#people that use their characters like tools

[1moreff-creator]

Select Two, Choose One: How will the Culprit get Found?

Since the latest DRDT chapter seems to have narrowed down the suspect list to just two people, many have speculated on how exactly the cast is going to pin down the correct suspect, and whether or not the audience has the tools to do so. I thought I’d throw my hat in the ring too! And while I’m still really 50/50 split, there is one piece of evidence that could change the murder method… in a way that points us to the culprit. Very inconclusive evidence, but it’s there. Let’s get into it.

Spoilers up to CH2 EP14. CW: Hanging, murder, blood, Eden and Ace!Culprit discussion

As a starting point, I’ll assume that the deduction that the culprit must be one of Eden or Ace is accurate, to simplify things if nothing else.

I will start with what I’ll call “meta only” arguments. In other words, things that characters can’t reliably use to narrow down the suspect, but that we the audience can take into consideration for theory-crafting.

-Mindset post-Nico murder attempt: Immediately after Nico runs out of the gym, the killer needs to be in the correct mindset to grab the tape, and they also need to be able to more or less figure out what Nico did to replicate it with Arei. Although, importantly, the killer doesn’t need to come up with the full plan on the spot, and they don’t need to fully understand what Nico was doing. At the end of the day, the only real similarities are the general idea of a pulley and a hanging.

Here’s more or less the train of thought Eden might have had if she’s the killer.

Eden: Hmm… The fan is broken and there was wire on it, Ace’s neck looks cut… Maybe Nico used some kind of pulley to hang him and it broke? Maybe I could do that… This tape looks useful for that.

Meanwhile, since Ace woke up in the middle of the murder attempt, he has to do a little less deducing.

Ace: Did I just get knocked- HOLY SHIT NICO IS HANGING ME WITH SOME SORT OF FUCKING SPINNING DEVICE AAAA-! Ooh, tape! :D

The actual planning of a murder would come later in the morning for Ace, once he sits down and has A Thought about it. Grabbing the tape in that context seems insane, but there may be precedent for Ace being prone to stealing the weirdest shit (we’ll get to it), so…

I think both of these are plausible. I wouldn’t say either can be disqualified like this, so we keep looking.

-Ripping/reconstructing the note: The note to Arei was ripped up and thrown into the trash, then Eden, Rose and Whit put it together.

Ace has no real reason to destroy the note, he could have just left it as it was. Maybe throw it in the trash since “it’s what Eden would have done”, but destroying it runs the risk of people not being able to put it together to point at Eden/Arturo. Although, you could argue Ace was trying to frame Nico specifically, so the note wasn’t useful and he threw it away because it made sense in his mind.

Here’s where we get introduced to a pretty big problem of having Ace as a suspect; that thing Teruko said, that sometimes assuming people will always act logically is a bad idea. Ace is the prime example; a lot of shit in this case makes a lot more sense if you assume Ace did it because he’s not smart enough to notice the problems with it. Such as using the method to frame Nico when only a few people in the class know what the method is; he maybe wouldn’t have noticed that that could point towards him as well. Ace is erratic, it’s very difficult to pin down why he does half the shit he does.

Eden, at least, makes sense. By destroying the note, then rebuilding it herself, she throws off suspicion with the exact argument she used in the trial; if she’s the killer, why do that? Just leaving the note as it is runs the risk of someone finding it and presenting it, which removes that argument, meaning tearing it is imperative.

And she would want the class to find it, not just because it makes her look more innocent if she talks about a building friendship with Arei, but because the note is where we get the “7:30” time, which combined with the fish making people think the murder was at nighttime, appears to give Eden an alibi.

In conclusion, the note being ripped makes more sense with Eden as the culprit… but it doesn’t disqualify Ace because he’s an idiot. And speaking of that…

-Fish Paradox: As outlined in my Ep13 murder theory revision, the problem with the fish is that everyone who benefits from the fish being at the crime scene only benefits if they have an alibi for nighttime, but that coincides with the time the fish disappeared, as Nico fed them and counted all of them after having dinner, so they couldn’t have taken it. Meanwhile, people like Ace who could have taken the fish, wouldn’t have a reason to as they don’t benefit from the nighttime alibi.

Except, it’s fucking Ace. It’s genuinely possible he thought people would see fish and instantly jump on Nico for some reason. See the problems that arise when you can no longer assume the killer is acting rationally?

Anyways, inconclusive (we’ll talk Eden later).

-No blood on tape: This heavily depends on exactly how Ace could grabbed the tape. His hands sorta get covered in blood instantly, so it’s hard to imagine he’d be able to do that without staining the entire roll of tape with blood. He couldn’t have easily washed it, either, since he passes out shortly after, and the blood would have likely dried by the time he woke up. This is definitely a point towards Eden, but can the cast use this? I don’t think so, because it relies on what we saw during the episode, which is not easy to prove in a trial setting.

-Dialogue and trial behavior: This one’s difficult, and as you might expect, inconclusive.

I would argue Eden has a higher amount of outright suspicious lines (“Teruko, wait—“ haunts me), but she also has a higher amount of seemingly anti-suspicious lines that make her look very innocent (see: the entire speech at the end of Ep 14).

She also has a moment where she steers the trial in the right direction by denying that Arei could have committed assisted suicide, but it’s worth remembering that if the class thinks that’s what happened and they learn of Eden’s relationship with her, they might assume Arei and Eden worked together to get Eden out. In other words, by denying the notion of assisted suicide, Eden!Culprit avoids the class reaching the right conclusion through the wrong method. Of course, if she’s innocent, it’s just genuine.

Comparatively, Ace operates at a much more stable level of suspiciousness I can only call “Ace level.” He’s constantly throwing suspicion on Nico, who the killer seemingly tried to frame with the method; he kept David and Arei’s conversation hidden; and was one of the first to jump on the “David’s the culprit” bandwagon. In a vacuum, this is super suspicious; hell, Levi was the fandom’s prime suspect for less.

But… it’s Ace. His behavior isn’t too different from the first trial. So while it’s possible he’s doing all this because he’s the culprit, it’s also possible he’s just being Ace.

Impossible to tell, I fear.

-Eden’s Night 2 paranoia: You might recall Eden being very worried someone was following her in night 2, which could suggest she was doing something suspicious (eg setting up the ball of clothes, more on this later) and was scared she’d get found out.

The problem is that there’s a perfectly fine explanation for Spotless!Eden. This is the night after her confrontation with Arturo, and Teruko did enter the same room as her; she could have just been paranoid because of the former, and felt someone was following her because of the latter. Moot point.

(I don’t think anyone else was following Eden because Teruko would have presumably seen them. Then again, I have overestimated our protag’s perceptiveness in the past)

-Eden’s strength: Eden is the weakest of the cast, so it’s very possible that half the Arei murder method is just impossible for her. But… we can’t know for absolutely sure what “weakest of the cast” means, and it’s not evidence that can be used in a trial. Ignorable.

-Motive, character writing and themes: I’m lumping these in together because I’ll give the same answer to all of them: the dev can just add an explanation in the inevitable post-trial trauma dump. We don’t know absolutely everything there is to know about these characters, or the way the narrative is going, so it’s impossible to confidently argue based on this. Physical evidence will always take precedence over these things in my books.

And that kinda settles it for that. There’s minor arguments like “Eden won’t die before we explore the Fork CG” (well, Xander did, so) or “if the Scrum Debate is Ace vs Eden then Ace is probably safe” (we don’t know what the Scrum Debate will be), but I’ll skip them to get to the more pressing matters.

That being trial-worthy evidence. What can the most dysfunctional cast of any fangan ever (/affectionate) use to fully commit to a culprit?

-Fish Alibi: If Ace has the problem of “no reason to bring fish,” Eden has the problem that her alibi literally starts directly after dinner. If Nico ate dinner with her and Hu, she couldn’t have taken the fish.

Except, of course, Nico could have had dinner earlier, and this point is completely moot. We can’t know yet.

-BDA: This is very obviously not what the cast will use to come to the conclusion given the discussions we’ve had, but I’ll bring it up anyways. This was explained in the episode though, so…

-Playground floor: sorastar6’s idea; since the floor of the playground is made of the same stuff as the relax room, it’d become sticky after getting wet from the water in the jugs, and thus, the culprit could have some stuck to their shoe. Unfortunately for some of you, we can’t easily look at the cast’s feet all the time, so this would only work for the characters, not us. However, Hu does mention heels as an example of something that can scuff the floor, and Ace wears heels, so small point to him.

-Missing glove: I still have no idea where this thing went. My only guess would be that the killer removed it to more easily put tape on Arei’s wrists, but by the time they’d strung her up, they decided putting the glove back on would take too much time (? I have no concept of how hard it’s be to properly put a glove on a dead person’s hand), and they wanted to get out of there as fast as possible. If true, that would mean they still have the glove on them, as it wasn’t in the trash. Again, if I’m right about this, the cast can use this, we can’t.

-Random garbage:

Something here. Rose would remember everything about it, so it’s usable. Maybe Ace’s gloves were damaged and he had to use the needle and thread to fix them? Maybe one of those napkins is the cloth with turpentine Nico used and only Ace would have identified and used it (assuming it wouldn’t have dried and MonoTV wouldn’t have thrown it out for some reason)? What even is that pink paper thing? Who knows.

-Ball of clothes: Held together by something Teruko identified as starch, there’s been around three hundred theories involving this thing. The only one that’s actually incriminating (for the two possibilities being discussed) is thebadjoe’s idea of the starch being from the enriched formula of the relax room, which could implicate Eden as she was acting suspiciously around the dress-up room on night 2.

I’ve seen it argued that the clothes would be dirty in that case, but that can be solved with an extra layer of clothes under the clothes that actually get starched up, which would later be either discarded, washed, or simply put inside the ball itself.

(This might be the last murder diagram I make for this case. Holy shit I can’t believe that)

Which is all well and good, but this is still ultimately assuming both that the cast has some way of making sure Ace couldn’t have done this, which I’m not sure exists, and that the starch comes from the relax room in the first place.

Because something I learnt, like, last week, is that people put starch on clothes. Like that’s a thing they do. So it’s entirely possible there’s starch for clothes in the dress-up room and anyone could have done this. If that’s the case, this cannot be used to argue at all. I don’t love the idea, since we don’t know if there really is starch there or not, but it’s there.

-Grammar: The letter to Arei pretty famously misspells “responsibel” (responsible), has horrible punctuation, etc. It’s possible someone in the trial will realize, ask Ace and Eden to spell the word, and whoever gets it right is cleared. We can’t know, but it’s a possibility. This also has the benefit of being obscenely funny.

-Custom weapon: If the killer used their custom weapon, it may point to them as guilty, as only they have access to it. However, I fail to see how a riding crop (Ace) or a wrench (Eden) would help in the slightest.

There is, however, one more item that only one of these characters has access to. And while I am very unsure of this assumption, if you ask me right now what is the decisive piece of evidence that will close the case once and for all, I will tell you:

-The shoulder band thingy:

Ace: Too fucking bad. Mine now. I’m keeping it.

Yep. This one.

For starters, remember that thing I said about the tape? That Ace has precedent of stealing completely random shit for no reason, and so it’s plausible he grabbed the tape just because? This is the precedent.

More importantly though, it’s something only Ace has access to, so if it can be determined it was used in the crime scene, it’s curtains.

And there is actually one place I could see it being used. Followers of my method theories know that, through the fire and the flames, there’s been one deduction that’s remain constant: the rope was tied to the ball of clothes, which was thrown over the railings to get the rope as high as needed. The ball also hit the lights, displacing the bulb and causing it to flicker.

(He he I snuck the image into a fourth post >:D)

I’ve always sorta assumed DRDT takes place in a physics exercise where air drag is ignored, but it’s true that this might be harder than I’ve been presenting it as.

So, we get the use for the shoulder band; a slingshot. I’m unsure on how it would be constructed (swingset maybe? seesaw?), but the idea is that. Create a slingshot, throw the clothes, badabim badabum, Ace is the culprit.

I’m not the only one to think of this btw. Reddit user (yes we’re cross-platforming for this) Makatrull seems to have arrived at the same conclusion. Great minds think alike ig.

Of course, this comes with its own issues. Mainly, how do you connect the shoulder band to the crime scene? The only way I see that happening is if the cast determines this is literally the only way the lights get broken, which… yeah, I’m gonna have to let them do the math on that one.

It’s impossible to judge without existing in the DRDT world. Is the ceiling higher than I’d previously assumed? Then it’s possible to come to this conclusion. Is it lower, and possible that even Eden would have managed to just throw the ball over the railing? Certainly. So, for now, inconclusive. When I say it’s the most likely to be the decisive evidence, I mean by like, 0.1%, I really have no clue.

———

There’s probably more, but that’s all I can think of for now.

Seeing as we’re reaching the end, I’m gonna say that regardless of the outcome, this might be one of my favorite trials in all of both canon and fan-made Danganronpa. So much shit happened. I’ll save my full thoughts for a more dedicated post, but goddamn, I can’t wait to see the conclusion!

Hope you enjoyed! If you made it this far, you deserve a shoulder band thing. Do with it as you please. See you!

[oc-challenges]

WELCOME TO OC HALLOWEEN CHALLENGE 2O24!

SMILE because it's time for the annual oc halloween challenge! We will see the evil, hear the evil, and speak the evil with these spooky challenges brought to you by @aliverse, @astarionbae, @endless-oc-creations, and @come-along-pond!

If this is your first time, here's the lowdown; This is an event that takes place over the 31 days of October and presents oc creators with Halloween-themed challenges to encourage creativity, foster community, and have fun! Some of these have guidelines/suggestions, but this is very much a free-for-all so you can ignore them if they don't fit with your interpretations.

RULES

DO NOT copy others edits.

If you are doing crossovers, PLEASE make sure that the creator of the other oc is okay with crossovers.

If you want your post to be reblogged onto this blog, it must contain the hashtag ohc2024.

Feel free to ask questions, I promise I’m more treat than trick.

Everything is up to the creators interpretation, although I have tried to include some examples for help!

Have fun!

Day One: Godly Parent

Whether Greek, Roman, Norse, Egyptian, or any other; What "God" could have created your oc?

Day Two: Mystical Communication

There are tons of ways we think we can communicate with those beyond our realm such as Tarot Cards, Oujia Boards, Prayer, EMFs, or even through other people with otherworldly powers. Which method would your oc use? Or maybe they are the communication tool?

Day Three: Merch/Memorabilia

When we really love something, we want a piece of it with us. What merch would people buy of your ocs? Ex. Dolls (like funkos or Barbie crossovers), Clothes (like shirts or sweatshirts), Buttons/Patches, Dishware (like cups or plates), trading cards, posters, or even spin-off books of the show they star in.

Day Four: If They Were Canon AU

You could create an actor oc who plays your character or even make edits about how you think your ocs faceclaim would promote/interpret their character and get along with fellow cast members.

Day Five: Social Media AU

Within their canon, what would your ocs Instagram, Twitter, TikTok, Facebook, Tumblr, Snapchat, and/or YouTube look like?

Day Six: Role Swap AU

Give your oc a role in their story that is different than the one they already have. Whether this is making a hero a villain or vice versa, your victim a survivor or vice versa, or anything else you can think of.

Day Seven: Butterfly Effect

One choice could change the trajectory of our lives or any game we play. Show us the effects of your oc making the wrong choice when they originally made the right choice, befriending someone they originally hated, or even just missing their alarm.

Day Eight: Multiverse

Maybe you have multiple ocs with the same faceclaim, maybe you have a friend(s) who have ocs with the same faceclaim that you've wanted to do a crossover with, or maybe you want your oc to meet some of the actual characters their faceclaim has played. No matter what it is, it's time for your ocs to meet their multiverse counterparts!

Day Nine: Literature AU

Put your oc into an alternate universe based off a book you enjoy whether it be a classic or a newer one, no matter the genre.

Day Ten: Dungeons & Dragons AU

Have your ocs play DND, make an au based off a classic DND campaign, or just tell us the stats of your oc in DND terms.

Day Eleven: Ghost AU

Sometimes when we die, we don't leave. Tell us the unfinished business that keeps your ocs ghost on Earth, who your oc would haunt, how they would haunt, or anything else related to your oc being a ghost!

Day Twelve: Supernatural AU

Make your human oc a supernatural creature or your supernatural oc a different supernatural character.

Day Thirteen: Video Game AU

Show us some of what your story would look like as a video game or put your ocs into your favorite game.

Day Fourteen: Musical AU

The doctor said I couldn't talk, he didn't say I couldn't siiinnnggg! Put your oc into your favorite musical such as Hamilton or Mean Girls, or come up with some original lyrics to show what you think your story would look like if it were written as a musical.

Day Fifteen: Nostalgia

Take the books, shows, or movies you enjoyed as a child and put your oc into them! Or, show us what your oc enjoyed as a child.

Day Sixteen: Fairytale AU

One of the most classics of classics. Make your oc a character in your favorite fairytale, whether you prefer the Grimm or Disney version, or make up a fairytale about your oc!

Day Seventeen: Being is Believing

For day seventeen, think about superstitions, urban legends, or folklore and either make your oc a part of them, make your oc experience them, or tell us which ones your oc believes.

Day Eighteen: Beloved Pet or Object Turned Human

It's not unusual for someone to grow an emotional attatchment to an animal or an inanimate object. What would your ocs beloved pet or object say if they turned human and could speak your ocs langauge?

Day Nineteen: Genre Switch

Whatever the genre of your story is, swap it with another one. Maybe your romance story is now a horror story, your comedy is now a tragedy, or your historical realism story is now future sci-fi.

Day Twenty: Darkest After Dawn

Things can go so right for so long and then suddenly so wrong. Show us what happens when something rains on your ocs parade, when a perfect day turns into a horrible night, or a dream vacation turns into a nightmare trap.

Day Twenty-One: Apocalypse AU

Put your oc into an alternate universe that's been thrust into an apocalypse whether that be because of zombies, aliens, radiation, or the Earth trying to reclaim its land.

Day Twenty-Two: Time Problems

Let's play with time for this challenge. Picture your story as if it has always taken place in a different time, throw your oc into a time loop, or have them somehow travel through time.

Day Twenty-Three: Horrorify A Song

Take your favorite Halloween song and tell it's story, or even take a perfectly innocent song and give it a horrifying meaning! Both using your ocs, obviously.

Day Twenty-Four: What's Your Favorite Scary Movie?

It wouldn't be Halloween without some good scary movies. Put your ocs into one of your favorite scary movies!

Day Twenty-Five: Horror Location

This is an easier throwback to one of the week long challenges we've done for this event. Make something that tells a horror story of your oc at a certain location such as a Hospital/Asylum, Summer Camp, Place of Worship, Cemetery/Tomb, House/Apartment, Hotel/Cabin, or Farm/Ranch.

Day Twenty-Six: Horror Subgenres

Another throwback to a week long challenge we've done for this event. Make something that tells a horror story of your oc within a horror subgenre such as extraterrestrial, apocalypse, monster, time loop, isolation, time loop, cult, doppleganger, or anything else you can think of.

Day Twenty-Seven: Horror Archetypes

Which horror character tropes do your ocs embody? The Final Girl or The Killer? The Accomplice or The Harmless Antagonist? The Harbinger or The Nonbeliever? The Comedic Relief or The Hysteric Annoyance?

Day Twenty-Eight: Solo Costume

Show us what your oc would dress up as for Halloween! Would they dress sexy? Scary? Lazy? Practical?

Day Twenty-Nine: Couples Costume

Show us what matching costume your oc and their love interest would wear! Peanut Butter & Jelly? Morticia & Gomez? Bert & Ernie?

Day Thirty: Group Costume

Show us what costumes your oc and their friend group would coordinate. Are they the Scooby Gang? The Wiggles? Mario Party Characters?

Day Thirty-One: Here's A Treat!

The Halloween potluck isn't happening this year but we still want to encourage interaction and giving. So, choose someone to give a treat! This could be an ask, an edit, some writing, or even a playlist.

[merwgue]

The A Court of Thorns and Roses (ACOTAR) fandom is one of the most divided literary communities today. It’s not just a matter of which characters people ship, but rather a deep schism over how people interpret the characters, themes, and real-life issues embedded in the story. The arguments go far beyond typical fandom disagreements and have morphed into full-fledged debates about morality, trauma, and the human condition. At the heart of these conflicts is the tendency for fans to project their own experiences and values onto the characters, creating new "canon" versions of the story to fit their narrative. What makes this even more significant is that ACOTAR isn’t just fantasy fiction—it touches on real issues like domestic abuse, sexual coercion, trauma, and mental health. These are not fictional concepts; they are lived experiences for many people. By brushing these topics aside or simplifying them, the fandom risks doing a disservice to the people who see their own pain mirrored in the pages of these books.

"It’s Just Fiction" — A Dismissive Take on Real Issues

When people say "it’s just fiction," they’re missing the point. Fiction, especially in fantasy, is often used as a mirror to reflect real-world problems. In ACOTAR, we see characters grappling with trauma, mental illness, abuse, and recovery—things that real people face every day. It’s not simply a story of faeries and magic; it’s a story of survival and the human struggle to overcome deep-seated pain.

Take Rhysand’s actions, for instance. Under the Mountain, he subjects Feyre to what can only be described as sexual coercion, making her dress in revealing clothing and sit on his lap while drugged, all under the guise of "protecting" her. In the real world, this would be considered sexual harassment or even assault. The argument that he was forced into these actions to protect her doesn’t erase the trauma it inflicted on Feyre. Fans who brush this off as a romantic plot device are ignoring the very real dynamics of power, consent, and coercion that exist in abusive relationships.

Similarly, Gwyn’s backstory, though not heavily detailed, strongly implies that she was gang-raped by Hybern’s forces during the war. The fact that this is left as an undertone in the series, not explicitly addressed, doesn’t make it any less important. Sexual violence, like what Gwyn endured, is a topic that has far-reaching emotional and psychological consequences for survivors. Yet, in some corners of the fandom, these moments are glossed over in favor of debating which romantic pairing is better.

Tamlin: Abuser or Victim of Circumstance?

Tamlin is one of the most hotly contested characters in the series, and it’s easy to see why. His actions in A Court of Mist and Fury—where he physically confines Feyre, restricts her movements, and isolates her from the outside world—are textbook examples of domestic abuse. There’s no argument that what he did was wrong. But there’s also context that complicates his character and, in some ways, makes him more sympathetic than he’s often given credit for.

Tamlin was traumatized by the events Under the Mountain, forced to watch helplessly as his people suffered for fifty years. He was powerless, and that sense of impotence likely contributed to his need for control once Feyre returned to the Spring Court. He was terrified of losing her, and that fear manifested in controlling behavior. Does that excuse what he did? Absolutely not. But it provides a context that many readers seem to ignore. Tamlin was also suffering, and he lacked the emotional tools to cope with his trauma in a healthy way.

Feyre, too, was suffering, but neither of them communicated effectively, and their relationship deteriorated as a result. Both were deeply broken, but instead of healing together, their trauma pulled them apart. Some fans take this complexity and reduce Tamlin to a one-dimensional abuser, ignoring the fact that many abusers come from places of deep pain themselves. Others take it too far in the opposite direction, defending every action he took. The truth lies somewhere in between: Tamlin was an abuser, but he was also a victim of his own unresolved trauma.

Rhysand: Savior or Manipulator?

Rhysand, on the other hand, is often seen as Feyre’s savior, the one who rescues her from Tamlin’s abuse and shows her how to be strong. But the fandom’s lionization of Rhysand ignores many of his own toxic behaviors, particularly his emotional manipulation of Feyre.

While Tamlin physically trapped her, Rhysand’s control was far more insidious. He isolated Feyre mentally, ensuring that the only people she trusted were members of his Inner Circle—people whose loyalty ultimately lies with him. Over time, Feyre’s connections to anyone outside of Rhysand’s immediate orbit are severed. Lucien, who had been a close friend, is gradually pushed away, and Feyre is left with no one to question her relationship with Rhysand.

This emotional isolation is a form of manipulation that can be just as damaging as physical confinement. Rhysand controlled the narrative around Feyre, making sure that she only saw the world through his lens. This is most evident in A Court of Silver Flames, when he instructs his Inner Circle not to tell Feyre about the dangers of her pregnancy. He withholds vital information about her own body, taking away her agency and reducing her to a bystander in her own life. The fact that Mor, Cassian, Amren, and Azriel all follow his orders without question only reinforces the power imbalance in their relationship.

Many fans excuse Rhysand’s actions because he’s portrayed as the "good guy" in contrast to Tamlin. But when you strip away the romantic lens, Rhysand’s behavior is just as controlling and manipulative, albeit in a different way. The fact that Feyre wasn’t physically confined doesn’t make his actions any less problematic.

The Creation of a New "Canon"

Given the complexity of these characters and the morally gray areas they inhabit, it’s no wonder that parts of the fandom have taken to creating their own "canon" versions of the story. Fans rework characters’ motivations, rewrite key events, and even create alternate universes to fit their preferred narrative. In some ways, this is a normal part of any fandom; people create headcanons and fan fiction to explore different possibilities within the world. But in the ACOTAR fandom, this rewriting often feels like a necessity rather than a choice.

Pro-Rhysand fans, for instance, downplay or outright ignore his more problematic actions, painting him as the perfect mate for Feyre. On the flip side, anti-Tamlin fans erase any nuance in his character, labeling him irredeemable and unworthy of any sympathy. It’s as if the original narrative can no longer be accepted as it is because it doesn’t fit into a simple good vs. evil framework.

This rewriting of canon can be harmful because it erases the complexities that make these characters human. Tamlin is not just a villain, and Rhysand is not just a hero. Both characters have committed acts of abuse, but they also have their own traumas and struggles that inform their actions. Ignoring these complexities simplifies the narrative in a way that doesn’t do justice to the story’s deeper themes.

The Seriousness of ACOTAR’s Themes

The divisions within the ACOTAR fandom aren’t just about ships or character preferences; they’re about how seriously the themes of the series should be taken. Domestic abuse, sexual coercion, trauma—these are not just plot points to be dismissed as fiction. They are real, painful experiences that people face every day.

Feyre’s experiences with both Tamlin and Rhysand reflect different forms of abuse, and neither should be diminished. Tamlin’s physical control was overt and obvious, while Rhysand’s emotional manipulation was more subtle but no less damaging. Both forms of abuse are real, and both deserve to be addressed with the gravity they warrant.

Similarly, Gwyn’s implied assault is a reflection of the horrors that many survivors of sexual violence face. Her story is not just a subplot; it’s a reflection of the very real trauma that many women endure. Dismissing these moments as mere fiction invalidates the experiences of readers who may have lived through similar pain.

Conclusion

The ACOTAR fandom is divided because the series itself is complex, filled with morally gray characters and real-world issues that demand serious consideration. By rewriting canon to fit personal narratives, parts of the fandom are erasing the very complexities that make the story impactful. Domestic abuse, sexual coercion, trauma—these are not topics that should be brushed aside or simplified. They are reflections of real pain, and they deserve to be treated with respect and understanding. Both Tamlin and Rhysand are flawed characters, and both engage in abusive behaviors, though in different ways. Acknowledging these complexities is essential to understanding the series as a whole, and it’s something the fandom, as divided as it is, must come to terms with.

[urmumsgyatt]

the idea that the marauders fandom is solely based on “headcanons” and “fanon” is not only completely false but has also had detrimental impacts on this fanbase and the way people perceive the characters/the media itself. canon is important. it’s integral to the existence of the marauders. without canon there wouldn’t be A marauders. you cannot separate them because this fandom is entirely BASED on canon. it’s why erasing canon facts about certain characters or events is so infuriating to see.

no jegulus would not “secretly work”. james was a deeply loyal and righteous person. he would never betray sirius’ trust like that and most definitely WOULDNT fall in love with a death eater, especially as a man who loved and married a muggleborn. this ship actively erases james’ morals and values as a person and reduces him to being a tool and an accessory for the romanticisation of a fascist. regulus was not “misunderstood” or “secretly good”, he was canonically a fascist that had looked up to voldemort from a young age and had no problem joining a fascist terrorist organisation who’s main goal was to commit genocide against muggles and muggleborns.

you can’t say stuff like “oh it’s fine, canon doesn’t matter” when someone brings up issues with your AUs and headcanons because you’re still most definitely engaging with canon. you’re using canon characters, canon world building, and canon events, etc so canon very much DOES matter, especially for your fanon. you can’t just pick and choose what you want from the source material then advocate yourself as a space that completely disregards canon the moment someone brings up the og characterisation/canon facts that contradict your headcanons. it’s hypocritical.

[notur-dreamboy]

Assinging the endless to dead boy detectives characters because I can. (With explanations using a mix of comic and tv show lore)

Edwin - dream This was a hard choice, and while Despair was the more Canon choice as she claimed him as her friend in the 7th episode. Alternatively, I like exploring the similarities in dream and Edwin's character arch. In the comics edwin died in 1916 and escaped hell in 1989 much like the show, in the comics dream was kidnapped from 1916-1989 as opossed to the show where he escapes in 2020 or 2021 (I am unsure as to which one) they also both go through archs of finding companionship/acecpting people into their life and finding a greater purpose/finding peace with the one they're given. They're also both the bitchy intellectual type and hate most people.

Charles - destruction. I see so much fan content with him and desire, and while I see the vision, I have to disagree. (I also wanted to save them for the much more obvious choice) Destruction abandoned his position after he saw science being used as a tool for destruction because he didn't want to be the cause of massive devastation or obliteration (paraphrased from destructions page on the sandman wiki) and if that's not so incredibly Charles I don't know what is. Charles arch, we see him deal with this destructive type of anger he wants nothing to do with, so much so he represses all of it with a smile until it becomes too much.

Crystal - destiny. I gave her destiny because her arch and plotting in so intertwined with Edwin and Charles's it feels like it was nothing but destiny. Without her they wouldn't of even noticed the Becky Jackson case, the start of everything. Nothing would've happened without her. Because of her charles faced things he was hiding from himself for years, edwin let other people into his life, they wouldn't of saved niko if Crystal never had that quick interaction with her in episode one. She is so intertwined into everything I wouldn't be surprised if she was crafted by destiny himself.

Niko - death. There are multiple reasons why I gave niko death (including and in spite of the obvious). The biggest one is her future role as the principal, an employee of the afterlife and death. This is also another case of the personalities lining up. Death is seen as welcoming and kind despite being hated and feared as a concept. Death is also seen as wise and understands her role in life she is also the endless dream is closest with. On the sound of her wings when dream is feeling down about his quest for his tools being she allows him to shadow doing her job and offers him advice about his own state. I also just think death and dream's relationship is so similar to niko and Edwin's.

The cat king - desire. Really, this one is obvious. I don't know what you want me to say. His kingdom is all about want and pleasure, wuth is literally desire. His entire role is just to wake edwin up to his own desires. This is such a common concept that the most popular head Canon for him is that he is desires child.

Jenny - despair. I almost gave despair to edwin along with dream given their Canon interaction, but I decided otherwise. We don't know much about Jenny's backstory, but things can be assumed and interpreted certain ways. She owns her family's butcher shop but no family is ever mentioned (outside of a quick anecdote about her father in episode 5 but more on that later), she doesn't seem to have any friends or a social life for that matter. The letters, she reads them and follows up on the but is immediately off put on the idea of a date, which ended horribly. Her father, described as an acholohic and raging narcissist, couldn't have been a man who provided a great childhood either, yet she still took up his butcher shop. We can assume he's out of the picture for one reason or another as Jenny runs the shop herself. The first piece of advice she offers essentially boils down to people who are selfish, it can be assumed this is pulled from personal experience. Jenny is a character surrounded by despair and has grown so comfortable in it she doesn't even notice it anymore.

Tragic mick - delirium. The only endless to have 2 forms, delirium used to be delight before she evolved to delirium for reasons unknown to even destiny. Mick initially seen as comfortable in his human for until we learn about the washer woman. Niko gives him a piece of sea glass in hope it will help but instead we see him descend further into the quite madness he's proven himself into. Then we hear his story, a tragedy about a walrus forec to live the rest of his life as a human because of a bad decision. He's winds up mad (or delirious if you will) by thus decision, now wanting nothing more than to go back to being a walrus.

Bonus (Esther, monty, and the night nurse as various sandman characters) (little explanation, sorry)

Esther- the Corinthian. Created (or blessed) by a god-like deity for a certain purpose but took it too far out of pure selfishness

Monty- Mathew. Simply because they're both anthropomorphic birds.

The night nurse- lucienne/ lucien. A loyal assiant to their respective endless. Certain events cause them to drift from what they've always done or thought.

[valle-de-sombra-de-muerte]

Homestuck Reread: Act 5-1, Part 1/5 (p. 1989-2099)

Read the previous post here.

Well the last post got a much more positive reception than I expected, so that's a relief. Anyway, get the grey face paint ready, because it's time for Act 5-1.

Alternian script is the Daedric alphabet from The Elder Scrolls series flipped upside down, which I'm sure most fans know already. The user tries entering "Turdodor Fuckball" for the planet's name.

Interestingly, the correct name is not "Alternia" but "Trollplanet." Is that what Alternia translates to into English? There's like zero discussion at all about troll language because Hussie did not give a single shit about developing this alien society beyond "grey violent humans with horns."

Right out the gate, Karkat's intro leads with his key character trait: his crippling self-loathing. Everything about him, from how he excessively plays up his competence and knowledge to his naturally angry and defensive disposition, stems from the fact that he views himself as a defective freak that constantly needs to prove himself.

His interests are similar to John's. He likes bad movies, specifically romcoms, which ties into his greater passion for romance and the study of interpersonal relationships as a whole. He also has an inexplicable interest in programming. It's at least implied that Karkat only attempts to learn so he can try to compete with Sollux in a futile rivalry. The reason why John likes to program is anyone's guess.

His greatest dream is to join the Alternian military, which is probably the only viable career path for someone of his pariah status. He's constantly in danger of being culled, so he wants to prove to the Empire that he's more valuable to them alive rather than dead. In order to preserve his life, he's willing to serve them and become a tool they can use to further their intergalactic conquests.

"Trolls think fashion is stupid." A simple phrase that is regularly ignored by people who create fantrolls with garish and elaborate outfits.

A good programmer would have no trouble with this modus, so Karkat forces himself to use it until he gets good. Even though it's frustrating and causes him misery, he's so stubborn to prove himself as a good programmer that it reaches the point where Sollux has to take it away from him. Probably because it has become too much of a hindrance. IDK, we never see much of the trolls' session to find out, which is a fucking shame.

Karkat's stubbornness is also a key part of his character. See also: his trolling scheme of trolling John backwards through time is something he admits is stupid, but he continues to go through with it. He will admit he's wrong, often begrudgingly and self-deprecatingly, but will double down and refuse to change course despite that. Giving up is synonymous with failure, something he is deathly afraid of.

If Karkat is so afraid of letting his blood color become known, why does he have candy-red awnings outside his hive? He might as well have a big sign alerting everyone that a mutant lives there.

Everything about Karkat has to be big, flashy, and important. His huge ambitions compensate for his self-loathing so that others don't view him as the worthless mutant he sees himself as. He has to prove that he is a good programmer, he is a strong leader, and he will be the best threshecutioner in the whole military!

This pretty much summarizes what Karkat wants in life: to overcome caste discrimination and gain prestige and respect.

It's tempting to call Will Smith Karkat's "patron black celebrity" but I won't because 1) that whole thing doesn't carry over to the trolls, and 2) this is actually relevant to Karkat's character and not some bizarre, nonsense """joke""" like with the kids.

I've always been a big fan of "angry/uptight guy" and "goofy dumb guy" dynamics, and Karkat and Gamzee fit that to a T. Even though Karkat is extremely rude to Gamzee, he doesn't ever dispute the notion that they are in fact friends. Their friendship is being treated as an established fact, something Karkat uses an excuse to further whinge about how much his life sucks.

Gamzee drops his typing quirk momentarily. This doesn't happen often in the comic, but it's something trolls only ever do when they're close to someone, if they want to express something serious, or both.

Even before the introduction of quadrants, we see hints of a pale dynamic between them. Gamzee is the perfect sounding board for Karkat's vents, doesn't object to the verbal abuse being slung his way, and is implied much later on to be a somewhat of a calming source for Karkat. Yes of course I ship them pale. I just think they're neat, okay? <> :)

Gamzee very inelegantly changes the subject after mentioning Sollux and Karkat's friendship. Karkat may be Gamzee's best friend, but Sollux is Karkat's best friend. That must be a sore spot for him. But beyond this, we never ever see what Sollux and Gamzee's relationship might be like. It would've been nice if Gamzee was more jealous and protective of his best friend/moirail and not like it when Karkat shows more favor to anyone else.

Gamzee and Karkat's dynamic is something that I believe Hussie wanted to set up throughout the Act so that their eventual confrontation would have a bigger payoff, but he fumbled massively with the execution. Either because he doesn't really give a shit about Gamzee, or through sheer inept writing, I can't say. But it sucks because there's definitely a lot of potential here.

They're the first trolls to interact in this new Act, but they don't really ever talk much after this point. They're only ever seen together sporadically and it's implied a handful of times that they're closer than Karkat is willing to let on, but there's never anything beyond that. They really needed to speak more so their relationship could be fleshed out. I'll talk more about this as I move along because this lives in my brain rent-free.

It's really dumb how Gamzee's "rather obscure cult" ended up turning into a religion that pretty much every purple blood follows, but I'm not going to talk about post-canon garbage. I get a headache just thinking about it.

I do like the Joker Card posters in his room. I had that Riddle Box one in my own room for a time.

He likes to "chat a lot" with Karkat. So I guess they just talk to each other way more than what's shown in the text. Thanks, Hussie.

Gamzee never received a proper upbringing from his guardian and had to essentially raise himself. In the process of this, he became addicted to mind-altering substances. To everyone who says Bro is the worst guardian in the story, I gladly point you all to Goat Dad.

Terezi is being intentionally annoying. I know most of the trolls are assholes, but why do any of them waste their time with Terezi when she makes it a point to be obnoxious? It's even more baffling when people try to paint her as one of the more "well-adjusted" trolls.

Karkat fantasizes about making doomsday viruses, huh? I'm going to keep a pin in this for l8r I mean later...

It's funny how Karkat both admires and envies Sollux. Their relationship is also one that doesn't get a lot of attention, despite ostensibly being the "John" and "Dave" parallels of the troll cast. Oh wait, I guess John and Dave's friendship ended up being really shallow and one-sided too. So this tracks, actually.

Sollux disparages Gamzee's religion and expresses disgust when he suspects Karkat might be a convert. So again, I think there's definitely some conflict between these two. Two of the trolls that Karkat is closest to don't seem to like each other. It makes me kind of wish we got some auspistice action between the three of them.

Even though Karkat is regularly rude to his friends, he still values their company deep down. He might be one of the most personable trolls despite his grouchy attitude. He not only tolerates the obnoxious people in his contacts, he actually considers them his close friends. Gamzee is a total dullard and Sollux is crass and moody, but they're also the ones he's closest to. Out of the main cast of trolls, there's only one whom Karkat actively dislikes and makes no real attempt at being sociable with. I'll talk about that when I reach that part.

"Orchestrating the demise of the wicked" yeah I'm sure John was guilty of being very wicked and dastardly when she sent him to his death.

Terezi has a passion for justice, but keep in mind that "justice" on Alternia is equivalent to sentencing people to death for the pettiest of reasons. So no, she is not at all some moral, upstanding heroine. She's a psychotic gremlin who enjoys killing people if they violate her draconian interpretation of the law. She does not care for defending victims of injustice, she enforces the will of the state.

Part of Terezi's core conceit is that she's this half-assed Daredevil parody. She's 1) blind and has super senses 2) uses a cane to fight, and 3) is a "lawyer." Aside from that, she shares nothing else in common with Daredevil. I imagine Hussie does not know anything about superheroes beyond superficial, pop culture knowledge.

I remember when people loved to portray Nepeta and Terezi as good friends, but Terezi doesn't actually like role playing with her. She treats her like a joke, much like everyone else. Poor Nepeta gets such a raw deal.

In Nepeta's very first speaking appearance, we get a glimpse of her horrible relationship with Equius. Despite the physical distance between them, she's so browbeaten into subservience that she feels the need to ask him for "purrmission" before doing anything. She is scared about expressing her honest desires around him, preferring to skirt around the issue and just blindly hoping that things will work out and he won't get mad at her. It feels like someone trying to wear kid gloves around an abusive partner or parent. Despite Terezi's concerns, Nepeta tries to downplay the issue and pretend everything's fine.

This conversation is honestly sad to read. "But nooo they are bestest friends!" I hear the fans cry as they flock around the flanderized, fluffy art of Nepeta and Equius. Is that why she straight up admits that she's scared of him? Fuck Meowrails. I hate that shit so much. I'm going to spit so much acid every time it rears its ugly head.

We have to constantly be reminded of Terezi's blindness since it really doesn't impact her character in a meaningful way. Sure she can't see, but she can navigate the world around her so adeptly with her super senses that it's a non-issue. Nobody would even notice that she's blind if she wasn't always pointing it out.

Eridan is mentioned as being part of this inner circle that's in the know about Sgrub. Huh.

I'm old enough to remember when Eridan had yet to be revealed and the only information about him was this page. Some people thought he'd be some kind of environmental activist. It's funny to think about now, but I really miss the days when fans would theorize about future updates and unseen characters. All that guesswork and theorycrafting led to some really fun discussions and fanworks. The boundless creativity shown by the fans was what made the Homestuck fandom something really special in those days. And it's something we lost once the comic was finished and Hussie's completed product didn't measure up to the fans' expectations.

I really really miss 2010-11, you guys...

I really have to question the logistics of this convoluted reproduction cycle. If the adult trolls are off-world, how long does it take the drones to transport the genetic material back to Alternia? Are they just zipping all across the galaxy to do constant jizz runs?

None of this really matters because as previously established, the main trolls were not born in this manner. They're all slime constructs born from an entirely separate incestuous slurry from natural trolls. I think Hussie just has an obsession with creatures being birthed from goo or something.

One of the biggest problems with Act 5-1 is this rushed tone it has. It's weird to say because I remember how often people complained about how long the Act was taking to wrap up, but it's true! Hussie really wants to zip through these character introductions without elaborating on any of the worldbuilding he touches upon along the way. It's what makes troll society as a whole feel so shallow and not well thought out.

These characters really needed their own story divorced from that of the kids and Sburb. A story where the Alternia setting could be allowed to breathe and be explored more thoroughly and thoughtfully. I think that would've made for a more entertaining read.

Sollux gets this fake-out intro that's basically a retread of Dave's. Aside from being kind of standoffish and tech-savvy, this parallel doesn't go anywhere. There's little else that connects Sollux with Dave because Sollux is hardly a main character. He is the tech guy who has mood swings, doesn't like to be involved with shenanigans, and has visions of doom that make him depressed. He's a glorified background character.

Okay, "beenary code" is kind of a lame pun, but I do think "silicomb" is clever.

Kanaya lives near the ruins of Alternia's frog temple. Both she and Aradia are kind of the "Jade" of the trolls' session. Aradia by means of doing background plot stuff, and Kanaya through... I suppose theming? Both she and Jade are isolated, considered "outliers" in their culture/friend group, receive regular visions from Skaia, and are the teams' Space players.

It's worth noting how both the "Jade" trolls wind up being the most stoic, unflappable characters of the cast and mostly serve the purpose of being exposition-dumpers and plot devices. Kinda like Jade herself, except instead of being deadpan she's quirky and all over the place.

I feel like this post could've been a lot longer, but I'm limiting myself to only five posts for this Act. I don't want to stretch this project out too long, lest I be yapping about the trolls until the end of time.

[olderthannetfic]

This NaNoWriMo stuff with AI is largely unsurprising to me. I don't know how many people have gone beyond reading the viral clipped out bit about classism and ableism, but there was a follow up statement on that, in which they claim to take a very neutral stance. That their initial intent was apparently trying to curtail harassment of those who are using AI and they at least apologized for their confusing and unthoughtful wording of their original statement. Which seems legitimate enough to me. I'm sure they are sorry, considering the swift and unforgiving backlash they received. What I find kind of bizarre about this whole thing is, like, if you are running an event surrounding writing and making guidelines for what is and isn't okay in general-- then wouldn't it be a perfectly reasonable addition, to set out some level of encouraged practices for how one should or shouldn't use AI for during said event. Guidelines that are encouraged, that follow what everyone believes to be the spirit of the event (sitting down and actually writing a little every day for a month) would seem like a perfectly reasonable thing to do, to me. Like, am I off base here? With the rise in AI this seems like the natural progression. Even if only in spirit, not allowing generated works specifically seems like it would be a completely understandable guideline that keeps the event fair to those trying to do it the way it's meant to be done. And if you wanted to be neutral about it, it could be presented alongside a more lax policy around using AI to say, generate a plot bunny when experiencing writers block or create names for places/characters. People have been using tools like that for ages so there's precedent to allow "thoughtful" use of AI for these purposes. Anything at all, even if it can't be completely enforced, seems like it would have been better. The random endorsement of AI for people in certain circumstances from their follow up statement, and how it can be life changing, if one were to take their meaning in the most charitable way possible, does not feel like it's on topic here. Like, all this effort to be "neutral" on their part is not really coming across that way it's all just so damn clumsy. I try to always assume positive intent, not attributing to maliciousness (such as capital gain at the expense of creatives, which is one of the major problems with AI generated work) what can be better explained by ignorance, but even taking all that they've said in such a fashion, it largely feels like they didn't want people arguing about AI but also didn't want to have to make rules around AI that they would then have to, even if only in spirit, enforce. I can sort of understand that, considering it would be (most likely) impossible for them to differentiate between generated work and stuff that was written by a person. But again. They could have just said that it wouldn't be possible for them to police AI usage, blah blah blah, honor system (which again is already part of how NaNo works-- an honor system) but that targeted harassment campaigns of individuals for any reason would not be allowed within these spaces, up to and including suspected use of AI. Like there were so many different ways this could have been approached to accomplish what their stated goal was. Without??? Accidentally taking a very strange and not well thought out direct stance on AI that they later had to halfway walk back and apologize for. I don't think NaNoWriMo ever intended the message to be "We allow AI generated works now" (unless there's something I missed) -- That's not explicitly something they said, but rather the at large and reactionary interpretation of it. Now, I just have to wonder, what the hell happened to their September update post from last week, that was apparently addressing other issues. One thing I'll say for this whole mess, is it's at least amusing to watch the absurdity of their slow motion collapse hitting the speedrun stage toward total implosion. The org has had major internal problems for years now.

--

Honestly, I think the reaction is at least as much about longstanding issues with the organization as about people's fears of AI. Poorly thought out corporate idiocy feels in-character.

[tohwitchesduels]

REQUEST BATTLES OF WITCHES DUELS - Battle 31: Matt Tholomule vs Gus Porter

Disclaimer: This is not a popularity contest or which character you prefer, in this tournament, you decide who is stronger/better/smarter/etc. opponent.

information for both opponents under the cut to those who don't know what they can do in their battle:

Matt Tholomule:

Mattholomule specializes mainly in construction and illusion magic.

Matt is known to be quite underestimated by those around him, but he does possess the skill, even if gloats to be able to bite more than he can chew. Matt is however pretty smart when it comes to the usage of his powers, even if he doesn't use them too offensively. He can however be pretty hopeless at times, being taken out easily if his opponents prove to be more formidable than him. He does lack drive and fighting spirit if he does not have confidence in his abilities.

Matt originally was looking forward to battling Gus in the semi-finals or maybe even during the second round, but life ultimately got other plans making it Matt almost impossible to meet Gus within the tournament in an official match-up so it ended up being a request battle which did not do well for his ego. To gain some confidence and compensate for the humiliation he felt over losing constantly he started to act extra cocky and once again put Gus down and his skill just to feel good about himself, even if he's not sincere in the slightest.

Matt does not possess any known palisman, nor showcased any on the screen. Because of this anyone fighting him would also not be allowed to wield a palisman

Size alteration - Matt is capable of altering the size of any of his body parts. This displayed first during Covention with his head.

Construction Tool - Matt is capable of creating tools made out of earthen materials as displayed TTLGR when he created a key/blade to cut Gus free. This ability during battle can manifest as Matt is capable of creating any kind of tool or weapon to help him during the battle.

Geokinesis - Implied in TTLGR that Matt can telekinetically move earthen materials as displayed when he helped clean the graveyard by moving the broken parts of the statues placing them back and making them stick together. During the battle, Matt would be capable of throwing rubble at his opponents.

Rock Wall - as displayed in LR, Matt is capable of creating walls to block attacks. The walls are thin so can be broken through enough force, but Matt displayed pretty great reflexes with those walls and they are still fairly durable.

Rock Dummy - as displayed in FTF, Matt is capable of creating a rock dummy of himself to appear wherever he feels like it.

Camouflage - Displayed in its full glory in FTF where Matt made Amity completely disappear. During the battle, Matt can turn himself invisible temporarily and other people as well (battle royale-exclusive)

Cloak - I'm allowing this ability because with Gus's clones running around amok, it would certainly become effective here. Matt can take the form of anyone that can be used to confuse his opponents. He doesn't however gain their abilities.

Smokescreen - Matt is capable of releasing a smokescreen that can disorient his opponents.

Link to more of Matt's capabilities here

Gus Porter:

Gus Porter is a prodigy when it comes to illusion magic. Prodigious enough to skip a few grades and even defeat the coven head of illusions with his sheer raw power. Gus displays insane potential and a big imagination when it comes to his magic. Now his powers are still limited by his own imagination and creativity meaning his illusions for the most part can be used mostly for deception and distraction, but during this tournament, Gus finally revised his own skill to find even offensive capabilities of his powers. While Gus did display the willingness to study other tracks, he ultimately never did due to his reassurance in being a master illusionist how easy it comes to him, and how much he can do with illusions alone.

One must know how intelligent Gus is during his battles. He can easily fool and toy with his opponents thanks to his illusions and Gus is also not afraid to either mock or straight-up torture his enemies during his battle just to get the results he needs, and has more than enough raw power to pull his schemes to their fullest. It's worth noting that when Gus feels extreme emotions, his magic only gets amplified, however, the side effects could be that Gus actually loses control over his own powers and gets to be the victim of them too, though thankfully to the magical amplifier from Graye, the risk of that is lesser.

Gus was originally looking forward to facing off against Matt in the official battle of this tournament as they had very ongoing frenemy situationship with one another but figured that Matt most likely wouldn't last that long, which certainly didn't do well for his self-esteem (something something toxic Yaoi something something the first write of this was better but it's gone because fuckin Tumblr 🤬🤬🤬 something something). Gus did not take it well however Matt becoming extra cocky and putting him down when Gus was certainly doing better in the tournament than Matt did as while Matt kept on losing to everyone within the losers bracket, Gus won almost all of his matches except for one, and even that one loss was 1. To his friend who he's proud of. 2. An honorable loss and well put-up fight 3. Said loss didn't completely close doors to advancing further in the tournament for him, unlike Matt's case which made it downright impossible for them to meet officially. Therefore Gus decided to not hold back in the slightest and put Matt right in his place.

During this battle, Palismen are not allowed.

One of the artifacts I allow Gus to have independently regarding whether or not his opponent also has any supportive gear is the looking glass earring he got after he defeated Adrian. The magical amplifier allows Gus to further concentrate his raw power into specific abilities he has a hard time pulling on his own and even enhancing them in the process, growing more powerful.

Light Spell - as proven in UW, Gus is capable of utilising light spells. Gus can use it to either illuminate the terrain or blind his opponents with it. He can produce multiple blinding orbs at once with his power and will usually use it in tandem with absolute darkness to make the light orbs all the more effective. He can also create quite large orbs of light.

Illusion Perception - Gus can see through the illusions of others. He can however be taken by surprise.

Illusion Cancel - Gus is capable of completely canceling the illusions of other people with no real effort.

Telekinesis - Gus displayed the capacity to move multiple objects with his mind. Usually, the objects are rather small and it appears Gus can't use telekinesis on a person, but he can utilise this ability offensively to throw projectiles at his opponent or to potentially deflect incoming attacks if they're little projectiles too.

Glamour - Unlike other examples of battle-royal glamour, Gus can use his glamour in 1v1 scenarios thanks to his ability to create clones and entities of any kind. This means Gus can easily disguise himself among the crowd as he can create a crowd himself. Gus is capable of taking the form of anyone he desires or merely amplifying the form he already has (like putting on additional clothes or features like devil's legs).

Mini Clones - Gus is capable of creating mini clones of himself (usually up to 3) that can be used to nag his opponents as seen in TTLGR.

Illusion Clones - Gus is capable of creating huge numbers of clones. The clones can take either the shape of himself or even other people. The clones usually don't display the capacity of the people they were cloned from but can develop a personality of their own. They still remain obedient to Gus and can be used as a great distraction, This ability also allows Gus to use his Glamour ability. The close will disappear upon impact.

Strength Enhancement - Gus is capable of enhancing the strength of his illusions, himself, or even others and the magic of others as proven in the First Day when Gus created buff arms for Willow's plant monster. The enhancement is still illusionary in nature.

Camouflage - as proven throughout the series, Gus can disguise himself and remove himself from the sight of his opponents. He can also do it to large chunks of areas or other people. As seen in KT he can also make his disappearance cover in flying birds. He could also potentially create bushes to camouflage as shown in Hooty's Moving Hassle.

Illusion Teleport - whether it's camouflage hiding his movement or true teleport, Gus can reappear wherever he pleases with a puff of smoke. The range of it doesn't seem big though. It was demonstrated during Covention.

Light Construct - Gus is capable of creating constructs of poor light. Usually unlike the illusions, they don't necessarily look like real objects but energy taken shape of objects, but can be used as effectively by creating tools Gus needs during the battle.

Illusion Construct - a stronger version of light construct, Gus is capable of creating constructs that seem like real objects. Gus showcased it throughout the series.

Illusion Beast - a stronger version of his illusion clones, where Gus is capable of creating living beings that are illusions. Said beings can take any form, be it mirror and gender-inverted versions of their opponents, or completely unrelated beings. Usually, however, the said beings don't necessarily have the true power of their own and are nothing but a mirage, though Gus potentially could create the illusion of damage they cause thanks to his strength-enhancing ability.

Absolute Darkness - Gus is capable of covering the entire battlefield in absolute darkness that can camouflage him and disorient his opponents. The darkness can be dispelled with enough force, though it's usually more durable than most of Gus's illusions. Gus can utilise this ability to hide his true intentions and sneak attack.

Illusion Terrain - Gus is capable of changing the terrain with his illusion magic however he pleases, taking the shape of anything from Gus's memory. Be it his room, the carnival, the graveyard, whatever. Said technique can be used to confuse and disorient his opponents. Gus is also capable of making the terrain switch from one imaginary to another. Sometimes the terrain can actually perfectly match the terrain that is beneath the illusion. It is also very difficult to cancel.

Illusion-Shifting Terrain - amplified version of the previous attack, in this case, the terrain is constantly shifting and moving, completely covering the battlefield that can disorient and confuse the opponent. Also, so many details at once constantly changing could give people some serious headaches with sensory overload.

Magic Cancel - not real magic cancel but with the help of Illusion Terrain, Gus is capable of making people believe their magic circles have no effect.

Sensory Confusion - as proven in TTLGR, Gus managed to somewhat successfully convince Bria that her hands were missing.

Traumatic Re-memory - Gus is capable of using his magic to get inside the heads of his opponents to make them re-live their worst memories. Gus can use this ability to learn the weaknesses of his opponents or render them completely useless as they are stuck in their own heads. The only person that is known to be able to resist this ability is Hunter as in some cases could stick for a long time depending on how strong-willed Gus's opponents are. This is Gus's most painful attack.

Trauma Bubble - a technique of traumatic re-memory. Rather than focusing his magic to invade the mind of someone, Gus creates a bubble of pure magical energy that anyone who touches it would begin to re-live their worst memories. The side effect of this shield is that Gus could also potentially be stuck inside the bubble for some time before managing to dispel it.

Mind Illusion - a variation of traumatic re-memory that isn't necessarily harmful but is the ultimate culmination of Gus's illusionary prowess by making his opponents be stuck in the maze of illusion that is solely inside their heads. Demonstrated by Hunter who was completely disoriented by Gus's illusion not being capable of seeing where Gus truly is and wandering from place to place that did not even exist. The illusions could be Gus's memories, his opponents' memories, or just illusionary images.

Link to more of Gus's capabilities here

Return to Masterpost

[littleshysheep-at-da]

Sooo… to start let me say I used to Draw and Post stuff for EVERYTHING I was into but now I only really post my 2 hyper fixations (which I think is more fun? Maybe? Still figuring some Social Media Mentality stuff out haha). But rest assured I still consume a lot of content (mostly a FUCK TON of Manga and some Games).

So I love Dolls and I play Identity V (since like 2019 but I’ve had soooo many Account Issues do not get me started, so inconsistent playing on and off). When I was going through old Dolls I realized I still had 2 Lalaloopsy (while 3 cause one of them came with a Lil Sis I haven’t decided what to do with yet). And with the Buttons Eyes and jokes people make about Lalaloopsy and IDV I decided… Doll Mod time. I decided to do my two favorite skins for my girls Emma and Emily (Hello Kitty Dream Emma and Recovery (Once Line) Emily)! They were Originally Jewel and Berry (Jewel that came with her Lil Sis and Berry with the Kitchen Play-set but idk where the Kitchen ended up) but I cut them in half and switched tops and bottoms so the collars and skirts matched closer to what I wanted to make! It’s sort of my first time doing this type of Sculpting and I bought Sculpting Tools for it and am proud of my improvement even between on to the next (I did Emma first then Emily)!

I know Emma’s outfit has waaay more Bows but it’s too small to do more than what I did and even then I added so many!!! Also no idea if Emily’s hat is supposed to have Gold on it or it’s actually Sliver I cannot tell with the lighting in Game. I tried to do the pattern of the back of the hat but it’s close enough (small scale small scale…).

I’m actually a Hunter Main (and try a bunch of Hunters though mostly 2 old Mains and 3 new ones) and rarely play Survivor lol (though I love a lot of the Survivors as Characters). I used to literally ONLY play Emily but recently picked up Emma because that Hello Kitty skin was too cute to pass up (also Survivor rework happened while I was away so trying new builds out). Also I love this Emily skin but I can’t use it in matches because the Pin glows red right on the chest and I can never tell if it’s the Heartbeat for Hunter or not lol.

[gale-gentlepenguin]

There are two types of writers

1. The ones that use their characters to drive the plot

2. The ones who let their characters tell them what they do in the plot.

And the difference in writing of these two shows.

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[emile-hides]

I cannot believe no one’s gifed POV Ramattra tilting your chin up with his staff yet. Must I do everything around here.

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[fatedroses]

Zenos viator Galvus and him trying to deal with actually feeling things for once (Even if he doesn't really understand how to handle the comfort he receives from others for it)

I am also giving this man a dad that actually cares, because this brainworm have gotten me and there is no saving me from them.

[msnihilist]

Once again, no, you were not groomed by proshipping. You were groomed by someone using proshipping.

My groomer used a pairing that I already liked to desensitize me to sexual interactions, and it was a completely normal and popular pairing. To this day, I still don't like it. It's completely okay to not like or even hate those things that your groomer used against you.

It's not okay to demonize an entire group of people or lump the ideology itself in with a terrible experience that you had. Your trauma does not make you infallible.

It is not the fault of the content you were shown that you got groomed. Groomers will use anything. They are bad people. The content you were shown is neutral.

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.