#phantom thief Eddie

[just-my-latest-hyperfixation]

Be my escape

Written for the @steddiemicrofic challenge, January 2024 edition

Prompt: hole, 404 words

Rated: M

Tags: Fantasy AU, Magic AU, Guard!Steve, Thief!Eddie, Imprisonment, Claustrophobia, Eddie Munson whump, Referenced sex

Notes: Set in the same universe as this one.

People call it the Hole.

That's not its actual name, of course. Steve thinks it fits, though.

He still remembers his last visit. He was just a boy, but his father - newly appointed Captain of the Royal Guard - insisted he come.

The journey was long and tedious, giant waves battering at their boat. When they reached the steel platform far off the coast, he was freezing and nauseous. And then came the descent.

He recalls the warden's boasts as the cage slid into the depths. The magic crystals keeping the structure deep under the ocean from caving in on itself. The intricate enchantments sealing away the inmates’ magic.

What he recalls even better is the moisture and the despair hanging in the stale air. The mounting pressure inside his skull the further down they went.

Today, he's Captain of the Guard himself, but the dread crawling up his spine as he glides downwards is still the same.

The name fits perfectly. This place is a hole. A hole under the sea where families like the Harringtons and the Carvers throw their enemies to rot.

Enemies like Eddie Munson.

As he stalks down the corridors, he wonders what he's doing. He should be glad Eddie got caught. The man is a criminal. A thief. The insufferable bane of his existence.

Didn't find him so insufferable the other night, a voice at the back of his mind gloats. Nor the way his body fit against yours, or the way his mouth felt on your-

He tells it to shut up. He doesn’t have time for this.

The inside of the cell is dark. A figure stirs upright on the metal cot against the wall.

“Finally,” croaks a voice. “Are you the manager of this fine establishment? I have a complaint. The room service sucks and I think there's rats in-"

“Oh, for fuck's sake,” Steve sets down his lantern and drops to his knees. “Shut up, will you?”

Silence.

Then …

“Stevie?”

A whisper, a plea.

“Told you not to call me that,” he huffs, already unlocking the shackles around too-skinny wrists. The second they fall away, there's hands in his hair, tracing the shape of his face.

“Shit,” Eddie breathes. “Why- Are you a dream?”

Steve snorts, pulls them both to their feet.

“Sure hope not. Imagine that'd make it difficult to bust you outta here. C'mon, we have no time to lose.”

⚔️✨️⚔️✨️⚔️✨️⚔️✨️⚔️✨️⚔️✨️⚔️✨️⚔️✨️⚔️✨️

Part 3

So I texted @house-of-the-moving-image if I should write more Phantom Thief for this prompt, and they were like "funny you should ask, I just had this idea about a magic high-security prison called The Hole". 🤣

We've got the next bit all figured out already, but this was all I could fit into 404 words.

[riddley-art]

Pawns of the Past: A RiddleCat love story

Chapter 1

Summary: Set six months after the fall of the Justice League, thanks to the Suicide Squad, and five years after Arkham Knight, Riddler tracks down Catwoman, who’s been living far from Gotham, determined to reclaim the money she stole from him. Their tense confrontation takes an unexpected turn as old sparks reignite. What begins as a mission of revenge slowly evolves into a complicated romance, forcing both Selina and Eddie to confront their feelings, their pasts, and the possibility of a future neither expected.

I’m beyond excited to finally share the project I’ve been working on with the incredible @adhdnursegoat! This is our very first RiddleCat fic, and we’re so thrilled to bring it to life today. 💜💚

Also, a very Happy Birthday to the amazing @wingedqueenlynx! We thought today would be the perfect day to premiere our fic. We hope your special day is filled with joy!🎂🎈

Rated: Mature

Archive of our Own link

There are people from your past who never truly disappear. Even when they’re not in your immediate orbit, their presence lingers like a phantom—a constant reminder of what was, what could have been, or what went wrong. Very few people leave a lasting impression on him. Batman, naturally. Commissioner Jim Gordon. And then, there’s Selina Kyle—Catwoman.

She has always been there, someone oddly placed in his life. Their relationship isn’t straightforward. It never was. But it isn’t like the others, either. She isn’t an enemy in the conventional sense, nor an ally. She exists in the gray, just as she always does. Both unpredictable and reliable in her own way, and that’s what makes her stand out. She was never fully committed to either side, but she leaves a mark, a lingering taste of chaos and allure in his life.

The new him, the version that exists after everything fell apart, can admit that he kind of had it coming. He should have known better. He should have never captured her. It was a miscalculation, one he wouldn’t have made if his judgment hadn’t been clouded. But at the time, he was too caught up in his own web of narcissism, pride, and arrogance.

He had thought he was untouchable, intellectually superior, always a step ahead of everyone—including Selina. He underestimated her. He always did. She wasn’t just some thief to manipulate, just another pawn in one of his grand schemes. No, Selina was different. And in his blindness, he didn’t see that. He captured her, placed her in one of his elaborate death traps, assuming she would be just another piece in his game against the Bat. 

But she kicked his ass.

And now, years later, with the benefit of hindsight and a bruised ego, he’s man enough to admit it. She got the better of him. She outwitted him. It wasn’t just a fluke; it was a wake-up call. And perhaps, in a strange way, he respects her even more for it. She wasn’t someone to be underestimated or reduced to a mere obstacle.

But that doesn’t mean she has gotten off scot-free.

Even now, after the dust has settled and Gotham has changed, she is always there—like an echo. The memory of her, the feeling of unfinished business, gnaws at him. Selina never disappears entirely from his thoughts. He can admit her strength, her cleverness, but that doesn’t erase the fact that there is a score to settle.

Yes, she defeated him once. Yes, she exposed his hubris and made him confront his fallibility. But he isn’t done with her.

Riddler, the ever-proud Edward Nigma, still feels the sting of his defeat at her hands. And that sting fuels a quiet determination. He’s learned from the encounter. The new him isn’t blinded by arrogance anymore. He’s calculated, deliberate, and methodical. He may admit that she got the better of him once, but he won’t allow that to be the end of their story.

She owes him. She stole from him. He can handle the bruised ego, the physical pain from the ass-whooping, but the money? The loss of his fortune stung worse than the sting of her claws or the sharp crack of her whip. For Edward Nigma, it wasn’t about the violence. It was about the humiliation, the blow to his carefully constructed sense of superiority. Selina Kyle didn’t just beat him physically—she outwitted him, left him scrambling in the rubble of his own failure.

That night was the beginning of his ruin.

Well, after weeks of meticulous tracking, he's finally less than a mile away from the infamous Catwoman. Five long years have passed since the night she stole every cent he had in his accounts, and blew up his prized robot factory, leaving him not only penniless but utterly humiliated. For someone like Edward, whose pride and identity are rooted in his genius, it was an unforgivable offense.

Over the years, he’s plotted his revenge. His mind, sharp as ever, has concocted a hundred different ways to make her pay. He could have easily ended it in bloodshed, an elaborate trap leading to a satisfying, fatal conclusion. But somewhere along the line, his anger cooled, and something else replaced it—pragmatism. He realizes there is more to gain from Selina alive than dead, and more importantly, he’s learned a thing or two about humility. Besides, his recent experience with bombs has given him an uncomfortable empathy for what he put her through.

He remembers that night well, that Halloween when everything between them fractured. He had placed an explosive device on her, an unforgivable betrayal of whatever shaky trust had once existed between them. Their relationship had always been a tightrope walk—sometimes adversarial, sometimes friendly, sometimes… more. But that night, he crossed a line, and she responded in kind.

Years later, Edward thinks back to his freelance work with the Suicide Squad. Watching those miniature bombs being injected into people’s heads, seeing the terror on their faces as they realized their lives could be ended at the push of a button… it had shaken even him. He remembers seeing men and women reduced to quivering wrecks, their dignity stripped away by the fear of instant annihilation. The memory still lingers in the back of his mind like a bad aftertaste, making him realize just how monstrous his actions had been.

It gives him a new perspective on what he did to her. He understands now, in a way he hadn’t before, the violation of it. The fear she must have felt, knowing that he had that kind of power over her. It was a level of cruelty even he hadn't fully appreciated at the time.

So now, after all the years of anger and plotting, he’s decided to take a different approach. He doesn’t want to kill her, and he doesn’t need to break her spirit. Instead, he’s resolved to do something that surprises even him. He’s going to ask for his money back.

It sounds ridiculous on the surface, even laughable, but Edward has never been one to shy away from the absurd. He’s long since learned that the simplest solutions are often the most effective, and at this point, he’s willing to swallow his pride to get what’s owed to him. And really, given what he did to her, he has to admit, asking for the money is a fair conclusion. It’s almost reasonable, considering their history.

A part of him feels smug about it. After all, it takes a genius to come up with a solution this simple.

As he closes the distance between them, less than a mile now, Edward finds himself more curious than angry. What has Selina been up to all these years? Has she been running from him, or did she forget he ever existed? The latter would be worse. He’s not sure he can stomach the idea that she’s moved on, while he’s been obsessing over her betrayal, over the money, over that look on her face when she realized what he’d done to her. He wonders if she thinks about that night, or if he’s just another ghost from her past she left behind.

He doesn’t expect an apology. Selina doesn’t do apologies. But he’s ready for a confrontation. Maybe she’ll laugh in his face, or maybe she’ll try to fight him again. But either way, Edward is ready for her. He’s different now. He’s not the same arrogant fool she humiliated five years ago. He’s learned patience, a hard-earned lesson in the art of revenge.

This time, it’s not about winning. It’s about closure. About moving on from this chapter of his life.

But a part of him knows—deep down—Selina Kyle is not someone you just walk away from. She’s always been a wild card in his life, an unpredictable force. Whatever happens when they meet, it won’t be simple. It never is with her.

And perhaps, after all these years, he’s finally ready to embrace that.

This time will be different. This time, when their paths cross again, he’ll be ready for her. There will be no missteps, no underestimating her abilities. She might have thought she got away clean, but the truth is, he always comes back. That’s his nature. He doesn’t let things go, not when there’s a puzzle still left unsolved, and Selina Kyle is one of the most intricate puzzles of all.

She’s not just a reminder of his past mistakes—she’s something more. Selina is both a rival and something else entirely. The tension between them, the way they constantly dance around one another, never truly on opposite sides but never aligned, has always been part of the pull. Their dynamic is a game of its own, one he is determined to master.

But for now, she remains untouchable, a ghost in his past that lingers, taunting him with the memory of defeat and the promise of another chance. And when that chance comes, he’ll make sure he doesn’t fall prey to the same weaknesses.

This isn’t over. It’s never really over with Selina Kyle.

Granted, he never truly intends to kill her—or at least that's what he tells himself to feel better about it now. But deep down, he knows he'll have to tread lightly, or that lingering resentment might surface.

Arriving at a secluded plantation nestled in the Smoky Mountains of Sevierville, Tennessee, Riddler has to admit—it’s the perfect place to disappear off the grid. With the sunset set to dip below the horizon in the next hour, he slips into the thick brush about half a mile from the house and quietly spies on her. He needs to be certain she’s not only home alone but also that there isn’t any high-end security in place that could potentially put his life in danger.

She’s pretty smart, and that’s one of the things he likes about her. As he opens his backpack to pull out his homemade binoculars, chatter starts buzzing in his earpiece. The Suicide Squad—they always know how to ruin his train of thought.

"Are we finally rid of that Riddler? We haven't heard a peep from him in weeks. Ahh, maybe someone finally did the job!" Harley Quinn chimes in, her voice gleeful over the comms.

"Damn it! Someone beat me to it—I already had my plans all drawn up," Captain Boomerang grumbles, clearly disappointed.

"Saved me several bullets," Deadshot adds darkly, his tone as cold as ever.

"I'M NOT DEAD, you annoying parasites! I'm on a business trip, if you must know!" Riddler shouts, his voice booming through the comms. "Trust me, you'll get your fill of my beautiful riddles soon enough when I return!"

Riddler smiles smugly after his outburst, thinking he’s won this round.

"Well, shit, you spoke too soon, mate!" Boomerang quips with a laugh.

Rolling his eyes, Riddler turns down the volume on his earpiece, focusing back on the task at hand. He raises his binoculars, scanning the area to see what he’s up against.

"What kind of 'business trip' are you on, anyway? We all know nobody would hire you! You practically beg Waller to let you set up challenges for us, like the attention-seeking loser you are!" Harley cackles through the comms, her laughter ringing in his ears.

"Let’s just say I’m visiting an old friend to collect an investment they’ve been holding onto for quite a few years," Riddler replies coolly, still peering through his binoculars as he speaks into the earpiece.

"Oh, paying Catwoman a visit, eh, mate? I’d pay to see her kick your ass!" Boomerang’s smirk is practically audible. 

"She’ll probably claw his eyes out before he even realizes he’s getting his ass kicked," King Shark finally chimes in, his deep voice rumbling through the comms.

Edward is starting to realize that this must be how Batman felt whenever he interrupted him with a random riddle after one of his challenges. The constant chatter, the distractions—it is almost poetic.

He loses his train of thought the moment he finally catches sight of her on the second story of her house. Slowly zooming in, he starts to take in more details. 

The years have been kind to her—she still looks as attractive as ever. The subtle sway of her hips as she moves around the room ignites old feelings he thought he had buried. But, who is he kidding? He’s always found her stunning, and nothing has changed. There is a timeless quality about her, an allure than seems to transcend the years and the chaos that often enveloped their lives. 

She hasn’t changed much over the years, except for one noticeable feature. "She grew her hair out again... just like she did in Rome all those years ago." A slow smile spreads across Riddler's face as memories of that heist flood his mind. He can hardly believe it’s been ten years since they pulled off that audacious caper together, a whirlwind of adrenaline and shared glances.

Edward remember the was her hair cascaded down her shoulders then, an inky curtain framing her face, just as it does now. 

They had been a formidable duo, feeding off each other’s wit and daring, pushing boundaries together in a dance that was exhilarating and perilous. That time in Rome was more than just a heist; it was a moment in time where everything felt possible. A moment where they were united in a shared goal, and their banter felt electric. They were a team, partners in crime and mischief, driven by a shared thrill. 

"Whoa, whoa—what happened in Rome!?" Boomerang’s voice suddenly cuts through his thoughts, dragging him back from the precipice of nostalgia. Riddler blinks, realizing he’s forgotten to mute his comms.

"Oh, that’s where they made out on a ship!" Harley teases, her voice dripping with mischief. Riddler clenches his jaw, fighting the impulse to launch into a tirade of about the ridiculousness of her assumption. 

Only Harley’s statement is true…

"WHAT?!" all three men shout in unison.

Frustrated, Riddler lowers his binoculars, glaring at nothing in particular. "We did NOT make out," he snaps, the heat of indignation creeping into his voice. "We just... kissed. A bunch of times." He waves his hand dismissively at nothing in particular, struggling to find a better way to describe it—even though it’s not entirely true.

"Yeah, in her underwear!" Harley adds, piling on the mischief. The mental image she conjures is embarrassing, blurring the line between memory ad fantasy, and he grimaces, a heat creeping up his collar. 

The silence that follows over the comms is deafening, each second stretching out as he feels the weight of their collective surprise and judgment. Riddler feels his frustration rise to the point where he nearly crushes his earpiece in his hand, his mind swirling with indignation and bashfulness. How did he end up here, with his past on display, under scrutiny from this absurd group?

"Well, damn, Nigma," Boomerang finally breaks the tension, "you’ve got some game after all." Riddler can hear the smirk in his voice and it makes him frown, irking him more than he would care to admit.

"What game is he playing?" King Shark chimes in, sounding genuinely confused.

"The game where he’s not just a lonely loser after all," Boomerang quips, clearly reveling in Riddler’s discomfort. "No wonder you want to pay her a visit—you’re hoping to score some more 'points,' aren’t you, mate?"

"This sounds like a fun game! Can King Shark play?" King Shark asks, his confusion genuine.

"This is not a game! That was a long time ago!" Riddler snaps, bringing his binoculars back to his eyes. "I’m just here to take what’s rightfully m—" But his thoughts freeze at the sight before him. 

Selina is now completely naked, her silhouette framed by the soft glow of her home, the casual confidence with which she moves, leaving him momentarily dumbstruck. He has no words, and his face grows hot.

He swallows hard, his mouth hanging open like a fish gasping for air, desperate to find something to say but utterly speechless. Never in his life has he seen anyone so... well, voluptuous. The sight is captivating, a vision that both ignites a primal instinct within him and remains him of boundaries they had once navigated together. His heart pounds in his chest as if it’s about to burst, echoing the rush of adrenaline through his veins. 

He hasn’t felt this surge of male instinct in what feels like forever. The years of calculated control he had imposed upon himself start to unravel as memories of her linger. As he tries to regain his composure, his mind races with thoughts that seem both inappropriate and entirely avoidable. He knows he should look away, to respect her privacy, but the sight of her unabashedly beautiful has stolen his executive functions. 

"He probably just saw her naked. That’s what shut him up," Harley teases, her laughter ringing out through the comms. 

Harley’s words are like a jolt to his system, snapping him out of the trance Selina had him in. He quickly lowers the binoculars, turning his face away, fighting the overwhelming urge to sneak another peek. He reminds himself—he’s trying to be a gentleman, not a creep.

But that image of her will stay with him for the rest of his life—after all, he has a photographic memory. He remembers everything. Every detail of her is etches into his mind: the way the light dances across her skin, the curve of her body, the confidence she exudes so effortlessly. It is overwhelming, an image that feels both sacred and illicit. 

As much as he tries to push it out of his mind, the memories of that kiss they shared years ago flicker in his mind’s eye, resurfacing with a clarity that both excites and unnerves him. The endearing scent of her perfume - the was it had enveloped him, sweet and intoxicating, drawing him closer as they had learned into one another. 

He recalls the smooth touch of her silk underwear against his fingertips, the way it had felt against his skin, so stark to his mechanical world. That single moment of intimacy has been a revelation, a glimpse into a connection that had always simmered just beneath the surface. 

And then there was the sweet taste of her lips, something intoxicating that he felt only Poison Ivy was capable of possessing. But Selina’s kiss was venomous in its own right - addictive, unforgettable. He remembers how time seemed to stop, how the world around them faded - a fleeting escape from the chaos around them. 

Riddler’s thoughts spiral, his focused split between chasing her image and trying to respond to the team . He feels the heat of embarrassment creeping into his cheeks, even in the anonymity of his surroundings. He has always prided himself on his intellect, his ability to compartmenatlize his emotions and desires, yet here he is, undone by a memory of a kiss and the sight of a nude woman. Is it infuriating, yet the frustration is laced with a begrudging admiration for Selina. 

"He totally just saw her naked, no doubt," Deadshot chimes in, clearly amused.

"Wow, Nigma, a peeping Tom, huh? Didn’t know you had it in you," Boomerang adds, laughing along.

“Ooo, tell me, does she have big boobs? Is this part of the game you’re playing?” King Shark asks, sounding genuinely curious.

“SHUT UP!” Riddler barks, taking a deep breath to steady himself before slowly exhaling. “I am not a creep, and I’m not here to rekindle anything with her. I’m just here to get my money back—for the last time! You’d better start studying because when I return, the challenges I create will be so mind-numbing none of you will be able to function properly.”

“Oh yeah, Nigma, we’re so terrified over here,” Harley teases, clearly enjoying the rise she’s getting out of him. “And let me know how your first time goes!” she adds with a mischievous laugh, igniting a spark of annoyance in Riddler. 

“Aaahhh!” he screams, yanking the earpiece out and stuffing it into his bag, with a forceful huff, desperate to block out their voices once and for all. The chatter of the team feels like a cacophony, each jibe more irritating than the last. He knows they are having fun, and it feels like a tidal wave of judgment crashing down on him, drowning out any sense of focus he had managed to muster. 

“Mmm,” he smirks to himself, “joke’s on her—I’m not even a virgin.” He says it proudly, but then the reality sinks in; it’s been years since he’s even touched a woman. The rush of bravado dissipates, replaced by an uncomfortable awareness of the truth: he hasn’t had any meaningful physical connection in ages. Come to think of it, that trip to Rome might have been the last time he got any action.

“I really am a loser,” he mutters in defeat, the smugness draining from his face like a leaky balloon.

Shaking his head, he tries to refocus and gets back to work. With deliberate movements, he raises his binoculars again, hoping enough time has passed for her to get dressed, and scans the house for her once more.

Selina is still in the same spot, but now dressed in a lavish dark purple gown. The fabric is reminiscent of the Catwoman suit she wore back in the good old days. The gown clings to her in all the right places, accentuating her curves, the deep violet fabric shimmering slightly in the evening light. It’s elegant yet dangerous—just like her.

Riddler’s breath hitches slightly as he takes in the scene. She looks poised, her movements graceful, as if every step and gesture has purpose. He finds himself captivated, his mind racing with a thousand thoughts, each one trying to grasp the essence of the woman before him. 

She has the same confidence that used to draw him in, back when their partnership—if you could call it that—was less complicated.

He can’t help but admire her, not just for her looks, but for the way she carries herself—always a step ahead, always unpredictable. Memories flood his mind—heists they’d pulled off together, the moments they shared between the chaos. She’s the only person who ever made him feel like an equal in their twisted world.

As he watches, she moves to a table near the window, casually sipping from a glass, completely unaware of his presence. Riddler knows this moment is crucial. He has to get his head back in the game. But every time he thinks about stepping forward, confronting her, he hesitates.

What would he even say? His carefully rehearsed words seem to evaporate in the face of the real thing. Is he really just here for the money? The thought gnaws at him, but he quickly pushes it aside.

He’s Edward Nigma—the Riddler, not emotions. He needs to focus. But seeing her again after all these years, looking so composed and untouchable, makes it harder than he imagined.

Focus, Nigma, he tells himself. This isn’t a reunion—it’s business.

Of course, Selina has a life of her own. She always has, but seeing her like this, dressed to impress and clearly waiting for someone, makes something twist uncomfortably inside him. He isn’t here for emotions, though—he has a job to do.

Riddler’s mind quickly shifts gears. If she’s going out, this is his opportunity. He’ll slip in once she leaves, retrieve what’s his, and be gone before she even knows he was there. It’s a flawless plan. Classic Riddler—strike when the other person least expects it.

The breeze blows her dark hair as she steps outside onto the porch, a small purse in hand, standing tall and elegant against the backdrop of her lavish home. The sun is just beginning to sink below the horizon, casting a warm, golden light across the Smoky Mountains. She glances down the driveway, clearly waiting for someone to arrive.

As he watches her now, he feels a pang of longing. The playful rivalries, the teasing back-and-forth, the way they could challenge each other and still find common ground—it was intoxicating. But it’s also a reminder of what was lost. They had drifted apart, their paths diverging after that fateful night. She had become an enigma, a shadow he could no longer grasp.

Minutes pass, and Riddler watches from the shadows as Selina checks her phone, then glances down the road again. Another ten minutes go by. She sits down on the porch steps, her fingers tapping idly against her phone, each tap an unspoken word echoing her frustration. Though her form remains poised and graceful, tension seeps into her demeanor, her once lively energy dimming as the minutes stretch on. 

Thirty minutes. Then forty. The sun is completely gone now, the last traces of twilight fading into darkness. Selina is still there, sitting on the porch, her head resting in one hand as she checks her phone for what must be the hundredth time.

Riddler’s smirk fades as he continues to observe. No one’s coming, he realizes. The thought brings an unexpected pang of sympathy. She’s dressed to impress, waiting for someone who clearly isn’t going to show. Her confident, alluring exterior has cracked just enough to show the disappointment underneath.

It is disconcerting to finally see past Catwoman’s armor. He notes the subtle was her shoulders ag, the slight droop that gives her a weariness he had not expected to witness. When she finally puts her phone down, letting out a soft sigh that lingers in the cool evening air, it is as it she is resigning ehrself to a reality that her evening is not going to unfold as she hoped. The strength that usually defines her has ebbed just enough for him to glimpse the woman behind the mask. 

Riddler hesitates, crouched in the brush, binoculars still trained on her. This wasn’t how he planned things. She was supposed to be gone by now, making it easy for him to slip in and out unnoticed. But now, watching her sit there alone, the thrill of the heist doesn’t feel quite as satisfying. In fact, it feels almost hollow. 

Something inside him shifts. Maybe it’s the old memories resurfacing, or maybe it’s the sight of Selina—someone so strong and independent—looking vulnerable. Either way, he knows this is his moment, but not in the way he originally planned.

With a deep breath, he steels himself and makes his decision. Slinging his pack over his shoulder, he carefully makes his way toward the house, the soft grass giving away under his boots. As he approaches the porch, the light from the house casts long shadows across the yard. Selina, lost in thought, doesn’t seem to notice him until he’s just a few feet away.

“Waiting for someone?” he asks softly.

Selina jumps slightly, turning to face him with wide eyes, startled eyes. For a moment, she just stares at him, clearly surprised by his sudden appearance.

“Eddie?!”

End of Chapter 1

[beezonia]

Sae is the commissioner gordon figure, a past mentor to goro from when he worked with her when he was younger

Goro is the private detective who’s decided to work with sae again to uncover the mystery of the “phantom thief”/cat burglar who keeps slipping out of his grasp

These two sort of have a mix of sherlock/watson and eddie/jessica rabbit duo relationship going on

they tend to work well together since goro learnt a lot from sae and vice versa but they do bicker a lot on long nights of working

Goro doesn’t know about Sae’s double life (she owns a very popular casino that deals with some unsavoury people and that’s sometimes where she gets her info from)

but that’s their relationship, a mentor and her mentee who’s come back to join her again!

[esteemed-excellency]

Flumblr tag game!

Show me your oc’s cameo vs what they actually look like in art or picrew! (all cameos can be found here on the wiki)

I was tagged by @letheology @thedandy-detective @t6fs @the-dye-stained-socialite thank you! 💖💖

Hiram's cameo was made by @waterlogged-detective and his portrait by @letters-of-fire (if you guys are reading this, consider yourself tagged in the game)

I had the bagcameo on the old profile, but it ended up as the base design for another rpg character I was playing years ago. Hiram has the phantom cameo because his main accessories during the early game were the Sneak-Thief's Mask and the Beguiling Mask.

Tagging @eddie-dearest @that-fella-snipsnop @that-giorgione @thunder-threnodies @thegreatyin @londonfalling @light-lost-logs @gmalaart

[britishchick09]

A Tricky Treat: A Wadlow Sibling Fic

spooky season is here!! i had a different story in mind for today, but a newspaper clipping inspired me to come up with this one. it took just a day to write (october 30th to the 31st) and it's an exciting one. enjoy! ;D

it's the wadlows' first halloween in sanford avenue and the first trick or treat event in alton! harold jr. is excited to get candy... until it's stolen! will he, betty and senpai be able to catch the thief?

 A cold wind swept through Sanford Avenue as Robert pushed aside leaves from the walkway. He shivered at the chill and looked up at the darkening sky. Not too long from now, kids would be walking down the now empty streets. They were taking part in something called trick-or-treating.

The tradition had been around in Scotland and Ireland for centuries, but it didn’t appear in the United States until five years ago. It had spread across the country since then, and now it had arrived in Alton.

“Robert!” he heard a voice call.

It was Helen. Her short hair waved in the breeze as she poked her head out. “Yeah?” Robert asked her.

“Junior needs some help with his costume.”

“I’ll be right there.”

Helen went inside and Robert finished raking. He smiled as he imagined Harold Jr. romping in the leaves. He was so excited for Halloween! Robert put the rake away and ducked inside the house.

“Big Brother!” Harold Jr. exclaimed. “Is my mask sticking up?” Harold Jr. was going as The Phantom of the Opera. Addie had made a robe from a piece of black cloth and Helen had helped Junior create a mask from some spare fabric. Robert thought he looked quite spooky!

“Let’s see…” Robert looked at the top of Harold Jr’s head. “It looks like it.” “But The Phantom’s mask isn’t supposed to do that!”

Robert tried to flatten the top, but it stuck right back up again. “Hmm… Why don’t we just trim it?” Harold Jr. stepped back. “No! Then part of my face would show. That’s why I have the mask on.”

“Doesn’t he wear a hat at one point?” Helen asked. “You could do that.”

Harold Jr. grinned. “That’s a great idea! I’ll go look for one.”

He was about to run off when Betty said, “I’ll get it for you. Dad’s hat is hard to reach in the closet.”

Harold Jr. smiled gratefully at his big sister and she ran upstairs, nearly bumping into Eugene. “Hey!” he exclaimed. “What’s the rush?”

“She’s getting a hat for my mask.” Harold Jr. said.

“It already looks spooky enough!”

Chatter could be heard outside. Kids could be seen through the window. They walked up to the house across the street and gave a chorus of something that couldn’t quite be heard through the glass.

They’re probably saying ‘trick or treat’! Robert guessed with a smile. The kids held out bags and the homeowner gave them candy. Then they went onto the next house.

“This ‘tricking treats’ thing was a great idea,” Addie remarked. “It’ll be a great way to get to know the neighbors!”

“It’s ‘trick or treat’,” Harold Jr. corrected her. “And it’ll also be a great way to get some sugar!” “I can’t believe people are going to just hand you free candy,” Eugene said. “I wish we had that when I was a kid. Back in my day, all we did was throw eggs and toilet paper on people’s houses.”

“They still do,” Addie said. “Yesterday, I heard Mrs. Whittaker talking about cleaning eggs off her window last year,” She gave Eugene a look. “I sure hope you won’t get tangled up in any tricks.” Eugene shook his head. “Nah, I’m going to Eddie’s house for a party.”

“The girls and I are having a party, too,” Helen added. “Marilyn’s hosting it.”

“Ooh! Marilyn!” Betty exclaimed in a sing-songy voice as she skipped down the stairs.

Robert felt his face turn hot. “I, uh, I hope you have fun.”

“Oh, we sure will.” Helen replied with a smile.

“I heard Kathleen Fahrig is having a party.” Betty said.

“Are you going?” “No, I don’t know her very well since she’s a year younger than me. I’d rather spend time here!” Betty replied with a smile before giving Harold Jr. one of their dad’s hats. “Here you go.”

Harold Jr. set the hat on his head. It slipped down towards his eyes!

“Whoops!” Betty exclaimed. “I guess it’s too big.”

“No, it’s perfect!” Harold Jr. said. “Now I’m even more of a mystery.”

Just then, there was a knock at the door. Harold Jr. ran up to it and yelled, “BOO!” as he opened it. That made the kids scream!

Harold Jr. giggled. “Happy Halloween!” he said as he gave the kids candy from a bowl.

Once the kids left, he ran to the kitchen to fetch a paper bag. “Is it time to get going?” Robert inquired as his baby brother returned to the living room.

“Yep, it’s time!” Harold Jr. replied excitedly.

Addie gave her eldest and youngest kids a kiss. “Have fun, you two!”

“We sure will, Mother.” Robert said with a chuckle.

He followed Harold Jr. to the door. Before they could leave, Betty exclaimed, “Wait! I want to go.”

“Are you sure? It seems like just kids are doing this.”

“Fourteen is never too old to get free candy!” Betty replied with a wink.

The calls of “Trick or treat!” could be heard as she stepped outside, Robert and Harold Jr. right behind her. They went to the house next door and waited before going up to the door.

“Trick or treat!” Harold Jr. called.

“I think you need to knock first.” Robert whispered. Harold Jr. gave three firm knocks. That caused a lady to open the door.

“Trick or treat!” Harold Jr. said.

“Oh my!” the lady exclaimed. “Aren’t you a little fright? Here you go, dear.” She gave Harold Jr. a couple candies. He thanked her before leaving with Betty and Robert.

“What did you get?” Betty asked. “I don’t know,” Harold Jr. unwrapped one of the candies and popped it in his mouth. “Mmm, it’s butterscotch!”

The neighbor across the street also had butterscotch. The one next door had Hershey Kisses, another had Violet Mints and a third had juicy apples! By the time they reached the end of the neighborhood, Harold Jr’s bag was bulging with candy.

Betty fished through the bag, finding a Milky Way bar. “Can I split this?”

“Sure!” Harold Jr. replied. “I got another one in here somewhere.” Betty broke the bar in two and set the other half in the bag.

Right before the road turned, there stood a gray house with many steps. Robert trudged up alongside Harold Jr. and Betty. He didn’t see candles or a jack o’ lantern in the window or Halloween decorations in the yard. The barren house made him feel a bit uneasy. Harold Jr., however, was unperturbed. He skipped up the steps and knocked on the door.

No one answered.

He gave another knock. The door didn’t open.

“Try ringing.” Robert suggested softly.

Harold Jr. rang the doorbell. A few seconds later, the door swung open!

“What do you want?” an old lady demanded.

The siblings stared at her in shock.

“T- Trick or treat?” Harold Jr. said nervously.

The woman groaned. “Oh, not this again. I’ve had it up to here with those tricks! Those eggs took days to clean up!”

This must be Mrs. Whittaker. Robert guessed.

“We won’t put eggs on your house,” Harold Jr. reassured her. “We just want some candy.”

“Oh, that’s just blackmail, I tell you!” Mrs. Whittaker said.

Robert frowned. “Blackmail? That seems to be taking things a bit too far, don’t you think?” “Yeah, it jus’ kids n’ candy.” Betty agreed with her mouth full of a Milky Way.

“What’s blackmail?” Harold Jr. asked.

“It’s when no good kids like you act like gangsters and demand to be paid!” Mrs. Whittaker explained angrily. “If we don’t give you one of those candy bars, why, you’ll break our windows and pelt our houses with tomatoes.”

“But we won’t do that! We’ll just walk away sadly.” “Then do it! I’m not giving any sort of candy to anybody!”

Mrs. Whittaker slammed the door, which almost seemed to rattle. Shaken, Harold Jr. ran down the steps. Betty quickly caught up to him and Robert sauntered right behind her. He crouched down to touch Harold Jr.’s shoulder.

“I’m sorry about that, Junior,” he said. “She was awful.” “Yeah… But it’s okay,” Harold Jr. replied, his voice a bit reluctant. “I have a lot of candy, anyways.” The trees across the street rustled as the siblings went to a house that stood right on the curve. The man who lived there was much friendlier than Mrs. Whittaker. He gave a big 3 Musketeers bar to Harold Jr. and Betty and Robert!

“Should we go farther?” Harold Jr. asked once the trio returned to the sidewalk.

Robert looked down the road. Past a cluster of bare trees and a slight incline were more houses.

“I don’t know… Maybe we should head towards home.” he suggested.

“Yeah, we should tackle the houses across the street.” Betty agreed.

The two walked down the sidewalk. But before Harold Jr. could join them, the trees rustled once more. A lanky teenager ran out from behind them and took his bag!

“My candy!” Harold Jr. exclaimed.

“Hey!” Robert called to the teen. “Get back here!”

The thief laughed. “It’s mine now, sucker!”

“After him!” Betty declared.

She and Harold Jr. ran after the teen. Robert quickly walked behind them. A strong wind almost caused him to stumble. It threw the teen off balance as well. The bag partially slipped from his hands, but he regained his grip. Little candies rolled down the street’s incline. Betty caught them and set them in Harold Jr’s bag.

“He’s going down there!” Harold Jr. exclaimed once they reached the end of the road.

The thief had turned onto Washington Avenue. The street was more crowded than Sanford! He easily slipped into the crowd of kids and their parents.

“We’ll never find him now!” Harold Jr. exclaimed. “We have to,” Betty said. “Or else all you’ll have is this mostly gone Milky Way.”

Robert could barely see the teen weaving through the crowd. That gave him an idea. He picked up Harold Jr., who giggled as he was set on his big brother’s shoulders. Now he could see past the crowd better than Robert could!

“Do you see him?” Robert asked.

“I do!” Harold Jr. exclaimed. “He’s going past that big tree.” The trio went to a towering tree a few houses down. They saw the teen climbing over a fence leading to the backyard.

“I’ll get him!” Betty exclaimed.

Just as she reached the top of the pickets, the teen hopped into the yard across the street.

“He’s going back to Sanford!” she reported.

The siblings rushed down the street.

“I’m glad we’re going back,” Robert said. “The kids back there were beginning to stare!”

They reached Sanford Avenue just as the teen crossed a front lawn. Betty ran at him as Robert called, “HEY!”

His loud, deep voice startled the teen and he stopped right in his tracks. Before Betty could lunge at him, someone else did. The candy thief was tackled to the ground.

“Oof!” he exclaimed in defeat.

“Thank you!” Harold Jr. said to the tackler. “Whoever you are.” The person turned to look at him.

Robert gasped. “It’s Mrs. Whittaker!”

The old lady rose from the ground and wiped street dust from her dress. Then she took the paper bag and gave it to Harold Jr.

“Here you- Don’t move!” she ordered upon spotting the teen getting up. “Here you go, dear.”

Harold Jr. grinned. “Thanks so much, Miss Lady!”

He hungrily ate a Hershey Kiss.

“You saved our candy!” Betty marveled. “I thought you thought we were gangsters.” “Oh, I did at first,” Mrs. Whittaker smiled. “But now I see that you three are quite alright. Maybe this whole ‘trick or treat’ business isn’t as bad as it seems. I too enjoy some sweets every once in a while.”

The teen groaned.

“So does he,” Robert said. “Why would you take someone’s candy instead of getting your own?” “‘Cause that stuff’s for kids!” the teen exclaimed as he rose from the ground. “People would laugh if they saw a fourteen year old asking for candy.” “I’m thirteen,” Betty said, looking at Mrs. Whittaker as she added, “You’re never too old for candy.”

“I guess you’re right. I’m sorry for taking your candy, kid,” The teen extended a hand. “No hard feelings?” Harold Jr. shook his hand. “No hard feelings, I guess. I forgive you…” “Chester. I live down the road over by Main Street.” “We have new friends on each side of Sanford!” Betty remarked.

Everyone chuckled. After saying goodbye to Mrs. Whittaker, the siblings and Chester returned to the Wadlow house. Harold Jr. distributed his candy. “Mmm, Red Hots,” Chester popped some of the spicy cinnamon balls in his mouth. “My favorite.” “I’d say this was the happiest Halloween ever.” Harold Jr.remarked.

Robert smiled as he unwrapped a Rousseau’s chocolate. “Yes, it’s been a happy Halloween indeed!”

[kitkatt0430]

4 and 7?

4.) How many fic ideas are you nurturing right now? Care to share one of them?

Too many to count and there's always something new showing up when I least expect it. Both a curse and blessing to be a fic writer with an overactive imagination.

So one that has been sitting in the back of my mind for a while is the Code Realize fusion fic where Eddie has a toxic touch. I haven't really written anything out yet, but I've got a general idea of how the first part of the story would go.

It would start with the local military of Central City, led by General Eiling, converging on a nearby abandoned town. Specifically a house where the town's sole inhabitant lives. Eddie Thawne. Eddie knows he's not supposed to go anywhere - the house he lives in is the only one where he can touch anything without his melting away to nothing. He never grows hungry and his boredom is relieved by the small library of books within, but Eddie longs for companionship.

Companionship his father's letter forbids him. Because, according to Eobard Thawne, Eddie is a monster.

But Eiling's arrival changes things. The General refuses to leave without Eddie and threatens to destroy the house itself if that's what it takes to force Eddie to go with him. Eddie can't risk his one sanctuary being destroyed and, reluctantly, agrees. But Eiling destroys the house anyway. 'Cause he's a jerk.

Dismayed because now the only things he can touch are the ones Eiling stole from the house before setting it on fire, Eddie thinks his only choice now is to go with Eiling; he can never escape to go home now, like he'd been hoping. But at the outskirts of town, a new option appears - a phantom thief calling himself the Flash appears, taunting Eiling and running off with Eddie in his arms.

The Flash introduces himself once they're safely away. His real name is Barry Allen and he needs Eddie's help, if Eddie's willing to give it. He's looking for Eobard Thawne, Eddie's father... because he has reason to believe Eobard Thawne is planning a terrorist attack on Central City. Eddie wants to find his father too. To find out whether he's truly planning something so terrible... but also to find out why he's a 'monster' and what it has to do with the shining stone he has in place of his heart.

That's when Cisco would show up with his steampunk car, introduced as the first of Barry's allies.

Since the game is heavy on the steampunk, I'd want to keep that as the setting for the series. And the eventual main ship would be Westhallen, though I'm still debating how to introduce Iris. I think it'd be fun to have her be the detective nemesis of Barry's, but that's a bit fuzzy right now and I want to be sure of what Iris' part in the series is before I start writing... for all that she won't show up for a while regardless.

7.) Share a snippet from one of your favorite pieces of prose you’ve written and explain why you’re proud of it.

“Oh, honey,” Lisa patted his hand, “you look like you’re gonna cry. I’m a good listener if you need someone to talk to about what’s going on?”

She was the first person to just… touch him like it was no big deal since the lightning struck. Iris always hesitated, always had pity in her eyes. Joe looked guilty, as though he felt he should have protected Barry better. (And he should have; he’d laughed off Barry’s concerns about that damn skylight like everyone else did and now look at him. Barry was never going to be the same again. Scars like these don’t go away over time.) But Lisa didn’t flinch at the sight when he opened the door. Didn’t look him over with disgust. Didn’t make him feel like a freak just for surviving something that left its mark on his skin.

Barry started crying.

~ From Chrysalis

So in this fic series it was important to me that Barry had scars left from the lightning strike. I'd been rewatching some of S3 at the time and I was reminded of how Savitar's scars on the show were part of what marked him as the evil Barry - just some more of the show's casual ableism really. I wanted to write something where Barry had those scars - or similar ones, anyway - and it didn't make him the bad guy.

Once I had that premise, I had to consider what everyone's reactions would be. And that Barry would be pushing away Iris and Joe as much because of their actual reactions to him as well as what Barry was imagining their reactions to him were. Everything always seems worse when your stuck inside your own head, after all, and Barry is very much that here, struggling with the way strangers look at him now and the way he feels about himself when he looks in the mirror.

And then finally I arrived at this scene where Lisa shows up. She's been a bit worried about her shut in neighbor and her concern for him isn't something he can write off as obligation or morbid curiosity. She's just kind when he needs it most. And it was a turning point in accepting himself that Barry needed.

I was really proud of how this fic turned out and that there wound up being more story to tell afterwards. But I think this first one is still my favorite, thanks to the way Lisa and Barry's friendship develops from here.

[awaywardplantagenet]

The Official Broadway Beans Allignment Chart Because Why Not

[froggywritesstuff]

character list

the title is self explanatory. this is a list of the characters i'll write for. it'll probably change over time, and if you see a character you'd like but don't see them on the list, just ask cause i might've forgotten about them

Hamilton

Eliza Schuyler

Angelica Schuyler

Peggy Schuyler

Maria Reynolds

Alexander Hamilton

John Laurens

Philip Hamilton

Lafayette

Hercules Mulligan

James Madison

Thomas Jefferson

Aaron Burr

Umbrella Academy

Viktor Hargreeves

Diego Hargreeves

Klaus Hargreeves

Allison Hargreeves

Luther Hargreeves

Five Hargreeves

Ben Hargreeves (Umbrella or Sparrow)

Sloane Hargreeves

Jayme Hargreeves

Stranger Things

Will Byers (non female readers only)

Mike Wheeler

Lucas Sinclair

Dustin Henderson

Eleven Hopper

Max Mayfield

Robin Buckley (non male readers only)

Nancy Wheeler

Jonathan Byers

Steve Harrington

Eddie Munson

21 Chump Street

Justin Laboy

The Goldfinch

Boris Pavlikovsky

Theodore Decker

Marvel

Peter Parker (any actor)

Steve Rogers

Bucky Barnes

Sam Wilson

Makkari

Sersi

Sprite (platonic only)

Steven Grant

Marc Spector

Layla El-Faouly

America Chavez (non male readers only)

Kate Bishop

Yelena Belova (platonic only)

Shuri

Namor

Riri Williams

X-Men

Mystique

Kitty Pryde

Peter Maximoff

Rogue

Logan Howlette

Wade Wilson/Deadpool

Scott Summers

In The Heights (movie version)

Usnavi de la Vega

Vanessa 

Nina Rosario

Benny

Sonny de la Vega 

Heathers

Veronica Sawyer

JD (Jason Dean)

Heather Chandler

Heather McNamara

Heather Duke

John Doe

John Doe

Ride The Cyclone

Noel Gruber (male or nb readers only)

Ocean O'Connel Rosenburg

Mischa Bachinski

Constance Blackwood

Ricky Potts

Hatchetfieldverse

Paul Matthews

Emma Perkins

Ted Spankoffski

Bill Woodard

Ruth Fleming

Pete Spankoffski

Richie Lipschitz

Max Jagerman

Grace Chasity

Lex Foster

Ethan Green

Hannah Foster (platonic only)

Heartstopper

Charlie Spring (non female readers only)

Nick Nelson

Tara Jones (non male readers only)

Darcy Olsson (non male readers readers only)

Elle Argent

Tao Xu (non male readers only(headcanoning him as bi or pan is disrespectful and transphobic))

Tori Spring

Imogen Heaney

Isaac Henderson (platonic only)

Do Revenge

Eleanor Levetan (non male readers only)

Drea Torres

Wednesday

Wednesday Addams

Enid Sinclair

Bianca Barclay

Xavier Thorpe

Ajax Petropolus

Eugene Otinger

(young) Morticia Addams

(young) Gomez Addams

Beetlejuice

Lydia Deetz

Tomorrow When The War Began

Ellie Linton

Lee Takkam

Fiona Maxwell

Homer Yannos

Spider-Man: Into the Spider-Verse/Across the Spider-Verse

Miles Morales

Gwen Stacy

Pavitr Prabhakar

Hobie Brown

Margo Kess

Miles G Morales (earth 42)

Miguel O’Hara

Maze Runner

Thomas

Newt (non female readers only)

The Broken Hearts Gallery

Lucy Gulliver

Nadine (non male readers only)

Nick Danielson

Treasure Planet

Jim Hawkins

Enola Holmes

Enola Holmes

Lord Tewkesbury

Turning Red

Mei Mei

Miriam

Abby

Priya

Raising Dion

Nicole Warren

Tevin Wakefield

Dion Warren (platonic only)

Julie and the Phantoms

Julie Molina

Luke Patterson

Reggie Peters

Alex Mercer (non female readers only)

Flynn

Carrie

Abbott Elementary

Janine Teagues

Jacob Hill (non female readers only)

Gregory Eddie

Brooklyn Nine-Nine

Jake Peralta

Amy Santiago

Rosa Diaz

Love Victor

Victor Salazar (non female readers only)

Benji (non female readers only)

Felix Weston

Pilar Salazar

Lake Meriwether

Lucy

Mia Brooks

Andrew

In Treatment

Eladio

Laila

Spree

Kurt Kunkle

Once Upon a Time

Emma Swan

Regina Mills

Killian Jones

Mary Margaret Blanchard

David Nolan

Henry Mills

Mulan (non male readers only)

Graham

Neal Cassidy

Peter Pan

Jefferson

Dash and Lily

Dash

Lily

Boomer

Juno

Juno MacGuff

Paulie Bleeker

Summer Days Summer Nights

Debbie Espinoza

Frankie Espinoza

Scream (1 through 6)

Sidney Prescott

Billy Loomis

Mickey Altieri

Roman Bridger

Jill Roberts

Charlie Walker

Sam Carpenter

Tara Carpenter

Amber Freeman

Chad Meeks-Martin

Mindy Meeks-Martin

Quinn Bailey

Venom

Eddie Brock

Honest Thief

Ramon Hall

Beth Hall

Wild Child

Poppy Moore

Kate

Drippy

Freddie Kingsley

Monsters and Men

Manny Ortega

Marisol Ortega

Ghostbusters: Afterlife

Trevor Spengler

Phoebe Spengler (platonic only)

Error 143

Micah Yujin

Community

Abed Nadir

Troy Barnes

Annie Edison

Jeff Winger

Britta Perry

The Obession

Logan

Delilah

The New Girl

Lia Setiawan

Stacey Hoffman

Mythic Quest

Poppy Li

Brad Bakshi

Adventure Time

Finn

Princess Bubblegum

Marceline

Marshall Lee

Prince Bubblegum

Flame Princess

School Spirits

Madison

Simon

Charley (non female readers only)

Wally

Rhonda

Dungeons and Dragons: Honour Among Thieves

Simon Aumar

Disventure Camp

Aiden (non fem readers only)

James (non fem readers only)

Grease: Rise of the Pink Ladies

Jane Facciano

Olivia Valdovinos

Nancy Nakagawa

Cynthia Zdunowski

Richie Valdovinos

Ted Lasso

Ted Lasso

Roy Kent

Jamie Tartt

Keeley Jones

Sam Obisanya

Transformers: Rise of the Beasts

Noah Diaz

Elena Wallace

Mirage

Helluva Boss

Blitzø

Stolas (non female readers only)

Loona

Millie

Moxxie

Octavia

Verosika Mayday

Fizzarolli

Asmodeus

Hazbin Hotel

Charlie Morningstar

Vaggie (non male readers only)

Angel Dust (non female readers only)

Husk

Alastor (platonic only)

Vox

Lucifer

Teenage Mutant Ninja Turtles (rise + mutant mayhem + tmnt 2007 + tmnt 2012)

Donnie

Mikey

Raph

Leo

April

The After Party

Yasper Lennov

Space Force

Tony Scarapiducci

Renfield

Teddy Lobo

Robert Montague Renfield

Undercovers

Bill Hoyt

Amazing Digital Circus

Jax

Parks and Recreation

Leslie Knope

Ben Wyatt

April Ludgate

Andy Dwyer

Jean-Ralphio Saperstein

Randy Cunningham: 9th Grade Ninja

Randy Cunningham (18+ people DNI unless requesting platonic stories)

The Earliest Show

Josh Bath

House of Lies

Clyde Oberholt

Mean Girls (movie + musical + movie musical)

Cady Heron

Regina George

Gretchen Wieners

Karen Smith/Shetty

Janis Ian/Sarkisian/Imi'ike (non male readers only)

Damian Hubbard (non female readers only)

Warm Bodies

R

Peep World

Nathan Meyerwitz

Your Boyfriend

Peter Dunbar

Invincible

Mark Grayson

Shapesmith

Chilling Adventures of Sabrina

Sabrina Spellman

Harvey Kinkle

Nick Scratch

Rosalind Walker

Theo Putnam

Prudence Blackwood

Ambrose Spellman

High School Musical: the Musical the Series

Gina Porter

EJ Caswell

[dreamlandcreations]

Moodboards masterlist

This is my graveyard for the moodboards I will not write about... no, I will not... well... maybe...

• Moodboards masterlist #2 • Main Masterlist •

Adrian Chase

Vigilante (Adrian Chace x Kryptonian!Reader)

Aemond Targaryen

The Bastard Princess (Aemond Targaryen x Daemon’s daughter!Reader)

Phantom of the Opera AU (Aemond Targaryen x Velaryon (Strong)!Reader)

Aleksander Morozova

see moodboard masterlist #2

Alfie Solomons

see moodboard masterlist #2

Bane

Stolen - Bane x warlord’s daughter!Reader

Bane x mayor!Reader (LP version)

Bane x mayor!Reader (GG version)

Catwoman - Bane x Fox!Reader 

Catwoman - Bane x Fox!Reader (Joker version)

Heist AU - thief!Bane x hacker!Reader

Billy Russo

see moodboard masterlist #2

Bishop Losa

Zombie Apocalypse AU

Boba Fett

Stargate AU - goa'uld!Boba x SG team member / tok'ra!Reader inspired by this?

Professor AU

Supernatural AU - hunter!Boba Fett x Reader (hunter!Fennec Shand)

RED AU - ex CIA agent!Boba x CIA agent!Reader

Brother Day

Day & Night

Bucky Barnes

Neverland AU - Captain James “Hook”!Bucky x Tigerlily!Reader x “Crocodile”!Namor

Caspian

Caspian x witch!reader

Daemon Targaryen

The dragon has three heads - Daemyra x Targaryen!Reader

The Pirate Queen AU - pirate!Daemon Targaryen x Pirate Queen Rhaenys’ daughter!Reader

Eddie Brock/Venom

The Girl with the Dragon Tattoo AU - Eddie Brock x hacker!Reader inspired by @fabuloustomhardy's edit

Eddie Munson

Three - Eddie Munson x powered!Reader

The Banished - fox fae!Eddie Munson x Reader

Eddie Munson x dark genie!Reader inspired by @harrywavycurly's not genie

Éomer

Immortality/The choice - Éomer x Reader x Haldir

Feyd-Rautha

Fae AU - dark fae!Feyd-Rautha x light fae Atreides!Reader

Dream of a lifetime - Feyd x Atreides!Reader

Feyd-Rautha x Earthling!Reader

Haldir

Immortality/The choice - Éomer x Reader x Haldir

Jake "Hangman" Seresin

Star Wars AU - Rebel pilot!Jake Seresin x Ren!Reader

Pen Pals

The Proposal AU - Jake Seresin x doctor!Reader

Epic(ish) AU - fae!Jake Seresin x Reader

James Delaney

James Delaney x blind!Reader

Biker AU

Maliksi

The Other Trese - Maliksi x Alexandra’s twin!Reader

Namor

Alliance - Namor x Killmonger’s cousin!Reader

Neverland AU - Captain James “Hook”!Bucky x Tigerlily!Reader x “Crocodile”!Namor

Nathan Bateman

Altered Carbon AU

Poe Dameron

The Pink and Blue Ribbon made for @the-little-ewok's Poe x Reader fic

Robb Stark

The Wolf and the Lion - Robb Stark x Lannister!Reader

Sesshōmaru

Sesshōmaru x cat yōkai!Reader

Tommy Shelby

Men (modern AU) - Tommy Shelby x Reader x Alfie Solomons

What Dreams May Come AU

Treadway

Succession

FIREFLY-GRAPHICS MOODBOARD CHALLENGE

(Billy Russo/Darkling, Bucky Barnes, Sherlock Holmes, Tony Stark, WandaxVision)

500 FOLLOWERS MOODBOARD CHALLENGE

(Daemon Targaryen, Valyrian OCs, Darkling/Aleksander Morozova, Eddi Munson and other Stranger Things characters, Hangman and Coyote, Alfie Solomons, Eames)

[letterboxd]

Blurring the Line.

As a new Space Jam film beams down to Earth, Kambole Campbell argues that a commitment to silliness and a sincere love for the medium is what it takes to make a great live-action/animation hybrid.

The live-action and animation hybrid movie is something of a dicey prospect. It’s tricky to create believable interaction between what’s real and what’s drawn, puppeteered or rendered—and blending the live and the animated has so far resulted in wild swings in quality. It is a highly specific and technically demanding niche, one with only a select few major hits, though plenty of cult oddities. So what makes a good live-action/animation hybrid?

To borrow words from Hayao Miyazaki, “live action is becoming part of that whole soup called animation”. Characters distinct from the humans they interact with, but rendered as though they were real creatures (or ghosts), are everywhere lately; in Paddington, in Scooby Doo, in David Lowery’s (wonderful) update of Pete’s Dragon.

The original ‘Pete’s Dragon’ (1977) alongside the 2016 remake.

Lowery’s dragon is realized with highly realistic lighting and visual-effects work. By comparison, the cartoon-like characters in the 1977 Pete’s Dragon—along with other films listed in Louise’s handy compendium of Disney’s live-action animation—are far more exaggerated. That said, there’s still the occasional holdout for the classical version of these crossovers: this year’s Tom and Jerry replicating the look of 2D through 3D/CGI animation, specifically harkens back to the shorts of the 1940s and ’50s.

One type of live-action/animation hybrid focuses on seamless immersion, the other is interested in exploring the seams themselves. Elf (2003) uses the aberration of stop-motion animals to represent the eponymous character as a fish out of water. Ninjababy, a Letterboxd favorite from this year’s SXSW Festival, employs an animated doodle as a representation of the protagonist’s state of mind while she processes her unplanned pregnancy.

Meanwhile, every Muppets film ever literally tears at the seams until we’re in stitches, but, for the sake of simplicity, puppets are not invited to this particular party. What we are concerned with here is the overlap between hand-drawn animation and live-action scenes (with honorable mentions of equally valid stop-motion work), and the ways in which these hybrids have moved from whimsical confections to nod-and-wink blockbusters across a century of cinema.

Betty Boop and Koko the clown in a 1938 instalment of the Fleischer brothers’ ‘Out of the Inkwell’ series.

Early crossovers often involve animators playing with their characters, in scenarios such as the inventive Out of the Inkwell series of shorts from Rotoscope inventor Max Fleischer and his director brother Dave. Things get even more interactive mid-century, when Gene Kelly holds hands with Jerry Mouse in Anchors Aweigh.

The 1960s and ’70s deliver ever more delightful family fare involving human actors entering cartoon worlds, notably in the Robert Stevenson-directed Mary Poppins and Bedknobs and Broomsticks, and Chuck Jones’ puntastic The Phantom Tollbooth.

Jerry and Gene dance off their worries in ‘Anchors Aweigh’ (1945).

Mary Poppins is one of the highest-rated live-action/animation hybrids on Letterboxd for good reason. Its sense of control in how it engages with its animated creations makes it—still!—an incredibly engaging watch. It is simply far less evil than the singin’, dancin’ glorification of slavery in Disney’s Song of the South (1946), and far more engaging than Victory Through Air Power (1943), a war-propaganda film about the benefits of long-range bombing in the fight against Hitler. The studio’s The Reluctant Dragon (1941) also serves a propagandistic function, as a behind-the-scenes studio tour made when the studio’s animators were striking.

By comparison, Mary Poppins’ excursions into the painted world—replicated in Rob Marshall’s belated, underrated 2018 sequel, Mary Poppins Returns—are full of magical whimsicality. “Films have added the gimmick of making animation and live characters interact countless times, but paradoxically none as pristine-looking as this creation,” writes Edgar in this review. “This is a visual landmark, a watershed… the effect of making everything float magically, to the detail of when a drawing should appear in front or the back of [Dick] Van Dyke is a creation beyond my comprehension.” (For Van Dyke, who played dual roles as Bert and Mr Dawes Senior, the experience sparked a lifelong love of animation and visual effects.)

Julie Andrews, Dick Van Dyke and penguins, in ‘Mary Poppins’ (1964).

Generally speaking, and the Mary Poppins sequel aside, more contemporary efforts seek to subvert this feeling of harmony and control, instead embracing the chaos of two worlds colliding, the cartoons there to shock rather than sing. Henry Selick’s frequently nightmarish James and the Giant Peach (1996) leans into this crossover as something uncanny and macabre by combining live action with stop motion, as its young protagonist eats his way into another world, meeting mechanical sharks and man-eating rhinos. Sally Jane Black describes it as “riding the Burton-esque wave of mid-’90s mall goth trends and blending with the differently demonic Dahl story”.

Science-classroom staple Osmosis Jones (2001) finds that within the human body, the internal organs serve as cities full of drawn white-blood-cell cops. The late Stephen Hillenburg’s The Spongebob Squarepants Movie (2004) turns its real-life humans into living cartoons themselves, particularly in a bonkers sequence featuring David Hasselhoff basically turning into a speedboat.

David Hasselhoff picks up speed in ‘The Spongebob Squarepants Movie’ (2004).

The absurdity behind the collision of the drawn and the real is never better embodied than in another of our highest-rated live/animated hybrids. Released in 1988, Robert Zemeckis’ Who Framed Roger Rabbit shows off a deep understanding—narratively and aesthetically—of the material that it’s parodying, seeking out the impeccable craftsmanship of legends such as director of animation Richard Williams (1993’s The Thief and the Cobbler), and his close collaborator Roy Naisbitt. The forced perspectives of Naisbitt’s mind-bending layouts provide much of the rocket fuel driving the film’s madcap cartoon opening.

Distributed by Walt Disney Pictures, Roger Rabbit utilizes the Disney stable of characters as well as the Looney Tunes cast to harken back to America’s golden age of animation. It continues a familiar scenario where the ’toons themselves are autonomous actors (as also seen in Friz Freleng’s 1940 short You Ought to Be in Pictures, in which Daffy Duck convinces Porky Pig to try his acting luck in the big studios).

Daffy Duck plots his rise up the acting ranks in ‘You Ought to Be in Pictures’ (1940).

Through this conceit, Zemeckis is able to celebrate the craft of animation, while pastiching both Chinatown, the noir genre, and the mercenary nature of the film industry (“the best part is… they work for peanuts!” a studio exec says of the cast of Fantasia). As Eddie Valiant, Bob Hoskins’ skepticism and disdain towards “toons” is a giant parody of Disney’s more traditional approach to matching humans and drawings.

Adult audiences are catered for with plenty of euphemistic humor and in-jokes about the history of the medium. It’s both hilarious (“they… dropped a piano on him,” one character solemnly notes of his son) and just the beginning of Hollywood toying with feature-length stories in which people co-exist with cartoons, rather than dipping in and out of fantasy sequences. It’s not just about how the cartoons appear on the screen, but how the human world reacts to them, and Zemeckis gets a lot of mileage out of applying ’toon lunacy to our world.

Bob Hoskins in ‘Who Framed Roger Rabbit?’ (1988).

The groundbreaking optical effects and compositing are excellent (and Hoskins’ amazing performance should also be credited for holding all of it together), but what makes Roger Rabbit such a hit is that sense of controlled chaos and a clever tonal weaving of violence and noirish seediness (“I’m not bad… I’m just drawn that way”) through the cartoony feel. And it is simply very, very funny.

It could be said that, with Roger Rabbit, Zemeckis unlocked the formula for how to modernize the live-action and animation hybrid, by leaning into a winking parody of what came before. It worked so perfectly well that it helped kickstart the ‘Disney renaissance' era of animation. Roger Rabbit has influenced every well-known live-action/animation hybrid produced since, proving that there is success and fun to be had by completely upending Mary Poppins-esque quirks. Even Disney’s delightful 2007 rom-com Enchanted makes comedy out of the idea of cartoons crossing that boundary.

When a cartoon character meets real-world obstacles.

Even when done well, though, hybrids are not an automatic hit. Sitting at a 2.8-star average, Joe Dante’s stealthily great Looney Tunes: Back in Action (2003) is considered by the righteous to be the superior live-action/animated Looney Tunes hybrid, harkening back to the world of Chuck Jones and Frank Tashlin. SilentDawn states that the film deserves the nostalgic reverence reserved for Space Jam: “From gag to gag, set piece to set piece, Back in Action is utterly bonkers in its logic-free plotting and the constant manipulation of busy frames.”

With its Tinseltown parody, Back in Action pulls from the same bag of tricks as Roger Rabbit; here, the Looney Tunes characters are famous, self-entitled actors. Dante cranks the meta comedy up to eleven, opening the film with Matthew Lillard being accosted by Shaggy for his performance in the aforementioned Scooby Doo movie (and early on throwing in backhanded jokes about the practice of films like itself as one character yells, “I was brought in to leverage your synergy!”).

Daffy Duck with more non-stop banter in ‘Looney Tunes: Back in Action’ (2003).

Back in Action is even more technically complex than Roger Rabbit, seamlessly bringing Looney Tunes physics and visual language into the real world. Don’t forget that Dante had been here before, when he had Anthony banish Ethel into a cartoon-populated television show in his segment of Twilight Zone: The Movie. Another key to this seamlessness is star Brendan Fraser, at the height of his powers here as “Brendan Fraser’s stunt double”.

Like Hoskins before him, Fraser brings a wholehearted commitment to playing the fed-up straight man amidst cartoon zaniness. Fraser also brought that dedication to Henry Selick's Monkeybone (2001), a Roger Rabbit-inspired sex comedy that deploys a combo of stop-motion animation and live acting in a premise amusingly close to that of 1992’s Cool World (but more on that cult anomaly shortly). A commercial flop, Back in Action was the last cinematic outing for the Looney Tunes for some time.

Nowadays, when we think of live-action animation, it’s hard not to jump straight to an image of Michael Jordan’s arm stretching to do a half-court dunk to save the Looney Tunes from slavery. There’s not a lot that can be fully rationalized about the 1996 box-office smash, Space Jam. It is a bewildering cartoon advert for Michael Jordan’s baseball career, dreamed up off the back of his basketball retirement, while also mashing together different American icons. Never forget that the soundtrack—one that, according to Benjamin, “makes you have to throw ass”—includes a song with B-Real, Coolio, Method Man and LL Cool J.

Michael Jordan and teammates in ‘Space Jam’ (1996).

Space Jam is a film inherently born to sell something, predicated on the existing success of a Nike commercial rather than any obvious passion for experimentation. But its pure strangeness, a growing nostalgia for the nineties, and meticulous compositing work from visual-effects supervisor Ed Jones and the film’s animation team (a number of whom also worked on both Roger Rabbit and Back in Action), have all kept it in the cultural memory.

The films is backwards, writes Jesse, in that it wants to distance itself from the very cartoons it leverages: “This really almost feels like a follow-up to Looney Tunes: Back in Action, rather than a predecessor, because it feels like someone watched the later movie, decided these Looney Tunes characters were a problem, and asked someone to make sure they were as secondary as possible.” That attempt to place all the agency in Jordan’s hands was a point of contention for Chuck Jones, the legendary Warner Bros cartoonist. He hated the film, stating that Bugs would never ask for help and would have dealt with the aliens in seven minutes.

Space Jam has its moments, however. Guy proclaims “there is nothing that Deadpool as a character will ever have to offer that isn’t done infinitely better by a good Bugs Bunny bit”. For some, its problems are a bit more straightforward, for others it’s a matter of safety in sport. But the overriding sentiments surrounding the film point to a sort of morbid fascination with the brazenness of its concept.

Holli Would (voiced by Kim Basinger) and Frank Harris (Brad Pitt) blur the lines in ‘Cool World’ (1992).

Existing in the same demented… space… as Space Jam, Paramount Pictures bought the idea for Cool World from Ralph Bakshi as it sought to have its own Roger Rabbit. While Brad Pitt described it as “Roger Rabbit on acid” ahead of release, Cool World itself looks like a nightmare version of Toontown. The film was universally panned at the time, caught awkwardly between being far too adult for children but too lacking in any real substance for adults (there’s something of a connective thread between Jessica Rabbit, Lola Bunny and Holli Would).

Ralph Bakshi’s risqué and calamitously horny formal experiment builds on the animator’s fascination with the relationship between the medium and the human body. Of course, he would go from the immensely detailed rotoscoping of Fire and Ice (1983) to clashing hand-drawn characters with real ones, something he had already touched upon in the seventies with Heavy Traffic and Coonskin, whose animated characters were drawn into real locations. But no one besides Bakshi quite knew what to do with the perverse concept of Brad Pitt as a noir detective trying to stop Gabriel Byrne’s cartoonist from having sex with a character that he drew—an animated Kim Basinger.

Jack Deebs (Gabriel Byrne) attempts to cross over to Hollie Would in ‘Cool World’ (1992).

Cool World’s awkwardness can be attributed to stilted interactions between Byrne, Pitt and the animated world, as well as studio meddling. Producer Frank Mancuso Jr (who was on the film due to his father running Paramount) demanded that the film be reworked into something PG-rated, against Bakshi’s wishes (he envisioned an R-rated horror), and the script was rewritten in secret. It went badly, so much so that Bakshi eventually punched Mancuso Jr in the face.

While Cool World averages two stars on Letterboxd, there are some enthusiastic holdouts. There are the people impressed by the insanity of it all, those who just love them a horny toon, and then there is Andrew, a five-star Cool World fan: “On the surface, it’s a Lovecraftian horror with Betty Boop as the villain, featuring a more impressive cityscape than Blade Runner and Dick Tracy combined, and multidimensional effects that make In the Mouth of Madness look like trash. The true star, however, proves to be the condensed surplus of unrelated gags clogging the arteries of the screen—in every corner is some of the silliest cel animation that will likely ever be created.”

There are even those who enjoy its “clear response to Who Framed Roger Rabbit”, with David writing that “the film presents a similar concept through the lens of the darkly comic, perverted world of the underground cartoonists”, though also noting that without Bakshi’s original script, the film is “a series of half steps and never really commits like it could”. Cool World feels both completely deranged and strangely low-energy, caught between different ideas as to how best to mix the two mediums. But it did give us a David Bowie jam.

‘Space Jam: A New Legacy’ is in cinemas and on HBO Max now.

Craft is of course important, but generally speaking, maybe nowadays a commitment to silliness and a sincere love for the medium’s history is the thing that makes successful live-action/animation hybrids click. It’s an idea that doesn’t lend itself to being too cool, or even entirely palatable. The trick is to be as fully dotty as Mary Poppins, or steer into the gaucheness of the concept, à la Roger Rabbit and Looney Tunes: Back in Action.

It’s quite a tightrope to walk between good meta-comedy and a parade of references to intellectual property. The winningest strategy is to weave the characters into the tapestry of the plot and let the gags grow from there, rather than hoping their very inclusion is its own reward. Wait, you said what is coming out this week?

Related content

Rootfish Jones’s list of cartoons people are horny for

The 100 Sequences that Shaped Animation: the companion list to the Vulture story

Jose Moreno’s list of every animated film made from 1888 to the present

Follow Kambole on Letterboxd

[artistiqued]

quick little mobile muse list until i can get a carrd up. see under the cut   !

𝙿𝚁𝙸𝙼𝙰𝚁𝚈 bill denbrough   —   stephen king’s it. best selling author. 30s. pansexual. christian   —   moulin rouge. penniless writer. late 20s. bisexual. deputy so   &   so   —   sinister films. private investigator. 30s. bisexual. dr. horrible   —   dr. horrible's sing a long blog. aspiring villain.  late 20s-30s. bisexual. eddie brock   —   venom. journalist. 30s. pansexual. gillian owens   —   practical magic. witch. 30s. lesbian. giselle   —   enchanted. fashion designer. 30s. bisexual. the priest   —   fleabag. catholic priest. 30s. bisexual. jamie   —   haunting of bly manor. groundskeeper. late 20s+. lesbian. jim kirk   —   star trek. captain of the enterprise.  late 20s-30s. bisexual. john constantine   —   constantine   /   hellblazer. occult detective. 30s. bisexual. juan   '   alvie   '   alvarez   —   house md. rapper. late 20s. bisexual. l lawliet   —   death note. detective. 20s. demisexual. leonard mccoy   —   star trek. starfleet medical officer. 30s. bisexual. mako mori   —   pacific rim. jaeger pilot   /   marshal. 20s-30s. bisexual. ned the pie-maker   —   pushing daisies. necromancer. 28. bisexual. river barkley   —   the politician. student   /   aspiring actor. 18. bisexual. theodora crain   —   haunting of hill house. child psychologist. 30s. lesbian. zed martin   —   constantine   /   hellblazer. psychic   /   artist. 30s. bisexual. 𝚂𝙴𝙲𝙾𝙽𝙳𝙰𝚁𝚈 hermann gottlieb   —   pacific rim. k - science officer. 30s. homosexual. joe o'hara   —   the halcyon. american radio broadcaster. 30s. bisexual. orpheus   —   hadestown   /   myth. poor boy with a song. 20s. bisexual. vanya hargreeves   —   umbrella academy. violinist. 30s. lesbian.   (   on hold.   ). 𝚃𝙴𝚁𝚃𝙸𝙰𝚁𝚈 caleb covington   —   julie   &   the phantoms. magician. unknown. homosexual. chas chandler   —   constantine   /   hellblazer. driver   /   has 47 lives. 30s. bisexual. eudora patch   —   umbrella academy. private investigator. 30s. bisexual. milo dean   —   skeleton twins. aspiring actor. 30s. homosexual. newt scamander   —   fantastic beasts. magizoologist. 30s. demisexual. 𝙿𝚁𝙸𝚅𝙰𝚃𝙴   /   𝙱𝚈 𝚁𝙴𝚀𝚄𝙴𝚂𝚃 alex claremont diaz   —   red   ,   white   &   royal blue. FSOTUS. 20s. bisexual. boris pavlikovsky   —   the goldfinch. small business owner thief. 20s. homosexual. 𝚃𝙴𝚂𝚃𝙸𝙽𝙶 beetlejuice   —   beetlejuice. bio - exorcist. unknown. bisexual. lydia deetz   —   beetlejuice. aspiring photographer. 16. lesbian.

[queenalicorn]

It has come to my attention that some of my followers do not know that I am a fanfiction author. So I thought that I would make out a quick list of the fanfics I currently have available on Fanfiction and A03.

Miraculous Labybug:

1. Who Are You (T-rated, WIP, 21 chapters)

-crossover with Hazbin Hotel

2. Akumatized Hazbin (M-rated, WIP, 2 chapters)

Monster High:

1. Softer Sides (T-rated, WIP, 17 chapters)

Hey Arnold:

1. Hey Helga (T-rated, WIP, 5 chapters)

My Hero Academia:

1. Temporary Uncle (T-rated, WIP, 6 chapters)

2. What Is Color? (M-rated, WIP, 4 chapters)

Coraline:

1. The Beldam’s Return (T-rated, WIP, 8 chapters)

Ed, Edd, ‘n’ Eddy:

1. Stalker: Ed, Edd, ‘n’ Eddy (T-rated, WIP, 1 chapter)

2. Phantom of Love (M-rated, WIP, 4 chapters)

3. Sickness (T-rated, Done, 8 chapters)

https://www.wattpad.com/936170111-sickness-chapter-1

Good Omens:

1. Determined Family (T-rated, WIP, 8 chapters)

Simpsons:

1. Stalker: The Simpsons (T-rated, WIP, 21 chapters)

2. Snow Sensations (M-rated, Done, 10 chapters)

https://www.wattpad.com/743179794-snow-sensations-chapter-1

3. Hard to Love (M-rated, WIP, 1 chapter)

4. Heaven and Ale (M-rated, WIP, 2 chapters)

5. The Fire Within (M-rated, WIP, 3 chapters)

6. Something About Him (M-rated, WIP, 11 chapters)

Doug:

1. Seeing Red (M-rated, WIP, 9 chapters)

2. Dear Journal (M-rated, WIP, 4 chapters)

Beetle Bailey:

1. The Screwed Pooch (M-rated, Done, 2 chapters)

2. Staying Stiff (M-rated, WIP, 4 chapters)

Danny Phantom:

1. POS: Point of Seduction (M-rated, WIP, 2 chapters)

2. The Box Ghost’s Last Day on Earth (T-rated, Done, 20 chapters)

https://www.wattpad.com/823770367-the-box-ghost%27s-last-day-on-earth-wake-up-call

3. RIPP (T-rated, WIP, 6 chapters)

How the Grinch Stole Christmas:

1. The Christmas Thief (T-rated, WIP, 3 chapters)

Jimmy Neutron:

1. Stalker: Jimmy Neutron (T-rated, WIP, 1 chapter)

2. Life Flashes (M-rated, WIP, 1 chapter)

3. Secret Life (M-rated, Done, 58 chapters)

4. The Punishment (M-rated, WIP, 9 chapters)

Teen Titans:

1. Mind Reader (M-rated, Done, 11 chapters)

https://www.wattpad.com/648252949-mind-reader-chapter-1

2. Works of Fiction (M-rated, WIP, 3 chapters)

3. Green Girl (T-rated, WIP, 14 chapters)

4. The New Titan (T-rated, WIP, 2 chapters)

5. Hyperion (T-rated, WIP, 1 chapter)

6. Music Speaks (M-rated, WIP, 14 chapters)

7. Lector de Mente (M-rated, Done, 11 chapters)

Invader Zim:

1. Stalker: Invader Zim (T-rated, WIP, 3 chapters)

2. Violet Eclipse (M-rated, WIP, 18 chapters)

Tom and Jerry:

1. A Vacation to Remember (M-rated, WIP, 2 chapters)

Storks:

1. You Love It (T-rated, WIP, 8 chapters)

Sing:

1. The Second Act (T-rated, WIP, 7 chapters)

Up:

1. Emma Jean (T-rated, WIP, 2 chapters)

Horror movies: (Halloween, Friday the 13th, A Nightmare on Elm street, etc)

1. Blood Sport (M-rated, WIP, 1 chapter)

[augment-techs]

My Personal Top 250 Movies

Watership Down

Princess Mononoke

Shinbone Alley

The Thief and the Cobbler (Miramax & Recobbled Cut 4)

Tokyo Godfathers

The Last Unicorn

The Hours

Artemisia

Phantom of the Opera (1987)

Smart People

Snow White: a Tale of Terror

Spirited Away

Mary Reilly

The Piano

Speak

Millennium Actress

American Pop

Seraphine

Harry Potter and the Chamber of Secrets

Harry Potter and the Philosopher’s Stone

Babe

Zootopia

Charlotte’s Web

Inside Out

Wall-E

Mulan

City of Lost Children

Amelie

Happily Ever After

How to Train Your Dragon

Megamind

Snow White and the Huntsman

Babe: Pig in the City

Ferngully

The Good Son

Nell

FeardotCom

Se7en

The Dark Knight

Iron Man

The Illusionist (2010)

Flawless

Sorority Boys

Wolf Children Ame and Yuki

A Silent Voice

Scooby-Doo on Zombie Island

Monsters University

Faust

Rent

The Ballad of Little Jo

Casablanca

Whatever Happened to Baby Jane?

Sunset Boulevard

Titan AE

The Swan Princess

Ed, Edd n Eddy’s Big Picture Show

Batman Beyond: Return of the Joker

Little Nemo: Adventures in Slumberland

Felidae

In Her Shoes

I am the Pretty Thing That Lives in the House

Agnes of God

Mrs. Parker and the Vicious Circle

The Tower

Whale Rider

Homeward Bound 2

Girl, Interrupted

Tangled

Frozen

Sing!

The Princess and the Goblin

Lady and the Tramp

Jungle 2 Jungle

Anastasia

Malice in Wonderland

The Secret Garden (1993)

Juno

Gargoyles the Movie: Heroes Awaken

Repo! The Genetic Opera

Care Bears Movie II

Adam Sandler’s Eight Crazy Nights

The Squid and the Whale

A Goofy Movie

Treasure Planet

Muppet Treasure Island

Balto

Lolita

Cats (Andrew Lloyd Webber)

Quest for Camelot

The Fall

Matilda

Cats Don’t Dance

The Witch

Romance & Cigarettes

The Little Mermaid (Sanrio)

Leafie: A Hen into the Wild

Sleepy Hollow (Burton)

Coraline

Searching for Bobby Fischer

The Return to Oz

The Others

The Rocky Horror Picture Show

Rover Dangerfield

Uptown Girls

The Cat Returns

The River King

28 Days Later

Home Alone

Legend of the Guardians

The Indian in the Cupboard

Rushmore

Dogma

Planet of the Apes (Burton)

Shakespeare’s Romeo+Juliet

Moulin Rouge

Amadeus

Beetlejuice

The Mask

Party Girl

Daytrippers

Harriet the Spy

3 Men and a Baby

Baby’s Day Out

The Lion King

The Emperor’s New Groove

The Secret of NIMH

Tarzan

The Halloween Tree

Pollock

A Beautiful Mind

The Aviator

The Moth Diaries

The Blair Witch

House of Wax (2005)

Gothika

Darkness Falls

Jeepers Creepers

Casper

Ghostbusters 2

The Hunchback of Notre Dame

Hanging Up

Away We Go

Mind Hunters

Labyrinth

The Dark Crystal

Into the Woods

Wakko’s Wish

Speed

Heathers

Stage Beauty

Kiss the Girls

The Big Lebowski

The Countess

Song of the Sea

The Jeffrey Dahmer Files

Lassie

Steel Magnolias

As Good as it Gets

Black Panther

Uncle Buck

The Breakfast Club

Ferris Bueller’s Day Off

Thumbelina

Batman: Mask of the Phantasm

Forrest Gump

Interview with a Vampire

Bring it On!

The DUFF

Some Like it Hot

Rear Window

The Birds

The Shining

It (2017+19--it’s a two-parter, shut up)

The Fugitive

Clerks

Zombieland

Fritz the Cat

Nine

Chicago

A Muppet Christmas Carol

My Sister’s Keeper

New York, I Love You

Sunshine Cleaning

Little Miss Sunshine

Mermaids

The Nightmare Before Christmas

Fargo

Anna and the King

Les Miserables (2012)

The Secret of Kells

Jumanji

The Silence of the Lambs

Red Dragon

Sliding Doors

Black Swan

Circle of Friends

Feast of Love

The Wind Rises

The 4th Floor

Clue

Fire & Ice

We’re Back! A Dinosaur Story

The Goonies

Stand By Me

Now and Then

Gay Purr-ee

The Land Before Time

North Country

Mona Lisa Smile

Robin Hood: Prince of Thieves

Aladdin and the King of Thieves

Don’t Say a Word

The Weatherman

Transamerica

Under the Red Hood

Ace Ventura

The Story of 15 Boys

The Gift

A Journey Through Fairyland

Copycat

A Few Good Men

Con Air

All Dogs Go to Heaven

Calendar Girls

Fried Green Tomatoes

Fantasia

101 Dalmatians

Fox and the Hound

Coffee and Cigarettes

Eavesdrop

Brief Interviews with Hideous Men

Ghost World

Hercules

Eye of the Killer

Haunted

The Beautician and the Beast

The Accused

The Darjeeling Limited

Center Stage

The Red Eye

I Am Sam

Philadelphia

The Sixth Sense

Lady in the Water

Alice in Wonderland (1999)

Osmosis Jones

Ratatouille

Lars and the Real Girl

Batman Begins

Newsies

[expgg]

+1000 cách đặt tên tiếng anh hay từ A – Z cho nam và nữ (nickname độc lạ)

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Tên tiếng anh bắt đầu bằng chữ A:

Antonia

Alaska

Arrierty

AKA

Asolole

Asgard

Asgardian

Abaddon

Abyss

Abyssal

Aghony

Acne

Apolo

Atia

Alucard

Alter

Aleister

Antutu

Airi

Arthur

Art

Artisan

Ambigu

Adora

Asta

Arteri

Anuku

Asterix

Appa

Avatar

Aang

August

Aki

Amerald

Amer

Alphonse

Aloha

Abs

Anthelop

Amplop

Arsenal

Arawin

Anastasia

Area41

AraAra

Amfibi

Amakata

AleOla

Azliopeka

Ahentamaoi

Tên tiếng anh bắt đầu bằng chữ B:

Bambino

BliBli

Bungalo

Bethesda

Berau

Baphomet

Biji

Btom

Bunga

Bartholomew

Beast

BamBimBum

Bombardir

Baskom

Brutality

BrutalOnly

Brutal

Brute

Bash

BadAss

Bird

Bread

Brad

Bebop

BigMom

BigSmoke

Brascho

Bitmap

BlacKitten

Blister

Blistered Outlaw

Blitz

BloodEater

Bonzai

BoomBeachLuvr

BoomBlaster

Bootleg Taximan

Bowie

Bowler

Breadmaker

Broomspun

Buckshot

Bug Blitz

Bug Fire

BayMax

Biophemaa

Bkhobooba

Bann

Bizem

Bkharamen

Tên tiếng anh bắt đầu bằng chữ C:

inemaxxx

Cinemax

Clear

CollaterolDamage

CommandX

Catacomb

CumiCumi

CumaCuma

Creed

Commando

Congo Wire

Cupid

Concelta

Cimol

Charity

Charlotte

Crosien

Crygord

Cynna

Cywien

Cocktail

Commando

Congo Wire

Cool Iris

Cool Whip

Cosmo

Complex

Complexity

Cambodia

Cambo

Chamber

Coco

Cutter

CatTail

Cacabila

Cringe

Cop

Copy

Collision

Cartoon

Cross

Cewe

Cid

Co

Cizza

Clzane

Tên tiếng anh bắt đầu bằng chữ D:

Desi

Doom

Dark

Darker

DarkerDark

Dime

Danilla

Demon

Disgust

Disguisse

Dameeeeee

Destroy

Darling Peacock

Destroyer

D-Gray

Dragon

Drag

DumbDumb

DarkMagician

Duplicate

Day Hawk

Desert Haze

Durara

Dullahan

Damage

Desperado

Devil Blade

Devil Chick

DarkKnight

DarkWizard

DarkKnuckle

Demoniac

Demolition

Drogo

Derp

Dancing Madman

Dangle

DanimalDaze

Dark Horse

Darkside Orbit

Dexter

Diamond Gamer

Digger

Devil

Devilman

Tên tiếng anh bắt đầu bằng chữ E:

Erdha

Eldian

Escobar

Enthelope

Eagle

Eyes

Enma

Etika

Emo

Emotion

Eddy

Easd

East

Eastern

Electo

Electro

ExpectoPratonum

ElectroPatronum

Ember

Emoticon

Eren

Easy

Earl

EagleEye

Elder

ElderWood

Elder Titan

Exotic

ExoticAnimal

Evanglelion

Eckhart

Eco

Elric

Edward

Eldore

Elliot

Emerald

Emperor

Empire

Earth

Earthling

Eartshock

Earthshaker

EchoSlam

Tên tiếng anh bắt đầu bằng chữ F:

Final

Final Fantasy

Final Destination

Final Fight

Final Blow

Feed

Food

Feet

Future

FastFurious

Furious

Flower

Feler

Fear

Fury

Falcon

Family

Famicom

Feather

Father

Flux

Felix

Fowler

Fantastic

Fan

Finest

Fufu

Faramir

Faye

Fortnite

Flint

Fragment

Frost

Frostivus

FullBuster

FullMoon

Futsu

Fu

Faboulous

FapFap

Funk

Funky

FilmMaker

Tên tiếng anh bắt đầu bằng chữ G:

Genoveva

Gunawan

Gianlucci

Granado

Grenade

Gucci

Gallop

Gremio

Graoorrr

Gundam

GundamWing

Gothic

Ghost

Gaspaldo

Gundala

Gumiho

Great

GreatCombo

Ganteng

Genteng

Gule

Gecko

Gritz

Glitch

Gabon

Gabriel

GaaaasssssGaaaaassssGasssss

Gasoline

Gazelle

Gates

Genbo

General

George

Gill

Giselle

Gazette

Gleen

God

GodEater

GodKiller

Goku

Gonzales

Ghoul

Greed

Grimstroke

Guardian

Tên tiếng anh bắt đầu bằng chữ H

Halo

Hello

Hipster

Hero

Herodian

Hint

Hiro

Hiruma

Halt

HumpaHumpa

HakunaMatata

History

Hitori

Hattori

Hamtaro

Hisoka

Hayabusa

Hell

Hellman

HellYeah

Hanzel

Harry

Hurry

Hope

Highlander

Highway

HollyMolly

Hollyday

Holy

Hedonian

Haru

Hawk

HawkEye

Heat

Heavy

HeavyMachineGun

Helli

Helikopter

Helmos

Hilda

Hermes

Hex

Hexos

Tên tiếng anh bắt đầu bằng chữ I

Iguana

Indie

Indian

Inggrid

Ian

Ice

Ichigo

Icarus

Immobile

Iop

Iris

Indiana

Iberasean

Ionic

Icon

Iconic

Impale

Illuminati

Illumi

Irene

Irina

IniKita

Istri

Ivankov

Ivanov

Ivan

Impact

Iron

Ibeliwien

IronGuard

IronThrones

IronGate

IronSword

IronBow

IronMan

Izulde

Izzy

Izumi

Iraq

Ibrahimovic

Ibrahim

Ibra

Ibiraloth

Tên Nickname bắt đầu bằng chữ J

Jakiro

JetLag

JetZ

JetX

Jeraori

Jerardon

Jack

Jugemu

Jelikoth

Jendaf

Jackie

Jeff

Jinbe

JinX

Jigmar

Jelach

Jeraemwen

Jeraendra

Jimmy

Jiraiya

Joker

Juarez

Junichi

Jazzy

Jester

Jockey

Jewel

Jigsaw

Jelard

Jelaric

Jelider

Judgedreed

Judge

Jessie

jkw2

JessNoLimit

Joke

Jojo

JoeTaro

Joesuke

JokeToYou

Jaolin

Jearin

Jeraecan

Jeraretrem

Jerealia

Jeredrim

Tên Nickname bắt đầu bằng chữ K

Konami

Kimberly

Kimpetsu

Kompor

Kopiko

Kriuk

KonoDioDa

Kane

Kiwi

Kasta

KakSeto

KakSetoYaiba

KanekiKen

Kael

Kratos

Kazuki

Kirito

Kirito1

Kirito2

Kirito3

Kirito4

Kirito5

Kirito6

Kirito7

Kirito8

Kirito9

Kirito10

Kirito11

Kirito12

Kirito13

Kirito14

Kirito15

Kirito16

Kirito17

Kirito18

Kirito19

Kirito20

Kirito21

Kirito22

Kirito23

Kirito24

Kirito25

Kirito26

Kirito27

Kirito28

Kirito29

Kirito30

Kirito69

Tên Nickname bắt đầu bằng chữ L

Lolita

Limp

Lolipop

Lamb

LambChop

Lemon

Lifeless

Legolas

Leaf

Luminos

Locker

Luna

Lina

Lunar

LimBizkit

Lariant

Laser

Lee

Leon

Lita

Lalatina

Lisa

 Leo

Limbat

Limbad

Lion

Love

Lars

Lark

Lacrhymose

Larissa

Lemon

Limun

LastManStanding

LastManStand

Lumine

Laggan

Liars

LadyBlair

Lala

Laserwave

LeKleuze

Lelouch

Luppin

Lucifer

Tên Nickname bắt đầu bằng chữ M

Maria

Mama

Maman

Momonoke

Mystogan

Myst

Mulan

Merdeka

Mosee

Mop

MadBoy

MadKid

MadSon

MadMan

Mapple

Musketer

Mimpi

MainMan

ModernShoot

Milla

Milan

Mooooooo

Moon

Moonslasher

Majari

MagicMan

Magic

Moonton

Manx

Maria

MaskOfDarkness

MaskMan

MadMask

Musashi

Matsunaga

MadMax

Maximilian

MaxSpirit

Megaman

Metallica

Metallix

Mighty

Mirajane

Tên Nickname bắt đầu bằng chữ N

Natalia

Nina

Nana

Nanika

Nanobot

Nano

Number1

Number2

Number3

Number4

Number dll

Naga

Nagisa

Neil

Nightmare

Niffelheim

Nuclear

Nuke

Nike

Nova

Nuvo

Noseman

Nobunaga

North

Nurse

NoOne

None

Noele

Noah

Nitoryu

NinjaKid

Neninku

Ninku

Nightstalker

Nightscream

Nightroad

Nightsroud

NovemberRain

November

Natasha

Nippon

Nyanko

Newgate

Tên Nickname bắt đầu bằng chữ O

Omg

Omega

Onimusha

Onigiri

Oak

Octopath

Ommar

Omen

Opelia

Oliee

Odin

Oddin

Odissey

Ogawa

Ojisan

Obito

Octopus

Odion

Okita

Orphan

Orphanage

Overlord

OoalGown

Ooal

Owalt

Orphen

Organ

Orochi

Optimus

OptimusPrime

Orion

Oracle

Operator

Opium

Orange

Osaka

Oslo

Oxnard

Ossas

Olive

Oath

Otelo

Ocenia

Ozara

Tên Nickname bắt đầu bằng chữ P

Purnamasari

Population

Popuri

Palladin

Paildramon

PecoPeco

PimpMyRide

PublicEnemies

Public

Pappap

Poliklinik

Pakde

Pandora

PandoraBox

Panda

PandaMan

Password

Psikopat

Psychopat

Psikolog

Padewan

Pamali

Pirates

PiratesKing

Pascal

Puma

Paralayang

Para

PointBlank

PinPoint

Pele

Parkour

PreOrder

Puns

PunchMan

PunchKick

PunchLine

Punch

Park

ParkPark

Pumping

Perkedel

Paul

Perfect

Phantom

PhantomAssasin

Pepega

prbw1

Tên Nickname bắt đầu bằng chữ Q

Queen

Quincy

Quirk

Qastil

Qiana

Qopox

Qruz

QuadE

QuantProdigy

Quark

Quarter

Quarterstaff

Quattro

Quazzy

Qudesar

Queen

Queen Bee

Queen of My Heart

Queen Of Space

Queen of the damned

Queenie

QueenY

QuicklyDropped

Quickresponder

QuietlY

Quiet_plz

Quintin

Quintona

Quin_Ice

Quivoz

Quizzical

Qunerahr

Qungine

Qurex

Quria

Qutra

Quest

Tên Nickname bắt đầu bằng chữ R

Ress

Respond

Ressuraction

Reaper

Rain

RainDog

Rainbow

Rapunzel

Rare

Raptor

Rex

Red Buttler

Remington

Reptile

ReptileMan

Rum

Reddit

River

RoboCop

Robot

Roronoa

Rifleman

Ryuji

Ryu

Ryoko

Robocop

Ruri

Rocket

Rocketman

RollerRoll

RollerCoaster

Rocky

RipperRoo

Rosemary

Rabbit

RoboRabbit

Ryoma

Ryota

Ranma

RunningMan

RedEye

Rusty

Roshan

Rosario

Ron1e

Tên Nickname bắt đầu bằng chữ S

Sabrina

Sabertoooth

Sandstrom

Santa

Sengoku

Schneider

Schrodinger

Saturn

Saiya

Sergeant

Shadow

ShadowBringer

Swat

Shampoo

Sherlock

Scorpion

Sheila

Shiraisi

Sinaida

Silica

Shade

ShadowRaze

ShadowMoon

Sheep

Superman

Sekiro

Supraman

Sempakman

Smith

Sector41

Solo

Soloist

SilentKiller

Sabo

Sabbath

SilverFangs

SilverSword

Silver

SkyWolf

SkyBird

Skylark

Skyfall

Stingray

Tên Nickname bắt đầu bằng chữ T

Tiny

Team

Timmy

Teresla

TanBoy

Trusty

Tango

TeddyBear

Trickster

Tamago

Tarzan

Teach

TheCrocodile

TheWild

Thermal

Thunderbird

Tomahawk

TreasureDevil

Thief

Trunks

True

Tsubasa

Turbo

TurboMan

Turtle

Twinkle

TigerMan

Tarantino

Tarantula

Tigreal

Timon

Tazmania

Tuxedo

Tsunami

Tsukimoyi

Tsukikage

Turtle

Tyranno

Trixie

Trish

Touya

Targaryen

Tên Nickname bắt đầu bằng chữ U

Unicorn

Underworld

Underwood

Underlords

Unbeatable

Undertaker

Underrated

Undying

Unwanted

Unreal

Usio

Umbala

Unforgiven

Unpredictable

Unstopabble

Utah

Uganda

Uranium

Uranus

Ultraman

Ultimate

UltimatePunch

UltimateKick

UltimateSlap

Utada

Urashima

Uno

Uban

Umbi

Ultron

UltraSafe

UltraBig

Ultra

Untutu

Utara

Ursula

Utsuwa

Unholy

UndeadKnight

Ungoliant

Uzhaz

Urara

Uzumaki

Tên Nickname bắt đầu bằng chữ V

Vina

Viu

Valentine

Vanh

Vaughan

Valhein

Vicious

Vibra

Vagabond

Vainglory

Valkyrie

Valkirie

Vamp

Vanity

Velvet

Velix

Venom

Vermilion

Vespa

Vergo

Vertigo

VanDik

VanPerSie

Volt

VoodoKing

VodooQueen

Voldemort

Void

VoidSpirit

VirtualPain

VinSmoke

Violet

Vitatata

Venetta

ViaVallen

Venomancer

Viviana

VanHellsing

Vegeta

Vanessa

Vanilla

Viper

Vesper

Venato

Vixen

Vulcan

Volffied

Tên Nickname bắt đầu bằng chữ W

Willock

Witcher

Wanderer

Winchester

Warrior

WinWin

WindWind

Wind

WallE

Westeros

Willow

Wreck

Wick

WanderMan

Wasted

Walter

WalkMan

Warlord

Whisper

WhiteSwan

Wiesel

Wildfire

WildShot

WaterDagon

WaterBreath

WinterKill

Wolverine

Wordsmith

Wrecker

Wrench

Woodoo

Wonderful

WakaWaka

Wolfstone

WhiteKnight

WhiteBeard

WhiteTiger

Wesley

Wednesday

Watanabe

Winston

Windy

WildDog

Tên Nickname bắt đầu bằng chữ X

Xana

Xerross

Xenian

X-Zbit

XFactor

Xenia

Xilonder

XxXKill

xXxBlade

XXXPrince

Xuan

Xylos

Xratos

XNova

XFire

XKiller

XKill

Xmas

Xerxes

Xavier

Xaxa

XXJinxProXX

Xobokan

XobokanWarteg

Xontoloyo

Tên Nickname bắt đầu bằng chữ Y

Yodler

Yanan

Yaman

YesMan

Yippie

Yttii

Yetti

YellowFlower

YellowBlade

YellowPlant

Ygnizem

Yoyo

Yagami

Yamato

Yamamoto

Yami

YamiYami

YamiNoMi

Yankee

Yashuhiro

Yayoi

Yogurt

Yvette

YourItch

Yolaf

Yamette

YoMan

Ymir

Yuki

Yuka

Yuri

Yumanto

Yuyu

Yusuke

Yunaidi

Yukata

Yubashiri

Yukimura

Yuzuha

Yuuki

YggDrasil

Yanira

Tên Nickname bắt đầu bằng chữ Z

Zell

Zone

Zelolem

Zerome

Zill

Zuka

Zuko

Zara

Zing

Zedd

Zakucj

Zukoui

Zephis

Zanis

Zero

ZeroDeath

ZeroDead

ZeroKill

ZeroMan

Zura

Zippy

Zord

Zone

Zeus

Zuckenberg

Zoldyck

Zoltar

Zwei

Zorc

Zionna

ZeroClod

ZeroCloud

Zanders

Zealot

Zelda

Zephyr

Zeralion

ZeroCorn

Zetta

ZettaZone

Zienberg

Zwanze

The post +1000 cách đặt tên tiếng anh hay từ A – Z cho nam và nữ (nickname độc lạ) appeared first on EXP.GG Vietnam.

source https://exp.gg/vn/thu-thuat/cach-dat-ten-tieng-anh/

[kitkatt0430]

So I've been replaying Code: Realize, finally playing Lupin's path and... had a funny fanfic idea.

Eddie Thawne lives alone in a mansion outside of Keystone - he awoke two years ago, the only person in the building, with a warning message from his father, Eobard Thawne, telling him he must never leave the mansion. For Eddie is a monster whose touch kills. But his loyalty to his father is tested when General Eiling arrives with the army to capture the monster of Thawne Manor.

The mansion is destroyed in the process and Eddie is rescued by the Phantom Thief, Barry Allen, and his accomplice, genius engineer Cisco Ramon. They're searching for Eddie's father, believing Eobard is planning to engineer some kind of terrible terrorist event in the steam punk marvel that is Central City. Eddie doesn't know what to believe, but he knows he needs to confront his father to learn the truth about himself and the strange toxin his body produces. Joined by journalist Iris West, who is on the run for reporting the truth about Central City's corrupt police force, as well as Caitlin and Ronnie Snow, rich scientists and benefactors of Eddie's gentleman thief rescuer, and disgraced Private Investigator Ralph Dibny, whose ties to the dwindling vampire population may connected to one of the city's darkest secrets.

This unlikely group of heroes must contend with the mysterious group known as ARGUS, run by a shadowy man claiming to be Eddie's brother, Malcolm. The Mayor of Central City is hiding terrible secrets that may impede their investigations. And what interest do the Professors DeVoe have in the search for famed scientist Eobard Thawne? Not to forget the danger posed by the unnamed man in yellow, who seems determined to put a stop to their search by any means necessary...

:D I really can't do anything without going 'hey wouldn't this be a fun fanfic to write?'

[rosaliahearts]

Satsuriku no Tenshi x Rhythm Thief Crossover