#christiane maybach

[haveyouseenthismovie-poll]

[cinematicmasterpiece]

fox and his friends (1975)

[georgiagambino]

Clara Bow  /  Claudia Cardinale Christiane Maybach  /  Delilah Jones Hedy Lamarr  /  Jeanne Moreau

[screamscenepodcast]

Your hosts travel to West Germany for DIE NACKTE UND DER SATAN (1959) from writer/director Victor Trivas!

What's been happening in Germany since our last horror movie there in 1936? Is there cultural significance to our villain having blonde hair and blue eyes? Listen and find out!

Context setting 00:00; Synopsis 39:19; Discussion 52:11; Ranking 1:13:56

[bitter69uk]

“Seeing a Fassbinder retrospective is better than drugs, liquor and sex put together”. John Waters

Born on this day: inspired, despairing and uncompromising director, playwright, actor and turbulent New German cinema visionary, Rainer Werner Fassbinder (31 May 1945 – 10 June 1982) – a true titan of European art cinema. Expressions like “wunderkind,” “monstre sacré” and “enfant terrible” are all applicable here. All these decades later, his best films (off the top of my head, my favourites include Ali: Fear Eats the Soul (1974), Martha (1974), Fear of Fear (1975), Fox and His Friends (1975), In a Year of 13 Moons (1978), Veronika Voss (1982) and Querelle (1982)) still sting like a slap across the face. Fassbinder also elicited career-best performances from the crème de la crème of German actresses like Brigitte Mira, Margit Carstensen, Irm Hermann, Ingrid Caven, Hanna Schygulla, Barbara Valentin, Rosel Zech, Barbara Sukowa and Christiane Maybach. “Fassbinder had the reputation of being quite difficult to deal with in real life, but anyone who made as many films as his years on earth (especially if they’re all good) deserves the privilege of being a true monster,” John Waters concludes in his 1987 book Crackpot. “If Fassbinder ever got any sleep, maybe his genius would have evaporated.” Pictured: very cute young Fassbinder (before the drugs and alcoholism prematurely ravaged him) in the titular role in Fox and His Friends.

[imliterallyher]

How to Universally be a High Status Symbol Woman?

POV: you’re curious on how to be a High Status Woman ✨. Here’s everything you need to know from Mindset, cars, SHOPPING, MEN, hobbies and so much MORE!

What WATCHES ✨ to INVEST in:

Rolexes - a Datejust, Daytona, and Submariner are popular choices for women!

Cartier - The Cartier Tank, Panthere, and Santos collections offer elegant timepieces!

Patek Philippe - Calatrava, Nautilus, and Aquanaut models are highly sought after!

Audemars Piguet - Royal Oak and Roval Oak Offshore models, are iconic timepieces!

What HOBBIES ✨ to ENGAGE in:

Travelling - Jet setting to exotic places, luxury resorts and enjoying cool experiences!

Fine dining - indulging in exquisite cuisines and enjoying elegant experiences!

Yachting - cruising on yachts, enjoying the sunset, engaging in water sports!

Spa days - wellness retreats and pampering sessions and FITNESS routines.

Jewellery Collecting - discovery exquisite gems, fine jewellery pieces and luxury watches!

Golf - very relaxing yet sporty. Great way to social network.

Private members club - elite country clubs, members only lounges and private societies!

Personal Development - enhance skills and overall wellbeing.

What CARS ✨ to DRIVE:

Rolls-Royce Phantom - it’s a symbol of luxury and prestige!

Lamborghini Urus - it’s a powerful SUV with a sporty edge, it’s usually a top pick.

Bentley Continental GT -the performance and conforts of this car is popular among the elite!

Mercedes-Maybach S-Class - comfortable, edgy technology and exclusive!

What HIGH STATUS MEN ✨ to MARRY:

“New Money” Guys - Successful men who do ECOM, Copywriting, Digital Marketing Agency, and social media Influencing.

Entrepreneurs - men with established and successful companies. For example… tech entrepreneurs, serial entrepreneurs, lifestyle and corporate entrepreneurs!

Real Estate Developers - men who own construction firms and property investments.

Investment Bankers - men who have an expertise on wealth management!

What CLOTHING ✨ brands to INDULGE in:

Miss Rosier - Elegant and beautiful. I adore this.

Reformation - it’s full of girly, discreet branding, substantial-able and feminine pieces!

Zimmerman - ultra dreamy and sophisticated dresses!

Self portrait - girly, elegant and feminine high end fashion!

Zara - classy yet more affordable and accessible!

What QUALITIES ✨ do these WOMEN embody:

They're often confident, sophisticated, and well-mannered with a strong sense of entitlement - AKA they’re used to getting what they want.

But, beneath the glamour and glitz, they're also often intelligent, savvy businesswomen who know how to manage their wealth and investments.

They're not just trophy wives 🥂; they're smart, ambitious, and driven individuals who know how to get what they want.

They're fashionistas who stay on top of the latest trends and aren't afraid to show off their wealth.

PERFUMES ✨ to INVEST in:

Yves Saint Laurent Black Opium - vanilla scent.

Maison Francis Kurkdjian Baccarat Rouge 540 - unique blend of saffron, vanilla & amberwood!

Christian Dior Hypnotic Poison - a rich vanilla note that feels alluring and enchanting.

HANDBAGS ✨ to INVEST in:

Hermes Birkin - exclusive investment!

Channel Classic Flap - timeless investment!

[byneddiedingo]

Rainer Werner Fassbinder and Peter Chatel in Fox and His Friends (Rainer Werner Fassbinder, 1975) Cast Rainer Werner Fassbinder, Peter Chatel, Karlheinz Böhm, Harry Baer, Christiane Maybach, Adrian Hoven, Ulla Jacobsson. Screenplay: Rainer Werner Fassbinder, Christian Hohoff. Cinematography: Michael Ballhaus. Production design: Kurt Raab. Music: Peer Raben. I have a feeling that Fox and His Friends seems much less exotic or sensational to viewers today than it did in the mid-1970s, given the steady movement of depictions of gay men into mainstream entertainment. At the time it created outrage, not just from defenders of the heterosexual norm but also from the gay community, which found much of it distorted and unflattering. But Rainer Werner Fassbinder's story is not about being gay, it's about being exploited, about mistaking predation for love. Fassbinder's Franz Biberkopf, known as "Fox" from his gig as "Fox the Talking Head" in a sleazy carnival act, is a classic naïf who is taken for all he's worth -- which is the 500,000 Deutschmarks (a bit under $125,000 in the day) he won in the lottery. Fassbinder the director doesn't make it clear that the well-dressed guys Franz meets after one of them, Max (Karlheinz Böhm), picks him up outside a public lavatory, are intentionally trying to fleece him, until Eugen (Peter Chael), whose father's printing business is in financial trouble, sees a way to persuade Franz to rescue the company with a sizable investment and promises of part ownership of the firm. It could be, of course, that Eugen just gets a kick out of sleeping with the working class Franz. But he throws over his current lover, Philip (Harry Baer), and takes the rough-hewn, slightly homely Franz into his home and bed. Is Eugen telling the truth when he tells Franz that he's being kicked out of his apartment for being gay? It would be entirely plausible in the place and time. Or is it a lie that gives Eugen an opportunity to persuade Franz to buy a posh new apartment, and to furnish it with opulent antiques from Max's shop? And to go along with Franz's new image as a haute bourgeois businessman, he of course needs new clothes from Philip's fashionable shop. None of this exploitation feels premeditated except in hindsight, as Franz becomes Eliza Doolittle to Eugen's Henry Higgins -- though with less overt success. The resulting film is a superb tragicomedy, one of Fassbinder's best films, I think. Fassbinder turns out to be as good an actor as he is a writer and director, giving Franz just the right blend of naïveté and street smarts. I think the ending of the film is a shade heavy-handed, but the rest of it is full of extraordinary satiric moments: The horrifying scene in which Eugen brings Franz to dinner with his parents. The vacation in Morocco, where the man* Eugen and Franz pick up on the streets is refused entrance to the Holiday Inn Marrakech -- though wouldn't a pretentious bourgeois like Eugen have chosen a tonier hotel? -- because it doesn't admit Arabs. (The employee refusing the entrance, himself an Arab, suggests that if they want boys, he could provide some from the hotel staff.) And the moment of truth in which Franz realizes he's been conned is shattering. Michael Ballhaus's vivid color cinematography is complemented by Kurt Raab's production design, especially in the garishly overdressed apartment which includes a chandelier hanging so low that guests have to walk around it, that Eugen puts together with the most expensive pieces from Max's antique shop. Only after Eugen and Franz break up does Eugen reveal that he hates the place: He has clearly condescended to what he thinks an uncouth working class guy would think is the height of fashion. *Played by El Hedi ben Salem, the star of Ali: Fear Eats the Soul (1974), who had been deported to Morocco after a bar fight in Germany. Brigitte Mira, ben Salem's co-star in that film, also has a cameo as the shopkeeper who originally denies Franz admittance to her store to validate his lottery ticket until the suave Max flatters her into it.

[docrotten]

THE HEAD (1959, DIE NAKTE UND DER SATAN) – Episode 164 – Decades Of Horror: The Classic Era

“The professor is a genius and it’s a pleasure to work with him. But he’s now beginning some experiments that, in my opinion, … exceed certain ethical limits.” Ethics are such a bother, don’t you agree? Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they take in Die Nackte und der Satan (1959), also known as The Head, a German film neck-deep in head transplants.

Decades of Horror: The Classic Era Episode 164 – The Head (1959)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

A scientist invents a serum that keeps a dog’s head alive after its body dies. When the scientist dies of a heart attack, his crazed assistant cuts off his head and, using the serum, keeps the doctor’s head alive and forces it to help him on an experiment to give a hunchbacked nun a new body.

  Writer/Director: Victor Trivas 

Music: Willy Mattes (composer); Erwin Lehn (arranger/conductor)

Weird Lab Music: Lasry-Baschet (Baschet Brothers, Yvonne and Jacques Lasry)

Cinematographer: Georg Krause

Art Director: Hermann Warm 

Makeup Department: Karl Hanoszek, Susi Krause (as Susanne Krause)

Selected Cast:

Horst Frank as Dr. Brandt – alias Dr. Ood

Karin Kernke as Schwester Irene Sander

Helmut Schmid as Bert Jaeger

Paul Dahlke as Police Commissioner Sturm

Dieter Eppler as Paul Lerner

Kurt Müller-Graf as Dr. Walter Burke

Christiane Maybach as Stella – alias Lilly

Michel Simon as Prof. Dr. Abel

Osman Ragheb as Franz – the Bartender (uncredited)

Maria Stadler as Mrs. Schneider (uncredited)

Barbara Valentin as Animierdame und Tänzerin in der ‘Tam Tam’ Bar (uncredited)

This little German sci-fi horror B-movie may have slipped past many a monster kid’s radar. In the film, one crazed scientist gets one-upped by an evil scientist who takes not only the first scientist’s life – reducing his life to a head on a plate – but also uses his discoveries to perform some head-swapping shenanigans. This film is strange, bizarre, weird, silly… yet, oddly entertaining. The Grue-Crew has so many thoughts to share regarding The Head (1959).

At the time of this writing, The Head can be found streaming from the Classic Sci-Fi Movie Channel, the Classic Horror Movie Channel, Tubi, and Dark Matter TV. The film is currently available on disc as The Head (1959) (Die Nackte und der Satan) [Blu-Ray, Reg.A/B/C Import – Germany] from Anolis. 

(NOTE: Currently, all of the streaming options are the American version with roughly five minutes cut from the runtime, music substitutions, and English dubbing as the only language option. The Blu-ray has German and English language and subtitle options, the original music, and a commentary by Tim Lucas. The German language version delivers far more emotional impact to the viewer while the English dubbing comes off as a bit flat with awkward and simplified phrasing. And since the music is one of the attractions for me, the Blu-ray is a far better experience, although a bit pricey. – JLM)

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Doc, is The Revenge of Frankenstein (1958), Peter Cushing as the Baron in a Hammer FIlm? And of course, Michael Ripper? Yay!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com

To each of you from each of them, “Thank you so much for watching and listening!”

Check out this episode!

[kikenhanna17world]

“Seeing a Fassbinder retrospective is better than drugs, liquor and sex put together”. John Waters

Born on this day: inspired, despairing and uncompromising director, playwright, actor and turbulent New German cinema visionary, Rainer Werner Fassbinder (31 May 1945 – 10 June 1982) – a true titan of European art cinema. Expressions like “wunderkind,” “monstre sacré” and “enfant terrible” are all applicable here. All these decades later, his best films (off the top of my head, my favourites include Ali: Fear Eats the Soul (1974), Martha (1974), Fear of Fear (1975), Fox and His Friends (1975), In a Year of 13 Moons (1978), Veronika Voss (1982) and Querelle (1982)) still sting like a slap across the face. Fassbinder also elicited career-best performances from the crème de la crème of German actresses like Brigitte Mira, Margit Carstensen, Irm Hermann, Ingrid Caven, Hanna Schygulla, Barbara Valentin, Rosel Zech, Barbara Sukowa and Christiane Maybach. “Fassbinder had the reputation of being quite difficult to deal with in real life, but anyone who made as many films as his years on earth (especially if they’re all good) deserves the privilege of being a true monster,” John Waters concludes in his 1987 book Crackpot. “If Fassbinder ever got any sleep, maybe his genius would have evaporated.

Rainer Werner Fassbinder, May 31, 1945 – June 10, 1982.

Michael Friedel, R.W.F. beim Drehbuch schreiben vormittags in einem Café, 1970.

[regard-luxury]

See Photographs Of Koenigsegg Gemera

Get all the newest information, reviews and exclusives, direct to your inbox. Look out on your regular round-up of reports, evaluations and presents in your inbox. In 2022, Koenigsegg introduced plans to broaden its operations with the construction of a model new state-of-the-art factory by which the Gemera might be built.

At the rear, an built-in spoiler and pronounced diffuser help the slippery aerodynamics needed to travel at 248 mph, while a pair of Akrapovic top-exit exhausts deliver a unique sound. The Tiny Friendly Giant was designed specifically for the Gemera. Koenigsegg needed one thing compact and lightweight, with big horsepower. Koenigsegg also determined to reverse the setup discovered koenigsegg gemera price in the hybrid Regera, where inside combustion offers the majority of the total energy output. In the Gemera, nearly all of the ability comes from electrical motors, with the Gemera contributing some driving drive as nicely as charging the hybrid drivetrain's batteries.

Before these second-generation renewable gasoline sources are extra accessible, nonetheless, it may additionally be pushed on E85 and in worst case typical gasoline. It sorta jogs my memory of going into a cockpit that might have been formulated by Maybach or Rolls Royce however with a touch of the insanity in fact. Step inside a Gemera and you’ll be greeted with luxurious and elegance, with a high degree of customization from leather or Alcantara inside with customized contrast stitching, carbon sport bucket seats.

Koenigsegg was one of the few automotive producers who did not dismantle its stand on the cancelled Geneva motor present earmarked for early March. Switzerland banned gatherings of over 1000 people due to the coronavirus outbreak. Would nonetheless be as costly as any Koenigsegg normally is while the small manufacturing run would mean that it might ultimately be a billionaire play thing. The Gemera seems beautiful and is every inch a bona-fide hypercar with sometimes futuristic Koenigsegg styling.

The Hydraulic Coupling or HydraCoup is a vital a part of the direct-drive system seen first on the unimaginable 1500 bhp Regera. With the removal of a standard gearbox, Christian Von Koenigsegg as quickly as again proved he's the best brains in the enterprise. Koenigsegg has blown it out of the park with these figures and left each other four-seater in the mud.

The Gemera is a four-seat supercar that delivers super horsepower, torque and athleticism, allowing you to succeed in speeds of 0-60 in as little as 1.9-seconds. On the outside, the Gemera delivers eye-catching type not like any other supercar available, while the inside not solely provides you with limitless comfort and accommodations koenigsegg 3 cylinder, however three of your passengers as properly. From enjoying your every day outings around Dallas to getting on the monitor and totally seeing what the model new Gemera is able to, you probably can benefit from the sportiest of styling and capability wherever you go within the new Koenigsegg Gemera.

Quite merely, one turbo is linked to three exhaust valves – one from every cylinder. The second turbo is connected to the opposite three exhaust valves. During low rpm and part koenigsegg gemera to excessive load, all exhaust gasses are pushed to just one turbo, by only opening one exhaust valve per cylinder – thereby doubling the exhaust gases to that turbine.

Swedish luxurious automobile company Koenigsegg will build 350 examples of the Gemera. In full EV mode, vary is estimated at round 50 kilometres, whereas the Gemera can drive utterly silent as a lot as 340 km/h. When the TFG awakens and the throttle hits the ground, the Gemera responds with a riotous roar as it disappears into the horizon, engineers will inform you. Similar to many automotive corporations affected by the cancellation of the 2020 Geneva Auto Show, Swedish automaker Koenigsegg turned to the online to unveil its newest creation, the Gemera. Twin-turbocharged 2.0 3 Cylinder Engine Paired with 3 Electric Motors. It may not sound all that spectacular, however belief me this gets REALLY interesting.

Koenigsegg will construct solely 300 models of its four-seater hypercar. While the official pricing hasn't been detailed, the Gemera is anticipated to begin from close to the $2 million mark. It's a sensible asking price for an amalgamation of automotive awesomeness, we say. The coolest detail we discovered have been the titanium Akrapovic exhausts mounted on prime, giving it the megacar identification it rightly deserves. There are some efficiency benefits as well, like much less weight, back stress, shorter pipping, and improved temperature administration.

[victorianwhitechapel]

Global Movie Day

The Academy of Motion Picture Arts and Sciences established Global Movie Day, a day for film fans around the world to celebrate their favorite movies and engage with Academy members and filmmakers across social media. The inaugural holiday was held last year (the day before the 92nd Oscars).

The second annual Global Movie Day was held on Saturday, February 13, 2021.

On Victorian times movies were in their infancy, but there are some movies and films that portrayed the Whitechapel Murder Victims. As away of tributing these women, we decided to celebrate Global Movie Day by posting films that featured them.

A Study in Terror (1965)

In this story about Sherlock Holmes against Jack The Ripper, Kay Walsh played the role of Catherine Eddowes:

Mary Ann Nichols was played by Christiane Maybach:

Barbara Windsor played Annie Chapman, Edina Ronay played Mary Kelly and Norma Foster played Elizabeth Stride:

Murder By Decree (1979)

In this new Sherlock Holmes against Jack the Ripper film, Susan Clark was Mary Kelly:

Other actresses in this short are: June Brown as Annie Chapman, Hilary Sesta as Catherine Eddowes, and Iris Fry as Elizabeth Stride.

From Hell (2001)

In this film based on Alan Moore's graphic novel of the same name, Annabelle Apsion was Mary Ann 'Polly' Nichols, Lesley Sharp was Catherine Eddowes, Katrin Cartlidge was Annie Chapman, Heather Graham was Mary Jane Kelly, Samantha Spiro was Martha Tabram, and Susan Lynch was Elizabeth "Long Liz" Stride

Ginger (2016)

In the 2016 short "Ginger", Katie Jarvis plays the role of Mary Kelly:

Other actresses in this short are: Karen Brace as Annie Chapman, Lena Margareta as Elizabeth Stride, and Tracy-Lee Gardener as Catherine Eddowes.

[ozu-teapot]

Faustrecht der Freiheit (AKA Fox and His Friends) | Rainer Werner Fassbinder | 1975

[elcineasta]

Fox and His Friends | dir. Rainer Werner Fassbinder (1975)

[badmovieihave]

Bad movie I have  Drive In Horror Classics it has The Head 1959, I Eat your Skin 1971, The Manster 1959  and Screaming Skull 1958  Just some info I Eat your Skin is also know as Caribbean Adventure , Voodoo Blood Bath , Zombie Bloodbath and the Original title was Zombie

[romanbymarta]

Roman Polanski celebrates his film 'Repulsion' at the Ad Lib club with Suzanna Leigh, Paul McCartney, Christiane Maybach, Yvonne Furneaux

[bitter69uk]

Brigitte Mira. Irm Hermann. Ingrid Caven. Hanna Schygulla. Barbara Valentin. Rosel Zech. Barbara Sukowa. Christiane Maybach. In the 1970s turbulent New German Cinema visionary Rainer Werner Fassbinder worked with - and elicited career-best performances from - the crème de la crème of German actresses. Even in that illustrious company, Margit Carstensen (29 February 1940 – 1 June 2023) - who has died aged 83 - was exceptional. Fassbinder’s camera devoured the planes and hollows of Carstensen’s remarkable face, and she’s particularly spellbinding in The Bitter Tears of Petra Von Kant (1972), Martha (1974) and especially Fear of Fear (1975), one of the definitive “women-having-a-breakdown” movies (see also: Monica Vitti in Antonioni’s Red Desert (1964)).