#adrian hoven
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#movies#polls#fox and his friends#70s movies#rainer werner fassbinder#peter chatel#karlheinz böhm#adrian hoven#christiane maybach#harry baer#requested#have you seen this movie poll
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Hexen bis aufs Blut gequält (1970)
AKA Mark of the Devil
#hexen bis aufs blut gequält#mark of the devil#herbert lom#udo kier#olivera katarina#1970s horror#1970s movies#1970#adrian hoven#michael armstrong#movie posters
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Mark of the Devil (1970) dir. Adrian Hoven & Michael Armstrong
#mark of the devil#adrian hoven#michael armstrong#udo kier#olivera katarina#reggie nalder#70s horror#1970s horror#german horror#horror movies#horrorstills#classichorrorblog#my caps#screencaps#witchcraft#witch hunter#video nasty#witches tortured till they bleed#hexen bis aufs blut gequält#mark of the devil 1970
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Adrian Hoven was born on 18 May 1922 in Wöllersdorf, Lower Austria, Austria. He was an actor and producer, known for Der Mörder mit dem Seidenschal (1966), World on a Wire (1973) and Castle of the Creeping Flesh (1968). He died on 8 April 1981 in Tegernsee, Bavaria, Germany. (Source: IMDB)
#pipesmoking#pipemen#vintagemen#vintage men#retro men#historic photo#pipes#smoking pipe#adrian hoven#austrian#german men
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Adrian Hoven, May 18, 1922 – April 28, 1981.
With Margit Carstensen and Rainer Werner Fassbinder on the set of Martha (1974). Photo by Michael Friedel.
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MARK OF THE DEVIL PART 2 also known as THE WITCHES
Germany/Austria
1972
Directed by Adrian Hoven
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CAVE OF THE LIVING DEAD Reviews and free on Dailymotion and YouTube
‘Beyond the black mouth of the cursed cave lurk the unfleshed…’ Cave of the Living Dead is a 1964 horror film about a mad scientist and his bevy of vampires terrorising a European village. An American detective and a local witch joins forces to defeat them. Produced and directed by veteran Ákos Ráthonyi [as Akos von Ratony] (Take Off Your Clothes, Doll; The Devil’s Daffodil) from a screenplay…
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#1964#Adrian Hoven#Cave of the Living Dead#Erika Remberg#free on YouTube#free online#German#horror#Karin Field#movie film#reviews#vampire#Wolfgang Preiss
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Despair (1978, Rainer Werner Fassbinder)
3/7/23
#Despair#Rainer Werner Fassbinder#Dirk Bogarde#Andrea Ferreol#Klaus Lowitsch#Volker Spengler#Armin Meier#Peter Kern#Adrian Hoven#Ingrid Caven#70s#German#European Art House#book adaptation#Vladimir Nabokov#Tom Stoppard#Weimar Republic#Germany#Berlin#chocolate#doppelganger#insurance#fraud#murder#faked death#Jewish#immigrants#antisemitism#nazis#identity swap
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https://www.youtube.com/watch?v=pKoM6zVSpUQ
*
youtube
#föhn#sturm an der ostwand#rolf hansen#1950#lilo pulver#adrian hoven#hyperballad#björk#post#1995#michael gondry
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FEAR OF FEAR/ ANGST VON DER ANGST (Rainer Werner Fassbinder, West Germany, 1975)
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#Adrian Hoven#Armin Meier#Fear of Fear#Irm Hermann#Kurt Raab#made-for-tv movie#Peter Lorre#Rainer Werner Fassbinder#The &039;Woman&039;s Film#woman&039;s film
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MARK OF THE DEVIL (1970) – Episode 217 – Decades Of Horror 1970s
“She’s the one who had intercourse with the Devil on Goat’s Mountain! He took her to his den in the disguise of a little donkey and then they fornicated all night long! She’s the witch! She’s the witch!” A little donkey, eh? Join your faithful Grue Crew – Doc Rotten, Bill Mulligan, Chad Hunt, and Jeff Mohr – as they try to get their arms around another infamous film. This time it is Mark of the Devil (1970).
Decades of Horror 1970s Episode 217 – Mark of the Devil (1970)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
Decades of Horror 1970s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of the podcast and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.
In 1700s Austria, a witch-hunter’s apprentice has doubts about the righteousness of witch-hunting when he witnesses the brutality, injustice, falsehood, torture, and arbitrary killing that go with the job.
Directed by: Michael Armstrong; Adrian Hoven (uncredited)
Writing Credits: Michael Armstrong (as Sergio Casstner) & Adrian Hoven (as Percy Parker) (original story and screenplay)
Producer: Adrian Hoven
Music by: Michael Holm
Selected Cast:
Herbert Lom as Lord Cumberland
Udo Kier as Count Christian von Meruh
Olivera Katarina as Vanessa Benedikt (as Olivera Vuco)
Reggie Nalder as Albino
Herbert Fux as Jeff Wilkens – Executioner
Johannes Buzalski as Advocato
Michael Maien as Baron Daumer
Gaby Fuchs as Deidre von Bergenstein
Ingeborg Schöner as Nobleman’s Wife
Adrian Hoven as Walter – the Nobleman
Günter Clemens as Friedrich
Doris von Danwitz as Elisabeth
Dorothea Carrera as Young Lover
Percy Hoven as Christopher (uncredited)
Friedrich Schoenfelder as Narrator (uncredited)
Emile Stemmler as Monk (uncredited)
Get your barf bags ready! The Grue-Crew is reviewing the 1970 witch-hunter gore-fest Mark of the Devil (1970). The film features Herbert Lom, Udo Kier, and Reggie Nalder. While the special effects may be tame compared to modern films, their impact on early Seventies audiences is unmistakable. They’re graphic, disturbing, and often difficult to watch. Does this film still earn the reputation of requiring a barf bag to enter the theater? Perhaps not, but the film is surprisingly well made with a strong cast and, quite honestly, shouldn’t be missed by horror fans and Seventies cinema aficionados.
At the time of this writing, Mark of the Devil (1978) is available to stream from Amazon Prime and Tubi and is available on physical media as a 4K Ultra HD 3-disc Set from Vinegar Syndrome
Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Doc, will be Vengeance of the Zombies (1973), a Paul Naschy (or if you prefer, Jacinto Molina Álvarez) flick. This one is sans Waldermar Daninsky, Naschy’s frequent role, but gives you an Indian mystic and women zombies. Yay!
We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at [email protected].
Check out this episode!
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World on a Wire (Rainer Werner Fassbinder, 1973)
Cast: Klaus Löwitsch, Barbara Valentin, Mascha Rabben, Karl Heinz Vosgerau, Wolfgang Schenck, Günther Lamprecht, Uili Lommel, Adrian Hoven, Ivan Desny, Kurt Raab, Margit Carstensen, Ingrid Caven, Gottfried John. Screenplay: Rainer Werner Fassbinder, Fritz Müller-Scherz, based on a novel by Daniel F. Galouye. Cinematography: Michael Ballhaus, Ulrich Prinz. Production design: Horst Giese, Walter Koch, Kurt Raab. Film editing: Ursula Elles, Marie Anne Gerhardt. Music: Gottfried Hüngsberg.
What we call "reality" is, as we all know, a construct, the product of the limitations of our senses. But what if we, too, are part of the construct, put here by some other entity and blinded to the reality that lies beyond the senses? That way lies religion -- "Now we see through a glass darkly...." -- and metaphysics -- now largely dismissed as "asking unanswerable questions" -- but also science fiction. Witness the popularity of a film like The Matrix (Lana Wachowski and Lilly Wachowski, 1999) and its sequels. In fact, Rainer Werner Fassbinder got there more than two decades before the Wachowskis. In 1973 he created a two-part television series, World on a Wire, that aired in Germany, and then became a kind of cult hit via file-sharing on the internet before being restored in 2010 and screened at the Berlin Film Festival. In it, a German research institute has created a simulated world in its supercomputer. The inhabitants of this world have been given consciousness, but only one of them has knowledge of the world outside the computer. He serves as a contact between the programmers and the simulated beings. But then the sudden death of the head of the program puts his second-in-command, Stiller (Klaus Löwitsch), in charge of investigating not only the death of his predecessor but also the suicide of one of the simulated beings. Stranger and stranger things begin to happen, until Stiller learns that he is also a simulation in his own simulated world. He also learns that the institute's simulated world is being used for commercial purposes, something that violates its agreement with the government funding it. As he comes to terms with this knowledge, his increasingly erratic behavior makes him a target for assassins, and his one hope is to find the contact with the level above that's simulating him. Got that? The head-spinning premise of the film comes from a novel, Simulacron-3, by the American writer Daniel F. Galouye, adapted by Fassbinder and Fritz Müller-Scherz. Fassbinder gives it a good deal of his characteristic style in the adaptation: The women in Stiller's world, for example, always wear cocktail dresses, even at work, and rooms are filled with mirrors to suggest the layers of reflected reality in the three levels. It was filmed in 16 mm for television, which means there's some graininess and focus problems in parts of the restored film, but the cinematography is by Fassbinder's frequent collaborator Michael Ballhaus, along with Ulrich Prinz. Löwitsch is very good as Stiller, taking on a kind of James Bondian role, and the paranoid atmosphere prevails even when the plot gets a bit snarled in its own premise.
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Ingeborg Schöner in Mark of the Devil (Hexen bis aufs Blut gequält, 1970)
#hexen bis aufs blut gequält#mark of the devil#ingeborg schöner#1970s horror#1970s movies#1970#michael armstrong#adrian hoven#horror#gore
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Fox and His Friends (1975)
Starring: Rainer Werner Fassbinder, Peter Chatel, Karlheinz Bohm, Adrian Hoven and Christiane Maybach
Directed by Rainer Werner Fassbinder
Written by Rainer Werner Fassbinder and Christian Hohoff
"A suggestible working-class innocent wins the lottery but lets himself be taken advantage of by his bourgeois new boyfriend and his circle of materialistic friends."-IMDb
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Martha (1974)
#martha#rainer werner fassbinder#karlheinz böhm#margit carstensen#barbara valentin#peter chatel#gisela fackeldey#adrian hoven#talks#painful but pretty
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