#peter chatel
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#movies#polls#fox and his friends#70s movies#rainer werner fassbinder#peter chatel#karlheinz böhm#adrian hoven#christiane maybach#harry baer#requested#have you seen this movie poll
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fox and his friends (1975)
#fox and his friends#Faustrecht der Freiheit#film#movie#cinema#art#edit#screencaps#photography#cinematography#70s#rainer werner fassbinder#peter chatel#christiane maybach
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Watching 1 movie everyday for pride month 10/30
Fox and his Friends (1975), dir. Rainer Werner Fassbinder
#film#cinema#movies#german cinema#german film#new german cinema#rainer werner fassbinder#rw fassbinder#fox and his friends#peter chatel#karlheinz böhm#queer media#gay media#pride month 2024 marathon#30 queer films#film photo sets
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Peter Chatel and Rainer Werner Fassbinder in Cannes in 1975.
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Rainer Werner Fassbinder and Peter Chatel in Fox and His Friends (Rainer Werner Fassbinder, 1975) Cast Rainer Werner Fassbinder, Peter Chatel, Karlheinz Böhm, Harry Baer, Christiane Maybach, Adrian Hoven, Ulla Jacobsson. Screenplay: Rainer Werner Fassbinder, Christian Hohoff. Cinematography: Michael Ballhaus. Production design: Kurt Raab. Music: Peer Raben. I have a feeling that Fox and His Friends seems much less exotic or sensational to viewers today than it did in the mid-1970s, given the steady movement of depictions of gay men into mainstream entertainment. At the time it created outrage, not just from defenders of the heterosexual norm but also from the gay community, which found much of it distorted and unflattering. But Rainer Werner Fassbinder's story is not about being gay, it's about being exploited, about mistaking predation for love. Fassbinder's Franz Biberkopf, known as "Fox" from his gig as "Fox the Talking Head" in a sleazy carnival act, is a classic naïf who is taken for all he's worth -- which is the 500,000 Deutschmarks (a bit under $125,000 in the day) he won in the lottery. Fassbinder the director doesn't make it clear that the well-dressed guys Franz meets after one of them, Max (Karlheinz Böhm), picks him up outside a public lavatory, are intentionally trying to fleece him, until Eugen (Peter Chael), whose father's printing business is in financial trouble, sees a way to persuade Franz to rescue the company with a sizable investment and promises of part ownership of the firm. It could be, of course, that Eugen just gets a kick out of sleeping with the working class Franz. But he throws over his current lover, Philip (Harry Baer), and takes the rough-hewn, slightly homely Franz into his home and bed. Is Eugen telling the truth when he tells Franz that he's being kicked out of his apartment for being gay? It would be entirely plausible in the place and time. Or is it a lie that gives Eugen an opportunity to persuade Franz to buy a posh new apartment, and to furnish it with opulent antiques from Max's shop? And to go along with Franz's new image as a haute bourgeois businessman, he of course needs new clothes from Philip's fashionable shop. None of this exploitation feels premeditated except in hindsight, as Franz becomes Eliza Doolittle to Eugen's Henry Higgins -- though with less overt success. The resulting film is a superb tragicomedy, one of Fassbinder's best films, I think. Fassbinder turns out to be as good an actor as he is a writer and director, giving Franz just the right blend of naïveté and street smarts. I think the ending of the film is a shade heavy-handed, but the rest of it is full of extraordinary satiric moments: The horrifying scene in which Eugen brings Franz to dinner with his parents. The vacation in Morocco, where the man* Eugen and Franz pick up on the streets is refused entrance to the Holiday Inn Marrakech -- though wouldn't a pretentious bourgeois like Eugen have chosen a tonier hotel? -- because it doesn't admit Arabs. (The employee refusing the entrance, himself an Arab, suggests that if they want boys, he could provide some from the hotel staff.) And the moment of truth in which Franz realizes he's been conned is shattering. Michael Ballhaus's vivid color cinematography is complemented by Kurt Raab's production design, especially in the garishly overdressed apartment which includes a chandelier hanging so low that guests have to walk around it, that Eugen puts together with the most expensive pieces from Max's antique shop. Only after Eugen and Franz break up does Eugen reveal that he hates the place: He has clearly condescended to what he thinks an uncouth working class guy would think is the height of fashion. *Played by El Hedi ben Salem, the star of Ali: Fear Eats the Soul (1974), who had been deported to Morocco after a bar fight in Germany. Brigitte Mira, ben Salem's co-star in that film, also has a cameo as the shopkeeper who originally denies Franz admittance to her store to validate his lottery ticket until the suave Max flatters her into it.
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Who Saw Her Die?
directed by Aldo Lado, 1972
#Who Saw Her Die?#Chi L'ha Vista Morire?#Aldo Lado#movie mosaics#George Lazenby#Nicoletta Elmi#Adolfo Celi#Jose Quaglio#Rosemarie Lindt#Peter Chatel#Anita Strindberg
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chi l'ha vista morire?, aldo lado 1972
#chi l'ha vista morire?#aldo lado#1972#anita strindberg#dominique boschero#nicoletta elmi#george lazenby#peter chatel#summertime#don't look now#deep red#paris texas#alice in den städten#material#flyweight#about photography
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Fox and His Friends/ Faustrecht der Freiheit (Rainer Werner Fassbinder, West Germany, 1985)
A film that frightened me when I first saw it as a teenager. Richard’s only now seen it. Does it hold up? Made at a time when there was a real dearth of representation, this is a daring work, as queer as a film can be, on many levels. The problem is not homosexuality but bourgeois exploitation, including by gay men. Why hasn’t Fassbinder been canonised by all the young queer boys? We speculate on…
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#Christiane Mayback#Faustrecht der Freiheit#Fox and His Friends#Harry Baer#Karl Scheydt#Karlheinz Bohm#Kurt Raab#Peter Chatel#Queer Representation#Rainer Werner Fassbinder
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The men of WHO SAW HER DIE? (1972)-George Lazenby (left) and Peter Chatel
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FAUSTRECHT DER FREIHEIT (1975) dir. Rainer Werner Fassbinder Fox is a young, gay member of the German working class. When he meets the older and dapper Max, who has upper-class roots, Fox thinks he may have found someone to help him out, but Max refuses to do so. However, this changes when Fox wins big on the lottery, and Max becomes friendlier and helps to reinvent Fox. But, in fact, Max and his friends are slyly trying to swindle him out of his new fortune. (link in title)
#lgbt cinema#gay cinema#fox and his friends#faustrecht der freiheit#lgbt#gay#germany#lgbt film#gay film#german film#lgbt movie#gay movies#german movies#lgbt media#gay media#european cinema#queer cinema#rainer werner fassbinder#peter chatel#1975#70s#1970s#70s movies#70s cinema#70s film#1970s movies#1970s cinema#1970s films
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Martha (1974)
#martha#rainer werner fassbinder#karlheinz böhm#margit carstensen#barbara valentin#peter chatel#gisela fackeldey#adrian hoven#talks#painful but pretty
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Who Saw Her Die? / Chi l'ha vista morire? (1972, Aldo Lado)
10/31/22
#Who Saw Her Die?#Chi l'ha vista morire?#giallo#Ennio Morricone#George Lazenby#Anita Strindberg#Adolfo Celi#Dominique Boschero#Peter Chatel#Piero Vida#Jose Quaglio#Alessandro Haber#Nicoletta Elmi#crime#mystery#70s#Italian#grindhouse#Italy#Venice#murder#serial killers#children#father and daughter#grief#artists#sculpture#investigation#child abuse
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Faustrecht der Freiheit / Fox and His Friends (1975) dir. by Rainer Werner Fassbinder
You took everything from me. Everything.
#faustrecht der freiheit#fox and his friends#fist right of freedom#rainer werner fassbinder#peter chatel#karlheinz böhm#r w fassbinder#70s#*#nati
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Faustrecht der Freiheit (1975) // dir. Rainer Werner Fassbinder
#Rainer Werner Fassbinder#Peter Chatel#Faustrecht der freiheit#Fox and His Friends#my caps#my edits#*foxandhisfriends
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Faustrecht der Freiheit (AKA Fox and His Friends) | Rainer Werner Fassbinder | 1975
Peter Chatel, Rainer Werner Fassbinder, El Hedi ben Salem
#Peter Chatel#El Hedi ben Salem#Rainer Werner Fassbinder#Fassbinder#Faustrecht der Freiheit#Fox and His Friends#1975
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Fox and His Friends
directed by Rainer Werner Fassbinder, 1975
#Fox and His Friends#Faustrecht der Freiheit#Fist-Right of Freedom#Rainer Werner Fassbinder#R.W. Fassbinder#movie mosaics#Kurt Raab#Karlheinz Böhm#Peter Chatel#Peter Kern#El Hedi ben Salem
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