#people on Sunday

[pierppasolini]

Menschen am Sonntag (1930) // dir. Robert Siodmak, Edgar G. Ulmer

[quotethatfilm]

People on Sunday (1930)

[malenjoyer]

WE'RE SO BACK

[izimbracreenshots]

People on Sunday by Robert Siodmak and Edgar G. Ulmer, 1930

[mayakovskaya]

Domenique Dumont - People on Sunday

[pacingmusings]

Seen in 2024:

People on Sunday (Robert Siodmak & Edgar G. Ulmer), 1930

[mumblesplash]

i say if you’re gonna have the mysterious entities speak in rhyme you might as well commit (EDIT: part 2!)

(posting an unprecedented Part 1 of At Least 3 bc i actually have the entire script and most of the storyboarding for this done already)

[movie-posters-love]

[billpottsismygf]

Doctor Who: The Impossible Planet & The Satan Pit / The Legend of Ruby Sunday

[cinthgarden]

Remember ?

[mouseshift]

stan sketch page

[pierppasolini]

Menschen am Sonntag (1930) // dir. Robert Siodmak, Edgar G. Ulmer

[nhura]

QUICK NO ONE'S LOOKING

(See readmore for thoughts, cope, bonus, etc.)

Anyone else up thinking about Ratio's big, strong, secure arms and how warm and all-consuming they could be in a hug or embrace. :/ Anyway

I just wanted to draw them being cute and seizing a sliver of a moment where they could have some PDA silly time without actually having any eyes on them. They're public figures and working adults with very clear boundaries between public persona and private life (to varying degrees of "in a sad way"), so while it may be in Aventurine's nature to constantly blur lines for various agendas and self-preservation (read: play "the flirt" without an aligned goal), I believe that in an actual relationship they'd be fairly private.

It's kind of fun to break your own rules, though! Ratio would be more upset about the consequences, though. He's a little bit of a hypocrite, which is devastating for someone of such discipline, but nobody's perfect.

I'm of the mentality of, "If you're tired of working on it, then just post it!", so here are some fun peripherals that I didn't feel like adding:

Some staff in the background sweeping up to evoke a blended sense of fragile privacy and liminal time.

A laptop on the aquarium/bar/counter because there's something fascinating about seeing people on their work laptops in public.

The rest of their clothes (casual friday)

[notesonfilm1]

Berlin Alexanderplatz (Phil Jutzi, Germany, 1931)

[claraoswalds]

It's funny, 'cause I wonder where the TARDIS goes at random. Maybe it lands on some outcrop by the sea. And there's a tribe and they worship it for 100 years. Then they grow up and try to burn it. Then they get wise. They preserve it. Then they build a city all around it, till the TARDIS is just a tiny little dot, surrounded by skyscrapers and monorails. Time passes and the city falls. It all gets swept away. And there's the TARDIS... still on its outcrop... by the sea.

[litl-rat-dude]

more hsr doots, just having fun figuring out their shapes :)