#personal stylist sydney

[xblackreader]

NSFW Sydcarmy AU - MDNI <3

Sydney and Carmen are neighbors, have been for the past five months.

And in those five months of him timing his leave so they can walk to the elevator, him sometimes picking up her mail so she can invite him in to try one of her pastries, or perhaps the times when he catches glimpses of her leaving early in the morning for an appointment with her hair stylist.

She’ll come back with silky straightened hair, long swaying braids or sometimes a slicked back ponytail that he didn’t even know was possible.

She had a bakery around four blocks from here and had invited him to come, he wanted to take her up on her offer, but never found the nerve. Afraid she had just been offering the building recluse out of kindness.

He finds his paintings start to develop brown red eyes and thick shapely thighs. The women in his pieces are no longer anonymous and the gallery who commissions him says these feel much more personal, the public is loving it so much he might get his own installation.

He never tells Sydney that she has become his muse.

His art becomes more raunchy, less conservative as time goes on. The woman with the glamorous Afro in his works always has a man at her feet, touching her skin and tasting her radiance.

The man is never him.

It’s one of the John’s she keeps. They started to come with her around two months ago, a different man almost every time. They stumbled up away from the elevator following her clicking heels like a lost puppy.

Carmy watched them through the crack in his door, their clumsy hands holding her hips and flirtatious giggles escaping her lips. Sydney would shush them with a finger and Carmy would burn with jealousy.

It felt like he was a dog having to watch everyone else get a treat he had been begging for.

The men would leave promptly, half dressed if she would throw them out and Carmy would feel triumphant. She never wanted them to stay, she probably never let them cuddle her or kiss her lips again once they had fulfilled their purpose.

He felt superior to them. They would never feel her love again.

But he might never feel it at all.

The thin walls uncovered their most vulnerable moments and Carmen heard it all, how their voices would tremble when she touched them on spots only she could find, how each of them climaxed. They’re groan out her name or some curse while she gasped out wantonly, the creaking of the bed on the other side staking his heart and twisting it deeper.

His turgid erection throbbing in his own hand while he listened to other men get her off every other night. He’d finish when she did, imagining the friction around his length was her silky entrance. Imagining it was him touching her willowy figure, removing her heels and kissing every inch of her endless legs.

Wishing he was one of her toys to pick up and throw away.

Sometimes he heard her kick them out prematurely, grunting that they had been unable to fulfill her needs before she slammed the door behind them. He faintly heard her open her bedside drawer and the light buzzing that followed always made him smile, stroking his cock at the sounds of the unadulterated pleasure she was bringing herself.

He imagined her laid out like a model, rose petals scattered around her figure while her face scrunched up in effortless ‘O’s with her fingers disappearing where her thighs met.

He’d lean into the wall separating them and trick himself into hearing his name form on her tongue.

Carmen will paint what he imagined. Her body stop the apex of a man groin, her pouty lips wrapped around faceless fingers, her back arched off the mattress as she surrenders to bliss.

Then he goes downstairs the next morning , picks up her mail and brings it to her. She’ll smile and invite him in to try a scone, a muffin or a new creation she’s already made.

He eats her food, scans her apartment for material to set the scene of his next fantasy and leaves with a thank you.

“Carmen.”

He stood just short of his door one morning, not expecting to see her in the hallway so early, “H- hello, hi… Yes, Sydney? Good morning.” He blathers, and she glows like a goddess.

“Y’know, I could pose for one, someday. If you like.”

<3

lol pathetic yearning cuck! carmy go brr

[racketballz]

I remember liking Lisa's design but I forgot what she even looks like... I do remember her having a mole but that's it 😔

If you ever redesign her, what's something you're absolutely sure you'll add to her as a character? (Also your vampire and hunter are beautiful and I adore them, even if I only seen them once)

This is Lisa!

I think her actual face will look the same dw! the mole stays! because i don’t see why I should change it really but I had a concept that she was like under cover or like had a secret identity or something and that changes a lot the decisions I made with her if I wanna trash it so she’s kinda in this limbo state!

As well as the school uniform thing because the story was originally @ some affluent school for upper echelons and she was disguising as a rich mean queen bee and that’s how her and Sydney meet. but I think to kill like 5 birds with one stone (I was truly making this way too complicated I don’t even wanna explain it 😭) I’ll just make it a sky high situation academy with powers in college slay

So because it’s even more school stuff I wanted to lean into the darkness of everything for the design so I’m like making the uniform black for everyone and possibly everything in greyscale as a stylistic choice hmm

Her personality is more or less the same as before she’s logical but nice enough and shes very pragmatic and and a little niave!

[cozyaliensuperstar7]

Beautiful People 👑

lashanalynch:

Happy Friday from me and my LBD

teamlhlebanon:

Ausie ready 🧡🔥 @lewishamilton #lewis #lewishamilton #teamlh #lh44 #australia #sydney

lewistanofficial:

No risk. No story.

On film by @jakecloobeck

goldarosheuvel:

Bridgerton Press Day

Full look: @patrick__mcdowell

Shoes: @christianlouboutinshoes Jewellery: @davidmorrisjeweller

Stylist: @jasonrembert

Hair: @dionnesmithhair

Makeup: @kennethsohmakeup

avenerable:

Our queen 👸🏾👸🏾 @thesherylleeralph for @selfmagazine 🧡 anyone that knows me knows Sister Act 2 is one of my fave movies still to this day! From that movie to Moesha to Abbott Elementary I’ve loved her. What a joy it was to be on set w her 🧡 📸 @anndyjackson 👗 @kattypaldos 💇🏾‍♀️ @sharifposton 💄 @juanice.mua 💅🏾 @jillthomasnailz props @jameslear Self: @the_rewm @melissa.j.kramer @cbroday @sergiokletnoy

hallebailey:

please ? 🥛

itg_ltd:

A yearning for innocence. ✨

British actor @coreymylchreest retraces his personal and professional journey, opening up about his concept of nostalgia in an exclusive interview with @thegreatestmagazine.

Order your copy now.

kinglearbranagh:

An exclusive first look inside the rehearsal room. 📸 Johan Persson

victoriamonet:

Who doesn’t love a glass lip! Thank you so much @armanibeauty for having me at the launch of your Prisma Glass lip gloss last night! I had so much funnn what a pretty party! ✨🤎 #armanibeautypartner

[midnightsslut]

I don’t know how to say this in a way that isn’t sexist, but Taylor did not dress like other 19 year olds (college students) in the US when she was 19. She famously never showed her bellybutton and kept her chest fairly covered. Even the short skirts with the slight midriffs from the 1989 era still felt very conservative compared to some of the other popular styles of the time. But I also think she was preyed on and criticized so much she didn’t want to add to that fuel. But, I’m also not a huge fan of Taylor’s style (her stylist is an enemy of mine) (I’m a bit of a fashion snob).

Sydney Sweeney is a fascinating comparison to make because I feel like she often misses on red carpets because her stylist struggles with dressing her in a way that doesn’t feel too old (aka being taken seriously) while still feeling trendy and fresh.

I actually looove taylor’s style (unpopular opinion in the fandom, I guess). I think it’s extremely flattering, and everyone i know irl says she dresses great. i know people wan avant garde looks from her, but that’s just not who she is, and i personally admire her refusal to try to be anyone else (especially as someone who changed her image so many times over the years). stylists are a touchy subject tbh.

I would say the 1989 era stuff wasn’t too conservative, but it looked like that on her for a variety of reasons. it’s just the image she built for a long time. even when she acts sexual now, it’s never as overt as some of her artists who make it the centerpoint of their image. the good girl reputation was very necessary in the late 00s considering the cultural climate at the time, though. there’s one interview from 2009 where she says she has people on her team who tell her when a skirt is too short, and she appreciates the feedback. that’s not common for a nineteen-year-old, but it’s the route she chose, and it probably benefited her in the long run.

sydney’s sex appeal can never be divorced from anything she does, and that makes it difficult to style her, because you have to toe the line between playing into that and still making sure she doesn’t get objectified so much that it turns into a hate train. it’s a very sad reality of the space she occupies in the industry.

[pop-pop-pop-popculture]

MET GALA 2024 Review: May 6, 2024

I feel that there's more photos and guests, but vogue.com only posted 263 images.

Yes

Lana Del Rey

Dua Lipa

Zendaya

Jessica Biel

Harris Reed

Penélope Cruz

Aurora James

Jennifer Lopez

Lil Nas X

Karol G

Natasha Poonawalla

Christine Beauchamp

Jennie Kim

Tory Burch

Grace Murdoch

Taika Waititi

Rita Ora

Ivy Getty

Nelly Korda

Michelle Williams (I love the pink hair!)

Taraji P. Henson

Shakira

FKA Twigs

Ugbad Abdi

Shakira

Doja Cat

Nicki Minaj (OUTFIT, NOT PERSON.)

Camila Mendes

Adut Akech

LaQuan Smith

Usher

Anok Yai

Imaan Hammam

Karlie Kloss

Cardi B (OUTFIT, NOT PERSON.)

Tyler Mitchell

Kaia Gerber

Iris Law

Men either try or don't try at all, so kudos to the stylists of the men that actually tried.

No

Serena Williams (The gold was gorgeous, but I don't like the construction of the dress. On top of that, it didn't flatter her physique well.)

Kylie Jenner (obviously)

Kris Jenner (obviously)

Michelle Yeoh

Sydney Sweeney (I like the shade of blue and flower appliques, though.)

Yes and No

Ariana Grande

Elle Fanning

Kylie Minogue

Kendall Jenner

The Redmayne's (They went all out, that's for sure, but I don't see how their outfits correlate to the theme.)

Olivier Rousteing (I like the top and flare pants!)

Irina Shayk

Camila Cabello

Kelsea Ballerini

Naomi Campbell (The color and fabric are pretty, but I feel like she went a little too safe.)

Taylor Russell

The F*ck?

Cara Delevingne

Lizzo

I know that there were a ton more people, but I wanted to keep the list of each category short.

🌸 May 8, 2024 🌸

[neattequila]

HARRY’S STYLE EVOLUTION PART 2 (HS1 Era) by an actual stylist

First off, thanks for the love on part 1! It was truly, so fun to write. I have such a good time looking into Harry's style because it's something I've always kept my eye on throughout his and my own career. If you haven't read part 1, I definitely recommend it, as I'll be referencing some things from it. (Link to that is here.)

This is part 2, which is solo Harry, particularly during the making and tour of HS1 (2017-2018.) I just have TOO much to say about his style for it to be concise I'm so sorry lol.

Without further ado, let's get into it!

2017!

Harry's first official appearance after 1D is on October 6th, 2016, a dinner hosted to celebrate his trio of Another Man covers with Alister Mackie and Kris Van Assche. He wears a suit by Dior Homme.

To debut his single "Sing of the Times" on the Radio 1 Breakfast Show with Nick Grimshaw, he wears Gucci tartan trousers (left). He has a real Gucci tartan moment here. Also wearing a Gucci tartan suit to perform on Saturday Night Live (right.)

At this time, his personal style is still reminiscent of his late 1D style. He's still wearing black skinny jeans and the infamous YSL suede boots. He falls into a real short sleeve button-up/Hawaiian shirt kick here. Wearing it during Snl Promo (left) on Carpool Karaoke (middle) and a black open version at a New York Rangers game (right.)

On the day his solo album is released, he wears a tartan Vivien Westwood suit with Gucci loafers (left), and on the Today Show, he wears the GORGEOUS bespoke Edward Sexton bubblegum pink suit (right.)

At this point, Harry's worn a suit to basically every public appearance he's had since 1D broke up. This makes a lot of sense. He's starting his solo career and wants to be taken seriously. What's more serious than a suit? They're often brilliantly patterned or in bright colors. Showing his fans and the world that he's still the flamboyant, bright, charming person they knew in 1D but evolved. Older now, no longer in a boyband but a Man Band, as he himself puts it.

Harry wears these Gucci wide-leg trousers with dragon detailing on the leg several times. I personally love this look. He wears a pink version (left) at his first solo show at the Garage, a brown version (right,) to perform at a Sirius XM event, he also wears a similar one to perform on the Graham Norton Show. Middle, he wears a Gucci suit with Roker boots on the James Cordon show.

Also, on James Corden's show (sorry lol) he wears the same Roker boots and this dark emerald green VELVET suit by Saint Laurent that I'm absolutely obsessed with and feel like we did not give her her moment (left.)

He's also doing Dunkirk promo at this time and typically dresses much subtler for those appearances than he does to promote his own music. It makes sense he's not trying to command the spotlight at these press events, instead opting to seem more like an ensemble player. For the French premiere of Dunkirk, he wears a suit by Prada and Roker boots.

In another Late Late show appearance (he does so many during this time), he wears this Loverboy jumpsuit by Charles Jeffery (left), and on an Elvis Duran appearance, he wears a button down with art that mimics his tattoos by Stella McCartney, along with black skinny jeans and Calvin Klein boots (right.)

In September of 2017, his official Live on Tour starts in San Francisco, and he wears a floral printed suit by Gucci (left.) Later he will wear a similarly patterned floral Gucci suit to perform at Radio City Music Hall (right.)

At the iHeartRadio music festival, he wears a harlequin Gucci suit (left), and later in Sydney, Australia, at the Aria awards, he'll wear one of my favorite suits. An Alexander McQueen suit paired with gold Roker boots.

At this point, it's clear that Harry's love affair with Gucci has started he won't become the frontman of the Memoire d’une Odeur Gucci fragrance until 2019, but he definitely has some affiliation with the brand. I'm sure they're sending him pieces and working with him closely. It's unclear if this is spurred on by Harry Lambert or if Harry Styles and Alessandro Michele are friends yet, but regardless, he wears Gucci more than any other designer at this point, and Gucci will go on to supply a lot of the suits he wears during the tour.

At the 2017 Victoria's Secret Fashion Show, Harry performs wearing two suits. First is a light blue suit (left), and later, he changes into a black suit with velvet details and a pink undershirt (right.)

2018!

Harry will wear A LOT of suits during the Live on Tour tour (those were the days, huh,) and in a bit, I'll go over some of my favorites. (If you want to see all of them, that can be found here,) but first, I want to talk about his personal style.

We see him starting to move away from skinny jeans and opting for more expressive pants. In the picture on the right, he wears the first Bode piece I believe we ever see him wear! This fits the culture of the time as we as a public begin to move farther and farther away from skinny jeans.

He's not back to adorning himself in vintage t-shirts quite yet (we'll get more into that during his Fine Line era.) But there is a noticeable difference in his style, for sure. He's much trendier than he was before, and much like how his style evolved when he was hanging out with Nick Grimshaw and co, I do think part of this style change is due to his relationship with Camille Rowe.

Harry and her were first linked in July of 2017 and have assumedly been dating for several months at this time. It makes sense that he'd be gaining some of her style from osmosis. Later he'll even admit himself, "There's a piece of you in how I dress."

We'll get more into this during his Fine Line era, as that's when he starts dressing A LOT more like her, but I do think there is a noticeable shift in 2018.

As mentioned before Harry wears A LOT of suits during this time and though I genuinely do have an opinion on every single one of them, there's just not the time. So below, I'll highlight some of my favorites.

Left Harry performs at the We Can Survive Benefit in Hollywood in a custom Stella McCartney suit. Right he wears the infamous ensemble by Harris Reed (I went to university with them and am totally not jealous at all) on tour in Amsterdam.

One of the best things about the Live on Tour suits was that there really was a sense that outfits were picked for specific places.

In Glasglow, Scotland, he wears a kilt (left) from London outfitters Highland Store. When performing in Mexico city (right) he wears a suit with embroidery and right sparkly fringe (one of my favorites he'll ever wear.)

In Bologna, he wears one of my favorite Gucci suits.

That's it for part 2! Fine Line era is next, and you better strap yourselves in for that one because I have. LITERALLY SO MUCH TO SAY!

Thank you sm for reading! <3

[majaloveschris]

Even if she only had a smaller role in a movie, I’m pretty sure she earns more with those than most of us do in a year. / you have no idea how the industry works if you think she's earning alot. One of the stars of Euphoria, the biggest show in recent years, said she couldn't afford to take 6 months off work. The lead of Reign (5 season show) said she lost 60% of her salary off the bat from taxes and manager/agent fees. AB had 1 lead role for 18 episodes and hasn't worked in over a year.

I've never said she earns a lot. I said she earns more than most of us do in a year, which is true.

I guess you're talking about Sydney. According to Google, she earned 325,000 dollars from Euphoria, which means she made more money with that show than I, personally, would do in a year. Most people would need to work for five or even more years for this money. So maybe it's not that good for them, but yeah most of them earn more with a project than we would do in a year. Not all of them, but most of them yes. Also in WN, she was the lead, and most of the cast was pretty unknown, at least for most people. In Euphoria, there was Zendaya, who was already a huge star. A lot depends on your co-stars, too.

I'd also guess that Sydney's Hollywood lifestyle costs much more than Alba's. Sydney goes to more red-carpet events and gives more interviews. She constantly needs a makeup artist and a stylist. Those cost a lot too.

[elanorjane]

Screw The Roses, Send Me The Thorns (Pt. 1)

Gift for @kelyon for @rumbellesecretsanta

Prompt: Mutually horny at family event 

A/N: This is fiction, not reality, the romance is compressed into a very short time period. Remember: safe, sane, and consensual, friends. 

These people were only Gold’s family in the loosest sense of the word. 

Regina insisted on holding these mock “family” holiday gatherings every season. He’d rather be at home, with a bourbon, in his library. Or in his shop tallying his ledgers. Better company, either way. 

But Regina Mills, by a twisted set of events, was the adoptive mother of his biological grandson. A child Bae, and himself, did not know existed until fairly recently. His son had only recently reentered his life after decades of estrangement. Gold came to these little gatherings as a favor to Bae. It was one of the olive branches he could muster in their still fragile relationship. Unfortunately, rebuilding a relationship with his son included regularly coming in contact with the whole damn town. 

This performative family was not for him. And the "family" seemed to grow every year, much to his dismay. First Emma, his grandson’s biological mother. Then her parents, the Nolans, David and his equally insufferably sunny wife Mary Margaret. Then Regina and her idiotic sister, Zelena. In a display of her status as Mayor, Regina now expanded these events to now include Storybrooke’s most influential, at least by Regina’s standards, citizenry. Beside the “family”, their gathering now included Jefferson, her stylist and decorator, Sydney Glass, her counsel, Dr. Archibald Hopper, town shrink, and a handful of other rotating characters, depending on Regina’s mood. If he wanted to be with this many people he'd spend more time at Granny's. 

It was not lost on Gold how tragically ironic it was that the town’s feared pariah was now lousy with family. His eyes roamed up and down the long dinner table, a stark black and white decor that matched the rest of the stately manor. In a nod to the season, blood red poinsettias were sprinkled here and there to dramatic effect. He recognized everyone at the table, of course. He made it his business, both literally and figuratively, to know everyone in town. But he also made certain that none of them knew him, not really. Occasionally his and the mayor’s business desires lined up and they worked in tandem when it suited Gold. David Nolan acted like they were friends every time he saw him, much to Gold’s bewilderment. And he continued his campaign to regain the trust of Bae, or Neal, as everyone else at the table called him. 

Bae sat near the head of the table with Henry and Emma, with Regina at the head looking smugly down her line of descent. Honestly, she was worse than some men and their obsession with progeny and the continuation of their line of succession. Dr. Hopper would have something to say about that, he was sure. 

Gold sat further down the table, by choice. He didn’t need to exercise his power in this sham hierarchy. He knew who really reigned over the town, and it wasn’t the person in possession of the official title. But while Regina’s objective was to protect her power, Gold’s was to protect himself and his family, his real family. And he did that through maintaining control and influence. His desire was to protect himself and Bae. Anything, or anyone, else was meaningless.  

Gold looked at his drink, using his long fingers to twist the apéritif against the white tablecloth. Inane chatter created a tiresome buzz around him. Worse than that, he was bored. And when he was bored, he was left to his own devices to amuse himself. His eyes swept up and down the table again. Little pleasure to be had at this table. He knew he had to keep his sharp tongue in check for Bae. This gathering was meaningless to him, but important to his son. If he says something biting and Bae gives him one of those disappointed looks…he couldn’t stand the further disconnection. Gold fingered the ring on his hand, restless. Under the table his good leg bounced. Hired waiters reached at each guest’s right, removing the appetizers in readiness for the main course. Only a quarter of the way through the meal and his restraint struggled to find a release valve. 

“Screw the roses, send me the thorns.” 

A low-pitched accent had him glancing up. The newest addition to the “family” met his eyes. And what eyes. Big, round blue orbs twinkled at him. Miss French, the town librarian. Well, she will be if she ever got that mess of a library up and running. The eyes and the voice were in contrast to her innocent cherub face. Her eyes said she’d read some books in the restricted section. Her voice suggested she’d like to try some of the things she’d read. She was staring at him, as if she’d expected to get his attention with her comment.  

She was seated diagonally from him, next to Gaston LeGume. The librarian and the pet shelter caretaker. How quaint. They sat at the end of the table because that’s where Regina sat the newest, least politically savvy of the gathering. But as members of the community running town services under Regina’s purview, they warranted an invitation. Regina wanted to either impress them or put fear in them. The librarian, he noted, looked neither. 

LeGume was chattering away next to her, but Gold didn’t hear a word he said. Her remark was obviously in response to something LeGume had said, but the librarian kept regarded Gold across the table. Like she was challenging him to enter the conversation. Gold raised an eyebrow at her. She raised one right back. The insolent little creature.

The phrase that piqued his interest was one he hadn’t heard in a long, long time. She was too young to know the classic guide to sadomasochism, subtitled “The Romance and Sexual Sorcery of Sadomasochism.” Considering sadomasochism as “sexual magic” had always resonated with him. It was delicate, like he imagined a spell would be. It required the precise blend of trust, fantasy, and sensuality. Get it just right and SM could be intensely erotic and deeply intimate. Many many years ago he was active in that community. He hadn’t dipped back in in a number of years. Mostly because he couldn’t find the right partner to join him in the dark, to make the formula complete. It was always off, somehow, despite his efforts. The frustration over not being able to conjure the correct spell forced him to abandon SM and he’d begun to suspect the incomplete desire would haunt him for the rest of his life. 

Still, the contradictions of Miss French raised his suspicions. 

“Read any good books lately, Miss French?” He interrupted LeGume’s blathering, who blinked and gaped at him like a fish. 

Miss French didn’t seem to mind his rudeness. In fact she settled more comfortably back in her chair. 

“In fact I have, Mr. Gold.” It was the most words they’d exchanged since she arrived in town months ago. “It’s one I’d never considered until recently, but based on positive recommendations I finally tried it out. The Story of O. Have you ever read it, Mr. Gold?” She was all politeness.

He couldn’t help the tick in the corner of his mouth. “It’s an old favorite. I haven’t had reason to revisit it in some time. Are you finding it,” he let the word hang in the air, “satisfying?” 

“Oh yes.” She didn’t even blush. “Like any good book, it’s…” she mimicked his speech, “arousing some new ideas in me.” 

He sat back in his own seat, no longer bored. “Glad to hear it. You may have inspired me to pick it up again.”

“I have it on my bedside table if you need a refresher.” She broke eye contact to look up and politely thanked the waiter on her left as the main course dishes were placed on the table. 

“What book are you talking about?” Mary Margaret chimed in. She was on the other side of Belle and caught part of their exchange. “My book club is always looking for recommendations.” 

Gold looked down to hide his smirk. The idea of virginal Mary Margaret reading the erotic novel by Pauline Réage was laughable. But he looked at Belle to see how she’d handle it, positive she’d regret her recklessness and flush with embarrassment. 

“The Story of O,” Belle repeated for the benefit of the table, matching his challenging stare. “A French novel from 1954.”   

The title was met with silence. 

“Oh,” Mary Margaret said. “I’ve never heard of that one. I’ll have to look it up.” 

He knew it was more polite, empty words. Nobody at this table would look up the book. For one, Regina made them put their phones in a bowl on their way in. (He kept his. He knew how to act civilized at a dinner table.). Second, he'd be surprised if anyone in this town knew how to read. From what he could tell they seem to spend the majority of the time running around like idiots.

With much pomp and circumstance the main course, a turkey, was placed in the middle of the table. The legs were crossed and tied over the bird’s cavity with kitchen twine.

“Don't things look so much more delectable all trussed up?” Belle chirped across from him.

~tbc~

[mybeingthere]

Ian Abdulla (1947–2011) Ngarrindjeri artist. 

Ian Abdulla lived all his life at Cobdolga, an early irrigation settlement in the Riverland region of South Australia. The township is located beside the Murray River, it’s name a corruption of Cobdogle, the ‘king’ of the local Aboriginal tribe. Abdulla grew up by the swamp, formed when the system of locks changed the river level, a haven for water birds, especially pelicans.

He began painting in the late eighties, a period of cultural renaissance in Cobdolga, due in large to mentorship from art activist and teacher Steve Fox, who had taken an extended break from his role as art adviser at Yirrkala in North East Arnhem Land. Abdulla captured the prevailing mood of his community when he told Steve Fox that he couldn’t draw and that his mob had no culture left. ‘That was just on the surface though’, Fox later recalled, ‘it all changed the more we talked' (Fox 1992: 68). Despite Abdulla’s early misgivings about his creative potential, his work evolved and found an appreciative audience.

Through his painting Abdulla came to relate the simple narrative stories that recorded his recollections of times and deeds that illuminated the life of the local Aboriginal people living in rural poverty. Growing up in the 50’s and 60’s, his childhood memories, though simply told, are far from simple and, importantly, are deeply grounded in historical context. It is a perspective that is at once personal and political, though gently so. In time Abdulla became the most successful of the Cobdolga artists. While much of their art was narrative, contemporary and political, Abdulla himself tended away from the overtly political and developed a quieter, more reflective style, which garnered considerable popular attention, and even affection, from the mainstream public.

'I can only paint what I know to be true,' Abdullah said, revealing the sense of authenticity that lends gravitas to his naive painting style. Human figures, tenuous within the painted landscape of mountains, trees, birds and animals, go about their activities integrated within, rather than imposed upon the background. The overall effect is one of continuity between a unique environment and its human inhabitants. Most of his paintings are annotated, and it is the text, centred in the visual forefront of the image, that provides the link between these naive images and the broader historical framework of Aboriginal dispossession and inequity.

Although his work has remained stylistically consistent throughout his career, his final paintings departed somewhat from stories of his childhood to address contemporary issues. The vanished river life is replaced by the modern day hardships of life in Cobdolga; alcoholism, unemployment, violence and prison life. The childlike, figurative narrative delivers these stories simply as ‘truth’, recording events with a certain sense of objectivity and largely without judgement. Prominent attention to background surroundings still conveys the sense that human intention is subject to greater forces. In his painting Here is Where the Angels Carried Me to The Front Step When I Was Walking Around the Mission Looking For a Head Strainer 1999, Abdulla left behind the innocence of childhood and tells an adult story of hope and redemption. 

For an artist who initially maintained that, ‘In the future my paintings won't change much from what they are today‘ (Murphy 1992: 14), this direction is compelling. The lack of artifice always evident in Abdulla’s work reflected his opinion that what ultimately matters more than anything is that these stories are told.The sense that Abdulla was a ‘people’s artist’, and was a storyteller creating works for his own community as much as for a wider audience, has sat relatively comfortably alongside his commercial success and artistic recognition. His representation through Paul Greenaway in Adelaide and the Hogarth Gallery in Sydney was stable and enduring, built upon the same deep personal feelings that he imparted so successfully in his art. Over time he came to occupy a unique position within the broader canon of Aboriginal art as a contemporary voice outside of the ‘urban contemporary’ framework.

Ian Abdulla’s work has been recognised in many ways since it gained recognition in the early 1990’s. He was awarded South Australian Aboriginal Artist of the Year in 1991 and an Australia Council Fellowship in the following year. On two occasions he was runner up in the National Indigenous Heritage Art Award and in 1996 he won the General Painting section of the Telstra National Aboriginal and Torres Strait Islander Art Award. His work has been developed into two popular children’s books that deal with social and environmental issues, As I Grew Older 1993 and Tucker 1994; and attesting to his enduring popularity, his life and art were the subject of the play Riverland directed by Wesley Enoch for the Adelaide Festival in 2007. Ian Abdulla passed away in early 2011 leaving behind this great legacy.

https://www.cooeeart.com.au/.../profile/AbdullaIan%20W/

[attheaddress43]

@ The Address: Premier Interior Designer, Home Styling, and Property Staging in Sydney

At @The Address, we transform homes and properties into beautifully designed spaces that inspire. Specializing in interior design, home styling, and property staging in Sydney, we bring creativity, expertise, and attention to detail to every project. Whether you’re looking to refresh your living space or stage a property for sale, our team creates tailored solutions that reflect your unique style and goals.

Our Key Services

1. Interior Designer Sydney

We create interiors that blend aesthetics with functionality, designing spaces that are both stylish and practical. Our interior design services include:

Personalized design solutions: We work closely with you to understand your style, preferences, and lifestyle, crafting designs that fit your vision.

Complete space planning: From furniture layouts to lighting, we design every aspect to ensure your space flows beautifully.

Material and color selection: We guide you in selecting the perfect materials, textures, and color palettes to bring your dream space to life.

2. Home Styling

Sometimes, all your home needs is a fresh look. Our home styling services help breathe new life into your existing spaces. We offer:

Restyling your current furniture: We use your existing pieces, adding new accessories and rearranging layouts to maximize appeal.

Affordable updates: Simple changes like artwork, lighting, and decor can make a big impact without the need for major renovations.

Creative solutions: Our stylists find creative ways to update your home, making it feel new and inviting.

3. Property Styling

Selling a home? Property styling is key to making a great first impression on potential buyers. We provide:

Professional styling for property listings: We stage your home to highlight its best features, ensuring it looks appealing both in photos and during inspections.

Furniture rental: We offer a range of stylish furniture and accessories to create a cohesive, attractive look.

Quick turnaround: We know the market moves fast, so our team works efficiently to style your property and get it ready for sale.

4. Property Staging

Our property staging service takes your home from empty to extraordinary. We bring in all the furniture, decor, and accessories needed to showcase your property in the best light. This service includes:

Complete staging solutions: We furnish and style your home to create a welcoming, aspirational space that attracts buyers.

Customized staging plans: We design staging plans that highlight the unique features of each property, helping buyers visualize the space as their future home.

Increased sale potential: Well-staged homes typically sell faster and at higher prices, making staging a smart investment.

Why Choose @The Address?

Tailored Designs: Every home is unique, and our designs reflect your personal taste and the character of your space.

Experienced Team: Our team of professional interior designers and stylists has years of experience transforming homes in Sydney.

Results-Driven: Whether it’s styling for a sale or creating your dream home, we focus on delivering high-impact results.

Frequently Asked Questions (FAQs)

Q: What’s the difference between home styling and property staging?  A: Home styling focuses on updating or refreshing a lived-in space, often for personal enjoyment. Property staging is designed to prepare a home for sale, showcasing it in a way that appeals to potential buyers.

Q: How long does the property staging process take?  A: We typically complete staging within a few days, depending on the size of the property and the scope of the work. We work efficiently to meet tight deadlines, ensuring your property is ready for listing as soon as possible.

Q: Can I use my own furniture for property staging?  A: Yes, we can incorporate your existing furniture into the staging plan if it suits the style and layout we’re creating. Alternatively, we offer a full range of furniture rental options.

Q: How much does property styling or staging cost?  A: Costs vary depending on the size of the home and the level of service required. We offer tailored packages to suit different budgets and needs, ensuring you get the best return on investment.

Q: Can you help with small home projects or just full redesigns?  A: We’re happy to help with projects of any size, from small room updates to full home redesigns. Whether it’s a quick refresh or a complete transformation, our team will work with you to achieve your goals.

Contact @The Address

For expert interior design, home styling, property styling, and property staging in Sydney, trust and read more about @The Address to bring your vision to life. Our dedicated team is here to create stunning spaces that elevate your home’s style and value.

[manipulatehair]

Get the Best Hair Stylist Experience in Sydney at Manipulate Hair

Experience top-tier hair styling at Manipulate Hair in Sydney. Our expert team is dedicated to providing the best hair stylist experience, tailored to your unique style and preferences. From classic cuts to modern trends, our skilled stylists use the latest techniques and high-quality products to ensure you leave looking and feeling your best. Discover exceptional service and stunning results—book your appointment at Manipulate Hair today for a personalized and memorable styling experience.

[sloanssalonss]

What Are the Benefits of Investing in the Best Hairdresser?

When it comes to personal grooming and self-care, choosing the right hairdresser can make all the difference. Investing in the best hairdresser is not just about getting a great haircut—it's about enhancing your overall appearance, boosting your confidence, and enjoying a stress-free salon experience. 

Here’s a comprehensive look at why selecting the best hairdresser Sydney is a worthwhile investment.

1. Expertise and Precision

The most significant advantage of hiring the best hairdresser is their expertise. Top hairdressers have years of experience and specialised training that allow them to deliver precise and expertly crafted haircuts and styles. 

They stay up-to-date with the latest trends, techniques, and products, ensuring that you receive a hairstyle that complements your face shape, hair texture, and personal style. Whether you're looking for a classic cut, a trendy style, or a complete makeover, their skills can help you achieve the look you desire with precision and finesse.

2. Personalised Consultation

A high-quality hairdresser will take the time to understand your needs and preferences through a detailed consultation. They will ask about your lifestyle, daily hair routine, and any specific concerns you may have. 

This personalised balayage Sydney approach ensures that the final result aligns with your expectations and suits your unique needs. Unlike a generic haircut, a tailored style from a skilled hairdresser can enhance your features and bring out the best in your appearance.

3. Quality Products and Techniques

The best hairdressers use top-of-the-line products and techniques that can significantly improve the health and appearance of your hair. From high-quality shampoos and conditioners to advanced styling products and tools, they invest in the best products to ensure your hair looks and feels its best. 

Additionally, they are knowledgeable about the proper application and techniques, reducing the risk of damage and ensuring long-lasting results.

4. Boosted Confidence

A great haircut or style can do wonders for your self-esteem. When you look good, you feel good, and this confidence can positively impact various aspects of your life, from professional interactions to personal relationships. 

The best hairdressers understand the emotional connection people have with their hair and work to create a look that makes you feel empowered and confident. Their ability to enhance your natural beauty and create a style that suits you can lead to a significant boost in self-assurance.

5. Consistency and Reliability

Investing in a top-notch hairdresser means you’ll experience consistent results every time you visit. Unlike less experienced stylists, the best hairdresser Sydney maintain a high level of quality and reliability. 

You can trust that each visit will deliver the same level of professionalism and satisfaction, reducing the stress of finding a new stylist or dealing with inconsistent outcomes. This reliability is crucial for maintaining your desired look and ensuring you always leave the salon feeling satisfied.

6. Time and Stress Savings

While it might seem like a luxury, investing in a highly skilled hairdresser can actually save you time and stress in the long run. High-quality hairdressers work efficiently and effectively, minimising the time spent in the salon while maximising the results. 

Additionally, their expertise means fewer corrections or touch-ups are needed, allowing you to enjoy your look without the hassle of frequent salon visits. This efficient service can be a significant time-saver in your busy schedule.

7. Exceptional Customer Service

The best balayage Sydney prioritise exceptional customer service. They create a welcoming and comfortable environment, ensuring that your salon experience is enjoyable from start to finish. 

This includes everything from offering refreshments and providing a relaxing atmosphere to engaging in friendly conversation and addressing any concerns you may have. Outstanding customer service enhances your overall experience and makes each visit to the salon a pleasant one.

8. Long-Term Benefits

Investing in a skilled hairdresser offers long-term benefits for your hair’s health and appearance. Regular visits to a top-tier stylist can help you maintain your hair’s condition and prevent common issues such as split ends and damage. Additionally, they can offer valuable advice on hair care and maintenance, helping you keep your hair looking its best between salon visits.

Conclusion

Investing in the best hairdresser Sydney is more than just a financial commitment—it’s an investment in yourself. The expertise, personalised service, quality products, and overall experience provided by a top-tier hairdresser can greatly enhance your appearance and boost your confidence. 

From precision and reliability to exceptional customer service, the benefits of choosing the right hairdresser are well worth the investment. So, the next time you’re considering a haircut or style, remember that opting for the best can make all the difference in achieving a look you love and a salon experience you’ll enjoy.

Source by - https://shorturl.at/27qTU 

[beauty-provider]

Finding the Perfect Hair Extensions and Salon Services in Sydney

When it comes to enhancing your hairstyle, finding the right hair extensions and a reputable salon is crucial. For those searching for "Hair extensions near Darling Street," "hair extensions salon Sydney," "hair extensions Western Sydney," or "Hair salon appointment Balmain," navigating the myriad options available can be a daunting task. This guide will help you explore the best solutions to achieve the look you desire and ensure that your hair transformation is in the hands of skilled professionals.

Hair extensions near Darling Street offer a convenient option for those living in or around the area. Whether you’re looking for length, volume, or a complete change in style, nearby salons specializing in hair extensions can provide tailored solutions to meet your needs. These salons are known for their expertise in various extension techniques, including tape-ins, clip-ins, and keratin bonds, ensuring that you get the best possible results.

For a more extensive range of options, searching for a "hair extensions salon sydney" can lead you to some of the city’s top-rated establishments. These salons offer professional advice and high-quality extensions that cater to different hair types and preferences. With Sydney being a vibrant hub for fashion and beauty, many salons are equipped with the latest techniques and products to ensure that you leave with a look that not only suits your style but also maintains the health of your natural hair.

If you are based in Western Sydney, finding "hair extensions western sydney" can lead you to several reputable salons in the area. These salons are well-versed in providing hair extensions that blend seamlessly with your natural hair, offering both aesthetic appeal and comfort. From luxury extensions to more budget-friendly options, Western Sydney salons can accommodate a range of needs and preferences, ensuring that you find the right fit for your desired look.

In addition to seeking out hair extensions, scheduling a "Hair salon appointment Balmain" can provide you with a comprehensive hair care experience. Balmain, known for its chic and stylish atmosphere, is home to several high-quality salons where you can book an appointment for a range of services, including hair extensions, cuts, coloring, and treatments. A visit to a Balmain salon ensures that you receive personalized attention and professional advice tailored to your individual hair needs.

Choosing the right salon and hair extensions requires careful consideration of several factors. It is important to select a salon with experienced stylists who are skilled in applying extensions and can provide recommendations based on your hair type and desired outcome. Additionally, reading reviews and consulting with salon professionals can help you make an informed decision.

Whether you are located near Darling Street, in Western Sydney, or are considering a salon appointment in Balmain, there are numerous options available to help you achieve your ideal hairstyle. By researching local salons and understanding the different types of hair extensions, you can ensure a satisfying and successful hair transformation experience.

[horizontal-fitouts]

Custom Made Furniture Sydney: Your Dream Space Awaits with Horizontal Fitouts

Discover How Our Custom Made Furniture in Sydney Can Transform Your Space

Have you ever walked into a furniture store and thought, "Close, but not quite right"? Well, you're not alone! As a result, custom made furniture in Sydney is becoming a game-changer. So, let's chat about how Horizontal Fitouts can make your furniture dreams come true.

The Magic of Custom Made Furniture

First of all, what's the big deal about custom made furniture? Well, imagine having a personal stylist for your home. Cool, right? Therefore, instead of trying to squeeze that almost-perfect bookshelf into your oddly-shaped nook, you get furniture that fits like it was born there. Because, well, it kind of was! Additionally, custom furniture allows you to express your unique style without compromise.

How Horizontal Fitouts Brings Your Ideas to Life

Picture this: You're sitting with the friendly folks at Horizontal Fitouts, sharing your wild furniture ideas. Maybe you've got a napkin sketch or a Pinterest board full of inspiration. Consequently, they're all ears, soaking up every detail of your vision. After that, they'll guide you through the exciting journey of bringing your ideas to life.

From Daydreams to Designs

Next up, the creative juices start flowing. As a result, the talented team at Horizontal Fitouts takes your ideas and turns them into real designs. Then, they'll show you what your furniture could look like and ask for your thoughts. However, don't worry if it's not perfect at first – they'll keep tweaking until you're doing a happy dance!

Crafting Your One-of-a-Kind Masterpiece

Once you're thrilled with the design, that's when the real magic happens. Subsequently, the skilled artisans at Horizontal Fitouts roll up their sleeves and start bringing your custom made furniture to life. Moreover, they use top-notch materials and pour their heart and soul into every detail. It's like they're cooking up a feast, but instead of food, you get amazing furniture!

Why Sydney is Head Over Heels for Custom Furniture

Curious why more and more Sydneysiders are falling for custom made furniture? Here's the scoop:

Perfect fit: Your furniture will hug your space just right.

Your style, your rules: It'll scream "you" from every angle.

Built to last: You get furniture that'll stick around longer than your favourite jeans.

Uniquely yours: No more "Where did you get that?" "Oh, I have the same one!"

The Sky's the Limit

With Horizontal Fitouts, your furniture possibilities are endless. For instance, dreaming of a desk that makes working from home feel like a breeze? They've got you covered. Furthermore, how about a dining table that'll make your dinner parties legendary? Consider it done! From cozy reading nooks to statement pieces that'll make your guests go "Wow!", they can do it all.

Make Your Space Sing

In conclusion, your home or office should be a place that puts a smile on your face every time you walk in. Therefore, with custom made furniture in Sydney, you can create a space that's 100% you. So why wait? Let your imagination run wild! After all, your perfect furniture is just a conversation away. Remember, Horizontal Fitouts is here to turn your furniture fantasies into reality. In the end, with their magic touch, you'll have a home or office that's not just functional, but tells your unique story. Ready to kick off your custom furniture adventure in Sydney? Let's make some furniture magic together!