#peter heintze

[i12bent]

Peter Heintze (Aug. 21, 1943 - 2017) was a versatile Danish artist, Academy trained and a member of Koloristerne. His sculptures and large paintings are found in many public buildings and locations, and he also has a significant representation at Vendsyssel Kunstmuseum.

Above: Naturlige forklaringer på Verdens beskaffenhed, 1979 - oil painting

[conandaily2022]

Marietta, Georgia's Peter Heintz arrested in Forsyth County; Ron Freeman warns predators

Peter Heintz, 39, of Marietta, Cobb County, Georgia, United States was arrested during the Operation Masquerade in Forsyth County, Georgia. It was a multiagency probe into internet crimes against children. Led by the Forsyth County Sheriff’s Office, the operation involved the U.S. Department of Homeland Security, the Georgia Bureau of Investigation, the Forsyth County District Attorney’s Office…

[gabrielfolli]

Dans le cadre de la 7e édition de l’exposition triennale de l’ADIAF « De leur temps », le Frac Grand Large présente un nouvel instantané des collections françaises d’art contemporain à travers une sélection d’œuvres acquises récemment sur les 4 niveaux du bâtiment. Constituant un panorama unique des achats récents des collectionneurs français, cette exposition témoigne de leur vitalité et de leur passion pour l’art « de leur temps ».

Commissariat : Keren Detton (Frac Grand Large) et Michel Poitevin (ADIAF)

Avec les œuvres de :

ADD FUEL, Saâdane AFIF, Jean-Michel ALBEROLA, Giulia ANDREANI, Kader ATTIA, Marcos AVILA FORERO, Esmaël BAHRANI, Bertille BAK, Éric BAUDELAIRE, Mélanie BERGER, Bianca BONDI, Étienne BOSSUT, Emmanuelle BOUSQUET, Aline BOUVY, Szabolcs Bozó, David BROGNON et Stéphanie ROLLIN, Cornel BRUDASCU, Io BURGARD, Damien CABANES, Miriam CAHN, Michael Ray CHARLES, Julian CHARRIÈRE, Grégory CHATONSKY, Vajiko CHACHKHIANI, Delphine CIAVALDINI, Claude CLOSKY, Isabelle CORNARO, Jesse DARLING, Edith DEKYNDT, Hélène DELPRAT, Nolan Oswald DENNIS, Hugo DEVERCHÈRE, David DOUARD, Nicolas DHERVILLERS, Mathilde DENIZE, Nathalie DJURBERG et Hans BERG, Marlene DUMAS, Kenny DUNKAN, Hoël DURET, Mimosa ECHARD, Hans-Peter FELDMANN, Esther FERRER, Gabriel FOLLI, Bruno GADENNE, Daiga GRANTINA, GUERILLA GIRLS, Terencio González, Ilona GRANET, Juliette GREEN, Myriam HADDAD, Tirdad HASHEMI, Paul HEINTZ, Damien HIRST, My-Lan HOANG-TUY, Danielle JACQUI, Oda JAUNE, Sophie KITCHING, Kapwani KIWANGA, Sergey KONONOV, Anna KUTERA, Lucie LAFLORENTIE, Luc LAPRAYE, Hanne LIPPARD, Jonas LUND, MADSAKI, Paul MAHEKE, Benoît MAIRE, François MANGEOL, Teresa MARGOLLES, Randa MAROUFI, Rayane MCIRDI, Anita MOLINERO, Franck NOTO, Prune NOURRY, Josèfa NTJAM, Estefania PENAFIEL LOAIZA, Françoise PÉTROVITCH, Gloria PETYARRE, Grayson PERRY, Walter PFEIFFER, Amalia PICA, Benoît PIERON, Joanna PIOTROWSKA, Robin PLUS, Julien PRIMARD, Hervé PRIOU, Enrique RAMIREZ, Emmanuel RÉGENT, Caroline REVEILLAUD, Lili REYNAUD-DEWAR, Carole RIVALIN, Mathilde ROSIER, Karine ROUGIER, Elsa SAHAL, Ludovic SAUVAGE, Marta SPAGNOLI, Pierre SEINTURIER, Massinissa SELMANI, Cindy SHERMAN, SHIMABUKU, Kelly SINNAPAH MARY, Saule SULEIMENOVA, Claire TABOURET, Ida TURSIC & Wilfried MILLE, Pierre VERMEULEN, Christophe VIART, Oriol VILANOVA, Danh VO, Lois WEINBERGER, Duncan WYLIE, Tim ZDEY.

Présentation de l'œuvre The Nation, 2019, technique mixte sur papier, 150 x 150 cm. Collection privée.

https://www.fracgrandlarge-hdf.fr/

https://www.adiaf.com/

[bistovri]

Une nuit by AGARA

[usafphantom2]

Delivered Cheyenne 1/12/43; Gowen 5/12/43; Rock Springs 7/12/43; Laramie 9/12/43; Cheyenne 10/12/43; Savannah 17/12/43; Assigned 429BS/2BG Amendola 20/1/44; Missing in Action 15m Fredrichshafen 3/8/44 with Jim Heintz, Co-pilot: George Eilers, Navigator: Jim Mahon*, Bombardier: Jacob Blumer, Flight engineer/top turret gunner: Jim Howard*, Radio Operator: Peter Pierce*, Ball turret gunner: Morris Siefert, Waist gunner: Edwin Hayes, Waist gunner: Rich Mason,Tail gunner: Joe Ferreira (10INT, all * escaped from Switz); mech failure, u/c failed, force landed Dubendorf, Switz; Missing Air Crew Report 7205. WANITA

[mulheresmusicas-blog]

Happy birthday to one of my newest favorite composers! This bio is long but take the time to read it, she led a fascinating life and deserved so much more credit for her amazing music.

Laura Constance Netzel (née Pistolekors), b. 1 March 1839 in Rantasalmi, Finland, d. 10 February 1927, Stockholm, grew up in Stockholm and was both pianist and composer (from 1874 onwards using the sobriquet ‘Lago’). She studied composition under Wilhelm Heintze in Stockholm and Charles-Marie Widor in Paris. For many years she also worked as a concert arranger and orchestral director. Most of her compositions are in late Romantic, chromatic style, with touches of contemporary French music, and her work received coverage not least in French music journals.

Laura Constance Pistolekors was born on 1 March 1839 in Rantasalmi, Finland, the youngest of six children. Her mother Emilia (née Malm) died in childbed soon after giving birth to Laura, and the father, collegiate assessor Georg Fredrik Pistolekors, took the family to live in Stockholm when Laura was a year old.

She showed a talent for music from a very early age. Her musical education began under the tuition of Mauritz Gisiko, one of Stockholm’s most sought-after piano teachers. Later she studied singing under the opera singer Julius Günther and piano playing under the Viennese virtuoso pianist Anton Door, who visited Stockholm for the first time in 1857. That same year, aged 18, she made her public début as a pianist, playing Ignaz Moscheles’ piano concerto in G minor with Hovkapellet (the Royal Court Orchestra). Subsequently she took part in several chamber music evenings and in concerts given by Harmoniska sällskapet (the Harmonic Society).

It was not, however, as either singer or pianist but as a composer that Laura Netzel gradually made a reputation for herself. Her composition tutors in adult years included, for example, the organist and conductor Wilhelm Heintze in her home city of Stockholm and, later on, Charles-Marie Widor in Paris. When, at the age of 35, she made a successful début as composer using the sobriquet ‘Lago’ (later on also ‘N. Lago’) with a couple of unaccompanied choruses for women’s voices at one of the Harmoniska sällskapet’s concerts, many people wondered who the composer could be. The following year she presented the beautiful lied ‘Fjäriln’, which made such an impression at one concert that it was encored and caught the attention of composers August Söderman and Ludvig Norman, among others.

‘Lago’s’ compositions were very popular with assistant musicians performing in between the main divisions of concerts. Her development did not come to a standstill after her début as a composer, but her true identity was not revealed until 23 January 1891, when the women’s magazine Idun carried a picture and biography, introducing its readers to Laura Constance Netzel, née Pistolekors, married since 1866 to the eminent gynaecologist Professor Wilhelm Netzel. In addition, the magazine included a previously unpublished, but twice performed and acclaimed, ‘song at the piano’, namely ‘Morgonen’, to words by Johan Ludvig Runeberg. Idun highlights Netzel as a pioneer among Swedish women composers, declaring her compositions to betray ‘masculine strength of inspiration and craftsmanship’.

Netzel’s grandest works include Stabat mater for choir, soloists, organ and instrument combinations, dedicated to Crown Prince Gustaf. It was first performed in 1890, in Östermalm Church, at a charity concert under the Crown Prince’s patronage. Even if − ‘of course’, according to Idun − it was found wanting by comparison with works by acknowledged male masters, it still demonstrated that it was not impossible for a women to ‘penetrate the deeper shafts of creative musical art’. A year later the composition was given an orchestral accompaniment instead of the organ part. In 1898 it was published by Gounin-Ghidone in Paris and acclaimed, for example, in Le monde musical, Le progress artistique and Journal musical. It was reviewed and greatly commended in Gazette Liège and in Romania musicala (Bucharest), which found it a very remarkable piece, distinguished by ‘melodic inspiration, coupled with genuine religious feeling’, while the vocal part was judged to be ‘executed with much competence and aesthetic taste.’

The period between the disclosure of her identity and some time after the turn of the century proved to be Netzel’s most active time as a composer. Swedish newspapers and the specialised musical press frequently reported favourable reviews abroad, most often in the Parisian press but also in Germany, Spain, England and Romania, where her music was considered bold, original and shot through with a Nordic tone. Her most popular compositions included the violin pieces Feu follet (1892) and Berceuse et Tarantelle (1894), as well as the song ‘Voici la brice’ (1895), betraying the influences of more recent French music.

‘Professorskan’ (professor’s wife) Laura Netzel devoted much of her energy to charity and public causes. By arranging concerts and bazaars she furthered the creation of Skansen, Stockholm’s famous open-air museum. Single-handed or in partnership with others, she launched innumerable organisations for the relief of poverty and distress in the Swedish capital. Together with the French pastor Henri Bach she founded a foundation for homeless women, and together with Maria Wærn she started the Samariten organisation in the Södermalm district of Stockholm.

Starting in 1892, Laura Netzel organised musical evenings and, every Saturday from October to April, music soirées for music lovers among the working class population of Stockholm. The whole thing had to be attractive and beautiful, and she was intent on regaling her audiences with the best possible music, with a new programme for every occasion. First she rented premises in Malmskillnadsgatan, then Sveasalen in Hamngatan and finally the auditorium of Vetenskapsakademien (the Royal Academy of Sciences) in Norrtullsgatan. The ballad singer Sven Scholander took part in the very first concert. The violinists Sven Kjellström and Julius Ruthström joined in later, along with singers Märta Petrini, Signe Rappe and Rosa Grünberg. Conservatory students were sent off to attend the workers’ concerts, and Netzel herself conducted both choir and orchestra. She always made sure that only the public for whom the concerts were intended were actually admitted. She was summoned to Paris to organise similar concerts featuring the uppermost French performers, much to the delight of press and public, but following her return to Sweden the interest died down. The workers’ concerts in Sweden also ended in 1908. To a great extent it was the movie theatres that forced her to terminate these activities.

Netzel maintained an outstanding intellectual and physical resilience well into her old age. As late as 11 February 1925 the youthful old lady played her own compositions from memory together with orchestral leader Kjellström. She died on 10 February 1927, survived by a son and two daughters. Her life was described as full, bright and replete with blessings in the service of art and human love.

In 1895, the Women’s exhibition from past to present in Copenhagen invited women composers in the three Scandinavian countries to submit their works for anonymous appraisal. The entries comprised five cantatas, five violin suites and eight choral collections. The jury consisted entirely of men: Victor Bendix, Peter Erasmus Lange-Müller and Franz Neruda. None of the violin compositions found favour in their eyes, but Valborg Aulin was awarded as prize of 200 crowns for her women’s choruses with piano accompaniment. None of the five opening cantata entries received, Netzel’s among them, was judged worthy of the full 300 crowns prize money, and the jury deplored the inability, due to illness, of the foremost women composers Agathe Backer Grøndahl and Helena Munktell to take part in the competition. Laura Netzel and Elisabeth Meyer from Denmark were awarded the prize of 300 crowns to share between them, by way of encouragement, but although Netzel was commended for ‘superior skill and loftier aspiration’, the exhibition was opened to Meyer’s music, as being ‘on the whole most suitable for performance’.

As a species of compensation for the treatment of her cantata, Laura Netzel’s violin suite was performed at one of the women’s exhibition’s soirées, but the reviewer Robert Henriques termed it ‘at best horrendous’. The Stockholm press, and especially Aftonbladet’s Adolf Lindgren, notoriously pilloried the complexity of Netzel’s music: ‘Lago seems’, he wrote on one occasion, ‘to have a genuine horror of being simple and clear’, and subsequently he found her music ‘too intricate’ or ‘somewhat prolix and therefore none too lucid’. Other, similar reviews of her works reveal the tendency for music reviewers to prefer technical complexity in male, not female composers.

Sometimes ‘manliness’ is ascribed to her works and to performances of the same, a ‘manliness’ which probably clashed with the music reviewers’ attitude to women. We are not readily informed what these ‘manly’ attributes consisted of or which of them ‘Lago’ and other women might possibly use (or desist from using) in order to pass muster. When ‘Lago’ chose to write in a less ‘womanly’ style or in ‘manly’ genres, this was remarked on in music journals and daily papers both in Sweden and abroad. For example, in one review of her humoresques (1890) she was counselled to exert herself in favour of a less contrived harmonic texture, because this impeded comprehension and performance of the composition.

Reference to (lack of) masculinity or femininity served as a highly gratifying strategy in the appraisal of ‘Lagos’s compositions, which, according to the Idun article, were characterised by ‘a modulatory artifice and harmonic garb not commonly found among women composers’. Reviewers daring to defy ‘received wisdom’ by viewing ‘Lago’ in a positive light, even in her bolder styles and grander formats, point to her exceptionality among women composers. In The Musical Courier (New York), the French musicologist Eugène Borrel argued in 1905 that ‘Lago’ encountered difficulties in the cultural sphere due to her being a woman composer, and that a man would have been given quite a different reception. Some of what may be termed the qualitative criteria of the time may, it seems, be bound up with general notions of what constituted legitimate culture and of who was entitled to define it.

The Idun article in 1891 also declared women’s achievements in performing arts as far more brilliant than in the creative arts, while at the same time pointing out that, given the same conditions as those applying to men, women composers would be able to achieve works of art rivalling the best compositions by men. Here sceptics are urged to respond to women composers with open, enquiring minds, and among those composers Netzel is accorded pride of place. Agradeço ao professor Fred Nable pela sugestão de postagem. 

[heisenbergchronicles]

Better Call Paul: ESPN NBA Preview Issue. Cover photo illustration by Eric Heintz Interior spread photo by Peter Yang Illustrations by Alejandro Parrilla

h/t @hellojessicacho

[lostprofile]

METAMORPHOSES I: THE FALL OF PHAETON

Ovid’s hair-raising account of the disastrous attempt made by Phaethon, the son of the sun god Phoebus, to drive his father’s chariot across the heavens, the global cataclysm that ensues, and the lethal divine intervention that ends it, appears in Book II of the Metamorphoses. This text was the iconographic source for numerous Baroque ceiling paintings:

The boy [Phaeton] has already taken possession of the fleet chariot, and stands proudly, and joyfully, takes the light reins in his hands, and thanks his unwilling father. Meanwhile the sun’s swift horses, Pyros, Eos, Aethon, and the fourth, Phlegon, fill the air with fiery whinnying, and strike the bars with their hooves. When Tethys, ignorant of her grandson’s fate, pushed back the gate, and gave them access to the wide heavens, rushing out, they tore through the mists in the way with their hooves and, lifted by their wings, overtook the East winds rising from the same region. But the weight was lighter than the horses of the Sun could feel, and the yoke was free of its accustomed load. Just as curved-sided boats rock in the waves without their proper ballast, and being too light are unstable at sea, so the chariot, free of its usual burden, leaps in the air and rushes into the heights as though it were empty. As soon as they feel this the team of four run wild and leave the beaten track, no longer running in their pre-ordained course. He was terrified, unable to handle the reins entrusted to him, not knowing where the track was, nor, if he had known, how to control the team. When the unlucky Phaethon looked down from the heights of the sky at the earth far, far below he grew pale and his knees quaked with sudden fear, and his eyes were robbed of shadow by the excess light. Now he would rather he had never touched his father’s horses, and regrets knowing his true parentage and possessing what he asked for. Now he wants only to be called Merops’ son, as he is driven along like a ship in a northern gale, whose master lets go the ropes, and leaves her to prayer and the gods. What can he do? Much of the sky is now behind his back, but more is before his eyes. Measuring both in his mind, he looks ahead to the west he is not fated to reach and at times back to the east. Dazed he is ignorant how to act, and can neither grasp the reins nor has the power to loose them, nor can he change course by calling the horses by name. Also, alarmed, he sees the marvellous forms of huge creatures everywhere in the glowing sky. There is a place where Scorpio bends his pincers in twin arcs, and, with his tail and his curving arms stretched out to both sides, spreads his body and limbs over two star signs. When the boy saw this monster drenched with black and poisonous venom threatening to wound him with its arched sting, robbed of his wits by chilling horror, he dropped the reins. When the horses feel the reins lying across their backs, after he has thrown them down, they veer off course and run unchecked through unknown regions of the air. Wherever their momentum takes them there they run, lawlessly, striking against the fixed stars in deep space and hurrying the chariot along remote tracks. Now they climb to the heights of heaven, now rush headlong down its precipitous slope, sweeping a course nearer to the earth. The Moon, amazed, sees her brother’s horses running below her own, and the boiling clouds smoke. The earth bursts into flame, in the highest regions first, opens in deep fissures and all its moisture dries up. The meadows turn white, the trees are consumed with all their leaves, and the scorched corn makes its own destruction. Then, truly, Phaethon sees the whole earth on fire. He cannot bear the violent heat, and he breathes the air as if from a deep furnace. He feels his chariot glowing white. He can no longer stand the ash and sparks flung out, and is enveloped in dense, hot smoke. He does not know where he is, or where he is going, swept along by the will of the winged horses. But the all-powerful father of the gods climbs to the highest summit of heaven, from where he spreads his clouds over the wide earth, from where he moves the thunder and hurls his quivering lightning bolts, calling on the gods, especially on him who had handed over the sun chariot, to witness that, unless he himself helps, the whole world will be overtaken by a ruinous fate. Now he has no clouds to cover the earth, or rain to shower from the sky. He thundered, and balancing a lightning bolt in his right hand threw it from eye-level at the charioteer, removing him, at the same moment, from the chariot and from life, extinguishing fire with fierce fire. Thrown into confusion the horses, lurching in different directions, wrench their necks from the yoke and throw off the broken harness. Here the reins lie, there the axle torn from the pole, there the spokes of shattered wheels, and the fragments of the wrecked chariot are flung far and wide. But Phaethon, flames ravaging his glowing hair, is hurled headlong, leaving a long trail in the air, as sometimes a star does in the clear sky, appearing to fall although it does not fall. Far from his own country, in a distant part of the world, the river god Eridanus takes him from the air, and bathes his smoke-blackened face. There the Italian nymphs consign his body, still smoking from that triple-forked flame, to the earth, and they also carve a verse in the rock: Here Phaethon lies who in the sun-god’s chariot fared. And though greatly he failed, more greatly he dared.

[goalhofer]

2020 Olympics Germany Roster

Boxing

Hamsat Shadalov (Berlin)

Ammar Abduljabbar (Hamburg)

Nadine Apetz (Haan)

Canoeing

Sideris Tasiadis (Augsburg)

Hannes Aigner (Augsburg)

Sebastian Brendel (Scwedt)

Conrad-Robin Scheibner (Berlin)

Tim Hecker (Berlin)

Jacob Schopf (Berlin)

Max Hoff (Troisdorf)

Max Lemke (Mannheim)

Tom Liebscher (Dresden)

Ronald Rauhe (Berlin)

Max Rendschmidt (Bonn)

Ricarda Funk (Bad Neuenahr-Ahrweiler)

Andrea Herzog (Meissen)

Lisa Jahn (Berlin)

Julie Hake (Olfen)

Caro Arft (Bochum)

Sophie Koch (Berlin)

Sabrina Hering-Pradler (Hannover)

Sarah Brüssler (Mannheim)

Tina Dietze (Leipzig)

Fencing

Peter Joppich (Koblenz)

Benjamin Kleibrink (Düsseldorf)

André Sanita (Solingen)

Luis Klein (Buenos Aires, Argentina)

Max Hartung (Aachen)

Matyas Szabó (Dormagen)

Benedikt Wagner (Bonn)

Leonie Ebert (Würzburg)

Karate

Jonathan Horne (Kaiserslautern)

Noah Bitsch (Siegburg)

Ilja Smorguner (Idstein)

Jasmin Jüttner (Aschaffenburg)

Pentathlon

Patrick Dogue (Ludwigshafen)

Fabian Liebig (Potsdam)

Annika Schleu (Berlin)

Rebecca Langrehr (Berlin)

Sailing

Philipp Buhl (Immenstadt)

Erik Heil (Berlin)

Thomas Plössel (Oldenburg)

Paul Kohlhoff (Kiel)

Svenja Weger (Heidelberg)

Luise Wanser (Hamburg)

Anastasiya Winkel (Hamburg)

Susann Beucke (Kiel)

Tina Lutz (Landschulheim)

Alica Stuhlemmer (Kiel)

Climbing

Alexander Megos (Erlangen)

Jan Hojer (Cologne)

Swimming

Lukas Märtens (Berlin)

Lucas Matzerath (Berlin)

Eric Friese (Potsdam)

Ole Braunschweig (Kassel)

Christian Diener (Potsdam)

Jacob Hiedtmann (Pinneberg)

Philip Heintz (Mannheim)

Marco Koch (Darmstadt)

Marius Kusch (Datteln)

Rob Muffels (Elmshorn)

Fabian Schwingenschlögl (Erlangen)

David Thomasberger (Leipzig)

Florian Wellbrock (Bremen)

Damian Wierling (Essen)

Henning Mühlleitner (Emmendingen)

Poul Zellmann (Potsdam)

Marek Ulrich (Dessau)

Christoph Fildebrandt (Wuppertal)

Lisa Höpink (Berlin)

Hannah Küchler (Berlin)

Leonie Beck (Augsburg)

Annika Bruhn (Karlsruhe)

Isabel Gose (Berlin)

Franziska Hentke (Bitterfeld-Wolfen)

Sarah Köhler (Hanau)

Laura Riedemann (Berlin)

Celine Rieder (Wittlich)

Finnia Wunram (Eckernförde)

Marie Pietruschka (Leipzig)

Leonie Kullmann (Dresden)

Anna Elendt (Berlin)

Taekwondo

Alexander Bachmann (Stuttgart)

Wrestling

Gennadij Cudinovic (Köllerbach)

Etienne Kinsinger (Püttlingen)

Frank Stäbler (Böblingen)

Denis Kudla (Schifferstadt)

Eduard Popp (Heilbronn)

Anna Schell (Aschaffenburg)

Aline Rotten-Focken (Krefeld)

Archery

Florian Kahllund (Kiel)

Michelle Kroppen (Kevelaer)

Charline Schwarz (Nuremburg)

Lisa Unruh (Berlin)

Athletics

Steven Müller (Kassel)

Marvin Schlegel (Frankenberg)

Amos Bartelsmeyer (Aschaffenburg)

Robert Farken (Leipzig)

Mohamed Mohumed (Mönchengladbach)

Gregor Traber (Tettnang)

Joshua Abuaku (Oberhausen)

Luke Campbell (Brunswick, Maryland)

Constantin Preis (Pforzheim)

Karl Bebendorf (Dresden)

Nils Brembach (Berlin)

Leo Köpp (Berlin)

Christopher Linke (Potsdam)

Carl Dohmann (Hannover)

Jonathan Hilbert (Mühlhausen)

Nathaniel Seiler (Baden)

Amanal Petros (Bielefeld)

Hendrik Pfeiffer (Düsseldorf)

Richard Ringer (Überlingen)

Deniz Almas (Calw)

Lucas Ansah-Peprah (Stuttgart)

Joshua Hartmann (Berlin)

Julian Reus (Hanau)

Jean Bredau (Potsdam)

Manuel Sanders (Dülmen)

David Wrobel (Stuttgart)

Daniel Jasinski (Bochum)

Clemens Prüfer (Potsdam)

Tristan Schwandke (Kempten)

Mateusz Przybylko (Bielefeld)

Bernhard Seifert (Hildburghausen)

Johannes Vetter (Dresden)

Julian Weber (Mainz)

Fabian Heinle (Musburg)

Bo Lita-Baehre (Düsseldorf)

Torben Blech (Siegen)

Oleg Zernikel (Landau In Der Pfalz)

Max Hess (Chemnitz)

Niklas Kaul (Mainz)

Kai Kazmirek (Torgau)

Alexandra Burghardt (Mühldorf Am Inn)

Lisa Mayer (Giessen)

Tatjana Pinto (Münster)

Lisa-Marie Kwayie (Berlin)

Jessica-Bianca Wessolly (Mannheim)

Corinna Schwab (Schwandorf)

Christina Hering (Munich)

Katharina Trost (Freilassing)

Caterina Granz (Berlin)

Hanna Klein (Landau In Der Pfalz)

Konstanze Klosterhalfen (Königswinter)

Ricarda Lobe (Landau In Der Pfalz)

Carolina Krafzik (Niefern-Öschelbronn)

Elena Burkard (Baiersbronn)

Gesa Krause (Ehringshausen)

Lea Meyer (Loningen)

Saskia Feige (Potsdam)

Melat Kejeta (Baunatal)

Deborah Schöneborn (Troisdorf)

Katharina Steinruck (Leipzig)

Rebekka Haase (Zschopau)

Gina Lückenkemper (Hamm)

Laura Müller (Dudweiler)

Ruth Spellmeyer-Preuss (Göttingen)

Nadine Gonska (Duisburg)

Marike Steinacker (Wermelskirchen)

Claudine Vita (Frankfurt)

Kristin Pudenz (Herford)

Samantha Borutta (Mannheim)

Marie Jungfleisch (Freiberg Im Breisgau)

Imke Onnen (Langenhagen)

Christin Hussong (Zweibrücken)

Maryse Luzolo (Frankfurt)

Malaika Mihambo (Heidelberg)

Sara Gambetta (Lauterbach)

Katharina Maisch (Gelenau)

Christina Schwanitz (Dresden)

Neele Eckhardt (Ostercappeln)

Kristin Gierisch (Zwickau)

Vanessa Grimm (Frankfurt Am Main)

Carolin Schäfer (Bad Wildungen)

Badminton

Kai Schäfer (Mülheim An Der Ruhr)

Mark Lamsfuss (Saarbrücken)

Marvin Seidel (St. Ingbert)

Yvonne Li (Mülheim An Der Ruhr)

Isabel Herttrich (Mülheim An Der Ruhr)

Basketball

Isaac Bonga (Koblenz)

Joshiko Saibou (Cologne)

Maodo Lô (Berlin)

Niels Giffey (Berlin)

Jan Wimberg (Oldenburg)

Johannes Voigtmann (Eisenach)

Robin Benzing (Seeheim-Jugenheim)

Victor Wagner (Berlin)

Lukas Wank (Altenberg)

Danilo Barthel (Heidelberg)

Johannes Thiemann (Trier)

Andreas Obst (Halle)

Cycling

Nikias Arndt (Buchholz In Der Nordheide)

Maximilian Schachmann (Berlin)

Emanuel Buchmann (Bregenz, Austria)

Simon Geschke (Berlin)

Stefan Bötticher (Leinefelde-Warbis)

Maximilian Levy (Berlin)

Roger Kluge (Eisenhüttenstadt)

Theo Reinhardt (Berlin)

Maximilian Brandl (Landshut)

Manuel Fumic (Kirchheim Unter Teck)

Lisa Brennauer (Kempten)

Lisa Klein (Saarbrücken)

Hannah Ludwig (Heidelberg)

Liane Lippert (Friedrichshafen)

Trixi Worrack (Cottbus)

Lea Friedrich (Dassow)

Emma Hinze (Hildesheim)

Franziska Brausse (Metzingen)

Elisabeth Brandau (Schonaich)

Ronja Eibl (Balingen)

Lara Lessmann (Flensburg)

Diving

Patrick Hausding (Lichtenburg)

Martin Wolfram (Dresden)

Timo Barthel (Würselen)

Jaden Eikermann-Gregorchuk (Monheim)

Lars Rüdiger (Berlin)

Tina Punzel (Dresden)

Christina Wassen (Eschweiler)

Elena Wassen (Eschweiler)

Lena Hentschel (Dresden)

Equestrian

Michael Jung (Bad Soden Am Taunus)

Daniel Deusser (Wiesbaden)

Christian Kukuk (Warendorf)

André Thieme (Plau Am See)

Maurice Tebbel (Emsbüren)

Jessica Von Bredow-Werndl (Aubenhausen)

Dorothee Schneider (Mainz)

Isabell Werth (Issum)

Sandra Auffarth (Delmenhorst)

Julia Krajewski (Langenhagen)

Field Hockey

Alexander Stadler (Heidelberg)

Mats Grambusch (Mönchengladbach)

Lukas Windfeder (Mülheim An Der Ruhr)

Linus Müller (Düsseldorf)

Martin Häner (Berlin)

Paul-Philipp Kaufmann (Mannheim)

Niklas Wellen (Krefeld)

Johannes Grosse (Berlin)

Constantin Staib (Münster)

Timm Herzbruch (Essen)

Tobias Hauke (Hamburg)

Jan Rühr (Düsseldorf)

Justus Weigand (Nuremburg)

Martin Zwicker (Köthen)

Florian Fuchs (Hamburg)

Benedikt Fürk (Mülheim An Der Ruhr)

Niklas Bosserhoff (Mülheim An Der Ruhr)

Timur Oruz (Krefeld)

Kira Horn (Hamburg)

Amelie Wortmann (Hamburg)

Nike Lorenz (Berlin)

Selin Oruz (Krefeld)

Anne Schröder (Düsseldorf)

Lena Micheel (Hamburg)

Charlotte Stapenhorst (Berlin)

Sonja Zimmermann (Frankenthal)

Pauline Heinz (Berlin)

Lisa Altenburg (Mönchengladbach)

Maike Schaunig (Dinslaken)

Julia Ciupka (Mönchengladbach)

Franzisca Hauke (Hamburg)

Cécile Pieper (Heidelberg)

Pia Maertens (Duisburg)

Viktoria Huse (Berlin)

Jette Fleschütz (Hamburg)

Hanna Granitzki (Hamburg)

Soccer

Florian Müller (Saarlouis)

Benjamin Henrichs (Bocholt)

David Raum (Nuremburg)

Ohis Uduokhai (Annaberg-Buchholz)

Amos Pieper (Lüdinghausen)

Ragnar Ache (Frankfurt Am Main)

Marco Richter (Friedberg)

Maximilian Arnold (Riesa)

Cedric Teuchert (Coburg)

Max Kruse (Reinbek)

Nadiem Amiri (Ludwigshafen)

Svend Brodersen (Hamburg)

Arne Maier (Ludwigsfelde)

Ismail Jakobs (Cologne)

Jordan Tournarigha (Chemnitz)

Keven Schlotterbeck (Weinstedt)

Anton Stach (Buchholz In Der Nordheide)

Eduard Löwen (Idar-Oberstein)

Luca Plogmann (Bremen)

Golf

Maximilian Kieffer (Düsseldorf)

Christopher Long (Heidelberg)

Caro Masson (Gladbeck)

Sophia Popov (Weingarten)

Gymnastics

Lukas Dauser (Ebersberg)

Nils Dunkel (Berlin)

Philipp Herder (Berlin)

Andreas Toba (Hanover)

Kim Bui (Ehningen)

Pauline Schäfer (Chemnitz)

Elisabeth Seitz (Altlussheim)

Sarah Voss (Dormagen)

Handball

Johannes Bitter (Oldenburg)

Uwe Gensheimer (Mannheim)

Johannes Golla (Wiesbaden)

Finn Lemke (Bremen)

Hendrik Pekeler (Itzehoe)

Juri Knorr (Flensburg)

Steffen Weinhold (Fürth)

Philipp Weber (Schönebeck)

Kai Häfner (Schwäbisch Gmünd)

Marcel Schiller (Bad Urach)

Andreas Wolff (Euskirchen)

Julius Kühn (Duisburg)

Jannik Kohlbacher (Bensheim)

Timo Kastening (Stadthagen)

Paul Drux (Gummersbach)

Judo

Moritz Plafky (Siegburg)

Sebastian Seidl (Nürtingen)

Igor Wandtke (Lübeck)

Dominic Ressel (Kiel)

Eduard Trippel (Rüsselsheim Am Main)

Karl-Richard Frey (Troisdorf)

Johannes Frey (St. Augustin)

Katharina Menz (Backnang)

Theresa Stoll (Munich)

Martyna Trajdos (Bełchatów, Poland)

Giovanna Scoccimarro (Hanover)

Anna-Maria Wagner (Ravensburg)

Jasmin Grabowski (Speyer)

Rowing

Oliver Zeidler (Dachau)

Stephan Krüger (Rostock)

Marc Weber (Lich)

Jason Osborne (Mainz)

Jonathan Rommelmann (Mülheim An Der Ruhr)

Max Appel (Ratzeburg)

Hans Gruhne (Berlin)

Tim Naske (Hamburg)

Karl Schulze (Dresden)

Laurits Follert (Duisburg)

Malte Jakschik (Bonn)

Torben Johanssen (Hamburg)

Hannes Ocik (Rostock)

Olaf Roggensack (Berlin)

Martin Sauer (Wriezen)

Richard Schmidt (Trier)

Jakob Schneider (Ihringen)

Johannes Weissenfeld (Herdecke)

Leonie Menzel (Mettmann)

Annekatrin Thiele (Sangerhausen)

Frieda Hämmerling (Kiel)

Franziska Kampmann (Berlin)

Carlotta Nwajide (Hanover)

Daniela Schultze (Cottbus)

Shooting

Oliver Geis (Limburg)

Andreas Löw (Neuendettelsau)

Christian Reitz (Löbau)

Jolyn Beer (Hanover)

Monika Karsch (Regensburg)

Nadine Messerschmidt (Suhl)

Doreen Vennekamp (Gelnhausen)

Carina Wimmer (Mühldorf)

Skateboarding

Tyler Edtmayer (Lenggries)

Lilly Stoephasius (Berlin)

Surfing

Leon Glatzer (Pavones, Costa Rica)

Table Tennis

Timo Boll (Erbach)

Dmytro Ovtcharov (Düsseldorf)

Patrick Franziska (Bensheim)

Han Ying (Tostedt)

Petrissa Solja (Kandel)

Xiaona Yong (Berlin)

Tennis

Dominik Koepfer (Tampa, Florida)

Philipp Kohlschreiber (Kitzbühel, Austria)

Jan-Lennard Struff (Warstein)

Alexander Zverev; Jr. (Monte Carlo, Monaco)

Kevin Krawietz (Munich)

Tim Pütz (Usingen)

Mona Barthel (Neumünster)

Anna-Lena Friedsam (Neuwied)

Laura Siegemund (Stuttgart)

Triathlon

Justus Nieschlag (Hildesheim)

Jonas Schomburg (Hanover)

Anabel Knoll (Ingolstadt)

Laura Lindemann (Berlin)

Volleyball

Julius Thole (Hamburg)

Clemens Wickler (Starnberg)

Karla Borger (Heppenheim)

Julia Sude (Friedrichshafen)

Laura Ludwig (Berlin)

Maggie Kożuch (Hamburg)

Weightlifting

Simon Brandhuber (Deggendorf)

Nico Müller (Obrigheim)

Sabine Kusterer (Leimen)

Lisa Schweizer (Schwedt)

[architectnews]

Bernard Zell Anshe Emet Day School, Chicago

Bernard Zell Anshe Emet Day School, Illinois Real Estate, USA Architecture and Interior Photos

Bernard Zell Anshe Emet Day School in Chicago

Mar 9, 2021

Bernard Zell Anshe Emet Day School Expansion

Architects: Wheeler Kearns Architects

Location: Chicago, Illinois, USA

For years, Bernard Zell Anshe Emet Day School (BZAEDS) and Anshe Emet Synagogue shared a small, inconspicuous entrance from their parking lot. This expansion is an opportunity for the school to provide a secure, welcoming entrance dedicated for students.

The building expresses the school’s unique identity, looks outward to their community, neighborhood, and beyond, and celebrates BZAEDS’s religious and cultural heritage and deep connections to the Synagogue.The addition embeds timeless Jewish principles and ideas into the structure and experience of the building, while providing an efficient, sustainable innovative learning environment for future generations.

The new entry for BZAEDS draws in its visitors and students via a gracious plaza, inviting loggia, and daylight-filled security vestibule. Immediately beyond the vestibule they can see and experience activity happening all around them: students holding religious classes in the “Makom Rina” or Place of Joy, students playing in the outdoor field and play areas, faculty and parents relaxing in an open lounge, administrators and staff meeting in the conference room, and students ascending a stair to their classrooms and gym.

The building uses daylight, open space, visual connection, and material cues so visitors can intuit their way through the building. Most importantly, the building makes all visitors, staff, faculty and students feel like they have a place to call home

Key Project Features 1) New secure, attractive and functional entry: Bernard Zell Anshe Emet Day School (BZAEDS) expansion establishes a new head and heart for an existing school characterized by an ad hoc series of daylight-starved masonry additions, constructed over time and in a variety of styles. The new building organizes this assemblage with a tall, singular glass and brick volume that anchors the south end of the existing school.

2) Expanded communal gathering space: For decades BZAEDS shared a cramped common entry/hall with the Anshe Emet Synagogue, lacking a dedicated school entrance and community space. The new glass-enclosed building draws in visitors and students into an airlock/security check-in, leading to a lounge, sanctuary space, administration offices, meeting rooms, and a gallery wall displaying student artwork.

3) Sustainability: The building’s small footprint, cubic volume minimizes the exterior envelope, an insulated cavity wall designed to minimize thermal shorting; a solar array produces power for the building and is monitored daily on digital screens throughout the school. Permeable paving throughout helps manage water onsite and deep overhangs shield the generous glazing at the ground floor. A VRF mechanical system provides on-demand heating/cooling through the building, while minimizing ductwork other than to supply fresh air requirements. Products of recycled, renewable, low VOC content abound, including ceilings, linoleum floors, tile, athletic field composition, etc. Lastly, all occupants walk through a landscape of boulders, trees and wooden elements; underscoring a more natural connection to the world

Bernard Zell Anshe Emet Day School in Chicago, Illinois – Building Information:

Design: Wheeler Kearns Architects

Project location: Chicago, IL Project type: Institutional Client: Bernard Zell Anshe Emet Day School Ages served: K-8 Completion date: 2019 Size: 32,000 sf Cost: Confidential

WKA Design Team: Dan Wheeler, Noah Luken and Emily Ray Structural Engineer: Thornton Tomasetti MEP/FP/Lighting Engineer: IBC Engineering Landscape + Civil Engineer: Terra Engineering Owner’s Rep: CBRE General Contractor: Bulley & Andrews Acoustical Consultant: Shiner Acoustics Mason: J&E Duff Glazier: Gateway Incorporated Millworker: Lange Brothers Woodwork Security: Hillard Heintze

Photography: Steve Hall, Hall + Merrick Photographers

Bernard Zell Anshe Emet Day School, Chicago images / information received 090321

Location: Chicago, IL, United States

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The post Bernard Zell Anshe Emet Day School, Chicago appeared first on e-architect.

[todayclassical]

July 22 in Music History

1597 Birth of composer Virgilio Mazzocchi.

1642 Birth of composer Johann Quirsfeld.

1651 Birth of composer Ferdinand Tobias Richter.

1702 Birth of Italian composer and woodwind virtuoso Alessandro Besozzi.

1704 FP of Campra/Desmarets: "Iphigénie en Tauride" Paris.

1721 Birth of composer Francois-Joseph Krafft.

1750 Bach takes his last communion.

1751 FP of Jommelli: "L'Uccellatrice" Venice. 2nd ver. as "Il paratajo" Paris.

1787 FP of Haeffner: "Electra" Stockholm.

1809 Birth of composer Heinrich Proch in Bohmisch-Leipa. 

1812 Death of soprano Antoinette-Cecile Saint-Huberty.

1817 Birth of soprano Paulina Rivoli in Vilnius. 

1822 Birth of Italian waltz composer and opera conductor Luigi Arditi.

1826 Birth of French concert director and baritone Julius Stockhausen.

1830 Birth of English composer and organist Herbert S. Oakeley in Ealing.

1833 Birth of American composer Benjamin Hanby in Rushville, OH. 

1833 FP of Luigi Cherubini's opera Ali Baba at The Paris Opéra.

1844 FP of Richard Wagner's A Faust Overture in Dresden. 

1845 Birth of bass Leon Gresse in Charolles. 

1846 Birth of Irish song composer Alfred Perceval Graves.

1847 FP of G. Verdi's opera I Masnadieri at Her Majesty's Theater in London. 

1848 Birth of French baritone Lucien Fugere in Paris. 

1853 Birth of composer Victor Roger.

1857 FP of Erkel/Doppler; "Erzsèbet" Pest.

1868 FP of Haydn: M. "Die Hachzeit auf der Alm" Singspiel, Salzburg.

1870 Death of Austrian composer Josef Strauss at age 42, in Vienna. 

1873 Birth of composer Ettore Pozzoli.

1879 Birth of composer Gustaf Heintze.

1881 Birth of American composer Sol Paul Levy in Chicago.

1886 FP of Graffigna: "La bouna figliuola" Milan.

1889 Birth of American cellist, conductor and composer Frederick Preston.

1890 Birth of American pianist and composer Lee Pattison. 

1895 Birth of Austrian conductor Hans Rosbaud. 

1901 Death of Austrian composer Joseph Kaulich. 

1902 Birth of composer Vladimir Nikolayevich Kryukov.

1909 FP of Holst' "The Vision of Dame Christian" London.

1910 Death of Norwegian conductor and composer Johan Peter Selmer.

1910 Death of baritone Giuseppe Pacini.

1913 Birth of Italian-American soprano Lucia Albanese in Bari. 

1914 Birth of American composer, violinist and oboist Cecil Effinger in Colorado Springs, CO. 

1919 FP of Falla's The Three Cornered Hat based on Alarcon's novel El Sombrero de Tres Picosby the Ballet Russe under Diaghilev, in London. 

1928 Birth of German-Australian composer George Dreyfus.

1928 Birth of Italian tenor Mario Ortica in Treviso.

1929 Birth of bass German Heinz Hagenau in Hamburg. 

1930 FP of Carlos Chavez' ballet The Four Suns in Mexico City.

1930 Birth of composer Leoncjusz Ciuciura.

1934 FP of Henry Cowell's Movement for string quartet from String Quartet No. 2, by the Pro Arte String Quartet at Mills College in Oakland, CA. 

1936 Birth of English mezzo-soprano Ann Howard in London. 

1936 Birth of composer Krasimir Kyurkchiiski.

1942 Birth of English soprano Helen Lawrence in London.

1947 Birth of mezzo-soprano Sandra Browne in Trinidad. 

1953 Birth of English composer Nigel Hess.

1955 Birth of Croatian composer Wilhelm Lutz-Rijeka in Rijeka, Croatia.

1958 Birth of American composer Eve Beglarian.

1962 FP of Dragoi: "Pãcalã" Brasov (1962).

1965 Death of soprano Nony Doolittle. 

1972 Death of Czech composer and violinist Hugo Kauder in Bussum.

1986 Birth of American composer Robert Betha in Arlington, VA.

1987 Death of soprano Maud Cunitz. 

1989 Death of bass Martti Talvella.

1998 Death of baritone Hermann Prey. 

1999 Death of soprano Marianne Schech. 

[scratchingthesurfacefm]

27. Peter Bil’ak

Peter Bil'ak is a designer, writer, type designer, and publisher based in the Netherlands. My introduction to Peter's work was through Dot Dot Dot, the magazine he co-founded and published with Stuart Bailey in the early 2000s and in this episode, we talk about the origins of that magazine as well as his new publication, Works That Work. We also talk about how he started writing and how that influences his work as a designer, shifting designing criticism from the perspective of the maker to that of the user, and the general representation of design magazines.

Show notes:

Peter Bil'ak

@peterbilak

Typotheque

Works That Work

Dot Dot Dot

04. Michael Rock | Scratching the Surface

A Tiny Country with Big Ideas, A Documentary

National Geographic

The New Yorker

Download mp3 | Soundcloud | iTunes

[nicospeziali]

Breakthrough Teaser from Chris Bjerre on Vimeo.

BREAKTHROUGH is an anthology series on National Geographic about leading scientists and how their cutting-edge innovations and advancements will change our lives in the immediate future and beyond. Each episode will be directed by a Hollywood visionary, with Angela Bassett, Peter Berg, Paul Giamatti, Akiva Goldsman, Ron Howard and Brett Ratner as the first six directors.

I was fortunate to be part of an amazing team of talented people lead by Danny Yount.

Credits: National Geographic Channel SVP/Group Creative Director - Andy Baker SVP Creative, National Geographic Channels International - Emanuele Madeddu Writer/Creative Director - Tyler Korba Creative Director, Design - Brian Everett Art Direction - Mariano Barreiro Project Manager - Leah Wojda

Prodigal Pictures Director - Danny Yount Executive Producer - Grant Julian Producers - Craig Anderson, Nate Lipp Editor - David Nitzsche Directors of Photography - Connor O’Brien, Andrew Shankweiler, Marc Ritzema Design / Animation - Toros Kose, Nicolas Girard, Christoffer Bjerre Original Music - Tim Heintz

[biofunmy]

Handke takes Nobel Literature Prize amid protest

Austrian Author Peter Handke has received his Nobel Literature Prize amid criticism in Sweden and abroad as an apologist for Serb war crimes in the 1990s

By

DAVID KEYTON and JIM HEINTZ Associated Press

December 10, 2019, 7:56 PM

4 min read

Author Peter Handke received his Nobel Literature Prize on Tuesday amid criticism of him in Sweden and abroad as an apologist for Serb war crimes in the 1990s.

Handke accepted the 9-million-kronor ($948,000) award from King Carl XVI Gustaf at a ceremony in Stockholm with the winners of other Nobels except for the peace prize, which was presented in Oslo.

The Austrian novelist and screenplay writer was given the award for “influential work that with linguistic ingenuity has explored the periphery and the specificity of human experience,” according to the prize citation.

Handke has been a staunch supporter of the Serbs and has denied that the massacre of 8,000 Bosnian Muslims in the town of Srebrenica was genocide.

Representatives of seven countries boycotted the awards ceremony in protest, as did a member of the Swedish Academy that chooses the literature prize winner. A member of the committee that nominates candidates for the prize resigned his post.

Albania, Bosnia, Kosovo, Croatia, North Macedonia, Turkey and Afghanistan boycotted the awards ceremony and some of those country’s leaders denounced the prize.

“To give the Nobel Literature Prize to a racist personality can have no other meaning than to reward human rights violations,” Turkish President Recep Tayyip Erdogan said on Twitter. Kosovo President Hashim Thaci said that “justice will prevail, not lies, denial and fake Nobel prizes.”

In the Bosnian capital of Sarajevo, a war victims’ association erected a large electronic display portraying Handke as a villain standing next to skulls.

“As a citizen of Sarajevo, I am horrified with this. He is genocide denier. He claims genocide did not happen in Bosnia. We will never forget this,” said Sarajevo resident Senka Tinjak.

More than 100 protesters later demonstrated against the award in a Stockholm square.

Many journalists who covered the Bosnian war took to Twitter to denounce Handke receiving the award.

One of them, Peter Maas, told The Associated Press in Stockholm that “the ideas that Peter Handke has are extremist ideas, they are held by a discarded minority of people … The Swedish Academy, the Nobel Prize Foundation, and today the royal family of Sweden – they are the ones now throwing their weight behind these extremist ideas.”

However, Serbian President Aleksandar Vucic congratulated Handke on his award, saying “we consider you one of us and a true friend of Serbia.”

The ceremony included awarding the 2018 literature prize to Olga Tokarczuk of Poland. The prize was announced this year after being postponed by the Swedish Academy, which was wracked by turmoil due to a sex scandal.

This year’s ceremony also marked the oldest Nobel laureate ever — 97-year-old American John Goodenough, who shared the chemistry prize with M. Stanley Whittingham of State University of New York at Binghamton and Japan’s Akira Yoshino for developing lithium-ion batteries.

The physics prize went to Canadian-born James Peebles for theoretical discoveries in cosmology, and Swiss astronomers Michel Mayor and Didier Queloz for finding a planet outside our solar system that orbits a sun-like star.

Americans William Kaelin and Gregg Semenza and Briton Peter Ratcliffe won the medicine prize for discovering details of how the body’s cells sense and react to low oxygen levelsJ.

Massachusetts Institute of Technology economists Abhijit Bannerjee and Esther Duflo, who are married, and Harvard’s Michael Kremer won the economic prize for research into what works and what doesn’t in the fight to reduce global poverty.

Ethiopian Prime Minister Abiy Ahmed won the peace prize for his sweeping domestic reforms and accepting a peace deal with neighboring Eritrea that ended a 20-year border conflict.

———

Jim Heintz reported from Moscow. Llazar Semini in Tirana, Albania, Amer Cohadzic in Sarajevo, Bosnia-Herzegovina; Dusan Stojanovic in Belgrade, Serbia, and Suzan Fraser in Ankara, Turkey, contributed to this report.

Sahred From Source link World News

from WordPress http://bit.ly/2siEZs1 via IFTTT

[top10-tandemsprung-blog]

Tandemsprung Hier sind Speisen und Getränke besonders beliebtStudie zeichnet Gastronomen und Genusshändler aus Tandemsprung

New Post has been published on http://top10-tandemsprung.de/?p=12482

Tandemsprung Hier sind Speisen und Getränke besonders beliebtStudie zeichnet Gastronomen und Genusshändler aus

Hamburg (ots) – Ob Restaurants, Cafés, Genusshändler oder Bäcker: Kulinarische Angebote werden von den Bundesbürgern gerne genutzt. Neben der Restaurantkette L’Osteria stehen der Coffeeshop Starbucks und das Schnellrestaurant Pizza Hut ganz oben in der Gunst der Deutschen. Zu diesen Ergebnissen kommt die Siegelstudie “Kundenlieblinge 2018”, die die beliebtesten Unternehmen und Marken im Bereich Gastronomie und Genussmittel auszeichnet. Die Studie wurde von der Kommunikationsberatung Faktenkontor im Auftrag von Focus und Focus Money durchgeführt und hat rund 53 Millionen Aussagen im Netz zu mehr als 3.000 Marken aus 146 Branchen analysiert. Insgesamt wurden 851 Marken mit dem Siegel ausgezeichnet. Darunter sind 258 goldene, 329 silberne sowie 264 bronzene Siegel.

“Restaurants, die ein hohes Ansehen bei Kunden genießen, sind ein Garant für wiederkehrende Stammgäste”, sagt Jörg Forthmann, geschäftsführender Gesellschafter des Faktenkontors. “Dafür müssen sie in den Bereichen Qualität, Service und Preis punkten. Besonders im Gastronomiebereich ist das Zusammenwirken dieser Faktoren maßgebend für die Beliebtheit bei Gästen. Denn diese erwarten, dass das Gesamtpaket stimmt.” Im Rahmen der Studie wurden Aussagen zu diesen Themen nach Tonalität bewertet und analysiert. Dabei gab es eine Unterscheidung zwischen positiven, neutralen und negativen Nennungen.

Bei den Restaurants ist L’Osteria mit der Benchmark von 100 Punkten Branchensieger. Das Franchiseunternehmen wächst stetig und bietet seine traditionelle italienische Küche bereits in sechs europäischen Ländern an. Deutschlandweit ist L’Osteria 75 Mal vertreten und plant in diesem Jahr noch weitere Eröffnungen. Ebenfalls mit Gold ausgezeichnet werden die Restaurantketten Einstein und Café del Sol. Letztere ist besonders für die bunte Speisekarte und lockere Atmosphäre bei Gästen beliebt. Ein silbernes Siegel geht an Peter Pane und Bronze erhält Vapiano.

Spitzenreiter unter den Schnellrestaurants ist Pizza Hut. Die amerikanische Kette ist weltweit bereits 13.000 Mal in 130 Ländern vertreten, Tendenz steigend. Auf der Karte stehen Gerichte der schnellen italienischen Küche. Neben Pizza, Pasta und Salat können Gäste aus verschiedenen Vorspeisen und Desserts wählen. Dahinter platziert sich Burger King mit einem silbernen Siegel

tandemsprung ostsee tandemsprung mecklenburg vorpommern Tandemsprung in Sachsen

. Bronze geht an den Begründer der Fastfoodrestaurants: McDonalds.

Der beliebteste Coffeeshop der Deutschen ist Starbucks. Die Café-Kette gehört zu den Größten weltweit und wurde bereits in der Vergangenheit für gute Produkte und ethische Leitlinien ausgezeichnet. Das rheinländische Kaffeehaus Woyton erhält ebenfalls ein goldenes Siegel als Kundenliebling. Woyton ist in vier deutschen Städten vertreten und bietet neben Kaffeespezialitäten auch Kuchen, Salate und Suppen an. Auf den weiteren Plätzen folgt McCafé mit einem silbernen Siegel, Coffee Fellows wird mit Bronze ausgezeichnet.

Backwerk ist der beliebteste Bäcker der Deutschen und freut sich über das einzige goldene Siegel in der Branche. Als erste Selbstbedienungsbäckerei wuchs das Unternehmen schnell und eröffnete europaweit Standorte. Das Selbstbedienungs-Modell macht zudem die günstigeren Verkaufspreise im Vergleich zum Durchschnitt deutscher Bäckereien möglich

Tandemsprung in Rheinland-Pfalz Tandemsprung in Nordrhein-Westfalen Tandemsprung in Niedersachsen

. Silberne Auszeichnungen gehen an Ditsch, Le Crobag und Heinrich von Allwörden.

In der Kategorie Genusshändler erhält Tee Gschwendner ein goldenes Siegel. Dem Marktführer im Tee-Einzelhandel sind deutschlandweit 125 Fachgeschäfte angeschlossen, zu dem können Kunden ihren Lieblingstee auch über den Online-Shop bestellen. Dieses Jahr feierte das Unternehmen 40 jähriges Jubiläum, als Branchensieger wird es nun mit der Auszeichnung zum Kundenliebling belohnt. Mit knappem Abstand, folgen mit den Confiserien Leysieffer und Arko, zwei weitere Gold-Auszeichnungen. Silber und Bronze gehen an Bärenland, Oil & Vinegar und Hussel.

Für die Studie “Kundenlieblinge 2018” wurden vom 1. Juni 2017 bis zum 31. Mai 2018 aus 350 Millionen Online-Quellen knapp 53 Millionen Nennungen der mehr als 3.000 Marken aus 146 Branchen gesammelt und ausgewertet. Die Methodik des Social Listenings erfasst Nachrichtenportale, Blogs und Social Media, die eine deutsche Internetadresse haben und frei zugänglich sind. Der jeweilige Branchensieger erhielt 100 Punkte und setzte damit die Benchmark für seine Branche. Für ein goldenes Siegel waren 95 oder mehr Punkte nötig. Mit mindestens 85 Punkten erhielt eine Marke das silberne Siegel, Bronze wurde für mindestens 75 Punkte verliehen.

Im ersten Schritt der Datenerhebung wurden durch unseren Partner Ubermetrics Technologies sämtliche Texte, welche die Suchbegriffe enthalten, aus dem Netz geladen und in einer Datenbank erfasst. Diese Daten wurden in der zweiten Stufe, dem sogenannten Processing, von unserem Partner Beck et al. Services mittels Verfahren der Künstlichen Intelligenz (sog. neuronale Netze) in Textfragmente aufgesplittet und anschließend analysiert.

Faktenkontor ist der Berater für Unternehmens- und Vertriebskommunikation. Branchenerfahrene Experten unterstützen Unternehmen aus Finanzdienstleistung, Gesundheitswirtschaft sowie der Beratungs- und Technologie-Branche darin, ihre Zielgruppen über klassische und digitale Medien sowie im persönlichen Kontakt zu erreichen. Neben Medienberatung gehören Konzeption und Umsetzung von Kampagnen sowie Social-Media-Strategien zum Leistungsspektrum. Das Faktenkontor ist zertifiziertes Mitglied der Gesellschaft der führenden PR- und Kommunikationsagenturen (GPRA) und zertifiziertes Mitglied des Hamburger Consulting Club e.V. (HCC).

Besuchen Sie unsere Website: www.faktenkontor.de.

Pressekontakt:

Dr. Roland Heintze Faktenkontor GmbH Ludwig-Erhard-Straße 37 D-20459 Hamburg Tel.: 0 40/253 185-1 10 Fax: 0 40/253 185-3 10 E-Mail: Roland.Heintze@faktenkontor.de www.faktenkontor.de

Tandemsprung Hier sind Speisen und Getränke besonders beliebt Studie zeichnet Gastronomen und Genusshändler aus Tandemsprung in Niedersachsen