#personal stylist sydney

[xblackreader]

NSFW Sydcarmy AU - MDNI <3

Sydney and Carmen are neighbors, have been for the past five months.

And in those five months of him timing his leave so they can walk to the elevator, him sometimes picking up her mail so she can invite him in to try one of her pastries, or perhaps the times when he catches glimpses of her leaving early in the morning for an appointment with her hair stylist.

She’ll come back with silky straightened hair, long swaying braids or sometimes a slicked back ponytail that he didn’t even know was possible.

She had a bakery around four blocks from here and had invited him to come, he wanted to take her up on her offer, but never found the nerve. Afraid she had just been offering the building recluse out of kindness.

He finds his paintings start to develop brown red eyes and thick shapely thighs. The women in his pieces are no longer anonymous and the gallery who commissions him says these feel much more personal, the public is loving it so much he might get his own installation.

He never tells Sydney that she has become his muse.

His art becomes more raunchy, less conservative as time goes on. The woman with the glamorous Afro in his works always has a man at her feet, touching her skin and tasting her radiance.

The man is never him.

It’s one of the John’s she keeps. They started to come with her around two months ago, a different man almost every time. They stumbled up away from the elevator following her clicking heels like a lost puppy.

Carmy watched them through the crack in his door, their clumsy hands holding her hips and flirtatious giggles escaping her lips. Sydney would shush them with a finger and Carmy would burn with jealousy.

It felt like he was a dog having to watch everyone else get a treat he had been begging for.

The men would leave promptly, half dressed if she would throw them out and Carmy would feel triumphant. She never wanted them to stay, she probably never let them cuddle her or kiss her lips again once they had fulfilled their purpose.

He felt superior to them. They would never feel her love again.

But he might never feel it at all.

The thin walls uncovered their most vulnerable moments and Carmen heard it all, how their voices would tremble when she touched them on spots only she could find, how each of them climaxed. They’re groan out her name or some curse while she gasped out wantonly, the creaking of the bed on the other side staking his heart and twisting it deeper.

His turgid erection throbbing in his own hand while he listened to other men get her off every other night. He’d finish when she did, imagining the friction around his length was her silky entrance. Imagining it was him touching her willowy figure, removing her heels and kissing every inch of her endless legs.

Wishing he was one of her toys to pick up and throw away.

Sometimes he heard her kick them out prematurely, grunting that they had been unable to fulfill her needs before she slammed the door behind them. He faintly heard her open her bedside drawer and the light buzzing that followed always made him smile, stroking his cock at the sounds of the unadulterated pleasure she was bringing herself.

He imagined her laid out like a model, rose petals scattered around her figure while her face scrunched up in effortless ‘O’s with her fingers disappearing where her thighs met.

He’d lean into the wall separating them and trick himself into hearing his name form on her tongue.

Carmen will paint what he imagined. Her body stop the apex of a man groin, her pouty lips wrapped around faceless fingers, her back arched off the mattress as she surrenders to bliss.

Then he goes downstairs the next morning , picks up her mail and brings it to her. She’ll smile and invite him in to try a scone, a muffin or a new creation she’s already made.

He eats her food, scans her apartment for material to set the scene of his next fantasy and leaves with a thank you.

“Carmen.”

He stood just short of his door one morning, not expecting to see her in the hallway so early, “H- hello, hi… Yes, Sydney? Good morning.” He blathers, and she glows like a goddess.

“Y’know, I could pose for one, someday. If you like.”

<3

lol pathetic yearning cuck! carmy go brr

[racketballz]

I remember liking Lisa's design but I forgot what she even looks like... I do remember her having a mole but that's it 😔

If you ever redesign her, what's something you're absolutely sure you'll add to her as a character? (Also your vampire and hunter are beautiful and I adore them, even if I only seen them once)

This is Lisa!

I think her actual face will look the same dw! the mole stays! because i don’t see why I should change it really but I had a concept that she was like under cover or like had a secret identity or something and that changes a lot the decisions I made with her if I wanna trash it so she’s kinda in this limbo state!

As well as the school uniform thing because the story was originally @ some affluent school for upper echelons and she was disguising as a rich mean queen bee and that’s how her and Sydney meet. but I think to kill like 5 birds with one stone (I was truly making this way too complicated I don’t even wanna explain it 😭) I’ll just make it a sky high situation academy with powers in college slay

So because it’s even more school stuff I wanted to lean into the darkness of everything for the design so I’m like making the uniform black for everyone and possibly everything in greyscale as a stylistic choice hmm

Her personality is more or less the same as before she’s logical but nice enough and shes very pragmatic and and a little niave!

[midnightsslut]

I don’t know how to say this in a way that isn’t sexist, but Taylor did not dress like other 19 year olds (college students) in the US when she was 19. She famously never showed her bellybutton and kept her chest fairly covered. Even the short skirts with the slight midriffs from the 1989 era still felt very conservative compared to some of the other popular styles of the time. But I also think she was preyed on and criticized so much she didn’t want to add to that fuel. But, I’m also not a huge fan of Taylor’s style (her stylist is an enemy of mine) (I’m a bit of a fashion snob).

Sydney Sweeney is a fascinating comparison to make because I feel like she often misses on red carpets because her stylist struggles with dressing her in a way that doesn’t feel too old (aka being taken seriously) while still feeling trendy and fresh.

I actually looove taylor’s style (unpopular opinion in the fandom, I guess). I think it’s extremely flattering, and everyone i know irl says she dresses great. i know people wan avant garde looks from her, but that’s just not who she is, and i personally admire her refusal to try to be anyone else (especially as someone who changed her image so many times over the years). stylists are a touchy subject tbh.

I would say the 1989 era stuff wasn’t too conservative, but it looked like that on her for a variety of reasons. it’s just the image she built for a long time. even when she acts sexual now, it’s never as overt as some of her artists who make it the centerpoint of their image. the good girl reputation was very necessary in the late 00s considering the cultural climate at the time, though. there’s one interview from 2009 where she says she has people on her team who tell her when a skirt is too short, and she appreciates the feedback. that’s not common for a nineteen-year-old, but it’s the route she chose, and it probably benefited her in the long run.

sydney’s sex appeal can never be divorced from anything she does, and that makes it difficult to style her, because you have to toe the line between playing into that and still making sure she doesn’t get objectified so much that it turns into a hate train. it’s a very sad reality of the space she occupies in the industry.

[pop-pop-pop-popculture]

MET GALA 2024 Review: May 6, 2024

I feel that there's more photos and guests, but vogue.com only posted 263 images.

Yes

Lana Del Rey

Dua Lipa

Zendaya

Jessica Biel

Harris Reed

Penélope Cruz

Aurora James

Jennifer Lopez

Lil Nas X

Karol G

Natasha Poonawalla

Christine Beauchamp

Jennie Kim

Tory Burch

Grace Murdoch

Taika Waititi

Rita Ora

Ivy Getty

Nelly Korda

Michelle Williams (I love the pink hair!)

Taraji P. Henson

Shakira

FKA Twigs

Ugbad Abdi

Shakira

Doja Cat

Nicki Minaj (OUTFIT, NOT PERSON.)

Camila Mendes

Adut Akech

LaQuan Smith

Usher

Anok Yai

Imaan Hammam

Karlie Kloss

Cardi B (OUTFIT, NOT PERSON.)

Tyler Mitchell

Kaia Gerber

Iris Law

Men either try or don't try at all, so kudos to the stylists of the men that actually tried.

No

Serena Williams (The gold was gorgeous, but I don't like the construction of the dress. On top of that, it didn't flatter her physique well.)

Kylie Jenner (obviously)

Kris Jenner (obviously)

Michelle Yeoh

Sydney Sweeney (I like the shade of blue and flower appliques, though.)

Yes and No

Ariana Grande

Elle Fanning

Kylie Minogue

Kendall Jenner

The Redmayne's (They went all out, that's for sure, but I don't see how their outfits correlate to the theme.)

Olivier Rousteing (I like the top and flare pants!)

Irina Shayk

Camila Cabello

Kelsea Ballerini

Naomi Campbell (The color and fabric are pretty, but I feel like she went a little too safe.)

Taylor Russell

The F*ck?

Cara Delevingne

Lizzo

I know that there were a ton more people, but I wanted to keep the list of each category short.

🌸 May 8, 2024 🌸

[neattequila]

HARRY’S STYLE EVOLUTION PART 2 (HS1 Era) by an actual stylist

First off, thanks for the love on part 1! It was truly, so fun to write. I have such a good time looking into Harry's style because it's something I've always kept my eye on throughout his and my own career. If you haven't read part 1, I definitely recommend it, as I'll be referencing some things from it. (Link to that is here.)

This is part 2, which is solo Harry, particularly during the making and tour of HS1 (2017-2018.) I just have TOO much to say about his style for it to be concise I'm so sorry lol.

Without further ado, let's get into it!

2017!

Harry's first official appearance after 1D is on October 6th, 2016, a dinner hosted to celebrate his trio of Another Man covers with Alister Mackie and Kris Van Assche. He wears a suit by Dior Homme.

To debut his single "Sing of the Times" on the Radio 1 Breakfast Show with Nick Grimshaw, he wears Gucci tartan trousers (left). He has a real Gucci tartan moment here. Also wearing a Gucci tartan suit to perform on Saturday Night Live (right.)

At this time, his personal style is still reminiscent of his late 1D style. He's still wearing black skinny jeans and the infamous YSL suede boots. He falls into a real short sleeve button-up/Hawaiian shirt kick here. Wearing it during Snl Promo (left) on Carpool Karaoke (middle) and a black open version at a New York Rangers game (right.)

On the day his solo album is released, he wears a tartan Vivien Westwood suit with Gucci loafers (left), and on the Today Show, he wears the GORGEOUS bespoke Edward Sexton bubblegum pink suit (right.)

At this point, Harry's worn a suit to basically every public appearance he's had since 1D broke up. This makes a lot of sense. He's starting his solo career and wants to be taken seriously. What's more serious than a suit? They're often brilliantly patterned or in bright colors. Showing his fans and the world that he's still the flamboyant, bright, charming person they knew in 1D but evolved. Older now, no longer in a boyband but a Man Band, as he himself puts it.

Harry wears these Gucci wide-leg trousers with dragon detailing on the leg several times. I personally love this look. He wears a pink version (left) at his first solo show at the Garage, a brown version (right,) to perform at a Sirius XM event, he also wears a similar one to perform on the Graham Norton Show. Middle, he wears a Gucci suit with Roker boots on the James Cordon show.

Also, on James Corden's show (sorry lol) he wears the same Roker boots and this dark emerald green VELVET suit by Saint Laurent that I'm absolutely obsessed with and feel like we did not give her her moment (left.)

He's also doing Dunkirk promo at this time and typically dresses much subtler for those appearances than he does to promote his own music. It makes sense he's not trying to command the spotlight at these press events, instead opting to seem more like an ensemble player. For the French premiere of Dunkirk, he wears a suit by Prada and Roker boots.

In another Late Late show appearance (he does so many during this time), he wears this Loverboy jumpsuit by Charles Jeffery (left), and on an Elvis Duran appearance, he wears a button down with art that mimics his tattoos by Stella McCartney, along with black skinny jeans and Calvin Klein boots (right.)

In September of 2017, his official Live on Tour starts in San Francisco, and he wears a floral printed suit by Gucci (left.) Later he will wear a similarly patterned floral Gucci suit to perform at Radio City Music Hall (right.)

At the iHeartRadio music festival, he wears a harlequin Gucci suit (left), and later in Sydney, Australia, at the Aria awards, he'll wear one of my favorite suits. An Alexander McQueen suit paired with gold Roker boots.

At this point, it's clear that Harry's love affair with Gucci has started he won't become the frontman of the Memoire d’une Odeur Gucci fragrance until 2019, but he definitely has some affiliation with the brand. I'm sure they're sending him pieces and working with him closely. It's unclear if this is spurred on by Harry Lambert or if Harry Styles and Alessandro Michele are friends yet, but regardless, he wears Gucci more than any other designer at this point, and Gucci will go on to supply a lot of the suits he wears during the tour.

At the 2017 Victoria's Secret Fashion Show, Harry performs wearing two suits. First is a light blue suit (left), and later, he changes into a black suit with velvet details and a pink undershirt (right.)

2018!

Harry will wear A LOT of suits during the Live on Tour tour (those were the days, huh,) and in a bit, I'll go over some of my favorites. (If you want to see all of them, that can be found here,) but first, I want to talk about his personal style.

We see him starting to move away from skinny jeans and opting for more expressive pants. In the picture on the right, he wears the first Bode piece I believe we ever see him wear! This fits the culture of the time as we as a public begin to move farther and farther away from skinny jeans.

He's not back to adorning himself in vintage t-shirts quite yet (we'll get more into that during his Fine Line era.) But there is a noticeable difference in his style, for sure. He's much trendier than he was before, and much like how his style evolved when he was hanging out with Nick Grimshaw and co, I do think part of this style change is due to his relationship with Camille Rowe.

Harry and her were first linked in July of 2017 and have assumedly been dating for several months at this time. It makes sense that he'd be gaining some of her style from osmosis. Later he'll even admit himself, "There's a piece of you in how I dress."

We'll get more into this during his Fine Line era, as that's when he starts dressing A LOT more like her, but I do think there is a noticeable shift in 2018.

As mentioned before Harry wears A LOT of suits during this time and though I genuinely do have an opinion on every single one of them, there's just not the time. So below, I'll highlight some of my favorites.

Left Harry performs at the We Can Survive Benefit in Hollywood in a custom Stella McCartney suit. Right he wears the infamous ensemble by Harris Reed (I went to university with them and am totally not jealous at all) on tour in Amsterdam.

One of the best things about the Live on Tour suits was that there really was a sense that outfits were picked for specific places.

In Glasglow, Scotland, he wears a kilt (left) from London outfitters Highland Store. When performing in Mexico city (right) he wears a suit with embroidery and right sparkly fringe (one of my favorites he'll ever wear.)

In Bologna, he wears one of my favorite Gucci suits.

That's it for part 2! Fine Line era is next, and you better strap yourselves in for that one because I have. LITERALLY SO MUCH TO SAY!

Thank you sm for reading! <3

[majaloveschris]

Even if she only had a smaller role in a movie, I’m pretty sure she earns more with those than most of us do in a year. / you have no idea how the industry works if you think she's earning alot. One of the stars of Euphoria, the biggest show in recent years, said she couldn't afford to take 6 months off work. The lead of Reign (5 season show) said she lost 60% of her salary off the bat from taxes and manager/agent fees. AB had 1 lead role for 18 episodes and hasn't worked in over a year.

I've never said she earns a lot. I said she earns more than most of us do in a year, which is true.

I guess you're talking about Sydney. According to Google, she earned 325,000 dollars from Euphoria, which means she made more money with that show than I, personally, would do in a year. Most people would need to work for five or even more years for this money. So maybe it's not that good for them, but yeah most of them earn more with a project than we would do in a year. Not all of them, but most of them yes. Also in WN, she was the lead, and most of the cast was pretty unknown, at least for most people. In Euphoria, there was Zendaya, who was already a huge star. A lot depends on your co-stars, too.

I'd also guess that Sydney's Hollywood lifestyle costs much more than Alba's. Sydney goes to more red-carpet events and gives more interviews. She constantly needs a makeup artist and a stylist. Those cost a lot too.

[elanorjane]

Screw The Roses, Send Me The Thorns (Pt. 1)

Gift for @kelyon for @rumbellesecretsanta

Prompt: Mutually horny at family event 

A/N: This is fiction, not reality, the romance is compressed into a very short time period. Remember: safe, sane, and consensual, friends. 

These people were only Gold’s family in the loosest sense of the word. 

Regina insisted on holding these mock “family” holiday gatherings every season. He’d rather be at home, with a bourbon, in his library. Or in his shop tallying his ledgers. Better company, either way. 

But Regina Mills, by a twisted set of events, was the adoptive mother of his biological grandson. A child Bae, and himself, did not know existed until fairly recently. His son had only recently reentered his life after decades of estrangement. Gold came to these little gatherings as a favor to Bae. It was one of the olive branches he could muster in their still fragile relationship. Unfortunately, rebuilding a relationship with his son included regularly coming in contact with the whole damn town. 

This performative family was not for him. And the "family" seemed to grow every year, much to his dismay. First Emma, his grandson’s biological mother. Then her parents, the Nolans, David and his equally insufferably sunny wife Mary Margaret. Then Regina and her idiotic sister, Zelena. In a display of her status as Mayor, Regina now expanded these events to now include Storybrooke’s most influential, at least by Regina’s standards, citizenry. Beside the “family”, their gathering now included Jefferson, her stylist and decorator, Sydney Glass, her counsel, Dr. Archibald Hopper, town shrink, and a handful of other rotating characters, depending on Regina’s mood. If he wanted to be with this many people he'd spend more time at Granny's. 

It was not lost on Gold how tragically ironic it was that the town’s feared pariah was now lousy with family. His eyes roamed up and down the long dinner table, a stark black and white decor that matched the rest of the stately manor. In a nod to the season, blood red poinsettias were sprinkled here and there to dramatic effect. He recognized everyone at the table, of course. He made it his business, both literally and figuratively, to know everyone in town. But he also made certain that none of them knew him, not really. Occasionally his and the mayor’s business desires lined up and they worked in tandem when it suited Gold. David Nolan acted like they were friends every time he saw him, much to Gold’s bewilderment. And he continued his campaign to regain the trust of Bae, or Neal, as everyone else at the table called him. 

Bae sat near the head of the table with Henry and Emma, with Regina at the head looking smugly down her line of descent. Honestly, she was worse than some men and their obsession with progeny and the continuation of their line of succession. Dr. Hopper would have something to say about that, he was sure. 

Gold sat further down the table, by choice. He didn’t need to exercise his power in this sham hierarchy. He knew who really reigned over the town, and it wasn’t the person in possession of the official title. But while Regina’s objective was to protect her power, Gold’s was to protect himself and his family, his real family. And he did that through maintaining control and influence. His desire was to protect himself and Bae. Anything, or anyone, else was meaningless.  

Gold looked at his drink, using his long fingers to twist the apéritif against the white tablecloth. Inane chatter created a tiresome buzz around him. Worse than that, he was bored. And when he was bored, he was left to his own devices to amuse himself. His eyes swept up and down the table again. Little pleasure to be had at this table. He knew he had to keep his sharp tongue in check for Bae. This gathering was meaningless to him, but important to his son. If he says something biting and Bae gives him one of those disappointed looks…he couldn’t stand the further disconnection. Gold fingered the ring on his hand, restless. Under the table his good leg bounced. Hired waiters reached at each guest’s right, removing the appetizers in readiness for the main course. Only a quarter of the way through the meal and his restraint struggled to find a release valve. 

“Screw the roses, send me the thorns.” 

A low-pitched accent had him glancing up. The newest addition to the “family” met his eyes. And what eyes. Big, round blue orbs twinkled at him. Miss French, the town librarian. Well, she will be if she ever got that mess of a library up and running. The eyes and the voice were in contrast to her innocent cherub face. Her eyes said she’d read some books in the restricted section. Her voice suggested she’d like to try some of the things she’d read. She was staring at him, as if she’d expected to get his attention with her comment.  

She was seated diagonally from him, next to Gaston LeGume. The librarian and the pet shelter caretaker. How quaint. They sat at the end of the table because that’s where Regina sat the newest, least politically savvy of the gathering. But as members of the community running town services under Regina’s purview, they warranted an invitation. Regina wanted to either impress them or put fear in them. The librarian, he noted, looked neither. 

LeGume was chattering away next to her, but Gold didn’t hear a word he said. Her remark was obviously in response to something LeGume had said, but the librarian kept regarded Gold across the table. Like she was challenging him to enter the conversation. Gold raised an eyebrow at her. She raised one right back. The insolent little creature.

The phrase that piqued his interest was one he hadn’t heard in a long, long time. She was too young to know the classic guide to sadomasochism, subtitled “The Romance and Sexual Sorcery of Sadomasochism.” Considering sadomasochism as “sexual magic” had always resonated with him. It was delicate, like he imagined a spell would be. It required the precise blend of trust, fantasy, and sensuality. Get it just right and SM could be intensely erotic and deeply intimate. Many many years ago he was active in that community. He hadn’t dipped back in in a number of years. Mostly because he couldn’t find the right partner to join him in the dark, to make the formula complete. It was always off, somehow, despite his efforts. The frustration over not being able to conjure the correct spell forced him to abandon SM and he’d begun to suspect the incomplete desire would haunt him for the rest of his life. 

Still, the contradictions of Miss French raised his suspicions. 

“Read any good books lately, Miss French?” He interrupted LeGume’s blathering, who blinked and gaped at him like a fish. 

Miss French didn’t seem to mind his rudeness. In fact she settled more comfortably back in her chair. 

“In fact I have, Mr. Gold.” It was the most words they’d exchanged since she arrived in town months ago. “It’s one I’d never considered until recently, but based on positive recommendations I finally tried it out. The Story of O. Have you ever read it, Mr. Gold?” She was all politeness.

He couldn’t help the tick in the corner of his mouth. “It’s an old favorite. I haven’t had reason to revisit it in some time. Are you finding it,” he let the word hang in the air, “satisfying?” 

“Oh yes.” She didn’t even blush. “Like any good book, it’s…” she mimicked his speech, “arousing some new ideas in me.” 

He sat back in his own seat, no longer bored. “Glad to hear it. You may have inspired me to pick it up again.”

“I have it on my bedside table if you need a refresher.” She broke eye contact to look up and politely thanked the waiter on her left as the main course dishes were placed on the table. 

“What book are you talking about?” Mary Margaret chimed in. She was on the other side of Belle and caught part of their exchange. “My book club is always looking for recommendations.” 

Gold looked down to hide his smirk. The idea of virginal Mary Margaret reading the erotic novel by Pauline Réage was laughable. But he looked at Belle to see how she’d handle it, positive she’d regret her recklessness and flush with embarrassment. 

“The Story of O,” Belle repeated for the benefit of the table, matching his challenging stare. “A French novel from 1954.”   

The title was met with silence. 

“Oh,” Mary Margaret said. “I’ve never heard of that one. I’ll have to look it up.” 

He knew it was more polite, empty words. Nobody at this table would look up the book. For one, Regina made them put their phones in a bowl on their way in. (He kept his. He knew how to act civilized at a dinner table.). Second, he'd be surprised if anyone in this town knew how to read. From what he could tell they seem to spend the majority of the time running around like idiots.

With much pomp and circumstance the main course, a turkey, was placed in the middle of the table. The legs were crossed and tied over the bird’s cavity with kitchen twine.

“Don't things look so much more delectable all trussed up?” Belle chirped across from him.

~tbc~

[mybeingthere]

Ian Abdulla (1947–2011) Ngarrindjeri artist. 

Ian Abdulla lived all his life at Cobdolga, an early irrigation settlement in the Riverland region of South Australia. The township is located beside the Murray River, it’s name a corruption of Cobdogle, the ‘king’ of the local Aboriginal tribe. Abdulla grew up by the swamp, formed when the system of locks changed the river level, a haven for water birds, especially pelicans.

He began painting in the late eighties, a period of cultural renaissance in Cobdolga, due in large to mentorship from art activist and teacher Steve Fox, who had taken an extended break from his role as art adviser at Yirrkala in North East Arnhem Land. Abdulla captured the prevailing mood of his community when he told Steve Fox that he couldn’t draw and that his mob had no culture left. ‘That was just on the surface though’, Fox later recalled, ‘it all changed the more we talked' (Fox 1992: 68). Despite Abdulla’s early misgivings about his creative potential, his work evolved and found an appreciative audience.

Through his painting Abdulla came to relate the simple narrative stories that recorded his recollections of times and deeds that illuminated the life of the local Aboriginal people living in rural poverty. Growing up in the 50’s and 60’s, his childhood memories, though simply told, are far from simple and, importantly, are deeply grounded in historical context. It is a perspective that is at once personal and political, though gently so. In time Abdulla became the most successful of the Cobdolga artists. While much of their art was narrative, contemporary and political, Abdulla himself tended away from the overtly political and developed a quieter, more reflective style, which garnered considerable popular attention, and even affection, from the mainstream public.

'I can only paint what I know to be true,' Abdullah said, revealing the sense of authenticity that lends gravitas to his naive painting style. Human figures, tenuous within the painted landscape of mountains, trees, birds and animals, go about their activities integrated within, rather than imposed upon the background. The overall effect is one of continuity between a unique environment and its human inhabitants. Most of his paintings are annotated, and it is the text, centred in the visual forefront of the image, that provides the link between these naive images and the broader historical framework of Aboriginal dispossession and inequity.

Although his work has remained stylistically consistent throughout his career, his final paintings departed somewhat from stories of his childhood to address contemporary issues. The vanished river life is replaced by the modern day hardships of life in Cobdolga; alcoholism, unemployment, violence and prison life. The childlike, figurative narrative delivers these stories simply as ‘truth’, recording events with a certain sense of objectivity and largely without judgement. Prominent attention to background surroundings still conveys the sense that human intention is subject to greater forces. In his painting Here is Where the Angels Carried Me to The Front Step When I Was Walking Around the Mission Looking For a Head Strainer 1999, Abdulla left behind the innocence of childhood and tells an adult story of hope and redemption. 

For an artist who initially maintained that, ‘In the future my paintings won't change much from what they are today‘ (Murphy 1992: 14), this direction is compelling. The lack of artifice always evident in Abdulla’s work reflected his opinion that what ultimately matters more than anything is that these stories are told.The sense that Abdulla was a ‘people’s artist’, and was a storyteller creating works for his own community as much as for a wider audience, has sat relatively comfortably alongside his commercial success and artistic recognition. His representation through Paul Greenaway in Adelaide and the Hogarth Gallery in Sydney was stable and enduring, built upon the same deep personal feelings that he imparted so successfully in his art. Over time he came to occupy a unique position within the broader canon of Aboriginal art as a contemporary voice outside of the ‘urban contemporary’ framework.

Ian Abdulla’s work has been recognised in many ways since it gained recognition in the early 1990’s. He was awarded South Australian Aboriginal Artist of the Year in 1991 and an Australia Council Fellowship in the following year. On two occasions he was runner up in the National Indigenous Heritage Art Award and in 1996 he won the General Painting section of the Telstra National Aboriginal and Torres Strait Islander Art Award. His work has been developed into two popular children’s books that deal with social and environmental issues, As I Grew Older 1993 and Tucker 1994; and attesting to his enduring popularity, his life and art were the subject of the play Riverland directed by Wesley Enoch for the Adelaide Festival in 2007. Ian Abdulla passed away in early 2011 leaving behind this great legacy.

https://www.cooeeart.com.au/.../profile/AbdullaIan%20W/

[jacobwragge11-blog]

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[fandomslashcontent]

Hens Party in Sydney: Glamour, Style, and Unforgettable Moments

Sydney is the ideal destination for a hens party filled with glamour and unforgettable moments. Start the day with a personal makeover session for the bride-to-be and her friends. Many Sydney-based stylists offer hens party packages that include hair and makeup services, so everyone feels extra special and picture-perfect. Afterward, arrange for a professional photographer to capture stunning memories of the day, whether at a beachside location or in front of iconic Sydney landmarks like the Opera House. For an elegant evening, book a dinner at one of Sydney’s upscale restaurants with a view of the harbor. Many of these venues offer group dining packages, including private rooms and customizable menus, allowing you to enjoy gourmet food and drinks in an exclusive setting. After dinner, make your hens party in Sydney truly glamorous with a visit to one of the city’s top casinos or high-end lounges, complete with a VIP experience to make the bride feel like a celebrity.

Scavenger Hunt for a Hens Party in Sydney

A customized scavenger hunt can bring fun and adventure to a hens party in Sydney. You can organize a city-wide hunt with clues leading to iconic locations, or opt for a smaller, themed hunt in a specific area like Bondi Beach or The Rocks. Each clue can be tailored to the bride’s interests or include fun dares for the group to complete. This unique activity allows everyone to explore the city in a playful, lighthearted way. A scavenger hunt is ideal for groups who enjoy teamwork and are ready for some friendly competition.

Cooking Class for a Hens Party in Sydney

A group cooking class is a fun, interactive choice for a hens party in Sydney. Many venues offer private classes where you can learn to make anything from Italian pasta to Asian dumplings. Guided by professional chefs, you and your guests will create delicious dishes while enjoying each other’s company. After cooking, you can sit down to enjoy the meal you’ve made together. This activity is perfect for food-loving groups looking to learn something new, laugh, and bond over shared cooking experiences, making it a fun and flavorful way to celebrate.

Glamping Getaway for a Hens Party in Sydney

For a unique outdoor experience, consider a glamping getaway near Sydney. Glamping combines the adventure of camping with luxury, providing cozy tents, comfortable beds, and beautiful settings without sacrificing comfort. You can organize a group stay in a picturesque location like the Blue Mountains or the Central Coast. Many glamping sites offer group packages that include amenities like fire pits, BBQs, and nearby hiking trails. This is an ideal option for a relaxed, nature-filled hens party in Sydney, perfect for groups who want a scenic escape with a touch of luxury.

Brewery Tour for a Hens Party in Sydney

Sydney is home to a vibrant craft beer scene, making a brewery tour a fantastic option for a hens party in Sydney. You can visit multiple breweries to sample unique beers, learn about the brewing process, and enjoy local flavors. Many brewery tours offer private group packages with tastings, snacks, and even behind-the-scenes tours of the facilities. A brewery tour is ideal for groups who want a laid-back, social atmosphere with plenty of flavors to explore. This experience adds a fun, refreshing twist to the traditional hens party celebration.

Party Bus Adventure for a Hens Party in Sydney

A party bus is an exciting way to tour Sydney’s nightlife for a hens party in Sydney. With music, lights, and ample space, a party bus lets you travel in style while stopping at top bars, clubs, and scenic spots around the city. Many party bus services offer custom routes and VIP packages, allowing you to create a night that’s all about celebrating the bride-to-be. This unique experience is perfect for groups looking to keep the energy high, with dancing and partying throughout the night as you explore Sydney.

Spa Day for a Hens Party in Sydney

For a relaxing start to your hens party in Sydney, book a luxurious spa day. Many Sydney spas offer special hens party packages that include massages, facials, and access to relaxation lounges or pools. You and your guests can unwind, recharge, and get pampered together, creating a soothing and indulgent experience. A spa day is ideal for groups looking for a calming, rejuvenating activity before moving on to more energetic festivities. This experience sets a peaceful tone for the day, ensuring that everyone feels refreshed and ready to celebrate.

Luxury Hotel Stay for a Hens Party in Sydney

Turn your hens party in Sydney into a full getaway by booking a stay at a luxury hotel. Many hotels offer group packages that include spa access, rooftop pools, and dining options. You can spend the day relaxing by the pool, indulge in a hotel spa treatment, and enjoy room service or a private dinner. A luxury hotel stay offers an all-in-one experience, allowing you and your guests to celebrate in comfort and style. It’s a perfect option for groups wanting a luxurious and memorable escape without leaving the city.

Conclusion

A hens party in Sydney offers a wonderful opportunity to create lasting memories with friends as you celebrate the bride’s big day ahead. With experiences that range from spa treatments to thrilling party bus rides, Sydney’s vibrant options cater to every group and style. Making the most of Sydney’s stunning views, delicious cuisine, and vibrant nightlife ensures a day or night full of joy, excitement, and laughter. With so many unique ways to celebrate, a hens party in Sydney promises to be an unforgettable send-off for the bride and her loved ones.

[sheinamill]

You’re Look with Sheina Mill Studio: Premier Hair and Makeup Sydney Services

Are you looking for exceptional hair and makeup in Sydney that perfectly complements your style and personality? Look no further than Sheina Mill Studio. Renowned for its expertise in bridal hair and makeup in Sydney, this studio offers a range of services designed to make you look and feel your best on any occasion. In this article, we will explore the various services offered by Sheina Mill Studio, the importance of professional hair and makeup, and tips to prepare for your appointment.

Why Choose Sheina Mill Studio for Hair and Makeup in Sydney?

When it comes to hair and makeup in Sydney, Sheina Mill Studio stands out for several reasons:

1. Experienced Professionals

At Sheina Mill Studio, our team consists of skilled and experienced professionals who understand the latest trends and techniques in hair and makeup. With years of industry experience, our stylists can create a look that is not only beautiful but also tailored to your unique features.

2. Personalized Consultations

We believe that every client is different, which is why we offer personalized consultations. Our artists will take the time to understand your vision, preferences, and any specific requirements you may have. This ensures that the final look is precisely what you imagined.

3. Comprehensive Services

Whether you need bridal Hair And Makeup Sydney or a glamorous look for a special event, Sheina Mill Studio offers a comprehensive range of services. From stunning hairstyles to flawless makeup applications, we’ve got you covered for all occasions.

4. High-Quality Products

We use only high-quality, professional-grade products in all our services. This not only guarantees a stunning finish but also ensures the longevity of your hair and makeup throughout the day and into the night.

5. Flexible Locations

We understand that convenience is essential. That’s why Sheina Mill Studio offers on-location services, allowing you to get ready in the comfort of your own home or venue. This flexibility is particularly beneficial for brides and bridal parties.

The Importance of Professional Hair and Makeup

Investing in professional hair and makeup in Sydney can make a significant difference for several reasons:

1. Enhanced Confidence

Professional styling can boost your confidence, especially on special occasions like weddings or formal events. When you look good, you feel good, which reflects in your demeanor and overall presence.

2. Expertise in Trends

The world of hair and makeup is constantly evolving, with new trends emerging regularly. Our artists at Sheina Mill Studio stay updated with the latest styles and techniques, ensuring that you receive a modern and fashionable look.

3. Flawless Finish

Achieving a flawless finish can be challenging without the right skills and tools. Our experienced professionals know how to enhance your features and create a polished look that lasts for hours, if not all day.

4. Stress-Free Experience

Planning a wedding or special event can be stressful. By choosing Sheina Mill Studio, you can enjoy a stress-free experience knowing that your hair and makeup are in expert hands.

Services Offered by Sheina Mill Studio

Bridal Hair and Makeup in Sydney

Your wedding day is one of the most important days of your life, and at Sheina Mill Studio, we understand the significance of looking your best. Our bridal hair and makeup in Sydney services include:

Bridal Consultations: We offer thorough consultations to discuss your vision, preferences, and any specific details regarding your bridal look.

Trial Sessions: Before your big day, we recommend a trial session to finalize the hair and makeup style. This allows you to see how everything will come together.

On-Location Services: On your wedding day, our team will come to your chosen location, whether it's your home, hotel, or venue, to provide hair and makeup services.

Bridal Party Packages: We offer packages for bridal parties, ensuring that everyone looks fabulous on the big day.

Special Event Hair and Makeup

In addition to bridal services, Sheina Mill Studio caters to a range of special events, including:

Formals and Graduations: Celebrate your achievements with stunning hair and makeup that will leave a lasting impression.

Engagement Parties: Look your best for this exciting milestone with our tailored hair and makeup services.

Photoshoots: Whether for personal or professional reasons, we provide hair and makeup for photoshoots to ensure you look camera-ready.

Everyday Hair and Makeup

Not every day is a special occasion, but you still deserve to look and feel your best. Our everyday hair and makeup services include:

Makeup Lessons: Learn how to apply makeup like a pro with our one-on-one lessons.

Hair Styling: Get styled for a night out, date, or simply a day at the office.

Special Packages: Enjoy our seasonal packages for special promotions and pricing.

Preparing for Your Hair and Makeup Appointment

To ensure the best results during your appointment at Sheina Mill Studio, consider the following tips:

1. Gather Inspiration

Before your appointment, gather inspiration images that reflect your desired look. This can help our artists understand your vision and create a look that aligns with your expectations.

2. Be Open to Suggestions

While it's essential to have an idea of what you want, being open to suggestions from our professionals can lead to a more personalized and flattering result. Our artists can provide insights based on your features and the latest trends.

3. Skin and Hair Prep

Ensure that your skin and hair are well-prepared before your appointment. Moisturize your skin the night before and consider a deep conditioning treatment for your hair to ensure it looks its best.

4. Arrive on Time

Arriving on time allows us to maximize your appointment and ensure you receive the full range of services without feeling rushed.

What to Expect During Your Appointment

When you arrive at Sheina Mill Studio for your hair and makeup in Sydney, here’s what you can expect:

1. Warm Welcome

Our friendly team will greet you and guide you through the process, ensuring you feel comfortable and relaxed.

2. Consultation

We’ll begin with a consultation to discuss your preferences, inspirations, and any specific requests. This step is crucial in creating a look tailored to you.

3. Hair and Makeup Application

Once we’ve established the desired look, our artists will start with the hair and makeup application. Our process is thorough, ensuring every detail is perfect.

4. Final Touches

After the initial application, we’ll do a final check to ensure everything looks flawless. We’ll also provide tips on how to maintain your look throughout the day.

5. Departure with Confidence

Once your hair and makeup are complete, you’ll leave Sheina Mill Studio feeling confident and ready to take on the day.

Testimonials from Happy Clients

Don’t just take our word for it—here are some testimonials from our satisfied clients:

“Sheina Mill Studio transformed my look for my wedding day. I felt like a princess! The team was incredibly professional and listened to all my requests.” – Jessica M.

“I’ve used Sheina Mill Studio for several events, and they never disappoint. Their attention to detail is outstanding, and I always receive compliments on my hair and makeup.” – Emily R.

“I had a great experience during my trial session. The team made me feel comfortable and confident, and I knew I was in good hands for my big day.” – Sarah L.

Conclusion

If you’re looking for the best hair and makeup in Sydney, look no further than Sheina Mill Studio. Our experienced professionals, personalized services, and dedication to quality ensure that you will look and feel your best for any occasion. Whether you need Bridal Hair And Makeup Sydney or a stunning look for a special event, we’ve got you covered. Contact us today to book your appointment and experience the transformation for yourself!

This comprehensive article not only emphasizes the services offered by Sheina Mill Studio but also incorporates the primary and secondary keywords effectively, ensuring it is SEO-optimized while maintaining a natural and engaging tone.

[sloanssalonss]

Why Does Finding the Right Hair Salon Matter So Much?

Imagine You’ve got a big event, perhaps a wedding, an important meeting, or a long-awaited reunion. You want to look your best, so visit a salon. You walk in excited but leave disappointed because the stylist didn’t quite get your vision. Now, you’re rushing home, trying to fix the results yourself. Sound familiar?

We've all been there, so finding the right hair salon in Sydney is essential. Your hair isn’t just a feature—it's part of your personality, and the right salon can help bring that out in the best way possible. 

The Personal Touch: Why It's Not Just About Hair

“A good stylist doesn’t just cut your hair; they shape your confidence.”

It’s not just about getting a trim or touching up your roots—your hair reflects who you are. When you sit in that salon chair, you trust someone to help you express yourself. A great stylist takes the time to understand your preferences, listens to your concerns, and delivers a look that makes you feel fantastic.

Finding the right expert in hair extension in Sydney means finding someone who doesn’t just see you as another client but as an individual with unique hair needs and a personal style. 

Expertise is Key: You Deserve the Best

The professionals at a top-tier hair salon in Sydney have extensive training in classic and modern techniques. Whether you're after the perfect balayage or contemplating hair extension in Sydney, the right salon will ensure you’re in the hands of experts who care about your hair’s health as much as you do.

We’ve all tried those drugstore shampoos and conditioners that promise the world but deliver only limp, lifeless hair. The truth is that the quality of products used on your hair can make or break your style.

The right Hair Salon in Sydney will use top-quality, salon-exclusive products tailored to your hair type. When professionals choose products, they do so with a purpose—to enhance shine, maintain your colour, or protect your hair from heat damage.

Trends That Suit You

Let’s talk trends. From bobs to beachy waves, the hair world moves fast. Trying every new look is tempting, but not every style works for everyone. A great stylist will help you navigate the sea of trends and find something that suits your face shape, hair texture, and personality.

A reputable Hair Salon in Sydney doesn’t just follow trends unthinkingly—they personalise them for you. The right salon stays on top of the latest in hair fashion, but more importantly, they know how to tailor those trends to make you look your best.

The Power of Hair Extensions

Imagine running your hands through long, flowing hair or giving your natural curls some much-needed volume. Hair extensions can be transformative, but they require expertise.

If you’ve ever dreamed of instantly having long, voluminous locks, Hair Extension Sydney is for you. But beware: not every salon can provide extensions that look and feel natural. Matching your extensions with your hair colour, texture, and length takes skill. A professional salon will guide you through the process, ensuring that your extensions enhance your look and protect your natural hair from damage.

The Experience Beyond the Chair

One thing that’s often overlooked when choosing a salon is the overall experience. A great Hair Salon in Sydney doesn’t just focus on giving you a perfect haircut or styling your hair to perfection; it’s about providing an enjoyable experience from the moment you walk in. The atmosphere, customer service, and attention to detail affect your feelings during and after your appointment.

Do they offer you a beverage while you wait? Are the chairs comfortable? Is the environment clean and welcoming? These small details may seem insignificant, but they contribute to a relaxing, pampering experience that you’ll want to come back to again and again.

Building a Long-Term Relationship

When you find the right salon, you're not just getting your hair done but building a relationship. Having a regular stylist means they know your hair inside and out. They understand what styles suit you best, how your hair reacts to different treatments, and what maintenance routine will keep it looking great between appointments. Regular touch-ups and maintenance appointments will be much easier and more enjoyable when you have a stylist you trust.

Conclusion

Your hair is a big part of your confidence and self-expression. The right salon and stylist will help you maintain healthy, beautiful hair while making you feel pampered and valued as a client. Whether you are searching for a reliable hair salon in Sydney for regular haircuts or a specialist for Extensions in Sydney, investing time in finding the right place is worth it.

Remember, it’s not just about the haircut or colour – it’s about the relationship you build with your stylist, the care they provide, and how they help you feel your best.  This long-term relationship is significant if you invest in services like hair extension Sydney, which requires ongoing care and attention.  So, take your time, research, and find a salon that fits your style and hair needs. 

Source by - https://shorturl.at/khlmj 

[inchhair]

What Makes a Hair Extension Salon the Best in Sydney?

Selecting best hair extension salon sydneyrequires consideration of a number of important variables. Prioritize quality by first seeking out salons that use high-end hair extensions that complement your natural color and texture. Because they should be well-versed in a variety of application techniques, skilled and seasoned stylists are crucial for achieving a flawless mix. The repute and outcomes of the salon can be inferred from customer reviews and before-and-after pictures. Additionally, a warm and professional environment improves the experience by putting clients at ease. To guarantee you get the appearance you want, the top salons also conduct individualized consultations to determine each client's demands and offer customized solutions.

Examining the Options for Balayage and Foil in Randwick and Newtown Techniques like balayage and foil are popular options for improving your hairdo. Both techniques can provide beautiful outcomes and have special advantages. Numerous salons that specialize in balayage Newtown are available if you're in the area, and they can accommodate different hair colors and styles. For individuals who want a natural, sun-kissed look, this technique is perfect because it enables subtle highlights and transitions that blend in perfectly with your base color.

Balayage in Randwick, stunning The Balayage randwick salons are similarly attractive for people who live there. The talented stylists in this field can tailor the look to your characteristics and personal preferences because they are knowledgeable about the art of balayage. They add depth and character by hand-painting accents, guaranteeing that every client departs looking distinctive and attractive. Because it requires little upkeep, balayage is especially well-liked by people who like a more carefree appearance.

Newtown Foil Highlights Take into consideration the foil Newtown alternatives if you're inclined toward a more defined look. Wrapping parts of hair in foil to create highlights that are brighter and more intense is known as foiling. This method is ideal for people who desire a multi-dimensional image or a striking contrast. Many salons in Newtown provide professional foiling treatments, which guarantee that your highlights are positioned correctly for the most attractive effects.

Techniques for Foil in Randwick Foil Randwick salons also offer great services to customers looking for bright highlights. From conventional foiling techniques to more contemporary approaches like chunky highlights or babylights, the stylists here have extensive experience with a variety of foiling techniques. Customers can select the brightness level they want thanks to this adaptability, whether they want a modest improvement or a significant shift.

Using Hair Extensions to Create a Gorgeous Makeover

Apart from coloring methods, hair extensions can also significantly alter your appearance. Salons that put quality and experience first should be taken into consideration if you're looking for the Best hair extension near me. High-quality hair extensions can give your hair length, volume, and even color without requiring you to dye it.

Sydney's Top Hair Extension Salon Offering a diversity of extension styles, containing as keratin bonding, tape-ins, and clip-ins, is the main goal of the best hair extension salons in Sydney. Usually, these salons provide one-on-one consultations to assist you in selecting the ideal color and style to go by your natural hair.

Hair Extensions in Randwick and Newtown

Professionals with the necessary skills are available to help people specifically seeking Hair extension Randwick or Hair extension newtown. Because of their meticulous attention to detail and dedication to employing premium products, salons in these areas are well-known for producing faultless results by blending your extensions with your natural hair.

[qnewsau]

Art Simone celebrates our diverse drag history in new book

New Post has been published on https://qnews.com.au/art-simone-celebrates-our-diverse-drag-history-in-new-book/

Art Simone celebrates our diverse drag history in new book

Launching this week, Art Simone’s new book celebrates the richness, diversity and history of Australian drag.

Her new book, Drag Queens Down Under, is out tomorrow and is a glorious celebration of life in drag through her eyes.

“The idea for the book came from my absolute adoration for the Australian drag scene and wanting to make sure I could document it with my lens,” Art Simone told us.

But Art admits that reaching out to the drag artists featured in the book was terrifying.

“I felt like a school student asking to interview for my project,” she laughed.

“But everyone was excited about the project. They were more than happy to tell me all about themselves and what makes their drag special and unique.”

Supplied

Curated and written by Art, the book features a diverse range of 30 drag artists from across Australia.

 This includes Vanity, Cindy Pastel, Karen from Finance, Courtney Act and more.

Our long history of Down Under Drag

Art explained, “We’ve had Australian drag platformed on a certain television show.

“But it only showcases a certain type of queen in a certain type of way. Our drag scene is more diverse, delicate, complex and more fabulous than that. So many focus on Drag Race, Drag Race, Drag Race.

“But drag has been a part of our culture and entertainment culture for many, many years.”

But it’s not just about the personal experiences of the drag artists. Drag Queens Down Under looks at the history of drag in Australia from Les Girls to Priscilla, Drag Race and beyond.

“I wanted to make this book for everyone to love all these queens just like I do,” Art said.

“I use their stories as portals into different times, areas, places and styles. Each paints an interesting and complex picture of their drag world.

“And through these people, we end up talking about hundreds of other drag artists. And their stories connect to other stories and history.”

Taking you in front and behind the spotlight

From glitter and glamour onstage to the tricks and tucks behind the curtain, this book is much more than the mainstream.

“There’s some really fabulous stories,” Art Simone teased.

“Maxi Shield talks about being part of the Sydney 2000 Olympics closing ceremony and all the secrecy around the queens being part of it.

“I’ve got stories from Veruca Darling, who had her own show on MTV in the early 2000s. She showcased drag to a mainstream audience before it was popular like it is now.

“I’ve got fabulous club kids like Geneva in Perth who was mentored by Stryker Meyer, a phenomenal drag artist and Guy Pearce’s makeup artist and stylist on Priscilla.

“Did you know Philmah Bocks is this crazy costume designer and clay animation artist? Everyone has something so special and unique.

“Bonnie talks about touring the country as a Les Girl when it wasn’t a very safe time. Going out to regional places and putting on shows for them.

“There are so many cool windows into everything that makes our drag unique and special. I can’t wait for people to read it.’

Art Simone’s Drag Queens Down Under is available at all fabulous bookstores from Tuesday 29th October. Be sure to grab yourself a copy and share in the fabulous history of Down Under Drag.

For the latest LGBTIQA+ Sister Girl and Brother Boy news, entertainment, community stories in Australia, visit qnews.com.au. Check out our latest magazines or find us on Facebook, Twitter, Instagram and YouTube.