#personalized childrens book

[alexpost1]

The Magic of Personalized Children's Books - A Solution for Every Parenting Challenge

Parenting is a journey filled with wonder, laughter, and a fair share of challenges. From bedtime battles to teaching important life lessons, guiding our little ones can be a rewarding yet demanding adventure. But what if there was a way to make these challenges a little easier, a little more magical? Enter the enchanting world of personalized children's books.

These aren't your ordinary storybooks. Personalized children's books weave your child's name and even their personality into the narrative, making them the hero of their own adventure. Imagine the sparkle in their eyes as they discover themselves within the pages, facing familiar challenges and emerging victorious. It's a unique and thoughtful gift that sparks imagination, boosts self-esteem, and creates lasting memories.

But the magic doesn't stop there. These personalized stories are more than just entertainment; they're powerful tools for teaching valuable life lessons. Whether your child is struggling with sharing, overcoming fears, or simply needs a little encouragement, there's a personalized fairy tale ready to guide them.

"Personalized Fairy Tales About Your Child": A Treasure Trove of Enchantment

This extraordinary collection of 36 personalized fairy tales, available in boys, girls, and universal editions, is designed to address a wide range of childhood experiences. Each story is a delightful blend of imagination, education, and heartwarming moments, making it the perfect addition to your bedtime routine or a unique gift for any occasion.

But what truly sets these fairy tales apart is the author, Aleksandrs Posts. A seasoned adventurer, globally recognized trainer, and passionate advocate for children's growth, Aleksandrs brings a wealth of experience and expertise to his storytelling. His deep understanding of child psychology and love for diverse cultures shine through in each enchanting tale.

Unlock the Magic of Personalized Storytelling

Ready to embark on a magical journey with your child? Discover the transformative power of personalized children's books and give your little one a gift that will be cherished for years to come. Explore the enchanting world of "Personalized Fairy Tales About Your Child" and watch as your child's imagination soars, their confidence blossoms, and their love for reading grows.

Visit our website to learn more and order your personalized fairy tale today!

[lesbxdyke]

I could think of no better way to share the news than this!

So when I was 17, my cat went missing and I'd given up hope of ever seeing him again.

Until on Monday, 27th of May, 2024, my friend sent me a FB post asking 'isn't that your mother?' about the person named on the microchip.

Here he is! 16 years old, and found safe, twelve whole years after he went missing!

Yesterday (Tuesday the 28th of May, 2024) I went to the rescue that had him, and I reclaimed my boy, renaming him Artie! (He'd originally been called 'Cat' because my mother and I couldn't decide on a name)

He's home safe with me now, currently inhabiting my bathroom and purring up a storm every time someone goes in there!

I'll be doing slow introductions between him and my current cat to give them the best possible chance of living in harmony!

Here's some pictures of Artie once we let him out of the carrier:

[bixels]

I'm not getting into The Giving Tree discourse...

[bruciemilf]

Somebody tell me if this is a bad take, or if my love for Bruce is causing my objective brain to glitch, but-- something about advertising Batman, a hero who's very popular for being good with children, for being NURTURING with children, a bad father kinda defeats the whole purpose of what he's supposed to represent.

Batman is a protector; He protects people the world (and especially law enforcement) does not care about. That's literally the point of him.

Something about marketing " you can be incredibly violent to people you care about! And Its fine, because you care about them even if you abuse them, and that's what matters!" towards people, but especially men and young boys, is REALLY fucked up to me.

[ruegarding]

chiron said it would be better if nico died before knowing nico was a child of hades. percy lying to chiron and making himself a target to kronos is the only thing that stopped nico from being hunted down like an animal, like percy.

[renlo]

I made a children's book!

Happy to announce that I've published my third book (and second children's book)! 'I Can Do Anything!' is a brief 20+ page story that follows Jaden as he wonders what he wants to be when he grows up. The book ends with a few coloring pages as well!

I had fun writing this brief, silly little book. It's available on Amazon right now!

[snackugaki]

one orrrr

two?

[bookwyrminspiration]

age appropriate does not necessarily mean lack of complex, deep, and even dark topics, but rather adapted language, approach, and depiction to match the context and understanding young audiences have, which will increase in detail as they grow and learn send post

[felix-lupin]

In Coraline, there’s a recurring theme with names and identity, and I personally don't think it's talked about enough. 

(As a note, this is dealing largely with the book, not the movie, although there are some hints of this theme in the movie as well)

Coraline’s neighbors constantly get her name wrong, calling her “Caroline” and not “Coraline”, to which she persistently corrects them. Despite her attempts, they never get it right, until chapter 10, in which Mr Bobo (Mr Bobinsky) finally gets it right.

"It's Coraline, Mister Bobo," said Coraline. "Not Caroline. Coraline." "Coraline," said Mr Bobo, repeating her name to himself with wonderment and respect. "Very good, Coraline."

It should be noted that, until this chapter, Coraline did not know Mr Bobo’s name either. In fact, it had never even occurred to her that he had a name. Up until then, she had just been thinking of him as “the crazy old man upstairs”, not as a person with a name. This moment, with her learning his name and him getting her name right, is a moment of genuine understanding and connection between the two, humanizing them both to each other.

Coraline’s other neighbors get her name wrong, which is representative of them not listening when she says anything, really, such as her telling Miss Spink and Forcible that her parents are missing and them literally not even acknowledging it at all??

"How are your dear mother and father?" asked Miss Spink. "Missing," said Coraline. "I haven't seen either of them since yesterday. I'm on my own. I think I've probably become a single child family." "Tell your mother that we found the Glasgow Empire press clippings we were telling her about. She seemed very interested when Miriam mentioned them to her." "She's vanished under mysterious circumstances," said Coraline, "and I believe my father has as well." "I'm afraid we'll be out all day tomorrow, Caroline lovely," said Miss Forcible. "We'll be staying with April's niece in Royal Tunbridge Wells."

Mr Bobo gets her name right after being corrected (only after being corrected alongside her using his name, mind you, showcasing her making an effort to listen to and understand him as well), which is representative of him actually making an attempt to listen and understand her. This point is further illustrated by a conversation Coraline had with the Other Mr Bobo in chapter 10.

As Coraline entered he began to talk. "Nothing's changed, little girl," he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. "And what if you do everything you swore you would? What then? Nothing's changed. You'll go home. You'll be bored. You'll be ignored. No one will listen to you, not really listen to you. You're too clever and too quiet for them to understand. They don't even get your name right."

He equates those in the real world not getting Coraline’s name right with them not listening to her, and fundamentally not understanding who she is. So, somebody getting her name right, then, shows them actually listening to her, and being willing to understand who she is.

The mice in the real world know more than they should be able to know, and they also get Coraline’s name right.

"The message is this. Don't go through the door." He paused. "Does that mean anything to you?" "No," said Coraline. The old man shrugged. "They are funny, the mice. They get things wrong. They got your name wrong, you know. They kept saying Coraline. Not Caroline. Not Caroline at all."

They seem to know about the other world, somehow, on some level, and the dangers it presents. Them getting her name right represents them knowing more than they should know, more than they are told. Animals in general seem to have this type of quality in Coraline, actually.

The cat does not have a name. It says so in chapter 4, that cats do not need names. It says that this is because cats know who they are. But humans need names, because they do not.

"Please. What's your name?" Coraline asked the cat. "Look, I'm Coraline. OK?" The cat yawned softly, carefully, revealing a mouth and tongue of astounding pinkness. "Cats don't have names," it said. "No?" said Coraline. "No," said the cat. "Now, you people have names. That's because you don't know who you are. We know who we are, so we don't need names."

The cat shook its head. "No," it said. "I'm not the other anything. I'm me." It tipped its head on one side; green eyes glinted. "You people are spread all over the place. Cats, on the other hand, keep ourselves together. If you see what I mean."

This shows that, in humans, names are connected to our identities and who we are. Names are used to individualize and distinguish ourselves from each other. But cats do not need names to recognize each other, or be recognized.

"Oh. It's you," she said to the black cat. "See?" said the cat. "It wasn't so hard recognising me, was it? Even without names."

With or without names, it is still the same cat.

During the Other Miss Spink and Forcible’s performance, in chapter 4, they begin quoting Shakespeare. The specific quotes that they use are interesting to me when looked at under this lens of the importance of names, especially Miss Forcible’s.

"What's in a name?" asked Miss Forcible. "That which we call a rose by any other name would smell as sweet."

"I know not how to tell thee who I am," said Miss Spink to Miss Forcible.

Now, of course, this is just them quoting Shakespeare. But. Why these quotes specifically? They’re at the very least notable when discussing Coraline’s recurring theme of names. Especially the quote about the rose. It makes me think of what the cat said earlier, about how cats are sure of who they are so they don’t need names, about how Coraline didn’t need the cat’s name to be able to recognize it for who/what it was.

But, of course, this does not apply for humans. We need our names to be able to know ourselves, to be able to tell others who they are.

In chapter 6, Coraline wakes up and is disoriented. This disorientation is compared to the feeling one might experience upon being suddenly pulled out of a daydream. In this comparison, forgetting one’s name is equated with forgetting who one is and where one is.

Sometimes Coraline would forget who she was while she was daydreaming that she was exploring the Arctic, or the Amazon rainforest, or darkest Africa, and it was not until someone tapped her on the shoulder or said her name that Coraline would come back from a million miles away with a start, and all in the fraction of a second have to remember who she was, and what her name was, and that she was even there at all. Now there was the sun on her face, and she was Coraline Jones. Yes.

The ghost children have also forgotten their names, and with it most of who they were. In chapter 7, when Coraline is locked behind the mirror in the Other World, one of the ghost children says that names are the first things that one forgets after death.

"Who are you?" whispered Coraline. "Names, names, names," said another voice, all faraway and lost. "The names are the first thing to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names. I still keep pictures in my mind of my governess on some May morning, carrying my hoop and stick, and the morning sun behind her, and all the tulips bobbing in the breeze. But I have forgotten the name of my governess, and of the tulips too." "I don't think tulips have names," said Coraline. "They're just tulips." "Perhaps," said the voice sadly. "But I have always thought that these tulips must have had names. They were red, and orange-and-red, and red-and-orange-and-yellow, like the embers in the nursery fire of a winter's evening. I remember them."

The ghost children may have their memories, but they have largely forgotten who they were. They may remember their tulips, and certain strong memories, but there is very, very little left of them, and they have forgotten who they once were, they have forgotten their names.

"That is why we could not leave here, when we died. She kept us, and she fed on us, until now we're nothing left of ourselves, only snakeskins and spider-husks. Find our secret hearts, young mistress."

"She will take your life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll awake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten."

The Other Mother stole their hearts and their souls and their selves. She stole who they were away from them, their identities and names and the names of those they loved, leaving nothing in her wake.

The same ghost that talked about the tulips and the names of the tulips struggles to answer when Coraline asks their gender, as well, and when they do eventually give an answer they seem somewhat unsure of it, as shown by the word choice of “perhaps” and “I believe”

"A boy, perhaps, then," continued the one whose hand she was holding. "I believe I was once a boy." And it glowed a little more brightly in the darkness of the room behind the mirror.

(I personally take this quote, specifically it "glow[ing] a little more brightly" after coming to this conclusion, to mean either that the ghost is happy at realizing that he was once a boy, or even to mean that he has become somewhat more tangible upon this realization; upon remembering something about his self, and his identity.)

As an aside, it's noteworthy to me that we never learn the Other Mother’s true name. She is simply “The Other Mother” and “The Beldam.” Never is an actual name applied to her, only titles. We do not truly know who, or what, she is. Beings without names are shrouded in mystery (or should i say mist-ery). The ghost children are benevolent mysterious beings, the cat is an ambivalent-leaning-helpful mysterious being, and the other mother is a distinctly malevolent mysterious being.

"Who are you?" asked Coraline. "I'm your other mother," said the woman.

"She?" "The one who says she's your other mother," said the cat. "What is she?" asked Coraline. The cat did not answer, just padded through the pale mist beside Coraline.

But in conclusion, names in Coraline are extremely important. I’m sure there’s probably more that I'm missing, and feel free to add onto this, but basically—

People need names to know and remember who they are, and forgetting one’s name is the first step to losing the rest of who one is. Names humanize a person; with a name, they are less shrouded in mystery, more clear.

Knowing somebody's name helps one connect to and better understand that person; it is the first step in getting to know them and see them as a full person, the transition from “the crazy man upstairs” to “Mr Bobo”. Names, to people at least, are one of the fundamental building blocks of who we are.

[wisebeth]

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

[fictionadventurer]

I have a germ of a theory that good Christian fiction has stories that are less about shaving down your personality to meet some specific mold of what a good Christian looks like, and more about "how gloriously different are all the saints."

Not that the Christian life doesn't involve fighting against our own sinful nature and conforming ourselves to Christ-like behavior, but I think it makes for better, more realistic, and more universal stories when you also recognize that people have different gifts and flaws and they're going to be called to use their unique personalities to serve the kingdom of God in their own unique way, instead of assuming everyone has to conform themselves to a very specific (often secular-culturally based) image of good behavior. It makes for a much more vibrant story.

[chaos-of-the-abyss]

someone could write pages and pages and pages and pages on elu thingol's life. he could be the protagonist of like five book trilogies each with 600 words per book. he was born in cuivienen where the first non-divine life awakened; he lived through morgoth's earlier attempts to corrupt the elves and very likely lost people he cared about to them; he witnessed the war of the powers; he was among the first of his people to see valinor, having visited it under the invitation of the deities who helped originate the universe; he was the sole flesh-and-blood being in all!! of!!! history!!!! who met, fell in love with, and married a goddess that was there before creation even existed; he and said goddess were the progenitors of a unique bloodline that produced some of the legendarium's most famous figures; he separated from his brother for a very very long time; he was so loved by his people that they refused paradise if he wasn't there with them; he fought battles against morgoth's forces and saw loss as well as triumph during those battles; he was one of the oldest beings and longest-reigning kings in all of beleriand, not to mention he ruled its most ancient and most mystical, otherworldly kingdom; he was the father of two of the most famous heroes in-verse, whose deeds and stories continued to be told millennia after their deaths; he was again the first!! and!!! only!!!! elf-king in all of history to adopt a human as his own son. and throughout it all, he has a cohesive character arc. he grows to respect a people whom he once distrusted and looked down on; he comes to accept the choices of those he cares about even if he doesn't agree with said choices; he has to learn to let go of his loved ones no matter how much it grieves him. if those five trilogies existed i would be reading and rereading every single one obsessively

[eerna]

HELLO WHAT THE SHIT IS THIS MY LADY JANE TRAILER

[amazingdeadfish]

DOES ANYONE UNDERSTAND MY VISION

I am calling for a Mr and Little Miss LMK au please I am begging/j

Mr Miserable and Mr Cheeky:

[gryficowa]

Boycott!

Something depresses me that Palestinians can try hard to prove that their collection is not a scam, they can ask someone for verification, and people will still have doubts whether it is a legal collection…

Now that I have your attention:

------------------------------------------------

Thanks to stinking scammers and Zionists who called legal collections a scam, it's all your fault -_-

In addition, there is less and less interest in Gaza, IT'S SICK

[uppercase-disgrace]

enemies to lovers is so difficult to accomplish because we don't really have a modern gauge for how shitty someone is allowed to treat you and still get together with them so we have rivals to lovers where someone is slightly mean to someone once or they were competing academically or worse there was a misunderstanding which is BORING. vs the opposite extreme where its like oh hey I know that two months ago you were a genocidal dictator how's that going? oh you've changed? interesting. i'm incredibly dtf btw. and that always feels a little awkward because it's never that they killed like six people, it's always that they blew up a planet. y'all tryna fuck the guy who hunted your people? his best friend killed your mom and you're hopping on that? wild. but then again it IS more interesting than dating the guy who accidentally hit your car six years ago and forgot to apologize because he was running his mom to the hospital