How I save time on backgrounds as a full-time webcomic artist
Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.
Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!
This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)
So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.
I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.
I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.
Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.
Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!
This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.
But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)
I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.
My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!
Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!
panels that look like this in scroll format...
can look like this in print!
because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.
Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!
Enjoy!
Also obligatory "my webcomic" if you want to see this in action or check it out!
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Something about older Jason looking at the child version of himself, the innocent victim, and feeling the need to defend and avenge him the way no one else will. They'll call him reckless and try to pin the blame for his death on some unique failure of his personality, the problem isn't Robin the problem is he was just a bad fit for Robin! And then older Jason coming back to life and spits on their twisted grief. Fuck you, that innocent child deserved more. You took his memory and ruined it to make yourselves feel better. If no one will give him justice then Jason will take it himself no matter who he has to kill to get there. It's the only way he can move forward.
Something about older Cass looking at this child version of herself, this innocent who has no idea what she was doing when she was tricked into killing, and finding her irredeemable. She will forgive everyone for everything if they need a second chance but she cannot forgive that innocent child. She spends ten years wanting that child to die for their sin, a standard she holds no one else to. And in the end she does have to die. She can never forgive that child until the price has been paid and the guilty, tormented, suicidal mess of a girl is dead and never coming back. Only then can Cass live on. Only then can she smile without feeling the weight of her kill on her back. If no one will give that child the justice they deserve then she will have to do it herself. It's the only way she can move forward.
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so, we know that abuse and victim responses to abuse are very central to aftg, but what i find interesting is how other characters respond to the victim’s reactions, especially when it comes to mourning their abuser. there’s something about kevin mourning riko, aaron mourning tilda, neil mourning mary, andrew mourning cass, thats so important to me because it really truly highlights how even when people are united through similar traumas, the differences in their situations makes it impossible to fully understand the relationship a person has to their abuser. neil, aaron, and andrew are united through the abuse, neglect, or - what the fuck is the word i’m thinking of? permit? condone? i mean, knowingly allowing it to happen and not intervening - stemming from a maternal figure. but neil can’t understand why andrew would hold on to cass for so long - he refused to let her go until aaron came into the picture. and andrew can’t understand why aaron would mourn for tilda, potentially viewing aaron’s grief as a betrayal of their promise. and they all ridicule kevin for his reactions to riko. of course, neil and andrew are also abused by riko, but they still can’t understand the complicated relationship between kevin and riko because, at the end of the day, they just weren’t there.
i mean this is primarily an observation but i really love how trauma and trauma response is depicted as nuanced, complex and overall just difficult to understand from an outsider perspective in the books. it reads as really real, and though it can be frustrating when a character doesn’t understand a different character’s response, you have to understand that their perception of said character’s response is warped by their own experience of abuse.
andrew bounced from home to home, never had stability, so obviously he held tight on to the first mother-figure that didn’t outright hurt him. his self-worth was probably low enough that he thought living with drake was a fine price to pay to keep cass.
neil only ever had his mother, and he’d willingly accept her harsh hands because he believed she was just keeping him safe from the very real dangers that were closing in on them.
aaron was dealing with an addiction, and so was his mother; he was equally dependent on her to avoid withdrawal as he was scared of her anger.
i don’t really have a point anymore but you get what i’m saying
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Novel A New Hope Vader is my favourite Vader (so far) because he Is Anakin, he is everything Anakin is set up to be. He is intimidating, he is overwhelming, standing next to him feels like standing next to a black hole, he is-
The biggest little shit in the entire galaxy.
You canNOT convince me that he didn’t say half his lines with a shit-eating smirk. He is awful to be around, he is the worst person to ever exist, he is SO annoying.
And Novel Vader is so Anakin because the book can give us details the movie can’t. The book gives us the author’s choice of wording, the way the author intended the scenes to be, and Vader is such a little shit almost constantly but my FAVOURITE will always be when Tagge talks back to him about the Force, saying it isn’t as powerful or scary as he makes it out to be and Vader just-
“I find,” Vader ventured mildly, “this lack of faith to be disturbing.”
-the WORD CHOICE. The fucking WORDS chosen.
“Ventured”??? “Mildly”??? He is CHOKING this man!!! This man is DYING!! He is being such a little shit right now, this is it. This is the Him, this is Anakin Skywalker right here. He is using unnecessary force and being a bitch about it and there will never be anything that so perfectly encapsulates Anakin Skywalker than this fucking scene in this fucking novel.
On the topic and as a brief aside, the novel is what makes me think that Leia was planned to be Vader’s kid, or at least a narrative mirror to Vader, right from the start. She is also such an Anakin.
“Darth Vader… I should have known. Only you would be so bold— and so stupid.”
She just… also. Encapsulates Anakin. Like. Yeah. Yeah, this is what he could have been. He could have been a terrifying figure that people rallied behind. He is loyal to the death, as is Leia. She spits on Darth Vader while he’s having her dragged away. She mocks him to his face. This is the character that the Anakin Skywalker of future movies mimics. Her passion, her anger, her being a little shit and insisting throughout everything that it WAS a diplomatic vessel and they WERE on a diplomatic mission.
Leia is the first character to face down Vader in this novel and not show fear. She is the first character who refuses to submit in the face of the scariest guy in the galaxy. She continues to refuse to submit. She’s just. A great fucking liar.
Leia puts all her trust, her very life and the sake of the entire rebellion she’s fighting for, in a droid. An astromech droid. She begs for them to take the droid further, not for them to find her. She’s willing to die, and she trusts her death will not be in vain because she trusts a droid.
And that, if nothing else, is all the proof needed that Leia is what Anakin could have been.
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