the only solid thing to emerge for him to absolutely cling to. You were more than a fellow classmate to pass by in the hallways. You were more than his favorite customer, always weaponizing fluttering lashes and puckered lips for a discount he’d have given you regardless. 
You were a force to be reckoned with, and had ignited a hunger in him like no other.
That’s all he had thought it was when he’d awoken in his living room — not the distorted version but the real one — to you screaming for the others to help you as you’d sealed his wounds. That’s all he had thought it was when you’d come to visit him as wounds turned to scars, and stabbing pains turned to hungering pangs. So he had tried to bury it, listen to Harrington and Wheeler and Buckley when they told him to take time to readjust. He’d locked away that hunger and focused on his healing, just as everyone else had, and told himself it was just residual feelings. 
Residual feelings had been bound to happen after seeing someone bloody their hands, with your own blood, for your survival. 
And in his burial, he’d never considered a similar hunger igniting somewhere deep within you.
You visited far more often than you should have. Returning time and time again to change his bandages, taking on one too many shifts at the hospital during his unconscious spells and baring your teeth for anyone who got too close. The sweet blood on your hands hadn’t washed away in that first shower; you swore, if you looked closer, you could still see the stain of nearly losing him across your knuckles. 
Physical wounds were easier to heal than the internal ones. It was easier to lather on antibiotic lotion than it was to sleep soundly at night. Both of you came to realize that quickly in the weeks that followed Eddie’s return from the dead.
His nights were plagued with bad dreams, with thirst and cravings he couldn’t quite name. He’d wake up, burning up from the inside out with a fever that never existed. Tearing skin. Puncture wounds. Blood spilling across floors and his lips alike. He could never tell if the shivers that traced his spine had been from the cruel visions that had become his nightly visitors or if it was due to his perpetual drop in temperature that had worried Nancy since the very first night home from the hospital, that had concerned the nurses who piled blankets atop him during his week long sleep of recovery. 
Your nights were even less kind. Horrific memories were the demons that haunted you — remembering the way you had watched Eddie cut that sheet rope, remembering finding him bloodied on the ground, remembering the warmth of his blood seeping across your palms and how when your ear had turned just as heated with it as you pressed it to his chest. Only to hear nothing. Emptiness.
His heart had stopped for minutes. Plural.
It had been your steady rhythm, your desperate hands and your gasping breaths breathing into his lungs. You’d sunk your claws into him, caught them right between his ribs and had decided he couldn’t leave you.
Some nights, when you wake up screaming, you can still taste his blood on your lips. You sometimes still swore that when you’d checked for a pulse after that, you hadn’t heard anything. Still worried that Eddie Munson’s heart never really restarted and resumed beating. 
The worst was when you’d stare through the faded grey of  mornings plastering across your room’s walls, and could still remember that initial look in his blown out pupils, once honey brown swallowed in pure black as he’d taken his first breath on his own. 
Hunger.
You’d felt it, too. Shame riddled you on the nights you’d come down from the nightmares and remember it; it was as though the Universe had snapped back into place the moment you’d watched his chest first rise. A need so ardent to remain at his side. A chain clicking into place, binding both yourself and Eddie to one another, unaware of just what price had been paid to keep the boy that had laid under you in this world. Unaware of the hunger you had struck the match too that would become both your downfalls.
And so it had been buried. Something alive, even with your doubts of Eddie’s liveliness, and choking on dirt while six feet under. You and Eddie, two sides of the same coin, had decided to not speak of it. He never told you how he had come to be able to pinpoint your heartbeat in every shared room he entered, throat burning as his gaze always settled on you, and you never told him of the matching aches that had shamefully sparked within your chest and between your hips for him. 
A hunger to be near one another. A hunger to devour. Neither of you really understood the heaviness.
“How are you feeling today, Eddie?” Steve asks as he sits on the edge of the new bed in the new apartment in the new part of town the Munson men now occupy. 
Government money could go a Hell of a long way. Especially after your home had been devastated by the aftermath of alternate dimensions and unheard of evil being defeated.
“Fine,” is the only response Eddie can muster.
In reality, every time anyone came near him now, he burned. His throat tightened till it was surely raw, he swore his teeth sharpened until a mere slip of his tongue against his canines could bring the taste of metallic blood to his mouth. His entire body would tense with every person that walked through his door.
Control. Whatever was happening to him, Eddie needed to exercise control.
“Just fine?” Steve continues on, not catching the drift as he puts down the bag of things he’d bought at Eddie’s request. Basic things — painkillers, packs of cigarettes, a 6-pack. Some habits die harder and can’t be controlled, “You look like shit, Munson.” 
“Gee, thanks, Stevie.” 
Everyone had assumed the dark shadows beneath Eddie’s eyes would fade. They assumed his cheeks would eventually fill back out. They assumed he could wash away the ashen shade his hair now flatly flowed in. It was as if the life had been drained from Eddie since that day, and they had all assumed it would eventually flow back into him. 
It never did. Just as his new hunger lingered, so did the look of Death.
“Sorry, man,” Steve throws his hands up, shrugging a bit before he stands, “Just being honest. It’s the best policy.”
“Is it? Is it really?” 
If honesty was the best policy, Eddie could have filled the room with it. He could admit about the nightmarish wants, needs, he’d been keeping at bay. He could admit the way his irritation had been growing this last week every time another body, another friend, walked through his doorway and it wasn’t you. You, who had begun to plague the night terrors. You, who Eddie was beginning to crave far more than he had before he’d stared the afterlife down the barrel of the gun. 
Steve just looks at Hawkins’ newest zombie boy, sighing, “Look, I don’t know what’s got you pissed off-“
“The whole dying thing, for starters.”
“-or why you’ve insisted on being an asshole to all of us these last few weeks-“
“Again, I died.” 
“-but you’ve got everyone but me scared to visit you. We’re all scared of you biting our heads off, dude,” Steve finally finishes with a scowl. 
Everyone. It’s unspoken that you’re included in the generalization. 
It occurs to Eddie that maybe, just maybe, he should be kinder if he ever wants the ache of yearning to see you again to fade. If that’s what he could call this ache.
By the time Steve has left, Eddie’s still thinking about his warning. About the way he had been unusually cruel since coming back to life, since waking up handcuffed to a hospital bed. It made sense initially. But he wasn’t handcuffed to a hospital bed anymore — he was home, or as close to home as he could get, and he was technically safe.
The issue was that he’d accepted his safety. Everyone who had wanted Eddie Munson dead was now six feet under themselves. No, the bigger issue at hand was everyone else’s safety.
Your safety.
Once he’d realized you were the staring lead in his violent fantasies, he had stopped calling. Half of your absence last week had been his fault. 
No one really bothered to look deeper into it. Steve didn’t press as to why Eddie’s fridge had remained empty, Nancy didn’t take second glances at the odd books on vampire tales that were now littering all the free real estate of Eddie’s room, and you hadn’t questioned the coldness of his tone whenever he spoke to you. The chill of his words had grown icier than his own palms, desperate to keep you at arm’s length until he figured out what had changed in him that day he came back to life. 
He wanted you near. He wanted to rip your throat out. He wanted your blood to stain his mouth and neck just as his had stained your hands. That was an issue. That wasn’t normal. 
Something had changed in Eddie Munson, and it had terrified him to his twisted core, and no one had cared enough to notice. Not yet.
It took you two weeks to be fed up with the radio silence. 
Eddie stopped calling even Jonathan (the only one of the group he found he didn’t want to devour whole, as it turns out). When everyone had mentioned it in passing, it had only reminded you of the sleepless nights you’d be enduring. That small voice in the back of your head that had called out to you in the dead of night, the whisper of come to me that echoed all the way across a broken town. 
Come to me. 
Sometimes you swore it was Eddie’s voice calling to you. Sometimes, you nearly left your own new apartment in the dead of night, and let your legs guide you to the undead boy you had single-handedly revived.
Tonight was one of those nights. Your stomach was twisting, your head was pounding, your bones were aching. Every single inch of you hurt as it listened to that soft calling, and at some point, you gave in.
Hunger. You were insatiable with the need and drive to be at Eddie’s side. Warnings from the others be damned.
One thing leads to another. You find your coat, you find your car keys. You find yourself driving the deserted streets of Hawkins in the middle of the night. You find yourself on the Munson doorstep, knuckles shaking and aching with the knowledge that just beyond the wood of the door, he was there. You don’t have to see him to feel him; his thrumming presence, his anchoring existence. 
Come to me. 
The door swings open before you get the chance to knock. This string tying your two souls together is not a one-way channel, it seems. 
“Why are you here?” 
You watch him wince as the harsh words leave him. Immediately, you know that the abrasiveness is on instinct. Just as something claws inside of you to be near him, there is something within him howling to keep you far from him. 
The polarity of two magnets. Some nights, surely, his twists in a way that would draw him to you, just as yours will twirl with the sensibility that whatever has changed within him should give you cause to run as far away from him as possible. 
But tonight, your magnetism only yanks you closer to him. He doesn’t even invite you in, and yet, you find yourself stepping over the threshold of the new apartment. 
“You’ve gone quiet,” you whisper as an answer. It’s not what he wants to hear, grimace deepening, nearly a scowl now, “I just… It’s been weeks. I…” 
I missed you. I needed you. I heard you in my dreams and I’ve never had much self-control when it comes to you. 
Magnets are a useless metaphor for whatever is happening here between you. A better comparison would be the cliche image of a moth to a flame; he’s dangerous, threatening to burn you alive, and you still find your heart fluttering after him hopelessly. You’re going to get scorned, and you’ll still never learn. You’ve fallen victim to a tired narrative that you’d rolled your eyes at in a plethora of books. How many times had you sworn that wouldn’t be you? Just how many eye rolls had you exhausted at the mere idea?
And now, here you were, on his doorstep. Grasping for something you’re not sure either of you can give. 
“I’ve been dealing with a few things,” he mutters as he shuts the door behind you, shielding you both from the chill of the night. The room is still cold, especially in his radius, “Didn’t think it would make much of a difference.” 
“You didn’t think I’d care if you just stopped calling?” you turn slowly, taking in the state of the living room. Wayne was clearly gone for the night, work most probably, and several books littered the coffee table. Eddie had been the one reading them, lounging on the couch. 
The last time you had seen him, he couldn’t even sit up in bed on his own. 
He’s keeping an unusual distance, nearly leaning back out of your vicinity, “Figured you were busy.”
He’s never been this short with you. His words are choked up, his body tense with pain. You assume it’s just his injuries bothering him.
You couldn’t be more wrong, but you’re completely unaware.
“I brought you back from the dead, and you think I’d still be too busy for you,” you laugh humorlessly, fully in disbelief at his pitiful excuse, “Eddie, we could find out Vecna didn’t really die, those damn cracks in the Earth could open right back up, and the first person I’d care about finding is you.”
The animal inside that had been yearning for his presence is satiated for now, but you can still feel it lurking in the darkest depths of your mind, ready to call out a new request at any moment. It’s the distraction that has you spilling pathetic truths. 
The only response he offers you is a dead stare. With eyes wide, pupils nearly swallowed up by darkness. 
“You could have called,” your voice cracks, body shaking with the effort not to take a step closer to him, “You could have just let me know you were still alive.”
“I-” 
He cuts himself off when he’s the one taking a step closer. His entire face twists with pain, and you give up keeping your distance. In an instant, you’re at his side as your hand reaches out for his bicep. 
He flinches away. Something inside of you burns. 
Your hand is hovering in the air between the two of you, and in this lighting, you swear the skin is still stained with the blood that won’t wash away. 
“Please don’t,” he begs, “I’m fine, but… please.”
You don’t know what he’s begging for. Distance, for you to pull your hand away, time – you don’t know what he needs. 
“We should sit down,” you insist, finally pulling your hand as far from him as possible but making no move to put the space back between you two, “Has anyone helped you with your bandages? If your wounds got infected-”
“They didn’t.”
“If you didn’t change the bandages, they definitely could have-”
“They’re not infected,” he grits out, but he’s still walking over to the couch regardless, “They’re healed.” 
Healed.
Mere weeks ago, those wounds were still deep enough to keep you from ever achieving a full night's rest. Deep enough to worry you to the core that you would wake up to them finally having consumed him. Deep enough that you all assumed it would take him months, not weeks, to recover.
“What do you mean they healed, Eddie?” you whisper, almost reaching out for him as he sits down. 
Your hand twitches, but the echoes of his begging and his flinching keep it at bay as you stand before him. 
“I mean, they healed,” he huffs, nostrils flaring as he takes deep breaths. He’s looking anywhere in the room but at you, his gaze subverting you with purpose. As though the mere sight of you, the mere proximity, is painful to him, “Don’t know how, don’t know why – they just did.” 
“So why are you still in pain?” 
A sharper intake of breath. A hush of silence falling over the apartment. Even the buzz of the building’s AC unit has faded from all your senses. It’s just you and him, and a heavy quietude like no other. 
Until he finally breaks the surface tension, breathing out, “You.” 
Your heart drops. That tug inside your chest, the one taut as you look at him right within your reach yet still so far away, almost snaps. 
“Me?”
He nods with a harsh swallow, “I- Look, I can’t explain it, but when I came back, I came back…” 
“Different?” 
He doesn’t have to explain it. You’d felt it.
The moment his eyes had opened, just moments after what should have been blissful victory. The taste of his blood heavy on your tongue, a terrible sweetness that had choked you rather than its initial metallic twang. The whispers of his voice in your mind. 
He wasn’t the only one changed from whatever had occurred that night. 
“Different is a good way of putting it,” he nods, looking up with apologetic eyes, “It’s not you. It’s cliche as fuck, but it really isn’t – it’s me. I died, and you brought me back, but I don’t think either of us knew the cost.” 
The yearning. The nightmares. The unmanageable needs. The hunger. 
“What was the cost?” 
He almost doesn’t hear you. Your voice is a whisper, tone weighed down with the curse of knowing. 
You might not have known the cost when you were pressing your palms into his chest through your wretched sobs, functioning as his heart and lungs for nearly a minute, but you think you might have a clue now. 
All that had been tethering you to him since he’d come back to you, all those webs and strings that had formed their knots around both of your necks. He’d changed, and you had plummeted right into the chasm of the unknown with him.
His blood on your tongue, sweet as honey. 
Blood shouldn’t be sweet. 
He grabs one of the books off the coffee table, motioning for you to join him on the couch. Under the weight of your realization, you’re nearly under a trance. All he has to do is wave a hand, and you follow. 
You’re at his beck and call. Just like you had been when he’d been calling out for you, yearning for you. 
“Don’t make me say it,” he mutters under his breath, tossing the book into your lap the moment you’ve sat down. This time, you’re mindful to keep your distance. 
This time, you’re painfully aware of the compromising situation the two of you have found yourselves in. 
The book is older, leather-bound and worn from years of readers’ careless hands breaking the spine. The corners of every page are weather, close to disintegration. The entire thing could easily pass for a Halloween decoration. 
It’s not. You flip open to the title page, and if Eddie didn’t appear so deathly serious at your side, you would have scoffed. 
“Dracula?” you question carefully, running a finger over the delicate script of the title, “Eddie, I don’t-”
“I’m not insane,” he interrupts you, “I’m not fucking- I swear to you. I’ve gathered up every goddamn book about it that I can. Fictional, nonfictional. Just- there’s obviously a Hell of a lot more fictional material to work with, okay?” 
A vampire. He’s convinced he’s a vampire.
And even worse – you’re convinced right along with him. 
You turn your head to look at him, trying to find the right words, but all you find is Eddie burying his face in his hands, head nearly hung between his knees. 
“I can’t eat normal food anymore,” his voice is muffled, “That was the first sign. Couldn’t stomach it, made me throw up for hours when I tried. And then all those nurses kept talking about how I was healing faster than they expected. Most of my smaller cuts – those healed in under a day,” he finally lifts his face just enough to turn and peer at you through all the stray curls that fall into his vision, “My vision and hearing were the next things I noticed. Remember how I had a nonstop migraine those first few days?” 
He doesn’t need to convince you, but the argument is compelling, “It… wasn’t a migraine.” 
He shakes his head. “Not even close. Just turns out that it’s a killer to get used to fucking superhuman night vision and impeccable hearing. I still can’t handle being out in the sun very long. I don’t… burn up or any of that shit, but… it just…” he trails off, shoulders falling in defeat before he throws himself back against the couch. When he continues, his tone is flat, devoid of all emotion, “I keep having these dreams about you, too. Bad dreams. Terrible dreams.” 
You shut the book, toss it back onto the coffee table, and decide to Hell with keeping your distance. 
You need it. Even if he’ll only allow you to get an inch closer to him, you need it. 
“What do you mean by terrible dreams?” you ask, breath catching at the end of your question as you scoot yourself closer on the couch. Even with such a small movement, Eddie is quick to notice, eyes flicking to you quickly with a sense of urgency flashing behind them. 
“Don’t,” he lowly warns. 
“What’s happening in your dreams, Eddie?” 
Another inch closer. His jaw clenches. 
“Sweetheart, do not-”
He doesn’t finish his sentence. Your knee bumps into his thigh, and you watch him go rigid. Hands turning to fists, eyes pinching shut and face twisting with the same pain he’d worn the ghost of when you first arrived at the apartment. 
The moment you touch him, you see it. The flashes of his nightmares, all those terrible actions haunting him every time he closed his eyes. You. Your blood. That hunger. 
Like a blackhole in the center of your stomach, it burns viciously as it sucks the air out of your lungs. It threatens to cave your entire being into itself until there’s nothing left. Not even a crumb of who you once were. 
But it's not yours. It’s Eddie’s. 
That pain on his face is only exhibiting a fraction of what he was feeling. That dizzying craving that he’d miraculously been keeping at bay since you’d simply entered the building, not even yet knocking on his door. You hadn’t even been in the same room as him yet, and he had still known. Had smelt you, had felt you. 
He could almost taste you. 
“You…” you have to shift your knee away from him, break the touch, break the connection, “You haven’t fed since you woke up.”
“I haven’t fed, period.” 
With the connection severed, he somehow finds it in himself to open his eyes once more. You don’t know how – if he’s feeling what you’d just been privy to, you’d be an incoherent mess on the floor. Something feral and unrecognizable. 
Although, maybe he was nearly there. You couldn’t see his pupils. That same look when he’d first woken up – a man swallowed whole by hunger. 
“You’ve been dreaming about ripping my throat out,” you say it as a matter of fact, not a lick of judgment in your tone. 
It wasn’t you scrutinizing him. It was what you had seen, with one simple touch. 
His voice is hoarse as he echoes in confirmation, “I’ve been dreaming about ripping your throat out.” 
You should probably be afraid. All your survival instincts should be kicking in, your feet should be carrying you towards the door, you shouldn’t be leaning in closer. 
“You know what really sealed the whole vampire ordeal though, sweetheart?” he breathes out, your eyes fluttering shut at the lull in his hushed tone. 
Just as you’ve been leaning in, he’s been slowly turning his body to face yours, hands twitching at his sides. He’s no longer retreating from your presence, sucking down breaths in harsh gulps the closer you grow to him. 
He’s losing control. You’re losing control. 
That thread, vibrant red as it draws you near him, is clear as day now. A noose around your neck. A road to your damnation. 
A road to your hunger. 
You hardly hum in response, completely entranced now. Had he ever been capable of this before? Of holding you beneath such an inescapable spell with such ease? 
Probably. 
He doesn’t use his words to answer. Instead, he finally takes the plunge. 
His head ducks down towards your neck just as his hands lose the war, grabbing onto your hips, dragging you dangerously close to him until his lips hovered just over your pulse point. And by some strength that you certainly don’t possess, he stops there. Letting his lips barely brush against your soft skin, breath coming out in pants for you to feel, to relish, to get lost in. And just as soon as those pants, those waves, become a comfortable pattern to succumb to, you feel them.
His fangs. 
Grazing over your sensitive skin. Sharp tips nipping at a surface they could so easily break, pierce with one wrong move. Your pulse is thrumming beneath the surface, heart racing painfully as Eddie’s grip turns bruising. 
Come to me. 
“Please.” 
You’re the one begging now. It goes against every rule you’ve ever seen applied in fiction. If a vampire is baring their fangs against your neck, you should be reaching for a stake. The only noise escaping you should be a scream for help, not the pathetic whimpers beginning to slip out. 
“I can’t,” you feel his gasp more than you can hear it. Your blood is too loud, roaring in your ears as you feel the fangs slip with his words, “I can’t.” 
That hunger you felt, the one that had called out to you through the night and led you right to his doorstep, is unavoidable now. You need him closer, you need him to do this. For the first time since you had saved his life and tasted his blood after the Upside Down, everything seems to click into place. All he needs to do is let them sink into you, take that final leap of faith and reprieve that ache you’ve battled for weeks now. 
You’re so close. So close. 
“Eddie, please,” you’re nearly sobbing, hands gripping onto his shoulders, trying to pull him in closer. 
But you’re no match for his strength. You don’t know if it’s a new addition with his vampire business or if there was always more to him than met the eye, but he easily stays stoic against your attempts, not moving a centimeter. Still hovering, still just barely making contact with your heartbeat. 
“I-” his head drops slightly, tip of his nose beginning to trail down the side of your neck, mouth no longer dangerously close, “You saw my dreams-”
“I trust you.” 
You do. You trust him even more now than you had when you first stumbled upon him in the boathouse. More than when he had pleaded his case, promised he hadn’t been the one to kill Chrissy Cunningham. The trust comes easier than breathing as his nose nuzzles into the junction of your neck and shoulder. 
“You shouldn’t,” he mutters, fangs now brushing your collar bone, “You really, really shouldn’t.” 
He doesn’t stop you when you move to straddle his hips. Your weight settles onto his lap, and he only fights to keep his face burrowed there in your shoulder, arms now moving around your waist to hold you tightly to him. 
His self-control is impeccable. You’d admire him and all this impressiveness another time, when something inside of you wasn’t lamenting his resistance. 
All at once, it occurs to you how to give him the final push. 
“Did I ever tell you how sweet your blood was on my tongue after I brought you back?” you start, sighing, rolling your shoulders to expose more of your neck, grip on his shoulders tightening, “All that blood, all those tears, and I still can’t forget how welcome that warmth of you was in my mouth. How I needed more. How I pictured it every night, after every nightmare-” 
He breaks. 
One moment, his nose is buried in your skin. And the next, his fangs are. 
You weren’t sure what to expect, but relief would have been low on your list. You gasp out in initial shock, but as you feel his teeth dig in, it’s as though something has snapped. The ache has been satiated, preening as you feel the warmth of your blood contrast the chill of his chin pressing into you. 
If there’s any pain, you don’t feel it through the haze of pleasure. 
Ice shards spread through your bloodstream, but the point in which Eddie’s mouth is connected to you radiates heat. He’s pulling you into him, letting go completely and relinquishing all that control as he nearly purrs against your skin in satisfaction. That connection is back, two minds linking with a heavy click, and you can feel all his pleasure mingling with your own. Satiation, desperation, adoration – the plethora of emotions all swarm your head and block out any better judgment. 
You’d let him drain you dry, if that’s what he needed. If nothing more than to hear those soft moans as his fangs sink even deeper. 
He pulls back too soon, though, suddenly and unexpectedly. Just as quickly as he had given in to both your desires, he’s putting an end to them. He hadn’t taken much blood, but your head is swimming from the loss all the same. Your grip has gone slack on him, hands slipping down to just barely cradle his biceps while his own touch stays unyielding around you. 
You can hear his thoughts. Or rather, maybe more aptly put, you can feel them. 
He wants to devour you. Wholly, ruthlessly. 
He looks up at you with pupils still blown wide, chest heaving and a small scarlet drip trailing from the corner of his mouth. For the first time since he’d come back to you, he looks alive. Hair fluffed in a halo around his head, skin tinted with a healthy glow and unmistakable blush, bags beneath his eyes faded for the time being. 
You were never quite sure if Eddie Munson’s heart had ever restarted, knew for certain that it hadn’t now, but you swear you can feel its pulse finally thrumming for you. 
I need more. 
It’s his voice in your head, echoing in the empty space as you look down with wild eyes to match his. 
But it’s your voice in his head when you respond instantaneously. 
Then take it. 
Something unspoken lies there in the need. He doesn’t move back to your neck, doesn’t bite down and drink his fill of your blood. He only stares for a few seconds, watching the welt of blood that pools from each puncture wound of his making. His eyes follow when it runs down your skin, as though he might lose it should he so much as blink. Down, down, down. Following the trail that his nose had followed minutes before, across your collarbone until it stains the neck of your loose shirt. 
My pleasure. 
His hold proves helpful when he quickly changes positions, roughly throwing you down onto the couch before he’s settled between your thighs, crawling his way up your body. He pays close attention to the maroon trail on your throat, his tongue cleaning up after his mess, savoring the taste of you on his tongue. 
Sweet as honey. 
His tongue only pauses for a moment over the bite wound, pressing into it, making your back arch as you press yourself fully into him. Your head digs painfully into the cushion behind you as you expose your neck, wanting and begging and pleading all without words. 
“I think we should take this off,” he plucks at the hem of your shirt, tugging hard before he begins to carefully lift. His freezing knuckles brush against your burning skin, eliciting a whimper from you, “Before we make an ever bigger mess. Don’t you agree, sweetheart?” 
A sultry tone you’ve never heard from him before. Honeyed words, familiar to how he once spoke, but entirely new in the way they curl around you. There’s a confidence there, a baiting that he’s luring you with. 
“Yes, please.” 
He could ask anything of you in this moment, and you’d be eager to comply. Fueled by your desire for him before the events of spring break, worsened by his new condition. A bright, red, vibrating thread. You couldn’t severe the tie if you wanted to. 
And you most certainly did not want to. 
Your shirt is removed, his hands careful despite the way they shake. His words may be smooth, but each move is jagged, the only sign you had that he’s still exercising control. 
“And these?” he whispers, lowering his lips to your sternum as he toys with the band of your pants. His fangs scratch down the center of your stomach as it quivers with each breath, careful to not break skin as they make their presence known. You nearly lose all capability to speak until he says, “Use your words, baby. Tell me I can take them off.” 
Yes. 
His eyes flare, looking up to you, “Use your words. Not your mind. I want to hear how badly you need me – I want everyone to hear you beg.” 
The words strike straight to your core. Lashing out in your lower stomach, burning deliciously. 
It’s more than putting on a show. He needs to know you want this. 
“Take them off,” you gasp out, hands wandering to tangle in his hair, “Take- Take it all off. I’m yours, Eddie.” 
Shaking hands perform a dance you had long since fantasized about. In easier days, when Eddie had been uninvolved in the episode down, heart still beating along as he would bounce his knees in front of you and his fingers would idly fiddle with his pencils and pens. A yearning, a wanting, you’d always held for the boy. 
He used to be an escape from it all. A pretty thing to daydream about when you weren’t worried about monsters. And now – he was one of the monsters. 
Your monster. Tied to you inexplicably, brought back by your hands and your stubborn efforts. 
His lips and fangs are one in the same, trailing along your body as he finds a home at the apex between your thighs. Even in undeath, he’s the most beautiful thing your mind could conjure. 
You’d forgotten how he was privy to your every thought until he reacts.
“You’re too sweet,” he murmurs, smirking salaciously as he mouths innocently at that sensitive skin of your inner thigh, tongue darting out to lick a cool stride before he breathes out against it. It has you writhing beneath his hold, “You’ve wanted this all this time, sweetheart? Wanted to see me, between these pretty thighs, making you scream my name?” His mouth falls open a bit wider, the sharp canines pressing but not sinking against where he had just licked. He holds there, eyes locking with yours, until he pulls back to cockily say, “Could’ve just said something, y’know. Didn’t have to bring me back from the dead to have me devoted to you.” 
Finally, finally, he lets his fangs sink back into you. The soft meat of your thigh is more pliant in his mouth, and he doesn’t linger as long as he had on your neck. One nick, just enough to start the blood flow, before he’s pulling back and licking hungrily at the scarlet liquid. Less for feeding, more for marking.
Marking you as his, just as you have with him. His methods just appeared a bit more physical. 
He’s quick to avert his focus on your cunt, no warning before the tongue still covered in your blood is taking long strides over your entrance and clit. Devotion. That was the only word to describe the way he was unraveling you, alternating between indulging in your sweet cunt and returning back to that bite, going as far to even sink his teeth in a second time to take a proper drink of you. His chin and lips grow slick with it all – with the blood, with your wetness, with his own saliva. A starved man with a feast before him. 
The way he’s rutting his hips into the couch as he slings your legs over his shoulders doesn’t go unnoticed. 
It’s a mess. A wonderful, satisfying, enchanting mess.
Beautiful. So beautiful, all mine. 
His voice has you teetering on an edge of new carnal pleasure. Completely consumed by him, your hands tugging viciously at his curls. His face is round once more, eyes and cheeks no longer sunken in, vitality being breathed into him with each taste of your blood. 
Let me touch you. Please.
You beg over that connection, trying your best to not buck your hips mercilessly against his tongue. You feel his wicked grin. 
“You’re already touching me, sweetheart,” he reaches up, untangling your fingers from his hair for emphasis before he’s pinning them to your sides, “And what did I say about using our words? Hm?” 
“Need more,” your voice is wrecked as you tilt your head back, wrists straining against his hold, “I need more.” 
You’re fully light-headed now, the blood loss finally catching up. Maybe you were about to let him drain you dry. 
And what a beautiful way to die. At the hand, at the fangs, of the one you had fought so urgently to bring back to you. 
One last timid lick to the wound on your thigh, and he’s crawling his way back up to you. The mess doesn't phase you as he kisses you hungrily – the blood remains sweet rather than metallic, the remnants of your juices still on his tongue – and you meet him with an unbridled fervent. Nipping at his lips with your own dull canines as if you were the one looking for a bite of vivacity. 
You don’t know when he lets go of your wrists, or when your hands find their way up beneath his shirt. The specifics don’t matter once he’s naked before you, clothes discarded messily to the ground with your own. The only thing that matters is the weight of him, the reminder that he was still here as his hips roll into yours and the head of him catches on your entrance. 
He had been dead. For minutes. And you had brought him back to you. 
The process had taken longer than the mere CPR administered, had taken weeks of whatever waiting game you two had tortured yourselves with, but you had him now. He was yours. You were his. There wasn’t a deity, a monster, an omniscient being in this world that could take that away from you. Not even Death herself. 
“Last chance, baby,” he whispers against your lips, holding himself up so that not a single inch of his skin pressed to yours. You nearly cried out, missing that connection, missing him. Your hunger, the hunger for him entirely, rattles your bones once more, “Say the word, and I’ll-”
“No,” your hands pause their exploration of skin jagged with scars. Reminders of those few dreadful moments in which the world existed without Eddie Munson in it, that would fade in time but never fully disappear. Always there, just like the stain of his blood on your palms. Always there, just like your desperation to have him at your side. “I meant it when I said I’m yours. I’m not changing my mind. I want this.” 
His skin is back on yours, body laid fully along your own road map, and it all comes flooding back. The pain of seeing his lifeless body, the nights spent in an eerie hospital room, baring your own teeth at any one who came too close to the man you had pulled back from the ledge of Death. The anxiety, the fear, the relief, the yearning – it all accumulates as he’s pressing into you, brimming you so full that there’s no room for memories of nightmares. 
He’s here. He’s yours. You’re his. 
His heart didn’t need to beat for you to accept that truth. 
You can’t decipher which chants of your name fall from his lips for others to hear, and which ones whisper in the depths of your mind for only you to bear witness to. Each curse, each grunt, each moan – there for you and only you anyways. You’re entirely unsure if your lips even separate once as he thrusts, cock brushing somewhere deep in you that has you clenching around him. 
And if his fangs wander, it only adds to the pleasure. 
Blood, sweat, and tears all mingle between your bodies. He’s holding you tighter than water, as though you’re at risk of disappearing from him at any given moment. But that link between your two minds, your two souls, is unwavering. It’s the only thing grounding you to the moment as your half curls around his waist and your heel digs into his lower back. Urging him, pressing him, taking him. 
“Fuck, sweetheart,” he says it out loud, this time. You feel his lips brushing against your ear as he does, “Gripping me so tightly. This pussy was fucking made for me.” 
Every movement only unlocks something more feral inside the two of you. Your nails rake down his back, leaving angry red lines to trace over once it’s all said and done. There’s enough shallow bite marks across your neck that you’ll be wearing scarves for weeks, months. The others might question it, strangers might stare, but the pride you feel as he marks you is unmatched for any anxiety about it. 
That black hole of hunger is no longer swallowing either of you whole. That debilitating pain, that animal inside, has been tamed. 
When his hips begin to stutter, mouth no longer capable of the strength to properly bite you as his lips only smear the soft spattering of blood pooling at the base of your throat, you’re already there. Squeezing him tightly, sucking him in, voice raw as you let everyone know who’s ravishing you. 
Eddie. 
Hawkins’ newest zombie boy – Hawkins’ newest vampire. 
The climax is just as pleasurable as the lead up. The haze lingers long after his spent has dripped out of you, long after he’s collapsed into your body with exhaustion and contentment. The blood dries, the wounds clot – but that haze doesn’t falter. 
As long as his skin presses to yours, you feel that caress of his mind against yours. 
“Did…” you’re breathless as his face nuzzles into your nude chest, a few mindless hums of gratification still slipping from him as you bring a hand to toy with the curls at the crown of his head, “Did any of your vampire books say anything about… that?”
The connection. The bloodlust. The spell you swear he still has you under, even as it’s all said and done. 
He snorts against your skin, “Not that I, uh, recall.” 
“What? You mean to tell me in all your research, you never dived into any vampire smut?” you tsk jokingly, a calm smile tugging at the corners of your mouth. He lifts his head, and you swear, those honey-brown irises have threads of a deep maroon now, “You’re slacking, Munson.” 
“Why read about it when I can just experience it?” he coos, letting his nose and lips drag across your still hot skin before he rests his chin on your sternum, “Besides, I mean – we’ll need to do this again, won’t we, baby? For research.” 
Your head still spins. Your body aches in a welcome manner. There will be a need for explanations to others, for actually researching his condition, later on. But for now, it’s enough. 
The pounding behind your ribcage, the one you know Eddie feels for the both of you when his ear presses to your chest, is enough. 
Of course, lover. 
That thought stays between the two of you. The world doesn’t need to know what can’t hurt them. 
eddie's taglist: @capricornrisingsstuff @thisisktrying @hideoutside @vol2eddie @corrcdedcoffin @ches-86 @alovesongtheywrote @its-not-rain @feralchaospixie @cheesypuffkins87 @thebook-hobbit @babez-a-licious @eddies-acousticguitar @aysheashea @kellsck @cosmorant @billyhvrgrove-main @micheledawn1975 @eddiesxangel @siriuslysmoking @witchwolflea @tlclick73 @magicalchocolatecheesecake @mizzfizz @nanaminswhore @mikiepeach @ali-r3n @hawkebuckley @alwaysbeenfamous @darkyuffie-blog @vintagehellfire @lilmisssiren @elvendria @loveryanax @stylexrepp @princessstolas @fangirling-4-ever @eddiesguitarskills @babez-a-licious @josephquinnsfreckles
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pixarsource · 1 year
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Elemental (2023), dir. Peter Sohn
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anyataylorjoys · 7 months
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Someone asked me how I created the fade transition in this gifset which I’ll try to explain in the most comprehensive way that I can. If you've never done something like this before, I suggest reading through the full tutorial before attempting it so you know what you'll need to plan for.
To follow, you should have:
basic knowledge of how to make gifs in photoshop
some familiarity with the concept of how keyframes work
patience
Difficulty level: Moderate/advanced
Prep + overview
First and foremost, make the two gifs you'll be using. Both will need to have about the same amount of frames.
For ref the gif in my example is 540x540.
I recommend around 60-70 frames max total for a big gif, which can be pushing it if both are in color, then I would aim for 50-60. My gif has a total of 74 frames which I finessed using lossy and this will be explained in Part 4.
⚠️ IMPORTANT: when overlaying two or more gifs and when using key frames, you MUST set your frame delay to 0.03 fps for each gif, which can be changed to 0.05 fps or anything else that you want after converting the combined canvas back into frames. But both gifs have to be set to 0.03 before you convert them to timeline to avoid duplicated frames that don't match up, resulting in an unpleasantly choppy finish.
Part 1: Getting Started
Drag one of your gifs onto the other so they're both on the same canvas.
The gif that your canvas is fading FROM (Gif 1) should be on top of the gif it is fading INTO (Gif 2).
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And here's a visual of the order in which your layers should appear by the end of this tutorial, so you know what you're working toward achieving:
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Part 2: Creating the grid
Go to: View > Guides > New guide layout
I chose 5 columns and 5 rows to get the result of 25 squares.
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The more rows and columns you choose, the more work you'll have to do, and the faster your squares will have to fade out so keep that in mind. I wouldn't recommend any more than 25 squares for this type of transition.
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To save time, duplicate the line you've created 3 more times, or as many times as needed (key shortcut: CMD +J) and move each one to align with the guides both horizontally and vertically. You won't need to recreate the lines on the edges of the canvas, only the ones that will show.
After you complete this step, you will no longer need the guides so you can go back in and clear them.
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Follow the same duplicating process for the squares with the rectangle tool using the lines you've created.
Align the squares inside the grid lines. The squares should not overlap the lines but fit precisely inside them.
This might take a few tries for each because although to the eye, the squares look all exactly the same size, you'll notice that if you try to use the same duplicated square for every single one without alterations, many of them will be a few pixels off and you'll have to transform the paths to fit.
To do this go to edit > transform path and hold down the command key with the control key as you move one edge to fill the space.
Once you're done, put all the squares in their separate group, which needs to be sandwiched between Gif 1 and Gif 2.
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Right click Gif 1 and choose "create clipping mask" from the drop down to mask it to the squares group. This step is super important.
After this point, I also took the opacity of the line groups down to about 40% so the lines wouldn't be so bold. Doing this revealed some squares that needed fixing so even if you aren't going dim the lines, I recommend clicking off the visibility of the lines for a moment to make sure everything is covered properly.
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Part 3A: Prep For Key framing
I wanted my squares to fade out in a random-like fashion and if you want the same effect, you will have to decide which squares you want to fade out first, or reversely, which parts of Gif 2 you want to be revealed first.
In order to see what's going on underneath, I made Gif 1 invisible and turned down the opacity of the squares group.
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If you want text underneath to be revealed when the squares fade away, I would add that now, and place the text group above Gif 2, but under the squares group.
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Make a mental note that where your text is placed and the order in which it will be revealed is also something you will have to plan for.
With the move tool, click on the first square you want to fade out. Every time you click on a square, it will reveal itself in your layers.
I chose A3 to be the first square to fade and I'm gonna move this one to the very top of all the other square layers.
So if I click on D2 next, that layer would need to be moved under the A3 layer and so on. You'll go back and forth between doing this and adding key frames to each one. As you go along, it's crucial that you put them in order from top to bottom and highly suggested that you rename the layers (numerically for example) which will make it easier to see where you've left off as your dragging the layers into place.
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Part 3B: Adding the Keyframes
This is where we enter the gates of hell things become tedious.
Open up the squares group in the timeline panel so you can see all the clips.
Here is my example of the general pattern that's followed and its corresponding layers of what you want to achieve when you're finished:
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So let’s try it!
Expand the control time magnification all the way to the right so you can see every frame per second.
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As shown in Part 3A, select your first chosen square.
Where you place the time-indicator on the panel will indicate the placement of the keyframe. Click on the clock next to opacity to place your first keyframe.
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Move the time-indicator over 3 frames and place the next key frame.
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Things to consider before moving forward:
Where you place your very first keyframe will be detrimental. If you're using a lot of squares like I did, you may have to start the transition sooner than preferred.
If you're doing 25 squares, the key frames will have to be more condensed which means more overlapping because more frames are required to finish the transition, verses if you're only using a 9-squared grid. See Part 4 for more detailed examples of this.
The opacity will remain at 100% for every initial key frame, and the second one will be at 0%.
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Instead of creating two keyframes like this and changing the opacities for every single clip, you can copy the keyframes and paste them onto the other clips by click-dragging your mouse over both of them and they'll both turn yellow. Then right click one of the keyframes and hit copy.
Now drop down to your next clip, move your time-indicator if necessary to the spot where the first keyframe will start and click the clock to create one. Then right click it and hit "paste".
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Tip: When you have both keyframes selected, you can also move them side to side by click-dragging one of them while both are highlighted.
Your full repetitive process in steps will go as follows:
click on square of choice on the canvas
drag that square layer to the top under the last renamed
in timeline panel: drop down to next clip, move time-indicator tick to your chosen spot for the next keyframe
create new keyframe
right click new keyframe & paste copied keyframes
repeat until you've done this with every square in the group
Now you can change the opacity of your squares layer group back to 100% and turn on the visibility of Gif 1. Then hit play to see the magic happen.
PART 4: Finished examples
Example 1
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the transition starts too soon Cause: initial keyframe was placed at frame 0
the squares fade away too quickly Cause: overlapping keyframes, seen below. (this may be the ideal way to go with more squares, but for only 9, it's too fast)
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Example 2
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more frame time for first gif
transition wraps up at a good point Cause: in this instance, the first keyframe was placed 9 frames in, and the keyframes are not overlapping. The sequential pair starts where the last pair ended, creating a slower fade of each square.
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Part 5: Final Tips and Saving
You can dl my save action here which will convert everything back into frames, change the frame rate to 0.05 and open the export window so you can see the size of the gif immediately.
If it's over 10gb, one way to finesse this is by use of lossy. By definition, lossy “compresses by removing background data” and therefore quality can be lost when pushed too far. But for most gifs, I have not noticed a deterioration in quality at all when saving with lossy until you start getting into 15-20 or higher, then it will start eating away at your gif so keep it minimal.
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If you've done this and your gif is losing a noticeable amount of quality and you still haven’t gotten it below 10gb, you will have no choice but to start deleting frames.
When it comes to transitions like this one, sometimes you can't spare a single frame and if this is the case, you will have to return to the timeline state in your history and condense the key frames to fade out quicker so you can shorten the gif. You should always save a history point before converting so you have a bookmark to go back to in case this happens.
That's pretty much it, free to shoot me an ask on here or on @jugheadjones with any questions.
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vaggieslefteye · 20 days
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CHARLIE MAGNE from HAZBIN HOTEL (2019): Pilot - "That's Entertainment" ↳ "So, I've been thinking: Isn't there a more humane way to hinder overpopulation here in Hell? Perhaps we can create an alternative way to change souls through... redemption?"
#hazbin hotel#hazbin hotel edit#hazbin charlie#charlie magne#hazbin edit#requested#hazbin hotel pilot#that's entertainment#charlie#my gifs#god ain't she the cutest little thing!#not gonna lie i get a bit emotional seeing her do The Pose during ''wonderful fantastic new hotel''#it's the same pose she does in the S1 poster :')#okay actually im back here to say some things in the tags:#holy almighty LORD these gave me so much grief to color in a way i thought looked nice#specifically the one of her in the news chair. sorry i was NOT gonna let that hideous highlighter green color assault all your eyeballs.#did i lose nearly two hours of sleep getting it right because i still have no idea what i'm doing? yes. worth it? YES. ohh yes.#i liked the seafoam look so i made the cloud sequence match :] or at least tried to#there WAS supposed to be another one of her in the news room but i just hated how it kept turning out so i scrapped it.#coloring the main series was one thing to learn but the PILOT? never has it been so obvious to me just how much more bright and vibrant#the colors got during the progression of the world design. also. if by any chance one of those cool and experienced#gif makers happens to see these tags and wants a good laugh: i've been doing this for how many months now? and just last NIGHT figured out#how to use the fucking eraser in photoshop....... thing is... i also draw. i KNOW what program tools look like. i KNOW ppl draw in PS.#i'm just a really silly fuckin goose!! TEEHEE FUCKING HEE I GUESS!#so for months i've been like ''god i wish i could just erase this part from the layer'' and looking at the eraser tool and just being like#''nah it's probably different and weird i'll just stick to what i know'' -> said boo boo the FOOL#see i could be in the club but i'd rather be aggressively neurodivergent about the silly queer demon cartoon that altered my brain chemical
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halflingkima · 4 months
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Karina's gonna – she's gonna have the best GPM. Yeah, by far.
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audi-art · 4 months
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@candyglumboybites self bites self bites self bites self bites self b
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a-victorian-girl · 7 months
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Hello Vicci! Can you do a photo manip of mature / aged Benedict with Sherlock's curly hair? Please, please! (I wish he wear Sherlock's hair but well, he's Benedict not Sherlock these days, so..)
(´O`)(*°∀°)=3
Hi sweetie!
So sorry for answering your ask so late! But there was no point in answering it without the photo manip, right?
Mmmh, Sherlock 2024… OMG SWEETIE you're asking me for something that I dream of seeing every day 😭 (a dream that, from what I see, is getting more and more distant...), but hey, we can fantasize a little with this, right?
This is for you too, @jobooksncoffee! (do you remember your request? bc I do! jaja)
Are you ready? See him below…
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Source: gettyimages
Well, actually this photo was taken in 2022.... 🤷🏼‍♀️
@strawberrywinter4 @jobooksncoffee @adumpofdumbstuff @topsyturvy-turtely @inevitably-johnlocked @calaisreno @meetinginsamarra @pressurepoint221 @catlock-holmes @peanitbear @chocolate1elise @whatnext2020 @happydistraction @snonkerdoodlefizzy221b @gaypiningshit @7-percent @zz-kennedy @discordantwords @nowiamcoveredinyou @221beloved @bluebellinbakerstreet @bluebellofbakerstreet @strawberrywinter4 @apazwtsn @keirgreeneyes @lisbeth-kk @totallysilvergirl @im-on-a-case @with-a-ghost-mr-holmes @my-dear-sweet-melody @safedistancefrombeingsmart @elennemigo @helloliriels @colourfulwatson @blogstandbygo @sakshisahu @paulineholmes02 @ben-locked @ninasnakie @thelostsmiles @compact-and-beautiful @13monkton @curlyjohnlock @awh221b @@bs2sjh @yan-yae @dmellieon @itsonlytext @immaculate-benediction-batch
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dvrtrblhr · 2 months
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that flayn piece is beyond gorgeous! would it be possible to see the speedpaint? if that's alright? your art is SUCH a inspiration to me!!
thank you very much! here is the procreate timelapse:
the first sketch was actually a placeholder so i didn't forget i wanted to draw a flayn pic. i always knew it would be a painting study because i think they are both fun and 'easy' (in the sense that i don't need to come up with an idea).
this is the original vigée le brun painting:
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when you put them side by side, you can see how rough my painting is lol
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donnadsltwmart · 1 year
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A few things I've made of myself and daughter. They are free and customized if anyone wants one ❤️
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robin-buckely · 2 years
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Coloring Tutorial
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Hello, this tutorial is for the wonderful @djoharrington​​ and those of you wondering how I colored this set. I’m going to be talking about how to color the first gif only to keep this tutorial from getting too long. The other two used the same coloring method with only minor adjustments made to keep them looking similar.
Yes, this scene really is that dark before coloring.
Quick notes on what I’m using:
mpv player for screencapping — not mentioned in tutorial
Photoshop 2021 for editing
I mention mpv player because I’m giffing 4k, and it’s one of the few players I’ve come across that take continuous caps that don’t end up looking washed out. It makes for easier coloring.
This is me coloring literally any Upside Down scene:
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Step 1: brighten the hell out of this gif
You can use a throwaway layer to get you started. I used an exposure layer (which I eventually kept and adjusted during the original process of coloring this scene) with end settings of: exposure at +5.25, offset and gamma correction at default.
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Now we can see all the beautiful details of Nancy’s face. Well, most of them.
Step 2: photo filter layer 1
The way I offset this horrid blue tint they use for Upside Down scenes is a photo filter layer (several for this particular scene). For now, just the one. Put this below the exposure layer!
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This brings a bit of color back to Nancy’s face and warms up the blue tones that are so prevalent in Upside Down scenes.
I don’t change the blending mode, opacity, or fill, just keep as is.
Step 3: curves layer 1
I clicked around a lot with this layer. Mostly in an attempt to get rid of the blue and adding more color to Nancy’s face. Didn’t get the result I was looking for with this layer until I added other layers. But I managed to brighten the gif a little more and add some contrast.
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Step 4: hue/saturation layer
Put this layer below the photo filter layer! I used this layer to balance out the colors I pulled from the curves layer. Brought back some warmth/purples by adjusting cyans and blues.
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Step 5: selective color layer 1
Ended up a little more purple than I wanted with the hue/sat layer, so I used a selective color layer (set between the hue/saturation layer and the photo filter layer) to get rid of the purple by, again, adjusting cyans and blues.
Make sure to have “Absolute” marked!
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This is better! There’s a lot more color that isn’t blue in Nancy’s face now that I can work with and manipulate.
Step 6: color balance layer
This one goes on top of the curves layer (should be the topmost layer at this point). Only adjusted Midtones and Shadows, adding a little more red and yellow in her hair and face.
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This looks a lot more natural. Now we just have to brighten it up again.
Step 7: exposure and curves layer 2
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I don’t touch the RGB mode on this curves layer. I mostly adjust the Red, Green, and Blue modes by adding a little more red and green while sliding the bottom corner on Blue to add more yellow to the shadows.
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Technically, I could stop here if I wanted, but the purple is still pretty prominent in the gif, especially in Nancy’s eyes, and it’s hard to adjust that without adjusting the color of the entire canvas since there’s movement in this gif. If Nancy were more of a still subject here, then layer masks are an option. Alas…
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So I adjust the colors and try to get rid of the purple. The gif as a whole kind of looks washed out as well. I want more color here.
Step 8: photo filter layer 2
I set the opacity to 55%. I want warmth, but not too much.
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Step 9: selective color layer 2
This is where I end up seeing the most change. Even small adjustments go a long way here.
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It’s mostly the cyans, blues, and magentas which makes sense given how overwhelmingly blue this scene was, then almost overwhelmingly purple as I started making adjustments. Red and yellows are important for anything to do with the face and hair. This is where I add a more “natural” shade to Nancy. Literally anything that isn’t fucking blue is an improvement to me at this point, given how it started out.
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Blue is back in the background where it belongs and not in Nancy’s face.
I think this is where I originally stopped. Like this looks pretty good to me, but I also wanted to make sure the other two gifs could be colored similarly, and they were for the most part. But there was only so much adjusting I could do to Nancy’s face in the third gif without adjusting the entirety of the scene (and set), so I had to go back and adjust her here to get a similar coloring.
(A lot of this set was back and forth, adjusting the colorings until they matched. It took so long. Especially with the stupid Upside Down visual effects in the background. I’m a bit of a perfectionist, so there were a lot of minor adjustments and a lot of nitpicking until I ended up with a result I liked.)
So last and final step.
Step 10: selective color layer 3
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I ended up adding more red to the face, hair, and shadows to keep the first and third gif similar in coloring. And this is where we get our final product.
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And the side-by-side comparison again.
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Anyway, here you have it. This is the end of the tutorial. I can in no way guarantee that this method will work on other Upside Down scenes (trust me, I’ve tried), but hopefully you’ve learned something!
And hopefully I’ve explained myself well enough that you can apply this :)
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Hello can you do the masked flame carrier who is my favorite character in Banksy mode please ??? thank you very much
Hi! Please forgive the delay! I have no idea if this fits the brief, but I gave it a go. Also, thank you so much for sending me a question and a request. I have never gotten one before and it was very nice! It was so cool to get a request and it was really inspiring. Thank you, thank you!
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utdr-stimming · 7 months
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i would LOVE an omega flowey stimboard!!! i love his design sm rarararrararra
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Omega Flowey stim board!!!
:) x x
x :) x
x x :)
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